#michelangeo

[scarlet-and-ultraviolet]

[nexuschampion]

lol

Fllippant Mikey strikes again

[casanovatales]

the tease of those almost touching hands. what could be. but isn't. so close and yet so far. the in between. will they ever meet? will they drift apart?

so many questions. so many possible answers.

[mintghostko]

Tide pod duo screenshot redraw cause they’re really cute :)

also I'm curious if anyone has other nicknames for this duo (^^ゞ I feel like I mostly only see tide pod duo and portal buddies

[tzmlle]

u people piss me off so fucking much shut the fuck up about ai art. the government literally use ai for defence (war) strategy. u people are more worried about owns the rights to the my little pony fan fic that u drew than the fact the same technology is being used to kill people. PLEASE shut up

[gorillageek27]

Can we talk about how hard the ninja turtles comics go? Unlike the shows or movies that are made to be kid friendly and sell toys, the comics are basically allowed to do whatever the hell they want.

For example rapheal becomes the shredder

Donatello is paralyzed and is eaten alive by rats

Splinter has to resort to cannibalism and eats a rat to survive

Leonardo tells the shredder to kill himself

And michelangeo goes a killing spree

[dailytmntquotes]

"-My name is Michelangeo, and I approve this message!" -Michelangelo (TMNT IDW comics Turtles in Time Vol 3)

[trinrose3]

Omg I wanna see Michelangeo wearing a eat sleep fortnite repeat shirt agsgs

[byneddiedingo]

Tomas Milian and Christine Boisson in Identification of a Woman (Michelangelo Antonioni, 1982) Cast: Tomas Milian, Daniela Silverio, Christine Boisson, Lara Wendel, Veronica Lazar, Enrica Antonioni, Sandra Monteleoni, Marcel Bozzuffi. Screenplay: Michelangeo Antonioni, Gérard Brach, Tonino Guerra. Cinematography: Carlo Di Palma. Production design: Andrea Crisanti. Film editing: Michelangelo Antonioni. Music: John Foxx.  Identification of a Woman plays almost like a pastiche of the movies that Michelangelo Antonioni and other directors made 20 years earlier: There's a party filled with bored Eurotrash like the ones in his La Notte, Federico Fellini's La Dolce Vita (1961), and Alain Resnais's Last Year at Marienbad (1962); there's a film director trying to get over creative block like Guido in 8 1/2 (Fellini, 1963); there's a search for a missing woman, though not so fruitless as the one in Antonioni's L'Avventura (1960); there are some mutterings about imponderable philosophical questions, such as whether god would exist if human beings didn't; and there's a good deal of sex, still not enough to overcome the problems of the characters, though the nudity is more frontal and the copulation more explicit than it was two decades earlier. In short, we've been here before. Still, Identification of a Woman is not without its rewards, most of them provided by the wizardly color cinematography of Carlo Di Palma. His artistry and technique are on display in such scenes as the film's most memorable segment, the journey through the fog, as well as in the play with reflections (see the still above) in the Venetian hotel scene. They do more than the actors do to bring the film to what life it possesses. 

[vvviktor]

Michelangelo's David doesn't have a butthole (yet) (it will all change when i will finally enter Florence) (threath to michelangeo's own gay ass)

[dsm-v]

Michelangeo

[mintghostko]

it’s how he copes ¯\_(ツ)_/¯

[scribbs-musing]

So I'm not normally one to share a lot of my concepting...

But it's a lot of what I've been doing lately and it makes me excited, so I wanted to throw it out here!!!

A couple of in-the-works designs for a small side project of mine centered in the Renaissance, and two sketch works for my WIP Drag King character.

I'm- more than a little in love with all of these guys already 🥺💜 They may just be side projects but man theyre really inspiring right now.

[ask-any-mikey]

sainw, would you like some hot chicken noodle soup?

. . .

Yes please, thank you.

[coreybass84]

I’m going to stop painting digitally and focus on physical mediums from now on.  Except for inking, because I like inking digitally and there’s more freedom to it than physical.  And because it’s easier to ink and letter digitally than to ink physically, scan it, letter it digitally, and do clean up afterwards.

[michelangelob]

‘L tempo passa Il tempo passa e c'è da stare accorti Occhi mie, siate certi che 'l tempo passa e l'ora s'avvicina,