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#may dive in and make some full sci-fantasy stuff around this world
squibblefall · 2 years
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A polehorse kneels down to the lakebed to begin digging for plants and small animals. Unaware it is, of the eyes watching it from the nearby brush
Plantlife on this planet is kinda rare I'm thinking? most of it resides around lakebeds like this with the occasional large trees 'walking' their way onto land
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maxwell-grant · 3 years
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Would you consider Hugo Strange a pulp villain?
Yes. And I would argue that he didn't really stop being one even after his revival.
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"Professor Hugo Strange, the most dangerous man in the world! Scientist, philosopher and a criminal genius - little is known of him, yet this man is undoubtly the greatest organizer of crime in the world! - Bruce Wayne, Detective Comics #36
Hugo Strange was created with the intention of being Batman's arch-enemy right from the start, introduced as such by Bruce when he figures out he's responsible for the G-man assassination, pretty explicitly intended to be Batman's Moriarty and with even an equivalent demise. He was big enough to tower over his henchmen and fistfight Batman, he had a uniquely deformed skull, he was both a charismatic but threatening crimelord as well as a mad scientist plotting to TAKE OVER THE WORLD, and I've heard before the argument that the Monster Men were taken from a Doc Savage novel released earlier the same year called The World's Fair Goblin that revolves around a giant mutated man doing crimes under command by the story's villain
That poor devil, Maximus, was a Fair visitor himself, once. He was given injections of thyroxine and adrenalin—and changed rapidly into a pituitary giant. But, in the experiment, his will power was destroyed. Now he only follows the directions of that masked devil who has him hypnotized
He said, "The Man of Tomorrow stuff was merely publicity to draw the Fair crowds—and a shield to cover your own experiments. But the masked surgeon cashed in on it. Obviously he is mad enough to really believe a superman can be created." - The World's Fair Goblin
(Considering Lester Dent had taken potshots at Superman explicitly in "Whisker of Hercules", it's not unlikely that this is an explicit reference)
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Although there's really no overlap in the stories besides that, as The World's Fair Goblin only had one giant where as Hugo mutated a couple dozen mentally ill patients to create monsters and then used them to go on mass murdering rampages, because Batman has always been over-the-top. But, yeah, original form Hugo was a pretty cut and dry pulp villain, like most of Batman's villains who debuted prior to 1940. Which is part of why he only had about 3 appearences before they killed him off.
By this point, Batman was in the process of moving away from his pulp knock-off origins into more of his own character, with the introduction of Robin and Dick Tracy cartoon villains that would set the tone for the rest of Batman in the Golden Age, and with the debut of Joker and Catwoman in Batman #1, Hugo was already obsolete as an arch-enemy, and was killed off the following appearence.
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Of course, if you know Hugo Strange, you likely already know this, and that he was then revived in the 70s by Marshall Rogers with a brilliant take that stuck to the character's origins as a brilliant crimelord and scientific genius, but also added to him a specifically twisted psychological bent of being obsessed with Batman and becoming Batman, a villain of unshakeable will and even a twisted sense of honor and ethics, refusing to divulge Batman's secret identity even while beaten to death.
And from that moment onwards Hugo would go on to have some of the most consistently brilliant appearences out of any Batman villain (at least until the 2010s) and would secure himself as a mainstay, albeit a very obscure one, figure of Batman, the kind of villain whose plots can range from Born Again-esque subtle destructions of a person's life to a rampage of mutant kaijus on downtown Gotham, and like many of the best Batman villains, it all comes back to a central obsession and psychological edge upon Batman, and the weaponizing and destruction of anything that stands in his way.
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You could argue Hugo Strange used to be a cut and dry pulp villain who was eventually reimagined as a Batman Villain, and it would even be somewhat fitting of his in-universe trajectory as a man who started out a career as a figure of prestige and respect, effortlessly able to blend in society, until his repeated encounters with Batman and, most importantly, his gradually increasing obsession with becoming Batman, gradually destroyed him until he's no longer the one ruling the madhouse, but instead trapped in it.
But the reason why I'd argue Hugo Strange is still a Pulp Villain is because his reinventions didn't shed away what he used to be, they merely returned him to his true origins. Because Hugo, you see, is not just a Mad Scientist or Mad Psychologist, Batman's got those by the dozens. Hugo is of a particularly nasty kind of Pulp Villain, who came to existence around the same time as the Mad Scientist if not slightly earlier, an archetype Jess Nevins has named The Evil Surgeon
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Medicine has arguably thrown up more serial killers than all the other professions put together, with nursing a close second - Herbert Kinnel, former chairman of the British Medical Association
The Evil Surgeon came to existence as a pop culture archetype in the late 19th century, as the result of serial killers like Jack the Ripper and H.H Holmes making the news, with Doctor Quartz from Nick Carter being first and foremost among these, as the main arch-enemy of the most published character worldwide at the time.
He would be followed years later by H.G Wells's Doctor Moreau, and the likes of Dr Caresco and Professor Tornada, the stars of novels created by André Couvreur, who was himself a medical doctor and used these novels to both condemn the characters as well as give serious consideration to the ideas they explored, and depicted Dr Caresco's over-the-top exploits harkening back to stories about Marquis de Sade (the origin of the term "sadist"). These would be followed by characters like Grigorii Trirodov, Dr Cornelius Kramm, Dr Gogol from Mad Love, currently the most famous example of this seems to be Hannibal Lecter. And Hugo has been operating much more along the lines of those characters in the last decades, than the typical mad scientists he was once designed in reference to.
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Of course there's a massive overlap between the two and room to dispute whether they even constitute separate archetypes, they practically came to existence together following the footsteps of Victor Frankenstein, who really isn't a true example of a Mad Scientist in the original novel, and wasn't even a real doctor, but Frankenstein's reputation undeniably is the oldest cultural touchstone we can point to as an influence in the archetype, even if said archetype would only truly take form in pulp magazines and serials.
What I'd argue defines the Evil Surgeon as an archetype specifically, is that they are specifically centered around the violation and destruction of the human body and function more as murderers with budgets, than supervillains in labcoats. Mad Scientists are generally more centered around plots closer to sci-fi/fantasy inventions like sentient robots and immortality potions used for large scale global domination, where as Evil Surgeons are more preoccupied with wielding psychology and torture and criminal resources to get away with destroying minds on more individual scales, or turning cities into slaughterhouses for them to work in.
They aren't quite full blown slasher villains, like Zsasz or Professor Pyg, instead they usually tend to be quite good at passing off as respectable, mentally sound figures of moral standing, and usually possess a sense of purpose towards their work, a goal they are working for by piling corpses atop each other and moving resources to achieve, even if said goal is a purely selfish fulfillment of their own desires. It's quite common for these characters to acquire large bases for them to operate in, even islands specifically.
In Caresco Surhomme, Caresco has taken control of the Pacific island of Eucrasia. Caresco applies his surgical methods to the inhabitants of the island, altering them to better do their jobs. The captain of the plane which brings outsiders to Eucrasia is a limbless trunk with telescopic vision. Even the island itself is in the shape of a human body. The natives of Eucrasia are addicted to various sensual pleasures and generally submit to Caresco’s rule, for fear that he will castrate them or worse.
On Eucrasia, Caresco makes use of “omnium,” a mysterious and unexplained power source, to create: a machine capable of stripping the years from human bodies and reversing the aging process, a fast underground train system, food pills, omnium-powered diving suits, and so on. Caresco is given to such things as collecting the spleens of all those he operates on - Jess Nevins, The Encyclopedia of Pulp Heroes
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So, yes, I absolutely would argue Hugo Strange is still a Pulp Villain. Pulp villains do come in many different forms other than the Fu Manchus and Fantomases that are most commonly imitated, pulp was the breeding ground of the supervillain as a concept after all, where they got to star in their own magazines time and time again. Hugo started off as a fairly generic one, and when he's written poorly, he tends to be brought onboard of a story purely because it calls for a mad scientist.
But Strange came back from death as something much, much worse than just a crimelord and mad scientist, a much more rare and much nastier type of villain that, much like Hugo himself, may lie dormant, but refuses to stay dead for long.
"Quincy. My servant. My friend," Hugo said. "We don't have much time."
Quincy was crying again, with joy. "How, master, how did you-?"
The therapy, Quincy realized. The hypnosis. The drugs.
"Stay with me master, please!" Quincy tried to grab hold a phantom hand.
"I cannot." Strange said, looking benevolently down at Quincy, stroking his hair with a touch the prisoner couldn't feel. "But there is one last service you can perform me."
"Anything, Hugo, please."
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"First, remove the sheet from your bed, Quincy. And tie it to the light-fixture on the ceiling."
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She-who-fights-and-writes Coronacation Book Rec List
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I know that a lot of people are stuck at home right now in dire need of entertainment, so I decided I’d put out a book recommendations list of all the books I’m currently reading and all of my must-reads!
(Just a note that a lot of these are Fantasy because I’m a fantasy nerd haha)
Books/Series I am currently reading
1. The Folk of the Air Trilogy by Holly Black (Currently on #2, The Wicked King)
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Genre: High Fantasy
Setting: The land of Faerie which is kind of historical, but in the human world it is modern day
Main cast :
Jude Duarte (white, human, cutthroat, if I saw her in a Denny’s Parking Lot at 3am I would RUN)
Cardan Greenbriar (white, faerie, the true embodiment of Bastard)
Vivienne (Jude’s half-sister, lesbian with canon gf, half-human half-faerie, I would totally try to be her friend)
Taryn Duarte (Jude’s twin sister, queen doormat, still, I would take a bullet for her she’s jUST TRYING TO FIT IN)
Rating: 5/5 Stars
These books have been on my “To Read” list for so long now and for some reason I just never got around to reading them! Hands-down, these are some of the best high fantasy books that I’ve read in a long, long while.
I finished the first book, The Cruel Prince, in just two days and rated it 5/5 stars! Even though these books are high fantasy and focus on the traditions and ways of life of faeries, somehow all of the characters seem like I could meet them in real life!
The main character actually has genuine flaws and not just “””“flaws”””” and is a Bad Bitch down with murder, and the plot had me on the edge of my seat from page one!
The summary makes it sound like it’s going to be about their romance, but it’s really mostly about a power struggle and Jude being a badass.
Goodreads summary for The Cruel Prince:
Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
2. The Raven Cycle Series by Maggie Stiefvater (Currently on #1, The Raven Boys)
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Genre: Present-Day/Realistic Fantasy (?)
Setting: The fictional town of Henrietta, Virginia
I haven’t gotten around to much of the book, so there’s not much I can tell you about the characters and I can’t properly give it a rating yet.
These books were also on my “To Read” list for a while; I was a huge fan of her book The Scorpio Races and have also been looking for something to quench my thirst for “private school/ghosts/magic” that I’ve been dealing with ever since I read The Ninth House by Leigh Bardugo.
I’ve only JUST started The Raven Cycle yesterday, but so far I am hooked! I’m super worried because I’m TERRIBLE at juggling two series at a time but both of these are just so interesting! 
Goodreads Summary for The Raven Boys:
“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.” It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can’t entirely explain. He has it all—family money, good looks, devoted friends—but he’s looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she’s not so sure anymore.
MY MUST-READ BOOK LIST
1. The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
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Genre: Historical Fiction
Setting: 1700s Europe (England, Paris, Barcelona, Marseilles, Venice)
Main cast (I’ll try my best not to spoil anything because you find out a LOT of different stuff about these characters throughout the book):
Henry “Monty” Montague (white, bi/pansexual, attitude problem)
Percy Newton (mixed race, gay, very sweet boy, definitely got “most likely to bring home to mom” in the yearbook)
Felicity Montague (white, Monty’s little sister, headcanoned as asexual, I love her to death)
Rating: 5/5 Stars
Daring adventure, gay representation, historical setting, hilarious characters!
This book literally has it all! I would consider it one of my favorite books of all time, yet for some reason I’ve never gotten around to reading any of the sequel books! The ending is very satisfying and ties everything together, which I feel is part of the reason why I haven’t gotten around to them yet. 
Therefore, it can serve as a one-shot read or a full series if you want to dive into something good!
The humor made me laugh out loud at points and all of the characters are very real and very, very relatable, not to mention the vivid settings of 1700s Europe!
Goodreads summary:
Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men. But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy. Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.
2. The Ninth House By Leigh Bardugo
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Genre: Horror, Fantasy 
Setting: Yale University and the town of New Haven, Present Day
Main cast:
Galaxy “Alex” Stern (Hispanic, sees dead people, very scary)
Daniel Arlington “Darlington” (white, rich, an angel who can sometimes be a dick)
Pamela Dawes (tbh I honestly don’t remember what she looks like, only that she’s a tired grad student with big nerd energy)
Detective Alan Turner (Black, takes shit from nobody, husband material)
Rating: 4/5 Stars
(NOTE: THIS IS VERY DARK ADULT FICTION AND CONTAINS MATERIAL THAT MAY BE TRIGGERING FOR SOME PEOPLE, WOULD NOT RECOMMEND FOR PEOPLE UNDER 16)
This book is a great read for someone who’s looking for a disturbing, gritty book with layers upon layers of secrets that you have to peel away as the mystery unfolds. I love the secret societies and the intricate magic systems that the book introduces, and it actually made me hungry for more books like it!
 Alex is a three-dimensional, very real character who also serves as an unreliable narrator who witholds or warps the information that she’s telling you, making the narrative all the more riveting.
The only issues that I have with it are the fact that Leigh Bardugo kind of just dumps you in the middle of it without explaining stuff first, to the point where it kind of feels like you’re reading the second installment of a series rather than the first one, so things can get a bit confusing at first.
The book also can drag and draw things out for a bit too long, but once the plot fully kicks into gear, you will not be able to put it down!
Goodreads summary:
Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.
3. The Lunar Chronicles by Marissa Meyer
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Genre: Sci-Fi/Fantasy
Setting: Earth, Space, The Moon
Main cast :
Linh Cinder (Chinese, based on Cinderella, cyborg, certified badass)
Scarlet Benoit (French, based on Little Red Riding Hood, farmer who is not afraid to shoot you)
Cress Darnel (White, based on Rapunzel, nerd, I will protect her with my life if I have to)
Kaito “Kai” (Chinese, based on Prince Charming, kind of has to run a whole country, a very kind soul, deserves a nap)
Carswell Thorne (White, based off of Rapunzel’s Prince, bastard)
Winter Hayle (Black, based off of Snow White, royalty, has super special powers)
Wolf (Race unspecified, based off of the Big Bad Wolf, charming killing machine, furry????) 
Rating: 5/5 Stars
Do you like fairy tales?
Have you ever wanted to know what fairy tales would be like if they took place in the FUTURE instead of the PAST? 
Do you like an amazing, hilarious cast paired with a super interesting plot? 
These are the books for you!
I haven’t read them in so long, but I remember how much joy I felt while devouring these pages. Definitely something you will not able to put down!
Goodreads Summary for Book #1: Cinder: 
Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . . Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future.
4. The Song of Achilles by Madeline Miller
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Genre: Fantasy
Setting: Ancient Greece
Main cast:
Patroclus (Greek, Gay, quiet pining) 
Achilles (Greek, gay, very strong, student athlete energy)
Brisies (Anatolian, clever, literally the only one in this story who has a brain cell)
Rating: 100000/5 stars
This is basically the Iliad but if historians hadn’t completely erased Patroclus and Achilles’ relationship. “Haha yeah these guys were totally bros” they say, even though I have read the Iliad and their relationship isn’t even subtle.
This book made me cry at least ten times. It’s just so beautifully written and has such a distinct vibe to it that whenever I crack it open for another time, it takes me straight back to the vacation that I read it on. (Needless to say, sobbing your eyes out can be less than helpful when you’re on the beach)
If you can only read one book on this list, it should be this one. I could talk all day about it and write novels on just how much of an incredible writer Madeline Miller is, but I feel like you’d get my drift a bit better if you actually read the book.
Goodreads Summary:
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. By all rights their paths should never cross, but Achilles takes the shamed prince as his friend, and as they grow into young men skilled in the arts of war and medicine their bond blossoms into something deeper - despite the displeasure of Achilles' mother Thetis, a cruel sea goddess. But then word comes that Helen of Sparta has been kidnapped. Torn between love and fear for his friend, Patroclus journeys with Achilles to Troy, little knowing that the years that follow will test everything they hold dear. Profoundly moving and breathtakingly original, this rendering of the epic Trojan War is a dazzling feat of the imagination, a devastating love story, and an almighty battle between gods and kings, peace and glory, immortal fame and the human heart.
Hope this list helps you through your coronacation, and please don’t be afraid to reblog or message me to tell me if you’ve read/will read any of these!
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THURSDAY OCTOBER 8, one of the longest running television shows of our time begins airing the final episodes of it’s final season. Guys, Supernatural is 15. FIFTEEN. It can practically drive a car now. As one friend put it, “that show had a Quinceañera.” And if you don’t know how significant that is, think of the last show you know of that made it to season 10. Take your time, I’ll wait. 
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Whoever I stole this birthday invite from, they are probably older than this show.
I started watching Supernatural in 2008. I was 19, I had just begun my journey towards Over-Worked, Under-Slept Millennial, and my best friend recommended it. I can’t really remember how the conversation went, but I’m sure at some point it was “It’s scary, and it’s got these two brothers, I’ll send you a link!” cuz we were trash and we were broke and Netflix...existed? Hulu existed, but not in the way that either of those sites work now, so we watched by...ahem...other means. It is probably why my first laptop stopped working after 3 semesters of college.
And damn, I was hooked. I don’t do scary movies and honestly, I was legit creeped out by a lot of these episodes, but it had two hot dudes who took down a monster every week and then (the real kicker) had a bigger, season-long mystery they were trying to solve. And occasionally, they got punched in their big dumb beautiful faces. If I had known what a kink was at the time, I would have said that someone was reading my dream diary. 
Over the next 12 years - Let me say that again for those of you in the back - TWELVE YEARS - I had an on-again-off-again relationship with the Winchesters. It was pretty hot and heavy in the beginning. I was jumping on the back of this 67 Chevy Impala 3 years in, so I had three seasons that I bought on DVD that I binged and was caught up with season 4 by the time the midseason started to air in late January of 2009. I was introducing all my friends to Supernatural, I made several people watch the entire first disc of season 1 with me, irregardless of whether they’d asked or not. Things started to cool down towards the end of season 4 as life started picking up and I know...I caught...the tail end of season 5? I think? I distinctly remember the final scene of the final episode, but honestly, I can’t remember how much of that season I actually watched.
At that point, I considered Supernatural to be a weird pseudoaddiction. I’d be clean for a while, years even, and then Netflix caught up with consumers and I could binge whole seasons in a weekend. It’d be, oh, I could just watch an episode. Just one episode. Maybe two. And then the weekend is gone in a blaze of classic rock and rock salt and I’m left with something like but not necessarily a hangover where my feelings live. I think I did this for seasons 6 through, like, 8? Eventually, Netflix stopped putting it at the top of my dashboard and it was easier to avoid. And I said to myself, well, when they finally get to the last season, THEN I’ll go on one last run, one last big score, and watch the whole series again in one go. 
But the seasons kept coming?? And they?? Didn’t stop?? Guys, I don’t know how many of you care about this but, Friends, one of the most popular sitcoms of all time that defined an entire generation had ten seasons. TEN. Supernatural is ending with fifteen! For an industry where most shows don’t make it past a pilot, let alone a season 1, this is INSANE. 
But now it’s ending. Even though a pandemic halted production just two episodes away from the finale, Supernatural is finally outta cassette tapes. The Wayward Sons may finally (??) be laying their wearied heads to rest (?? lol, I know).  
And frankly, 2020’s been a real sh*tshow so I thought “Why not?” 
And if I’m doing this and I’m not interacting with anyone on a human level, I might as well chronicle this epic dive into a time capsule of television because frankly, what the hell else am I doing? 
Cuz that’s what this is guys. 15 years in TV time is multiple lifespans. Shows are born, grow into something Emmy-worthy, and die in less time than Supernatural has been on the air. You know what else aired their pilot episode in 2005? The American version of The Office. You know when The Office ended? 2013. 
So let’s talk about pilots because that in and of itself may be a thing of the past not too far from now. 
Guys, I love pilots. I will probably say this a lot over the next, uhhhh...many months, but I love pilots and I love season ones, especially for a sci-fi and fantasy shows because that’s where your characters are at their most vulnerable, their most unsure. The writers and producers are really digging around, trying to figure out what the groundwork for this world is and there’s something so exciting about exploring it with them, as an audience. 
Pilot’s are great, pilots on spec are even better, and that’s a lot of what the Supernatural Pilot feels like. It’s got a real indie/guerilla-style horror movie vibe, like the crew scraped together just enough cash for that one special effect scene but had to skimp out on a lot of the other production stuff, and still managed to turn something around that is totally, 100% watchable and somehow more charming than if they’d had the budget to make something really polished? Go watch Night of the Living Dead (1968) and tell me that movie would have been better if they’d had a bigger budget. You could, but I won’t agree. 
Ok so a quick break down of technical terms. A television pilot is basically the first episode of a TV show. Well, that’s not exactly true. A pilot is kind of like making a sample or a blueprint of your show that you hand over to the television networks and say, here! This is what my TV show will look like. Will you pay me money to continue making it? And the networks (think ABC, NBC, CBS, FOX and The CW - remember, this is Network, not cable) will spend January through April of every year reviewing pilots and deciding if they want to pay you money to make more episodes. Well, every year except 2020. See: sh*tshow. Sometimes the network comes to you with an idea, or maybe, you’ve pitched your script/show to some executives and they buy in for that first pilot episode to see where things will go. Neither of these scenarios are a sure thing, and pilot season is always rife with will-they-won’t-they tension. In fact, if you’re working on the show, there’s a real possibility that pilot will get re-shot after studio notes, you’ll lose your job to someone the studio liked better, and then the show still may not get picked up. A pilot shot on spec is in even more of a limbo scenario because nobody asked for this! And just to follow through on Pilot Season - after the networks decide to buy your pilot, they then air the pilot at Upfronts (usually in May) where their many ad companies decide if they will pay money to air their ads during those shows. This is where we get things like prime time and key demographics - if you thought TV was all about the art, you are very wrong. TV, like most other industries, is still a business that’s about making money. 
Back to the Supernatural pilot. Now, from my research, series creator Eric Kripke had been working on the concept for 10 years. He was big into classic rock, big into urban legends and big into cowboys and all those things get married ever so neatly in this show. A lot of his initial ideas remain unchanged, at least for the first season - he wants two brothers, traveling across the country, facing off with America’s Spookiest Myths and legends. A lot of it did change. I honestly feel like I remember reading an early draft of the pilot where Sam and Dean are cowboys? But I’m also pretty sure I’m imaging that. What I’m not imagining is this ridiculous early draft where John’s been locked in an insane asylum, dies before the first episode starts, and Sam’s been living with an aunt and uncle his whole life and knows nothing. They still use something close enough to the La Llorona legend as the catalyst for the episode, but a lot of other things are changed. This is not the Sam and Dean we come to know and love. This is also a good example of when you SHOULD listen to notes, because this draft was rewritten after executive producer McG and his Wonderland Sound and Vision production company signed on, but before they actually shot the script. 
Now from what I’ve read, the WB picked the show up for (4) episodes initially, and ultimately picked it up for a full season of (22) episodes. This was, at the time, a pretty standard season and a pretty standard way to get it. They had a better deal than The Office, anyway, which only got picked up for (6) episodes in their first season, then got picked up four episodes at a time for season 2. 
Now let’s go over that paragraph one more time and talk about what a hecking DINOSAUR this show is - 
FIRST off - Supernatural premiered on THE WB. It PREDATES The CW!!
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Man guys, you remember they had a frog as a mascot? Oof, that would not work today.
Secondly, it got 22 EPISODES. We’ll get into this some more when we talk about that evil bugs filler ep, but think about how many episodes were in the last show that you binged on Netflix? 8? Maybe 10?
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Welcome to the exciting world of GRAPHS brought to you buy https://www.theringer.com/tv/2017/8/4/16094348/inefficiency-week-mourning-the-lost-long-tv-season
OH! And SPEAKING of Netflix and streaming services like them, they’re kind of killing pilot season AND upfronts. They pick up shows when they want to. They “air” them when they feel like. There are no ads because you pay for that content on a monthly basis and also they don’t even have commercial breaks. I am slowly seeing the passage of time in one (1) episode of television and I think I’ve aged 100 years. 
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Here is just one of MANY articles about the death of Pilot Season 
Finally, and most importantly, this show got a better deal than The Office. And that show was an NBC primetime show. 
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This show was nominated for 193 awards and won 50. And it ended when my nephew was still in kindergarten. He’s gonna be in high school next year. 
So what about this Supernatural Pilot? Was it any good? Honestly, I’m gonna say yeah. This is some very solid Hero’s Journey here. I think the only weird thing about it is that Sam is our Hero, our point of contact character that gets us into this world. And I only say that because I’ll be real up front and say that I’m a Dean girl through and through. I don’t hate Sam, but because we live in a world where we have to choose, it’s Dean 4Eva. 
From that early script draft, we learn the plan was for Sam to be in the dark and essentially be our audience stand in so that Dean can explain all the backstory. I think the decision to make John Winchester raise his kids as a weird fringe paramilitary outfit and establish Sam as the brother that tried to get away is a good one. It’s a very “Arrive Late” (or if you’re fancy, in media res,) sort of attitude and it works and you’ve already started building in the Atonement with the Father. There’s still some pretty excellent exposition dialogue, but what are ya gonna do. Sam, did you really need to explain to Dean that your collective father “raised you like warriors”? Or that you “kill everything we CAN find?” It’s fine. You’re beautiful and I love you. But also, he knows all that.
You have the Call to Adventure - Dean showing up and saying “Dad hasn’t been home in a few days.” You have the refusal of the call (“He’ll sleep it off”). You have your supernatural aid (hah!) giving Sam a push out the door - that’s Dean. You have your famous line that I quoted along with the TV - Dad’s on a hunting trip. And he hasn’t been home in a few days. 
The dead mom backstory seems pretty on the nose, but the “burned on the ceiling” concept was new and unique enough that I was intrigued to find out more. Listen, I’ve already admitted I don’t watch a lot of horror so if this has been done before, don’t @ me. 
La Llorona or Woman in White or Weeping Woman was a new trope to me at the time, so it too seemed fresh. I see that myth show up in a lot more Supernatural-type shows now, but in 2008, at 19, I was like, oh this is different. Not to mention - this definitely leaned in to the horror aspect. I know I’m a baby, but it aired at 9pm, which is the more adult side of Prime Time, so the WB thought it was too spooky for kids who had early bedtimes. So there. 
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I HATE when they do this cuz it freaks me out EVERY TIME and THAT’S NOT EVEN HOW THESE MIRRORS WORK??? SHE’S NOT EVEN IN THE BACK SEAT IN THIS SHOT!
And then at the END, when Sam STILL refuses the call to adventure, you have the real Crossing of the Threshold - Jess is ALSO stuck on the ceiling, dead, and on fire. Spoiler alert, but they had to fridge her early to make the rest of the season work and so it shouldn’t be a big surprise. Sam’s all in and we get 21 more episodes of him and Dean and that car. 
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Is it technically fridging if she’s lit on fire?
And let’s talk about Jess for a second cuz actress Adrianne Palicki is giving a LOT more in this performance than a fridged girlfriend should be required to. She’s likeable, she’s down to earth, she’s crushing it and and all this with only, like, two scenes of dialogue. I say this even though we meet her in a slutty nurse costume - COME on WB. 
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WB what the hell is this wardrobe. What the HELL is THIS. 
In fact, all of the extras in this show are crushing it? Louis is instantly likeable and he disappears after his first scene, never to grace our TV’s again. And these extras in the town in Jericho, California - I kind of love them. As CW (or I guess, WB) as Jessica is, these extras look like they found them at the local highschool and I LOVE THEM FOR IT. They probably came to set already in makeup and wardrobe! They POSSIBLY brought their own jewelry! They’re weirdos and they are GREAT. I’m pretty sure this will NEVER happen again on this show because once the $$ came in, so did the more polished-looking one-off characters.
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 Lookit these magnificent goth weirdos! And great news, both these actresses have very full, non-goth careers after this. 
Also, heckin’ Joseph Welch is just crushing it. This man has NOTHING CW about him and that’s maybe why I like him so much? Everything about the scene with him and Sam is pretty heartbreaking, from his rundown car graveyard to his rundown physique with his rundown accent to the fact that we never actually see his face. Seriously, really LOOK at this scene - WHAT is going on with this cinematography? Is this a reference to something? It’s SO bleached out and SO stark and WHAT is going on???
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WHAT is this lighting? And also this guy was played by Steve Railsback was on X-Files!
You can’t talk about Supernatural without talking about the chemistry between Sam and Dean and that’s probably the real hook here? I mean a) very beautiful. I will probably talk about this a lot. Let’s call it what it is here, they’re beefcakes and they’re made for me and people like me. It is weird that this show is so macho but their primary audience was mostly there for the babes. And by babes I mean Jensen Ackles and Jared Padalecki. And b) they REALLY sell the whole brothers thing. They’re both from Austin, TX which feels like a weird coincidence. They were both already on WB shows before this one, also a weird coincidence. And they just click. They just do. It’s impressive, and occasionally creepy when we start to get into the Wincest of it all, but lets not talk about that.
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Oh, and the MUSIC! The music just makes it. If you don’t believe me, watch the Netflix version of the first season and then find yourself a DVD version. See, TV shows need to acquire a license to play popular music during the show. Nowadays, the CW actually tags their songs in the episode so you can find and presumably buy it later, but they still have to pay royalties for using those pop songs. When Netflix acquired Supernatural, they did NOT acquire the licensing to use the classic rock songs from ACDC, Metallica, etc. and so you’re left with some pretty bland and generic production music that’s something like but not necessarily Back in Black. More like, Back in...Grey? This pun didn't work how I wanted it to. 
And the show just...doesn’t work? Like, who knew BACKINBLAAAAACK! Was so instrumental to whether I thought this was quality programming or not. Side note - it ruins my favorite piece of dialogue of maybe the entire series - 
Sam: I swear, man, you gotta update your cassette tape collection.
Dean: Why?
Sam: Well, for one, they're cassette tapes.
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Do the young people even know what a cassette tape is? I AM the CRYPTKEEPER.
So yeah, you got a lot of ingredients to make something pretty great. Did we know then that it would launch a juggernaut of a television program that would still be on the air in the Year of Our Reckoning, 2020? I was a big fan of Firefly, so I was 99.99% sure this show was gonna get canceled at any second. In fact, I was thrilled, in 2008, to find there were two more seasons after the one I was currently watching. Of course, season 3 aired around the time of the great Writer’s Strike of ‘07, where nothing looked good and few programs survived, but we’ll get there. 
In a final, kind of spooky, almost premonition-type decision the WB actually decided to air this pilot episode a whole week early on Yahoo!. Yeah, you remember Yahoo!, right? The search engine that briefly tried to have its own original streaming content and then we all abandoned it in favor of the monster that is Google? Yeah. This episode premiered online. I haven’t done enough research, but I’m gonna go out on a limb here and say this was probably one of the first ever TV shows to start on the internet? Weird to think that was a novel and innovative concept at one time. 
So this is it. This is the end of the era. Are we gonna get any more shows that last as long as this one did? Who knows. Are we as a culture gonna care at that point? I don’t know. Our TV habits have changed so much in the last few years that it’s hard to say how we’ll watch TV in the future. But credit where it’s due, boys. Nice huntin’. 
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laughingpinecone · 4 years
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I am laughingpineapple on AO3
It’s a long list of character combos so the specific requests aren’t overly detailed, please draw at will from my general likes and general fandom likes in addition or as an alternative to any of those!
All requests are art or fic - for art, the stuff I like is the kind that depicts the characters doing something. I’ll always be happier with a very simple drawing of two characters walking together or sharing a cup of coffee than with an ambitious composition that looks like an Avengers poster. I also enjoy seeing them wear different clothes, getting a feel of what their fashion sense is like beyond their canon outfit(s).
Likes: worldbuilding, slice of life (especially if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, magical realism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots, outsider POV, UST, resolved UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, maps, mutual pining, cuddling, wintry moods, the feeling of flannel and other fabrics, ridiculous concepts played straight, sensory details, sickfic, places being haunted, people being haunted, the mystery of the woods, small hopes in bleak worlds, electricity, places that don’t quite add up, mismatched memories, caves and deep places, distant city lights at night, emphasis on non-human traits of non-human characters (gen-wise, but also a hearty yes xeno for applicable ships)
Cool with: any tense, any pov, any rating, plotty, not plotty, IF, nerdy canon references, unrequested characters popping up
DNW: non-canonical rape, non-canonical children, focus on children, unrequested ships (background established canon couples are okay, mentions of parents are okay), canon retellings, consent issues
Dark Souls
I’m only familiar with the first game+DLC! It’s probably relevant to mention that I think that linking the fire is kind of a dumbass move and Gwyn is an ass, but on the other hand Kaathe has his own agenda and there’s no winning move in this world, or at least no obvious one. Feel free to deviate from anyone’s canon endings, to make things happen that’ll stave off their hollowing. I am interested in any of these people meeting and possibly striking up a friendship, and also in exploring Lordran’s temporal/dimensional fuckery, where it’s possible to meet people who have been gone for ages…
Group: Solaire of Astora & Siegmeyer of Catarina: so much fanart of Sun Bro & Onion Bro being bros, so little fic. And yet, the potential! How’d they bounce off each other, what about the fact that Siegmeyer is apparently a proper Catarina knight after all while Solaire just painted his self-made insignia and left, what would Sieg think of Solaire’s quest?
Group: Alvina the Cat & Sieglinde of Catarina: dunno, kitty. I love them both and I want everyone cool to go on adventure with each other. What’s left for Alvina now that Sif is gone, Artorias’ grave desecrated? For her part, did Sieglinde, you know, (mimics Ash Lake)?
Ghost Trick
I am very interested in various characters finding about the erased timeline, but not getting their memories back, and having to live with being told about what they did but never remembering it. Exploring the ghost lore is great. All what-ifs welcome (what if they managed an acceptable happy ending but didn’t reset the timeline, what if a different party went back to the past and kept their memories, what if Alma’s ghost stuck around…) Also open to AUs here, especially for generic fantasy or sci-fi settings or the Final Fantasy ones I prompted last Yuletide.
For the non-canon sides of Jowd/Alma/Cabanela, please no infidelity? I’d be good with either setting the fic during the game timeline or some what-if thereof when the other spouse is dead or unavailable, or simply keeping them offscreen and not mentioning them (eg Alma/Cabanela beach day, Jowd/Cabanela precinct shenanigans)
For Jowd in general, I do love my big boy and enjoy milking that size difference for all it’s worth. In gen contexts too, it’s neat. him big.
Group: Jowd & Yomiel: I’d love to read about the intimate understanding that comes from their shared memories and the horrors they’ve mutually forgiven (and a penchant for morbidity they’ve gained from such horrors probably). Cat dads things welcome.
Group: Alma/Jowd/Cabanela: maybe once Alma and Jowd have figured out he’s smitten and that they do in fact reciprocate... they tease him to death, slowly and deliberately? Is it even a Jowd romance if there’s not an exhausting amount of teasing involved, I ask?
Group: Alma/Jowd & Cabanela: Cabs’ life is wild; his best friends’ home is a safe haven...
Group: Emma & Pigeon Man: Emma’s unsuspected beta reader...
Group: Alma/Cabanela: (taps mic) legs. And fashion!
Group: Cabanela/Jowd: a recent tumblr post made a convincing argument for Cabs liking to be in charge (the argument is just pointing at Cabanela, honestly). Jowd is... agreeable, by his own admission. But is it that simple?
Kentucky Route Zero
I love the ending and I’d love to see its themes and setting explored. I’m all for exploration of any of the game’s themes and for including any staples from adjacent genres - wanna go full-on American Gothic? Dip into surrealism? Take a leaf from Twin Peaks with tulpa / split narratives to explore the characters’ issues? I love AUs so that’s an option too. Or of course there’s Xanadu at the height of its glory, an infinite what-ifs generator. Were the requested characters part of it, what were their digital counterparts up to? A Xanadu narrative would be great! I’d also love to hear about any new spot along the Zero or the Echo river, or an expansion of some place that’s only mentioned by Will in HATATE or only gets a few paragraphs of text. Mostly, I just love all these characters so much and I’m going through the tagset’s options like a hyperactive cat. Any fragment of their lives will make me happy.
Group: Shannon Márquez & Conway & Conway's Dog: does Shannon get to see them after the ending? Even for a moment?
Group: Lula Chamberlain/Joseph Wheattree/Donald: so Lula went back to Mexico. Joseph is pensive. Did the events of the night shake up Donald, or what will it take?
Group: Junebug & Lula Chamberlain: artists! Outspoken... artists... with a complicated personality. Put them in the same room and...?
Group: Junebug & Johnny: where’s the strangest place they played in, and what did Johnny find there?
Group: Conway & Johnny & Junebug (Kentucky Route Zero): their story is about finding individuality, his is about succumbing and losing it. Would any of them pick up on this mid-Act IV? Or just... talking about limbs and stuff?
Group: Cate & Will & Shannon Márquez (Kentucky Route Zero): a few months later, Shannon finds herself on the Mucky Mammoth again...
Group: Carrington & Weaver Márquez & Shannon Márquez (Kentucky Route Zero): maybe the cousins were trying to bond or reminisce or whatever and Carrington dive-bombed into the conversation, but in the end it was an enriching experience... of sorts?
Group: Carrington & Lula Chamberlain (Kentucky Route Zero): I don’t usually look for college shenanigans but this may be the exception? Or Art Opinions?
Group: Carrington & Clara (Kentucky Route Zero): would she even... get a word in? Maybe with the right topic?
Group: Carrington & Cate & Will (Kentucky Route Zero): Mammoth life! ...what does theater have to say about mushrooms again?
Group: Shannon Marquez & Weaver Marquez (Kentucky Route Zero): at the end of it all, Weaver was waiting. After this end, they can stand side by side again...
Group: Emily & Ben & Bob (Kentucky Route Zero): so what does it mean, like, poetically, that they were temporally displaced and Act I is in their future from Act V? Is it possible they were not aware of it?
Mutazione
The island, the sense of community, newcomers joining the community, gardens and music... I love the mood of this little game. Got ideas for some part of the island we haven’t seen? What stories do they tell each other about Moon Dragon and the first days of the new life it brought? The plants encyclopaedia was great - do Yoké’s archives hide some other cool tome? Please, if Graubert is mentioned, I would much prefer a sympathetic portrayal - he’s got his issues but I felt that the game was much harder on him than anyone else.
Group: Yoké & Karoo: I love the friendship between Yoké and Nonno and filtering it through Karoo feels even cooler to me. When did the big spooky bird first visit, did Yoké know or perceive what was going on?
Group: Yoké & Claire: book club book club book club!
Group: Spike/Claire: they’re so cute! Dinner at Mori’s? Swimming together?
Group: Nonno & Spike: I love Nonno’s role in the community and Spike’s role in the community, and they’re the two people who landed there and decided to stay. Could they bond over this?
Group: Dennis & Nonno: Important Tree Health Business!
Group: Bopek & Jell-A: Jell-A is the absolute coolest and Bopek grew on me a lot. Their friendship is adorable! What could they do together? As a side note, Jell-A’s place has the tightest interior decor in the whole game. How’d that happen, and does Bopek get a flair for vintage shapes and volumes in his weaving?
Group: Mori & Nonno & Yoké: FRIENDS. Friends for a long time, through so much pain. An evening together while The Youths (tm) are at Spike’s bar?
Yoké: catch-all Yoké request because he’s my fave! Doing Yoké things, being a big nerd, caring for books and plants and stuff
Pyre
The burning found family feelings, the revolutionary passion, the tension between topside social constraints and the kind of freedom allowed by the Downside! Thoughts about finding oneself at  the end of an age, as everything crumbles down to form something new. I love all the themes, the solemnity, the heart of this game. I adore everyone in that Blackwagon+Dalbert+Celeste, so if you want to add a Nightwing or two to any prompt, please do! I also love all the Scribes and find Erisa a compelling tragic figure. Out of the other triumvirates, I’m “love to hate them” for Manley, Brighton, Udmildhe and Deluge and would not like to see them featured in sympathetic roles. My main interest usually lies in post-canon exploration when applicable, but I’m also into various adventures during canon. Pick a location or a place outside the map and see what happens? As for the ending variables, I’d ask for a peaceful revolution and Oralech alive, but no preferences for who’s up and who’s down, pick whatever works best for any given plot bunny.
Group: Tariq & Soliam: what were Tariq and Celeste like in their earliest days? Were they made or summoned from some sort of preexisting star consciousness? They’re wildly different scenarios! I’m good with either. Does Soliam then see Tariq as a child of sorts, someone he made, or something greater than himself? Did he mean to do that, to have these two immortals around? What does Tariq learn from the First Scribe?
Group: Tariq & Dalbert Oldheart: Any excuse for Tariq to hang out with the Fates for a little while, and treasure and be treasured by dear Dalbert...
Group: Oralech & Vagabond Girl: after all is said and done, Oralech’s view of the Scribes is probably... understandably... dire. So of course I want to see him talk it out with ae!
Group: Celeste & Ignarius: look, listen, if the various triumvirates just camped out near their respective Scribe’s place during the Nightwings’ years-long absence (not the only possible explanation for how you find them all neatly lined up before the first lib rite, but an explanation nonetheless, I think. just let me have my crack), that means Iggy was Celeste’s neighbor for a long time. Neighborly hijinks please?
Group: Bertrude/Pamitha: Pam returning from her travels, again and again, and finding a home in Bertrude’s lab, finding an understanding there... Bertrude’s attitude being thorny in a way that’s just what Pam needs to allow herself to open up... also: snake kisses.
Group: Volfred Sandalwood/Oralech: waking up and remembering that the mourning that’s set deep in your roots is for someone who never died, waking up and remembering that the bitterness that consumed you had made up a betrayal that never was, finding each other through these crumbling walls... 
Molten Milithe: that’s the pov for a love letter to the Downside, right? And/or which Scribe did she bond with the most? Or the least for that matter?
Volfred Sandalwood: catch-all Volf’n’anyone request. I want to see our tree interact with any friend and foe you might fancy! Arguing for his beliefs, being a history professor through and through, finding himself in a tight spot and getting unexpected help, verbally tearing Brighton a new one if they ever cross each other’s path again...
group: Volfred Sandalwood/Tariq | The Lone Minstrel: Volfred’s zodiac sign is Cancer and Cancer is ruled by the Moon, so there’s that.    I love how they both hold the other in the highest esteem, especially on Tariq’s part since he’s the immortal Herald of the Scribes and Volfred is, all in all, a history teacher, but listen to him and you’d think the roles were inverted. I love my nonviolent canon but could anything happen to either of them that may require a rescue, and/or some good old-fashioned h/c? What’s something that could make Tariq of all people lose it? How’s life 100 years on?
Shenmue
This game cares for the little things. I’d love to see fanworks that try to out-slice-of-life canon...
Group: Qiu Hsu & Xianzi Bei: cormorant kung fu adventure! Do they hang out sometimes?
Group: Hazuki Ryo & Shenhua Ling: any moment, discussion, small adventure from their travels together! I love their bond! For all its waifufication of Shenhua, S3 really sold me on their friendship and a shared brand of dorkiness. Alternatively, sometimes I remember that they’d be 50ish in the present day - how and where do you picture them?
The Silver Case
I‘m all for the surrealism, big things being introduced and never picked up again, Rashomon’ing it up with six explanations for the same thing where no single one can be true, people dying and then popping up again like nbd...  maybe the thing I like the most is characters transcending their humanity and looming over the dystopian world like ominous avatars. Correctness’ first ending had me swooning, that kind of mood is unparalleled. I have played TSC, FSR and 25W so far and have vague memories of K7. I’m aware of the “everything’s connected” readings but that’s not my main interest in these games. For FSR-focused requests, I see Lospass as a real island but also a metaphysical  place of transformation first and foremost, where strange things happen that don’t make sense elsewhere.
Group: Toriko Kusabi & Remy Fawzil: What’s Toriko up to when she’s not chasing Chris? I think it could be fun to throw her at Remy and see the island from their point of view!
Group: Tokio Morishima & Edo Macalister: since Tokio stayed at the Flower Sun and Rain... I’m interested in peculiar happenings on Lospass that are not centered on Sumio...
Group: Tetsugorou Kusabi/Sumio Kodai: Tetsu picked one hell of a crush, huh! What’s it like in the aftermath of the games, when Sumio is Like That? How does Tetsu grapple with Parade? Is Tetsu an anchor of sorts for Correctness Sumio, who seems (at best) to be existing on a slightly different plane of existence at any given time and could disappear if you blink too hard?
Group: Tetsugorou Kusabi & Shinko Kuroyanagi: I’m joining the “let these two be foulmouthed friends” masses - who’d be more fed up with the other’s nonsense, and in which ways would they be an unstoppable team?
Group: Shinkai Tsuki & Tetsugorou Kusabi: Both of them end their stories in the shadows one way or another, and defending their protégé may have had a hand in their misfortune one way or another. What kind of understanding could they reach? What IS Tsuki up to anyway?
Group: Christina & Catherine: anthro Catherine, as per the Placebo bonus chapter Yami, was unexpectedly charming. What was Chris before reaching Lospass, and did he also have a chat with her on the plane or on the island?
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bookenders · 6 years
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11/11/11 Tag Game! Round... 4?
THANK YOU @quilloftheclouds! These are such fun questions! 
I have two of these in my drafts, so here comes a lot of info about yours truly. All the fun stuff is under the cut!
Bilbo Taggins: @floralandrogyny @leave-her-a-tome @penzag @cvrmillas @writingthatstory @dulcedewriteblr @bethkerring @writer-by-the-window @thewritingsofart @monstrouswrites @moonbeam-muse
(If you wanna do it and you’re not tagged, DO IT. If you see my questions and want to answer them, DO IT. 💜) 
(And I’m gonna tag @quilloftheclouds as my 12th because I want to know how they answer some of these weird questions. 😊)
MY QUESTIONS: (I’ve done so many of these, now I actually have to get creative...)
What would your WIP be called if it were a breakfast cereal? What does it taste like?
If your OCs were to be sponsored by any sort of product or item, what would it be? 
How do you take an idea from a concept to a story? What about an idea makes it story-worthy for you?
What’s the name of your OCs’ band? What kind of music do they play? Who plays what? Who’s the manager? What venues do they play? Are they any good?
What would your WIP look like as a romantic comedy (with the same characters, of course)? 
What about your writing are you most proud of?
What, in your opinion, is the coolest thing about your WIP?
What excites you about writing? 
Characters with brown hair gain the ability to pull chocolate bars out of their pockets at will. How does this change your WIP?
How do you like to end your stories? 
What’s your favorite word? What’s your least favorite word? 
1. Put yourself in your wip(s). Are you dead? Why or why not?
If I were in H2H, I’d probably be some sort of magical archivist. Not dead, hopefully. The world isn’t exactly “dangerous,” since it’s our world plus a little bit of pseudo-regulated magic that isn’t super duper potent yet. 
If I were in All Out Painted Colors, though? Deffo dead. If I had to cliff dive to stay in the tribe, I would just accept defeat and be exiled and die in a field somewhere. 
2. What is your favourite kind of scene to write?
Emotional scenes in the dark. I have at least one in every story. It’s a little ridiculous, but I love the implications and symbolism of someone not being able to see someone else and saying what they’ve been avoiding, or one character seeing another do something (in low lighting, of course) and dealing with the revelation that brings, however delayed. I love scenes where one character does a thing and someone else notices but they don’t say anything because they care about them. I can twist that one so many different ways, it’s so fun.
3. What genre is your favourite to write in?
I am a literary fiction dweeb at heart. Although I do enjoy writing some light fantasy every once in a while, I will always default to lit fic. It’s what I learned in school and it fits with the themes I tend to write about. And it’s less work world building. 😉
4. What genre do you want to/wish you could write in?
Freakin’ sci-fi. I’ve tried and it is NOT easy. Those writers are skilled. 
Also romance, because that stuff apparently makes bank.
5. Which of your ocs outfits would you consider wearing yourself?
Anything Gemma wears, because most of it is already in my own wardrobe. I like being cozy, I say, wearing a loose t-shirt, a soft old cardigan, and fuzzy socks. 
6. What’s the worst thing you’ve done to your ocs (out of context if spoilers)?
Any of my OCs? Well. I can be pretty vicious. [This is gonna get a little gory and morbid, so CW I suppose.]
I did a lot of really messed up stuff to my boys in my war story. One had a PTSD episode while in the middle of a firefight and shot an enemy soldier in the head while wrestling with him on the ground, but imagined the whole thing as chasing down a deer he shot back home and had to put out of its misery. Another guy was choking out an enemy soldier, hands wrapped around his throat, eyes bulging, and he saw his little sisters face in his hands. Took a best friend from my favorite dude because the story called for it and I still feel bad about that, but it worked too well for it to be anyone else. 
Less gory, I had one woman lose all faith in her religion and her father when he refused to get rid of the DNR on her mom, which might have saved her life, or at least given her a few more years, because of his own twisted faith. Killed a character with his favorite food one time. I tend to take the things they love and hold dear and twist them until they have to abandon them because they start hurting instead of helping. I’m evil. 
7. What’s the nicest thing you’ve done to your ocs?
Given them the happy endings they deserve. 
8. Does your writing style have any characteristic traits? What are they?
It do. I’ve been told my voice is very distinct, even when it changes. I do this thing with flashbacks that’s pretty unique, too, I guess. I call them “seamless flashback transitions,” but I don’t like calling them flashbacks because they’re kinda not, it’s more like a character remembers something in-scene and then it naturally flows into the past. I love doing that. 
9. What are three things you think you’re good at in writing? (NO SKIPPING OF THIS QUESTION ALLOWED)
NO SKIPPING, NO PROBLEM. 
I’m very good at saying a lot with few words
Character voices and making realistic people
Bookending! (hehehe) Things at the end reference things at the beginning and make them full of feelings and bring the story to a nice close. I’m really good at taking details that meant very little and infusing them with feels. Kind of like delayed decoding, but with feelings. 
10. Do you listen to music/white noise while writing? What kind?
Most of the time, yeah, I listen to music. I either play a single song on repeat until I can drown it out so it acts like white noise to me, or I put the story playlist on repeat until I want to throw it out the window. The songs gotta have the same feel as the story, though. It’s all for the #aesthetic.
11. Come up with joke titles for your wips. What are they?
You’re asking me for jokes? JOKES??
My time has come.
Heart to Heart, or:
Growing Closer  (p l a n t s)
Love Potion No.10
Thorny for Mystery
Calamitous Encounters of a Magical Kind  (Close Encounters of the Third Kind, bit of a stretch)
Double, Double Toil and Trouble; Blushes Burn and Beakers Bubble
All Our Painted Colors, or:
 Hear to Stay (which was the very punny working title that my teacher said did NOT fit, which, yeah) 
Weaponizing Finger Paints / War Paint and Finger Guns
Color Me Yours (there’s a pottery painting place near where I used to live called Color Me Mine. Regional puns!)
Sticks and Stones May Break My Bones but Words Will Eradicate My Trust in Our Community
When Old Ladies Go Bad
So the Story Goes, or:
Satan: The Original Pan (triplicate pun, yay!)
The Apple Doesn’t Fall Far From the Tree
East of Eden and a Left at the Fork (cuz Satan huehuehue)
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recentnews18-blog · 6 years
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New Post has been published on https://shovelnews.com/the-nerds-watch-the-best-sci-fi-and-fantasy-streaming-in-september/
The Nerd's Watch: The Best Sci-Fi and Fantasy Streaming in September
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Scott Pilgrim is coming to Netflix.Photo: Universal
You can get comprehensive lists of everything coming to streaming services anywhere. But half of those titles you don’t care about, and the other half are terrible. Where’s the good stuff? io9 is here to help.
Below you’ll find what we deem to be the best sci-fi and fantasy movies and TV coming to Netflix, Amazon, and Hulu in September.
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Wakanda forever…streaming on your TV.Photo: Disney
Netflix
Available September 1
Groundhog Day – Harold Ramis’ genius time travel comedy was a little under-appreciated when it was released but in the decades since, it’s become more and more revered. Deservedly so. It’s insanely rewatchable, funny, and heartwarming.
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King Kong – The Netflix press release just lists this as “King Kong,” but we’ve confirmed it’s Peter Jackson’s 2005 take on the giant ape story. Obviously, it isn’t the best version (that honor goes to the one that came out back in 1933), but it’s not too bad.
The Hitchhiker’s Guide to the Galaxy – No, it’s not as good as the book, but this adaptation of the wonderful, inventive Douglas Adams novel is about as good as you can get. It’s funny, it’s weird, it’s got a great cast, and it’s definitely worth a rewatch.
September 2
Lilo & Stitch and The Emperor’s New Groove – Besides the fact that these are both Disney animated films, they really don’t have much in common. But each is noteworthy in its own way and will make any kids in your orbit very happy, especially the charming, Hawaii-set extraterrestrial tale Lilo & Stitch.
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September 4
Black Panther – The highest-grossing U.S. film of the year—and one of the most entertaining, well-made films of any year—comes to Netflix, and now Wakanda really is forever.
September 7
Next Gen – To be fair, we don’t know if this Netflix original is good. But the trailer suggests a theatrical-worthy animated adventure about a young girl who befriends a killer robot. We’re intrigued.
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September 16
Scott Pilgrim vs. the World – Edgar Wright’s amazing, kinetic adaptation of the Bryan Lee O’Malley comic book series may be not just one of the best comic book movies of all time, but one of the best video game movies of all time too, despite not being about a video game. Also, much of the cast has gotten insanely famous since this movie so rewatching it has an added layer of awesome.
September 17
The Witch – If you’re reading this column, odds are you’ve seen The Witch already. If you haven’t, though, mark down this date. It’s one of the creepiest, most gusty horror movies in a long time, and is about a Puritan family being stalked by an ancient evil.
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September 21
Maniac – Again, we have yet to see this Netflix original limited series, but based on the brief glimpses that have been released, it feels safe to assume that Cary Fukunaga’s latest, which stars Emma Stone and Jonah Hill, will be pretty great.
September 25
Pirates of the Caribbean: The Curse of the Black Pearl – Though many things have changed about the Pirates franchise over the years (Johnny Depp’s public image, increasingly bad sequels, etc), this first film remains a modern miracle: a theme park ride that became an incredibly exciting and funny movie that holds up over repeat viewings.
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A Wrinkle in Time – The reviews on Ava DuVernay’s recent adaptation were pretty mixed. But now that it’s coming to Netflix, it feels like a good time to either revisit it with fresh eyes or see it for the first time, if you missed it in theaters.
September 26
The Hurricane Heist – Of all the great movies coming to streaming this month, this may be the one I’m most excited about. I haven’t seen it yet, but it feels like it would be the perfect, dumb film to stream and enjoy.
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Kevin Costner’s Robin Hood is coming to streaming.Photo: Warner Bros.
Amazon
Available September 1
Beowulf – I haven’t seen Robert Zemeckis’ performance capture retelling of the famous poem since it was released in 2007, but I loved it back then. I’m sure the effects don’t hold up 11 years later but I’d imagine the performances and script do. And now that it’s on streaming, I can check.
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Big Top Pee-wee – This sequel to 1986’s Pee-wee’s Big Adventure isn’t quite on that film’s level, but it’s still worth a watch. The weirdly wonderful, circus-set story is different and still perfect in a Pee-wee way.
Double Impact – Two Van Dammes for the price of one? Yes, please. Double Impact is undoubtedly one of the most memorable films of the action star’s career. Is it one of the best? Debatable, but it’s well worth a stream or two. (Also available on Hulu.)
Dragonheart – From the director of The Fast and the Furious as well as xXx comes this Dennis Quaid-starring fantasy adventure that was nominated for an Oscar for its CG dragons. It’s not all that memorable but it’s entertaining and exciting to be sure.
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Ghostbusters and Ghostbusters II – The original Ghostbusters is an all-time classic. The sequel isn’t, but still has its moments. Either way, Ghostbusters II on its worst day is one of the best movies coming to streaming, and if you can watch the original, too, that’s even better.
Prancer – The 1989 Christmas tale Prancer is one of those movies you definitely saw when you were growing up, really liked, but probably haven’t thought about in 20 years. Now it’s on Amazon to help you jump-start that nostalgic Christmas spirit.
Pumpkinhead and Pumpkinhead II: Blood Wings – Halloween is just around the corner, so it’s cool that one of the lesser-known horror franchises is coming to streaming. Only the first film, directed by Stan Winston, was released theatrically, but if you want a good cult horror series to dive into, here’s a great start. (Also available on Hulu.)
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Robin Hood: Prince of Thieves – This Kevin Costner film is probably best known for its uber-popular theme song by Bryan Adams (“Everything I Do, I Do It For You”) but for a certain generation, like mine, it was also our formative Robin Hood. It doesn’t hold up particularly well, but it’s still full of 1990s awesomeness.
The Amityville Horror – Famous for being based on an alleged true story, this 1979 film starring James Brolin and Margot Kidder is not only good and scary, it’s historically significant for starting a horror franchise that’s alive and well to this day. (Also available on Hulu.)
Tumblr media
Two Nicolas Cages for the price of one. Photo: Sony
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Hulu
Available September 1
13 Going on 30 – This Jennifer Garner romantic comedy isn’t just delightful, it’s got a Marvel-ous supporting cast including Mark Ruffalo as the love interest, Andy Serkis as the boss, and Judy Greer as the frenemy. It’s a movie you can watch again and again.
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Adaptation – When was the last time you watched Adaptation? Even if the answer is “yesterday,” now is a great time for a revisit. Charlie Kaufman and Spike Jonze’s imaginative adaptation of Susan Orlean’s The Orchid Thief is meta, hilarious, profound, and perfect.
The Bone Collector – It’s always disappointing when a film with two of the biggest actors in the world, in this case Denzel Washington and Angelina Jolie, doesn’t live up to that level of talent. The Bone Collector is like that, but it’s not terrible, and the combined charisma of late-1990s Denzel and Angelina is worth a lot.
Field of Dreams – If you stream it, we will watch.
The Fly – David Cronenberg’s creepy, gross, but oh-so-awesome film about a scientist( Jeff Goldblum) who fuses with a fly has to be seen to be believed. And if you’ve already seen it, see it again.
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Miracle on 34th Street – This 1994 remake of the 1947 Christmas classic is actually pretty great. Richard Attenborough plays Santa, John Hughes co-wrote the script, and while the story doesn’t change much, the modern setting and budget make it feel even grander than the original.
Poltergeist II: The Other Side – While this sequel is certainly inferior to its original, it brings back the first film’s cast and continues that story. For that alone, if you like the original Poltergeist (and who doesn’t?), this is worth a watch. (Also available on Amazon)
Signs – Signs came out at the height of M. Night Shyamalan hype and was a huge hit, but doesn’t really get the same love as some of his other films. I think it should. It’s got big ideas, a great ending, and some gorgeous filmmaking.
Advertisement
Unbreakable – While Signs might be good, Unbreakable is great. We’ve written about it extensively, especially with the sequel finally coming out, and now you can catch up before Glass hits theaters in January. It’s one of the best and most inventive superhero movies ever.
What Dreams May Come – This sumptuous Robin Williams movie about a man going to heaven never quite lives up to its expectations, but it’s crazy ambitious and worth a stream for the visuals and lead performance alone.
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Source: https://io9.gizmodo.com/the-nerds-watch-the-best-sci-fi-and-fantasy-streaming-1828427005
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milenasanchezmk · 7 years
Text
Rapid Fire Questions and Answers: Getting Wild
Last month, you asked a ton of great questions in the comment section of my post on reclaiming your wildness and being less civilized, covering everything from rock climbing to role playing games, grappling to kung fu, walking meditation to grounding. For today’s post, I’m answering as many of them as I can.
Let’s get right to the questions.
Anthony Munkholm asked:
How about some tips for indoor rock climbing. Really been getting into this lately as great cross-training. Went outside in Colorado last summer and I’m hooked.
How do I increase finger strength? What about how being outside on a rock brings you so present?
I’m no expert in climbing, but from what I’ve gathered from friends who are, the best way for relative beginners to improve finger strength for climbing is to climb. Climbing places a specific type of stress on the fingers that is hard to replicate without actually climbing.
You can make it more systematic, of course, by moving back and forth between holds.
The same concepts that apply to training in general apply here as well. Don’t overdo it. Don’t train to failure every time. Stop short of the point where your grip totally fails.
On the rock, death or serious injury are serious possibilities. You slip, you fall. Even if there’s a pad underneath or a rope hitched to your waist, the lizard brain within perceives the situation to be dangerous. It forces the flow state. Riding the wave of the present and staying in the flow becomes a lot easier when death is on the line.
Chad Clark asked:
From your experience with grappling drills, how would you adopt martial arts into Primal aligned fitness endeavors? Also, what is keeping you from becoming more involved in the martial arts you listed? Or Dungeons and Dragons, for that matter?
I’d treat it like a high-intensity interval or sprint day. Grappling is seriously exhausting—and I wasn’t even going very hard at all!
I’m not sure. I may look into it a bit more. There’s certainly no shortage of training facilities these days. Keep you posted.
Ha! I was a big fan of fantasy and sci-fi earlier in life (Tolkien, Dick, Dune, etc), but never did dip my beak into D&D. These days, I frankly don’t have the time to get into something as involved and time-consuming as pen and paper role playing games.
Georgina wrote:
Excellent ideas. How about an article on “walking meditation in nature.” This is a formal practice with a blueprint to follow. this can be done solo or holding the hand of another. It connects us with the earth. It cultivates joy and gratitude. It places us in the present moment. Peace from n.c.
I love walking meditations. It’s the closest thing to an actual meditation I can sit (or walk) through. Beginners should probably start with Tara Brach, a Buddhist teacher who publishes guided meditations and lectures on her fantastic podcast and is a proponent of walking meditation (PDF). She suggests walking along a short predetermined path of 20-30 paces somewhere quiet and familiar. This creates boundaries and reduces distractions. Once you’re more confident in your ability to maintain focus, you can go on unstructured, longer walks through unfamiliar surroundings. The important thing is to pay attention to the shifting weight of your body as you walk, the feel of your footfalls, and the sensation of gliding through the air. As with sitting meditation, allow thoughts and other distractions to come and go; acknowledge but do not dwell on or judge them.
I find it much easier and more effective than sitting meditation.
There’s even a study which showed that a walking Buddhist meditation practice reduced depression, improved fitness and vascular function, and lowered stress hormones in depressed elderly patients to a greater extent than the same amount of walking without the meditating.
Alan requested:
Good article. I would like to see you write more in the future about finding balance between living less civilized and still within society. For example, whether love or hated the reboot of Point Break, there is a line in there that Bohdi says that really resonated with me. He said “We live on the grid, just on our own terms.” I would like to see you write about how that applies to the primal lifestyle. Thank you! Alan
Oh boy, this could turn into an entire post. I’ll keep it short and perhaps revisit it later.
As I allude to in the original post, for civilization to flourish and progress, we need both wildness and dependability. Creativity and diligence. In fact, each person must embody both energies.
First, figure out what you’re doing here on the planet. What are you trying to accomplish? Who or what are you responsible for? What gives you meaning? What’s best for you, your loved ones, your friends, your community?
Keep those in mind. Aim toward them. Then, indulge your wildness, but make sure it serves your ultimate goals of doing good, meaningful things, taking care of yourself and those around you, and improving your corner of the world.
Shake off the silly parts of civilization, like “taking the safe path” or “doing what you’re told,” and start thinking bigger, crazier.
bamboosmith asked a clear-cut one:
I live out in the country and do a lot of hanging from trees type pull ups. i’m older and wondered about going back and learning karate. i studied the martial arts in my 30’s for a few years and miss it. i feel like i may be too old 30 years later. any thoughts?
Just one: You’re not too old. Go, now.
I totally love this. I have 6 year old (wild) twins and it seems that this is what they do all the time. All I need to do is join them:) I also like to break out in dance or song spontaneously, and then the kids join me:)
Yes, follow them and do what they do. Funny story: A buddy of mine, Angelo Delacruz (master bodyworker, personal trainer, miracle worker, ninja, and PrimalCon star), was hosting a friend and his two young children at the gym one day. After noticing how much varied movement the kids did just inadvertently by being kids, he and a couple other trainers decided to follow them for ten minutes and do whatever they did.
After ten minutes, they were warm and loose and ready to train. Every joint had been articulated through every possible angle. It was the perfect warmup. For many, it’d be the perfect workout.
Sue Moore said:
Great article! New goal for 2018 is to take the road less travelled and be more spontaneous.
How’s that going for you? Don’t wait!
Megan said:
I work with elementary aged children with behavioral issues. Your post, especially the parts about embracing your inner weirdo, really spoke to me today. I’m going to take my students outside this week (or around the building if it’s still 15 degrees out here in Chicagoland) and look for ways that we can empower creativity and diversity of action inside the educational setting.
Beautiful. I know that standing desks have been shown to reduce behavioral issues and improve focus in elementary school students, so you may get good results! But there’s so much more to be found outside the desk space.
Ethan asked:
I’d like to see posts on how we normal, full-time workers, with kids, and all of that chaos, can find time to create, or play, or get involved.
What are the practical ways to do this?
The things you’re going to create, the ways you’ll play, the things you’ll want to involve yourself in are personal. You have to decide what appeals to you. However, there are a few ways you can increase the opportunities you have to create/play/involve yourself.
Figure out how much time you’re wasting on things that aren’t increasing your happiness, furthering your goals, or allowing you to express your wildness. Get a rough number—hours per day—and work on eliminating those wasteful practices. This will free up hours for you to do cool stuff.
If you haven’t started planning the week’s meals ahead of time, do that. Knowing what you’re going to make and having the ingredients ready to go (or even prepared ahead of time) saves a lot of time, reduces meal-time stress, and makes dinner a more harmonious, enjoyable. When you’re not stressed out from rushing to get dinner ready and on the table, you’ll have more mental energy to have a real conversation with your family, to discuss the day, to make plans for the weekend. That’s creation—positive energy where none existed before.
Don’t waste time on devices or social media. Don’t abstain entirely. Just don’t be one of the statistics who uses their phone for 4 hours a day just to avoid being alone in your own head.
Get to bed early and wake up early. Waking up before everyone else is magical in a quiet, simple way. It also gives you a nice chunk of free time to pursue any creative endeavors—working on a new side business, writing, reading (which I consider to be a kind of creation), exercising.
Gus Frey asked:
I have always wanted to learn a martial art, and was happy to read your lifelong desire and recent dive into it. Why do you recommend a grappling style as opposed to something like Kung Fu or something less about grappling? Thank you
As a kid, I loved roughhousing. This consisted mainly of wrestling, throwing, rolling around, pretty low skill-level stuff. It was intense and personal and hyperreal. It was also safer than throwing punches at each other. Fewer bruised egos, damaged friendships that way.
As an adult, grappling still seems safer to me than striking, though I know it’s all in how you train.
Brad wondered:
I’m interested in your take on grounding.
I wrote about it several years back. Check out the post.
Ive said it before on these pages, but I hunt.
It takes you off tracks, because that is where the game is. There is a pattern dictated by terrain, weather and vegetation – wild stuff – and there is a randomness, because you are pursuing something that you cannot know perfectly. Instead of following that trail that others have walked, you go where the situation dictates… even if no other human has set foot there for centuries, if ever!
There is sitting around a fire with your “tribe”. People who are there for the same purpose that you are, with whom you have a memory of shared experiences….. and who have shown time after time that they will put themselves through hardship to help you.
There is rolling out of the swag before dawn in lousy winter weather, knowing that the domesticated people couldn’t face that…..
Beautifully said, Peter. It hit me hard. That’s all.
Dugan said:
Honestly, based on the thoughts Mark laid out here, LARPing is firing on all cylinders. It takes creative thought to make a character, roleplay, and come up with armor and weapons. Then, depending on how serious you get, you can study and train in real martial arts in order to better your in-game play. You interact with a group of people equally zealous as you are. It takes time and organization to be efficient in crafting your needed items. And, depending on what LARP you do (anything from high fantasy to zombie apocalypse is out there) you can definitely interact with the environment in atypical ways. Heck, I’ve played a straight barbarian before, about as primitive as you can get. It’s great exercise and you can do it barefoot (in most cases.)
For all the jokes, LARPing really does sound like a good time and a perfect summation of the spirit of the post. If you ever watch those videos that people like to laugh at, you can’t help but notice the participants are ALL IN. Great comment.
Jason said:
Create vs Consume. While I may not have the right plan in place for create, I have had a large frustration with the amount of consume. I have been working towards consuming less (TV, phone data…useless stuff). A good way to get my butt in gear more often.
Yes, the ratio doesn’t have to be 1:1 or anything like that. The world wouldn’t work if everyone created more than they consumed. The trend is what to watch, and what to focus on changing. Do a little more creation and a little less consumption. Get it in where you can. Small steps.
That’s it for today, folks. Thanks for reading and asking. Be sure to follow up down below with any further questions you might have.
Take care!
Want to make fat loss easier? Try the Definitive Guide for Troubleshooting Weight Loss for free here.
0 notes
watsonrodriquezie · 7 years
Text
Rapid Fire Questions and Answers: Getting Wild
Last month, you asked a ton of great questions in the comment section of my post on reclaiming your wildness and being less civilized, covering everything from rock climbing to role playing games, grappling to kung fu, walking meditation to grounding. For today’s post, I’m answering as many of them as I can.
Let’s get right to the questions.
Anthony Munkholm asked:
How about some tips for indoor rock climbing. Really been getting into this lately as great cross-training. Went outside in Colorado last summer and I’m hooked.
How do I increase finger strength? What about how being outside on a rock brings you so present?
I’m no expert in climbing, but from what I’ve gathered from friends who are, the best way for relative beginners to improve finger strength for climbing is to climb. Climbing places a specific type of stress on the fingers that is hard to replicate without actually climbing.
You can make it more systematic, of course, by moving back and forth between holds.
The same concepts that apply to training in general apply here as well. Don’t overdo it. Don’t train to failure every time. Stop short of the point where your grip totally fails.
On the rock, death or serious injury are serious possibilities. You slip, you fall. Even if there’s a pad underneath or a rope hitched to your waist, the lizard brain within perceives the situation to be dangerous. It forces the flow state. Riding the wave of the present and staying in the flow becomes a lot easier when death is on the line.
Chad Clark asked:
From your experience with grappling drills, how would you adopt martial arts into Primal aligned fitness endeavors? Also, what is keeping you from becoming more involved in the martial arts you listed? Or Dungeons and Dragons, for that matter?
I’d treat it like a high-intensity interval or sprint day. Grappling is seriously exhausting—and I wasn’t even going very hard at all!
I’m not sure. I may look into it a bit more. There’s certainly no shortage of training facilities these days. Keep you posted.
Ha! I was a big fan of fantasy and sci-fi earlier in life (Tolkien, Dick, Dune, etc), but never did dip my beak into D&D. These days, I frankly don’t have the time to get into something as involved and time-consuming as pen and paper role playing games.
Georgina wrote:
Excellent ideas. How about an article on “walking meditation in nature.” This is a formal practice with a blueprint to follow. this can be done solo or holding the hand of another. It connects us with the earth. It cultivates joy and gratitude. It places us in the present moment. Peace from n.c.
I love walking meditations. It’s the closest thing to an actual meditation I can sit (or walk) through. Beginners should probably start with Tara Brach, a Buddhist teacher who publishes guided meditations and lectures on her fantastic podcast and is a proponent of walking meditation (PDF). She suggests walking along a short predetermined path of 20-30 paces somewhere quiet and familiar. This creates boundaries and reduces distractions. Once you’re more confident in your ability to maintain focus, you can go on unstructured, longer walks through unfamiliar surroundings. The important thing is to pay attention to the shifting weight of your body as you walk, the feel of your footfalls, and the sensation of gliding through the air. As with sitting meditation, allow thoughts and other distractions to come and go; acknowledge but do not dwell on or judge them.
I find it much easier and more effective than sitting meditation.
There’s even a study which showed that a walking Buddhist meditation practice reduced depression, improved fitness and vascular function, and lowered stress hormones in depressed elderly patients to a greater extent than the same amount of walking without the meditating.
Alan requested:
Good article. I would like to see you write more in the future about finding balance between living less civilized and still within society. For example, whether love or hated the reboot of Point Break, there is a line in there that Bohdi says that really resonated with me. He said “We live on the grid, just on our own terms.” I would like to see you write about how that applies to the primal lifestyle. Thank you! Alan
Oh boy, this could turn into an entire post. I’ll keep it short and perhaps revisit it later.
As I allude to in the original post, for civilization to flourish and progress, we need both wildness and dependability. Creativity and diligence. In fact, each person must embody both energies.
First, figure out what you’re doing here on the planet. What are you trying to accomplish? Who or what are you responsible for? What gives you meaning? What’s best for you, your loved ones, your friends, your community?
Keep those in mind. Aim toward them. Then, indulge your wildness, but make sure it serves your ultimate goals of doing good, meaningful things, taking care of yourself and those around you, and improving your corner of the world.
Shake off the silly parts of civilization, like “taking the safe path” or “doing what you’re told,” and start thinking bigger, crazier.
bamboosmith asked a clear-cut one:
I live out in the country and do a lot of hanging from trees type pull ups. i’m older and wondered about going back and learning karate. i studied the martial arts in my 30’s for a few years and miss it. i feel like i may be too old 30 years later. any thoughts?
Just one: You’re not too old. Go, now.
I totally love this. I have 6 year old (wild) twins and it seems that this is what they do all the time. All I need to do is join them:) I also like to break out in dance or song spontaneously, and then the kids join me:)
Yes, follow them and do what they do. Funny story: A buddy of mine, Angelo Delacruz (master bodyworker, personal trainer, miracle worker, ninja, and PrimalCon star), was hosting a friend and his two young children at the gym one day. After noticing how much varied movement the kids did just inadvertently by being kids, he and a couple other trainers decided to follow them for ten minutes and do whatever they did.
After ten minutes, they were warm and loose and ready to train. Every joint had been articulated through every possible angle. It was the perfect warmup. For many, it’d be the perfect workout.
Sue Moore said:
Great article! New goal for 2018 is to take the road less travelled and be more spontaneous.
How’s that going for you? Don’t wait!
Megan said:
I work with elementary aged children with behavioral issues. Your post, especially the parts about embracing your inner weirdo, really spoke to me today. I’m going to take my students outside this week (or around the building if it’s still 15 degrees out here in Chicagoland) and look for ways that we can empower creativity and diversity of action inside the educational setting.
Beautiful. I know that standing desks have been shown to reduce behavioral issues and improve focus in elementary school students, so you may get good results! But there’s so much more to be found outside the desk space.
Ethan asked:
I’d like to see posts on how we normal, full-time workers, with kids, and all of that chaos, can find time to create, or play, or get involved.
What are the practical ways to do this?
The things you’re going to create, the ways you’ll play, the things you’ll want to involve yourself in are personal. You have to decide what appeals to you. However, there are a few ways you can increase the opportunities you have to create/play/involve yourself.
Figure out how much time you’re wasting on things that aren’t increasing your happiness, furthering your goals, or allowing you to express your wildness. Get a rough number—hours per day—and work on eliminating those wasteful practices. This will free up hours for you to do cool stuff.
If you haven’t started planning the week’s meals ahead of time, do that. Knowing what you’re going to make and having the ingredients ready to go (or even prepared ahead of time) saves a lot of time, reduces meal-time stress, and makes dinner a more harmonious, enjoyable. When you’re not stressed out from rushing to get dinner ready and on the table, you’ll have more mental energy to have a real conversation with your family, to discuss the day, to make plans for the weekend. That’s creation—positive energy where none existed before.
Don’t waste time on devices or social media. Don’t abstain entirely. Just don’t be one of the statistics who uses their phone for 4 hours a day just to avoid being alone in your own head.
Get to bed early and wake up early. Waking up before everyone else is magical in a quiet, simple way. It also gives you a nice chunk of free time to pursue any creative endeavors—working on a new side business, writing, reading (which I consider to be a kind of creation), exercising.
Gus Frey asked:
I have always wanted to learn a martial art, and was happy to read your lifelong desire and recent dive into it. Why do you recommend a grappling style as opposed to something like Kung Fu or something less about grappling? Thank you
As a kid, I loved roughhousing. This consisted mainly of wrestling, throwing, rolling around, pretty low skill-level stuff. It was intense and personal and hyperreal. It was also safer than throwing punches at each other. Fewer bruised egos, damaged friendships that way.
As an adult, grappling still seems safer to me than striking, though I know it’s all in how you train.
Brad wondered:
I’m interested in your take on grounding.
I wrote about it several years back. Check out the post.
Ive said it before on these pages, but I hunt.
It takes you off tracks, because that is where the game is. There is a pattern dictated by terrain, weather and vegetation – wild stuff – and there is a randomness, because you are pursuing something that you cannot know perfectly. Instead of following that trail that others have walked, you go where the situation dictates… even if no other human has set foot there for centuries, if ever!
There is sitting around a fire with your “tribe”. People who are there for the same purpose that you are, with whom you have a memory of shared experiences….. and who have shown time after time that they will put themselves through hardship to help you.
There is rolling out of the swag before dawn in lousy winter weather, knowing that the domesticated people couldn’t face that…..
Beautifully said, Peter. It hit me hard. That’s all.
Dugan said:
Honestly, based on the thoughts Mark laid out here, LARPing is firing on all cylinders. It takes creative thought to make a character, roleplay, and come up with armor and weapons. Then, depending on how serious you get, you can study and train in real martial arts in order to better your in-game play. You interact with a group of people equally zealous as you are. It takes time and organization to be efficient in crafting your needed items. And, depending on what LARP you do (anything from high fantasy to zombie apocalypse is out there) you can definitely interact with the environment in atypical ways. Heck, I’ve played a straight barbarian before, about as primitive as you can get. It’s great exercise and you can do it barefoot (in most cases.)
For all the jokes, LARPing really does sound like a good time and a perfect summation of the spirit of the post. If you ever watch those videos that people like to laugh at, you can’t help but notice the participants are ALL IN. Great comment.
Jason said:
Create vs Consume. While I may not have the right plan in place for create, I have had a large frustration with the amount of consume. I have been working towards consuming less (TV, phone data…useless stuff). A good way to get my butt in gear more often.
Yes, the ratio doesn’t have to be 1:1 or anything like that. The world wouldn’t work if everyone created more than they consumed. The trend is what to watch, and what to focus on changing. Do a little more creation and a little less consumption. Get it in where you can. Small steps.
That’s it for today, folks. Thanks for reading and asking. Be sure to follow up down below with any further questions you might have.
Take care!
Want to make fat loss easier? Try the Definitive Guide for Troubleshooting Weight Loss for free here.
0 notes
cristinajourdanqp · 7 years
Text
Rapid Fire Questions and Answers: Getting Wild
Last month, you asked a ton of great questions in the comment section of my post on reclaiming your wildness and being less civilized, covering everything from rock climbing to role playing games, grappling to kung fu, walking meditation to grounding. For today’s post, I’m answering as many of them as I can.
Let’s get right to the questions.
Anthony Munkholm asked:
How about some tips for indoor rock climbing. Really been getting into this lately as great cross-training. Went outside in Colorado last summer and I’m hooked.
How do I increase finger strength? What about how being outside on a rock brings you so present?
I’m no expert in climbing, but from what I’ve gathered from friends who are, the best way for relative beginners to improve finger strength for climbing is to climb. Climbing places a specific type of stress on the fingers that is hard to replicate without actually climbing.
You can make it more systematic, of course, by moving back and forth between holds.
The same concepts that apply to training in general apply here as well. Don’t overdo it. Don’t train to failure every time. Stop short of the point where your grip totally fails.
On the rock, death or serious injury are serious possibilities. You slip, you fall. Even if there’s a pad underneath or a rope hitched to your waist, the lizard brain within perceives the situation to be dangerous. It forces the flow state. Riding the wave of the present and staying in the flow becomes a lot easier when death is on the line.
Chad Clark asked:
From your experience with grappling drills, how would you adopt martial arts into Primal aligned fitness endeavors? Also, what is keeping you from becoming more involved in the martial arts you listed? Or Dungeons and Dragons, for that matter?
I’d treat it like a high-intensity interval or sprint day. Grappling is seriously exhausting—and I wasn’t even going very hard at all!
I’m not sure. I may look into it a bit more. There’s certainly no shortage of training facilities these days. Keep you posted.
Ha! I was a big fan of fantasy and sci-fi earlier in life (Tolkien, Dick, Dune, etc), but never did dip my beak into D&D. These days, I frankly don’t have the time to get into something as involved and time-consuming as pen and paper role playing games.
Georgina wrote:
Excellent ideas. How about an article on “walking meditation in nature.” This is a formal practice with a blueprint to follow. this can be done solo or holding the hand of another. It connects us with the earth. It cultivates joy and gratitude. It places us in the present moment. Peace from n.c.
I love walking meditations. It’s the closest thing to an actual meditation I can sit (or walk) through. Beginners should probably start with Tara Brach, a Buddhist teacher who publishes guided meditations and lectures on her fantastic podcast and is a proponent of walking meditation (PDF). She suggests walking along a short predetermined path of 20-30 paces somewhere quiet and familiar. This creates boundaries and reduces distractions. Once you’re more confident in your ability to maintain focus, you can go on unstructured, longer walks through unfamiliar surroundings. The important thing is to pay attention to the shifting weight of your body as you walk, the feel of your footfalls, and the sensation of gliding through the air. As with sitting meditation, allow thoughts and other distractions to come and go; acknowledge but do not dwell on or judge them.
I find it much easier and more effective than sitting meditation.
There’s even a study which showed that a walking Buddhist meditation practice reduced depression, improved fitness and vascular function, and lowered stress hormones in depressed elderly patients to a greater extent than the same amount of walking without the meditating.
Alan requested:
Good article. I would like to see you write more in the future about finding balance between living less civilized and still within society. For example, whether love or hated the reboot of Point Break, there is a line in there that Bohdi says that really resonated with me. He said “We live on the grid, just on our own terms.” I would like to see you write about how that applies to the primal lifestyle. Thank you! Alan
Oh boy, this could turn into an entire post. I’ll keep it short and perhaps revisit it later.
As I allude to in the original post, for civilization to flourish and progress, we need both wildness and dependability. Creativity and diligence. In fact, each person must embody both energies.
First, figure out what you’re doing here on the planet. What are you trying to accomplish? Who or what are you responsible for? What gives you meaning? What’s best for you, your loved ones, your friends, your community?
Keep those in mind. Aim toward them. Then, indulge your wildness, but make sure it serves your ultimate goals of doing good, meaningful things, taking care of yourself and those around you, and improving your corner of the world.
Shake off the silly parts of civilization, like “taking the safe path” or “doing what you’re told,” and start thinking bigger, crazier.
bamboosmith asked a clear-cut one:
I live out in the country and do a lot of hanging from trees type pull ups. i’m older and wondered about going back and learning karate. i studied the martial arts in my 30’s for a few years and miss it. i feel like i may be too old 30 years later. any thoughts?
Just one: You’re not too old. Go, now.
I totally love this. I have 6 year old (wild) twins and it seems that this is what they do all the time. All I need to do is join them:) I also like to break out in dance or song spontaneously, and then the kids join me:)
Yes, follow them and do what they do. Funny story: A buddy of mine, Angelo Delacruz (master bodyworker, personal trainer, miracle worker, ninja, and PrimalCon star), was hosting a friend and his two young children at the gym one day. After noticing how much varied movement the kids did just inadvertently by being kids, he and a couple other trainers decided to follow them for ten minutes and do whatever they did.
After ten minutes, they were warm and loose and ready to train. Every joint had been articulated through every possible angle. It was the perfect warmup. For many, it’d be the perfect workout.
Sue Moore said:
Great article! New goal for 2018 is to take the road less travelled and be more spontaneous.
How’s that going for you? Don’t wait!
Megan said:
I work with elementary aged children with behavioral issues. Your post, especially the parts about embracing your inner weirdo, really spoke to me today. I’m going to take my students outside this week (or around the building if it’s still 15 degrees out here in Chicagoland) and look for ways that we can empower creativity and diversity of action inside the educational setting.
Beautiful. I know that standing desks have been shown to reduce behavioral issues and improve focus in elementary school students, so you may get good results! But there’s so much more to be found outside the desk space.
Ethan asked:
I’d like to see posts on how we normal, full-time workers, with kids, and all of that chaos, can find time to create, or play, or get involved.
What are the practical ways to do this?
The things you’re going to create, the ways you’ll play, the things you’ll want to involve yourself in are personal. You have to decide what appeals to you. However, there are a few ways you can increase the opportunities you have to create/play/involve yourself.
Figure out how much time you’re wasting on things that aren’t increasing your happiness, furthering your goals, or allowing you to express your wildness. Get a rough number—hours per day—and work on eliminating those wasteful practices. This will free up hours for you to do cool stuff.
If you haven’t started planning the week’s meals ahead of time, do that. Knowing what you’re going to make and having the ingredients ready to go (or even prepared ahead of time) saves a lot of time, reduces meal-time stress, and makes dinner a more harmonious, enjoyable. When you’re not stressed out from rushing to get dinner ready and on the table, you’ll have more mental energy to have a real conversation with your family, to discuss the day, to make plans for the weekend. That’s creation—positive energy where none existed before.
Don’t waste time on devices or social media. Don’t abstain entirely. Just don’t be one of the statistics who uses their phone for 4 hours a day just to avoid being alone in your own head.
Get to bed early and wake up early. Waking up before everyone else is magical in a quiet, simple way. It also gives you a nice chunk of free time to pursue any creative endeavors—working on a new side business, writing, reading (which I consider to be a kind of creation), exercising.
Gus Frey asked:
I have always wanted to learn a martial art, and was happy to read your lifelong desire and recent dive into it. Why do you recommend a grappling style as opposed to something like Kung Fu or something less about grappling? Thank you
As a kid, I loved roughhousing. This consisted mainly of wrestling, throwing, rolling around, pretty low skill-level stuff. It was intense and personal and hyperreal. It was also safer than throwing punches at each other. Fewer bruised egos, damaged friendships that way.
As an adult, grappling still seems safer to me than striking, though I know it’s all in how you train.
Brad wondered:
I’m interested in your take on grounding.
I wrote about it several years back. Check out the post.
Ive said it before on these pages, but I hunt.
It takes you off tracks, because that is where the game is. There is a pattern dictated by terrain, weather and vegetation – wild stuff – and there is a randomness, because you are pursuing something that you cannot know perfectly. Instead of following that trail that others have walked, you go where the situation dictates… even if no other human has set foot there for centuries, if ever!
There is sitting around a fire with your “tribe”. People who are there for the same purpose that you are, with whom you have a memory of shared experiences….. and who have shown time after time that they will put themselves through hardship to help you.
There is rolling out of the swag before dawn in lousy winter weather, knowing that the domesticated people couldn’t face that…..
Beautifully said, Peter. It hit me hard. That’s all.
Dugan said:
Honestly, based on the thoughts Mark laid out here, LARPing is firing on all cylinders. It takes creative thought to make a character, roleplay, and come up with armor and weapons. Then, depending on how serious you get, you can study and train in real martial arts in order to better your in-game play. You interact with a group of people equally zealous as you are. It takes time and organization to be efficient in crafting your needed items. And, depending on what LARP you do (anything from high fantasy to zombie apocalypse is out there) you can definitely interact with the environment in atypical ways. Heck, I’ve played a straight barbarian before, about as primitive as you can get. It’s great exercise and you can do it barefoot (in most cases.)
For all the jokes, LARPing really does sound like a good time and a perfect summation of the spirit of the post. If you ever watch those videos that people like to laugh at, you can’t help but notice the participants are ALL IN. Great comment.
Jason said:
Create vs Consume. While I may not have the right plan in place for create, I have had a large frustration with the amount of consume. I have been working towards consuming less (TV, phone data…useless stuff). A good way to get my butt in gear more often.
Yes, the ratio doesn’t have to be 1:1 or anything like that. The world wouldn’t work if everyone created more than they consumed. The trend is what to watch, and what to focus on changing. Do a little more creation and a little less consumption. Get it in where you can. Small steps.
That’s it for today, folks. Thanks for reading and asking. Be sure to follow up down below with any further questions you might have.
Take care!
Want to make fat loss easier? Try the Definitive Guide for Troubleshooting Weight Loss for free here.
0 notes
fishermariawo · 7 years
Text
Rapid Fire Questions and Answers: Getting Wild
Last month, you asked a ton of great questions in the comment section of my post on reclaiming your wildness and being less civilized, covering everything from rock climbing to role playing games, grappling to kung fu, walking meditation to grounding. For today’s post, I’m answering as many of them as I can.
Let’s get right to the questions.
Anthony Munkholm asked:
How about some tips for indoor rock climbing. Really been getting into this lately as great cross-training. Went outside in Colorado last summer and I’m hooked.
How do I increase finger strength? What about how being outside on a rock brings you so present?
I’m no expert in climbing, but from what I’ve gathered from friends who are, the best way for relative beginners to improve finger strength for climbing is to climb. Climbing places a specific type of stress on the fingers that is hard to replicate without actually climbing.
You can make it more systematic, of course, by moving back and forth between holds.
The same concepts that apply to training in general apply here as well. Don’t overdo it. Don’t train to failure every time. Stop short of the point where your grip totally fails.
On the rock, death or serious injury are serious possibilities. You slip, you fall. Even if there’s a pad underneath or a rope hitched to your waist, the lizard brain within perceives the situation to be dangerous. It forces the flow state. Riding the wave of the present and staying in the flow becomes a lot easier when death is on the line.
Chad Clark asked:
From your experience with grappling drills, how would you adopt martial arts into Primal aligned fitness endeavors? Also, what is keeping you from becoming more involved in the martial arts you listed? Or Dungeons and Dragons, for that matter?
I’d treat it like a high-intensity interval or sprint day. Grappling is seriously exhausting—and I wasn’t even going very hard at all!
I’m not sure. I may look into it a bit more. There’s certainly no shortage of training facilities these days. Keep you posted.
Ha! I was a big fan of fantasy and sci-fi earlier in life (Tolkien, Dick, Dune, etc), but never did dip my beak into D&D. These days, I frankly don’t have the time to get into something as involved and time-consuming as pen and paper role playing games.
Georgina wrote:
Excellent ideas. How about an article on “walking meditation in nature.” This is a formal practice with a blueprint to follow. this can be done solo or holding the hand of another. It connects us with the earth. It cultivates joy and gratitude. It places us in the present moment. Peace from n.c.
I love walking meditations. It’s the closest thing to an actual meditation I can sit (or walk) through. Beginners should probably start with Tara Brach, a Buddhist teacher who publishes guided meditations and lectures on her fantastic podcast and is a proponent of walking meditation (PDF). She suggests walking along a short predetermined path of 20-30 paces somewhere quiet and familiar. This creates boundaries and reduces distractions. Once you’re more confident in your ability to maintain focus, you can go on unstructured, longer walks through unfamiliar surroundings. The important thing is to pay attention to the shifting weight of your body as you walk, the feel of your footfalls, and the sensation of gliding through the air. As with sitting meditation, allow thoughts and other distractions to come and go; acknowledge but do not dwell on or judge them.
I find it much easier and more effective than sitting meditation.
There’s even a study which showed that a walking Buddhist meditation practice reduced depression, improved fitness and vascular function, and lowered stress hormones in depressed elderly patients to a greater extent than the same amount of walking without the meditating.
Alan requested:
Good article. I would like to see you write more in the future about finding balance between living less civilized and still within society. For example, whether love or hated the reboot of Point Break, there is a line in there that Bohdi says that really resonated with me. He said “We live on the grid, just on our own terms.” I would like to see you write about how that applies to the primal lifestyle. Thank you! Alan
Oh boy, this could turn into an entire post. I’ll keep it short and perhaps revisit it later.
As I allude to in the original post, for civilization to flourish and progress, we need both wildness and dependability. Creativity and diligence. In fact, each person must embody both energies.
First, figure out what you’re doing here on the planet. What are you trying to accomplish? Who or what are you responsible for? What gives you meaning? What’s best for you, your loved ones, your friends, your community?
Keep those in mind. Aim toward them. Then, indulge your wildness, but make sure it serves your ultimate goals of doing good, meaningful things, taking care of yourself and those around you, and improving your corner of the world.
Shake off the silly parts of civilization, like “taking the safe path” or “doing what you’re told,” and start thinking bigger, crazier.
bamboosmith asked a clear-cut one:
I live out in the country and do a lot of hanging from trees type pull ups. i’m older and wondered about going back and learning karate. i studied the martial arts in my 30’s for a few years and miss it. i feel like i may be too old 30 years later. any thoughts?
Just one: You’re not too old. Go, now.
I totally love this. I have 6 year old (wild) twins and it seems that this is what they do all the time. All I need to do is join them:) I also like to break out in dance or song spontaneously, and then the kids join me:)
Yes, follow them and do what they do. Funny story: A buddy of mine, Angelo Delacruz (master bodyworker, personal trainer, miracle worker, ninja, and PrimalCon star), was hosting a friend and his two young children at the gym one day. After noticing how much varied movement the kids did just inadvertently by being kids, he and a couple other trainers decided to follow them for ten minutes and do whatever they did.
After ten minutes, they were warm and loose and ready to train. Every joint had been articulated through every possible angle. It was the perfect warmup. For many, it’d be the perfect workout.
Sue Moore said:
Great article! New goal for 2018 is to take the road less travelled and be more spontaneous.
How’s that going for you? Don’t wait!
Megan said:
I work with elementary aged children with behavioral issues. Your post, especially the parts about embracing your inner weirdo, really spoke to me today. I’m going to take my students outside this week (or around the building if it’s still 15 degrees out here in Chicagoland) and look for ways that we can empower creativity and diversity of action inside the educational setting.
Beautiful. I know that standing desks have been shown to reduce behavioral issues and improve focus in elementary school students, so you may get good results! But there’s so much more to be found outside the desk space.
Ethan asked:
I’d like to see posts on how we normal, full-time workers, with kids, and all of that chaos, can find time to create, or play, or get involved.
What are the practical ways to do this?
The things you’re going to create, the ways you’ll play, the things you’ll want to involve yourself in are personal. You have to decide what appeals to you. However, there are a few ways you can increase the opportunities you have to create/play/involve yourself.
Figure out how much time you’re wasting on things that aren’t increasing your happiness, furthering your goals, or allowing you to express your wildness. Get a rough number—hours per day—and work on eliminating those wasteful practices. This will free up hours for you to do cool stuff.
If you haven’t started planning the week’s meals ahead of time, do that. Knowing what you’re going to make and having the ingredients ready to go (or even prepared ahead of time) saves a lot of time, reduces meal-time stress, and makes dinner a more harmonious, enjoyable. When you’re not stressed out from rushing to get dinner ready and on the table, you’ll have more mental energy to have a real conversation with your family, to discuss the day, to make plans for the weekend. That’s creation—positive energy where none existed before.
Don’t waste time on devices or social media. Don’t abstain entirely. Just don’t be one of the statistics who uses their phone for 4 hours a day just to avoid being alone in your own head.
Get to bed early and wake up early. Waking up before everyone else is magical in a quiet, simple way. It also gives you a nice chunk of free time to pursue any creative endeavors—working on a new side business, writing, reading (which I consider to be a kind of creation), exercising.
Gus Frey asked:
I have always wanted to learn a martial art, and was happy to read your lifelong desire and recent dive into it. Why do you recommend a grappling style as opposed to something like Kung Fu or something less about grappling? Thank you
As a kid, I loved roughhousing. This consisted mainly of wrestling, throwing, rolling around, pretty low skill-level stuff. It was intense and personal and hyperreal. It was also safer than throwing punches at each other. Fewer bruised egos, damaged friendships that way.
As an adult, grappling still seems safer to me than striking, though I know it’s all in how you train.
Brad wondered:
I’m interested in your take on grounding.
I wrote about it several years back. Check out the post.
Ive said it before on these pages, but I hunt.
It takes you off tracks, because that is where the game is. There is a pattern dictated by terrain, weather and vegetation – wild stuff – and there is a randomness, because you are pursuing something that you cannot know perfectly. Instead of following that trail that others have walked, you go where the situation dictates… even if no other human has set foot there for centuries, if ever!
There is sitting around a fire with your “tribe”. People who are there for the same purpose that you are, with whom you have a memory of shared experiences….. and who have shown time after time that they will put themselves through hardship to help you.
There is rolling out of the swag before dawn in lousy winter weather, knowing that the domesticated people couldn’t face that…..
Beautifully said, Peter. It hit me hard. That’s all.
Dugan said:
Honestly, based on the thoughts Mark laid out here, LARPing is firing on all cylinders. It takes creative thought to make a character, roleplay, and come up with armor and weapons. Then, depending on how serious you get, you can study and train in real martial arts in order to better your in-game play. You interact with a group of people equally zealous as you are. It takes time and organization to be efficient in crafting your needed items. And, depending on what LARP you do (anything from high fantasy to zombie apocalypse is out there) you can definitely interact with the environment in atypical ways. Heck, I’ve played a straight barbarian before, about as primitive as you can get. It’s great exercise and you can do it barefoot (in most cases.)
For all the jokes, LARPing really does sound like a good time and a perfect summation of the spirit of the post. If you ever watch those videos that people like to laugh at, you can’t help but notice the participants are ALL IN. Great comment.
Jason said:
Create vs Consume. While I may not have the right plan in place for create, I have had a large frustration with the amount of consume. I have been working towards consuming less (TV, phone data…useless stuff). A good way to get my butt in gear more often.
Yes, the ratio doesn’t have to be 1:1 or anything like that. The world wouldn’t work if everyone created more than they consumed. The trend is what to watch, and what to focus on changing. Do a little more creation and a little less consumption. Get it in where you can. Small steps.
That’s it for today, folks. Thanks for reading and asking. Be sure to follow up down below with any further questions you might have.
Take care!
Want to make fat loss easier? Try the Definitive Guide for Troubleshooting Weight Loss for free here.
0 notes
cynthiamwashington · 7 years
Text
Rapid Fire Questions and Answers: Getting Wild
Last month, you asked a ton of great questions in the comment section of my post on reclaiming your wildness and being less civilized, covering everything from rock climbing to role playing games, grappling to kung fu, walking meditation to grounding. For today’s post, I’m answering as many of them as I can.
Let’s get right to the questions.
Anthony Munkholm asked:
How about some tips for indoor rock climbing. Really been getting into this lately as great cross-training. Went outside in Colorado last summer and I’m hooked.
How do I increase finger strength? What about how being outside on a rock brings you so present?
I’m no expert in climbing, but from what I’ve gathered from friends who are, the best way for relative beginners to improve finger strength for climbing is to climb. Climbing places a specific type of stress on the fingers that is hard to replicate without actually climbing.
You can make it more systematic, of course, by moving back and forth between holds.
The same concepts that apply to training in general apply here as well. Don’t overdo it. Don’t train to failure every time. Stop short of the point where your grip totally fails.
On the rock, death or serious injury are serious possibilities. You slip, you fall. Even if there’s a pad underneath or a rope hitched to your waist, the lizard brain within perceives the situation to be dangerous. It forces the flow state. Riding the wave of the present and staying in the flow becomes a lot easier when death is on the line.
Chad Clark asked:
From your experience with grappling drills, how would you adopt martial arts into Primal aligned fitness endeavors? Also, what is keeping you from becoming more involved in the martial arts you listed? Or Dungeons and Dragons, for that matter?
I’d treat it like a high-intensity interval or sprint day. Grappling is seriously exhausting—and I wasn’t even going very hard at all!
I’m not sure. I may look into it a bit more. There’s certainly no shortage of training facilities these days. Keep you posted.
Ha! I was a big fan of fantasy and sci-fi earlier in life (Tolkien, Dick, Dune, etc), but never did dip my beak into D&D. These days, I frankly don’t have the time to get into something as involved and time-consuming as pen and paper role playing games.
Georgina wrote:
Excellent ideas. How about an article on “walking meditation in nature.” This is a formal practice with a blueprint to follow. this can be done solo or holding the hand of another. It connects us with the earth. It cultivates joy and gratitude. It places us in the present moment. Peace from n.c.
I love walking meditations. It’s the closest thing to an actual meditation I can sit (or walk) through. Beginners should probably start with Tara Brach, a Buddhist teacher who publishes guided meditations and lectures on her fantastic podcast and is a proponent of walking meditation (PDF). She suggests walking along a short predetermined path of 20-30 paces somewhere quiet and familiar. This creates boundaries and reduces distractions. Once you’re more confident in your ability to maintain focus, you can go on unstructured, longer walks through unfamiliar surroundings. The important thing is to pay attention to the shifting weight of your body as you walk, the feel of your footfalls, and the sensation of gliding through the air. As with sitting meditation, allow thoughts and other distractions to come and go; acknowledge but do not dwell on or judge them.
I find it much easier and more effective than sitting meditation.
There’s even a study which showed that a walking Buddhist meditation practice reduced depression, improved fitness and vascular function, and lowered stress hormones in depressed elderly patients to a greater extent than the same amount of walking without the meditating.
Alan requested:
Good article. I would like to see you write more in the future about finding balance between living less civilized and still within society. For example, whether love or hated the reboot of Point Break, there is a line in there that Bohdi says that really resonated with me. He said “We live on the grid, just on our own terms.” I would like to see you write about how that applies to the primal lifestyle. Thank you! Alan
Oh boy, this could turn into an entire post. I’ll keep it short and perhaps revisit it later.
As I allude to in the original post, for civilization to flourish and progress, we need both wildness and dependability. Creativity and diligence. In fact, each person must embody both energies.
First, figure out what you’re doing here on the planet. What are you trying to accomplish? Who or what are you responsible for? What gives you meaning? What’s best for you, your loved ones, your friends, your community?
Keep those in mind. Aim toward them. Then, indulge your wildness, but make sure it serves your ultimate goals of doing good, meaningful things, taking care of yourself and those around you, and improving your corner of the world.
Shake off the silly parts of civilization, like “taking the safe path” or “doing what you’re told,” and start thinking bigger, crazier.
bamboosmith asked a clear-cut one:
I live out in the country and do a lot of hanging from trees type pull ups. i’m older and wondered about going back and learning karate. i studied the martial arts in my 30’s for a few years and miss it. i feel like i may be too old 30 years later. any thoughts?
Just one: You’re not too old. Go, now.
I totally love this. I have 6 year old (wild) twins and it seems that this is what they do all the time. All I need to do is join them:) I also like to break out in dance or song spontaneously, and then the kids join me:)
Yes, follow them and do what they do. Funny story: A buddy of mine, Angelo Delacruz (master bodyworker, personal trainer, miracle worker, ninja, and PrimalCon star), was hosting a friend and his two young children at the gym one day. After noticing how much varied movement the kids did just inadvertently by being kids, he and a couple other trainers decided to follow them for ten minutes and do whatever they did.
After ten minutes, they were warm and loose and ready to train. Every joint had been articulated through every possible angle. It was the perfect warmup. For many, it’d be the perfect workout.
Sue Moore said:
Great article! New goal for 2018 is to take the road less travelled and be more spontaneous.
How’s that going for you? Don’t wait!
Megan said:
I work with elementary aged children with behavioral issues. Your post, especially the parts about embracing your inner weirdo, really spoke to me today. I’m going to take my students outside this week (or around the building if it’s still 15 degrees out here in Chicagoland) and look for ways that we can empower creativity and diversity of action inside the educational setting.
Beautiful. I know that standing desks have been shown to reduce behavioral issues and improve focus in elementary school students, so you may get good results! But there’s so much more to be found outside the desk space.
Ethan asked:
I’d like to see posts on how we normal, full-time workers, with kids, and all of that chaos, can find time to create, or play, or get involved.
What are the practical ways to do this?
The things you’re going to create, the ways you’ll play, the things you’ll want to involve yourself in are personal. You have to decide what appeals to you. However, there are a few ways you can increase the opportunities you have to create/play/involve yourself.
Figure out how much time you’re wasting on things that aren’t increasing your happiness, furthering your goals, or allowing you to express your wildness. Get a rough number—hours per day—and work on eliminating those wasteful practices. This will free up hours for you to do cool stuff.
If you haven’t started planning the week’s meals ahead of time, do that. Knowing what you’re going to make and having the ingredients ready to go (or even prepared ahead of time) saves a lot of time, reduces meal-time stress, and makes dinner a more harmonious, enjoyable. When you’re not stressed out from rushing to get dinner ready and on the table, you’ll have more mental energy to have a real conversation with your family, to discuss the day, to make plans for the weekend. That’s creation—positive energy where none existed before.
Don’t waste time on devices or social media. Don’t abstain entirely. Just don’t be one of the statistics who uses their phone for 4 hours a day just to avoid being alone in your own head.
Get to bed early and wake up early. Waking up before everyone else is magical in a quiet, simple way. It also gives you a nice chunk of free time to pursue any creative endeavors—working on a new side business, writing, reading (which I consider to be a kind of creation), exercising.
Gus Frey asked:
I have always wanted to learn a martial art, and was happy to read your lifelong desire and recent dive into it. Why do you recommend a grappling style as opposed to something like Kung Fu or something less about grappling? Thank you
As a kid, I loved roughhousing. This consisted mainly of wrestling, throwing, rolling around, pretty low skill-level stuff. It was intense and personal and hyperreal. It was also safer than throwing punches at each other. Fewer bruised egos, damaged friendships that way.
As an adult, grappling still seems safer to me than striking, though I know it’s all in how you train.
Brad wondered:
I’m interested in your take on grounding.
I wrote about it several years back. Check out the post.
Ive said it before on these pages, but I hunt.
It takes you off tracks, because that is where the game is. There is a pattern dictated by terrain, weather and vegetation – wild stuff – and there is a randomness, because you are pursuing something that you cannot know perfectly. Instead of following that trail that others have walked, you go where the situation dictates… even if no other human has set foot there for centuries, if ever!
There is sitting around a fire with your “tribe”. People who are there for the same purpose that you are, with whom you have a memory of shared experiences….. and who have shown time after time that they will put themselves through hardship to help you.
There is rolling out of the swag before dawn in lousy winter weather, knowing that the domesticated people couldn’t face that…..
Beautifully said, Peter. It hit me hard. That’s all.
Dugan said:
Honestly, based on the thoughts Mark laid out here, LARPing is firing on all cylinders. It takes creative thought to make a character, roleplay, and come up with armor and weapons. Then, depending on how serious you get, you can study and train in real martial arts in order to better your in-game play. You interact with a group of people equally zealous as you are. It takes time and organization to be efficient in crafting your needed items. And, depending on what LARP you do (anything from high fantasy to zombie apocalypse is out there) you can definitely interact with the environment in atypical ways. Heck, I’ve played a straight barbarian before, about as primitive as you can get. It’s great exercise and you can do it barefoot (in most cases.)
For all the jokes, LARPing really does sound like a good time and a perfect summation of the spirit of the post. If you ever watch those videos that people like to laugh at, you can’t help but notice the participants are ALL IN. Great comment.
Jason said:
Create vs Consume. While I may not have the right plan in place for create, I have had a large frustration with the amount of consume. I have been working towards consuming less (TV, phone data…useless stuff). A good way to get my butt in gear more often.
Yes, the ratio doesn’t have to be 1:1 or anything like that. The world wouldn’t work if everyone created more than they consumed. The trend is what to watch, and what to focus on changing. Do a little more creation and a little less consumption. Get it in where you can. Small steps.
That’s it for today, folks. Thanks for reading and asking. Be sure to follow up down below with any further questions you might have.
Take care!
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aion-rsa · 7 years
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Deadside Meets Aliveside as Ninjak & Shadowman Head Into Rapture
For every action, there is an equal reaction, and for every Deadside that exists beneath the surface of the Valiant Universe, there must therefore be an Aliveside. And that’s the setting for “Rapture,” a four-part event series being published this May, which sees Matt Kindt and Cafu reunite as the creative team for a full-on fantasy epic.
Featuring the unlikely team-up of Ninjak and a returning Shadowman, the series will see the duo head into the supernatural side of the Valiant Universe, getting tangled up in a huge war which’ll bring them into contact with familiar faces like Punk Mambo and the Geomancer, along with possible new allies including a grizzled war veteran called Rex the Razer. In short, this is Valiant Comics meeting “The Lord of the Rings” for a fantastical, supernatural adventure-turned-war story. CBR spoke to Kindt to find out when the idea for the storyline first came to him, and how we’ll see Aliveside come to, well, life.
CBR: That’s a pretty intriguing title for a series! What is “Rapture” about? What can readers expect from this, going into the first issue?
Matt Kindt: It’s going to be epic in scale. We are squeezing a lot of story into four issues. All of this started with an idea I had while writing the big “Operation: Deadside story we did in “Ninjak.” I was writing all this really dark stuff with these twisted characters and I got to thinking, why is this always the case? Not just in the Deadside or in the Valiant Universe, but just comics in general. We always get to see the dark places, the underworld and that kind of thing. But we rarely, if ever, do we get to see the flipside. If there’s a Hell, then there should be a Heaven, right? If there’s a Deadside – then there should be an… Aliveside.
That was the premise, and then I tried to figure out what kind of character would be motivated to find this place… to be the sort of seal-breaker for us as readers. Then I came up with this character named Babel. And honestly, his “villainous” mission isn’t so wrong, really. I think we’ll understand where he’s coming from and as readers. I think you’ll want to see Babel succeed. It’s just that there are some problematic side-effects with poking a hole in the Aliveside that we’ll find out the hard way.
That’s where the epic fantasy-style battle will take place, and it’s why we need Ninjak, Punk Mambo, and the Geomancer to get involved. We’d have X-O Manowar too if I could get him – trust me, they would love to have him on this mission! But he’s busy elsewhere!
Rapture Interiors by Cafu
What interests you most about getting to work in a fantasy setting? How are you interested in playing into the classic elements of the genre – and perhaps also twisting some of them?
I’m a huge J.R.R. Tolkien fan, and I grew up loving “Conan,” so getting to splice those elements into the Valiant Universe and let it grow into this very unholy union… it’s fun and twisted. I really fell in love with the Tolkien world-building the most; “The Silmarillion” had a big impact on me when I was younger. I’d read all of the “Lord of the Rings” books, and picked that up because I just wanted more. Initially, I was put off by it, since it is so dense and it reads like a collection of actual myths: kind of dry, but with some good stuff in there. Only later did I really appreciate what he’d done.
The amount of work – the huge amount of scaffolding and back story and world-building he’d done to lay the “Lord of the Rings” stories on to – that was inspiring, especially later in my life, when I was actually creating stories. So I really wanted to bring a lot of that to this – world-building, but done in a way that isn’t dry and dense, and something that would move the narrative along and be a little more character driven. At the same time, I wanted it to make you interested in visiting the Deadside. It shouldn’t just be a place to set a battle scene; it should be a place you want to know more about… a place that has a real sense of history and is populated with a lot of insane and colorful personalities.
Setting the story in Deadside allows you and Cafu to really play around, I’d imagine – having worked with him before, how’ve you found re-teaming with him for this story? What does his style bring to the story being told here?
Cafu’s character design and framing of scenes is just amazing. The Deadside is a crazy sort of topsy-turvy world, which is something that really needs a great artist to make it come alive. And he does it. He has an elegant way of setting the scene and making you feel like these places are real.
The opening scene takes place in the Deadside, in the Putrified Forest, and honestly, you can smell how bad the place is. That’s how great the art is. Later on, we meet this really big, sad demon who’s lost his wings, and the way Cafu has rendered this character with so much pathos. It just really sells the emotion and the character. It’s one thing to write a character, but unless the artist “acts” the character, it doesn’t work. Writing is really so dependent on the art and the artist’s ability to act out the scenes.
Speaking of character, Shadowman hasn’t had a headlining role for a little while at Valiant. What’s your take on the character? What motivates him through “Rapture”?
That’s going to really be the heart of the story. Shadowman’s been through a lot, and I think this story is going to present him with a small window where he can gain some kind of redemption. But whether he makes it through that window or not is what it’s all about. I think I, and a lot of the readers, really want to see a proper Shadowman back in the universe and active. Hopefully, this will allow him to be that sort of character going forward… but he’s so hung up on his issues! Let’s hope he can overcome them!
The Deadside is somewhat unexplored as a location within the new Valiant Universe, and there’s a lot of possibility there. Is your focus on a team-up, or on bringing in other characters and making this an ensemble story? How wide is the scale of your story, here?
The Deadside is an amazing world that we’ve barely scratched the surface of in the Valiant Universe, so we’re really going to a deep-dive in this series. There are whole factions of armies and cultures at war, and this ancient force is at the center of it all.
But then, we’ve got a wild card, a new character in the Valiant Universe that we haven’t seen before called Rex the Razer. He’s this old barbarian who’s past his prime. He’s got a very checkered and violent history that we’re going to see unfold…he’s done some bad, bad things in the past, and it’s all coming back to haunt him (and ruin Earth) at the same time. And Rex is leading an army against this interesting… I hate to call him a ‘bad guy’… but an ‘interesting adversary’, let’s put it like that.
In a lot of ways, it’s our familiar characters: Punk Mambo, Ninjak, Shadowman and Tama giving us a vantage point into this world. Tama, when we begin, has been to the Deadside a lot. She actually kind of enjoys the place I think, so we’ll be seeing a lot of this place from her point of view.
What interested you in including the current Geomancer, Tama, in this story?
What I love about Tama is that at the heart of it all, she’s just this kid… but a kid with this seemingly horrible burden. She’s carrying a book called ‘death’, after all, so that’s pretty heavy.
Anyway, she’s carrying this book around and trying to constantly put out these apocalyptic fires all over the place. She’s sort of the early-warning system for the Valiant Universe, who’s constantly trying to rally the troops when they’re needed most. But she’s also a plucky kid that’s smart and loves adventure. She’s a kind of supernatural Nancy Drew. She’s so great. I could write a thousand pages-worth of her character and not get tired of her.
You’ve said that you’re interested in getting to explore the grandstanding ideas of fantasy fiction – heaven and hell, godhood and demonic nature. As a writer, what appeals most about taking these huge high concepts in a story and them bringing them to a human level, and exploring that contrast?
I think you answered the question right there. I’ve been attracted to really pulpy genres and ideas since I was a kid. I can’t get enough of crime fiction, fantasy, sci-fi… all of ‘em. But as a creator, what’s interesting to me – especially as a writer – is not so much a specific character, but the idea of what it would be like to be put in one of the fantastical situations. For real.
That’s how I approach every story when I start. From there, it ends up being steered by the character that’s in the starring role, but my thought is always to write from the standpoint of the man on the street. What’s it like to see Shadowman up close? Does he smell funny? Those little details. I think that’s what really brings it down to earth and makes it real, even if you’re building a magical tower that’s trying to rip a hole into heaven.
If you can have it seem real, it’s so much more interesting.
The first issue of “Rapture” will be released by Valiant Comics on May 24th.
“Rapture” #1 Variant Cover by J.G Jones
The post Deadside Meets Aliveside as Ninjak & Shadowman Head Into Rapture appeared first on CBR.
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