#mostly due to no public photographs of Danny

[bluerosefox]

Family Resemblance

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I had another 11pm brain worm.

Enjoy

-x-x-

Daniel Wayne, the younger toddler brother of Bruce Wayne and the son of Martha and Thomas Wayne had been kidnapped the night their parents were murdered.

Daniel had been snagged the moment their killer heard people headed to the alley and Bruce in his state of shock didn't realize it until it was far to late and could only scream in horror (from everything) as his baby brother is crying his name. (If you wanna make it even more heart wrenching, make it Danny's first time being able to say Bruce's name right and/or Bruce had said some mean things to Danny earlier after he accidentally broke something of Bruce's, something like 'I wish youd go away' or 'I never wanted a brother, you're such a bother!')

Bruce is being held by Alfred as some police officers are chasing down the Wayne's parents killer while some stay behind to see if they could do something.

Minutes turn to hours and as they wait, praying the police at least found Danny, Bruce is ridden with guilt. From his parents death to allowing his brother to be kidnapped.

Eventually the police return to give Alfred and Bruce the news. And it's not good.

The killer escaped and Danny was nowhere to be found.

And it would take many years before he would be found.

-x-x-

Bruce gets a call from Damian during school hours one day. When he answers he is greeted with Damian demanding him to get to the school and explain himself.

Confused Bruce asks what does he mean and Damian responds with

"The two new students in class today are the spitting images of you and I father! Either they are poorly created clones or you have more hidden blood children!"

-x-x-

Meanwhile the very students being discussed are calling up someone too

"Ellie? Dan? What's wrong? You better not have made too much chaos already, I just paid for the uniforms for that place."

"DAD! I THINK ANOTHER ONE OF THE FRUITLOOPS FAILED CLONES SOMEHOW SURVIVED!"

"What?"

[dystopiamonster]

The Supreme Regiment: Girls

(Left to right) Handpicked by the king to serve the Royal Army

Triniva Casella {leader of the Phantom Division}

Personality: leader, sweet, caring, mother figure: to the girls, serious during battle

Power:  Enhanced Gunmanship, Enhanced Accuracy, Hand to Hand Combat, 

- child soldier

- Childhood Friends: Sanna and Nadow 

- Gunslinger Queen

- has a self proclaimed sister: Kura Casella

she found her when she destroy her town 

For some reason she didn’t have the heart to kill her, so she brought her with her

she had always wanted a little sister 

Celeste Fette {leader of the Public Relations Division}

Personality:  loves the Stars, Spoiled Sweet, trying to get Lily out of her protective shell, 

Powers: Brains and Brawl, Strategist, Enhanced Whipmanship,  Electrical Immunity,  Electricity Manipulation, Electrokinetic Combat

- Childhood friend: Kendra 

- really good friends with Lily

- has a Maid/ Bodyguard: Vega

- has a Knight in Shining Armor: Leon  

- has a cat name Blu

Mavily Twilligear {leader of the Recreation Division}

Personality: insane, huge sweet tooth, Lovable Alpha Bitch, 

Power:  Ability Creation, 

- has a older sister 

has a sister complex 

- comes from a rich family 

she love to read mythology book as a kid

her family’s curse: every female member would suffer from insanity while the males would suffer from a mental illness 

when she becomes insane, only her sister could clam her 

- she created The Forsaken 

refers to them as her creations

they were all church members when she recreate them

got her ideas from the myth she read as a kid

Kendra Airavata  {leader of the Siege Division} 

- lesbian 

- Personality: Great affection for Celeste (since they were kids), badass adorable, crush filter, covert pervert: only towards Celes,  proper lady [bake, knit, etc], she will do anything to protect Celes and (later on) Lily, caring towards her friends especially Lily, scary when mad, polite to others, wild imagination, confident of her body, not interested in males, ridding anyone (mostly Bidlos and Leon) who stand between her opportunity to impress Celeste, loving

- Used to be in Daemons before joining The Supreme Regiment

Personality back when she was in the Deamons: emotionless face, didn’t care about anyone or anything, dangerous when provoke, secluded from everyone expect Renji (due to same interest: Homosexuality) and Maresa

Power:  Water Manipulation, Hand-to-Hand Combat, Enhanced Flexibility, Hydrokinetic Claws, 

- Celeste’s Childhood Best Friend

Celes was the only friend Kendra have ever had as a child

 - Single-Target Sexuality: Celeste

- The Rivals: Bidlos and Leon

- Everyone Can See It that Kendra is in love with Celes, except Celes

Sanna Satoh {Leader of the Information Division}

Personality:  hurt one of her friends you will enter the world of hell, badass adorable, The Matchmaker,  love to tease other people especially the girls in the team, 

Power: Demon Soul, Poison Immune 

- child soldier

- known as She-Devil

- Playing with Syringes: was experiment on to make into a demon

- Childhood Best Friends: Triniva and Nadow 

- The Rival: Maresa  

Lily Cunningham {Leader of the Medical Division}

- Personality: emotionless, Stepford Snarker, not good with people: abandonment & trust issue,  Ditzy Genius, Cloudcuckoolander, clingy jealous girl, Pervert Revenge Mode: usually Zyan and Xavier  

Power: photographic memory, child prodigy: medical,  really great at gymnastics, Fundamental Forces Manipulation

- Danni’s “wife”

her surname: Lily Elfdream

- supports Homosexuality

- When She Smiles: everyone ,expect Sezaya, believes that her smile is so beautiful that they want to see it again. Other people experience an increase in their affection for her 

everyone considers her a precious cinnamon roll who must be protected 

- Childhood Friend: Danni 

- Matricide

she couldn’t take the abuse anymore that she snap

use a poison that slowly killed her mother 

Withholding the Cure 

the poison she use couldn’t be trace back to her 

- was taken in by Shade: along with Danni and Tika 

Dessert Bounty Hunter/ Desert Bandits

Taught Lily: Combat and Medical 

- Desert Bandits

Lily had always thought that she didn’t need anyone but Danni  

She was wanted for: Illegal Experimenting, Murder, Stealing important medical documents/ medicines/ drugs

- Reformed Criminal 

- has a cat: Cana 

- Forgotten First Meeting: Xavier 

[nofomoartworld]

Hyperallergic: Saving the Art and Home of Mary Nohl, Whose Neighbors Called Her a Witch

Mary Nohl at her lake cottage environment (1994) (photo by Ron Byers, courtesy John Michael Kohler Arts Center)

FOX POINT, Wisconsin — Mary Nohl knew what some of the neighbors thought of her house. It was unlike any home in the Milwaukee suburb, with colossal concrete heads looming between the slender trees, driftwood sculptures adorning the colorful siding, and wooden cut-outs of boats and fish decorating the garage. For 50 years, Nohl constantly tinkered with the art, adding lattices of concrete faces and glass that caught the light, wind chimes in the trees, and whimsical mosaic creatures. She called herself simply “a woman who likes tools.” However, to many suspicious of this single woman toiling away at her eclectic cottage on the Lake Michigan shore, she was the “Witch of Fox Point.” So, on her front steps, she embedded in pebbles the greeting: “BOO.”

“She lived the myth making,” artist Alex Gartelmann, who is now living in and restoring Nohl’s house, said as we stepped inside. “And she was above it all.” While the interior of the house in Fox Point, Wisconsin, is now mostly empty as the Mary Nohl’s Art Environment has been undergoing a restoration project since 2015, there are traces of the dense art that filled it from floor to ceiling. Stained glass covers the windows (“Almost all doors and windows once had stained glass,” Gartlemann explained), skeletons made from chicken bones hover on the kitchen cabinets, and along the fireplace in the living room, a snake chases an apple.

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

On the floor of the living room, wooden fish in various sizes and conditions were arranged from large to small. Gartlemann is examining which can be restored and returned to the house, and which will need to be recreated. Nohl nailed the originals on the walls; the reinstallation will use a hanging system so pieces can be removed without damage. The process is part of an ongoing effort to return the home to what it looked like around 1998, when Nohl was still active and the art was at its peak. The exterior was recently repainted, drainage in the lawn improved, and windows have been replaced. Light now streams into the living room through a new picture window, with the deep blue of Lake Michigan visible through the overgrown trees. Once, the room had a direct view to the water. Years of trespassing and vandalism led Nohl to put up a chain-link fence topped with barbed wire, and the plants were allowed to grow.

Nohl’s living room is currently on view at the John Michael Kohler Arts Center (JMKAC) in Sheboygan, Wisconsin, which manages the art environment and is overseeing its restoration (Gartlemann is the JMKAC exhibitions project coordinator). The site was left by Nohl to the Kohler Foundation, and in 2012 was gifted to JMKAC. On one wall in the JMKAC exhibition, across from the buoyant assemblage of midcentury furniture, mobiles made from painted eggs, and a hanging horse rider formed from wire, is a panorama of Lake Michigan.

Installation view of Mary Nohl’s living room in Greetings and Salutations and Boo at the John Michael Kohler Arts Center (photo by the author for Hyperallergic)

Called “Frozen Blue” (2017), the collage photograph is by Cecelia Condit, one of many artists who have received grants through the Greater Milwaukee Foundation’s Nohl Fund. When Mary Nohl passed away in December of 2001 at the age of 87, she left $11.3 million dollars — her whole estate — for the support of local arts. Condit’s photograph returns that sprawling lake view to her living room, and it also reflects how Nohl was far from an “outsider” artist, and that she cared deeply about the place where she was born and died. From the concrete sculptures made from beach sand, to the nautical themes of the wood cut-outs, the subjects were as site-specific as the work itself.

The living room is the centerpiece of Greetings and Salutations and Boo: Mary Nohl + Catherine Morris, an exhibition that’s part of the JMKAC’s 2017 The Road Less Traveled celebrating the museum’s 50th anniversary. Each of the 15 rotating shows focuses on a different art environment, with a contemporary creator, scholar, or thinker engaging with the work in a new way. JMKAC curator Karen Patterson approached Catherine Morris, curator for the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art, to organize selections of Nohl’s art. Nohl studied at the School of the Art Institute of Chicago, and was multidisciplinary in her practice, working on a small-scale with silver and stone jewelry, up to a towering “Stickman” sculpture. She had a modernist experimentation in her use of industrial materials like metal and cement, and she delved into ceramics, paintings, and lithographs. She even wrote a graphic novel called “Danny the Diver,” inspired by her brother Max who was a salvage diver.

Installation view of Mary Nohl’s living room in Greetings and Salutations and Boo at the John Michael Kohler Arts Center (photo by the author for Hyperallergic) tk

Mary Nohl Lake Cottage Environment in Fox Point, Wisconsin (living room detail) (2003) (photo by Jason Engelhardt, courtesy John Michael Kohler Arts Center)

“In the history of art in the 20th century, what little success or critical attention women artists received was often inexplicably constructed around personal narratives,” Morris states in an exhibition text. “Biography seemed to be the primary means critics, curators, or dealers had for talking about the work of women artists; these same reductive methodological tools just didn’t get applied to male artists of the same period.” Morris notes how, for example, Frida Kahlo’s medical trauma is frequently highlighted in discussing her work; Jackson Pollock’s alcoholism is not. “These undermining narratives sometimes calcify into fables and myths of witchcraft,” Morris adds. “And, as the history of ‘witchiness’ teaches us, rather than confirming any actual threat of danger, the designation is an invitation to persecution and ostracism.”

As Patterson told me as we walked through the exhibition, “Mary needed a new interpretation, and certainly someone from a feminist lens.” She noted the feminist argument that “the personal is political,” and that although Nohl mainly worked from home (aside from a brief stint managing a commercial pottery studio), this does not mean her art was not a statement of independence and vision. Nohl was serious about her work, whether it was making an Easter Island-esque head topped with a mosaic crown, or a richly colored painting of abstracted forms. Her concrete creations of fish sitting on benches and people with sun-shaped heads turned to the sky appear joyously spontaneous. Descend into the basement of the house, and it’s evident how much her art developed before she started to work outside. Two murals survive — her earliest work in the house — and they are strikingly different from the art environment. Two people dance naked alongside one entryway, their bodies defined unlike the amorphous figures of the later cut-outs; flanking an adjacent portal are an eerie cloaked skeleton and a woman-like being with razor-sharp teeth.

The basement murals in Mary Nohl’s house (photo by the author for Hyperallergic)

The basement murals in Mary Nohl’s house (photo by the author for Hyperallergic)

In 2014, as Debra Brehmer reported for Hyperallergic, there was a plan to relocate Nohl’s home to Sheboygan County, where JMKAC is based. By 2015, that idea was reversed due to the logistical challenges and risk to the art. Instead, the aim is to restore and preserve the environment in situ, including stabilizing the outdoor sculptures, and getting local zoning changes for an artist residency. However, concerns about traffic on the quiet street and disruptive crowds have made the Fox Point community bristle in the past at any regular public access. So JMKAC has made efforts to invite visitors into Nohl’s world through their exhibitions. In 2016, Of Heart and Home: Mary Nohl’s Art Environment featured a wall of her studio with over 100 tools. JMKAC’s Art Preserve,  planned to open in 2020 in Sheboygan, will include her work in a permanent collections facility that will double as a place to study art environments and their preservation. The current Greetings and Salutations and Boo includes a diverse cross-section of her art, with paintings, sculptures, and the white fence of faces in profile that bordered her property. That is, before the chain-link fence.

In one case at JMKAC is a stack of diaries from five years of Nohl’s life, in which she meticulously recorded her diet, exercise, and art making. One entry reads: “Removed a pane of glass on the north side of the house, and made a round rifle hole in a wood panel, and I use blanks and it sounds just as loud as the war in Vietnam on TV.” Nohl may have laughed off being the “witch” of the community, but there was a real fear for her safety in this nonconformity. Slowly JMKAC is finding a balance between saving her creations and harmonizing with the affluent Milwaukee suburb, where Nohl’s house stands out on Fox Point’s Beach Drive as much as ever among the neat lawns and big homes.

“People will hopefully both be supportive and question the ideas of what they though it was,” Patterson said. Gartlemann added that it’s “a slow process of winning hearts and minds.” He said that anytime he’s outside painting or working on conservation, there are always curious passersby. Overwhelmingly, it’s not people asking about the witch legends, like if the statues are trespassers turned to stone. They’re wondering when they can come inside.

“BOO” on Mary Nohl’s front steps (photo by the author for Hyperallergic)

Mary Nohl Lake Cottage Environment in Fox Point, Wisconsin (living room detail) (1997), with Nohl and others in her cottage living room (courtesy John Michael Kohler Arts Center)

Fireplace in Mary Nohl’s living room (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

View to Lake Michigan from the second floor of Mary Nohl’s house (photo by the author for Hyperallergic)

Grave marker for Mary Nohl’s dog in her art environment (photo by the author for Hyperallergic)

Stained glass on the windows in Mary Nohl’s home (photo by the author for Hyperallergic)

Chicken bone sculptures in Mary Nohl’s kitchen (photo by the author for Hyperallergic)

View from the second floor of Mary Nohl’s house (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s Art Environment in Fox Point, Wisconsin (photo by the author for Hyperallergic)

Mary Nohl’s living room in her house (photo by the author for Hyperallergic)

Art by Mary Nohl being restored in her living room (photo by the author for Hyperallergic)

A recently conserved fountain by Mary Nohl (photo by the author for Hyperallergic)

Installation view of Mary Nohl’s living room in Greetings and Salutations and Boo at the John Michael Kohler Arts Center (photo by the author for Hyperallergic)

Installation view of Mary Nohl’s living room in Greetings and Salutations and Boo at the John Michael Kohler Arts Center (photo by the author for Hyperallergic)

Installation view of Mary Nohl’s living room in Greetings and Salutations and Boo at the John Michael Kohler Arts Center (photo by the author for Hyperallergic)

Greetings and Salutations and Boo: Mary Nohl + Catherine Morris continues at the John Michael Kohler Arts Center (608 New York Avenue, Sheboygan, Wisconsin) through August 20. 

The post Saving the Art and Home of Mary Nohl, Whose Neighbors Called Her a Witch appeared first on Hyperallergic.

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