#mal oretsev

[ekbelsher]

Alina and Mal. This is the last of the images I did for the Litjoy crate Shadow and Bone series, and my favourite. The heartrending moments are where I live 🖤

[danburys]

Stranger Things (2016—) Shadow and Bone (2021—)

[dragonqueenstormwitch]

propaganda i’m not falling for:

mal oretsev slander

‘kanej isn’t together’ allegations

kaz brekker with blue eyes (sorry mr. carter)

matthias being the ‘least interesting’ crow (there’s not one)

readers who think nina isn’t ever allowed to fall in love again

kuwei as some sort of manipulative villian

shipping nikolina when zoyalai blows every other nikolai ship ever out of the water (except malkolai) (jk) (maybe)

[vellichor-lover]

Rewatching Shadow and Bone and I just need to get this out of my system.

MALYEN ORETSEV IF YOU HAVE NO FANS I AM DEAD. OH MY GODDD I LOVE HIM SO MUCH HE DESERVES THE WORLD

[stealingpotatoes]

this is what peak romance looks like ok

(commission info // kofi support!)

[mossytrashcan]

mitski actually wrote I bet on losing dogs about me and alina starkov. just thought you should know

[shhhhimwatchingthis]

hey don't know how many ppl are aware of this but Netflix released their first public viewer engagement report and Shadow and Bone season 2 is number 32 GLOBALLY with a staggering 192,900,000 views. (if all those zeros are getting to you, let me put it this way. thats nearly 193 million views from jan-june 2023)

there are over 18,000 items on Netflix's list putting Shadow and Bone in the top 0.17% of ALL CONTENT

do not let Netflix tell you not enough people were watching.

[moonbeam-darling]

Netflix canceling Shadow and Bone season 3 and not doing a Six of Crows spin-off has got to be one of their dumbest decisions in the past 4 years. It is one of their most popular tv shows and was ranked 1st for weeks after season 1 and 2 dropped around the world. At this point, Netflix is just asking to lose everything because they have continuously canceled the most popular TV shows and try to replace them with really shitty ones.

But, I am so grateful to Leigh Bardugo, all the directors, producers, writers, costume designers, set crew, and literally every single person involved for bringing it all to life and putting their entire beings into making it as perfect as it is.

And of course I will always forever love every single actor for making all my favorite characters walk right off the pages and bring tears to my eyes.

[lilisouless]

Be proud of who you are

[mels-kings]

kate's 365 days of male characters

day 83: mal oretsev shadow & bone

[mohansabbot]

kai @miwtual's birthday countdown event day 3: lyrics

(in/sp)

[danburys]

"He hasn't been with anyone, you idiot. Do you know what the girls back at tthe White Cathedral called him? Beznako." A lost cause.

Ruin and Rising, Chapter 13

[rohsolism]

The way shadow and bone prologue ends with these lines:

The boy and the girl glanced at each other and, because the adults were not paying close attention, they did not see the girl reach out to clasp the boy’s hand or the look that passed between them.

And the ruin and rising epilogue ends with this line:

They had an ordinary life, full of ordinary things—if love can ever be called that.

Malina truly a ship for intellectual people.

[siriuslyobsessedwithfiction]

"Siege and Storm is boring, nothing happened there.", "I only remember Nikolai showing up". LIES. That's propaganda, actually. That's Grishaverse fans not wanting to reread the trilogy and especially that book because they've crafted a fanfic in their heads they're trying to pass as canon with encouragement from the author, actually.

Because rereading Siege and Storm would raise quite a few unsavory questions. For example:

Why is Mal drinking, gambling and fighting Grisha 24/7 instead of performing his duty as Alina's captain of the guard? (And don't give me "he was a stressed boy" bullshit, it was war, everyone was stressed. And everyone was coddling Mal. He was going hunting with nobles, living in luxury and insulting the prince).

Why did Mal fail his duty as Alina's protector and fell asleep on his watch, drunk, and didn't notice someone going in and out Alina's chamber?

Why did Alina run away in her pajamas aimlessly in the city, and when the crowd of worshippers started tearing her apart alive, she let them. Why did she attempt suicide? (Hint: she and Mal had a big fight earlier because Mal was being a drunk shithead. Alina still blamed herself).

Why did Mal slut-shame Alina one second and virgin-shame her the next? All while bragging about being with many women and kissing Zoya.

Why did the Darkling not manipulate Alina even though he visited her a lot through the tether? Why did he settle for petty little smirks and winks and silently kept her company through the long nights? Why did he admit he was lonely and stayed with her because she was lonely too? Where was loverboy Mal?

Why were the Bataar twins (especially Tolya) acting so weird towards Alina? Why were they brainwashed worshipers and viewed her only as a saint? Why is Tolya on his knees, shivering when Alina just pats his shoulder?

Oh, Nikolai is just an ambitious, conniving cunt who wants the throne, not a selfless fairytale prince? And he's only an improvement from his father and brother because the bar is so low it's in the seventh circle of hell? (Still the best character in that book).

Why is everyone so okay with murdering the Darkling's Grisha as if they aren't the same Grisha who they lived and fought alongside for years? Why is no one protesting that while the Lantsov prince is eager to engage in a civil war because he has big guns from his pirate privateer adventures , it's the oppressed minority (Grisha) who are dying the most?

Why isn't Alina more concerned that everyone turned on Grisha the second the times of trouble started, as if everyone was merely expecting an excuse? An absence of strong leader, so they could start sham trials and execute Grisha left and right.

[lilu787788]

I’ve been thinking a lot about why some younger viewers seem to express such intense hatred for Aleksander, and even for those who love or support him. It’s something I notice more and more often — this aggressive, almost moralistic rejection of morally grey characters like Aleksander. And I don’t think it’s just about disliking him. There’s something deeper going on in how fandom spaces function today.

A large part of it, I believe, comes from the way stories are consumed online now. Platforms like TikTok or Twitter encourage fast takes, simplified narratives, and black-and-white ideas of who is “good” and who is “bad.” People aren’t always interested in nuance anymore. It’s easier to reduce someone like the Darkling to a red flag or a toxic man than to sit with the discomfort of a character who does morally questionable things, but also loves, suffers, and fights for a better life for the Grisha and all of Ravka. Grey areas are not trending. Moral certainty is.

I’ve also noticed a dominant narrative — the girlboss versus let’s say villain storyline. Those young people want Alina, Zoya, Genya to “free themselves” from him, and in doing so, they erase what was truly complex, painful, and layered between them. The romanticization of strength often forgets that real strength can come from understanding, not just rejection. And sadly, if you dare say you understand Aleksander or believe he had genuine feelings for Alina, you’re suddenly accused of romanticizing abuse. There is no space for symbolic storytelling or fictional dynamics that aren’t meant to mirror real-life healthy relationships.

Another issue is the casual misuse of psychological terminology. Words like “manipulator,” “gaslighter,” and “grooming” are thrown around without understanding their meaning. These young fans just follow the crowd and, like a frenzied inquisition, throw accusations. Aleksander is a character shaped by centuries of trauma, loneliness, and war. But instead of examining that, some people just diagnose him in fifteen seconds on TikTok and declare him irredeemable. It’s lazy, dishonest, and more importantly, it shuts down real conversation. I also think some people need to feel like they’re on the “right side.” If they hate the Darkling, they can prove they’re morally superior. In my opinion, that points to low self-esteem. It makes liking him feel like a flaw, or worse, a crime. In some fandom spaces, it turns into a ridiculous purity contest.

And if your interpretation doesn’t fit the mainstream narrative, suddenly you become a bad person. It’s such a toxic dynamic, especially when fiction is meant to give us a space to explore difficult things.

Honestly, I think many misunderstandings around Aleksander come from people who’ve never had to think deeply about war, power, or survival. People don’t relate to the Darkling just because he’s charming or a tragic figure. A A lot of us understand him because we know what it means to live in a world shaped by conflict — to watch systems collapse, to see the innocent suffer while leaders look the other way. And even if not, basic human empathy and emotional maturity, combined with historical knowledge, allow us to see more and, most of all, to avoid jumping to judgment. We don’t behave like an angry mob with pitchforks ready to burn someone at the stake. On a side note, I’ve been thinking about doing a post that points out how some parts of the fandom — especially certain Crows, Zoya, Nikolai, Genya, and Malina fans — act a lot like the Drüskelle.

Aleksander is not a villain. He is someone forged in blood and fire, who made impossible choices in a world that gave him none. People who have studied or lived close to the realities of war know that moral clarity is a luxury. He also fought for people who were hunted, tortured, erased. He refused to stand by while Grisha were murdered, burned at the stake, dissected like lab animals, or sold into slavery. And even though his methods became brutal, his cause was never about selfish gain. It was about protecting people like him in a world that never would.

Loving the Darkling is about recognizing the complexity of someone who stood between oppression and survival. It’s about understanding that some stories aren’t clean, and some leaders don’t have the luxury of kindness. Aleksander’s tragedy is that he knew he had to become a monster to stop the world from killing his people. And whether you agree with him or not, that kind of narrative deserves respect, not shallow rejection.

Fiction should be a place where we can explore those hard truths. Not everything is meant to make us feel safe. Some characters exist to make us think, not just to give us flashy action scenes or quick thrills. Let people explore stories the way they need to. Let them love the characters who challenge them. You don’t have to agree. Sometimes it’s just fiction and sometimes it’s the way we try to understand our own shadows.

[cutterpillow92]

Shadow and Bone, S01E02: We’re All Someone’s Monster (2021)

@giftober 2024 | day 12: Hidden