#the blue castle

[petaltexturedskies]

L.M. Montgomery, from "The Blue Castle"

[e-louise-bates]

"December ... Days of clear brilliance. Evenings that were like cups of glamor--the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises ... Moonlight on birches in a silver thaw ... Great silences, austere and searching."

-LM Montgomery, The Blue Castle

[whenthegoldrays]

Barney Snaith is now the blueprint

[maud-heroine]

December ... Days of clear brilliance. Evenings that were like cups of glamor--the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises ... Moonlight on birches in a silver thaw ... Great silences, austere and searching.

L. M. Montgomery, The Blue Castle

[lizzy-bonnet]

What I can't cope with, OK, is L.M. Montgomery's use of bedrooms as a site of both autonomy and belonging. When Emily arrives at New Moon, she has to share the bed with Aunt Elizabeth and feels she is in bed with a griffon but when she moves into Juliet's old bedroom in the "lookout" she is overcome with the sense of nearness to her mother as well as having true space and freedom for the first time at New Moon. Later, she loses a lot of this sense of place and independence moving into Aunt Ruth's spare room where she doesn't have to share a bed, but can't even choose the pictures hanging on the walls - at the same time she loses her freedom to write fiction. Jane hates her bedroom at 60 Gay Street, finding it "hostile and vindictive" - in many ways just like Grandmother Kennedy, but at Lantern Hill, her father lets her choose everything that goes into her bedroom and she is allowed self expression. Her friends give her gifts to furnish it, as emblems of their love for her. Like Jane, Valancy has no control over the furnishings in her room, from the painted floor to the tacky artwork to the dingy and unwelcoming furniture, but she's so constrained that her only rebellion is to throw the jar of potpourri out the window because she's "sick of the fragrance of dead things". To have a sense of self, she imagines a magnificent castle as an escape and is delighted to find Barney's house is just as good a place to be who she wants to be - free from her family, making her own choices. Anne, upon marking the first anniversary of coming to Green Gables, reflects on the garrett room and finds it "as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine." Before Green Gables her life was probably a mix of dormitories and makeshift beds in attics that she couldn't change, in versions of her life with no freedom or affection. THEIR BEDROOMS ARE SYMBOLS FOR THEIR LIVES OK. When their rooms are controlled by others, their inner/emotional/creative lives are constrained. When they have their own rooms, they have autonomoy, they choose furniture, they have freedom, they have themselves, they have love, they have me gnawing armchairs about it.

Also funny that both Valancy and Emily are tormented at various times by inescapable portraits of queens - I do wonder if LM had one in her home that no one would let her take down.

[volumes-and-vines]

there seems to be all over the woods an abundance, not of color, but the spirit of color

L M Montgomery ~ The Blue Castle

[thesweetnessofspring]

The Blue Castle by frivolousdistinction on DeviantArt

[the-moral-of-the-rose]

If anybody wanted to write a crossover between L.M. Montgomery's books, here is a little help with the ages of the characters (@no-where-near-hero maybe it will be a tiny help for your fanfic):

Anne Shirley - born on 5th of March 1865

Gilbert Blythe - born in 1862 or 1863

James Matthew "Jem" Blythe - born in July 1893

Walter Cuthbert Blythe - born in 1894

Anne "Nan" and Diana "Di" Blythe - born in 1896

Shirley Blythe - born in 1888*

Bertha Marilla "Rilla" Blythe - born in 1900*

Gerald "Jerry" Meredith - born 1894

Faith Meredith - born 1895

Una Meredith - born 1896

Thomas Carlyle "Carl" Meredith - born 1897

Jims Anderson - born in August of 1914

Emily Byrd Starr - born on 19th of May 1888

Ilse Burnley - born in 1888 (probably)

Perry Miller - born in 1887

Frederick "Teddy" Kent - 1887 or 1888

Dean Priest - born in 1865

Patricia "Pat" Gardiner - born in 1913

Rachel "Rue" Gardiner - born in 1919

Winnifred "Winnie" Gardiner - born in 1910

Sidney "Sid" Gardiner - born in 1912

Joseph"Joe" Gardiner - born in 1908

Hilary Gordon - born in 1911

Elizabeth "Bets" Wilcox - born in 1913

David Kirk - born around 1893

Jane Stuart - born in May 1918 or 1919

Valancy Stirling* - born 1883**

Barney Snaith - born 1877**

Cecilia "Cissy" - born 1886**

Olive Stirling - born 1884**

Gay Penhallow - born in 1904***

Nan Penhallow - born in 1904***

Roger Dark - born in 1890***

Donna Dark - born between 1894 and 1896***

Virginia Powell - born between 1894 and 1896***

Peter Penhallow - born between 1888 and 1890***

Margaret Penhallow - born 1872***

Brian Dark - born 1916***

Hugh Dark - born in 1887***

Joscelyn Penhallow: born between 1889-1892***

*In both Anne of Ingleside and Rainbow Valley Shirley is two years older than Rilla. But in Rilla of Ingleside, he turns eighteen few months before Rilla... it is pure chaos. Rilla was supposed to be nearly fourteen, according to the RV, in 1914, but she is nearly fifteen in RoI. So I apologize, but I had a lot of trouble here...

**The Blue Castle is the most difficult to place in time. It is set several years before it was published, and in my own opinion: before Tangled Web and Pat of Silver Bush. Why? Because of this reference: "This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid." (The Blue Castle). Bobs were already "in fashion" at the beginning of Pat of Silver Bush (so, in 1919, when Pat was six years old: it was said that Winnie wanted to have her hair bobbed) and in Tangled Web (which is set in 1922). Yet, the cars, motorboats and movie theaters were a rather common occurence in The Blue Castle's times. But... there might be an explanation. Valancy doesn't live on PEI, which might have been a little "behind" the rest of Canada, as far as modern technology went. It is my own personal opinion, but I think that it might be set just before the war, at the same time as the end Emily's Quest. I know that the clothes seem more "modern" in TBC, but Emily wore "a little sport suit" and dress that was described as followed "there was so little of it". Teddy and Perry both had cars, as sone of Ilse's cousins. I would say that the Blue Castle book might be set around 1912-1913. Still, the timeline is extremely elusive. Please, let me know, dear Blue Castle Book Club's members, what is your opinion? I think I have read some amazing discussion about TBC's timeline a long time ago, but if I remember correctly, everyone was certain that this novel was set post WWI (me included, until this very moment when I tried to place Pat and Tangled Web and remembered the "bob" quote). So I choose 1912 as the beginning of TBC, when Valancy was twenty-nine.

*** the ages of characters in Tangled Web:

"They were first cousins, who were born the same day and married the same day,--Donna to her own second cousin, Barry Dark, and Virginia to Edmond Powell--two weeks before they had left for Valcartier. Edmond Powell had died of pneumonia in the training camp, but Barry Dark had his crowded hour of glorious life somewhere in France." (Tangled Web).

"Virginia Powell, whose husband had been dead eight years and who was young and tolerably beautiful" (Tangled Web).

"Valcartier, Quebec was the primary training base for the First Canadian Contingent in 1914."

- from: https://www.warmuseum.ca/firstworldwar/history/going-to-war/canada-enters-the-war/training-at-valcartier/

So, from this I assumed that Virginia's husband died in 1914 (so Tangled Web is set in 1922-23). Gay is 18 at the beginning, so she would be born in 1904. If Donna and Virginia were 18-20 when they got married, they would be 26-28 (so still "young"). at the beginning. Peter was 14 when Donna was 8, so he'd be 32-34 at the beginning of the book (same age or a bit older than Roger). Hugh was 35 at the beginning. I guess Joscelyn was a bit younger- most of LMM's heroines are at least two years younger than their love interest. I'd say she might have been 20-23 when she got married, so she'd be around 30-33 at the beginning of the book. I would say Brian is about six years old - he doesn't seem to attend school yet, but is big enough to be sent to the harbour. Margaret Penhallow was about fifty at the beginning of the book.

So sorry that this post was rather long, but it was a great fun to write (even if it took me A LOT of time). Thank you for reading. Please, let me know if you agree. Any feedback will be very welcome!

[fictionadventurer]

My latest dream job: Starting a film company that makes adaptations of the less-popular books by famous authors. Those series where the first book has a jillion adaptations and the later books have none at all? We're just adapting the later books. The author's got one super popular book with a jillion adaptations even though their best book has a small but devoted fanbase that is dying for just one film? We're adapting the obscure gems.

We're starting with The Blue Castle, Rilla of Ingleside, and The Magician's Nephew. All never-adapted stories that can stand alone so we don't have to adapt the popular books for it to make sense.

[batrachised]

Passages from The Blue Castle: Sex and the Revisionist Fairy Tale that I found interesting

[petaltexturedskies]

But now she loved winter. Winter was beautiful "up back"—almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour—the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrise. Lovely ferns of ice all over the windows of the blue castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings-torn, twisted, fantastic shadows. The sun suddenly breaking through grey clouds over long, white mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revelation and wonder.

Lucy Maud Montgomery, from "The Blue Castle"

[afflictedgirls]

i love the names that lmm gave to the cats in her books. saucy sal? banjo and good luck? lucifer and the witch of endor? first peter and second peter? all excellent cat names, every last one of them.

[alwayschasingrainbows]

My little quest to find the most iconic dresses for Montgomery's girls.

None of the pictures is mine. They are all from Pinterest. They may be historically inaccurate. They are also not ideal :).

Valancy Stirling:

"She got a pretty green crêpe dress with a girdle of crimson beads, at a bargain sale, a pair of silk stockings, to match, and a little crinkled green hat with a crimson rose in it." (The Blue Castle).

"She had a little smoke-blue chiffon which she always put on when they spent the evening at home—smoke-blue with touches of silver about it." (The Blue Castle).

My idea of what Valancy's (borrowed) masquerade dress MIGHT have looked like.

"Once they did go to a masquerade dance in the pavilion at one of the hotels up the lake, and had a glorious evening, but slipped away in their canoe, before unmasking time, back to the Blue Castle." (The Blue Castle).

Emily Byrd Starr

On the left: "It is to be of shot silk, blue in one light, silver in others, like a twilight sky, glimpsed through a frosted window-pane—with a bit of lace-foam here and there, like those little feathers of snow clinging to my window-pane." (Emily Climbs)

On the right: "An arrow of rhinestones in her dark hair—she had hair that wore jewels well—lent the necessary note of brilliance to the new dress of silvery-green lace over a pale-blue slip that became her so well." (Emily's Quest).

On the left: "it was a pretty crepe thing, of a pinkish-grey—the shade, I think, which was then called ashes-of-roses—and was made collarless—a great concession on Elizabeth's part—with the big puffed sleeves that look very absurd to-day, but which, like every other fashion, were pretty and piquant when worn by the youth and beauty of their time." (Emily Climbs).

On the right: "I want you to wear harebell blue gauze over ivory taffeta for your bridesmaid dress, darling" (Emily's Quest).

Anne Shirley:

"Oh, how pretty it was—a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves—they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon." (Anne of Green Gables).

"In her light dress, with her slender delicacy, she made him think of a white iris." (Anne of Island).

Rilla Blythe

"Miss Oliver, shall I wear my white dress tonight or my new green one? The green one is by far the prettier, of course, but I'm almost afraid to wear it to a shore dance for fear something will happen to it." (Rilla of Ingleside).

Pat Gardiner:

On the right: "Pat slipped into the house and flung a bright-hued scarf over her brown dress with its neck-frill of pleated pink chiffon. She always thought she looked nicer in that dress than any other." (Pat of Silver Bush).

On the left: "Pat had on her blue linen afternoon dress...which, incidentally, was the most becoming thing she owned."(Pat of Silver Bush).

And bonus:

Robin Stuart

"She wore a dress of pale yellow taffeta, with a great rose of deeper yellow velvet at one of her beautiful shoulders. Jane thought she looked like a lovely golden princess, with the slender flame of the diamond bracelet on the creamy satin of her arm."(Jane of Lantern Hill).

"[M]other came in to kiss her good night, cool, slim and fragrant, in a dress of rose crêpe with little wisps of lace over the shoulders. Mother's blue eyes seemed to mist a little."(Jane of Lantern Hill).

"She wore a green dress the first time I saw her...well, if any other girl had worn the dress, it would have been a green dress and nothing more. On Robin it was magic ...mystery...the robe of Titania. I would have kissed the hem of it." (Jane of Lantern Hill).

Another bonus (because her style is so iconic):

Ilse Burnley

"Ilse in a yellow silk gown the colour of her hair and a golden-brown hat the colour of her eyes, giving you the sensation that a gorgeous golden rose was at large in the garden." (Emily's Quest).

"Ilse, a glorified shining creature in torquoise-blue taffeta, looking the queen with a foam of laces on her full bosom and rose-and-silver nosegays at her shoulder." (Emily's Quest).

Hope you enjoyed this little compilation:) Feel free to add more ideas!

[whenthegoldrays]

It's hilarious to me how a lot of The Blue Castle is spent hinting at a Big Plot Twist/Reveal, and as the reader you're excited to see whether your theory is correct and what Valancy's reaction to it will be, but once the reveal comes, so much insanity has happened to her in the last 24 hours that when she does find out she's just like "okay, this might as well happen I guess"

[noteworthynotions]

“If you can sit in silence with a person for half an hour and yet be entirely comfortable, you and that person can be friends.”

L. M. Montgomery, The Blue Castle

[sailforvalinor]

L.M. Alcott writing Rose in Bloom 🤝 L.M. Montgomery writing The Blue Castle

Writing a novel very obscure as compared to their popular works with couples that are so overtly Eros and Psyche-coded that you just want to lay facedown on the floor and sob into your carpet. (Also, having the same first two initials)