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#moon marigold
goose-books · 10 months
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3 for Anna and Errans, and also 20 and 21 :3
i meant to remember to answer these before the last day of pride month. and then! anyway,
3. How did your oc discover themself? Did something cause them to question, or did they always know?
(godsong WIP page with links) (for context, anna is god's specialest girl ever and the main character, and she's a transfemme nonbinary lesbian. errans is a minor side character with terrible sideburns and transmasc unswag)
anna grew up in a city where priests have a special gender and pronoun, and she was designated a priest at age 11 by the gods, so her transness started as sort of an occupational thing; she was like, "okay, i'm priestgender," and then progressed to, "wait, i like this gender stuff." you are allowed to be priestgender and also another thing, and getting to explore her presentation at the temple lead to the realization that her Other Thing was womanhood (nonbinary-flavored). more a sister than a woman etc <3
as for the lesbianism, i don't think that was ever a discovery for him; there's no homophobia in ivander and his parents are in a bisexual polycule, so i think he just always knew his future person would be a woman. (i say "person" because ivander doesn't have legal marriage, but there is a religious equivalent if you want to dedicate yourself to someone long-term; otherwise you can just do Whatever. city that is absolutely bursting with gender and fruitiness)
errans i'm less sure about dskhfkdsfkdsnfsd. i know he came out as trans when he was around sixteenish; i think he knew he was bisexual first, and the image coming to me is errans experiencing the "do-i-want-to-date-that-guy-or-be-that-guy" about someone he probably never actually spoke to. i don't get a vibe like he ever loathed being a woman, more so that eventually he just realized he could simply be a man. for free. and was like. "well this is clearly so much more what i'm supposed to be doing"
now i'm thinking about awkward teenage errans and his awkward genvy crushes. god bless him
20. Have your ocs helped you in self discovery? How?
sigh. well i have to tell the story don't i. POV: you are [max], age 12, working on the first iteration of the story that will become TMR (my on-hiatus YA transgender evil-faerie high fantasy). you give the character who will become moon marigold all of your uncomfortable feelings about your body, feelings that are certainly not physical dysphoria because you are cisgender. about a year or so later, you realize that this WIP is full of cishet white people (i have since remedied this), and you should really add some diversity. hey, moon's got weird body feelings! what if you made her genderfluid? that sounds great! you are not thinking at all about where those weird body feelings may have come from or how this may reflect on anything at all.
POV: you are [max], still age 13ish, and you've got a new WIP (it's my also-on-hiatus NA monsters-in-NYC thing). you are going to put a binary transgender person in it. not for any specific reason. you just wanted to. who can say why. certainly not you. anyway you've never done this before and you are a little nervous because how can you, as a cisgender person, accurately represent a trans character? you muse about how to write dysphoria as you dress up for an orchestra concert, in an outfit that is extremely feminine. halfway through, you get derailed by crying real tears about said feminine outfit, because now the boy who sits beside you in the orchestra will know that you are a girl (because your long hair and name clearly couldn't have tipped him off beforehand). could you draw on this experience to describe dysphoria, you wonder? or maybe that other time you cried in the shower? but that's bad and wrong, isn't it? because you're cisgender. so comparing your own... whatever this is... to dysphoria would be an APPROPRIATION of dysphoria! how villainously cis of you! how horrible! you'll have to figure out some other way to write this character.
...anyway. thank you to moon and augustus for that. my kings my brothers in arms. and they BOTH do arson in their respective WIPs, so maybe i have another plot twist in my future?
21. Free ramble card wee
FREE RAMBLE WEE... hmm, well, since i've already touched on it a little in this ask, one of the most interesting things about worldbuilding for godsong is that most of the major settings don't have homophobia/transphobia/misogyny the same way that our world does. (i say most because ambergris is stuck in misogynyville. it's probably fine and i bet she won't get violent.) i honestly didn't think super hard about this; i just wanted to write a high fantasy world where women and nonbinary people and bisexuals and lesbians can hold positions of (sometimes corrupt) power, or where the chosen one can be a transfemme lesbian whose issues aren't transphobia but how to complete her quest.
except then i realized that not having homophobia/transphobia/misogyny invites so many other questions about the social fabric of a society. i mean, the modern legal concept of marriage is rooted pretty solidly in heterosexual relationships wherein women move from one family to another, right? so if gender relations are entirely different, do these places even have marriage? do these places even have gender? this is something i'm still figuring out (and honestly, if anyone has suggestions for media that pokes at this kind of thing, i'd love to hear them!). the two main cities in godsong are ivander (a theocracy) and farria (a democracy with a new revolution every tuesday), and i've been playing around in my head with some of the differences--for example, in ivander, being trans is generally considered holy, because the city's patron god is many-gendered; in farria, being trans is something nobody thinks twice about, because everyone is focused on Just Getting By. in ivander, there are at least three defined genders (man, woman, and priest) which can all overlap. in farria, gender doesn't define social relations so much as a parallel hierarchy of military and/or governmental power--eg, farria's very own neopronouns marc antony isn't afraid of "emasculation" in the gender sense, because xir gender is "if you like me you're gay," but xe's terrified of emasculation (for lack of a better word) in the sense of being seen as weak/submissive. in farria these things are way less connected than they are in our world. i'm still working out a lot of the details, but it's been a lot of fun to think about :3
wow that sure was a free ramble. thank you for the asks rook i love you so much <3
(pride asks!)
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peaceandlove26 · 1 year
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a bunch of robots who work at a fairytale-themed restaurant or theme park or something. whats fnaf
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If anybody wanted to write a crossover between L.M. Montgomery's books, here is a little help with the ages of the characters (@no-where-near-hero maybe it will be a tiny help for your fanfic):
Anne Shirley - born on 5th of March 1865
Gilbert Blythe - born in 1862 or 1863
James Matthew "Jem" Blythe - born in July 1893
Walter Cuthbert Blythe - born in 1894
Anne "Nan" and Diana "Di" Blythe - born in 1896
Shirley Blythe - born in 1888*
Bertha Marilla "Rilla" Blythe - born in 1900*
Gerald "Jerry" Meredith - born 1894
Faith Meredith - born 1895
Una Meredith - born 1896
Thomas Carlyle "Carl" Meredith - born 1897
Jims Anderson - born in August of 1914
Emily Byrd Starr - born on 19th of May 1888
Ilse Burnley - born in 1888 (probably)
Perry Miller - born in 1887
Frederick "Teddy" Kent - 1887 or 1888
Dean Priest - born in 1865
Patricia "Pat" Gardiner - born in 1913
Rachel "Rue" Gardiner - born in 1919
Winnifred "Winnie" Gardiner - born in 1910
Sidney "Sid" Gardiner - born in 1912
Joseph"Joe" Gardiner - born in 1908
Hilary Gordon - born in 1911
Elizabeth "Bets" Wilcox - born in 1913
David Kirk - born around 1893
Jane Stuart - born in May 1918 or 1919
Valancy Stirling* - born 1883**
Barney Snaith - born 1877**
Cecilia "Cissy" - born 1886**
Olive Stirling - born 1884**
Gay Penhallow - born in 1904***
Nan Penhallow - born in 1904***
Roger Dark - born in 1890***
Donna Dark - born between 1894 and 1896***
Virginia Powell - born between 1894 and 1896***
Peter Penhallow - born between 1888 and 1890***
Margaret Penhallow - born 1872***
Brian Dark - born 1916***
Hugh Dark - born in 1887***
Joscelyn Penhallow: born between 1889-1892***
*In both Anne of Ingleside and Rainbow Valley Shirley is two years older than Rilla. But in Rilla of Ingleside, he turns eighteen few months before Rilla... it is pure chaos. Rilla was supposed to be nearly fourteen, according to the RV, in 1914, but she is nearly fifteen in RoI. So I apologize, but I had a lot of trouble here...
**The Blue Castle is the most difficult to place in time. It is set several years before it was published, and in my own opinion: before Tangled Web and Pat of Silver Bush. Why? Because of this reference: "This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid." (The Blue Castle). Bobs were already "in fashion" at the beginning of Pat of Silver Bush (so, in 1919, when Pat was six years old: it was said that Winnie wanted to have her hair bobbed) and in Tangled Web (which is set in 1922). Yet, the cars, motorboats and movie theaters were a rather common occurence in The Blue Castle's times. But... there might be an explanation. Valancy doesn't live on PEI, which might have been a little "behind" the rest of Canada, as far as modern technology went. It is my own personal opinion, but I think that it might be set just before the war, at the same time as the end Emily's Quest. I know that the clothes seem more "modern" in TBC, but Emily wore "a little sport suit" and dress that was described as followed "there was so little of it". Teddy and Perry both had cars, as sone of Ilse's cousins. I would say that the Blue Castle book might be set around 1912-1913. Still, the timeline is extremely elusive. Please, let me know, dear Blue Castle Book Club's members, what is your opinion? I think I have read some amazing discussion about TBC's timeline a long time ago, but if I remember correctly, everyone was certain that this novel was set post WWI (me included, until this very moment when I tried to place Pat and Tangled Web and remembered the "bob" quote). So I choose 1912 as the beginning of TBC, when Valancy was twenty-nine.
*** the ages of characters in Tangled Web:
"They were first cousins, who were born the same day and married the same day,--Donna to her own second cousin, Barry Dark, and Virginia to Edmond Powell--two weeks before they had left for Valcartier. Edmond Powell had died of pneumonia in the training camp, but Barry Dark had his crowded hour of glorious life somewhere in France." (Tangled Web).
"Virginia Powell, whose husband had been dead eight years and who was young and tolerably beautiful" (Tangled Web).
"Valcartier, Quebec was the primary training base for the First Canadian Contingent in 1914."
- from: https://www.warmuseum.ca/firstworldwar/history/going-to-war/canada-enters-the-war/training-at-valcartier/
So, from this I assumed that Virginia's husband died in 1914 (so Tangled Web is set in 1922-23). Gay is 18 at the beginning, so she would be born in 1904. If Donna and Virginia were 18-20 when they got married, they would be 26-28 (so still "young"). at the beginning. Peter was 14 when Donna was 8, so he'd be 32-34 at the beginning of the book (same age or a bit older than Roger). Hugh was 35 at the beginning. I guess Joscelyn was a bit younger- most of LMM's heroines are at least two years younger than their love interest. I'd say she might have been 20-23 when she got married, so she'd be around 30-33 at the beginning of the book. I would say Brian is about six years old - he doesn't seem to attend school yet, but is big enough to be sent to the harbour. Margaret Penhallow was about fifty at the beginning of the book.
So sorry that this post was rather long, but it was a great fun to write (even if it took me A LOT of time). Thank you for reading. Please, let me know if you agree. Any feedback will be very welcome!
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nerdyrevelries · 1 month
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Castles in the Air
I'm extremely excited to announce that the game I've been working on for the past 4 years is coming to Kickstarter! Castles in the Air (CitA) is a tabletop RPG inspired by the novels of Louisa May Alcott and L.M. Montgomery. Players start as children with boundless dreams who will change over the years based on the relationships they form and choices they make. I think it's a really special game, and I'm looking forward to being able to share it with everyone.
For more information or to sign up to be notified when the Kickstarter launches on May 14th, please check out the game's page on the Storybrewers Roleplaying website. If that name sounds familiar, Storybrewers is the company that created Good Society: A Jane Austen RPG. I feel very honored that they reached out to me about publishing Castles in the Air. While Castles in the Air is a standalone game, its mechanics are inspired by Good Society, and if you like Good Society, I think you'll like CitA too as it allows you to tell similarly compelling stories.
I will be creating some blog posts talking about the literary inspirations for different parts of the game in the weeks leading up to the Kickstarter and during its run. I will be using this as a master post to keep track of all of them, so make sure to check back here or follow my blog if you are interested.
Blog Posts
Meg March: The Nurturer
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best-childhood-book · 9 months
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no-where-new-hero · 9 months
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*This is mostly like ,,, who you attached yourself most to when you first read the book, but also if it’s changed overtime, pls tell me about that too! I also want to encourage votes from people who have read more than just AOGG.
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alwayschasingrainbows · 4 months
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Thank you all for voting (I hope this question hasn't been asked yet...).
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astraeaeartsa · 2 years
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Pink sky in Half Moon Bay, CA 🌸 (March 2017)
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sacredjake · 1 year
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add yourself to my taglist! *if you do not have your age in your bio, you will NOT be added as this blog is 18+
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Beautiful- this fic was written for Kay as a secret santa gift. friends to lovers, fluff. (a/n- this fic needs severe editing. i am so sorry. i will get to it)
Champagne and Fireworks- Josh x Reader. Enemies to lovers. A collab with @gold-mines-melting
coming soon
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Moon To Me- Jake x Reader. fluff and pining. WIP- part three coming soon.
Animals- Jake x Reader. smut. one shot.
Fade Into You- Jake x Reader. fluff and angst. one shot.
Heaven & Hell- Jake x Reader. smut.
Carpe Noctem- Jake x Siren!Reader. Fantasy AU, Soulmate AU.
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After Dark- Danny x Reader. smut. one shot.
Fast Times- Biker!Danny x Reader. fluff.
For You- Danny x reader. fluff, written as a birthday gift
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To Be Loved By You- Sam x Reader. angst, drinking, fluff, pining. one shot.
Teach Me- Professor!Sam x 21+ College Student!Reader. series. *discontinued*
Peanut Butter Blossom- Written to Rhi as a secret santa gift. Friends to lovers, fluff.
additional links:
about me
my main blog
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thebluespacecow · 2 months
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I am thinking up a new dc oc.....hmmmmm...yes...i am pondering.....(<- said guy with 3 dc ocs, a bit more than 5 marvel ocs, who fucking knows how many self contained ocs and 3 bnha ocs)
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💚Feeling green today~.💚
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A tribute to the cats of Montgomery's books.
Part 1. Anne Shirley (later: Blythe).
Rusty-the cat (the fighter):
"The animal was well past kitten-hood, lank, thin, disreputable looking. Pieces of both ears were lacking, one eye was temporarily out of repair, and one jowl ludicrously swollen. As for color, if a once black cat had been well and thoroughly singed the result would have resembled the hue of this waif’s thin, draggled, unsightly fur." (Anne of The Island).
"But, like Kipling’s cat, he “walked by himself.” His paw was against every cat, and every cat’s paw against him. One by one he vanquished the aristocratic felines of Spofford Avenue. As for human beings, he loved Anne and Anne alone. Nobody else even dared stroke him. An angry spit and something that sounded much like very improper language greeted any one who did.
“The airs that cat puts on are perfectly intolerable,” declared Stella." (Anne of The Island).
(He does get better looking though! He's said to become "plum and sleek" and his eyes heal!).
A fighter,
Independent,
Daring,
A survivor of an attempt of "chlorophorm murder".
Joseph-the-cat (a big fat softie that could fight if needed):
"Joseph, as the disgusted Stella said, looked like a walking rag-bag. It was impossible to say what his ground color was. His legs were white with black spots on them. His back was gray with a huge patch of yellow on one side and a black patch on the other. His tail was yellow with a gray tip. One ear was black and one yellow. A black patch over one eye gave him a fearfully rakish look. In reality he was meek and inoffensive, of a sociable disposition. In one respect, if in no other, Joseph was like a lily of the field. He toiled not neither did he spin or catch mice. Yet Solomon in all his glory slept not on softer cushions, or feasted more fully on fat things." (Anne of The Island).
"But Joseph rashly sat up and yawned. Rusty, burning to avenge his disgrace, swooped down upon him. Joseph, pacific by nature, could fight upon occasion and fight well. The result was a series of drawn battles. Every day Rusty and Joseph fought at sight. Anne took Rusty’s part and detested Joseph. Stella was in despair. But Aunt Jamesina only laughed." (Anne of The Island).
Joseph-with-a-coat-of-many-colors,
soft bean,
non-offensive,
sweet,
meek and gentle,
could fight if needed.
Sarah-the-cat (dignified queen):
"Sarah-cat gravely sat herself down before the fire and proceeded to wash her face. She was a large, sleek, gray-and-white cat, with an enormous dignity which was not at all impaired by any consciousness of her plebian origin. She had been given to Aunt Jamesina by her washerwoman.
“Her name was Sarah, so my husband always called puss the Sarah-cat,” explained Aunt Jamesina. “She is eight years old, and a remarkable mouser. Don’t worry, Stella. The Sarah-cat never fights and Joseph rarely.” (Anne of The Island).
"Rusty lowered his head, uttered a fearful shriek of hatred and defiance, and launched himself at the Sarah-cat.
The stately animal had stopped washing her face and was looking at him curiously. She met his onslaught with one contemptuous sweep of her capable paw. Rusty went rolling helplessly over on the rug; he picked himself up dazedly. What sort of a cat was this who had boxed his ears? He looked dubiously at the Sarah-cat. Would he or would he not? The Sarah-cat deliberately turned her back on him and resumed her toilet operations. Rusty decided that he would not. He never did. From that time on the Sarah-cat ruled the roost. Rusty never again interfered with her." (Anne of The Island).
Dignified,
Queenly,
Aloof,
A remarkable mouser,
Proud,
Ruler of the Patty's Place.
Such a queen.
Shrimp (best-family-cat):
"He seems to have recovered nicely from it," said Anne, stroking the glossy black-and-white curves of a contented pussy with huge jowls, purring on a chair in the firelight. [...] As for the Shrimp, Gilbert had called him that a year ago when Nan had brought the miserable, scrawny kitten home from the village where some boys had been torturing it, and the name clung, though it was very inappropriate now." (Anne of Ingleside).
Loves people,
good with children,
likes sleeping curled up with a member of his human family,
forgiving,
patient,
a little ray of sunshine.
Pussywillow (a little lady of the night sky):
"The Shrimp basked in the glow and Nan's kitten, Pussywillow, which always suggested some dainty exquisite little lady in black and silver, climbed everybody's legs impartially. "Two cats, and mouse tracks everywhere in the pantry," was Susan's disapproving parenthesis." (Anne of Ingleside).
Pretty,
Black and silver like a night sky,
Purring,
Dainty,
Sweet.
Jack Frost (a girl in hiding):
"Four years previously Rilla Blythe had had a treasured darling of a kitten, white as snow, with a saucy black tip to its tail, which she called Jack Frost. Susan disliked Jack Frost, though she could not or would not give any valid reason therefor.
"Take my word for it, Mrs. Dr. dear," she was wont to say ominously, "that cat will come to no good."
"But why do you think so?" Mrs. Blythe would ask.
"I do not think—I know," was all the answer Susan would vouchsafe.
With the rest of the Ingleside folk Jack Frost was a favourite; he was so very clean and well groomed, and never allowed a spot or stain to be seen on his beautiful white suit; he had endearing ways of purring and snuggling; he was scrupulously honest.
And then a domestic tragedy took place at Ingleside. Jack Frost had kittens!" (Rilla of Ingleside).
White and beautiful,
Clean and well-groomed,
Endearing,
Lovely,
Snuggler and purrer,
Mother of Dr. Jekyll and Mr. Hyde,
"Diabolical" cat according to Susan.
Dr. Jekyll and Mr. Hyde (a cat suffering from bipolar disorder):
"In his Dr. Jekyll mood the cat was a drowsy, affectionate, domestic, cushion-loving puss, who liked petting [...] When the Mr. Hyde mood came upon him—which it invariably did before rain, or wind—he was a wild thing with changed eyes. The transformation always came suddenly. He would spring fiercely from a reverie with a savage snarl and bite at any restraining or caressing hand. His fur seemed to grow darker and his eyes gleamed with a diabolical light. There was really an unearthly beauty about him." (Rilla of Ingleside).
Orange and handsome,
Either sweet, purring, soft and cute, either dangerous and scary,
Possesed (?),
Some kind of mental illness (?),
A kitten of Jack Snow,
Called Goldie in his kittenhood,
Renamed by Walter.
Part 2. Emily Starr.
Mike the First (the fluffiest softie) and Saucy Sal (a badass girl):
"Mike had such a cute way of sitting up on his haunches and catching the bits in his paws, and Saucy Sal had her trick of touching Emily’s ankle with an almost human touch when her turn was too long in coming. Emily loved them both, but Mike was her favourite. He was a handsome, dark-grey cat with huge owl-like eyes, and he was so soft and fat and fluffy. Sal was always thin; no amount of feeding put any flesh on her bones. Emily liked her, but never cared to cuddle or stroke her because of her thinness. Yet there was a sort of weird beauty about her that appealed to Emily. She was grey-and-white—very white and very sleek, with a long, pointed face, very long ears and very green eyes. She was a redoubtable fighter, and strange cats were vanquished in one round. The fearless little spitfire would even attack dogs and rout them utterly." (Emily of New Moon).
Mike: soft, cute, fluffy, darling, handsome, purring, fat, cuddly.
Saucy Sal: a badass, fighter, brave, daring, sleek, green-eyed, gorgeous.
Smoke (the Aristo-cat):
"Smoke was a big Maltese and an aristocrat from the tip of his nose to the tip of his tail. There was no doubt whatever that he belonged to the cat caste of Vere de Vere. He had emerald eyes and a coat of plush. The only white thing about him was an adorable dicky." (Emily of New Moon).
Aristocrat,
Dignified,
Member of cat caste of Vere de Vere,
Eyes like jewels,
Dignified,
Beautiful.
Buttercup (a tiny cat-cherub):
"Buttercup was a chubby, yellow, delightful creature hardly out of kittenhood." (Emily of New Moon).
Delightful,
yellow ball of fluff,
cute,
small bean,
adorable.
Mike the Second (a cute furry grey demon of the night):
"Emily’s furry kitten, Mike II, frisked and scampered about like a small, charming demon of the night; the fire glowed with beautiful redness and allure through the gloom; there were nice whispery sounds everywhere. [...] (Emily of New Moon).
A gift from Old Kelly,
Cute, furry,
Charming, plump,
Fluffy,
Rescued by Emily,
A forever kitten,
Gone too soon.
Daffodil - Daff - Daffy (a life-long friend):
“The kitten was a delicate bit of striped greyness that reminded Emily of her dear lost Mikes. And it smelled so nice—of warmth and clean furriness, with whiffs of the clover hay where Saucy Sal had made her mother-nest." (Emily of New Moon).
"Daff," said Emily wearily, "you're the only thing in the world that stays put." (Emily's Quest).
"Don't you wish—or do you!—Daff, that you and I had been born sensible creatures, alive to the superior advantages of Quebec heaters!"(Emily's Quest).
Fluffy,
Grey,
Cute,
Nice,
Adorable,
Emily's friend and companion of her lonely years,
Snored loudly in his sleep during his later years,
Followed Emily everywhere,
My personal favourite.
Part 3. Pat Gardiner
Gentleman Tom (an immortal cat):
"Gentleman Tom sat beside Pat, on the one step from the landing into Judy's room, blinking at her with insolent green eyes, whose very expression would have sent Judy to the stake a few hundred years ago. A big, lanky cat who always looked as if he had a great many secret troubles; continually thin in spite of Judy's partial coddling; a black cat . . . "the blackest black cat I iver did be seeing." For a time he had been nameless. Judy held it wasn't lucky to name a baste that had just "come." Who knew what might be offended? So the black grimalkin was called Judy's Cat, with a capital, until one day Sid referred to it as "Gentleman Tom," and Gentleman Tom he was from that time forth, even Judy surrendering. Pat was fond of all cats, but her fondness for Gentleman Tom was tempered with awe." (Pat of Silver Bush).
Ageless,
Troubled,
Mysterious,
Fascinating,
Full of personality.
Bold-and-Bad (a mad-cat ball of energy):
'"Bold-and-Bad", the kitten of the summer, came flying across the yard to her. Pat picked him up and squeezed some purrs out of him. No matter what dreadful things happened at least there were still cats in the world."
"Even Bold-and-Bad, whom ordinarily nothing could subdue, crouched with an apologetic air under the stove."
"Sure and I will, Patsy darlint. Ye nadn't be fretting over Bold-and-Bad. He's living up to his name ivery minute of the day, slaping on the Poet's bed and getting rolled up in me shate of fly-paper. Sure and ye niver saw a madder cat." (Pat of Silver Bush).
Full of energy,
Mischievious,
Living up to his name,
Bold,
Bad-but-adorable,
Brave,
Unstoppable,
Always young.
Part 4. Valancy Stirling:
Banjo (a devilish philosopher):
"Banjo is a big, enchanting, grey devil-cat. Striped, of course. I don’t care a hang for any cat that hasn’t stripes. I never knew a cat who could swear as genteelly and effectively as Banjo. His only fault is that he snores horribly when he is asleep." (The Blue Castle).
Grey devil cat,
has his own chair,
rules his kingdom of Barney's hut,
a graceful swearer,
dignified,
Good Luck (a wistful philosopher):
"Luck is a dainty little cat. Always looking wistfully at you, as if he wanted to tell you something. Maybe he will pull it off sometime. Once in a thousand years, you know, one cat is allowed to speak. My cats are philosophers—neither of them ever cries over spilt milk." (The Blue Castle).
Dainty,
Wistfull,
Charming,
Enchanting,
Clever,
Interesting.
Part 5. Jane Stuart
Two Peters (little cuties):
"The Snowbeams told Jane their cat had kittens and she could have one. Jane went down to choose. There were four and the poor lean old mother cat was so proud and happy. Jane picked a black one with a pansy face—a really pansy face, so dark and velvety, with round golden eyes. She named it Peter on the spot. Then the Jimmy Johns, not to be outdone, brought over a kitten also. But this kitten was already named Peter and the Ella twin wept frantically over the idea of anybody changing it. So dad suggested calling them First Peter and Second Peter—which Mrs Snowbeam thought was sacrilegious. Second Peter was a dainty thing in black and silver, with a soft white breast. Both Peters slept at the foot of Jane's bed and swarmed over dad the minute he sat down."
"First Peter was sitting on the doorstone when Jane came downstairs, with a big mouse in his mouth, very proud of his prowess as a hunter." (Jane of Lantern Hill).
Cute,
Soft,
Adorable,
Lil hunters.
Silver Penny (small but mighty):
"Ding-dong had brought her a kitten to replace Second Peter...a scrap about as big as its mother's paw but which was destined to be a magnificent cat in black with four white paws. Jane and dad tried out all kinds of names on it before they went to bed and finally agreed on Silver Penny because of the round white spot between its ears." (Jane of Lantern Hill).
Beautiful,
Magnificent,
Adorable.
Part 6. Marigold Lesley
Lucifer and Witch of Endor (a devilish married couple):
"Of course the cats were present at the festivity also. Lucifer and the Witch of Endor. Both of black velvet with great round eyes. Cloud of Spruce was noted for its breed of black cats with topaz-hued eyes. Its kittens were not scattered broadcast but given away with due discrimination. Lucifer was Old Grandmother's favourite. A remote, subtle cat. An inscrutable cat so full of mystery that it fairly oozed out of him. The Witch of Endor became her name but compared to Lucifer she was commonplace." (Magic for Marigold).
Gorgeous,
Soulful,
Fascinating,
Witchy,
Subtle,
Almost human-like,
Clever.
Part 7. Kilmeny of The Orchard.
Timothy-The-Cat (Sir Timothy - the real head of the family):
"They have no living children, but Old Bob has a black cat which is his especial pride and darling. The name of this animal is Timothy and as such he must always be called and referred to. Never, as you value Robert’s good opinion, let him hear you speaking of his pet as ‘the cat,’ or even as ‘Tim.’ You will never be forgiven and he will not consider you a fit person to have charge of the school."
"The other end of the bench was occupied by Timothy, sleek and complacent, with a snowy breast and white paws. After old Robert had taken a mouthful of anything he gave a piece to Timothy, who ate it daintily and purred resonant gratitude." (Kilmeny of The Orchard).
Dignified,
With Royal airs,
Sleek,
Black,
Stunning,
A family member,
A family pride and joy.
I love how every cat has its own little personality!
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memehex · 7 months
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gradienty · 1 year
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Marigold Yellow Moon Glow (#fcec78 to #f5fee5)
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no-where-new-hero · 9 months
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my poll era has begun. pls tell me your choices in the tags, bonus points if you choose a lmm companion to live there with and why
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