#mawaru penguin drum

[gabbyp09]

[z-grist]

some other stuff back from 2018 - Callie and Marie as Double H from Mawaru Penguin Drum Pearl as ?? So her outfit was based on someone's design back on Twitter, I really can't seem to find the original post of that design, so if someone ever stumbles across it, please let me know. I'll gladly credit it.

[eightmandibles]

Mawaru Penguindrum Phrases Breakdown

I've written a big long post breaking down some of the repeated phrases of the show Mawaru Penguindrum because rewatching it a year ago gave me brainrot. Hope those who r interested enjoy.

Alright this has been occupying my brain for so long it should've started paying rent so I've decided to finally write it all up. Some of these are my own thoughts, but a lot of these are pieces of interpretations that are floating out there on the web. I just didn’t find any one place that compiles them all and puts them together.

Mawaru Penguindrum is the first Ikuhara show I ever watched and something about it really changed my brain forever even though I didn’t really understand what I was watching the first time through (because I was in middle school). I love its surreality and the density of its visual metaphors that all feed into each other has me like an insane person complete with a red string conspiracy board (that will be a section later). It’s show that challenges the viewers to piece together concepts and leaves questions for them to answer on their own, some intended and some probably not as much. I admire the ambition and the commitment to exist in a space that's between trite judgements of black and white, good and evil, and to trust the viewer to really engage with the work.

In this blog post I’m going to break down some of the major catchphrases of the show because they exemplify how the visual/thematic density rewards viewers who spend the time to really engage with the material. It also personally fascinates me as someone who enjoys these puzzle box-type themes and narratives that have the answers staring you right in the face from the beginning, but you just didn’t have the tools to understand what you were being cryptically told.

MAWARU PENGUINDRUM

We gotta start from the beginning and break down the title first of course.

MAWARU: spinning, turning, rotating - which brings themes like revolution and cycles to mind

It’s probably also nod to Revolutionary Girl Utena (though both shows share a lot of themes in examining and trying to challenge or examine societal norms, structures, and cycles).

PENGUINDRUM:

First layer of understanding: the physical diary that the Kanba and Shoma must find (actually it’d be more accurate the say the first layer is just being like “this is a nonsense word” but I digress)

Let’s do another layer of breakdowns -

PENGUIN: Flightless birds that belong neither to the land or the sea - chosen to represent the idea of the “unchosen.” Those in Antarctica need to rely on their community to survive in their harsh environment, huddling and rotating (mawaru…) to keep everyone warm.

There’s a common rumor out there that Ikuhara said penguins were also chosen because it sounds like “pingguo” which is apple in Chinese. Honestly I believe it because he seems to be the kind of person to say stuff like that, but also I’ve never found a source on this.

DRUM: An instrument that keeps a steady beat…like a heartbeat…badum tss. The apple in the show always being red reinforces this association.

Second layer of understanding: When the diary is lost, what the “penguindrum” is exactly becomes more nebulous and we start operating in a metaphor-as-reality world. In terms of visual representation in the show, the “penguindrum” is the “apple” the siblings have been sharing among themselves.

The Penguindrum being represented by an apple means there’s a lot of associations tied into its image. In the show, apples are a visual metaphor for being "chosen". Classically, apples are also the fruit of original sin (like fate…not to jump ahead but remember this for later) - which ties into the concept of “punishment” that Himari's fate is framed as.

Because of the breakdown from earlier (and also all the chest puncturing imagery in the show lol), we can also understand the Penguindrum to be associated with the heart - often in turn associated with love, which is a very loaded concept to dig through, especially as presented in the show (romantic, platonic, and/or familial connections; sacrifice, community, etc.)

Taking these all together, a third layer of interpretation is that Mawaru Penguindrum refers to the cycle (Mawaru) of sharing bonds/fate/connection/love (Penguindrum) between the show’s characters.

SURVIVAL STRATEGY

This phrase is what signals the Princess of the Crystal's presence and initiates the transformation sequence that takes the brothers into a surreal world.

The common reading of this is again the reference of penguins needing to huddle together to survive the cold of Antarctica. They rotate who bears the cold wind of the outside circle in order for the whole flock to survive. Basically, we need the help and support of each other to survive the cold winds of an uncaring society.

While thinking on this phrase, I was struck by how every character’s drive in the show can be explained as “survival strategies” they learned as children. Perhaps it’s a bit of a stretch to apply it in the way this phrase is used in psychology, but I do think it at least refers to the ideology characters take on as children due to their traumatic childhood events or from flawed role models.

Ringo’s “survival strategy” is the most explicitly stated in the show: in episode 6, she believes her parents are on the verge of divorce because she is not Momoka - therefore to keep her family together she resolves to become Momoka. 

The origin of Kanba and Himari’s core approaches to life appear in the flashbacks of episodes 5 and 9 respectively. The Takakura parents each protect the two adopted children from injury by glass, a nod to their original unchosen fate. In doing so, they’re set up as the direct masculine and feminine role models that the two children learn from and model themselves on. I’m not sure it’s accurate to say that the lessons they internalize are strictly “wrong,” because I don’t think Penguindrum is interested in discussing characters like that, but they definitely are flawed.

Shoma deals with guilt from his family’s “sin” and grapples with the idea of taking responsibility for his parents’ actions.

Tabuki and Yuri still believe themselves to be “unloved children” and that’s why they keep pursuing Momoka or seeking revenge for her. They struggle to believe there’s a place in the world for them without their savior there.

Masako is a pretty clear one as well - she internalizes her grandfather’s habits and beliefs in order to try and fit in, even if it never earned her any respect in his eyes.

The childhood of the characters in the show informed how they viewed the society they grew up in, and what they needed to do or become in order to survive.

YOU WHO WILL NEVER AMOUNT TO ANYTHING, FIND THE PENGUINDRUM

Honestly I’m obsessed with the phrases that first sound like absolute nonsense, but cool absolute nonsense. This is the phrase that made me want to write this blog post in the first place.

The phrase is the call-to-action by the mysterious Princess of the Crystal. On first viewing, we can interpret so little of this sentence it’s really just a tool to sound cool and give us a snapshot of the Princess of the Crystal’s personality - haughty, cryptic, and generally unhelpful. It gives Kanba and Shoma a goal, even though neither us nor them understand what the hell it is.

YOU WHO WILL NEVER AMOUNT TO ANYTHING

As the show goes on, the themes and concepts around being a chosen or unchosen child arise. Those who are unchosen and unloved go to the Child Broiler to be turned into glass. This is semi-metaphorical and semi-literal (diegetic might be an appropriate word in a weird way) - metaphorically it can be interpreted as becoming a forgettable, blandly molded member of society, though being processed is acknowledged more like death in the show. In some ways that’s still accurate.

Each of the siblings started without an apple, literally-metaphorically starving of love and unchosen - originally they were fated to never amount to anything.

FIND THE PENGUINDRUM

Obviously this initially refers to the diary in the show, but as we broke down earlier PENGUINDRUM eventually takes on a more loaded meaning akin to love, bond, and connection.

So over the course of watching the show, the phrase transforms from a one-sided order and condemnation to a call to action. Put all together with a little more elaboration: You who were unchosen and unloved from the beginning, in order to survive in this harsh world you must find love and connection with people to share your life with, through good and bad.

I COME FROM THE DESTINATION OF YOUR FATE

Time to bust out the conspiracy red string board, literally-metaphorically.

The Red Line is the literal, metaphorical, and thematic spine of the show. There are two big starting categories for viewing The Red Line in the show, which then mix together to create new meanings as the show references it through imagery and dialogue.

First up, the Red Line refers to an actual train line that the entire show takes place upon, the Tokyo Metro Marunouchi line. The entire show is structured around the train line which starts with the Ogikubo Station and ends at Ikebukuro, with important locations being linked with the actual train stops. It was one of the train lines attacked in real life as part of the Tokyo subway sarin attack in 1995 which the Pingu group’s terrorist attack in the show is a very transparent reference to. This single point in time in 1995 is the origin of almost everything in Mawaru Penguindrum, and in fact almost half the cast is born on the exact day the Pingu group attacks, just to emphasize how closely their fates are tied to the attack.

Second, the Red Line can be seen as a representation of fate, as in the red string of fate. Fate and destiny are concepts brought up over and over again, with Shoma and Ringo having their own monologues about it in the first two episodes (and Kanba having his much later). The visualization of the red string of fate can also be seen in the ending animations.

Somewhere in between is the Red Line as the metaphor of a train to visualize fate. Fate is something that can’t be changed - just like how trains run on fixed tracks with fixed destinations. Of course this is challenged in the show - Momoka even uses the metaphor of changing train tracks to explain her ability.

Now, fate has its own set of associations, such as: destiny, love, connection, bond (hmm familiar), as well as superstitions like fated meetings, fated demises, divine determination.

These can start branching off into concepts like blessings, sins, retribution, and karma (cue the Fate monologues again). And now we start getting back into the idea of cycles: downward spirals of getting what one deserves for their actions, passing on one’s sins to those after you - or virtuous cycles of doing good deeds and passing love and care forward.

Often in discussions of fate, familiar questions arise. Does the beginning determine the end? Is the end fated from the beginning? And so the Red Line becomes the Red Circle, another visual device seen throughout the show. It’s all over the motion graphics of the show and appears around the train stations as well as around ‘95’, referencing the originating incident of it all - the beginning of the Takakura family that determined their end.

What I love about this use of the Red Line is that however you progress your understanding of the its importance to the show, it all helps you further understand any concept Mawaru Penguindrum is discussing. This coherence and repetition of visual metaphors is what allows the show to feel more texturally and thematically cohesive even when it starts getting loose in a plot sense.

(Going back to the initial phrase, I COME FROM THE DESTINATION OF YOUR FATE is said by the Princess of the Crystal in her introduction monologue. It likely lampshades the predetermined ending that the Takakura brothers are so desperately trying to avoid. But also, there is a much funnier, much more literal interpretation I enjoy - Ikebukuro, the last stop on the train line, is where the aquarium the siblings visit is. It’s also where the brothers bought the novelty penguin hat for Himari. So the Princess of the Crystal literally came from the destination (last stop) of your fate (the red line)!)

LET’S SHARE THE FRUIT OF FATE

This turns out to be the secret key phrase needed to activate the diary in order to change the tracks of fate, which Ringo uses at the end of the show in order to prevent another train attack from succeeding.

It’s probably not too hard to piece together what the fruit of fate is after all of this. In a sense, this phrase is just a repeat of Mawaru Penguindrum, just as an actual sentence with a bit more coherence.

I’ll bear your burdens and you’ll bear mine, and in doing so, let us forever be connected.

Wow, finally expunged these thoughts from my brain. Maybe somewhere in me there's still something left for a discussion on how the show uses repeated imagery and visual metaphor to communicate information and associations to the viewer that are vital to actually understanding what's going on because it's a narrative that half exists a non-literal thematic space but for now:

Thanks for reading!

[best-underrated-anime]

Best Underrated Anime Group E Round 3: #E3 vs #E1

#E3: Sending us penguins will NOT fix our terminally ill sister, but thanks anyways.

#E1: Forcefully mixing the old and the new. Hilarity and disaster ensues.

Details and poll under the cut!

*Text in green indicates that something has been changed.

#E3: Mawaru Penguindrum

Summary:

For the Takakura family, destiny is an ever-spinning wheel, pointing passionately in their direction with equal tides of joy and sorrow before ticking on to the next wishmaker. With their parents gone, twin brothers Kanba and Shouma live alone with their beloved little sister Himari, whose poor health cannot decline any further.

On the day Himari is given permission to temporarily leave the hospital, her brothers take her out to the aquarium to celebrate, where the family's supposed fate is brought forth with her sudden collapse. However, when Himari is inexplicably revived by a penguin hat from the aquarium's souvenir shop, the hand of fate continues to tick faithfully forward.

With her miraculous recovery, though, comes a cost: there is a new entity within her body, whose condition for keeping her fate at bay sends the boys on a wild goose chase for the mysterious "Penguin Drum." In their search, the boys will have to follow the threads of fate leading from their own shocking past and into the lives of other wishmakers vying for the Penguin Drum, all hoping to land upon their chosen destiny.

Propaganda:

Do you like weird artsy stuff? Do you love magical girls? How about weird, messed up character dynamics? Then boy oh boy, Mawaru Penguindrum is the show for you! The show starts out funny enough, but will quickly spiral into an intense and intricate plot, involving fate, the mafia, magical destiny-rewriting spells, and penguins. Which yes, before you ask, the funny penguins are in fact plot relevant.

Penguindrum isn’t really a show about all that stuff though, even though it is. It’s a very symbolic story, about living under the crushing heel of capitalism, and the quiet poison of the societally expected nuclear family dynamic. I could write an essay on each and every single one of the characters, as they’re all given a lot of depth and time to grow. Every character has their own baggage that, one way or another, ties back to someone else. Everyone in this show is connected in some way shape or form, and that’s really highlighted when everything starts to fall apart. Be warned: this show is NOT a light watch! If you’re the type of person who gets really into deciphering symbolism and creating your own meaning from pieces of media, then this show is for you!

Trigger Warnings: Child Abuse, Domestic Abuse, Emotional Abuse, Flashing Lights/Flickering Images, Gender Identity/Sexuality Discrimination, Guns, Incest, Kidnapping, Nudity, Pedophilia, Rape/Non-Con, Smoking, Suicide, Bomb Threats/Attempts and Terrorisim

It’s a very major plot point. This show is HEAVILY based off the 95 Tokyo Sarin Gas Attacks, so if content like that is triggering to you, tread lightly.

#E1: Are You Ok (You Yao)

Summary:

People from the modern world transmigrating into the ancient Chinese fantasy world has become a common and everyday occurrence that the royal court in the latter has decided to moderate them. If you’re a transmigrator, you must report your existence to Lou Zhu, the master of Best Tower. Once you pass his test and prove that you are indeed a modern person, you can then be assigned to work in different areas of the government and be given a high salary.

Because of this promised benefit, many impostors have showed up before Lou Zhu. And one day, Zuo Yunqi takes this test as well. Is he an impostor, or is he an actual modern person?

But some transmigrators also choose to hide their existence out of distrust in the government. Where are they? And with their advanced knowledge on science and technology, what are they planning in the dark?

Elsewhere, other transmigrators find themselves in all sorts of situations—an art student is detained and forced to come up with a recipe for a poisonous meal, while another is stuck sharing a body with the original soul and fighting for its control. Meanwhile, unrest rises in the Jianghu and a storm brews in the palace. Can our transmigrators’ modern knowledge save the day? Or will their lack of understanding in the current world lead to their downfall?

Propaganda:

Often in transmigration stories, the locals are portrayed as “backward” and “ignorant” to make the modern characters seem intelligent and progressive. The latter are then hailed as geniuses or pioneers, but in You Yao this isn’t the case. 

You Yao deconstructs the transmigration genre and explores its possibilities. The system that moderates the transmigrators really puts them in their place and curbs their arrogance. And when in Rome, do as the Romans do. No matter how “smart” they may be, they are still subjects of the Emperor.

Besides, modern knowledge doesn’t always prove to be useful. An educated man like Lou Zhu is considered illiterate because he cannot read Traditional Chinese. His assistant has to first translate them into Simplified 😂

Moreover, this world they’re in has elements of wuxia (martial arts with superpowers). How can a modern person who grew up in a safe environment protect oneself in such a setting? They can only ask the locals to protect them. 

So, transmigrators are not necessarily superior to the locals—which I like because it lets us look at the locals’ strengths and appreciate them as well. 

You Yao features an ensemble cast, by the way, and all of them, both locals and transmigrators, are endearing. There are also several canon BL couples, with each pair marking the different sub-plots of the show. Just don’t expect any explicit gay confirmation because it’s limited by Chinese censorship, after all. But even then, it managed to be as fruity as it could be (the S1 ED is literally an angsty love song about the second gay pairing).

In regard to setting, it’s a genius mix of ancient Chinese fantasy and modern technology. Best Tower looks like a traditional Chinese pagoda on the outside, but on the inside it’s like a mall, complete with different entertainment venues and even a milk tea shop! It even has an “elevator,” but since electricity hasn’t been invented yet, it’s just powered by different men (in fancy uniforms) on bicycles. 

You Yao is really creative in presenting what could happen when you forcefully mix the old and the new. This allows a lot of hilarious situations, but it also highlights the dichotomy of tradition and modernity, making viewers question which changes are actually good and bad.

Can the Emperor really be that benevolent when plenty of people with knowledge beyond his keep popping up? And how can all transmigrators be content in following this world’s backward laws? What happens when one side tries to dominate and eradicate the other?

You Yao may give off that silly sitcom vibe, but it’s actually so much more than that. I don’t wanna spoil anything, so all I can say is that it’s gonna make you laugh a lot, and once your guard is lowered it’s gonna sucker-punch you in the gut. Vote You Yao.

Trigger warnings: Guns, kidnapping, and imprisonment. Nothing too dark, though.

When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.

Know one of the shows above and not satisfied with how it’s presented in this tournament? Just fill up this form, where you can submit revisions for taglines, propaganda, trigger warnings, and/or video.

[daiseukiis]

hi new mootsie !! i may miss ur penguin theme, but i love ur new theme !! it slays fr !! <3

so i found out its from mawaru penguin drum but omfg the anime cover doesnt have the penguins so im like hUHHHH WHERE IS THIS FROM THEN i also have no clue what this anime is about the penguins eating are cute

[killspiegel]

[scarlet2302]

[kimixiii]

Mawaru penguindrum commission..!!

[megane-boys]

today's megane is: Tabuki Keiju from Mawaru Penguindrum

[amarestellas]

My piece for the WRTW zine is done! QoQ

And while I can’t show you the whole image yet, I can give you this crop/screenshot! I’ll be sure to let you all know when preorders for this zine become available. I will have 11 x 17 prints of this piece at FanX if you’d like to get your hands on it before the zine comes out.

[void-official]

potatodays

replied to your post “me: hey for some reason today I wanna talk for hours about Mawaru...”

                       when you explained child broilers that one time, that was p insightful                    

dfghjhsd i forgot the fuckin child broilers. thanks ikuhara

this time I was mostly talking about how the mechanics of the train station (and also the torn half-diary) are the literal mechanics of the story. like the story is half written and can only move forward by literally repeating all the same shit over and over like the train always passing the same stations on the way to further destinations, re contextualizing what we already know indefinitely until the main characters just give up and/or reach the last stop on the train. or just. try to blow it up. cause the system that defines their reality is broken and inescapable just like irl!!)

like basically the story’s setup is an attempt to quantify whether or not fate is a real thing using this metaphorical/literal train station and if it is can we fight against the framework of this unfair reality or is free will an illusion and everyone was doomed from the start.  ikuhara really has no real answers for us though he just goes like oh idk man have some more Space-Time bending lesbians and im like oh sure thanks

its a long and complicated essay and still requires some proof reading and cleaning up of repetitive bits and I might actually have to make it a video essay to properly show my points like how the train literally goes in reverse back to the start pretty much every time something traumatic happens and then suddenly it gets retconned and whoever died is like, OK now. Only for it to happen all over again until they just give up

[fenrhi]

I’m glad I’m not watching tua, apparently fandom is losing its shit over some adopted siblings having romantic-coded scenes together

Y’all never watched anime and it shows lol

[anive]

Traduccion del opening 2 de Mawaru Penguindrum versión completa con romagi  en español.

[best-underrated-anime]

Best Underrated Anime Group E Round 2: #E7 vs #E3

#E7: Teenage boys use empathy to solve problems for youkai

#E3: Sending us penguins will NOT fix our terminally ill sister, but thanks anyways

Details and poll under the cut!

#E7: The Morose Mononokean (Fukigen na Mononokean)

Summary:

Without realizing it, a high schooler named Ashiya Hanae shows kindness to a youkai and is subsequently possessed by it on the first day of class. The spirit clings to his shoulder, making him progressively sicker each day. After a week of collapsing on his way into school, Ashiya notices a “Help Wanted” flyer for an exorcism service in the nurse’s office. Desperate, he calls the service, only to find that it is run by his grumpy classmate.

Abeno Haruitsuki prefers youkai to humans, sleeps through class, and is the master of a sentient tea room called the Mononokean, where youkai come for help with their problems. It turns out that they’re mostly benign, and exorcising them to the Underworld is safer for them. Ashiya convinces Abeno to exorcise the spirit possessing him, but Abeno demands he work part-time for the Mononokean as repayment. Abeno’s intimate knowledge of the spirit world and Ashiya’s empathetic nature form a great contrast as they work together.

Propaganda:

The Morose Mononokean is a beautifully written and animated coming-of-age story— with youkai, which can only ever make a piece of media better. The characters, both human and youkai, are fully three-dimensional, and although there isn’t much of an overarching plot in the first season/early manga chapters, the episodic stories contribute to the growth of both Ashiya and Abeno; their juxtaposed methods of problem-solving, and the way they affect and learn from each other’s perspectives as they become closer, are very satisfying both to analyze and to experience on an emotional level. Beyond the writing, the art is outstanding as well. The designs for the youkai characters are frequently adorable, occasionally terrifying, and always quite original, brilliantly incorporating characteristics of existing creatures in novel ways. The occasional visits to the Underworld are always a visual treat, with vibrant colors and a unique animation style painting the backdrop. Both the art and the characters are delightful and moving, and the OP is a banger. As a connoisseur of urban fantasy, Fukigen na Mononokean’s focus on emotion over action has made it my all-time favorite anime in the genre.

Trigger Warnings: None.

#E3: Mawaru Penguindrum

Summary:

For the Takakura family, destiny is an ever-spinning wheel, pointing passionately in their direction with equal tides of joy and sorrow before ticking on to the next wishmaker. With their parents gone, twin brothers Kanba and Shouma live alone with their beloved little sister Himari, whose poor health cannot decline any further.

On the day Himari is given permission to temporarily leave the hospital, her brothers take her out to the aquarium to celebrate, where the family's supposed fate is brought forth with her sudden collapse. However, when Himari is inexplicably revived by a penguin hat from the aquarium's souvenir shop, the hand of fate continues to tick faithfully forward.

With her miraculous recovery, though, comes a cost: there is a new entity within her body, whose condition for keeping her fate at bay sends the boys on a wild goose chase for the mysterious "Penguin Drum." In their search, the boys will have to follow the threads of fate leading from their own shocking past and into the lives of other wishmakers vying for the Penguin Drum, all hoping to land upon their chosen destiny.

Propaganda:

Do you like weird artsy stuff? Do you love magical girls? How about weird, messed up character dynamics? Then boy oh boy, Mawaru Penguindrum is the show for you! The show starts out funny enough, but will quickly spiral into an intense and intricate plot, involving fate, the mafia, magical destiny-rewriting spells, and penguins. Which yes, before you ask, the funny penguins are in fact plot relevant.

Penguindrum isn’t really a show about all that stuff though, even though it is. It’s a very symbolic story, about living under the crushing heel of capitalism, and the quiet poison of the societally expected nuclear family dynamic. I could write an essay on each and every single one of the characters, as they’re all given a lot of depth and time to grow. Every character has their own baggage that, one way or another, ties back to someone else. Everyone in this show is connected in some way shape or form, and that’s really highlighted when everything starts to fall apart. Be warned: this show is NOT a light watch! If you’re the type of person who gets really into deciphering symbolism and creating your own meaning from pieces of media, then this show is for you!

Trigger Warnings: Child Abuse, Domestic Abuse, Emotional Abuse, Flashing Lights/Flickering Images, Gender Identity/Sexuality Discrimination, Guns, Incest, Kidnapping, Nudity, Pedophilia, Rape/Non-Con, Smoking, Suicide, Bomb Threats/Attempts and Terrorisim

It’s a very major plot point. This show is HEAVILY based off the 95 Tokyo Sarin Gas Attacks, so if content like that is triggering to you, tread lightly.

When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.

Know one of the shows above and not satisfied with how they’re presented in this tournament? Just fill up this form, where you can submit revisions for taglines, propaganda, trigger warnings, and/or video.

[homingpigecns]

once in high school i showed one of my friends an anime character i thought was hot and she told me "you know, i don't get why people think anime characters are hot. they don't even look like real people." and it was like....... Youre Right But I Absolutely Do Not Want To Hear This

[rararibbon]

If you have a moment, can I bother you to explain what Mawaru penguin drum is? Like with spoilers? Are the boys just ghosts that exist in the girls memory? Are they brothers or love interests? Is she an esper? In a coma? Wtf is going on with that show. I really just wanna hear someone talk about it at length. (Cause I know I’m never going to watch it)

sorry, dude, i dont have the time or the mental fortitude to talk at length about an ikuhara work