#moira walley beckett

[girl4music]

I’ve finished watching ‘Anne With An E’. I thought it was a really great show in many ways. Especially the writing. Didn’t really care for the Shirbert romance. I felt like they left that one a bit too late. Although I enjoy slow burn… the constant back and forth wasn’t enough to cultivate my passion. Although they’re both amazing people in their own right, I just didn’t feel it because the writing was very rushed for it in the end.

Otherwise… to Moira Walley-Beckett…

this show was absolutely exceptional.

I’m so glad I returned to it to finish it. But I am ever so personally aggrieved for you that it was cancelled.

Netflix are real sods. I’m sorry.

Hopefully now that Anne knows that she looks like her birth mother, she’ll stop bagging on her red hair and freckles. Her vanity was a huge annoyance to watch. But she was a character that was a breath of fresh air in that she never lost her imagination even as she grew up into a woman. She just ended up refining it to include, at least reachable, goals and ambitions. Her temper tantrums eventually became very meaningful and impactful. She was a character developed well. That’s why I love coming of age stories. It really does make all the difference when evolution is the focus. I wouldn’t say she was morally grey but they definitely made sure to showcase her flaws and faults and the consequences that came from her actions and choices… which is enough really. I didn’t need much else. I’m just glad she wasn’t your typical protagonist. Yes, she was a good person but she didn’t always do good things or make good choices. That mattered. It also mattered how she corrected her mistakes. By developing on her self-awareness and emotional maturity once she realized where she went wrong. It all served to give a real, relatable and resonatable character. A real gem of characterization in any show.

And Thank You to Amybeth McNulty for portraying her ever so well and knowing where her true heart lies. I’m fairly certain your first audition was a crying scene because you certainly did enough of them. But - along with the character writing - you never once made her seem weak in doing so. Expressing emotion was a strength and not a weakness. I really appreciate that.

[tv-moments]

Breaking Bad

Season 5, “Ozymandias”

Director: Rian Johnson

DoP: Michael Slovis

[kiki-de-la-petite-flaque]

Anne with an E, Moira Walley-Beckett, 2017-2019

[taxi-davis]

[waltj]

10 YEARS OF OZYMANDIAS

𝐌𝐲 𝐧𝐚𝐦𝐞 𝐢𝐬 𝐎𝐳𝐲𝐦𝐚𝐧𝐝𝐢𝐚𝐬, 𝐊𝐢𝐧𝐠 𝐨𝐟 𝐊𝐢𝐧𝐠𝐬; 𝐋𝐨𝐨𝐤 𝐨𝐧 𝐦𝐲 𝐖𝐨𝐫𝐤𝐬, 𝐲𝐞 𝐌𝐢𝐠𝐡𝐭𝐲, 𝐚𝐧𝐝 𝐝𝐞𝐬𝐩𝐚𝐢𝐫! 𝐍𝐨𝐭𝐡𝐢𝐧𝐠 𝐛𝐞𝐬𝐢𝐝𝐞 𝐫𝐞𝐦𝐚𝐢𝐧𝐬.

Breaking Bad S5E14 "Ozymandias" (directed by Rian Johnson, written by Moira Walley-Beckett) aired on this day, September 15, 2013

[abqotd]

presenting…

our BREAKING BRACKETS champion:

Breaking Bad 5.14 “Ozymandias”

Written by Moira-Walley Beckett.

Directed by Rian Johnson.

Widely considered to be Breaking Bad’s finest episode, critics have praised “Ozymandias” for its writing, direction, acting, and payoff of storylines set up since the pilot. It is considered to be one of the greatest episodes of television ever produced. At the 66th Primetime Emmy Awards, Walley-Beckett won Outstanding Writing for Drama Series for her screenplay; Cranston and Gunn won Lead Actor and Supporting Actress for their performances.

[were-all-just-stories]

PERIOD DRAMA APPRECIATION WEEK 2023

Day 2: Favourite Period Drama TV: Anne with an E (2017-19) cre. by Moira Walley-Beckett

"It's not what we get out of life but what we put into it."

[filmmakerdreamst]

Lyra and Will is the best YA romance I've ever read. Not joking when I say I felt hollow for months when I read the part where they had to be separated at the end of 'The Amber Spyglass'.

Amir and Dafne did a fantastic job. I loved how they gave them more soft moments without cheapening their bond. Throughout the books, their relationship is incredibly delicate and subtly written (they're young after all) and they could have easily made it more obvious and over exaggerated for a Mainstream Audience. You'd think that wouldn't be possible but thats what Moira Walley Beckett did with Anne and Gilbert in 'Anne with an E' (that relationship basically consisted of staring at each other from a distance in that show rather than having a consistent build up)

I read an interview of Amir saying that he and Dafne never really looked at it as a romantic thing. It was more important that Will and Lyra were two friends that get along, and something might happen if it does happen. "When playing the scenes, it was never in the back of my mind" which is the way it should be approached with Lyra and Will because their relationship was not "framed as romantic" by Philip Pullman, it came naturally.

Edit: I wrote this analysis ^^ before my re-read and after re-reading the books I realised that was a bad approach to Lyra and Will's relationship. Even from the start, Lyra and Will's interactions are charged in the books and playing platonic until the finale at the end, is kind of a weird decision.

I personally always saw it as a deep bond between two teenagers, that became physical during the end because of everything they went through. It went beyond the typical romantic duality.

However, If I had to choose which version of their relationship I prefer (the book or the TV Show) I would have to choose the book. Because I felt during the last third, in the finale, that their relationship was a bit compacted like kiss -- you have to choose worlds -- separation. In the book, that part is so dragged out and emotional. Lyra and Will spend ages trying to find loopholes, find that there are none, then both of them get angry and upset. And it’s described that the angel felt their 'sorrows in the air'. In the tv show, I didn't really feel all that because everything was so 'get to the point' - when this is supposed to be a drawn out climax.

Unlike some others, I simultaneously believe that Lyra and Will are each others other half/soulmates. They are the only people in 'His Dark Materials' that can touch each others daemons without it being a violation and they will never love anyone else the way they loved each other. That's basically confirmed in 'The Secret of Commonwealth' (the spin off to 'His Dark Materials) where Lyra states that she still thinks of him every hour and that he’s the centre of her life.

And that their separation made sense.

Even though it was the most heartbreaking thing I ever read and left me hollow inside - its not realistic for them to have a solid relationship at 14 or how ever young they were at that point, especially on top of all their trauma. Also, it’s suggested in the books that everything must go back to the way that it was (closing all the windows) almost saying to the reader, you can't live in a fantasy world forever, you have to go back to the real world and live a full life. It’s like at the end of 'The Lord of the Rings' where Frodo destroys the ring, yet still dies at the end because of everything he went through.

It’s not fair. It’s not right. But thats just how life goes sometimes. Plus it made their ending a lot more memorable and iconic. I've actually gone to their real bench in Oxford and cried.

Although saying that, Philip Pullman has to let them see each other again when they're adults, in the last 'Book of Dust' - at least one last time come on now. But I have a feeling he won't reunite them until they die because he’s a cruel, cruel man.

[ratsalad]

upsetting lack of moira walley-beckett scripts for better call saul

[ysabelle22]

Title: Rediscovering Anne: Moira Walley-Beckett's Unforgettable Masterpiece

Movie: Anne with an E

Created by: Moira Walley-Beckett

Moira Walley-Beckett's remarkable creation, "Anne with an E," stands as a testament to her visionary storytelling and unparalleled ability to breathe new life into beloved narratives. This adaptation of L.M. Montgomery's timeless classic, "Anne of Green Gables," is a unique and captivating journey that captures the hearts of audiences, immersing them in a world of imagination, resilience, and self-discovery.

At the heart of the series is Amybeth McNulty, who delivers a breathtaking performance as the spirited and imaginative Anne Shirley-Cuthbert. McNulty's portrayal is nothing short of extraordinary, infusing Anne with a perfect blend of vulnerability, strength, and relentless determination. Her presence on screen is magnetic, and she effortlessly embodies the essence of the iconic character.

Moira Walley-Beckett's creative vision for "Anne with an E" sets it apart from previous adaptations, infusing the story with a contemporary twist while staying true to its core values. She fearlessly explores darker themes such as trauma, identity, and prejudice, lending the series a depth and complexity that resonates with viewers on a profound level. Walley-Beckett's unyielding commitment to storytelling allows the characters to transcend the pages of the novel, taking on new dimensions and confronting societal issues with grace and authenticity.

Visually, "Anne with an E" is a masterpiece. The cinematography captures the breathtaking landscapes of Prince Edward Island, enveloping the audience in the beauty and tranquility of Green Gables. The attention to detail in the production design and costumes transports viewers to a bygone era, immersing them in the rich tapestry of the story's setting.

The ensemble cast of "Anne with an E" is a true delight. Geraldine James and R.H. Thomson bring Marilla and Matthew Cuthbert to life with exceptional performances that radiate warmth and depth. Their on-screen chemistry with McNulty is palpable, creating authentic and heartfelt connections that tug at the heartstrings.

Moira Walley-Beckett's writing is a testament to her brilliance as a storyteller. The dialogue is exquisitely crafted, striking a delicate balance between wit, poignancy, and profound introspection. She masterfully weaves contemporary themes into the narrative, infusing it with a fresh perspective that resonates with audiences of all ages.

While "Anne with an E" takes artistic liberties with the source material, it does so with a deep respect and understanding of its essence. Purists may initially be taken aback by the departure from the familiar, but upon closer examination, they will discover a unique interpretation that honors the spirit of the original while offering a fresh perspective.

In conclusion, "Anne with an E" is a masterpiece of storytelling, brought to life by Moira Walley-Beckett's unwavering creativity and the exceptional performances of its cast. This adaptation captures the hearts and imaginations of viewers, inviting them to rediscover the timeless tale of Anne Shirley in a new and unforgettable way. With its breathtaking visuals, powerful themes, and outstanding performances, "Anne with an E" stands as a testament to the enduring power of storytelling and the indomitable spirit of its beloved protagonist.

★★★★☆

[mbti-sorted]

Moira Walley-Beckett

Anonymous asked:

Moira Walley-Beckett - ISFJ?

[spryfilm]

DVD review: “Anne with an E: Season One - Three” (2017 - 2019) 

“Anne with an E: Season One – Three” (2017 – 2019)  Television Twenty Seven Episodes Created by: Moira Walley-Beckett based on Anne of Green Gables by Lucy Maud Montgomery Featuring: Amybeth McNulty, Geraldine James, Dalila Bela, Lucas Jade Zumann, Aymeric Jett Montaz, R. H. Thomson,Corrine Koslo, Dalmar Abuzeid, Cory Grüter-Andrew, Joanna Douglas and Ashleigh Stewart Anne: “Girls Can Do…

[tv-moments]

Breaking Bad

Season 4, “Bug”

Director: Terry McDonough

DoP: Michael Slovis

[words-after-midnight]

wip wednesday: what's been the biggest influence on your writing? (hard mode option: name a non-literature source! any tv shows, movies, directors, musicians, etc. you'd consider an influence?)

Hard mode is actually easy mode for me: while I love reading and have since I was a child, my writing is primarily inspired by music. Real events, movies, and TV shows have also been major sources of inspiration to me through the years, but music is - and always has been - number one.

Top musical sources of inspiration for my projects tend to be lyrically and/or atmospherically relevant to the project in question. My basic story ideas don't usually come from the musical sources, but it's common for them to have a major influence on things like tone, atmosphere, storyline development, and character and relationship development.

Top sources of musical inspiration for Life in Black and White are predominantly artists I was listening to while I was drafting (2008-2011), many of whom I still listen to today: Gordon Lightfoot, Mother Mother, Coldplay, Depeche Mode, Sixpence None the Richer's album Divine Discontent, Glass Animals, Elton John, Sarah McLachlan, Regina Spektor, Guns N Roses; the Christmas song "It Came Upon a Midnight Clear, the songs "Bulletproof" by La Roux (pretty much my early 2011 loop song tbh) and "Amid the Falling Snow" by Enya. "Careful You" by TV on the Radio is my main song for the central relationship now, but I only discovered it post-draft, so it's less an influence and more just related. Same goes for "It's All So Incredibly Loud" by Glass Animals. I named Act II after a lyric from Elton John's song "Ballad of the Boy in the Red Shoes," but the song isn't relevant to the story, other than two lines that remind me of it every time I hear the song. I also have a plotline that's based on the songs "Vienna" by Ultravox and "Bad Moon Rising" by CCR (aka the jam of all time).

For The Dotted Line, atmospheric musical inspiration is predominantly from 70s-80s synth, classic rock, and lyricless EDM. Lyrical inspiration sources include "Somebody's Watching Me" (Rockwell), "Welcome to the Jungle" (GNR), and "Midnight Special" (CCR).

Supernova, Velocity in Vain and From the Ashes are all inspired by real-world and/or historical events. Supernova is actually (very) loosely based on historical events (you could say it is, in a sense, a futuristic "retelling" of historical events). Its primary musical influence is Enya.

My main directorial/film influence is John Carpenter (I find you can really see his influence in The Dotted Line), but Vince Gilligan and Moira Walley-Beckett have also influenced and inspired my storytelling in major ways (can you tell Breaking Bad is my favorite show)?

Thanks for the ask!!

[whobobreviewsstuff]

Review: Breaking Bad Season 2 Episode 5 - Breakage (SPOILERS)

S2E5: Breakage

Written by Moira Walley-Beckett

Directed by Johan Renck

So Walt and Jesse are back on track with the cooking. Operation going sideways thanks to two junkies? Hank tossing Tuco's metal teeth? Hank's secret bear shop? All here!

This episode is written by Moira Walley-Beckett whom you already know wrote the most famous Breaking Bad episode of all-time. So how does she start off her Breaking Bad career with this episode? Pretty good I'd say. It isn't as compelling as previous episode was but still there is plenty to love about here.

Like I said, Walt and Jesse get back to cooking and selling meth. Only this time Jesse suggests they can't do the same shit they started off as, now Jesse convinces Walt they should be like Tuco. Have a drug network that will make them more bucks than ever. So this starts off Walt and Jesse taking over the drug business. With Skinny Pete, Badger and Combo as distributors. I like how it starts off nice and easy for them. The montage of Jesse's crew selling drugs is so much fun to watch with nice music. And of course it goes sideways when Skinny Pete gets robbed by two junkies. So we see Walt and Jesse having an argument on how will this effect their business from going forward. I do see both sides' points here, though it is clear Walt is still being greedy and in the end, he lets Jesse he should take care of the problem which we will see in the next episode. Despite Jesse wanting equalitiy in partnership, he still gets none in this episode which is not surprising.

As for what happens to them in their lives, Jesse finally starts to get his shit together. He pays Badger's cousin the money back along with property damage, he gets a new rental house and it's all looking chill.

This episode finally introduces us to Jane who is played by the amazing Krysten Ritter. I knew her in Jessica Jones days (i watched Breaking Bad later on), so seeing her pop up in this show was a pleasant surprise and I really dug her character here. And what role she plays in this season is gonna be interesting to see once again.

As for Walt, tension between him and Skyler still rises. Skyler now smokes cigarettes and Walt is unhappy with it. Thinks it's so unlike her but he hasn't known her for a while. I loved seeing Skyler's struggle play out here. She knows smoking when she is pregnant was wrong, she still did it because of Walt's negligence and she feels ahsmed of it. It's hard to not feel sorry for her in this situation. And we see her confronting Marie on shoplifting once again, only Marie, the person who wronged Skyler this time, make amends with her. Finally comes into realization of what she put her through and she apologizes to her and come forth with the truth. We don't see how it plays out after they make peace but it's clear Marie is actually righting her wrongs with her sister as opposed to Walt doing it for his wife. Really interesting bit, I'll say.

This episode also focuses on Hank who suffers from PTSD thanks to Tuco shoutout. He gets promoted to a special force which should please him but it doesn't. Instead he calls a day off and starts making his own beer. How that played out near the end was suspenseful. Beer bottles popping up sounds just like gun sounds and Hank can't differentitate between the two, so it only creates more stress around him. So he finally gives up Tuco's metal teeth as a sign of him knowing that being a police has its price.

One little scene I loved here that perhaps doesn't get talked much is how Hank tells Flynn criminals are like cockroaches. When you see them, you step on it. But then we see Walt telling Hank what drives those criminals to do these heinous acts. It's clear that Hank doesn't see any good in criminals. He is a cop after all. He doesn't understand the complicated side of crime. Especially when people pull crimes out of desperation. Walt in this episode also feels same. He is unable to afford his medical bills, so he goes back to crime to earn money. It's interesting to see how it plays out here. Walt seeks reasons for being a drug dealer. That scene may not be as flashy as drug selling montage but it is the moment that stood out most to me.

I really had a great time with this episode, despite not feeling it's one of the best episodes of this season. What Moira does next with her episodes later on should be even more interesting.

Grade: 9/10