#linda gradin

[mariska]

Pamela Anderson for WWD; February, 2023 | Photography by Heather Hazzan • Hair by Clay Nielsen • Makeup by Linda Gradin • Styling by Alex Badia + fashion assistance by Kimberly Infante

(photos via thisisclay + heatherhazzan on instagram)

[katiemccurdy]

Molly Ringwald for V Magazine

Art Director / Tobias Sholmann Photo & Bookings Director / Goran Macura Styling / Xander Ang Makeup / Linda Gradin Hair / Marcos Santini Editor / Savannah Sobrevilla

[weekendposthouse]

CAVA X EMMA CHAMPERLAIN “Emma’s fire bowl”2022 
Client : Cava (@cava)
Film Director : David Bradon Geeting(@davidbrandongeeting)
Director of Photography : Wilson Cameron(@wcameron) Producer : Mark McGann(@markmcgann23)
Editor : Steven Rico (@stevenricostudio)
Jordan Strong (@dirtydoggy)
Conrad Dundorf(@butfirsttheymustfindus)
Cast : Emma Chamberlain (@emmachamberlain)
Creative Ditector : Merce Muse(@merceandthemuse)
Art director : Bryan Fountain(@bryan.fountain)
Food styling : Tyna Hoang (@tyna.hoang)
Stylist : Jared Ellner (@jaredellner)
Hair Stylist : Takayoshi Tsukisawa (@tsukihair)
Make Up Artist : Linda Gradin(@lindagradinmakeup)
Nail Artist : Natalie Pavloski(@nataliepnails)
Set Designer : Megan Kiantos(@megankiantos) Retoucher : Sara Barr(@sarastoutbarr)
Post Production : (@weekendposthouse) . . . . . . #weekendposthouse #WPH #cava #emmasfirebowl #emmachamberlain #postproduction #filmmaking #film #cinematography #filmmakers #videoproduction #colorgrading #editing #videography #director #production #sounddesign #cinema #editorial #colorist #videoediting #editor #audiopost #cinematographer #filmproduction #animation #videographer #videomaker #behindthescenes #emmachamberlainedit (at Brooklyn, New York) https://www.instagram.com/p/Chao97RggnX/?igshid=NGJjMDIxMWI=

[lateliernyc]

Linda Gradin for The Travel Almanac

Photographer: Daniel P. Shea

Stylist: Clare Byrne

[scintillulae]

[athingcalledbliss]

Ali Osk by Agata Pospieszynska for Harper’s Bazaar Russia September 2018

[margareth-lv]

Simple Pleasures.

«… Balfe doesn’t mind. She’s happy to embrace her body and celebrate womanhood.

“I have insecurities,” she says. “My figure isn’t what it was at 26, but it’s important that we show real woman onscreen. Who you are as a person is more important than having a perky butt”.»

… makes you kind of feel like she has both of those things … InStyle Magazine (April 2016):

Caitriona Balfe by Joachim Mueller-Ruchholtz for InStyle Magazine (April 2016)

[Fashion Editor: Melissa Rubini / Apparel: Bally, Jil Sander, Carolina Herrera, Hair Stylist: Miki / Makeup Artist: Linda Gradin]

[newestcool]

Munaiya Bilal for Teen Vogue September 2020 “Four Black Muslim Models on What Fashion Means to Them” Photographer Oumayma B. Tanfous Fashion Editor/Stylist Rachael Wang Makeup Artist Linda Gradin Casting Director Nouri Hassan IG

[distantvoices]

Kateryna Zub by Ester Grass Vergara for Allure Magazine. Makeup by Linda Gradin.

[afrostylemagazine]

P R I M A R Y B L U E Shot by Olivia Malone, styled by Henna Koskine, MUA by Linda Gradin, Hair by Junya Nakashima, set by Hans Maharawal ft Nyajock + Jobe...AmaXing!! @lindagradinmakeup @hennakristiina @junyahair @nkoang @langjobee @studio_hans_nyc @oliviamalone #fashion #fashionista #instagram #art #love #amazing #tbt #instagood #repost #selfie #lol #beautiful  #blackandwhite #photographer  #photo #photography  #summer #instadaily  #photooftheday  #followme #me #fun #style  #throwback #color #creative #europe #africa  #wedding #thinkoutsidethebox WWW.AFROSTYLEMAG.COM https://www.instagram.com/p/CDEtEJPJa3O/?igshid=1hvdzxhu7ehaf

[robertshugartca]

“Just yesterday somebody told me that I was intimidating,”...

“Just yesterday somebody told me that I was intimidating,” Maggie Rogers tells me, ambivalent chuckles bookending her statement. Rogers and I are on a transcontinental phone call discussing her new record Heard It in a Past Life , which dropped in January this year, as well as the ever-swelling attention and tumult (and criticism) accompanying it. A genuine fan of the singer-songwriters’ whimsical, open-hearted pop tunes since long before this interview was scheduled, I find myself curled up on a couch in my office, shoes off, chatting with Rogers like a long-lost friend. “I guess if being intimidating means that I’m a powerful woman in charge of my craft then I’ll take it,” she continues. “But there’s another part of me that’s like, oh man , I want to be welcoming and warm and kind.” Rogers sighs into the speaker. “I think there’s a way to be both. I just don’t know what the right word for it is.”

As a woman who has also been on the receiving end of “intimidating” (a backhanded compliment that Rogers and I agree has undeniably gendered undertones), I would never betray the tribe by labeling her with a word whose synonyms, according to a quick dictionary search, include “frightening” and “threatening.” “Inspiring” might be the word Rogers is grasping for, though it doesn’t pack the same commanding nuance of “intimidating,” which she certainly deserves. In 2016, the 24-year-old recording artist (then a senior in college) catapulted to instant stardom after a video of Pharrell Williams listening to her song “Alaska” went viral. In the clip, which the internet hastily christened “the Pharrell video,” Williams tears up upon hearing the track (which Rogers reportedly wrote in 15 minutes) in a masterclass at NYU. Rogers hasn’t tired of talking about that video, though she has grown weary of the language the press generally uses to describe it. “I’m trying to reframe the Pharrell video in my mind as ‘the NYU video,’” she says, “because I’ve realized that calling it ‘the Pharrell video’ takes my agency out of it.”

From what I can see, Rogers’ “intimidating” qualities are simply positive attributes not typically encouraged or highlighted in women. She is well-educated and accomplished at a young age: In high school, she took home a prestigious songwriting award from Berklee College of Music; she then went on to obtain degrees in English literature and sound engineering from NYU. Rogers also has a self-possession that seems to threaten men in particular: “Some dudes,” Rogers laughs. “I don’t know what to do with them.”  Among these dudes is a reporter at The Independent who opened a recent profile of Rogers with this: “Rogers is climbing all over my questions. The 24-year-old singer-songwriter once toyed with being a journalist, and has strong opinions about how I’m conducting our interview. … When I ask her if she is bored of talking about [Pharrell], she says framing it that way is ‘negative’ and ‘annoying.’ ‘A better way to ask that,’ she suggests, ‘is ‘how did it feel?’”

As a journalist, I feel relieved to have been spared this level of ruthless examination. But as a spectator, I find Rogers’s perspicacity delicious.

Photographer: Mark Lim; Stylist: Nicholas Mackinnon; Hair: Yuhi Kim, Makeup: Linda Gradin. Next: Don’t miss our exclusive with Elle Fanning.

source https://gothify1.tumblr.com/post/184241931030

[gothify1]

“Just yesterday somebody told me that I was intimidating,” Maggie Rogers tells me, ambivalent chuckles bookending her statement. Rogers and I are on a transcontinental phone call discussing her new record Heard It in a Past Life , which dropped in January this year, as well as the ever-swelling attention and tumult (and criticism) accompanying it. A genuine fan of the singer-songwriters’ whimsical, open-hearted pop tunes since long before this interview was scheduled, I find myself curled up on a couch in my office, shoes off, chatting with Rogers like a long-lost friend. “I guess if being intimidating means that I’m a powerful woman in charge of my craft then I’ll take it,” she continues. “But there’s another part of me that’s like, oh man , I want to be welcoming and warm and kind.” Rogers sighs into the speaker. “I think there’s a way to be both. I just don’t know what the right word for it is.” As a woman who has also been on the receiving end of “intimidating” (a backhanded compliment that Rogers and I agree has undeniably gendered undertones), I would never betray the tribe by labeling her with a word whose synonyms, according to a quick dictionary search, include “frightening” and “threatening.” “Inspiring” might be the word Rogers is grasping for, though it doesn’t pack the same commanding nuance of “intimidating,” which she certainly deserves. In 2016, the 24-year-old recording artist (then a senior in college) catapulted to instant stardom after a video of Pharrell Williams listening to her song “Alaska” went viral. In the clip, which the internet hastily christened “the Pharrell video,” Williams tears up upon hearing the track (which Rogers reportedly wrote in 15 minutes) in a masterclass at NYU. Rogers hasn’t tired of talking about that video, though she has grown weary of the language the press generally uses to describe it. “I’m trying to reframe the Pharrell video in my mind as ‘the NYU video,’” she says, “because I’ve realized that calling it ‘the Pharrell video’ takes my agency out of it.” From what I can see, Rogers’ “intimidating” qualities are simply positive attributes not typically encouraged or highlighted in women. She is well-educated and accomplished at a young age: In high school, she took home a prestigious songwriting award from Berklee College of Music; she then went on to obtain degrees in English literature and sound engineering from NYU. Rogers also has a self-possession that seems to threaten men in particular: “Some dudes,” Rogers laughs. “I don’t know what to do with them.”  Among these dudes is a reporter at The Independent who opened a recent profile of Rogers with this: “Rogers is climbing all over my questions. The 24-year-old singer-songwriter once toyed with being a journalist, and has strong opinions about how I’m conducting our interview. … When I ask her if she is bored of talking about [Pharrell], she says framing it that way is ‘negative’ and ‘annoying.’ ‘A better way to ask that,’ she suggests, ‘is ‘how did it feel?’” As a journalist, I feel relieved to have been spared this level of ruthless examination. But as a spectator, I find Rogers's perspicacity delicious. Photographer: Mark Lim; Stylist: Nicholas Mackinnon; Hair: Yuhi Kim, Makeup: Linda Gradin. Next: Don't miss our exclusive with Elle Fanning.

[universomovie]

Photography: Agata Pospieszynska. Styling: Svetlana Vashenyak. Hair: Jerome Cultrera. Makeup: Linda Gradin. Retouch: Karolina Koza-Marasek. Model: Ali Osk.

Harper’s Bazaar Rússia Setembro 2018 Ali Osk by Agata Pospieszynska Photography: Agata Pospieszynska. Styling: Svetlana Vashenyak. Hair: Jerome Cultrera. Makeup: Linda Gradin. Retouch: Karolina Koza-Marasek. Model: Ali Osk.

[adland]

Telenor pokes holes in the "offline prejudices" regarding how much time we spend online each day with this film. An older man reading the sports pages in his couch starts it off by declaring eSports to not be " a real sport". An influencer spotting a fuzzy blue hat that she selfies herself with sasses off that "This isn't a real job". Even the well-meaning mother wants her daughter to stop swiping left, and "meet someone for real." 

Directed by award-winning director Adam Hashemi, the commercial features one of the world’s biggest esport stars Olof “Olofmeister” Keijber, the Olympic gold medalist and Stanley Cup Winner Håkan Loob, and Cajsa Wessberg – influencer, illustrator and model. 

Linda Wetterborg, Tribe Lead, Sales and Marketing at Telenor explains: 

“There’s a common belief that the online achievements and activities are less valuable than IRL ones. We don’t believe that and with this campaign, we want to encourage people to reflect on what their attitudes actually say about them.”

Erik Bergqvist, Executive Creative Director at Acne, continues:

“By balancing humour, sincerity and seriousness, the campaign’s aim is to encourage reflection with a message that even the naysayers can relate to. That led to a distinct visual approach and a tone-of-voice that differentiates itself from what you normally see from a Telco.”

With the tagline: The world has changed. Have you?  Telenor with this commercial aim to respond to the current ongoing debate surrounding the negative impact of online use, and hopes to open up for a more nuanced dialogue about screen-time and encourages everyone to challenge prejudice. Because Telenor wouldn't want you to unplug.

lient: Telenor

Linda Wetterborg, Tribe Lead Sales and Marketing 

Tobias Clewemar, Head of Brand and Marketing strategy

Mimmi Sköldberg, Brand Campaign Manager 

Kendra Ibsen, Product Owner Brandhouse

Mathias Muhrman, Senior Content marketing Manager

Agency: Acne

  Erik Bergqvist, Executive Creative Director Niclas Norström, Planning Director Tommy Carlsson, Creative Lead Joel Lindblad, Copywriter

Isaac Bonnier, Senior Art Director Henrik Åkerberg, Final Art

Johanna Gradin, Account Director

Pia Hansson Näslund, Account Manager

Fredrika Frenkiel, Account Manager Olle Lindgren, Executive Producer

Production company: Bacon

  Adam Hashemi, Director Samuel Cantor, Executive Producer

Sweden

Telecom & Dotcoms

wedding

influencer

city

esport

video game

fashion

-- via Adland

[lateliernyc]

Linda Gradin for T magazine

Photographer: Jason Schmidt

Stylist : Delphine Danhier

Featuring: Paula Vogel,Brandon Uranowitz, David Comer,Michaela Diamond, Tony Kosher, Jesse Eisenberg,Matthew Broderick, Sam Gold, Amy Herzog,Leslie Rodriguez, Kritezer & Joel Grey, Harvey Fierstien, Liev Schreiber, Ethan Slater, Idina Menzel and Tina Landau

[scintillulae]