#maybe ill make a pt2 or whatever idk

[toestalucia]

wao i love my muses

[teddiesworldd]

could you do a pt2 of the zombie outbreak with ghost, maybe the zombie outbreak ends and they get used to being a normal couple? idk

after the world ends (p2)

this is part two of my ghost apocalypse au, you can read part one here!

a/n: thank you so much for all the love on part 1 and for this request which inspired part 2! i hope it's what you imagined <3 (1k words)

pairing: simon ghost riley x reader

tags/warnings: apocalypse au, fluffy, some descriptions similar to ptsd, starting a family, the ending they deserved ;')

day 154 of the apocalypse, 5 months after the first outbreak, 2 months after the second.

time creeped on slowly as the days melted into weeks, and then months. you’d become quite accustomed to life behind the fence, picking up various skills to make yourself useful in camp. the others had taught you everything you needed to know. you could now fish, hunt, cook - survival was something that came so naturally now, it was like your life before never happened. like it had always been this way. on your trips out of camp with soap, you had noticed shoots of grass and leaves sprouted up through the concrete over time and covered your city in an overwhelming green haze. 

other than the odd trip outside the safety of the fence, your days were calm and laid back. you often spent them laying out by the river with simon, watching the water flow past in the warm spring air. more recently though, you’d looked after the german shepherd you had found with soap in the city, which you had lovingly named riley after your love. there was always plenty to do - things needed fixing up, whether that be the equipment or each other. 

in the evenings, you no longer watched soap and ghost talking from your tent - you sat alongside them at the campfire, simon’s large hand holding yours. you shared stories of your lives before the outbreak, dreaming of what you’d do when the world turned the right way around again - if that would ever happen. and when your conversations died down, simon led you to his bed and you spent the night with your head on his chest, listening to his faint heartbeat to drown out the sounds of the infected who got too close to the fence.

it wasn’t all smooth sailing; some of the others in camp had fallen sick and the nearest pharmacy was completely stripped by other groups, leaving nothing to treat your own wounded campmates. illness spread like wildfire here and all you could do was nurse their wounds and cook hot meals to lift their spirits and provide warmth. a few lost their lives to disease or to the zombies, but most fought on, struggling through the days.

you’ll never forget the moment when you heard about the cure. 

head resting on simon’s shoulder, swaying gently to the faint crackle of the radio. his hands gently gripping to your waist, holding you close like he never wanted to let you go. it was a routine that you both had for a few weeks now, after your first night together in the tent. rocking gently to the music as the sun glowed shades of pink and orange in the late evening. "my girl, i'll marry you when this is over." he'd tell you every time you held each other like this. simon had never felt so enamoured with someone in his whole life. he couldn't wait for the day you shared his last name. it was what kept him going through all this - the thought of living a normal life with you on the other side. soap sat nearby, cleaning up whatever he’d found during the day, cheesing over the action figures he found in the house he raided, watching as you and simon fell utterly in love with each other.

the music cut off and the announcer said that a cure had been developed to treat the infected. and suddenly you remembered everything that you had left behind 5 months ago.

------------------------------------------------------------------------------

four years later, you sat out on the porch of your home with a cold drink, watching simon play with your daughter in the backyard. he proposed to you as soon as you heard the radio broadcast and you married shortly after normality returned, falling pregnant and buying a house together. it never really got any easier - cuts turned into scars and memories of your days in camp turned sour, plaguing your dreams. often you’d wake up in a cold sweat, fear running through you like you were still there. but simon never failed to bring you back to earth again, stroking your hair and shushing you to sleep again. soap visited often, riley always jumping up at him madly as he stumbled through the front door. your daughter had grown accustomed to calling him “uncle johnny”, which he loved and it made him well up the first time he heard her say it.

nothing would really be the same again - you had lost most of your friends and family, and the world never quite got back to the way it was before.

but in a way, that was okay. because so much good came from it. 

“mommy, look!” you daughter giggled madly from the bottom of the garden. you snapped out of your thoughts, eyes landing on your 4-year-old daughter who was halfway up the tree at the bottom of the lawn.

“i- i did try to tell ‘er not to,” simon sighed, walking up to you and wrapping an arm around your shoulders, “but you know what she’s like... little adventurer.”

you couldn’t help but laugh. it definitely wasn’t the first time she’d gone up there - she climbed up it like she’d done it a thousand times before.

“reminds me of someone i know.” simon said, looking down at you in your chair, nothing but love in his eyes. he kissed you sweetly, reminding you of the first time your lips touched that night in your tent. 

“i’ll start making dinner, yeah?” he finished, hand gently squeezing your arm before heading into the kitchen. you really did get so lucky the day you crossed paths in the woodland.

“can someone help me down?!” your daughter shouted, riley barking up at her playfully as she clinged tightly to the branches.

“yeah, honey, i’m coming” you replied, placing down your drink and heading down the garden.

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[hekatekun]

The metanarrative’s grand narrative: Osomatsu-san’s characterization throughout the franchise

The growing cynicism throughout the entire Osomatsu-san franchise shows itself in season 3 with more prominence than anything prior. I think that’s pretty common amongst any “long-running” gag comedy - replacing a plot with spiteful commentary that’s admittedly pretty hit or miss at times. However, it invariably creates a negative but pretty funny character growth, and I love the way the show (I’m including the movie too as “canon” material considering season 3 has referenced it way too many times for me to disregard) has set up this metanarrative across seasons. Long post ahead.

Obviously, Osomatsu-san is self-aware and has a casual relationship with itself. No linear plot (though S3 seems to be trying it out and I’ve enjoyed it - I love that they’re willing to experiment), rather a collection of unrelated skits; and so it points out its own metanarrative because of this “lack of consequences.” With comedy comes impermancy and Ososan AND -kun will always bounce back from that week’s insanity. From the Oxford Dictionary, a metanarrative is “a narrative account that experiments with or explores the idea of storytelling, often by drawing attention to its own artificiality.” Basically: a story about stories.

On top of this, is what I’m calling the “grand narrative,” which is often used interchangeably with metanarrative, but here I’m making a distinction to make it less confusing. Of course, Ososan is a story about stories, but with that comes a story it’s not directly telling, which is where most of the (little) character development is taking place. This is what I’m going to call the grand narrative of a show whose premise is being a meta-aware comedy. I’ll admit I’m by no means an expert on these subjects, but storytelling methods are something I enjoy trying to analyze. As a media format, Ososan really utilizes the fact that it’s a tv show.

Right off the bat S1E1 makes it clear what to expect: Nothing. Not a damn thing. But, the show had already been cleared for this first season, so it has to be produced. This same episode’s preview is done by Osomatsu, which I’m just gonna quote instead screenshot because there’s too many.

“...we plan on properly starting the anime the next episode.” “...you ended up with an extra minute, so you need me to do something to fill it?! Actually, is this anime going to be okay with episode one being like this? I’m getting worried about how the rest of this is going to be...” “There, I used up a minute! [EPISODE ENDS]”

Episode one is not only batshit referential, but downright mocking the state of anime in 2015. Which, truthfully, I don’t have much to comment on in that regard, as I’m not an avid anime fan. However, it does this under the premise of being indecisive about what kind of anime they wanted the Osokun reboot to be. 

They’ll do just about anything to stay popular and relevant considering that is, quite literally, all they have going for them as characters in the series and just being characters in general. They may be pieces of shit, but they’re likeable pieces of shit. The dynamics they’ve built upon to be entertaining is encouraged, and they’re basically just roleplaying different skits and fucking around.

All the AUs! All the skits! They’re just playing! They’re just fuckin’ around!! They couldn’t come up with any interesting plot nor could they “graduate” from being anime protagonists and join the real world, so they just fuck around and make a gag anime!

Even if we follow both as the audience, the show makes a difference between the what’s them in their “normal life” (crazy begets crazy, no?) and what’s their “show.” But, really, that’s just one way to look at it, as they don’t really follow any rules as a show. I could say the Joshimatsus are separate characters from the sextuplets, and it’d be a “correct” interpretation. It doesn’t really matter - I’m choosing to examine it all as being the six of them just running around and playing, because being entertaining and having fun is all they know as characters. Besides, having it blended together beyond recognition reinforces how it prioritizes entertaining us, the audience, above logic. Storytelling doesn’t need to make absolute spatial-temporal sense for it to be enjoyable to fans.

In any case, that mentality really seems to be what pushes their character development negative, as they look to reinforce habits and rituals despite them being really detrimental for them in the long run. They know they’re popular characters as is, and with really everyone from staff to fans encouraging this behavior further, so they see no point in fixing what isn’t really broken.

I found this 4 year old article from Manga.Tokyo discussing the Ososan phenomenon in Japan because while the craze died off pretty quickly in American anime circles (which deserves a whole other post), Japanese fans went fuckin’ nuts.

This portion caught my attention, as it makes sense that entitled and enabled asshole children would grow up to be entitled and enabled asshole adults. The article also goes on to compare them to idols (even beyond the F6 spoof) and that they are rooted in being comfort characters above all else. 

It’s worth a read, especially because Japanese fan response is what drives majority of the content post-S1, and, inevitably, ties into their character development. 

They know that they’re Characters, particularly Protagonists. You know what happens to protagonists? Everything works out. Just about every single story created has stuff working out for protagonists. In fact, we have a whole genre made that separates stories with bad tragic endings from our Normal Stories. Ososan is a comedy, not a tragedy, so surely there’s gonna be some payoff somewhere along the road, especially as the seasons and other content are still being pumped out. To a self-aware, entitled, enabled protagonist, assuming everything is just gonna work out for you isn’t that far off from your narrative truth.

However, Ososan is a gag anime, and a lot of gag content (like 4koma mangas) is dropped for other projects before any emotional cathartic ending is provided for characters and fans alike. So, three seasons and a movie later, nothing has happened. It’s a great idol cash cow with a Family Guy filter, and the characters (and writers) don’t even bother to hide it anymore. And I know I’m being hypocritical concerning my definition of “canon material” but I think this portion from one of the drama cds “Choroplex” basically summarizes my point:

CHOROMATSU: Wait, don’t make this into a gag! You don’t even care about becoming employed, right? KARAMATSU: There’s no way that could happen... CHOROMATSU: What kind of future are you imagining? Is it nothing but this? [HUGE PAUSE BEFORE THEY MOVE ONTO SOMETHING ELSE]

They’re parodies of themselves and are running out of ideas. Stagnation and decay is normal, if not unavoidable, at this point in time for them. They’re just 20 somethings who’ve hit a wall but they’re too scared and insecure to bring about permanent positive change. It’s easier for them to fall back into normal patterns and joke off the rest.

They have an antagonistic relationship with expectations. They can’t handle a single iota of expectations, or responsibilities. They’ve never needed to worry before, so why bother now? Once the biggest hits on the block, now they’re just guppies in the ocean, and there’s nothing they believe themselves to be able to accomplish to keep up with this big brave new world. This is epitomized in S3E15, where old man Osomatsu tells a bastardized version of the Tortoise and the Hare, blatantly projecting his feelings onto it. Again, too many screenshots so let me pull more quotes (bolding for my own reference):

“The place that the tortoise thought was the goal was not actually the goal. His journey down the road of life still continued on. The tortoise was quite tired, but he continued running anyway.” “No one actually knew who was in front anymore. There are too many people above you.” “After the tortoise found out how society worked, he thought, ‘So this is the difference in talent? No amount of hard work is going to fix this. All right. I’m done competing with others.’”

S3 has left more questionable endings than its counterparts. The last 2 skits I referenced don’t even a gag to them, and the marriage skit doesn’t play music for the entire second half of S3E5. There’s more involved too. I haven’t even brought up the rice ball twins becoming actual entertainers in their universe, or how they introduced this whole AI subplot only to reject it because All Six Of Them aren’t interested in expanding their little corner of the world. Here’s a transcript of the ending preview from S3E1:

“Hey, hey, Osomatsu here. I thought we were saved from being replaced, but I guess we get new characters next week. Man, we’re busy. New encounters, changing surroundings... We’re NEETs to begin with because all that is a pain. I guess a lot can happen after three seasons. [EPISODE ENDS]”

The sextuplets’ mindsets are extremely self-centered, which is also an environmental thing (the parents don’t even really care that they’re NEETs, for one) and an understanding of what they ought to be (epic successful protagonists). They also have a very black and white mentality, all or nothing. They’re extremely sheltered, and once they realized where they stood in society at large, they just gave up. To them the world is divided between winners and losers, and somehow, “inexplicably,” they found themselves to have fallen from grace. But they’re protagonists, that has to count for something! Everything’s gonna end up okay, right? Well... what this show has told them: No, not at all. They are consistently compared and warned of Iyami, and are perfectly aware of this fact, and have come to internalize it as a truth rather than a reversible self-fulfilling prophecy.

Too many screencaps, taken from the S3S5 marriage discussion:

JYUSHIMATSU: I wonder if we’re gonna get married someday, too. CHOROMATSU: Well, I mean... probably? I’m not exactly sure, but... TODOMATSU: What? You’re gonna get married, Choromatsu-niisan? CHOROMATSU: Huh? Well, yeah... someday.

Surprise! They have commitment issues! The same group that couldn’t commit to a fucking plot! Though their personality issues have several factors involved, I can’t overlook the theater motifs abound. Life’s a stage, and they’re performing entirely unscripted and it shows.

Do I think all of this is 100% intentional on the writers’ part? No, probably not. There’s also an extra layer here regarding contemporary Japanese commentary that I’m not familiar with, so I just ended up focusing on the characters. I can’t be in the writers’ heads, but whatever decisions are being made by executives regarding censorship and “compliance” are reflected in these character changes that result in being significantly more bitter and defeatist.

In the all or nothing, winner-take-all mentality, the only way to save face at this point, in their minds, is to own up to it - act like it’s what they wanted all along. And, hey, it’s funny to watch, right?

“Why is Osomatsu all my examples”, you might be asking. Well, he’s the damn blueprint for it all. The leader of the bunch, the first personality to grab your attention, has had all his issues projected and ricocheted in their echo chamber.

Ultimately, my point here is that you could think their “canon characterizations” (though canon means nothing in a show like this) as being intertwined with the nature of their self-aware existence. They’ve shown you all their tricks, the smoke and mirrors are getting boring, and they’re stalling long enough the story seems to be moving on without them - in spite of them. And when something genuinely threatens their way of life, they don’t know how to respond.

You can play it all straight, of course. Remove the meta jokes and all the same plot points can be hit, but, as a slapstick comedy, it’s able to easily add this additional layer in that I appreciate. I’ve said it in my last post and I’ll probably say it in more, but with comedy comes sincerity - the caveat of all the cartoon violence is that, on some level somewhere, this is how they really feel.

[omegawolverine]

4 26 27 28 34 <3

sorry these are out of order. i am a mess.

Past labels you’ve used?

gonna leave out the ones that were in my "experimental phase" (there was like a month where i was just label hopping with a lot of less common ones and most of them i dont even remember which is why im skipping them + they barely had any impact on me bc they lasted so little time) buuuut in order from my first official "coming out" (i literally just casually mentioned it, as i have with most of my identities to date. i dont Do coming out) we have:

-bisexual

-bisexual genderfluid

-pansexual genderfluid

-pansexual nonbinary

-Not Straight but questioning How Much Not Straight (i usually said unlabeled) nonbinary

-queer nonbinary

-still queer but questioning even more nonbinary

Some characters you headcanon as LGBT+?

literally all of them? but my favorite ones/more controversial ones are:

-light yagami is aroace

-bakugou katsuki is ftm

-ticci toby is a poly pansexual transmasc

-pidge gunderson is a nonbinary transmasc (i have never once called pidge by katie or she/her bc it genuinely Does Not Feel Natural)

-kiara carrera is a lesbian

-dil pickles (yes, the rugrats/all grown up character) is a nonbinary any pronouns user

-every soul eater mc is trans. maka and tsubaki are is mtf, soul kid and patty are nonbinary, crona is agender, black star is ftm, liz IDs as transfem, nothing more, nothing less

If you’re not cis, do you want HRT and/or surgery?

currently i want neither...? and maybe its just a bit of internalized transphobia on my part but im always worried that if i do ever decide to get surgery or HRT i will regret it/realize i was "faking it" or something? idk. im not a fan of my chest, especially bc its pretty noticeable and the binder i have does not actually make me flat but also there is a part of me that cant picture me without my chest and im not sure if getting surgery would actually make me happy or if my chest is just something i have to learn to love bc having it doesnt make me any less trans and im finally starting to learn that now that im older and not actively consuming harmful transmed content that made me miserable. as for HRT, the only thing id want out of it is a more masculine facial structure which isnt a guarentee + i wouldnt like any of the other shit that comes with it (specifically facial hair). my ideal self is feminine rat boy, but that is not easily achievable for me and i dont think surgery or HRT would get me closer to that, so tldr: no plans for it currently.

Some LGBT+ pairings you ship?

these are just whatever ones come to mind first tbh

-kiribaku/shinbaku/kirishinbaku

-mayward

-flutterdash/appledash/flutterappledash (or any of these combos + rarity)

-kyoya/tamaki has a grip on my fucking heart

-shikacho

-momojirou

Any celebrity crushes?

i hate this question bc i have them but i can never remember them when im asked?? also these crushes never have anything to do with personality bc ive never been invested in a show or movie cast besides the IT cast but uhm.

-vernon from svt (this one DOES have to do with personality)

-matthew lillard ofc

-ill be the first to admit that matt champion still does something to me (as does most of brockhampton but specifically him)

-sharon needles (yes personality is slightly involved)

-natasha lyonne (full package)

-jaden smith

-jeongin (holds his hand gently im /parasocially in love)

-ashnikko (full package pt2, i want her to call me a cunt)

and if ccs count for this:

-wilbur soot (wbk)

-unironically willne

-kennie jd

-f1nn5ter (i want to hold his hand but i also want to be him)

-emma langevin (ideal woman /hj)

-justaminx (see note above)

[scarletarosa]

hey!! ive always been drawn to lucifer, whenever people would speak ill of him etc I would always feel the need to defend him & I would feel so much love for him, I don't know if this is a sign I should work with him or not but ive been trying to reach out & once i woke up to this dark figure with bright white eyes & a big smile standing right next to my bed & when I saw it I felt like I couldnt speak so I just turned over & tried to go back to sleep, Idk if that was him or another spirit (pt1)

(pt2) but ever since that experience nothing has happened, I feel like I may have offended the spirit or something, maybe its my fear blocking me from being able to reach out again but I really wanna work with lucifer but I feel like I'm being ignored? (I know I'm not entitled to his time or anything like that) so I don't know what to do... do you have any tips or anything?

I can assure you that you very likely didn’t offend anyone, love. This may have been Lucifer reaching out to you, but it’s good to check and make sure (put a ward in your room to prevent malicious spirits from entering). Now when deities reach out like this, they may only do it once- so nothing happening again is very normal and not something to stress over.

You can speak to him and invite him over, discussing that you wish to work with him and whatever else you like. If you invite him to sit nearby, you might also feel his presence and emotions. Lastly, you can also try tarot reading with him to see how he feels about you, in case you are still concerned.