#many gomens

[mintaikk]

Aziraphale expressions that I find very funny

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[mrghostrat]

it's a day for kisses

thank you so much to all who came to watch this stream!! we kissed for 6 hours together 😭💛 (if you missed it, you can watch the recording here!)

[high res]

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[enthusiasteditor]

As a general thing, I’ve always been drawn to characters who appear to be one thing on the surface, but are actually something else underneath

- Michael Sheen

[ineffable-romantics]

Thank GOD for those new promo pics.... I've always said this was the way I picture Aziraphale in modern day if he'd been the demon instead, and now I have the perfect angel!Crowley to match!

[nikki-rook]

but with you I see stars insp

[rathockey]

↳ crowley + "sides"

[raggedy-spaceman]

It’s so funny to me that by the length of David’s sideburns you can pinpoint exactly when a scene was filmed. Especially when it changes during the same episode. And it’s even funnier that it has a perfectly logical explanation in canon and that explanation is that Crowley can do whatever the fuck he wants.

[deadbutnostink]

Redraw of aziracrow dancing :p

[stillw4t3r]

ik everyone is in mourning because of episode 6 right now but can we just appreciate how batshit this season was?? the entire time i was asking myself how it was real. the magic show with the bullet?? the nazi zombies?? the laudanum scene?? the entire ball sequence?? the entire rob sequence?? ineffable bureaucracy becoming fucking canon???? how is season 2 real

[wearecrowley]

world's most entertaining liar

[stargirl230]

Special delivery!

Birthday card i made for a friend that i ended up really liking :)

(no reposts; reblogs appreciated)

[hinamie]

obligatory water tribe alt outfits so i am not held liable if they freeze

jjk atla!au with @philosophiums

[crowlixcx]

No one's ever given me anything before.

[enthusiasteditor]

They are more interested in getting the look exactly right, rather than being vain.

BBC: Did you work very closely with Michael and David?

Claire Anderson (Costume Designer): Yes. They were both involved in creating their looks. When you put something very distinctive on them, that helps them find the character. They are more interested in getting the look exactly right, rather than being vain. We had mood boards - light for good, dark for evil. Michael’s costume is ethereal. He wanted something timeless that wouldn’t look out of place now or in Victorian England. He found a way of contemporising his Victorian look. We were able to use aspects of his costume all the way through.

We gave him a tartan bowtie, but all tartans are owned, so we had to design our own specifically, incorporating golden thread and heavenly aspects. He also wears a Victorian waistcoat that is almost bald. We dyed things a lot to get the pale blue on his shirt that would give him serenity and warmth. He wears soft suede shoes and soft light cashmere trousers. It’s about balancing colours with his very white hair to give him the right look. He needs an ethereal aura, and all of the colour palette needs to emphasise his heavenly glow. He’s deliciously cherubic.

BBC: How did you go about creating David’s look?

Claire Anderson: It really started with his 1940s look. The tailoring is very crisp and aligned. It’s hard and sharp. Under the colour of every suit, we put red felt which was like the belly of a snake. Underneath that loucheness, David is slightly rock-starry and Keith Richards-esque. His black leather gloves have a tiny red line to emphasise his snake-like characteristics. We also found a 1980s jacket that had a quilted quality. We worked on it until it had a textured feel to it, like snakeskin. It’s all about semiotics.

Full interview here

[mrghostrat]

i know one day we will sleep for days come over, come over i won't make the same mistakes come over, come over, i'm dying not to hurt you

(high res)