#lonnie smith trio | Explore Tumblr Posts and Blogs

hummingbird-hunter · 1 year

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ok wait maybe I'm not lazy (because I'm a lil bit insane!)

Jose Mauro (Google him tho his whole story is fucking insane ngl!) Makes I think stuff in Portuguese.

Kit Sebastian makes stuff in I think English & French?

Azymuth is a Brazilian funk/jazz trio.

Arthur Verocai is Brazilian as well, he's made some cool stuff.

Lily Allen did a version of Smile in Simlish which is always fun if you have both in your playlist because it's a horrible 50/50!

The Mauskovic dance band is an interesting band, I think they're from the US?

Hypnotic Brass Ensemble is like 8 siblings and a random dude they hired to be a drummer, really good band, Ballicki Bone is very good.

I'm not sure what language it is but Haydar Haydar by Derya Yıldırım & Grup Şimşek is fun.

Out Of Reach by Klaus Johan Grobe is in German?

People, Let's Dance by Public Service Broadcasting & EERA is in German.

I think Men I Trust has stuff in Quebec French.

Utu by Eno X Dirty is a bop.

Sonos Cor De Rosa by Tiawa is Spanish & English.

Sudan Archives is in English but she makes really fun & interesting art pop especially in her current album cycle.

CASIOPEA is Japanese like Jazz, Mint Jams is a really good place to start.

MF DOOM & BadBadNotGood's song for GTA is partially in Spanish.

Also Madvillian by Madvilliany is one of the best albums I've ever gotten to listen to.

SAULT makes amazing music, they've pit out a crazy amount of music since 2019.

Birds Of Paradise by Karnan Saba & Hone Be Good is really good. (I really like the label it came from)

Ethel Cain's debut Preacher's Album is definitely something, I loved it, be warned it's fucked up, and long.

Pip Millet has a series of Amazing EP's, still need to listen to the album though).

MĀ has an amazing album (Breakfast with Hades).

Deltron 3030 by Deltron 3030 is a great album.

Leak 04-13 (Bait Ones) by Jai Paul is amazing, it's a tragedy that it ruined his creative drive.

Caroline Polachek has done 2 art pop records under her own name, both are amazing.

Ravenna has made some beautiful music.

Ayonha by Hamid Al Shaeri got me into Arabic Jazz.

Balkan - Honey and Blood by Jordi Savall is a really investing album, idek how i found it.

La Sabotesue by Yazz Ahmed is a really good album.

Dub Yalil by Natacha Atlas is just, an amazing song.

Cosmic Funk by Lonnie Liston Smith and the Cosmic Echoes is good, my brother loves it and he has amazing taste.

Todo De Ti is really good pop, it's all in Spanish but I'm surprised it didn't get a Dua Lipa remix.

The Nu Deco Ensemble version of I Am The Antichrist to You by Kishi Bashi is beautiful. but haunting

Rosalia's Motomami is amazing. Hentai is a really beautiful song.

Celeste's album "Not Your Muse" was a really good listen.

All You Get From Love Is A Love Song & Calling Occupants Of Interplanetary Craft (The Recognized Anthem of World Contact Day) made me desperately to find this album from The Carpenters.

If you're feeling Horny the remix of Wizz by Coucou Chloe is fun, same with the Cupcakke remix of Good Puss. Also anything off Alias by Shygirl.

Roisin & Crooked Machine are great albums.

Tinashe's 333 is an amazing album, it's so good.

Orville Peck is gay country music.

Revulva is an 8 piece jazz band, Stop Pulling On My (Hair) is so pop though.

Lava La Rue makes amazing (and very queer music).

If I Sleep by Dystopia hits really hard.

Code by The Comet Is Coming had my friend jamming out because it sounds like the comet is coming.

I Feel Love by Donna Summer is one of the most important songs in moden music history and its so fucking good.

Nia Archives makes jungle, it's Drum & Bass but more fun.

Giving Up Air was a really nice EP by Bloodmoon, amazing production.

Julia Jacklin & Stella Donnely are both kinda sad Australians, thank you land of Muck for these artists. And the story of Engadine Maccas in 1997.

TRYON by Slowthai is really amazing, espech the A/B side differences.

Blood Orange's 4 songs are a nice chilled out 4 songs.

Self Esteem, I too do this all the time, but yet I don't Prioritize Pleasure.

She's So Kind by Harve is the sibling song of Theirs13 by JGrrey, both artists wrote the songs about eachother, truly a queer love story.

Wolf Alice's Blue Weekend has some moments more Blue than others.

The Danger Mouse & Black Thought album is well produced, with amazing features. Do not skip Strangers.

Doomsday by MF DOOM is an essential song, same with Nobody by Nas & Ms. Lauryn Hill, also recommended is One Mic, One Gun by Nas and 21 Savage.

Body Dysmorphia. by RAYE is such a constant mood!

this is the hits from my like 7.3k song spotify playlist

Thank you I am saving this

#answering your riddles #music recs

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dudewhoabides · 2 years

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youtube

Dr. Lonnie Smith | Organ Groove | Trio

#youtube

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burlveneer-music · 1 year

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My WVUD playlist, 2/4/2023 - Hammond organ

Wild Bill Davis - Jumpin' At the Woodside Jimmy Smith - The Champ Brother Jack McDuff - McDuff Speaking Booker T. & The MG's - Green Onions Booker T. & The MG's - Hip Hug-Her Jimmy McGriff - I've Got a Woman Charles Kynard - I'll Fly Away Richard "Groove" Holmes - Sunny Lonnie Smith - I Feel the Earth Move Shirley Scott - Liberation Song Charles Earland - Tyner Billy Preston - Ain't That Love Tony Williams Lifetime - Big Nick (Bill Laswell Mix Translation) Stevie Wonder - Do Yourself a Favor Bernie Worrell - Killer Mosquito Doug Carn - Passion Dance Ali Shaheed Muhammad, Adrian Younge, Doug Carn - Windfall Amina Claudine Myers - Happiness Soulive - Solid (Live) Delvon Lamarr Organ Trio - Move On Up (Live) Cory Henry & The Funk Apostles - Testify (Live in LA)

#wvud #permutations #playlist #hammond organ

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bamboomusiclist · 4 months

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3/3 おはようございます。John Lee Hooker / I Feel Good lps5005 等更新しました。

Cleo Laine / Shakespear and All That Jazz 886171ty Ella Fitzgerald / Sings The George & Ira Gershwin Song Book Vol5 mgv-4028 Dave Brubeck / My Favorite Things Cs9237 Charlie Mingus / Mingus Revisited LM82015 Woody Shaw Bobby Hutcherson / Night Music 60299-1 Slide Hampton / the Fabulous c062-10156 Dexter Gordon / Blues Walk The Montmartre Collection Vol2 BLP30157 Tom Prin Trio / Here There & Everywhere S80-358 Jimmy Owens Kenny Barron / You Had Better Listen sd1491 R D Burman / Krishna Shah's Shalimar 2392147 Rd Burman / OST Heera Panna DMOCE4201 Mighty Zebra / Calypso From The Virgin Islands lpm-1169 Lonnie Liston Smith / Reflections of A Golden Dream Bdl11460 VA / Ethiopian Urban And Tribal Music Gold From Wax Volume2 llst7244 Ronald Mesquita / Bresil 72 920398 Johnny Zamot / Tell It Like It Is DL74945 Alan Licht / Sink The Aging Process SB31 Eddie Taylor / I Feel So Bad no2802 John Lee Hooker / I Feel Good lps5005

~bamboo music~

[email protected]

530-0028 大阪市北区万歳町3-41 シロノビル104号

06-6363-2700

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angelloverde · 5 months

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"Mo Soul" Player Playlist 27 January

Ed Cherry Trio - Cristo Redentor

Kenny Burrell - Midnight Blue

Dr. Lonnie Smith - Mellow Mood

Jimmy Smith - Groovy Date

Joey DeFrancesco - All Of Me

Funk Empire - Introfunk

Uptown Funk Empire Feat. Ange - Celestial Blues

Ricky Razu - Feel U

Weast - Cannot Let You Go

Folamour - Ya Just Need 2 Believe in Yaself

Medeski Martin & Wood - Smoke

Soulive - Vapor

Lettuce - Madison Square

Rachel & The Soul Criminals - Do Your Worst

Sweet Vandals - Burning

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

#mo soul #playlist #music #soul #blues #funk #jazz #lounge #reggae #rock #fusion #house #r&b #afro funk #disco funk #acid jazz #nu jazz

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jefferyryanlong · 10 months

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Infinite Pau Hana - September 6, 2023

"don't shoot the piano player"

Hour 1

Forest Flower - Sunrise (live) - Charles Lloyd Forest Flower - Sunset (live) - Charles Lloyd Cast Your Fate into the Wind - Vince Guaraldi Trio Desert Nights - Lonnie Liston Smith and the Cosmic Echoes Soul Clap '69 - Booker T. and the MG's 96 Tears - ? and the Mysterians Tally Ho - The Clean You Know When I'm Right or Wrong (live) - Delvon Lamarr Organ Trio Someone to Watch Over Me (live) - Brad Mehldau

Hour 2

Endegena* - Hailu Mergia and Walias I Loves You Porgy (live) - Nina Simone In a Sentimental Mood - Duke Ellington and John Coltrane Love Song - Ramsey Lewis Visa fran Utanmyra* - Jan Johansson Ankh - Sun Ra The Homeless Wanderer - Emahoy Tsege Mariam Gebru Metamorphosis Two - Philip Glass Fake Plastic Trees - Christopher O'Riley

Hour 3

Flamenco Sketches - Miles Davis Bridge Over Troubled Water - Roberta Flack Confusion - Vic Chesnutt They Can't Take That Away From Me (live) - Ahmad Jamal Epistrophy (live) - Thelonious Monk and John Coltrane The Piano Has Been Drinking* - Tom Waits One Mint Julep - Ray Charles Nasty Boogie - Champion Jack Dupree Fat Mama - Herbie Hancock Tipitina - Professor Longhair

KTUH - 90.1 FM Honolulu, 91.1 Fm North Shore. ktuh.org

#infinitepauhana #playlists

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hammondcast · 1 year

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Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ with Phoebe Snow The Lady in The Harbor

Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ with Phoebe Snow The Lady in The Harbor Youtube: https://youtu.be/-arE0A0s1K4

Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ, backing up the late great Phoebe Snow with full choir - we recorded it in Jon Grossbard's Planet Sound Studios in the 251 W. 30th Street music building - Tonight I'm going to see Stephen play at The Baked Potato - this song gets played on TV every 4th of July Weekend promoting Statue of Liberty National Monument

https://youtu.be/-arE0A0s1K4 "The Lady in The Harbor"

written by Stephen Lemberg

Wishing everybody a beautiful 4th of July Holiday folks!

Jon Hammond

#ladyintheharbor

#PhoebeSnow

#kenburns

#stephenlemberg

#statueofliberty

#4thofJuly

#steveferrone

#JonHammond

Stephen Ferrone Plays Pocket Funk Live Jon Hammond Trio Jazz Kneipe

Jon Hammond

Play POCKET FUNK HERE: http://ia803106.us.archive.org/33/items/StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe/Stephen%20Ferrone%20plays%20Pocket%20Funk%20live%20Jon%20Hammond%20Trio%20Jazz%20Kneipe.m4v Jon's archive https://archive.org/details/StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe

Usage

Attribution-NonCommercial-NoDerivs 4.0 International

Topics

Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ

Language

English

Stephen Ferrone plays Pocket Funk live Jon Hammond Trio Jazz Kneipe circa 1994 Frankfurt Germany - Jon Hammond organ, Barry Finnerty guitar, Stephen Ferrone drums #Ferrone #Kneipe #Funk

http://www.HammondCast.com

Addeddate

2018-06-19 05:09:44

Identifier

StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe

Great to see / hear Stephen Ferrone tonight on the David Garfield Band at The Baked Potato in Studio City! Jon Hammond

#stephenferrone

#thebakedpotato

Topics

Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ

Language English, Topics, Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ

#Language English #Topics #Ferrone #Funky #Pocket Funk #Frankfurt Germany #Jazz Kneipe #Hammond Organ

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tempi-dispari · 2 years

Photo

New Post has been published on https://www.tempi-dispari.it/2022/10/26/tra-i-prossimi-appuntamenti-al-biko-club-the-heliocentrics/

Tra i prossimi appuntamenti al Biko Club: The Heliocentrics

The HELIOCENTRICS (UK) in concerto

Malcolm Catto (batteria, percussioni), Jake Ferguson (basso), Dan Smith (chitarra, elettronica), Danny Keane (violoncello, elettronica, tastiere), Sylvia Hallett (Sarangi, ghironda), Barbora Patkova (voce)

L’ensemble cosmico, psichedelico-funk del Regno Unito pubblica il suo secondo album per l’etichetta del produttore anticonformista Madlib, Madlib Invazion. Gli album degli Heliocentrics attingono in egual modo dall’universo funk di James Brown, dalla disorientante asimmetria di Sun Ra, dalla portata cinematografica di Ennio Morricone, dalla fusione sublime di David Axelrod, dalla musique concrète accesa di Pierre Henry e dal ritmico Krautrock di Can.

A prescindere della label con cui hanno pubblicato la loro musica – il sound degli Heliocentrics è un nuovo tipo di psichedelia, che poteva venire solo da una band di musicisti affermati che sono anche fan ossessivi della musica dai gusti davvero eclettici.

Il batterista Malcolm Catto e il bassista Jake Ferguson, le menti e i produttori degli Heliocentrics, due figure eccentriche nel panorama musicale contemporaneo, suonano insieme da quasi due decenni e costruiscono la loro voce unica all’interno di una galassia alternativa dove le orbite della musica funk, jazz, psichedelica, elettronica, avant-garde ed “etnica” ruotano tutte attorno a “The One”.

Con l’etichetta Madlib Invazion di Madilb per Telemetric Sounds, gli Heliocentrics sono tornati a sviluppare la loro visione epica del funk psichedelico, esplorando le possibilità create dalle loro innumerevoli influenze: latine, africane e altro ancora.

Djset con SOUL FINGER Buttshakers, night disasters, party breakers since 2010 Flammable vinyl selection of 60’s-70’s Rhythm And Blues, Funk, Rocksteady, Afro and delights from all over the cosmossss.

mixcloud.com/night-disaster IG: soul.finger

Tommaso Cappellato presents: Collettivo Immaginario – new album release opening act: Letizia Kasala

Il live ensemble ideato dal batterista e produttore Tommaso Cappellato, tra jazz ed elettronica, suoni ancestrali e ritualistici, improvvisazione e beat tape culture. In formazione: Alberto Lincetto (fender rhodes/synth), Nicolò Masetto (electric bass), Tommaso Cappellato (drums).

Dopo aver dato vita nel passato a progetti in solo come Aforemention con Astral Travel, o collaborativi come Dreamweavers insieme a Mark de Clive e A. Lombardini, ha creato nel 2021 Collettivo Immaginario, trio jazz strumentale, che ha preso forma attraverso alcune live session tenute tra Los Angeles e Milano.

Collettivo Immaginario invita ora gli ascoltatori ad uno scintillante viaggio di evasione cosmica attraverso Trasforma, il loro album di debutto pubblicato il 23 settembre per l’etichetta di Los Angeles Domanda Music. Il collettivo nasce come laboratorio creativo in cui esplorare le influenze musicali e sperimentare in chiave retrofuturista suoni provenienti dal jazz elettrico, dal funk e dall’elettronica.

Trasforma distilla l’energia esuberante delle acclamate esibizioni dal vivo del trio in un album in studio lussureggiante e cinematografico, che intende sottilmente rendere omaggio a giganti del genere come Azymuth, Lonnie Liston Smith, Herbie Hancock e i compositori di colonne sonore come Piero Piccioni e Piero Umiliani. Nel corso della sessione, suddivisa nell’album in nove tracce, l’ascoltatore viene trasportato in un paesaggio sonoro che è sia organico che trascendente. instagram.com/collettivo_immaginario/ facebook.com/collettivoimmaginario/

opening act: Letizia Kasala https://www.mixcloud.com/domanda/domanda-radio-2-letizia-kasala/

Dopo il concerto: ABSTRACT, collezionista di dischi, selector e direttore artistico della scena underground Milanese, da The Electricalz allo storico DUDE Club. L’influenza musicale è profondamente radicata nei suoni jazz e soul che contraddistinguono i suoi dj set.

AARON DUNKIES Cresciuto musicalmente come batterista del coro della chiesa evangelica protestante che frequentava, costantemente esposto a generi musicali come Highlife, Gospel, Soul e Black Spiritual Music. Non amando le etichette si e’ sempre definito un “music lover”, la sua collezione spazia dall’ Avant-guard Jazz piu’ sperimentale ai classici house.

sabato 29 ottobre 2022 – doors h 22.00 – 15 + d.p. / tessera Arci

Relife in collaborazione con BIKO Milano presenta: BLUE LAB BEATS in concerto – posticipato al 2023

domenica 30 ottobre 2022 – doors h 16.00 – 5€ w /tessera Arci

ARMONIKA #5 DJ party, ambiente mistico, varietà performativo e riempi-pancia della domenica Armonika

domenica 30 ottobre 2022

Apertura porte h 16.00 Tessera Arci obbligatoria // Admission only with Arci membership Card sottoscrizione a partire da 5€

ARMONIKA Il varietà traumagico è tornato per la seconda stagione. DJ party, ambiente mistico, varietà performativo e riempi-pancia della domenica

Armonika è un ambiente per stare insieme, ascoltare storie tra i paralumi o seguire il groove sul dancefloor. Nel suo terzo episodio, dalle ore 16 DJ set, training, DJ set, performance & cena:

VELASCO Muziko de malproksimaj lokoj. Tempo Malrapida, kantoj tradiciaj, bunta sonoj. https://soundcloud.com/frankievelasco

Dj Barefoot è un tecnico del suono esperto, uno studioso dei suoni della natura in quanto essere umano. La solitudine gli è cara, tutto ciò di cui ha bisogno è la sua attrezzatura musicale. Il sintetizzatore è stato programmato per suonare da solo, ha solo bisogno di essere portato in un posto dove possa essere ascoltato. https://soundcloud.com/51beats/djbarefoot-432hz

Freddy Amoruso Live Armonica Bending sfrenati di armonica, improvvisa sul groove dei dischi suonati durante la festa.

Lester Mann DJ set (Lester Mann + Kamimmo) Seleziona musica d’ascolto di impronta dub, stranezze disco, psichedelia e ritmi per danze rallentate, da diversi anni organizza concerti e feste nel sottobosco milanese. In duo, con il nome di Lester Laura, è stato resident per le serate Wan Va in Cox18, Nessuno (Nobodys Indiscipline Party) e ha curato una serie di podcast per Radio Quartiere durante il primo lockdown del 2020. https://www.mixcloud.com/lester_mann/

Mattia Dambrosio DJ set Cuore pulsante della surf band Wave Electric, guitar hero e animale notturno, seleziona beat caldi, dubby techno e disco hit. https://instagram.com/mattdambrosio87

Agnesoride Incursioni Per la prima volta performanti congiunte ma insieme già da molte birre. Agnesoride, danzatrice attualmente di base a Cipro, coccolatrice professionista di quadrupedi e collezionista di trattorie. https://instagram.com/agnesoride

Federica Amoroso Vocalist Fondatrice della rivista Tutto Oggi, vocalist occasionale, ci aggiornerà sulle previsioni metereologiche dei prossimi giorni. https://instagram.com/vere.cundia

Marco Bukaqueja & Ilaria Zanotti accoglienza

Emmatoma Mani di Fata Creatrice di ambienti mistici, costumi lucenti e atmosfere di altri mondi. https://instagram.com/eesti.juust

— + special thanks to — Sali Moment Catcher La Simo General Manager Grandmaster Lele Bollettino Calcistico

lunedì 31 ottobre 2022 – dalle 20.00 – sottoscrizione + tessera ARCI

IL CORSO DI TANGO con Roberto Angelica e Natalia Cristofaro Milonga

Lunedì 31 ottobre 2022 – dalle 20.00

Corso di Tango al BIKO con Roberto Angelica e Natalia Cristofaro

h. 20.00 – 22.00 interm/avanzati sottoscrizione al corso + tessera Arci

Elegante e raffinata coppia di ballerini professionisti e maestri di Tango Argentino. Esprimono bellezza e sensualità attraverso l’uso di una tecnica tesa alla ricerca di un movimento armonico ed elegante. Vantano oltre 20 anni di esperienza in ambito professionale sul palco e nell’ insegnamento di Tango, Danza e Teatro.

La loro personale ricerca è tesa all´esplorazione di un tango che si nutre di sperimentazione nel rispetto delle forme più tradizionali di questo ballo. Il loro metodo d’insegnamento si basa principalmente su uno sviluppo consapevole e organico del movimento, sullo sviluppo di un ascolto ed una connessione profonda e reale, requisiti essenziali per una comunicazione efficace nel rispetto dei ruoli, con l’impiego del minimo sforzo per la massima resa.

MILONGA con Dj Ausländer Milonga Irriverente con musica orientata anche all’elettronica del tango nuevo

Lunedì 31 ottobre 2022 – dalle 22.00

BIKO MILONGA – Milonga Irriverente – danze libere

sottoscrizione 7€ / tessera Arci obbligatoria

Ritorna la Milonga irRIVErente con la selezione di tango argentino e non argentino a cura di dj Ausländer

Free entry per chi non balla ma si vuole fare una serata di buona musica www.sullerivedeltango.it/

EVENTI DI NOVEMBRE 2022

venerdì 4 novembre 2022 – doors h 22.00 – ingresso 10€+ d.p. – tessera Arci

OTR live | Dalla Sede 25th Anniversary 30 Anni Splendenti in concerto OTR

venerdì 4 novembre – porte h 22.00 tessera Arci obbligatoria / ARCI Membership Card mandatory ingresso 10€+d.p. : EventBrite.it

Tube Agency presenta: OTR live | Dalla Sede 25th Anniversary / 30 Anni Splendenti

30 anni di musica e amicizia, di nuovo sul palco insieme!

Tornano gli OTR, anche noti come l’Originale Trasmissione del Ritmo, per festeggiare 30 anni di attività musicale e di amicizia. E per celebrare questo importante traguardo, la band ha pubblicato a fine aprile un nuovo disco di inediti dal titolo Splendente prodotto da Esa, DJ Skizo, Ice One, DJ Shocka & DJ Sandal in cui troviamo gli scratch di DJ Vigor e ovviamente anche di DJ Bront degli Alien Army oltre ai freschissimi rap di Polare (ibernato e scongelato per l’occasione).

Esa vola tra le rime per necessità, ed è un piacere ballarlo e ascoltarlo. Ma non è tutto: per continuare come si deve i festeggiamenti, nel mese di novembre verrà ristampato in vinile lo storico album Dalla Sede del ’97, vera e propria pietra miliare del rap italiano. D?ue importanti anniversari per un live unico ed irripetibile in cui Esa, Polare, Vigor e Dj Skizo vi faranno volare tra rime, beat e scratch! www.tube-music.it

sabato 5 novembre 2022 – dalle 22.00 – ingresso 8€ + tessera ARCI

AFROTEQUE #2 ft. Nina Kipiani

Afroteque

Sabato 5 novembre 2022 – doors 22.00

Ingresso 8€ + tessera Arci obbligatoria / ARCI Membership Card mandatory

AFROTEQUE #2 ft. Nina Kipiani a new clubbing experience

Nata in Africa da madre camerunese e padre georgiano, è cresciuta a Parigi e ora vive a Roma dove sta crescendo nel panorama della musica afro. Grazie a questo ricco background e ad anni di viaggi in giro per il mondo ha sviluppato un gusto musicale molto eclettico. Dai suoni ancestrali di culture diverse all’Afrobeat e all’Afro House, il suo universo musicale è pieno di colori e profonde emozioni.

domenica 6 novembre 2022 – doors h 17.25 – sottoscrizione /tessera Arci

BOOSTA in concerto Davide “BOOSTA” Dileo in Post Piano Session Boosta

domenica 6 novembre 2022

Apertura porte h 21.00

Tessera Arci obbligatoria // Admission only with Arci membership Card Ingresso 17,25€ su piattaforma DICE:FM

Kashmir in collaborazione con Costello’s Live e BIKO Milano presenta: Davide “BOOSTA” Dileo in Post Piano Ssession

Davide BOOSTA Dileo (SUBSONICA) presenta dal vivo POST PIANO SESSION, il suo nuovo progetto discografico da solista. Dopo LA STANZA INTELLIGENTE e FACILE, Davide BOOSTA Dileo torna con un progetto discografico articolato in sei capitoli, in uscita tra settembre e dicembre. Il primo dei sei EP POST PIANO SESSION – Tape 1è già disponibile in digitale (https://bfan.link/PPStape1). «POST PIANO SESSION – racconta Boosta – è una piccola suite di elettronica e pianoforte, evocativa e romantica, con inserti di energia e ottimismo, frutto di una libertà desiderata e covata.

Questo è il tempo in cui celebrare questa libertà, anche quella di un artista dai propri codici. Diventa un’esigenza, in primo luogo, e un dovere subito dopo. Perché la libertà, in qualunque ambito, è un bene in prestito se non lo metabolizziamo e difendiamo».

L’intero progetto discograficoPOST PIANO SESSION è in uscita per la TORINO RECORDING CLUB, neonata etichetta dello stesso Boosta, un atelier musicale, un’officina in cui la musica è lo strumento che usa per riparare e (ri)mettere in funzione tutto quello che gli serve per affrontare questa seconda metà della vita. In POST PIANO SESSION viaggiano composizioni strumentali libere che partono dal pianoforte e finiscono nell’elettronica, passando attraverso suggestioni pienamente contemporanee.

Ognuna di queste suite è parte di un concept album inizialmente pensato come un’unica opera, poi ripartita in singoli Ep, e segna il ritorno di Boosta all’elettronica.

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mondoradiowmse · 2 years

Text

10/05/22 Mondo Radio Playlist

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: Untitled ("Alligator Bogaloo"), featuring classic soul jazz and more. If you dig it, be sure to also follow the show on Facebook and Twitter!

Artist - Song - Album

The Cannonball Adderley Quintet Feat. Nat Adderley - This Here (Live) - The Cannonball Adderley Quintet In San Francisco

Gene Ammons/Sonny Stitt/Jack McDuff - Shuffle Twist - Soul Summit

Jimmy Smith - Back At The Chicken Shack - Back At The Chicken Shack

Jimmy Smith & Wes Montgomery - 13 (Death March) - Jimmy & Wes: The Dynamic Duo

Lee Morgan - The Sidewinder - The Sidewinder

Big John Patton - Let 'Em Roll - Let 'Em Roll

The Sicilian Vespers - I Want To Talk To A Squirrel - The Sicilian Vespers

Shirley Scott With Stanley Turrentine - The Soul Is Willing - Soul Shoutin'

Stanley Turrentine - Let It Go - Let It Go

The Horace Silver Quintet Feat. Stanley Turrentine - Psychedelic Sally - Serenade To A Soul Sister

Lou Donaldson - Alligator Bogaloo - Alligator Bogaloo

The George Benson Quartet - Ain't That Peculiar - Anthology

The Ramsey Lewis Trio - The 'In' Crowd (Live) - The In Crowd

Eddie Harris - Live Right Now - What It Is!: Funky Soul And Rare Grooves 1967-1977

Lonnie Smith - Slow High - Turning Point

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don-lichterman · 2 years

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Pat Bianchi, Chris Knight, Reckless Kelly, Jesse Dean and more

Grammy-nominated, Hammond B-3 organ master Pat Bianchi will perform with his trio at 7 p.m. Sept. 24 at Roots HQ, 1 E. Mountain St. in Fayetteville. Performing with Bianchi will be Colin Stranahan on drums and Paul Bollenback on guitar. Bianchi will pay homage to Joey DeFrancesco, who passed away this year, and Dr. Lonnie Smith at the concert that is part of the Northwest Arkansas Jazz Society’s…

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lovingheartarbiter · 2 years

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Ronnie Scott's Presents: Dr Lonnie Smith Trio Livestream

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jazzviewswithcj · 3 years

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A Deeper look at Pat Metheny: Side Eye NYC (Modern Recordings/Metheny Group Productions, 2021)

Pat Metheny: Guitars, Guitar bass, Orchestrionics; James Francies: Piano, Synths, Organ; Marcus Gilmore: Drums. Japanese version includes booklet notes by Yo Nakagawa. This review is of the Japanese CD version released in late September

Side Eye NYC (V1.IV) is the second release of 2021 for 20 time Grammy winning guitarist and composer Pat Metheny following the stellar first official entry into the classical arena with Road To The Sun (due for a deluxe score, LP and 2 CD box set version with a spectacular lenticular display later this year) with keyboardist James Francies and drummer Marcus Gilmore. The recording captures an effervescent and charged Metheny, Francies and Gilmore in the guitarist’s first true live album since Tokyo Day Trip EP (Nonesuch/Metheny Group Productions, 2008) What Side Eye really is besides being a format for Metheny’s desire to play with a cadre of younger musicians who grew up on his music, and who have caught his eye as a major talent; is sort of a 21st century version of the classic organ trio format. The tradition of the organ trio both directly and indirectly is filtered through Metheny’s singular, unmistakable lens. It is worth mentioning that this review pertains to the Japanese edition of the CD which contains an exclusive bonus track “The Bat”, while the American edition is to follow on October 22, 2021 in LP and CD formats. It is currently available for streaming sans bonus track at Apple Music, Amazon HD, and Spotify. To aid readers of this review who may be new to Metheny or Black American Music and other improvised forms , below is a brief summary of the organ trio and how it fits into the present release.

The organ trio was a fixture in the early fifties in the Black community with the likes of legendary organists such as Milt Buckner, Bill Doggett and “Wild” Bill Davis. However, it wasn’t until 1956 when a 28 year old ex pianist from Norristown, PA, by the name of Jimmy Smith (1925-2005) collided onto the scene with a version of Dizzy Gillespie’s “The Champ” on his second recording A New Sound, A New Star, Jimmy Smith At The Organ, Volume 2 (Blue Note) that the notion of organ, and the role of the electric organ in popular music was changed forever. For Black music, Fats Waller and Count Basie had been early progenitors of both the pipe and Hammond organ but it was nothing like Smith.

Smith had been inspired to play the organ when he saw his idol, “Wild” Bill Davis in the early 1950’s. He had played some organ on the records in the R&B group of Don Gardner and the Sonotones around 1953-4, but it was Smith’s legendary three months of wood shedding in a Philadelphia warehouse that solidified his position as the Charlie Parker of the organ. Organists like Doggett, Buckner, Davis, and the novelty pop of Ethel Smith had favored an orchestral big band type approach to the Hammond organ, but Smith’s conception on the newly minted Hammond B-3 had made significant steps forward with drawbar registrations that he created that mimicked the sound of a bebop horn player. By employing the first 3 drawbars combined with the new percussion circuit that provided an almost vibraphone like bite to the attack of the note, he utilized the vocabulary of Charlie Parker, Thelonious Monk, Bud Powell, and Dizzy Gillespie. Smith combined this with gospel influence and the soul of Horace Silver that had not been heard prior, while also respecting the traditions of both Buckner and Bill Davis, particularly on ballads. His popularity created a cottage industry with strings of organists in his wake including Jack McDuff, Don Patterson, Johnny Hammond Smith, John Patton, Shirley Scott, Rhoda Scott, Gloria Coleman, the recently departed maestro Dr. Lonnie Smith, Larry Young, Jimmy McGriff, Charles Kynard, Charles Earland, Eddie Bacchus, Akiko Tsuruga and most famously in the modern era, Joey DeFrancesco. While all of these organists had individual, unique voices on the instrument, it was not until the 1964 debut album on Blue Note by Larry Young, Into Somethin’ that the paradigm shifted further. By Unity in 1965, Young’s innovations as the next Hammond innovator were set. Though he initially was a strong Jimmy Smith disciple on his recordings for the Prestige subsidiary New Jazz (even utilizing former Smith guitarist Thornel Schwartz) the 1965 Blue Note date with trumpeter Woody Shaw, Joe Henderson’s tenor and Elvin Jones, Young employed quartal harmony a la McCoy Tyner and unusual structures. Metheny’s new album borrows from this rich organ tradition, but with several additions along the way, the guitarist has truly made the format his own.

Returning to Side Eye, the band is now in it’s fifth iteration, with drummer Joe Dyson replacing Gilmore, but the constants have been the guitarist and Francies. The recording is the fourth iteration of the group taken from the final two nights of the band’s engagement at Sony Hall in September, 2019 at the end of a grueling world tour. As this writer was at the final night of the engagement with the venue being flanked by NHK cameras for Japanese TV broadcast, Metheny, Francies and Gilmore were very inspired and smoking on all cylinders. Not since Travels (ECM, 1983) has a Metheny live album captured such excitement as Side Eye NYC does here. The album contains five reinventions of classic Metheny repertoire, with the album centerpiece being three brand new compositions. The Japanese edition of the album contains the exclusive bonus track “The Bat”. Despite the trio’s unconventional nature, with Francies plethora of keyboards in addition the return of a scaled down version of the Orchestrion, greatly broadening the sonic palette, the group is as stated before a sort of spin on the organ trio, and it’d be best served given the previous paragraph to examine that aspect of the album first.

James Francies demonstrates a startling fluency for playing his own basslines, like that of Jimmy Smith, Jack McDuff or John Patton, but his ability to inject counterpoint into the mix of grounding the earth is nonpareil, as his solo on “Bright Size Life” shows. His time in the spotlight is punctuated by a stunning left hand counterpoint to complement parallel lines in his right. The standard is given new life from his bass line, a fretless bass patch almost indecipherable from a real bassist; but like the traditional organ trio Metheny is lifted from the agility this bass line possesses, in addition to the buoyancy from Gilmore’s cymbals and comping. As the group tackles the third tune on the disc “Timeline”, originally written for Elvin Jones’ groove and featured on Michael Brecker’s Time Is Of The Essence (Verve, 1999) the rarely played tune is most clearly aligned to the classic organ trio format. Metheny swings with gargantuan force on the time tested 12 bar blues form (it’s bridge during the head and coda turning modal) digging in heavily to Gilmore’s beat and Francies’ Jack McDuff like bass line. In a role reversal in his last chorus, Metheny returns to his roots backing organists in Kansas City and BECOMES the organist by “shouting” or playing a drone pattern. The technique was developed in the Black church, and it involves the organist holding the tonic (the note of the key the song is in) and playing around it. It is on this tune, as well as the sensuous neo soul drenched spin on “Better Days Ahead” from the PMG’s Letter From Home (Nonesuch/Metheny Group Productions, 1989-- original release on Geffen that year) that the parallels to Francies’ Jimmy Smith to Metheny’s Kenny Burrell, Wes Montgomery and Grant Green appears here. What is meant by that is Francies’ intense, ahead of the beat approach offsets Pat’s relaxed behind the beat phrasing. On “Timeline” Francies’ application of the first three drawbars with no percussion is immediately redolent of Jimmy Smith’s use of the same on the timeless 20 minute opus The Sermon (Blue Note, 1958) but he gradually brightens the tone by pulling some of the upper drawbars which speak of his own roots in the church.

The comparison to the original Metheny rendition of Ornette Coleman’s “Turnaround” on 80/81 (ECM, 1980) instructive, as the other track most referencing the organ trio though Francies’ sticks to the acoustic piano on this piece. For starters Metheny’s own playing is much more self assured than on the album from 41 years prior which the guitarist admitted to not playing the melody all that well. Also Marcus Gilmore’s (grandson of the legendary Roy Haynes) more relaxed deep pocket swing has a much different effect as opposed to Jack DeJohnette’s kinetic highly interactive drumming on 80/81. Though appearing as the seventh track on the album, this was the first tune of the night, and everyone gets limbered up. As on “Timeline”, the guitarist really leans into Gilmore’s backing as Metheny “strolls” with him in duo for six choruses at which Francies joins in playing left hand bass on piano. Following Metheny’s loose eight choruses, Francies solos for six, swap roles as Metheny’s Ibanez becomes semi acoustic and he provides the bassline accompaniment along with four to the bar comping like Freddie Green of the Count Basie Orchestra, a facet of Metheny’s playing only previously unveiled on “The Moon Song” from Beyond The Missouri Sky (Verve, 1997) with Charlie Haden. Metheny trades with Gilmore for a few choruses before the tune is taken out. A gorgeous “Sirabhorn” is sandwiched between “Lodger”, a brand new composition and “Turnaround”.

The three new compositions on the album really show what makes Side Eye as a unit special, and the live energy only adds to that. “It Starts When We Dissapear”, the first track to open the album announces itself with a dramatic chord progression from synths blended with the Orchestrion bottle organ, some synths from Francies and churning shaken percussion from the Orchestrion. Metheny and Francies state a main theme in unison, the guitar doubled by Francies Moog like bass. The overall vibe is an extension almost of the title track of Kin (<-->) (Nonesuch/Metheny Group Productions, 2014) with it’s electronics and the trio takes the listener on an extended nearly fourteen minute journey, invoking at first some sort of techno ized cityscape. Francies’ liquid piano solo is full of ideas, and he is inspired by the double time tempo and Latin esque bass line. Metheny digs in on a bembe groove to the delight of the audience’s whoops and hollers, variety added to the tonal palette courtesy of Orchestrionic marimba. From here the group moves through a variety of written sections in the extended structure, returning to the moody head, Gilmore’s kaleidoscopic cymbal play a defining feature as it was at the start.

“Lodger” by far is one of the most memorable and intriguing compositions. Written as a dedication to guitarist Adam Rogers, Metheny exclusively sticks to distorted electric guitar, and though the piece in the melody has shades of “Travels” and more than a hint of Jimi Hendrix, it captures a hard rocking aspect of the guitarist’s playing that is relatively new. Gilmore lays down a hard, pounding rock beat, and Francies’ slow harmonic rhythm with elongated organ chords make effective use of the Leslie speaker “brake” feature on a Hammond. Metheny builds a long solo building to massive dynamic intensity, before a return to a slow simmer.

“Zenith Blue” is another breathtaking epic. A rubato late Coltrane incantation announces Metheny’s signature Roland GR300 guitar synthesizer, where a simple melodic kernel becomes euphoric. The Orchestrionic bottle organ becomes part of the melody, and if there is a nod to the late Lyle Mays in the texture, timbre and arrangement, this track is it. Metheny’s melody is long and intricate, a variety of colors being used, Orchestrionic 16th note percussion, glockenspiel, Gilmore’s drum and bass rhythm. Metheny elegantly floats over the changes on guitar synth, building on the GR300 in the way only he can, beautiful harmonies from synths and Orchestrionic bottle organ emerge, his solo almost ending in an abrupt thrash, before a variation of the theme is introduced as an interlude. Francies takes over with a Rhodes esque solo at a relaxed waltz tempo, Gilmore’s inner Elvin Jones coming to the fore. The Mays like “Prophet sound” timbre from the bottles returns to state part of the melody as Francies’ continues to solo, adding some additional layers of harmony. A driving section follows Francies’ solo with arpeggiated synths, the drum and bass rhythm, and the shakers in a Steve Reichian trance, and the tune reaches a thrilling conclusion. “The Bat” is a wonderful ballad closer, Francies’ bass line is so subtle that one easily forgets there is NO bassist, and his comping behind a reflective Metheny meditation is capped by Gilmore’s autumnal brush work and dark smoky cymbals that is icing on the cake after an hour plus of excellent music. The Japanese inclusion of “The Bat” increases the CD run time to 69:05 and makes it a much more complete, satisfying album experience than the streaming, the UK and American CD versions that close with “Zenith Blue”.

Sound:

Recorded, mixed and mastered by longtime engineering partner Pete Karam, with the live house sound courtesy of Austin Stillwell, Side Eye NYC is without question the finest sounding Metheny album in a very long time. Two versions of the album were analyzed for review, the high res streaming version available through all major streaming services and the Japanese CD. The streaming version utilized both the Marantz MM7025 dual AKM DACS and the Schiit Bifrost 2 DAC. While the Bifrost 2 seemingly adds a more distinct layer of separation, the Focal Chora 826 speakers do a wonderful job at displaying the wide dynamics the ensemble creates. If anything, streaming vs. CD, the bass is a bit tighter and more present in the high res version, but the CD sounds very very nice. One neat aspect of the VERY wide sound stage is Metheny’s distorted guitar on “Lodger”, while it appears center of the sound stage on most other tracks, is slightly LEFT of center coming outside the speaker, and the Roland GR300, on “Zenith Blue”, as Metheny has the synth full blast, it is placed in the center, and when he turns it off and uses the G303 (the guitar controller for the GR300) as a regular guitar, it also appears to the left of center coming outside the speaker, very cool use of spatial depth. Francies’ analog synths have textural variety and depth, the piano appearing across the sound stage on “It Starts When We Dissapear” and “Turnaround”, while for tracks like “The Bat” remain in the far left channel. Gilmore’s drums have thunder and punch, and his K Zildjian cymbals ring with gorgeous sizzle and wash.

Concluding Thoughts:

Side Eye NYC showcases a stimulating new configuration for Pat Metheny. Francies and Gilmore push him to inspired heights, and in turn they also deliver some great moments. The album could serve as a Pat Metheny primer for the uninitiated and it ranks as far as his live albums go the finest since Trio-->Live (Warner Brothers/Metheny Group Productions, 2000) in it’s unbridled enthusiasm. The Japanese CD is a more satisfying, complete album experience because of the inclusion of “The Bat”, but the potential of this new trio is definitely high. Metheny plans on going into the studio with Side Eye at some point and it is anyone’s guess where it will evolve to. Francies is the finest keyboard collaborator since Lyle Mays and the duo and quartets with Brad Mehldau, and their chemistry can lead to some very interesting places.

Music: 9.5/10

Sound: 9/10

Equipment used for review

HP Pavilion x360 laptop (for high res playback)

Audiolab CDT6000 transport (for CD playback)

Schiit Bifrost 2 DAC

Focal Chora 826 speakers

Pre amp: Marantz NR1200 stereo receiver

Marantz MM7025 power amplifier

Audioquest Golden Gate and Forest cables

Furman power conditioner

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