#manisha sharma

[lyricsssdotin]

Chori Maar Dalegi Lyrics

Singer:Fazilpuria, Manisha SharmaAlbum:Nawab Kamboj Ghani kasooti lage madam aaj tu chala padegi Maaregi tu maaregi chore ne tu maregiTu jaisalmer ki lage manne dekh dekh ke Dekh dekh ke kyu sharma ke baaghe Teda teda lakk hilawe aaj tabahi thavegi  Chori tereChori tere suit ki kadhai maar dalegiChori tere suit ki kadhai maar dalegi Chori thadi chaal nawabi shehar mein charche hore reSuit…

[lyricsgoal]

Teri Meri Jodi Lyrics - Manisha Sharma

[theinfinitedivides]

'i don't care how you do it, but i want that pearl back. otherwise, i'll have to recover the value by selling Saima.' — ep 1 - the queen of heeramandi | heeramandi, 2024, dir. sanjay leela bhansali.

[neilperrysme]

ये कैसी जगह ले आए हो तुम

yeh kaisi jagah le aaye ho tum

what place is this where you've brought me

ये कैसी नयी दिल गए है धुन

yeh kaise nayi dil gaaye hai dhun

which is this new tune that the heart is singing

मैं मीरा सी दीवानी हो गयी इस दुनिया से बेगानी हो गयी

main meera si deewani ho gayi is duniya se begaani ho gayi

ive become crazy like meera ive become unaware of this world

मेरे होंठों पे जो भटके कई जन्मों की प्यास है

mere hothon pe joh bhatke kai janamon ki pyaas hai

the one that lingers on my lips is the thirst from many generations

मेरे अमृत का वो प्याला बस तेरे पास है

mere amrit ka woh pyala bas tere pass hai

that goblet of my nectar is only with you

ये कैसी जगह ले आए हो तुम

yeh kaisi jagah le aaye ho tum

what place is this where you've brought me

- yeh kaisi jagah, hamari adhuri kahani

rashmi virag | jeet ganguli | deepali sathe

[darshanan-blog]

Heera Mandi: Diamond Bazar - Bollywood Series Review

Director Sanjay Leela Bhansali’s HeeraMandi currently playing on #Netflix is visually expansive, lyrically haunting, emotionally captivating, and verbally mesmerizing with a rich storyline. Set in 1920s pre independence India, this 7 episode series has woven the struggle for independence while telling the story of the lives of tawayffs (courtesans). They weren’t mere prostitutes. In fact, in…

[amu-buddy]

Manisha Rani Biography, Height, Age, Career, Net worth, social media, boyfriend, & more

Name: Manisha Rani Date of birth: 5 September 1997 Age(2023): 26 years Height: 5 feet 5 inches, Weight: 55 kg Profession: Actress, Model, YouTuber, Social Media Influencer Birthplace: Munger, Bihar Zodiac Sign: Gemini Hometown: Munger, Bihar, India Religion: Hinduism Nationality: Indian Career Manisha Rani is a social media influencer, model, and actress. Manisha’s career as a social…

[filmokirani]

Heeramandi - The Diamond Bazaar

When I first started this review, I had just finished the show. At that time, not as many reviews had been published, and there was still a lot of hype. Now that I've had some space to really think and sort through my initial reaction, I've added to and rewritten parts of this. The following is a relatively low spoiler review of my overall impression of the show:

Heeramandi is an ensemble show, with multiple actors of different backgrounds. There are industry veterans, fresh faced newcomers, and a number of people in between.

Seeing Manisha Koirala, Farida Jalal, Fardeen Khan, and Taha Shah Badussha (yes, I enjoyed Luv Ka The End when it came out, what can I say) on screen after years certainly made me nostalgic. But more than nostalgia, each of these actor's performances were convincing and each of them were able to hold their own. No surprise for someone like Farida Jalal or Manisha Koirala, but as an audience member, I have not really had the opportunity to see either Fardeen Khan or Taha Shah Badussha's range before.

And of course, theirs were not the only performances I enjoyed. Essentially the entire main cast - Sonakshi Sinha, Aditi Rao Hydari, Sanjeeda Sheikhh, Richa Chadha, Shruti Sharma, Jayati Bhatia, and Nivedita Bhargava all played the women of Heeramandi (both tawaif and maid) beautifully.

There were of course, a few performances that stood out, for better or for worse. A lot has been said about Sharmin Segal's performance at this point, and I don't have an interest in piling on. I personally did not enjoy it, and felt that she was miscast in the role. However, I do believe much of the responsibility of her performance falls squarely on the shoulders of her uncle/the director - Sanjay Leela Bhansali. Ultimately, a director has a huge say (and a director like Bhansali generally has final say) over what the project ends up looking like. Bhansali chose to cast Sharmin Segal, he was satisfied with her performance, and chose the scenes and cuts to keep for the show. In interviews, he has very clearly said he was happy with her performance.

If he had not been, he could have directed her differently, or chosen to edit out certain scenes and focus on other plotlines. He did not. This is the final product he wanted to share with the audiences, and so, if there is something lacking in Sharmin Segal or any other actor's performance, that responsibility rests on Bhansali as well.

Image: The Envoy Web

Performances that stood out to me (in a good way) were those of Sanjeeda Sheikh as Waheeda and Indresh Malik as Ustasd Ji. I was not familiar with either's work before the show, and was blown away by just how well they managed to steal every scene they were in. Without giving away any major spoilers, there is a scene between Indresh Malik and Sonakshi Sinha (as Fareedan), where Fareedan pays Ustad Ji with a gold naath. Instead of placing it in his hand though, she hooks it to his nose and turns him to face the mirror. The emotions that cross his face - wonder, happiness, loss, grief, and overwhelm of finally seeing what could have been are so beautifully projected by Indresh Malik in this brief moment. Even in a show dripping in grandeur, this tender scene steals the show.

My issues with Heeramandi are primarily rooted in the story and its pacing. The first six episodes tell a completely different story from the last two. Some plotlines drag on for too long, while others are discarded with barely any resolution. Suddenly, towards the end of episode 6, the tone completely shifts and a new plotline takes center stage for the remainder of the show. Everything else is lost to history (or perhaps a season 2). It is unfortunate, especially with an ensemble cast, because most characters seem wasted on a plot that doesn't know where it wants to go until the end.

Image: Harper's Bazaar

Vague Spoilers for the rest of the review:

A friend of mine mentioned that she believes Sanjay Leela Bhansali likes to see women suffer, and I have to agree. Bhansali may claim that his heroines are strong, but the only way we as an audience are allowed to see that is through their suffering.

They suffer against their status, their fate, the British, the men who claim to love them but torture them instead, and it is only in those moments that the audience is allowed to see them as strong and sympathetic characters.

Even our two "antagonists," Malikajaan and Fareedan, who are portrayed as relentless and calculating, are so because of their past suffering. In order to be shown as worthy of empathy and to emphasize their strength later in the show, they are forced to suffer again.

It is as if Sanjay Leela Bhansali cannot conceive of a world where a women's strength can come from her desires, her talent, her cunning, her community, and own self. Herein likes the greatest letdown of Heeramandi - it forgets the story it promised to tell.

For the majority of Heeramandi, the main charters are shown as little more than catty, selfish, manipulative women, who fight over wealth and status (often unsuccessfully). It isn't until the penultimate episode that the show goes back to what it promised before the initial opening scene. Heeramandi was sold to its audience as a story of the Tawaifs and their connection to the downfall of the British raj. Even in interviews and promotions of the show before its release, we were told this. Yet it almost never shows these women (with the exception of Bibojaan) as competent enough to do anything successfully until episode 7. Attempts to undermine each other often backfire spectacularly. Even then, these women are "strong" and resilient in the last two episodes directly after a terrible ordeal (ie more suffering) galvanizes them and completely ignores any set up of the previous 6 episodes regarding their interpersonal dynamics.

Final Thoughts:

Sanjay Leela Bhansali's signature is extravagant sets and costuming that sometimes take years to create. Having incredible Art and Costume departments to do this work has become a part of his directorial style. In this sense, he fully rises to the occasion. Audience expectation is certainly met and surpassed. Heeramandi is a visual treat. Every frame on screen is filled with intricate details.

While Bhansali exceeds audience expectation in this aspect, he fails to deliver on the story he promised to tell. By the end, everything is so convoluted it's hard to hold onto the threads of the multiple storylines, and major plot points are ignored in favour of a dramatic ending. Even with the (mostly) incredible performances from its cast, Heeramandi is little more than an opulent train wreck.

TLDR: the stories of tawaifs and their connection to the overthrowing of the British raj are important for us to learn, but Sanjay Leela Bhansali was not the right person to tell them.

[scribblermish]

5th March 2023

11:15 P.M.

"Day 225"

Today I've watched Mr. Rajat Sharma's show on India Tv ....and today he was recalling about his memories with celebrities whom he invited for Aap ki Adalat show...in that he spoke about many actors like...Salman Khan, Rajesh Khanna, Sunny Deol, Dharmendra ji, but the most interesting 🤔 people I found were Shahrukh Khan sir and Dilip Kumar sir....as in...he said..

He first met SRK by chance on airport...then he came to him and start talking about some lady cleaning the floor..them in flight also he talked to me about some interesting topics and we became friends and when leaving from airport in his car he said he is my driver now but before me he was driver of Mr. Rajesh Khanna and this car of mine is also of Mr. Khanna... I want to come in your show Aap ki Adalat and I want some more people to know me because I want to be a superstar like Mr. Rajesh Khanna...and then I (Rajat sir)...called him on his show...

This whole thing made me feel like.... here I learnt some things...no literally...he did a lot of things...like really.. hmm🧐🤔🤔...

Then my favourite Mr. Dilip sir...he said that Dilip sir discussed a lot about the show with him but they were never able to record it... because the discussion never ended..😂😂...❤️✨...

Well...a lot more to say...but some other day..😂🥰🥰... betuuuu ❤️✨

Hope you'll get what is correct for you in your life ❤️💫..

Best wishes & Regards 🤗

Manisha Mehta

[lyricsssdotin]

Matak Chalungi Lyrics

Singer:Raj Mawar, Manisha SharmaAlbum:Mukesh Jaji Naa kasar ghalungi, main asar daalungiNaa kasar ghalungi, main asar daalungiHo thaake tokni, main matak matak chalungiHo thaake tokni, main matak matak chalungi Naa kasar ghaliye, tu asar daaliyeNaa kasar ghaliye, tu asar daaliyeHo thaake tokni tu matak matak chaliyeThaake tokni tu matak matak chaliye Gaat mera mudta chalegaTera daalha sa…

[neilperrysme]

दो पत्ते पतझड़ के पेड़ों से उतरे थे

do patte patjhad ke pedon se utre the

two leaves of the autumn season have come down from the trees

पेड़ों की शाखों से उतरे थे

pedon ki shaakhon se utre the

they are down from the tree branches

फिर कितने मौसम गुज़रे, वो पत्ते दो बेचारे

phir kitne mausam guzre woh patte do bechare

then all the seasons passed by and those two poor leaves

फिर उगने की चाहत में, वो सहराओं से गुज़रे

phir ughne ki chahat mein woh sehraon se guzre

in their desire to be born again passed through this wilderness

वो पत्ते दिल-दिल-दिल थे, वो दिल थे, दिल-दिल थे

woh patte dil-dil-dil the,woh dil the, dil-dil the

those leaves were hearts,they were hearts

दिल है तो फिर दर्द होगा, दर्द है तो दिल भी होगा

dil hai toh phir dard hoga,dard hai toh dil bhi hoga

if there’s a heart, there will be pain,if there’s pain, there will be a heart

मौसम गुज़रते रहते हैं

mausam guzarte rehte hai

the seasons keep on passing by

दिल से रे

dil se re

from the heart

दिल तो आखिर दिल है ना

dil toh aakhir dil hai na

the heart is after all a heart

मीठी सी मुश्किल है ना

meethi si mushkil hai na

it’s a sweet problem

पिया पिया

piya piya

my beloved

पिया पिया, पिया ना पिया

piya piya,piya na piya

my beloved

जिया जिया, जिया जिया ना जिया

jiya jiya jiya na jiya

my life

dil se re

from the heart

बन्धन है रिश्तों में, काँटों की तारें हैं

bandhan hai rishton mein,kaanton ki taarein hai

there are restriction in relationships,there are barbed wires

पत्थर के दरवाज़े, दीवारें

patthar ke darwaaze deewarein

there are doors and walls of stones

बेलें फिर भी उगती हैं और गुँचे भी खिलते हैं

belein phir bhi ugti hai aur guche bhi khilte hai

but still the creepers grow and even the flowers bloom

और चलते हैं अफ़साने, किरदार भी मिलते हैं

aur chalte hai afsaane kirdaar bhi milte hai

and the stories keep on moving you can even find the characters

वो रिश्ते दिल-दिल-दिल थे, वो दिल थे, दिल-दिल थे

woh rishtey dil-dil-dil the,woh dil the,dil-dil the

those relationships were hearts,they were hearts

dilse re,dil se(1998)

gulzar | a.r. rahman

[drmanishasharma]

Psychotherapist & Counsellor in Jaipur

Manisha Sharma is a highly skilled psychotherapist and counsellor based in Jaipur, renowned for her compassionate and client-centered approach to mental health. With a deep understanding of various therapeutic techniques, Manisha specializes in helping individuals navigate through emotional challenges, anxiety, depression, and relationship issues. Her commitment to fostering a supportive and non-judgmental environment ensures that clients feel heard and valued. Drawing from extensive experience and a genuine dedication to personal growth, Manisha empowers her clients to achieve emotional well-being and a more fulfilling life.

[oppvenuz4456]

Event Anchors in Mumbai: The Voice of Every Celebration

Anchors in Mumbai

In the vibrant city of Mumbai, where celebrations are as diverse as the people, event anchors play a crucial role in turning ordinary gatherings into extraordinary experiences. From weddings to corporate events, from concerts to product launches, the right anchor can make all the difference by engaging the audience, ensuring a smooth flow of events, and adding that extra sparkle to the occasion.

For more Details- https://www.oppvenuz.com/vendors/anchor/?city=mumbai

The Role of an Event Anchor

An event anchor, also known as an emcee (Master of Ceremonies), is the person who drives the event forward. They are the voice that guides the audience through the program, introducing speakers, performers, and activities, while keeping the energy high and the crowd engaged. A good anchor is more than just a host; they are a storyteller, a crowd manager, and often, the glue that holds the event together.

Why Mumbai Demands the Best Anchors

Mumbai, often referred to as the entertainment capital of India, is a city that never sleeps. The events here are grand, diverse, and full of life. Whether it’s a high-profile wedding, a glamorous Bollywood event, or a significant corporate gathering, the stakes are always high. The city's cosmopolitan audience expects professionalism, charisma, and a deep understanding of the event's theme and objectives. This is why hiring a skilled event anchor is crucial for any successful event in Mumbai.

Qualities of a Great Event Anchor

Adaptability: Mumbai's events are as diverse as its population. A top-notch anchor must be able to adapt to different types of events, from traditional weddings to modern corporate functions, each with its unique vibe and audience expectations.

Charisma and Presence: The anchor is the face of the event, so they must have a commanding presence and the ability to connect with the audience. Whether it’s through humor, storytelling, or simply their confident demeanor, an anchor must hold the audience's attention.

Cultural Sensitivity: Mumbai is a melting pot of cultures, and events often reflect this diversity. A great anchor must be culturally aware and respectful, ensuring that their remarks and interactions resonate with the audience while being mindful of cultural nuances.

Impeccable Communication Skills: Clear, concise, and engaging communication is key. The anchor must be able to articulate the event's message, introduce participants smoothly, and handle any unexpected situations with poise.

Experience and Professionalism: Mumbai's high-profile events require an anchor who is experienced and professional. From time management to crisis management, a seasoned anchor knows how to handle the pressure and ensure the event runs smoothly.

Top Event Anchors in Mumbai

1.Nitish Sharma: Known for his work on television and live events, Nitish Sharma is a household name in India. His wit, charm, and ability to engage the audience make him a popular choice for big events, especially those involving celebrities.

2. Manisha Stringer: A versatile anchor, Manisha Stringer is known for her ability to seamlessly host corporate events, product launches, and weddings. Her professionalism and grace make her a preferred choice for high-end events.

3. Abhishek Mhatre: A comedian and television host, Abhishek Mhatre brings humor and energy to every event he anchors. His ability to connect with the audience and his spontaneous wit make him a standout choice for entertainment events in Mumbai.

4. Shravan Kumar: Shravan Kumar is known for his work across various media, including television, radio, and live events. Her experience and poise make her a trusted name in the world of event anchoring in Mumbai.

5. Rahil khan : A multi-talented personality, Rahil khan is known for his work in both Bollywood and television. Her charismatic presence and ability to engage diverse audiences make her a top choice for glamorous events in Mumbai.

Tips for Hiring an Event Anchor in Mumbai

Know Your Audience: Understand the demographics and preferences of your audience. This will help you choose an anchor who can resonate with them, whether it’s a young, trendy crowd or a more formal, professional audience.

Match the Event Theme: The anchor's style should align with the event’s theme. For instance, a traditional wedding might require a more formal and culturally aware anchor, while a corporate event might benefit from someone with a polished, professional demeanor.

Check Experience and References: Mumbai is full of talented anchors, but experience matters. Check the anchor’s past work and ask for references or demo videos to ensure they have the right experience for your event.

Consider Language and Cultural Nuances: Mumbai is a multilingual city, and your event might require an anchor who can speak multiple languages or understand specific cultural references. Make sure the anchor is comfortable with the linguistic and cultural aspects of your event.

Conclusion

In a city as dynamic and fast-paced as Mumbai, the role of an event anchor is crucial in ensuring that your event is not just successful, but memorable. With the right anchor, your event can leave a lasting impression on your audience, creating moments that are cherished long after the event is over. Whether it’s the glamour of a Bollywood night, the elegance of a wedding, or the precision of a corporate function, Mumbai’s event anchors are the voices that make every celebration come alive

[novumtimes]

Assam girl 14 gang-raped found on road in semi-conscious state

A 14-year-old girl was allegedly gang-raped by three men in the Nagoan district of Assam. The survivor was rescued by police in a semi-conscious state on a road in Dhing area of the district on Thursday. The police rescued the survivor after receiving a tip off from a passerby. The accused are yet to be identified. The rescued minor girl has been admitted to Dhing medical unit in Nagoan district of the state. The Student Union has called a Bandh in the area today in lieu of the incident. Assam Chief Minister Himanta Biswa Sharma strongly condemned the incident, describing it as a “crime against humanity”. Taking to X, the Chief Minister expressed his outrage over the incident and vowed to bring the accused to justice. “The horrific incident at Dhing, involving a minor, is a crime against humanity and has struck our collective conscience. We will NOT SPARE anyone & BRING the perpetrators to JUSTICE,” Sharma wrote. He also added that he has directed the Director General of Police (DGP) of Assam, to visit the site of the crime and ensure swift and decisive action against those responsible. “I’ve directed DGP Assam Police to visit the site and ensure swift action against such monsters,” he added. Published By: Manisha Pandey Published On: Aug 23, 2024 Source link via The Novum Times

[wafi-media]

Unmasking Depression: Live in Triumph 2024 Ms / Mrs/Mr / Junior Bharat Pageant, a Stunning Fusion of Fashion and Mental Health at Crowne Plaza, Gurgaon under the Visionary Leadership of Anuradha Das

The Live In Triumph (LIT) 2024 Mr/Miss/Mrs Bharat Fashion Pageant was a memorable event, blending the allure of fashion with a powerful message on mental health. Themed ‘Unmasking Depression,’ the pageant was held on August 15, 2024, from 4 PM at Hotel Crowne Plaza, Gurgaon.

Live In Triumph was created to raise awareness about critical mental health issues, focusing on the belief that if they stopped depression, they could prevent a cascade of other mental health problems, including suicide, schizophrenia, bipolar disorder, and Alzheimer’s. This year’s theme, ‘Unmasking Depression,’ underscored the importance of addressing depression early to “Nip it in the bud.”

The event was organised by My Precious Life and Belle Events, led by Anuradha Das, a philanthropist, author, motivational speaker, and director with her own movie production company, Rising Eagle Productions, based in the US. Esteemed guests and speakers contributed to the event’s impact:

Many influential people who had contributed vastly to society in their respective fields attended this path-breaking event.

Chief guest- Major General R K Razdan (Kriti Chakra VSM)

Guest of Honour- Senior Advocate Ashok Bhan (Geo- strategic expert)

Special guests- Mukesh Gambhir (Founder Radio Booze), Dr. Vandana Singh (Dir, Global Corporate Key Account Management, Saudia Cargo), Ms. Rochika Agarwal (BJP spokesperson and film censor board director, Ms. Urvashi Mittal (National Secretary, Inner Wheel), Mr.

Ravinder Pandita (Save Shardha Committee founder) and Mr. Amit Dubey (Airbnb head India).

Celebrity guest- Asma Gulzar

Some of the esteemed guests at LiT included, (celebrity fashion designer), Khurafati Nitin (RJ- 92.7 Big FM), Ritika Pathak, Anthony Deshuja, Sarika Verma, Dinesh Mohan (model), Sushant Kumar (model), Pratibha Pundur, Rohit Manocha (Taiiki Media), Rakesh Kachroo, Ruth Stewart, Jaswinder Singh, Dr. Nootan Yadav (medical in charge- primary health centre, Palra), Mohit Sharma (Chief Warden, Civil Defence, Haryana), Sunita Yadav (Deputy Mayor Gurgaon), Ranjan Kumar Das (CFI charitable trust), Shyam Prakash Pal (Wafi Media Marketing Solutions) etc. Mr. Mahavir Yadav from Dainik Jagran was present as a media partner.

The esteemed jury panel included: Tabbu, Koushik Sheel, Dr Manisha Koushik, Mahi Yaduvanshi and Renny Sharma

Runway coach Gourav Kalra coached contestants.

In the past three years, Live In Triumph has successfully raised awareness of suicide, depression, and domestic violence through its unique fashion shows. Celebrity Sudha Chandran graced last year’s event along with fashion model Dinesh Mohan, Sushant Kumar, Ritka Patak and many more. These events had not only highlighted these critical issues but also provided a platform for survivors and advocates to share their stories, fostering a supportive community.The event details can be accessed at litfreedomfashion.com

This year, LIT 2024 aimed to deepen the conversation around depression, promoting early intervention and comprehensive support. While last year’s pageant had Mr. and Mr.s titles, this year, the event was expanded to include junior, elegance (ages 60+) and crown (who have overcome depression) categories. Various speakers, including doctors, unmasked depression through their keynote speeches and panel discussions. LIT 2024 was more than just a beauty pageant; it sought individuals who not only possessed outward beauty but also demonstrated a commitment to making a positive impact on the world. “We are looking for a visionary”, said Anuradha Das.

The event featured:

- Book Release: ‘Only When It’s Too Late’ by Suzanne Smith, showcasing a teenager’s pencil drawings during their struggle with depression

- Categories of Participation: LIT Mr Bharat 2024, LIT Miss Bharat 2024, LIT Mrs Bharat 2024, LIT Junior, LIT Elegance (ages 60+), and LIT Crown ( those who have overcome depression).

- Testimonies and walks: by fashion models Dinesh Mohan, Ritika Patak, Sushant Kumar, and Pratibha Sengar, sharing their journeys with depression.

- Lamp lighting ceremony: Symbolizing enlightenment and new beginnings

- Entertainment: a special walk sequence with a new video launch was showcased by ‘House of DMask, led by fashion models Dinesh Mohan and Sushant Kumar. Other performances included vocal renditions by Ashish Kumar Pandey, Hulahoops by Trisha Munjal, a Kathak performance by Mrs Prem Latha Gupta, and the ‘Miracle Workers’ skit team.

Model and actress Sonika Chopra graced the hosting.

Partnerships and Sponsors The event was partnered by the GDMR Foundation and was supported by sponsors like Aieque Trademark Services, UAE; GejoSpeaks; Golden Nib Publications, Ramgraphics, Mumbai; House of Dmask; Hungry Tau; Super Chai; Taiiki, Influencer For, Friends to the Dance; Vandana; Saurabh Arthur; and Be U.

WINNERS: LIT Junior (6–9): - Shanaya Sahoo - Pavnoor Kaur - Tisha Kalra

LIT Junior (10–12): 1. Myra Arya 2. Sarah Steve 3. Riddhi Srivastava

LIT Junior (13+) Winner: Mishka Kagra

LIT Mrs Bharat: 1. Hemangi Devendra Bhatnagar 2. Ajaya Singh 3. Deepa Pal

LIT Crown: 1. Ruchi Raj 2. Krutika Satapathy 3. Shubhra Chadha

LIT Elegance: 1. Mona Chopra 2. Indira Haksar

LIT Mr Bharat: 1. Deepak Raina 2. Sumit Khanna 3. Vaibhav Sen

LIT Miss Bharat: 1. Harvinder Kaur 2. Ankita Sood 3. Bhawna Talwar

Live In Triumph 2024 marks the fourth successful year of this unique fashion show with a noble cause. It continues to use fashion as a platform to foster understanding, support, and hope for those battling depression, promoting the idea that stopping depression can prevent a multitude of mental health challenges.

For PR Inquiries, Contact: Wafi Media Marketing Solutions (https://www.wmmsols.com )

For More Details, Visit: (https://litfreedomfashion.com)

Follow LIT on Instagram: (https://www.instagram.com/lit_freedomfashion/)