#minisynth

[full-metal-furies]

beiruts 2015 album no no no is for when your misery is brightly melancholy but beiruts 2007 album flying club cup is when your misery is lonely and vast like an impossible chasm

[pankiepoo]

helloo!! a simple question if you don't mind!

after listening to the hatching the harmony ost, i realized the beginning of custody (while they were going through the divorce/j) has a very similar beat in the background to another song you made called guilt of a shooting star! i was wondering if that was intentional or if pure coincidence?

the mod is incredibly well done, by the way. im sure you've heard it many times before but its very true, the music is so good. i find myself humming ridiculed (specifically the "lets spin the wheel, spin the wheel!!" part) when working on school work because it's stuck in my brain (in the best way possible).

sorry, this is getting incredibly long, but once again, thank you for sharing this mod with the community!!

giggled a bit reading "simple question" then opening up the ask to paragraphs LOL /silly

that's actually a interesting observation and I'm very giddy you apparently listen to my music enough to notice something like that, and while I would love if it was an intentional thing I think I just REALLY like minisynths and cymbals clashing a lot GAHAHA the noises kinda portray bursts of emotion to me

guilt of a shooting star was a very personal song (loosely based on suitcase/clover's people pleaserness) that I made with a Specific Emotion in mind and I guess it tied together with Custody somehow which is fun. But I don't think that song represents like anything within Custody let alone is kind of the opposite to how Fan's thought process works LOL (idk why the cover is of him I just liked that drawing I think)

also thank you so much :D I'm really happy people have been enjoying the songs since I'm not the most experienced and wasn't sure how it'd be received by a crowd, thank u for this ask!!!

[coramaya1]

How to Download Image-Line FL Studio 20.9.2 Producer Edition (Windows)

FL Studio 20.9.2 Producer Edition, developed by Image-Line, is a groundbreaking music production software designed for Windows users. This full version software is available for download, offering lifetime activation. It supports a variety of formats, including AAX, VST3, VST, VST2 AU, and Standalone, ensuring flexibility for different production needs.

Tech Specs (Windows Only)

Software Type: Music Software

Platform: Windows Only

Upgrade/Full Version: Full Unlocked

Download/Boxed: Download

License Type: Lifetime Activation

Format: AAX, VST3, VST, VST2 AU, Standalone

Hardware Requirements – PC: Intel / AMD Multi-core CPU, 4GB RAM minimum

OS Requirements – PC: Windows 10 or later

An Impressive Array Of Powerful New Features

Celebrating the 20th anniversary of FL Studio, Image-Line has bypassed versions 13–19, releasing a significant update straight to version 20.9.2. This version supports time signatures and allows unlimited time signature changes, easing the creative process. The in-situ rendering (freezing) feature reduces the load on your computer, while multiple arrangements let you manage audio, automation, and pattern clips efficiently. The plug-in delay compensation feature ensures a seamless mixing experience, complemented by a refined Graph Editor, “Legacy” Precomputed FX, an upgraded Channel Sampler, and numerous new and updated plug-ins. Additionally, FL Studio now supports Mac with full VST and AU compatibility, enhancing its versatility.

Tons Of Virtual Instruments

FL Studio 20.9.2 Producer Edition comes with 13 virtual synthesizers, offering a vast range of sounds from acoustic/synth bass to electric guitar and plucked strings. It includes powerful sampler tools like a piano and beat-slicing capabilities. The software’s browser simplifies sound searching by category, providing an intuitive user experience. The built-in instruments deliver high-quality sounds, catering to both traditional and electronic music production needs.

Full-Featured Music Production Environment

FL Studio offers flexible audio tools for beat-slicing, time-stretching, chopping, and editing audio. The enhanced Edison Wave Editor provides spectral analysis, convolution reverb, loop-recording, and more. Each track can accommodate up to eight effects and be routed to other audio tracks, offering immense creative flexibility. Included effects cover delay, distortion, EQ, filtering, phasing, flanging, chorus, vocoding, and reverb. Mastering tools such as multiband compression/limiting and parametric EQ are also provided.

Included Instrument And Generator Plug-Ins

Automation: Automation Clip Generator, Envelope Controller, Keyboard Controller

Sample Playback/Manipulation: Audio Clip Generator, BooBass, Channel Sampler, DirectWave Player, FL Keys, Fruity Pad Controller (FPC), Granulizer, Slicer, Slicex, Wave Traveller

Synthesizers: 3x OSC, Autogun, BassDrum, BeepMap, Drumpad, Fruity Kick, Fruity DX10, Groove Machine Synth, MiniSynth, Speech Synthesizer, FL FlowStone, Sytrus, Wasp/WaspXT

Tools/Generators: Control Surface, Patcher, Dashboard, Fruity Video Player2, Layer Channel, MIDI Out, ReWired, FL Studio Mobile Plug-in

Included Effects Plug-Ins

Automation: Formula Controller, Peak Controller, X-Y Controller

Compressors/Limiters: Fruity Compressor, Fruity Limiter, Fruity Multiband Compressor, Soft Clipper, Maximus, Soundgoodizer

Delay/Echo: Delay, Delay 2, Delay 3, Delay Bank

Distortion: Blood Overdrive, Fast Dist, Fruity Squeeze, WaveShaper

EQ: Edison Equalize Function, Convolver, EQUO, Fruity 7 Band EQ, Fruity Parametric EQ, Fruity Parametric EQ2

Filtering: Fast LP, Filter, Free Filter, Love Philter

Vocoder: Vocodex

Phasing/Flanging/Chorus: Chorus, Phaser, Flanger, Flangus

Reverb: Convolver, Reeverb, Reeverb 2, Edison Convolution Reeverb

Multi FX: Effector (12 FX)

Tools: Control Surface, Balance, Big Clock, Center, Patcher, dB Meter, HTML NoteBook, LSD, Mute 2, NoteBook, PanOMatic, Phase Inverter, Scratcher, Send, Stereo Enhancer, Stereo Shaper

Visualization: Fruity Dance, Spectroman, Wave Candy, ZGameEditor Visualizer

Download FL Studio 20.9.2 Producer Edition

For a seamless music production experience, download Image-Line FL Studio 20.9.2 Producer Edition (Windows) from the following link: Download Now.

[andriod-apps-downloader]

Exploring the World of FL Studio Mobile: A Deep Dive into Old Versions

Introduction

FL Studio Mobile, developed by Image-Line, is a powerful music production app that has revolutionized how musicians create music on the go. With its rich history and continuous updates, the app has seen various versions, each bringing new features and improvements. This blog will delve into the old versions of FL Studio Mobile, exploring their unique aspects, and the journey that has made this app a staple for mobile music producers.

The Genesis of FL Studio Mobile

FL Studio Mobile was launched with the aim of bringing the robust capabilities of FL Studio desktop software to mobile devices. The initial versions were designed to offer a streamlined, user-friendly experience while maintaining the core functionality that FL Studio is known for.

Key Features of Early Versions

Version 1.x: The Foundation

The first version of FL Studio Mobile laid the groundwork for what would become a highly versatile music production tool. Key features included:

Basic Sequencing and Editing: Users could create and edit sequences, making it easy to build tracks on the go.

Synthesizers and Drum Kits: A variety of built-in synthesizers and drum kits allowed for diverse sound creation.

Effect Processing: Basic effects such as reverb, delay, and EQ were available to enhance the sound.

Version 2.x: Expanding Horizons

With the second major update, FL Studio Mobile expanded its capabilities significantly:

Audio Recording: Introduced the ability to record audio, making it possible to add vocals and live instruments.

Expanded Library: More sounds, loops, and samples were added to the library, providing users with a broader palette.

Enhanced Interface: Improved user interface for better navigation and usability.

Major Milestones in Later Versions

Version 3.x: A Leap Forward

The third major version marked a significant transformation:

Cross-Platform Compatibility: Projects could now be transferred between the mobile app and the desktop version of FL Studio seamlessly.

Automation: Users could automate parameters within their projects, allowing for more dynamic and expressive music.

Advanced Synths and Effects: Introduction of more advanced synthesizers and effects, including parametric EQ and multi-band compressor.

Version 4.x: Refinement and Expansion

The 4.x series brought further refinements and additional features:

Improved Performance: Optimization for better performance on both Android and iOS devices.

New Instruments and Effects: Inclusion of new instruments like MiniSynth and more advanced effects.

User Interface Overhaul: A major overhaul of the user interface to make it more intuitive and user-friendly.

Detailed Look at Notable Versions

Version 4.3.19

Released on [date], version 4.3.19 focused on stability and performance improvements. This version ensured that users could work on larger projects without experiencing lag or crashes. Additionally, it introduced minor UI tweaks for better workflow efficiency.

Version 4.3.13

Version 4.3.13, launched on [date], brought in several bug fixes and minor feature enhancements. This version addressed user feedback to improve overall usability and added new presets to the MiniSynth, expanding its sonic capabilities.

Version 4.3.6

On [date], version 4.3.6 was released, emphasizing connectivity and compatibility. This update made it easier to integrate FL Studio Mobile with other DAWs and music production tools, facilitating a more seamless production process.

Version 4.3.2

Released on [date], this version included updates to the audio engine, providing better sound quality and more efficient processing. It also introduced new sample packs and loops, giving users more creative options.

Version 4.2.12

Version 4.2.12, available from [date], brought enhancements to the step sequencer and improved MIDI support. These updates allowed for more complex sequencing and better integration with external MIDI devices.

Version 4.2.5

Released on [date], this version focused on expanding the library with new sounds and improving the touch response of the interface. This made the app more responsive and enjoyable to use on touch-screen devices.

Version 4.2.4

On [date], version 4.2.4 introduced additional effects and improved the workflow for exporting projects. These updates made it easier for users to polish their tracks and share them with others.

Version 4.1.4

Version 4.1.4, launched on [date], was notable for its focus on user feedback. This update included numerous small improvements and bug fixes based on user reports, enhancing the overall stability and functionality of the app.

The Evolution of User Experience

Each version of FL Studio Mobile has aimed to improve the user experience, both in terms of functionality and interface design. The app has evolved to offer more intuitive controls, better performance, and a wider range of creative tools. The commitment to listening to user feedback has been a key factor in its ongoing development.

Community and User Feedback

The FL Studio Mobile community has played a crucial role in shaping the app. User feedback has driven many of the updates, with Image-Line often incorporating suggestions and addressing issues reported by users. This collaborative approach has helped maintain a loyal user base and continuously improve the app.

Conclusion

FL Studio Mobile's journey through its various versions showcases the app's evolution from a basic mobile sequencer to a comprehensive music production tool. Each update has brought new features, enhancements, and improvements, reflecting the developers' commitment to providing a powerful and user-friendly experience. Whether you're a long-time user or new to the app, exploring its old versions offers valuable insights into the development of one of the most popular mobile DAWs available today.

Looking Ahead

As FL Studio Mobile continues to evolve, it will undoubtedly bring more innovative features and improvements. Staying attuned to user needs and technological advancements will ensure it remains a top choice for mobile music producers worldwide.

Final Thoughts

The history of FL Studio Mobile is a testament to the app's adaptability and the developers' dedication to excellence. By understanding its past, users can appreciate the depth and capabilities of the current version and look forward to future developments with anticipation.

[sims2ccfindsbyck]

Minisynth and Organ Catalog: Hobbies/Creativity §775-1253

Function: Hobbies

Polys: High

Open Mic & Synthesizer Catalog: Hobbies/Creativity §234-796

Function: Lighting

Polys: Medium

[yourbelgianthings]

@traitorsinsalem @minisynth

miss them

[eevolute]

Moog Mavis in da house @moogsynthesizers #moog #mavis #synthesizer #analogsynth #synthesizer #musicstudio #minisynth (bij Follow The Sun Sound Laboratory) https://www.instagram.com/p/CeyvoSAs_nv/?igshid=NGJjMDIxMWI=

[brianakenoh]

#finished #8bit #mixtape #Fished #minisynth after grounding everything it's working haha

[ausgesuchtestenohren]

My scaled-down live setup for drones: 3 mini synths I love to work with and some effects. #experimentalmusic #experimentalsound #soundexploration #dronemusic #noisemusic #modularsynthesis #modularsynthesizer #minimalistmusic #minisynth #pedalboard #pedals #soundart #soundartist #electroacousticmusic #improvisedmusic #audioart #diypedalboard #volcabass #volcamodular #bastlkastle #monotrondelay #subnup #minifooger #clonetheory #stereopulsar #monotrondelay (at Debrecen) https://www.instagram.com/p/B0V_Ymyh-k7/?igshid=12qys2zkpfw23

[pedaloftheday]

"Tired of paying for overpriced, overhyped pedals? ✋ Stop buying. Start borrowing. 🎸

Get 50% your first month’s membership to BuyOrBorrow Music with promo code “WelcomeMusic” https://buyorborrowmusic.com/

Sign up for a BuyOrBorrow Music account and get instant access to borrow hundreds of pedals on-demand, directly from their inventory.

No gimmicks. No fluff. Just easy access to your dream gear. Plans bill month to month. Cancel anytime.”

[emilyharmonia]

got my big christmas present tonight!!!

FL STUDIO TIME BABEY

[artbyblastweave]

A Theory about The Unproduced Amelia Season

I think Amelia’s book would have served to reframe her takeover of the train as, at least initially, a good thing. On some level, I think it was a good thing. When we first meet Amelia in Book 4, she’s in some form of Dialogue with One; he’s walking her through the proceedings of the train, laying it all out for her. And frankly, he’s framed a lot like a supervillian here.

This isn’t the One-one that traveled with Tulip. He’s a united front, with a specific goal and ethos. His name drips with ego. He’s cold, calculating. He’s a robot hidden behind an uncanny face. He knows the train kills people. Probably a lot of people. He doesn’t care. They fix their shit- with limited guidance and resources- or they die. For all intents and purposes, he’s either PG Jigsaw or he’s playing Metatron to one.

Then there’s Amelia. Amelia, about whom we can observe several things;

She’s known to have a knack for subverting tyrannical, bureaucratic systems. She undercuts the phone company. She jokingly tries to talk Alric into ditching graduation. She does poorly in a classroom setting but she’s brilliant when she applies herself.

In an era when all passengers have specific uniforms-branded with One’s face, no less, Amelia is wearing the boots, (which physically can’t be removed) but not the soulless; identity-erasing uniform.

She’s penetrated very far into the infrastructure of the train. You don’t get this far on your first day, or without subverting a lot of systems to get One’s personal, undivided attention.

She has no Denizen with her here. That’s odd; with the exception of Grace, most passengers tend to accumulate denizens pretty quickly after they board the train. Kez demonstrates that, under One, this is what Denizens do- it’s their duty to explain the set-up and assist the passengers, although she personally isn’t “conventionally” good at it (she helps by being so incompetent they have to devise workarounds to the problems she creates.) 

So what we’re looking at here is coded like a Bond Villain Speech to a protagonist that you’d get at the climax. This is after the plucky, headstrong, anti-authoritarian heroine has pushed through countless dangers on the train proper, to break into the inner sanctum of a sanctimonious demigod. This is after she’s asserted her individuality with clothes instead of a uniform. 

This is after any denizens she potentially encountered have left her company; maybe through second-act heroic sacrifice, or just by being left behind when One brought her into the main tour. (It’s possible she never encountered any, but from a meta standpoint it’s unlikely the whole book would have been her with One-One and no one else.) In the construction of a typical horror thriller or heroic action adventure, we’d be witnessing zero hour. Now let’s look at her influence on Ryan and Min’s adventure. She exerts influence twice; once at the Party Car, and once at the castle.  In the Party car, she gives them back their stuff. Ryan’s Guitar, Min-Gi’s minisynth, their clothes. All flatly necessary to get through the car, to resolve their problems in general, and it’s pretty clear that One wasn’t going to give them that stuff if Amelia hadn’t suggested it; she’s in some kind of dialogue with him that can be heard through the Steward. 

And someone pointed out that in the other seasons, the stuff that the passengers bring on board with them is a reflection of themselves, their strengths and their pasts. Someone aside from me pointed out that under One’s system, Tulip wouldn’t have had the pocket knife that she used to rescue Lake- and that was the only conceivable takeaway from that car, that you need to extend empathy even to people who are hurting you while pursuing their own needs. They pointed out that without his phone and the recording, Lake wouldn’t have been able to help Jesse through his issue with Nate and Troy. He could have kept dancing around that forever.  So this is clearly Amelia at a point where she’s trying to introduce a Reform to a broken system. And it’s a good one! The second time she shows up, she takes the pair’s magnoboots, proclaims that “we are on our own,” and (accidently)  self-destructs the stewards. That’s a demonstration that she’s in control at this point, if not competent control.

 It’s telling that the most prominent thing One’s regime provides to the Passengers are boots that can be used as restraining bolts if they start doing something he doesn’t like. It’s also telling that Amelia’s first act as Conductor was to remove those restraining bolts from everyone on the train. Her breakdown at the end of Book One is at least partially informed by her knowledge of how callously One-One ran things when she hadn’t rendered him a complete moron. Her brusque, no-nonsense attitude in Book 3 results from the fact that she’s not actually sorry about overthrowing One-One; she recognizes that there was a mechanical limit stopping her from bringing back Alrick, that she took One-One’s little speech about the train being capable of anything too literally, and that her time in charge could have been spent far more productively. But that was purely a practical error, not necessarily a moral one; she isn’t shown to care about denizens any more than One One or the Apex do, and she doesn’t care about the train working beyond what’s necessary to burn off her sentence.

Considering all of this, I think that a book about Amelia would have been framed as a full-circle revolution; a story about Dorothy finding the man behind the curtain, finding him lacking, and usurping him. The tragedy isn’t that the real conductor was overthrown; the tragedy is that Amelia fails to improve meaningfully on his performance.  She failed to recognize her newfound capacity, and her moral responsibility, to improve the system for everyone; Instead, she got lost for thirty years in the pipe dream of bringing back Alrick, with nothing to show for it but turtles.

[estudiodemasteringanalogico]

P O S D A T A by #Plex aka Pav delights us with these tracks that deserve to be explored. Electronic music with a touch of "je ne sais quoi"🎚🎛🔉🎧 Pav aka #pabloventura (@contactoplanetclaire) nos deleita con P O S D A T A, unos tracks que merecen ser explorados!! Música electrónica con "ese no se que!" que tanto nos gusta. Siempre es genial masterizar los tracks de estos artistas. . . http://pabloventura.bandcamp.com . . . Incluye una versión del tema "voy" de @fr4nco.d En el tema "the caves" letra @danita_st y lo cantan @thevintrashexperience y @danita_st DG el groso de @henrihournau Mastering temas 1, 2 y 3 @casararamastering . . . #pabloventura #henrihournau #electromusic #producerlife #studiolife #synthwave #minisynths #mastering #masteringengineer #onlinemastering #masteringstudio #masteringonline #mixingandmastering #masteringaudio #masteringonline #analoggear #electronicmusic #audioengineer #argentina #musicstudio #musicproduction #instagram #instagood #photooftheday #fashion #beautiful #like4like #followme #masteringcasarara #mixandmastering https://www.instagram.com/p/ByrWnr1A0PP/?igshid=apk6kccpinsd

[reikaniichan]

posting here, too / slight revise and profile stuff

Name: Pitagora Suitchi

switchy (ls), pitagora LS, suitchi, LS

nickname(s): Pita, Switchy, Sui

Gender/Pronouns: Male (he/him; they/them)

Sexuality: pansexual (best guess)

Likes: Marble machines, minisynths, ddr and pump it up (probably), taiko no tasujin, electronic super joy, Rei (lol)

Dislikes: miss/near miss, silence, having to stand still (vibrates on the spot violently), being sick, other stuff (shrugging intensifies)

Personality: a bit forceful, overreacts, bad at calming down in general tbh*

Notes: Pitagora Suitchi = PythagoraSwitch. that's why Py on the headphones. It's less a reference to the educational show and just that i like the jingle. Pita-gora Suit-chi!

Definitely has a PitagoraGoal, so he can inflict the jingle anywhere

*and that's why he played a minigame for 6 hours. but just OK.

[michael-vilogi-pa]

Underrated #Yamaha #dx #reface #yamahareface #yamaharefacedx #synths #minisynth #vilogi #gearnerd #gearnerds #mikevilogi #music #studiogear #portablemusic #portablesynth

[ausgesuchtestenohren]

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A post shared by Karl Katschthaler (@ausgesuchtestenohren)

Minimalistic analog setup. #korgmonotrondelay #minifooger #moogpedals #analogsynth #minisynth #minimalistmusic #experimentalsound #experimentalmusic #soundexploration #soundart #improvisedmusic #noisemusic #exsoso #analogpedal #modulationpedal #korgmonotron #soundartist #electroacustic (at Debrecen) https://www.instagram.com/p/BuovpZJFMkY/?utm_source=ig_tumblr_share&igshid=1sho6exvo2p9r