#mithus

[ulisesbarreiro]

La colección de NFTs MITHUS se vendió en su totalidad.

Nos complace informar a nuestra comunidad, que la colección de NFTs MITHUS, se vendió en su totalidad, primeramente fue adquirida por compradores de nuestra comunidad, y luego se metieron en el negocio unas ballenas que impulsaron sus métricas hasta colocarla en el top 10 de colecciones de mayor volumen manejado entre las operaciones de compra y venta de nfts del ecosistema de CARDANO. 

Esto es muy bueno, porque se recaudaron fondos para hacer dos pequeños bosques de 25 árboles cada uno, que tendrán lugar físico en el mundo real en el Valle de Punilla, en la ruta 38, al kilómetro 72, en un espacio cuidado dentro de Chacra  Mithrandir. Pasando en limpio, se recaudaron fondos para la compra de 50 árboles, que estarán cuidados, y tendrán el nombre de los compradores de esos NFTs. Podemos ver en la imagen como será forestado el bosqué en esta alianza de trabajo entre Chacra Mithrandir y Token Mithrandir.

Por otro lado, los compradores de la serie dorada de esta colección pueden cambiar ese NFT  por dos noches de alojamiento en Chacra Mithrandir, por lo que además de tener un NFT tienen dos noches de hospedaje si lo quisieran. 

Como vemos esta colección fue un gran éxito, y fue diseñada por el equipo de Umbriel CNFT, que trabaja además dentro del equipo del Departamento de NFTs de Token Mithrandir. Agradecemos a toda la comunidad de Token Mithrrandir que acompaña esta colección, y a las ballenas que impulsaron sus ventas. Las ballenas, son importantes dentro del mercado de compra y venta de NFTs, porque posicionan a las colecciones positivamente cuando ellas comienzan a invertir en esas colecciones. Por lo que la colección MITHUS es un éxito total. Como casi todas las colecciones de NFTs que tiene actualmente Toekn Mithrandir que suman 25.  

[exotic-indians]

[kazumasougi]

-m- made an omelette but i didnt add enough salt…

[bewakulfi]

girls when they see a notif but it's just their news app telling them that 72738 people died of hunger someone commit arsoned and a person ate chicken dipped in chocolate sauce when they were expecting a text ☹️

[sasuketruther]

anyways.

[smokefalls]

Art and literature are always instruments for finding and forging identity.

Mithu M. Sanyal, Identitti (translated by Alta L. Price)

[akultalkies]

Rocky Rupkumar Patra, Rajkumar Patra, Yudhisthir, Feroz Khan, Munni Pankaj, Agni Dutta, Abhijit Acharjee, Mithu Dey, Rani, Manisha Dutta, Piklu, Bidyut Mahapatra, Aparna Giri, Bhabendu Satpathi, Akshay Rudransh, Soumen, Abhishek

[bollyhollybaba]

ਵੇਖੋ ਬੋਲਣ ਵਾਲੇ ਤੋਤੇ ਨੇ ਕਿਵੇਂ ਕੁੜੀ ਨੂੰ ਬਣਾਤਾ ਮਾਂ😳ਵਿਆਹ ਤੋਂ ਬਾਅਦ ਬੱਚਾ ਨਹੀਂ ...

[suchananewsblog]

New Delhi | 1,000 ways to oneness at the India Art Fair

As a witness to the India Art Fair (IAF) since its inception, I have a distinct memory from an earlier outtake — children peeking over the boundary wall of the fairgrounds, disrupting the manicured landscape with raw curiosity and unchecked laughter returned in equal compassion by waving visitors and participants. A performance of childlike spirit flowing across, uncontained. So, on engaging with…

[ulisesbarreiro]

Se viene la colección Mithus de NFTs con premios para sus dueños...

Como anticipamos, esta colección viene con tres series de colores que clasifican a los pequeños magos que veremos, en tres series denominadas como: Bronce, Plata y Oro.

La serie de Oro, le da lugar a su tenedor a un baucher de 2 noches de alojamiento en la Chacra Mithrandir (ubicada en Córdoba — Argentina), si el tenedor de ese NFT no puede ir, puede ponerlo a la venta por un precio de 50 ADAs estimadamente.

Mientras que la serie de plata, le da lugar a su tenedor a poder tener un árbol plantado especialmente por la compra de ese NFT, árbol que será plantado en Córdoba, en la Chacra Mithrandor. Con estos 50 árboles que se plantaran, que equivale a los 50 NFts que salen a la venta de la serie de Plata.

Por último está la colección serie Bronce, que sale a la venta en 15 ADAs y da la posibilidad de reventa de estas piezas únicas, que viene haciendo ruido entre los ya fanáticos de los NFTs de Token MITHR.

Recordamos que sobre más de 1100 NFTs minteados (creados), solamente hay en poder de la wallet (Billetera) de Token MITHR 920. Estas métricas nos mientras el lindo arte que lleva este proyecto exitosamente y que mezcla diseño, magia, educación, marketing, buen gusto y armonía. Todo resumido en sus piezas de NFTs. Que como sabemos nunca reproducen imágenes de violencia en ninguno de sus sentidos, sino que todo lo contrario.

[buchdrache]

Review: Identitti by Mithu Sanyal

"Identity does not determine the things we do, but it does determine the things other people do to us." (S. 410)

They still exist, the novels that turn one's worldview completely upside down. "Identitti" by Mithu Sanyal is one such novel. Immediately after I finished reading the novel, I rushed to my PC to type these lines, so as not to lose the feeling that the novel had created in me. It has been working in me for days. The story has opened up a field of themes for me that is completely contrary to what I assumed up to now.

Scandal! The famous professor Saraswati is in fact white and has only lied to everyone about her Indian identity. Is it even a lie? Her student Nivedita, at any rate, is shocked by the revelation, she feels cheated and deceived. She immediately goes to her professor to get answers. Answers to the question of why Saraswati did what she did, but also to find herself and her tangled identity.

Nivedita is the protagonist of the novel and at the same time her story cannot be told without Saraswati. Nivedita's mother comes from Poland, her father from India, and she herself grew up in Germany. Is she now Polish, Indian, German? All her life, Nivedita has been looking for confirmation from outside, putting on other people's identities like others put on clothes. First this happened in the form of her cousin Priti, who grew up in England in a strong Indian community, then later with her professor Saraswati, who teaches postcolonial studies at the University of Düsseldorf.

The novel tackles a highly sensitive and heatedly debated subject area: Identity and Identity Politics, and at the same time it wraps up the subject in a witty and brisk read. I was gripped by the style from the start and soon by the subject matter. The narrative focuses strongly on intellectual discourse, but without overloading it with scientific jargon.

What moves me most personally, however, are the questions that are opened up here: If categories like race and gender are just social constructs, what constitutes our identity? Where do the lines run between identity, cultural appropriation and blackfacing? What makes us us?

The novel does not provide clear answers, because there are no clear answers to these questions. But it provides plenty of material to think about.

It is also interesting how the novel is arranged. It is a collage of different media: classic narrative text, transcripts of radio broadcasts, newspaper columns, tweets, Instagram posts and so on. Almost like real life is a collage of different aspects. For many of these posts, the author asked actual people to contribute. She described the context of her novel to them and asked them to write a tweet as spontaneously as they would if they read about a case like the Saraswatis. And indeed there was. In 2015, Rachel Dolezal was outed by the press as white, who until then had been living as a Black woman (unlike Saraswati, whose identity is POC). The case inspired Sanyal to write her novel.

"Identitti" is, despite everything, fictional, although real people appear and all the places mentioned also actually exist. But this does not diminish the questions the novel raises, as they have an all too real impact on all our lives.

If race, like gender, is only constructed, then why should it be okay to hormonally and surgically adapt one's own body to one's identity in the case of gender, but not in the case of race? Where is the difference? This question has bothered me from the beginning. I don't have a clear answer yet, but I am fascinated by this question. Perhaps there is no need for a clear answer. In any case, I have learned that there is a term, transracial, that describes what Saraswati lives.

In my search for answers in the novel, I noticed with interest how the characters engage in discourse around it. Saraswati's opponents are outraged. They accuse her of cultural appropriation, racism and blackfacing. Saraswati counters them with numerous arguments. But while her opponents are just spouting phrases, Saraswati is able to give them calm and level-headed (if occasionally a bit populist and flashy) whole lectures to justify why she did what she did, making well-substantiated arguments and numerous cross-references to academic literature. One particular passage caught my attention:

""Are you going to claim to be Aboriginal next, then, when everything can be interchanged?" sneered Oluchi's friend." (S. 244)

When I first heard about the fact that apparently you can actually change physical characteristics to make passing as transracial (cisracial?) possible, I was confused. Race for me until then was something inherent, something you are born with and that is not changeable. I can't suddenly be Black, I am, after all, white.

But the same is true of gender. I have the gender I have, I was just assigned a different one at birth. What Oluchi's friend says here is one-to-one TERF rhetoric, only applied to race instead of gender. Race as a category was artificially created. Race is not linked to physical characteristics, race has no biological basis, but oppressors use physical characteristics to support their theories. The same happened with the category of gender.

Maybe that was the moment that made me change my mind. In the epilogue to the novel, Sanyal mentions the text "trans. Gender and Race in an Age of Unsettled Identities" by Roger Burbaker. I haven't had a chance to read it yet, but this text also seems to relate the categories of race and gender. So it sounds like a worthwhile further read.

I do have one criticism, however. Precisely because the novel relates race and gender as categories, I would have expected gender to be dealt with as sensitively as race. But that is not always the case. The novel is gendered throughout, so there is an awareness of the subject. A genderqueer cis woman does indeed appear. Nivedita is initially confused as to whether Toni is a man or a woman when she appears, but then nonetheless genders her based on physical characteristics before asking Toni for her pronouns. I think a gender-sensitive reading could have tweaked this a bit.

I don't know if this society is ready for the discussions the novel opens up, but it would be nice if it was. The novel is definitely a good and important loud voice on this.

"To say only gender can be truly trans is the same as trying to distinguish real science from ... other forms of knowledge-making, high art from low art, art from craft." (S. 243)

Possible triggers - experiences of racism - Racist attacks - terrorist attack in Hanau is addressed - toxic relationship

Advertising according to §6 TMG Series information Author: Mithu Sanyal Title: Identitti Language: German Cover illustration: Raja Ravi Varma: Kali, before 1906 Series: No Pages: 424 Original price: 22€ Publisher: Carl Hanser Verlag Genre: Fiction ISBN: 978-3-446-26921-7

Originally posted on 15/01/2023

[jnanaayoga]

Shabaash Mithu Movie: Review | Release Date (2022) | Songs | Music | Images | Official Trailers | Videos | Photos | News

Shabaash Mithu Movie: Review | Release Date (2022) | Songs | Music | Images | Official Trailers | Videos | Photos | News

SHABAASH MITHU एक महान खिलाड़ी की कहानी है। साल 1990 है। हैदराबाद में स्कूल जाने वाली नूरी (कस्तूरी जगनम) नाम की एक लड़की को जबरन भरतनाट्यम की क्लास में दाखिला मिल जाता है। ऐसा इसलिए है क्योंकि वह सारा दिन क्रिकेट खेलती है और इसलिए उसकी माँ को डर है कि वह बहुत ज्यादा बचकानी हो रही है। नृत्य में…&nbspclass, उसकी मिताली राज (इनायत वर्मा) से दोस्ती हो जाती है। नूरी उसके साथ क्रिकेट खेलना शुरू करती…

[bewakulfi]

hi

[sasuketruther]

#girlblogging

[smokefalls]

And why is love a revolutionary act? Because it’s the first thing you teach people you plan to colonize-slash-oppress-slash-discriminate against: that they don’t belong, that they aren’t worthy of love.

Mithu M. Sanyal, Identitti (translated by Alta L. Price)