#mevlana lipp

[psikonauti]

Mevlana Lipp (German, b. 1989)

Trinity, 2022

wood, velvet, acrylic color, ink, sand

[myfairynuffstuff]

Mevlana Lipp (b.1989) - Foam. 2023. Wood, velvet, sand, acrylic and ink.

[killyridols]

blue orchid by mevlana lipp, 2021, velvet, wood, aluminum stretcher, acrylic, ink & sand, 59 × 43 inches

[jadeseadragon]

Mevlana Lipp

Velvet Paintings: wood, velvet, acrylic color, ink, sand, aluminum stretcher

[heartsaglownow]

Mevlana Lipp

[theweirdwideweb]

Pond - Mevlana Lipp

[itscolossal]

Mevlana Lipp’s Sculptural Paintings on Velvet Glimpse Otherworldly Alternate Realities

[polkadotmotmot]

Mevlana Lipp - Ritual, 2023

[mybeingthere]

Mevlana Lipp, 1989 born in Cologne, Germany

Studied:

2009 - 2015 Kunstakademie Düsseldorf

2013 Meisterschüler of Thomas Grünfeld

[worldsandemanations]

Pond - Mevlana Lipp(German, 1989)

[artdepo]

Mevlana Lipp

Melting, 2023

Wood, Velvet, Sand, Acrylic, Ink, Aluminum stretcher

[psikonauti]

Mevlana Lipp (German, b. 1989)

Pond, 2022

Wood, velvet, sand, acrylic, ink, aluminum stretcher

[carpethedamndiemdejavu]

Mevlana Lipp, Aurora

[livingtrophies]

Mevlana Lipp

[artistmichaelm]

Mevlana Lipp’s Sculptural Paintings on Velvet Glimpse Otherworldly Alternate Realities

ArtNews http://dlvr.it/TCC5jq See More at: https://artistmichaelm.tumblr.com

[journeytothecenterofmyminduk]

‘PARADISIAC’ @raum.mg16 Cologne Curated by @mk_artwhispering Through November 26 With works by ULU BRAUN / CRISTIANA COTT NEGOESCU / INMA FEMENÍA / IRATI INORIZA / DENNIS KAUZNER / MEVLANA LIPP / HELENA MÜNCH / FABIAN RAMÍREZ / MORITZ RIESENBECK An environment that is changing ever faster due to construction and progressive destruction raises questions about the state of nature and our relationship to it. Does increasing alienation boost the need to romanticise yesterday? Not only trends such as the idealisation of country life and the new enthusiasm for hiking are read as signs of a return to the past. However, the gaze seems to be less melancholically entrenched in the past and more forward-looking, accepting change and rediscovering neo-romantic aspects such as light, clouds, weather and their effect on landscape, nature and the individual himself. The concept of paradise in the here and now. Is it a realistic concept of paradise that takes into account the development of forests, landscapes and also the seemingly irreversible destruction of evolved ecosystems? Forests that are acutely endangered by increasingly long periods of drought could be revitalized and preserved by reforestation with less water-consuming tree species. Man finds himself again in his favorite role - that of the destroyer, or expressed somewhat more optimistically, that of the creator. This tension, as ambivalent as it seems, produces reactions: political, social and artistic reactions. Quiet to powerful statements, an examination of the ‘status quo’ of the state of nature. Attentively observed developments culminate in hope or also in the 'worst case' scenario, in the assumption of a 'paradise lost'. PARADISIAC shows a subjectively selected range of these reactions with nine international positions. #raummg16 #markuskersting #cologne #contemporaryart (en Cologne, Germany) https://www.instagram.com/p/ClY-DUUIMpK/?igshid=NGJjMDIxMWI=