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steponremix91 · 2 years
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Last Resort (1996) dir. Lyman Dayton
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wumblr · 2 years
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new lissie album is good... having a real experience making myself breakfast in my man's apartment while he's at work. listening to radio-ready adult alternative from a guitarist whose debut album i liked ten years ago. in indiana. i... haven't told my mom yet. that i'm engaged. it's been a few days and he does not seem to be changing his mind about saying yes. and... it's so much more than i expected. i don't know what i was expecting. it was crazy to do this and it feels like the most worthwhile thing i've ever done
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hostilehospitalbeds · 2 years
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Top Albums of 2022 40. Lissie - Carving Canyons Favorite Tracks: Sad, Flowers (feat. Bre Kennedy), Unravel, I Hate This, Carving Canyons (feat. Kate York and Sarah Buxton), Lonesome Wine (feat. Morgan Nagler) https://www.instagram.com/p/Cl4ixBRp_3Q/?igshid=NGJjMDIxMWI=
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overlooked-tracks · 2 years
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Madeline Edwards Signs With Warner Music Nashville
The following article has been posted on October 13, 2022 at 10:17PM:
An Overlooked Tracks News Finding: Here’s an article you might have overlooked. Having a partnership with NewsAPI, we try to catch music entertainment news for you to view, read and possibly enjoy. We will continue to find what’s available in the world of music entertainment, concert information and music releases. But obviously you – the listener and reader are the biggest source for news in your area, so if you can share with us. For right now, look at what we found for you:
“From The Billboard Magazine Website – Madeline Edwards Signs With Warner Music Nashville”
Edwards’ upcoming album, Crashlanded, will release Nov. 4.
Madeline Edwards
  Singer-songwriter Madeline Edwards has signed a record deal with Warner Music Nashville, the company tells Billboard. The label will release her upcoming full-length project, Crashlanded, on Nov. 4.
“I’m very excited for this new venture with Warner and having a partner coming alongside that respects and sees my vision for the music,” says Edwards. “We’re about to go to the moon and it feels surreal.”
“Our team first met Madeline over Zoom and had no idea then what a force of nature and musical powerhouse she would be when we finally saw her in front of a crowd,” said WMN co-president Cris Lacy. “Her depth of character and her unique perspective is exactly what our genre needs right now.”
“Madeline is one of the most undeniable talents we’ve ever had the privilege of working with,” added WMN co-president Ben Kline. “I’m happy to welcome her into our label family and help amplify this incredible body of work.”
The deal marks the latest career-building milestone for Edwards, who earlier this year inked a publishing agreement with Sony Music Publishing Nashville and released her eponymous EP in June. She’s also been opening shows on Chris Stapleton‘s All-American Road Show Tour and made her Grand Ole Opry debut on Aug. 13.
Edwards is a member of the inaugural class of the 12-month Equal Access Development program, established by CMT and mtheory to provide access and training for Black, Native and Indigenous, Latino, LGBTQ+ and female artists and managers within the country music industry.
Today, Edwards releases the first song from Crashlanded, “Too Much of a Good Thing,” which she co-wrote with Ian Christian and Trannie Anderson. Edwards wrote the song the day after she found out she would be opening shows for Stapleton.
Madeline Edwards, ‘Crashlanded”Thomas Crabtree
“This song is everything I have felt over the last couple years and how grateful I feel for all of it,” says Edwards, who adds that Crashlanded is a perfect name for her upcoming project.
“Becoming a stronger person often means doing the hard thing and thinking differently than other people,” she says. “It can feel lonely and isolating, and oftentimes make you feel like an alien on your own planet. This album was my means of processing that and inviting the listener in to process it as well in hopes that not only I would come out of it a stronger person, but also my listeners as well.”
She adds, “This particular album may have been in the works over the last couple years, but for me to get to this point and put out this kind of body of work has taken almost a lifetime. I’m very excited for everyone to hear the stories, the musical influences, the time and the experience that has brought me to this moment. Crashlanded feels like my child.”
See the tracklist for Crashlanded below:
“Crashlanded” (Madeline Edwards, Seth Mosley, Emily Weisband)
“Spurs” (Madeline Edwards, Oscar Charles, Jessie Jo Dillon, Ryan Tyndell, Laura Veltz)
“Mama, Dolly, Jesus” (Madeline Edwards, Jessie Jo Dillon, Jimmy Robbins, Laura Veltz)
“The Biggest Wheel” (Madeline Edwards, Morgan Nagler, Rob Persaud)
“Forehead Kisses” (Madeline Edwards, Emily Landis, Jamie Moore)
“The Wolves” (Madeline Edwards, Emma-Lee Doty, Gavin Slat)
“How Strong I Am” (Madeline Edwards, Ross Copperman, Kate York)
“Hold My Horses” (Madeline Edwards, Klare Essad, Joy Hanna)
“Playground” (Madeline Edwards, Luke Dick, Laura Veltz)
“Heavy” (Madeline Edwards, Luke Dick, Jessie Jo Dillon, Laura Veltz)
“Why I’m Calling” (Madeline Edwards, Trannie Anderson, Seth Mosley)
“Too Much of a Good Thing” (Madeline Edwards, Trannie Anderson, Ian Christian)
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and can be found on the Overlooked Tracks website: https://ift.tt/MNcaIgw. Check out more music news from Overlooked Tracks! Music Headline News, country, Music Releases
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nofatclips-home · 3 years
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Life Savings by Cursive - Video by  Matt Hewitt
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nofatclips · 6 years
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Spacewoman by The Breeders from the album All Nerve - Director: Richard Ayoade
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launderground · 6 years
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JENNY LEWIS : ON THE LINE ONLINE (LIVESTREAM)
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in-love-with-movies · 7 years
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Evolution (USA, 2001)
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mrjeremydylan · 7 years
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My Favorite Album #222 - Whispertown on Sugar Pie DeSanto ‘Down in the Basement: The Chess Years’
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The core of the dreamy, ethereal LA outfit Whispertown, frontwoman and songwriter Morgan Nagler and guitarist/producer Jake Bellows, on the inspiration of soul legend Sugar Pie Desanto - how the Californian raised singer-songwriter carved out her space in the Chess Records R&B empire, why this is the best record to put on at any party, how Morgan would’ve handled operating in the early 60s and the way Jake transformed the conventional understanding of a rhythm section on the new Whispertown LP.
Listen in the player above or download the episode by clicking here.
Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss
My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.
If you’ve got any feedback or suggestions, drop us a line at [email protected].
LINKS
- Whispertown on Twitter, Facebook, Instagram and iTunes.
- Buy ‘Down in the Basement’ here.
- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.
- Like the podcast on Facebook here.
- If you dig the show, please leave a rating or review of the show on iTunes here.
CHECK OUT OUR OTHER EPISODES
221. Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966) 220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. 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Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. 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Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan
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bluebuzzmusic · 4 years
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Women Rule the Night at 2021 GRAMMY Awards [WINNERS LIST]
The 2021 Grammy Awards winners are in…
Women ruled the ceremony as Beyoncé and Taylor Swift had record-breaking nights, Billie Eilish and H.E.R. took home awards in top categories, and Megan Thee Stallion won Best New Artist.
Bey made history by earning her 28th Grammy, becoming the most-awarded woman ever. Most notably, her Juneteenth release “Black Parade” brought home Best R&B Performance. She also won Best Rap Performance and Best Rap Song for her “Savage” remix with Megan Thee Stallion and Best Music Video for “Brown Skin Girl.”
Meanwhile, Swift became the first woman to win Album of the Year three times with her eighth studio album Folklore. She was nominated in five other categories.
Kaytranada swept dance categories, winning Best Dance Recording for “10%” featuring Kali Uchis. The DJ/producer also won Best Dance/Electronic Album for his second studio album Bubba.
Imanbek‘s “Roses” remix for SAINt JHN earned him Best Remixed Recording.
Congrats to all winners and nominees in all categories. See below and peep the full list here.
2021 Grammy Awards Winners
Record of the Year “Black Parade,” Beyoncé “Colors,” Black Pumas “Rockstar,” DaBaby Featuring Roddy Ricch “Say So,” Doja Cat “Everything I Wanted,” Billie Eilish — WINNER “Don’t Start Now,”Dua Lipa “Circles,” Post Malone “Savage,” Megan Thee Stallion Featuring Beyoncé
Album of the Year Chilombo, Jhené Aiko Black Pumas (Deluxe Edition), Black Pumas Everyday Life, Coldplay Djesse Vol. 3, Jacob Collier Women In Music Pt. III, Haim Future Nostalgia, Dua Lipa Hollywood’s Bleeding, Post Malone Folklore, Taylor Swift — WINNER
Song of the Year “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé) “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch) “Cardigan,” Aaron Dessner & Taylor Swift, songwriters (Taylor Swift) “Circles,” Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone) “Don’t Start Now,” Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa) “Everything I Wanted,” Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) “I Can’t Breathe,” Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.) — WINNER “If The World Was Ending,” Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)
Best New Artist Ingrid Andress Phoebe Bridgers Chika Noah Cyrus D Smoke Doja Cat Kaytranada Megan Thee Stallion — WINNER
Best Pop Solo Performance “Yummy,” Justin Bieber “Say So,” Doja Cat “Everything I Wanted,” Billie Eilish “Don’t Start Now,” Dua Lipa “Watermelon Sugar,” Harry Styles — WINNER “Cardigan,” Taylor Swift
Best Pop Duo/Group Performance “Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny & Tainy “Intentions,” Justin Bieber Featuring Quavo “Dynamite,” BTS “Rain On Me,” Lady Gaga with Ariana Grande — WINNER “Exile,” Taylor Swift Featuring Bon Iver
Best Pop Vocal Album Changes, Justin Bieber Chromatica, Lady Gaga Future Nostalgia, Dua Lipa — WINNER Fine Line, Harry Styles Folklore, Taylor Swift
Best Dance Recording “On My Mind,” Diplo & Sidepiece “My High,” Disclosure Featuring Amine & Slowthai “The Difference,” Flume Featuring Toro y Moi “Both of Us,” Jayda G “10%,” Kaytranada Featuring Kali Uchis — WINNER
Best Dance/Electronic Album Kick I, Arca Planet’s Mad, Baauer Energy, Disclosure Bubba, Kaytranada — WINNER Good Faith, Madeon
Best Rock Performance “Shameika,” Fiona Apple — WINNER “Not,” Big Thief “Kyoto,” Phoebe Bridgers “The Steps,” Haim “Stay High,” Brittany Howard “Daylight,” Grace Potter
Best Metal Performance “Bum-Rush,” Body Count — WINNER “Underneath,” Code Orange “The In-Between,” In This Moment “Bloodmoney,” Poppy “Executioner’s Tax (Swing of the Axe) — Live,” Power Trip
Best Rock Song “Kyoto,” Phoebe Bridgers, Morgan Nagler & Marshall Vore, songwriters (Phoebe Bridgers) “Lost in Yesterday,” Kevin Parker, songwriter (Tame Impala) “Not,” Adrianne Lenker, songwriter (Big Thief) “Shameika,” Fiona Apple, songwriter (Fiona Apple) “Stay High,” Brittany Howard, songwriter (Brittany Howard) — WINNER
Best Rock Album A Hero’s Death, Fontaines D.C. Kiwanuka, Michael Kiwanuka Daylight, Grace Potter Sound & Fury, Sturgill Simpson The New Abnormal, The Strokes — WINNER
Best Alternative Music Album Fetch the Bolt Cutters, Fiona Apple — WINNER Hyperspace, Beck Punisher, Phoebe Bridgers Jaime, Brittany Howard The Slow Rush, Tame Impala
Best R&B Performance “Lightning & Thunder,” Jhene Aiko Featuring John Legend “Black Parade,” Beyoncé — WINNER “All I Need,” Jacob Collier Featuring Mahalia & Ty Dolla $ign “Goat Head,” Brittany Howard “See Me,” Emily King
Best Traditional R&B Performance “Sit on Down,” The Baylor Project Featuring Jean Baylor & Marcus Baylor “Wonder What She Thinks of Me,” Chloe X Halle “Let Me Go,” Mykal Kilgore “Anything For You,” Ledisi — WINNER “Distance,” Yebba
Best R&B Song “Better Than I Imagine,” Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello) — WINNER “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé) “Collide,” Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar & Benedetto Rotondi, songwriters (Tiana Major9 & EARTHGANG) “Do It,” Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monet, Scott Storche & Vincent Van Den Ende, songwriters (Chloe X Halle) “Slow Down,” Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)
Best Progressive R&B Album Chilombo, Jhené Aiko Ungodly Hour, Chloe X Halle Free Nationals, Free Nationals F*** Yo Feelings, Robert Glasper It Is What It Is, Thundercat — WINNER
Best R&B Album Happy 2 Be Here, Ant Clemons Take Time, Giveon To Feel Love/d, Luke James Bigger Love, John Legend — WINNER All Rise, Gregory Porter
Best Rap Performance “Deep Reverence,” Big Sean Featuring Nipsey Hussle “Bop,” DaBaby “What’s Poppin,” Jack Harlow “The Bigger Picture,” Lil Baby “Savage,” Megan Thee Stallion Featuring Beyoncé — WINNER “Dior,” Pop Smoke
Best Melodic Rap Performance “Rockstar,” DaBaby Featuring Roddy Ricch “Laugh Now, Cry Later,” Drake Featuring Lil Durk “Lockdown,” Anderson .Paak — WINNER “The Box,” Roddy Ricch “Highest in the Room,” Travis Scott
Best Rap Song “The Bigger Picture,” Dominique Jones, Noah Pettigrew & Rai’shaun Williams, songwriters (Lil Baby) “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch) “Laugh Now, Cry Later,” Durk Banks, Roget Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk) “Rockstar,” Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch) “Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé) — WINNER
Best Rap Album Black Habits, D Smoke Alfredo, Freddie Gibbs & The Alchemist A Written Testimony, Jay Electronica King’s Disease, Nas — WINNER The Allegory, Royce Da 5’9″
Best Country Solo Performance “Stick That in Your Country Song,” Eric Church “Who You Thought I Was,” Brandy Clark “When My Amy Prays,” Vince Gill — WINNER “Black Like Me,” Mickey Guyton “Bluebird,” Miranda Lambert
Best Country Duo/Group Performance “All Night,” Brothers Osborne “10,000 Hours,” Dan + Shay & Justin Bieber — WINNER “Ocean,” Lady A “Sugar Coat,” Little Big Town “Some People Do,” Old Dominion
Best Country Song “Bluebird,” Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert) “The Bones,” Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris) “Crowded Table,” Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen) — WINNER “More Hearts Than Mine,” Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress) “Some People Do,” Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)
Best Country Album Lady Like, Ingrid Andress Your Life Is a Record, Brandy Clark Wildcard, Miranda Lambert — WINNER Nightfall, Little Big Town Never Will, Ashley McBryde
Producer of the Year, Non-Classical Jack Antonoff Dan Auerbach Dave Cobb Flying Lotus Andrew Watt — WINNER
Best Remixed Recording “Do You Ever (Rac Mix),” Rac, remixer (Phil Good) “Imaginary Friends (Morgan Page Remix),” Morgan Page, remixer (Deadmau5) “Praying For You (Louie Vega Main Remix),” Louie Vega, remixer (Jasper Street Co.) “Roses (Imanbek Remix),” Imanbek Zeikenov, remixer (SAINt JHN) — WINNER “Young & Alive (Bazzi vs. Haywyre Remix),” Haywyre, remixer (Bazzi)
Best Music Video “Brown Skin Girl,” Beyoncé — WINNER “Life Is Good,” Future Featuring Drake “Lockdown,” Anderson .Paak “Adore You,” Harry Styles, “Goliath,” Woodkid
Best Music Film Beastie Boys Story, Beastie Boys Black Is King, Beyoncé We Are Freestyle Love Supreme, Freestyle Love Supreme Linda Ronstadt: The Sound of My Voice, Linda Ronstadt — WINNER That Little Ol’ Band From Texas, ZZ Top
  Source: Billboard | Photo courtesy of Coachella
This article was first published on Your EDM. Source: Women Rule the Night at 2021 GRAMMY Awards [WINNERS LIST]
source https://www.youredm.com/2021/03/15/2021-grammy-awards-winners-list/
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steponremix91 · 2 years
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Last Resort (1996) dir. Lyman Dayton
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nsrecovery2022 · 2 years
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Addiction, sobriety and self‑medication are running themes throughout On the Line. There are references to red wine, weed, grenadine, heroin, bourbon, Paxil, Marlboros, cognac, Candy Crush and, on the song “Party Clown,” a hallucinogenic Fuji apple. “Somehow I think the worst one of them all is Candy Crush,” Lewis says with a grin. “My mom started taking heroin when I was two or three, probably. So, growing up like that, there’s a realization that nothing is for free, and everything catches up with you — if you try to numb out, eventually you’re gonna have to face whatever it is you’re running away from.” She pauses. “I don’t have any judgment about it. Even with my mom: She did whatever she had to do, and she wasn’t able to kick it. Most people don’t make it out of heroin addiction. I don’t really blame her for it.”
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In person, Lewis’ temperament is one of constant cheer. She radiates positivity, takes bong rips in her kitchen, says “dope” and “vibe” often. This sunny disposition is occasionally punctuated by looks of deep, welling concern for others—as if she is on the brink of tears for humanity. Still, she calls herself a “total skeptic,” and tells me that show business trained her, early on, to master the art of getting along. “I didn’t ever wanna be one of the dicks on set—like in a family situation, where one person can really fuck up Thanksgiving,” she says, before veering into more existential territory. “We all know we’re careening towards the end of humanity. I just wanna do my work and hang out with my people.”
I ask Lewis where she thinks her optimism comes from, and she just says “survival.” This summarizes an equation of emotional resilience that more women than not are tasked with solving young. “Jenny has basically been on her own her entire life,” says her best friend, the musician Morgan Nagler. “She’s the definition of buoyant.”
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Harmony Tividad, of Girlpool, was 12 the first time she heard Rilo Kiley, and calls Execution’s “The Good That Won’t Come Out” one of her favorite songs of all time. “That song is more like a diary entry, and vulnerable in this way that feels like a secret,” Tividad says. The unvarnished album opener peaks with Lewis speak-singing, “You say I choose sadness, that it never once has chosen me/Maybe you’re right.”
“I was a really emotional, awkward young person and felt kind of socially trapped,” Tividad, now 23, reflects. “I was a freak. And that song is about exploring all of this stuff inside of yourself that you can’t really show people. It’s about isolation, which I have felt a lot. This music was a soundtrack to that recalibration of personhood. It was very integral in me developing a sense of self.”
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“I’m in my 40s and something has shifted,” she says, when I ask what she does these days to help herself through. “Maybe you’re more aware of your own mortality, and have the balls to walk away from things, and be untethered, and do the reflection and the hard work—getting your ass out of bed and walking a couple miles, going to the gym, talking to a therapist.”
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kaltmamsell · 3 years
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Kim Deal and Morgan Nagler 'The Root' Official Video
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lonelysbuxlover · 7 years
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All she wanted for Christmas at 4 was: Taylor Swift, Jenny Lewis, Morgan Nagler and Elvis. Just a dream line up, no big deal-- can you swing that, @taylorswift ? Girl has been waiting half a decade for me to fulfill her Christmas wishes. 
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michaeldaigle · 5 years
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Kirkus Review campaign for THE RED HAND
Kirkus Reviews has a campaign in support of THE RED HAND, the fourth Frank Nagler Mystery, including a feature profile:
  The link: https://www.kirkusreviews.com/news-and-features/articles/michael-stephen-daigle/.
  From the profile, written by Rhett Morgan: “Daigle paints such a convincing picture because in all the small cities where he worked, he saw former economic powerhouses slowly fading…
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koolwebsites · 7 years
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Morgan Burnett's exit clears the way for the Packers' young safeties
Morgan Burnett's exit clears the way for the Packers' young safeties
CLOSE Aaron Nagler speaks to Matt Miller of Bleacher Report to get an idea of who the Packers could potentially be looking at to help at cornerback during next month’s NFL draft. (March 20, 2018) USA TODAY NETWORK-Wisconsin Green Bay Packers strong safety Josh Jones (27) emerges from the pile with the intercepted ball in overtime against the Cleveland Browns on Dec. 10, 2017 at FirstEnergy…
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