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Golden Triangle Tour India - Discover Incredible India's Cultural Heritage

Every traveler who visits India leaves with a powerful and lasting impression. India has a lengthy history and vibrant cultural traditions. It is a kaleidoscope of nature, architectural wonders, varied flavors, and ideologies of a diverse population that will overwhelm your senses and provide you with an unforgettable vacation experience as you explore the country in depth. The circuit provides a fantastically varied introduction of the country's cultures and traditions. For those who want to learn more about India, the serene holy sites, architectural splendors, and lively street life provide as an introduction. Check out the blog for more information on the Golden Triangle Tour India.

Why is it named the Golden Triangle Tour India?

The three most visited places to visit in northwest India, Delhi, Agra, and Jaipur, are known as the "Golden Triangle Tour." All three cities are well-connected by road and rail. Each of them is 200-250 miles apart, forming an imagined triangle on the map. This fictitious triangle has been nicknamed 'golden' due to the wealth of cultural and historical splendors present in each of the three towns. By selecting this Golden Triangle Tourism Circuit, you will be able to enjoy the wonderful India's rich cultural legacy.

Why Should You Go On A Golden Triangle Tour In India?

Here are numerous reasons to take a Golden Triangle Tour 3 Days. Among them are:

Culture: Throughout the year, you will be able to attend a variety of fairs and festivals celebrating diverse customs in India. The country widely celebrates many festivals including as Holi, Diwali, Teej, Kite, and many more, particularly in the Golden Triangle Circuit.

Architecture: People believe that if you want to learn about a country's history, start with its architecture. India is one of the world's countries with a particularly rich architectural diversity. You might be astonished to learn that the Golden Triangle Circuit has 25% of all UNESCO World Heritage Sites.

Spirituality: Finding a tranquil and peaceful place to enlighten one's spirit is one of the main motivations for visitors to India. Because India is the cradle of many religions, including Hinduism, Jainism, Buddhism, and others, there are several sacred sites where spirituality can provide a new direction in life. You can cover Golden Triangle Tour 03 to 08 Days so if you have short time you can cover in 03 Days Delhi, Agra & Jaipur.

VISITING PLACES IN DELHI

Qutab Minar | Humayun's Tomb | Jama Masjid | Red Fort | India Gate | President House | Parliament House | Lotus Temple | Raj Ghat | Akshardham Temple | Guruwara Shri Bangla Sahib | Chandni Chowk.

VISITING PLACES IN AGRA Taj Mahal | Agra fort | Itimad ud Daula(Baby Taj) | Mehtab Bagh(Garden) | Fatehpur Sikri.

VISITING PLACES IN JAIPUR Amer fort | City Palace | Jal Mahal (water Palace) | Hawa Mahal (Palace of the winds) | Jantar Mantar (observatory) | Panna Meena ka Kund | Albert Hall Museum | Jawahar Circle (Patrika Gate).

Detail Itinerary - Golden Triangle Tour 3 Days Duration : 02 Nights / 03 Days Destinations : Delhi - Agra - Jaipur – Delhi

Day 01 Delhi Arrival - Agra (210 Kms) Pick-up at the Delhi airport. After that, go on a sightseeing tour of Old and New Delhi. You will first tour Old Delhi, visiting the Jama Masjid, Chandni Chowk, Red Fort, and taking a Rickshaw ride. Following our exploration of Old Delhi, we will have a little lunch break. You will next continue your tour of New Delhi by visiting India Gate, the Humayun Tomb, the Lotus Temple, the Qutub Minar, and Parliament House. Visiting in both Old and New Delhi ends here. You'll now continue on your way to Agra. We'll take the quickest motorway route to Agra. Agra will take roughly 3 hours to reach. Check into your hotel and stay the night when you arrive.

Day 02: Agra – Fatehpur Sikri – Jaipur (250 Kms) Around 6:00 a.m., your driver and guide will arrive at your hotel. The Taj Mahal will then be visible at sunrise. Explore the Taj Mahal's amazing grandeur at sunrise and capture some stunning shots. It is possible to spend up to three hours exploring the monument. You'll be returning to the hotel. After breakfast, you will go on a tour of Agra Fort before checking out. Agra Fort can be explored for up to an hour. Continue on your way to Jaipur. On the way to Jaipur, you'll pass through Fatehpur-Sikri, an abandoned city that was once the capital of the Mughal Empire. Following that, you will continue your journey to Jaipur. Take a break for lunch in between. When you get in Jaipur, check into your hotel and spend the night.

Day 03: Jaipur – Delhi (250 Kms) Your driver and guide will meet you at the hotel after breakfast and check-out and take you on a sightseeing tour of Jaipur. The schedule includes visits to Amber Fort, Elephant Ride, Jal Mahal, Hawa Mahal, City Palace, Jantar Mantar, and Patrika Gate. After you've finished visiting, have a lunch break. After lunch, you will return to Delhi. It could take up to 4 hours, and you'll arrive in Delhi around 8-9 p.m. When you arrive in Delhi, your driver will meet you and transport you to your hotel or the airport. Take This 3 Days Golden Triangle Tour And Have An Experience Of A Lifetime.

Other Golden Triangle Tour Packages you might be interested

Golden Triangle Tour 4 Days

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Golden Triangle Tour With Amritsar

Golden Triangle Tour With Haridwar

Golden Triangle Tour With Ranthambore

Golden Triangle Tour With Udaipur

Golden Triangle Tour With Varanasi

Golden Triangle Tour With Rajasthan

Delhi Agra Trip

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They dealt with all of the above. Ringo was treated as a joke for pretty much everything, especially since this was the era of prog rock. His personal life was also tabloid fodder. George was derided as being a dour spiritual nut who was out of touch. He along w/ Ringo didn't get the respect he deserved as a guitarist bc his style wasn't in at the time & people knew little about his role in The Beatles. All credit went to Lennon/McCartney. 1/2

John had the benefit of having the rebel genius image, but even he became a source of ridicule with all the stunts he pulled with Yoko and the way his career declined after Imagine. He wasn't deified to the degree he was in the 80s. I'm not trying to say Paul never had a hard time, but the way this fandom talks as if he is the only one who faced extreme criticism or disrespect just tells me they haven't looked much into the other Beatles' lives. The man is more admired than most musicians. 2/2

(IDK if this screenshotted anons were from the same person or not, but I’ll just answer them in this one since it’s all the same subject.)

Here’s what I think is valid, as I see it: Paul fans are upset by the way his music was treated by the music press, especially in the first few years of the 70s, while the music of the other three were generally given at least the benefit of the doubt. They’re not upset about the tabloid gossip, the purely personal stuff – they are upset, specifically and with good reason, at the way Paul’s music was treated and the way the music world’s personal dislike of him seeped into their music reviews. I’m gonna focus in on 1970 through the end of 1974, since this is where a lot of the complaints spawn from, and things start to shift in a big way in 74. You didn’t ask but contemporary writings about their early solo music is something I’m fascinated by anyway and you turned the wind-up toy key in my back, so. Off I go. This is gonna be so, so long.

At different points in the decade, all of them were subject to a sullying of their personal reputations. That is where I do agree with you: all of them were subjected to that by the press, to varying degrees, at varying times, and for various reasons for each of them. That is just what happens to public figures the longer they are public figures. Tabloids mess with everyone no matter how beloved they are. 

However, that’s not what I generally see Paul fans getting upset about. What I see is that they’re upset at the way the much more legitimate and widely respected music press approached Paul’s music and talent in general. It is widely received knowledge now that the critics treated Paul’s music differently than they did John’s and George’s and even Ringo’s; the trashing was not “equal.” They came at John and George with the assumption that their talent was real and ongoing outside of the Beatles, their genius unquestionable, their motives pure and well-intentioned and honest. Paul was not afforded these assumptions. Some examples to show what I mean, most of them found through wikipedia, rocksbackpages, or rollingstone.com.

John

Plastic Ono Band was Robert Christgau’s number one album of 1970 in The Village Voice. from Creem’s review: “John's record, of course, has been righteously raved over ever since its release, justifiably. It's interesting and even enlightening to see a man working out his trauma on black plastic but more than that, it's totally enthralling to see that Lennon has once again unified, to some degree, his life and his music into a truly whole statement.” From High Fidelity’s review: "a tremendously exciting listening experience, perhaps the best any Beatle has ever offered." In their Imagine review, Rolling Stone called POB “perfect.” A couple reviews in the mainstream were more mixed, put off a little by the rawness of it, but overall the rock world quickly grew to see this album as a work of genius.

Imagine was even more widely well-reviewed, despite a mixed review from Rolling Stone (John fell out with Jann Wenner around this time, curiously). Here’s a passage from rateyourmusic.com: “Imagine was actually one of the most critically acclaimed albums of the year, aside from this tepid review in Rolling Stone. Indeed, much of the rock press seemed palpably relieved that the former Beatle hadn't gone completely off the deep end. ‘It's the best album of the year, and for me it's the best album he's done, with anything, or with anyone, at any time,’ Roy Hollingworth wrote in the 10/9/71 issue of Melody Maker. ‘The album is superb,’ Alan Smith agreed in the 9/11/71 issue of NME. ‘Beautiful. One step away from the chill of his recent total self-revelation, and yet a giant leap towards commerciality without compromise...I have no criticism at all.’”

Some Time in New York City was admittedly John’s nadir, and the press was vicious about it, both personally and musically, deeming the album egotistical, lacking in energy, and devoid of sincerity. However, many maintained a reverence for the genius that came before it and hopeful encouragement for the future. Rolling Stone said that “The Lennons should be commended for their daring;” Creem said it wasn’t half bad; and even though NME’s article was scathing, it ended with a plea for John to return to form, saying, “Don't rely on cant and rigidity. Don't alienate. Stimulate. You know, like you used to.”

Mind Games, though reviews were mixed, fared far better in comparison. Again, there is a hopeful tone to the reviews, a sureness that John can do better. From Rolling Stone talks about the music being a return to POB form, but the writing is his worst yet; however, Landau qualifies this by saying the lyrics aren’t “offensive, per se, just misguided... [John Lennon’s admirers] might even be able to withstand something more challenging” and then praises John’s voice, his production, and a few individual songs. In Melody Maker, Ray Coleman says, “if you warm to the rasping voice of Lennon and, like me, regard him as the true fulcrum of much of what came from his old group, then like any new Lennon album, it will be enjoyable and even important.” Christgau is more middling but also says, “Still, the single works, and let's hope he keeps right on stepping.”

Walls and Bridges seems confusing to reviewers in retrospect. They couldn’t seem to come to a consensus on it. The musicianship was widely praised, for the most part, though Rolling Stone criticized the first side on this front; reviewers alternately said it was “the latest chapter in John Lennon’s Identity Crisis” (Creem) and “truly a superb album by any standards” (Melody Maker). Throughout the Rolling Stone review, the author is able to thoroughly critique the songs, for better or worse, with a neutral affect and without resorting to insulting John personally. He ends the review on a positive note: “When one accepts one’s childhood, one’s parenthood and the impermanence which lies between, one can begin to slog along. When John slogs, he makes progress.” Again, even though the reviews aren’t all positive, we can see, especially and most importantly in the most influential rock magazine of the time, the acknowledgment of his talent, a sense of excitement for what John will do next, and a belief that his work is authentic and honest.

George

All Things Must Pass, I mean. Apart from a couple of outliers like Christgau in The Village Voice (he called it “overblown fatuity”), it was incredibly, almost universally beloved by the music press when it came out. There was quite a bit of surprise that such a talent had been under everyone’s noses all this time, but I don’t think anon is quite correct that all the credit for the Beatles went to Lennon/McCartney. For example, Ben Gerson in Rolling Stone recognized George’s talent within the Beatles like this: “Up until now, George has been perhaps the premier studio musician among rock band guitarists. From the electronic whine which began “I Feel Fine” to the break in “Hard Day’s Night” to the crazed, sitar-influenced burst on “Taxman,” George exhibited an avant-garde imagination and a technical flawlessness, as well as the ability to stay within the bounds of a song, which has remained unparalleled.” In Melody Maker, the feeling of journalists was summed up thusly: hearing the album was “the rock equivalent of the shock felt by pre-war moviegoers when Garbo first opened her mouth in a talkie: Garbo talks! – Harrison is free!" The personal nature and honesty of the lyrics were praised as well; Time described it as an “expressive, classically executed personal statement.” Ben Gerson did call his proselytizing offensive, but in the next sentence says that George redeems himself from that with the personal plea in Hear Me Lord.

Concert for Bangla Desh - again, some cynicism from Christgau in The Village Voice (must have woke up on the wrong side of the bed that day) and of course tax issues dogged it later, but overall, for the rock press at the time, this was a crowning achievement that George pulled off. He was praised all over the press, countercultural and mainstream, for his live musical talent, the group of musicians that joined him, the lack of political motivation, the sincerity and goodwill, and George’s ability to bring back  "a brief incandescent revival of all that was best about the Sixties" (Rolling Stone). To this day he is credited with creating the model for future charity concerts. 

Living in the Material World - Nothing could have topped the one-two punch of ATMP and the Concert for Bangla Desh, but honestly, LITMW came pretty close for some journalists. Rolling Stone again praised George’s honesty and authenticity: “ Despite the occasional use of “psychedelic puns,” Harrison’s lyrics are so guileless they convey an extraordinary sincerity that transcends questions of craftsmanship. Similarly, the devotions we are called upon to share with Harrison, though they communicate no specific, private torment, do have the authenticity of overheard prayers and are therefore sacred.” Melody Maker said, "Harrison has always struck me before as simply a writer of very classy pop songs; now he stands as something more than an entertainer. Now he's being honest." The pushback against his pious attitude and lyrics picked up some steam with this album, particularly with Christgau (again) and Tony Tyler of NME, who called it “so damn holy I could scream.” However, it was far from the consensus opinion at the time, and with the biggest rock magazine in the world at your back, you can withstand quite a bit.

Dark Horse, oof. That poor man. It did get some positivity in Billboard and Melody Maker, but my god, the reviews for this album and its subsequent tour were so cruel. I suspect when these anon(s) talk about the others being treated terribly by the press as well, this, along with John’s STINYC, is one of the examples they would give, and they’re not wrong about that. This was the point where George’s piety and what they perceived as a sanctimonious attitude finally started really getting to everyone, and the album plus the tour was the perfect opportunity to dogpile on him. I guess it was to be expected; no one can ride that high forever, and the press loves to knock people over and kick them while they’re down. Rolling Stone called it “disastrous,” “shoddy,” and called his guitar work “rudimentary,” eventually declaring that George had “never been a great artist.” This from the same magazine that was practically worshipping at his feet the year before. Yowch.

Ringo

Sentimental Journey - The less that’s said about this album, the better.

Beaucoups of Blues was actually quite well-received. No one called him a genius for it, and it wasn’t a serious personal record and therefore wasn’t treated that way, but journalists seemed uniquely able to let themselves enjoy this record despite the serious/political/personal tone of most musicians at the time. Melody Maker believed Ringo had  "conviction and charm" and that because of that, the album stripped away the serious “hip posturing” and let you just enjoy the music on its own terms. The Village Voice said that Ringo was “good at making himself felt.” Although Rolling Stone’s tone was a bit more cruel than other magazines (there was a crack somewhere in there that Ringo wasn’t as smart as John), it also called him lovable and the record “a real winner” where the songs “sound terrific.”

Ringo was a total smash and I think people forget this. It’s remembered only because it’s an album that was worked on by all four Beatles, but actually, the critics fuckin loved it. Ringo was praised in Rolling Stone for his unpretentiousness, sensibility, and essentially collaborative nature: “Ringo was always the figure of conciliation within the Beatles, undoubtedly the most genial, conceivably the most sensible, and the one with the smallest musical axe to grind. His very lapses bespoke the esteem in which the others held him; had they not liked him so much, those perfectionists would never have allowed him to sing. Perhaps because as the drummer he stood outside the process of creation, he had the best perspective from which to see the Beatles as a unity. Ringo has never had any pretense of self-sufficiency. Once he had gotten his special projects out of the way (projects for which John, Paul and George's talents would have been unsuited anyway) Ringo was ready to call upon the three most obvious people to assist him with writing, singing and playing. As Starr's first "pop album," Ringo signifies a homecoming, not just of family, but in musical style as well.”

Goodnight Vienna was kind of a minor album for Ringo, but still, reviews were pretty good. Rolling Stone praised his “unalloyed sincerity which is his trademark and trump card.” Yet again, we see the theme of authenticity popping up in these reviews - if you are perceived as authentic, honest, and sincere, that takes you a long way with music reviewers in this time period, and Ringo was nothing if not wholly, completely himself.

Paul

McCartney - One of the main complaints of Paul fans is that Jann Wenner forced Langdon Winner, the author of the review for this album in Rolling Stone, to rewrite his article and put a more negative spin on it. The result is that Winner praised most of the music but totally undermined his own praise by questioning the authenticity of the tone and deriding the press release that came with the album as much as he praised the music. He ends the article like this: “I like McCartney very much. But I remember that the people of Troy also liked that wooden horse they wheeled through their gates until they discovered that it was hollow inside and full of hostile warriors.” This was a huge blow at a time when personal authenticity and substance were considered paramount. Melody Maker also questioned the legitimacy of his genius, saying “With this record, [McCartney's] debt to George Martin becomes increasingly clear.” Most other reviews weren’t any better.

Ram, I mean, Jesus Christ the reviews for this. It’s a widely respected album now, even made the RS top 500 albums of all time list last year, but at the time people were still so angry with Paul for supposedly breaking up the Beatles that they were still taking it out on his music a year later (imo). Landau in Rolling Stone called it “emotionally vacuous” and said it lacked conviction, saying also that it was “so incredibly inconsequential and so monumentally irrelevant you can’t even [hate it]; it is difficult to concentrate on, let alone dislike or even hate.” NME called it “the worst thing Paul McCartney has ever done.” Threaded through these reviews is a belief that the songs are devoid of meaning and that Paul’s happy domestic front is just a frustrating lie; Christgau in The Village Voice said he was “infuriated by the McCartneys' modern young-marrieds image” - infuriated because he clearly doesn’t believe it, rendering Paul dishonest and his music inauthentic. Once again journalists are unable to review Paul’s music without sniping about him as a person.

Wild Life - Though the situation remains largely the same - reviewers refuse to take him seriously, believe anything he says, or treat his musical talent as anything but vacuous fluff - the reviews aren’t quite as bad as they were for Ram and a bit of positivity begins to stir. It’s evident especially in the Rolling Stone review, where Mendelsohn wonders if Paul is making crappy fluff on purpose to piss John off because it will sell just as well anyway. It’s not much, and on top of the fairly strong criticism there is almost no hope for future Paul releases: “My own conviction is that we'd be foolish to expect anything much more earth-shaking than Wild Life out of McCartney for a good long while... In the meantime the reader is advised to either develop a fondness for vacuous but unpretentious pop music or look elsewhere for musical pleasure.” But it’s something.

Red Rose Speedway Paul continues to be lambasted by a lot of the press on this album for being lightweight and having no meaning behind his songs (at this point it’s just repetitive to quote the articles, just trust me that they say basically the same thing they were saying for the past three albums too), BUT I think a nuance that gets forgotten in all of this is that Rolling Stone gave it kind of a decent review. It seems like they finally quit gatekeeping and realized that songs don’t need to have some deep personal meaning to be good. Kaye is still not very nice about Paul’s lyrics but he recognizes that he doesn’t have to take Paul’s music on the same terms as he takes John and George. Paul’s music is less personal, but that doesn’t make it unworthy. He calls it “pleasant, accessible without concentration” and praises Paul’s voice and arranging skills. It feels like for this album, Rolling Stone took the stick out of its own ass when it came to Paul and finally relaxed enough to receive Paul’s music on his terms rather than theirs. Which, imo, primed the rock world for...

Band on the Run, Paul’s comeback. Even though Christgau in The Village Voice remained unconvinced (he called it “a pleasant piece of hackwork”), almost everyone else adored it. It seems weird to us now, but the general sentiment seemed to be that people were surprised by how good this album was. NME said, “The ex-Beatle least likely to re-establish his credibility and lead the field has pulled it off with a positive master-stroke”; and although Landau’s review in Rolling Stone overflowed with praise, he also said, “I'm surprised I like Band on the Run so much more than McCartney's other solo albums because, superficially, it doesn't seem so different from them.” 

I hope I’ve been able to demonstrate a general trajectory with the musical reputation of each Beatle here. John starts off on two incredible high points, crashes and burns, and then works his way back up. He DEFINITELY missed with STINYC, but even when he followed it up with Mind Games, there was still a hopeful tone to the reviews, sort of like, “Ah, well, the last two weren’t great but we’re still looking forward to what John will give us next.” Until the Dark Horse tour/album, which did sour the press on poor George, the music press adored him. It was hit after hit with him. He could not miss. Three high points, one after the other, then a monumental crash. Ringo seems to stay fairly high, even if the records aren’t serious records. All three of them start out incredibly well, and the music press was able and willing to give them the benefit of the doubt.

Paul was given none of that. Perhaps because he was out of step with the attitudes about music at the time, perhaps because journalists hated him for breaking up the Beatles, perhaps because they believed John when he painted Paul as “establishment,” perhaps a combination - whatever their issue was, Paul was given no benefit of the doubt to start with, no faith in his genius, and no belief in his authenticity. He was just a hack to the music press for the first few years of the 70s; he started at the bottom and was forced to work his way up, unlike the other three. It started, imo, when Wenner forced the journalist who wrote the McCartney review in RS to rewrite the article, and it spiraled from there. He was seen as hollow and uncool, as one of the anons said, “straight” in the parlance of the time - straight meaning “establishment.” This is kind of where I do start to roll my eyes a little bit at stans, when they get upset at people calling him “establishment” and trying to prove that actually he was so anti-establishment that people couldn’t handle it or whatever, without trying to understand what the word “anti-establishment” meant at the time. But there are also really substantive arguments you can make that say Paul’s music was not taken seriously because of a personal grudge against him.

I’m not saying that all of them didn’t have run-ins with the music press. I’m saying there is nuance here that I don’t think these anons are allowing for in the first few years of that decade. They came at George and John and Ringo with a positive, or at least neutral, slant most of the time. They came at Paul with a negative one. Case in point are the reviews of Band on the Run that were surprised at how good it was. That stuff gets people’s hackles up. The others didn’t have positive reviews rewritten to be more negative. The others didn’t have albums savaged that are now on the Rolling Stone top 500 albums of all time list. I do agree that John, at least, and George post Dark Horse, had a harder time with the music press than people generally remember or care to think about – deification is retroactive, I guess, and as Paul fans we should definitely recognize that Paul wasn’t the only one who went through a rough time with the press. But I do think Paul’s situation was made uniquely and unjustifiably difficult for those first few years.

I mean, at the same time, I cannot stress enough how much this did not affect his bottom line. Despite the horrible reviews, Ram still made a ton of money, McCartney made a ton of money, Band on the Run and Wild Life and Red Rose Speedway all made a ton of money. He had a fanbase, a huge one, that followed him loyally and faithfully through the early 70s as he was getting savaged by the press, and through the middle and late 70s when he was touring. At some point, you have to step back and go, wait. Why does any of this matter? This was 50 years ago. He was a multi-millionaire then and is a billionaire now. And you are right; whenever people over-generalize and try to make the case that Paul was always badly reviewed and the others were press darlings, I tend to get annoyed because they’re totally missing the actually interesting nuances of the situation (that can be easily found online! I found most of the music reviews through snippets on Wikipedia!) In conclusion, I guess my point is that both “Paul was vilified while everyone else wasn’t” and “everyone was equally vilified” paint the events of the early 70s with brushes that are too broad and miss the nuance that was evident in the way the press interacted with their music.

[pollosky-in-blue]

4. 9. 26. 35. 36. 64. 70. 89.

Hello anon! I see you're back again! You have that way of punctuating each ask number with periods, and the familiarity is nice to see ♥︎

4. What do you think about most?

Moving out, JS, school, my brother growing up, books I never get to write and the weather.

9. Ever had a poem or song written about you?

Surprisingly, yes! I've had two poem books (very short) written for me by my grandmother's brother (so a grandfather) when I used to be a toddler. Grandpa and I drew together when we lived with him in Dhaka. Ah I miss those days! They're in Bangla, and I'm very bad at translating poems, otherwise I'd have put up some here. But here are a few anyways

চারুর জন্য ছড়া // Rhymes for Charu and চারুর জন্য আরো ছড়া // More Rhymes for Charu

26. Are you happy with the person you've become?

Well, in some ways yes, but in others, not quite. I guess although I've grown out of plenty of things and fit into some good more, there's more becoming for me to do :')

35. To you, what is the meaning of life?

To make it to the end as finely, humanely as possible. Live with enough substance to have left an honourable mark on something. Make a few hours count for someone you love. To have given as much as your blood lets into what you love to do most. But you know, these are all meanings of living, not life. I realise that now that I've written these down. Perhaps the meaning of life is to live? I don’t know for sure. Whatever it is, it must be pretty compelling for us to have all made it so long.

36. Define Art.

I shall be incoherent here, and very unreasonably and possibly silly but bear with it and sorry in advance. To me, there is no such thing as art, truly, because to put any piece of work in a stricture that defines it as 'art', and another thing as not doesn't feel right. How do people generally define art? As something pleasing to look at, something that has meaning enough to ground it to earth or elevate it in space. Both these are dependent on perspective. To you, perhaps a small, crooked and ugly doodle of a snake on the corner of a page may hold meaning and rapture enough to be kept in a box forever. But to me it would be just a scrap of paper, scribbled on. Although that doesn't quite touch the point, you see how art is so much debatable and malleable according to point of view? No little sketch deserves to be not called art, just because it doesn't follow the rules of humanoid, anatomical ratio and it still doesn't look trippy enough to be a surreal piece. No portrait, however pristine can be denied as art even if it didn't have any inherent meaning to it. Sounds contradictory but yes. I hope this ramble didn't cauterize any brain cells, amen.

64. Where is your best friend?

One is in Canada, she moved this month.

One is a district away for holiday, in Chittagong.

One is just a few blocks from here,

Probably curled up in sleep since long.

70. Are you the kind of friend you'd want to have as a friend?

Honestly, I'm at loss. I know too much of how I am inside, and too little of my exterior appearance to like me as a friend. I guess I'd rather enjoy being listened to (well I can listen to close people for hours on end if they want to) and understood, but I'm not sure if I could stand me lol! But for the understanding only, yeah perhaps. It's a selfish motive, and it's the only one, so in the end, things probably might not work out. I'm overthinking this yikes.

89. What would be a question you'd be afraid to tell the truth on?

"What do you love the people around you for?" and "Did you really steal a big fat 30 dollar roll of golden ribbon from Arts class in third grade?" Y-yes I did-

[sareesonscreen]

S1 E4: Saucy Deep Dives: Third Person SIngular Number

After spending the last two months watching and examining Bollywood hits, it’s been very exciting for us to introduce our audience to hits from all across South Asia. In this episode, we are thrilled to be watching a Bangladeshi favorite made by one of the most famous contemporary directors there.

Mostofa Sarwar Farooki came into the scene in the early 2000s, at a time when mainstream television and cinema largely existed either in the form of family entertainment or copy-pasted “hero’s journey” scripts made for quick consumption. 

This is where Farooki came in with his more casual and approachable filmmaking. His stories revolved around the relatable everyday struggles of ordinary people. This also meant utilizing colloquial language in his cinema (which was rare, given that the media at the time would only depict formal Bangla or a standard dialectical Bangla [for rural stories]). 

Third Person Singular Number (2009) was Farooki’s third movie, which solidified his position as one of the most notable contemporary directors in Bangladesh.

Third Person Singular Number is conceptualized as a fairytale-like story of Ruba (played brilliantly by Nusrat Imroz Tisha, Farooki’s partner, and long-time muse), who is confronted by the challenges of being a single woman in South Asia, after her partner (note, not husband lol) is sent to jail. Ruba struggles with constant harassment as she attempts to find housing and employment. The Prince Charming character of this movie comes to us in the form of Ruba’s childhood friend - Topu (a successful musician in Bangladesh, both in the movie and IRL), whose support helps in making Ruba feel safe. Her feelings for Topu force Ruba to engage with her conflicted relationship with her mother (who left her father for her lover) as well as her fidelity to her jailed partner.

One of the most remarkable things about the film is its deliberate focus on Ruba and how it centers her perspective - this is extremely apparent in the cinematography and Farooki being able to employ the feminine gaze aptly. The first half of the movie depicts at length the various ways in which women become victims of sexual assault - be it at home, in public, or in professional spaces.

There's this one scene in particular, where Ruba becomes hesitant to go to the police station as she recalls a news story from a couple of weeks ago where a woman was r*ped at one. A male gaze retelling of this would tell the audience through action - a flashback where the woman is facing violence, or perhaps when Ruba was reading the paper, or conversing about it with someone. But in this story, Farooki chose to make this woman materialize in front of Ruba and tell the story herself. Not only giving voice to an unnamed woman who had met a horrible fate, but also creating a moment of emotional connection between the two women. It humanized what is often just reduced to news headlines, statistics, or water filter conversations. There are hints throughout that she is an unreliable narrator. Resulting in the (spoiler alert!) the fairytale-esque second half of the movie. Fairytales, historical romances, and fan-fictions often serve as great mediums for social commentary, particularly on the dynamics of power (esp. geared towards women). The fact that the only escape available to Ruba from her bleak reality is an absurd Prince Charming figure speaks heavily to the harsh reality of the real Rubas of the world. For them, her ending would not be a possibility.

The use of space in the visuals of the film was also noteworthy, with Ruba being shown to feel trapped or caged in the company of predatory men (even including her own partner, whom she feels stifled by later in the film). This is often done through the use of close and medium shots, along with physical obstructions in the shot. Meanwhile, her relationship with Topu is shown to be much more affectionate and easy-going; this is depicted with a wide shot of the beautiful kashbons of Bashundhara. Not only was this technique used to remark on the state of Ruba’s mind (which is rare given that male directors rarely highlight women’s perspectives), it also commentated on the wider issue of South Asian women and how they are often made to feel small and struggle to find space (be it physically or metaphorically).

This beautiful work with space is further used to remark on the silence of the other women in the film (notably, Ruba’s cousin, friend, and mother). Unlike Ruba, the only woman with a voice (and the narrator, of course), these women are often seen in the confines of layered cage-like homes (with distinct obstructions like columns, furniture, etc. present in every layer). These characters, like their real-life counterparts, often exist in the crevices of their own homes and are stifled by the domineering presence of the patriarchal structures and insecurities around them.

The two noteworthy women characters (aside from Ruba) are her cousin and her mother. Both of whom we know very little about. However, in their fleeting moments on the screen, some of them make attempts to defy patriarchal structures around them in small but significant ways – Ruba’s mother by being courageous enough to follow her heart and leave a marriage and her cousin by helping Ruba despite her mother-in-law’s objections.

Another interesting thing is that despite Topu being Prince Charming, his character was given depth by not making him entirely selfless and sacrificial. Topu’s expectations were conveyed to the audience in a subtle but effective manner, using scenes like his outrage in the forest after Ruba backs out of having sex with him (though sex was never mentioned, only alluded to), as well as the ever-awkward buying condoms at a chemist shop (an entirely silent and secretive transaction, btw).

Ruba’s character in the film is shown to be determined, independent and tenacious even while she struggles with the oppressive realities of being a woman under patriarchy. One of the focal points of the movie is her strained relationship with her mother (who passes away, leaving no possibility of redemption or reconciliation ). The film uses an interesting technique of showing Ruba’s internal demons manifesting as younger versions of herself, hypothesized to be metaphors for her id (6-year-old Ruba), ego (present Ruba), and superego (13-year-old Ruba) as she battles over her feelings for Topu and consequently her feelings of resentment for her mother. Though her relationship with her mother is significant to Ruba’s evolution as a character, very little is shown of her mother and her motivations. Despite trying to give Ruba some semblance of closure with her mother at the end, the film falls short in creating multiple well-written women to enhance the story and the emotional connection to the characters.

We’ve also had the pleasure of having Raidah of Raidahcal on this episode. She does wonderful work addressing contemporary feminist issues in Dhaka, Bangladesh. While we all had different takes on the movie, it was wonderful to have Raidah’s unique insights and perspectives. Be sure to check her out. We’ve also had the pleasure of collaborating with her on her podcast Raidahcal in an episode exploring feminist economics – we would love for you to check it out as well!

She also asked us a question that made us pause a bit: Why are men given passes for not portraying women's realities accurately just because they are creating sophisticated art?

And this made us realize that there is a very thin line between centering a woman's perspective in a film, versus presenting an intrusively voyeuristic gaze to watch her struggle. Ultimately if the author of the art is not able to distinguish the two for everyone watching the movie, is all that nuance pointless? This ambiguity within the film became more clear to us as we left our own echo chambers and were faced with a wonderfully challenging guest and the realization that the film is sometimes as good as the viewer wants it to be.

Even on our Sauce Meter, this film fared better than some of our previous takes. Here’s a breakdown of our scores.

1. Is there at least one character who adds a nuanced representation of a diverse South Asian identity, without stereotyping and tokenization?  

Ruba, the protagonist of the film is a complex, well-rounded character and a woman – the film also uses an unfamiliar perspective by centering the story around the experiences of a woman vs a man (which is considered the default) – but she is one of the few non-male characters that get significant screen time, so not full points.

0.5

2. Are the primary characters (especially women and marginalized characters) portrayed with agency, individuality, and motivation?

Despite Ruba being limited by the sexist nature of the social structures around her – notably her struggle to find housing and employment as a single woman, she is shown to have agency and individual motivation – she is also shown to want autonomy and finds ways to assert herself despite inhibiting circumstances.

0.75

3. Are women and marginalized characters shown to be cognizant of their identities and how they exist within the social context?

Taking half a point off because there are limited representations of women and other marginalized characters, but the glimpses we get into other women apart from Ruba all seem to be painfully aware of how their choices and abilities are limited by oppressive patriarchal structures. Notably, her cousin despite having limited control over her life and household still tries to help Ruba, and Ruba herself has several moments where she points to the tribulations of being a woman in society.

0.5

4. Do the women and marginalized characters have meaningful relationships with each other?

While the women’s relationships with each other are not given a lot of screen time, they remain focal plot points. In particular, Ruba’s relationship with her mother is instrumental in the evolution of Ruba’s character and arguably even her liberation, however, the movie does not do these relationships complete justice and dedicates very little time to other women or marginalized characters in the movie.

0.25

5. Does it challenge any flawed notions upheld by capitalism, patriarchy, and the caste system?

The movie successfully subverts stereotypical representations of women and even defies traditional ideas of marriage and power dynamics between men and women and for that, it gets a full point!

1

TOTAL SCORE ON THE SAUCE METER: 3/5

What did you think of our rating of Third Person Singular Number? Did we reach too hard? Let us know!

- Usha and Rekha

Listen Now

[zahid-hasans-world]

We all do have our own circle , we roam around with it . We think on that certain limit . Every body has his own kingdom inside him . We always take motivation from the persons who already got success in their life , may be they have had some miserable condition in certain part in their life , but at the end of the day they gets success  in their life . We usually heed on particular types successful story like bangla movie with happy ending . when we are going to compare that particular story with our life, and then we get frustrated.

Some people told you their story of very high dramatic with high excitation . It’s better,  never let heed any concentration on them , and not to believe their story . Most of them don’t have sense of sins and religious consideration .

In entire life we do need a bit support from our surroundings at certain stage  . Not necessarily we need financial support all the time rather all have thirstiness on  mental support . It might be obvious to you that  some of them from your surroundings do admire you , your job either it good or not , support you . They have trust on you . Some of them do mimic you and you activities . Being frustrated are not only a problem while someone missing something or not rather it’s a disease like cancer or something like that . Without taking sighs , don’t do anything . Maximum of them always tries to get rid of the suffocated conditions but they don’t .

A lot of person around us getting frustration. I think this more happens due to high ambitions about life more literally it’s all about economical  problem along with something else . I'm not gonna say,  no need money but if we treat it with the aspects of Islam,  then frustration couldn't be unendurable. We can’t show our gratitude to Allah , with  we have . we have to happy with everything what we have , what we earn , what is sufficient of leading life in this duniya .

[tikitakafullmovie]

Tiki Taka 2020 ZEE5 Download Hindi Full Movie

Tiki Taka ZEE5 Movie Download 720p HD GDrive, Tiki Taka 2020 Hindi Full Movie Download 1080p Free, Tiki Taka 2020 Movie Watch Online Free

IMDB Ratings: N/A Directed: Parambrata Chattopadhyay Released Date: 11 September 2020 (India) Genres: Comedy, Sport Languages: Hindi Film Stars: Parambrata Chattopadhyay, Saswata Chatterjee, Ritabhari Chakraborty Movie Quality: 720p HDRip File Size: 710MB

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The up and coming parody film Tiki Taka on Zee5 is being examined via online media since the time the film's trailer was delivered on September 4. The trailer has gathered more than 1 million perspectives in only six days of its delivery. Tiki Taka on Zee5 is a variation of the first Bengali film 'Khelechi Ajguba'. Kenichi is an African footballer who has come to Bengal to meet PK, one of the mafias situated in the Indian State. The parody of mistakes starts when Khelechi meets numerous individuals on his excursion to discover PK in West Bengal. Peruse on to discover," What time does Tiki Taka delivered on Zee5?" Read | Vijay Sethupathi starrer cop-dramatization 'Sethupathi'

to debut on Zee5; check subtleties Tiki Taka delivery date is Friday, September 11. The film will be delivered on the OTT stage at 12:00 AM IST. When the film is delivered on the stage, all the ZEE5 endorsers across India will have the option to stream it. Tiki Taka on ZEE5 will be accessible to stream on various occasions as long as the watcher has a functioning membership of the OTT stage. Peruse | What time does 'Illegal Love' discharge on Zee5? Insights regarding each of the four parts Tiki Taka on ZEE5: About the film In the account of Tiki Taka when Khelechi Ajguba shows up in West Bengal he meets a taxi driver named Raju played by entertainer Parambrata Chattopadhyay.

As the two youngsters get to know each other Raju chooses to help Khelechi in his mission to discover PK. Raju likewise turns into a compatriot for Khelechi who has gone far away from his family and is attempting to comprehend life in an unfamiliar land. The part of PK in the film will be played by Bengali entertainer Saswat Chatterjee. Nonetheless, little does Raju realize the African footballer is concealing a major mystery which he will bit by bit unwind as the story advances. Peruse | 'Dark Widow' Indian redo to deliver soon on ZEE5 as indicated by Sharad Kelkar Tiki Taka is a family parody film that takes us through a story woven with comic scenes a large portion of which emerge out of the mistakes and misconceptions the characters experience.

Khelechi and Raju are the lead teams of this film, yet neither of them communicates in one another's dialect. Thus, fans will see them hurrying over the roads of Bengal, getting into more entangled circumstances the story advances. Peruse | Filmyzilla Leaks ZEE5's Latest Web Series 'Virgin Bhasskar 2' Promo Image Source: Parambrata Chattopadhyay (Instagram) Get the most recent diversion news from India & around the globe. Presently follow your preferred TV celebs and TV refreshes. Republic World is your one-stop objective for drifting Bollywood news. Tune in today to remain refreshed with all the most recent news and features from the universe of amusement.

Welcome Readers. In this article, you are going to see the new up and coming web arrangement of ZEE5 named "Tiki-Taka" which is booked to deliver on eleventh September 2020. Tiki-Taka is a forthcoming parody sport Bengali language arrangement of ZEE5 which depends on the Spanish style football match-up Tiki-Taka. This will be fascinating to watch on the grounds that the trailer of this arrangement is looking astonishing and it accompanies an intriguing story and the bearing of this film is splendid. The areas and the sets in this arrangement look astounding.

The arrangement is chosen to debut on eleventh September 2020 at around 12:00 PM IST just on the ZEE5 application. Tiki-Taka is coordinated by Parambrata Chattopadhyay and composed by Shouvik Banerjee and Rohan Ghose under the dispersion of ZEE5 Original Film and the entire shooting was done in the Kolkata, which is in India. The skilled and flexible entertainers and entertainer are Saswata Chatterjee, which shows in a lead function of the arrangement, Parambrata Chattopadhyay.

Ritabhari Chakraborty, Emona Enabula, and Bruno Venchuro. The account of this spins around an African person who comes to India and the conditions and the scene gets changed and he is pursued by certain cops. To realize the entire story remember to watch this astounding arrangement on eleventh September at 12:00PM IST just on ZEE5 Original Film. CAST: Saswata Chatterjee. Parambrata Chattopadhyay. Ritabhari Chakraborty. Emona Enabula. Bruno Venchuro.

On third September 2020, the arrangement trailer was transferred on the ZEE5 official youtube channel and inside a couple of days, it crosses around 8 Lakh sees with 1,000 preferences. On sixth September 2020, Zee5premium official Instagram posted a banner of it and expressed that "Are Raju and Khelechi outsiders or just companions who haven't met at this point? #TikiTaka debuts on eleventh September #ZEE5Premium #GoalMaal". Discussing the storyline then Khelechi, who was an African man shows up in India with a football loaded down with drugs. At the air terminal, the medication ruler's men get an inappropriate man while Khelechi goes with an extortionist, and afterward the story makes a turn, and entire the circumstance gets changed.

Appreciate this parody of blunders on ZEE5. Debuts eleventh September 2020. Till then read our different articles and follow Dekhnews and stay tuned with us.

At whatever point we've met Ritabhari Chakraborty in the recent years, 'Khelechi Ajgubi' has surfaced in discussions, with the pretty and multitalented entertainer enthusiastically anticipating the Parambrata Chattopadhyay-coordinated film. Depending on a mixed up character, the film is currently set to debut on Zee5 as Tiki Taka on September 11. A talk with Ritabhari who had twofold the motivation to celebrate — the film's delivery and the way that she got to glitz up for this meeting.

The film was at first called Khelechi Ajgubi and is presently delivering as Tiki Taka… Now the film is delivering in both Hindi and Bangla and they needed to go with a title which fits in well with a bilingual film and something that football fans, skillet India, would have the option to identify with. We named it during the lockdown. The film should have a dramatic delivery and now as a result of the current circumstance, we have needed to go for a computerized discharge. In spite of the fact that there is somewhat of a failure since you are passing up a dramatic delivery, the great part is it will contact a greater crowd.

When did you shoot it? 2018. It is Param's executive endeavor and he got truly occupied. The film additionally has a great deal of embellishments and he puts stock in flawlessness. I was continually following up. At that point the pandemic hit us. Presently when I see the yield, I feel pleased that I am an aspect of this film. It's perfect by they way it looks. I am in any event not living in an air pocket and realize what's going on out there, devour a ton of public and worldwide substance and I am glad that the substance I am related with, it's very today and upmarket and pair with the contemporary work that is occurring.

Who is Bonny, your character in the film? She is a writer, very bhola and marginally moronic however with a brilliant heart. Mon ta puro clear and mathatao khanikta clear (snickers). That is what I look like at Bonny. No savvy individual would have purchased that thought in any case. The way Param's character (Raju, a cab driver) disclosed it to her (about Khelechi Ajgubi, an African public, being a footballer) and she gets it, even while shooting it, I felt OMG! (Giggles) Param continued saying she isn't imbecilic, only a little bhola bhala.

She is from the mofussil and on the off chance that she can't break a major news and get a strong balance in the city, she'll be offered. In this way, she has a ton in question. Bonny isn't me, yet I adored playing her. I am a major aficionado of Joey from F.R.I.E.N.D.S and I have for the longest time been itching to play a stupid character. Despite the fact that Bonny isn't Joey imbecilic. Raju and Bonny kind of meet incidentally. He takes a gander at me and thinks of this arrangement. He comes selling me a phony story and I get it and what follows is the film. The entire kind of the film is interesting. A ton of entertainers feel that parody is the most troublesome kind.

What do you feel? It is troublesome in light of the fact that your planning must be correct. You need to include your own flavors which, we continued doing while at the same time shooting Ogo Bodhu Sundori (the mainstream uber sequential which saw Ritabhari become an easily recognized name). Lolita never attempted to be amusing. Same for Bonny and Raju and Khelechi. The outfit cast includes interesting amusing characters… be it Paranda (Paran Bandopadhyay), Kharajda (Kharaj Mukherjee), Kanchanda (Kanchan Mullick), or Saswatada (Chatterjee). I don't actually think satire is the hardest.

Being a persuading reprobate or vamp is the hardest without trying too hard. Unthinkable in Andhadhun isn't exaggerating anything or Priyanka Chopra in Aitraaz or state Bob Biswas in Kahaani. I figure I would need to work the hardest for that sort of a job since I am totally a white individual. Was it scaring to be encircled by entertainers who are known for their comic planning? Truly, I never feel threatened by anybody I work with on the grounds that at whatever point I step on the shooting floor, I sense that I am going to class and there are bunches of educators and there is the head instructor who will manage me. I get truly jumbled if the chief isn't arranged... I realize that the chief must be arranged with his vision. They are so easily acceptable… stunning. Furthermore, the vitality was so high on the sets. One thing I have truly detracted from the experience is to be unconstrained.

Do you follow football? No! Sports isn't my thing. In the event that I was playing, I would appreciate. Thus, I loath watching a shoot. In the event that I am shooting, I will appreciate. I went for the Mukkabaaz shoot since I respect Anurag (Kashyap) to such an extent as a chief. I was there for the peak go for two hours and afterward was chilling with my closest companion since I got so exhausted following two hours. AK is so chill and arranged with his vision. That is everything I could accumulate. Individuals figure you can truly get a great deal.

You really can't on the grounds that film-production is an entire cycle. Things being what they are, you've never really liked an athlete? Not on the grounds that how great a player he is, yet, state… (David) Beckham. I have my reasons. Take a gander at him and you will likewise have your own reasons. Anyway, did you gaze upward 'tiki taka'? I asked Maddy (Madhuja B

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[sahasulagna2019]

Studyblr Introduction!

Hi! I am an ordinary student from Bangladesh and I opened an account in Tumblr a few months ago with my friend @fahmidas-world to keep motivated about the study. Really I am not so organized and at the end of the day, I am left with nothing about the study to post on Tumblr! So I did not post for long days. It had another reason though. I was busy searching for my life's destination.

So...now I want to post some motivational posts about the study (as I love to write them), I will try to post my study stuff also and here I will describe shortly about myself.

I am Sulagna (I prefer Rasha - my nickname!)

I am a 12 grader in a science background. Now I am taking these courses( Bangla, English, Higher Math, Physics, Chemistry, Biology, Information and communication technology)

I am going to sit for the HSC exam on April 2020. So now i am busy with my test exams in college and lab reports. Really I have to study for it :)

My future plan?

Actually, I am not fully sure about that. I am searching for my interest and skill both to match. But up to now-

I want to go to the USA for studying in a liberal arts college (My SAT score 1360, My IELTS score 6.5). I want to upgrade it to 1500 and 7+ bands next year. So, my SAT preparation is going on.

My preferred major?

Physics

Mathematics

(Actually, I am reading about different topics and trying to find my interest as I am not sure about it. But up to now, I have a great interest in completing my undergraduate in physics. But "Why" is most important! So I have to know why I want to read physics)

Engineering?

Somehow my family is saying to be an engineer. But I have to know if I match it or not. I don't know what is engineering and why I will go for that. So the same answer, if I find my "why", I will go for it.

So for being Engineer in Bangladesh, I need to give admission test in BUET (Bangladesh University of Engineering and Technology). The admission test is amazing, I want to give it!! ;) and if I go to the US, I can also be an engineer there.

JAPAN! I also want to apply for mext scholarship next year.

My Extracurriculars!

I love to know science stuff beside my books! That's it. In tenth grade, I was in my full potential but past is past!. In 11 and 12th grade I was not ready to explore myself. But DANCE is my extracurricular beside studies.

My skills(I want to learn)

I want to learn math

I want to learn physics

I want to learn to do effective communication

I want to be a fluent English speaker

I want to be a soccer player

I want to be a skilled driver

I want to learn Japanese

And soo on.

This is a short description of myself and I have nothing to say more. I am a great procrastinator.

I am a great follower of my family. I never regret for any opportunity I lost. Finally, I am a thinker!

Apps I use: Forest, Notion, Duolingo, Quizlet, Anki, Tide, eng vocabulary apps and ted talks

Thanks to all of you for 500 followers.

[banglanotebook]

LANGUAGE LEARNING SCHEDULE

Hey babes!

So I realized that I probably need to try being a little more disciplined when it comes to learning Bangla and that I need to do more than just make daily word posts and I need to stop neglecting other forms of learning. To solve this I’ve devised a learning schedule that will touch on a different method of study every day! Most days will include different posts too, so this should diversify your feed so you can see all the different ways you can engage with Bangla (or any language, really), and it will motivate me to commit to practicing. Of course I may change things within the first few weeks just because this is new to me. And I may still have days where I slack of due to work and life things, so just keep this in mind. Otherwise I’ll try my hardest to adhere to this schedule. 

Each day will be centered around a different method of learning, either learning new concepts, immersing myself in the language, or practicing what I’ve learned. I want to try to use a variety of media so I get a well-rounded experience and sharpen my skills evenly. Below is my plan for the schedule so you know what to expect, and perhaps you can even adapt these habits yourself!

Rachel xxx

SUNDAY STUDIES

Sundays are for research and practice, which can be anything from using study cards to iron out last weeks kinks to studying a new topic. Sunday’s research may also result in lesson posts being prepared so I can explain the new things I learn. You can use Sundays to establish a theme for the week, such as practicing specific verbs for the week, or focusing on school-related conversation for the week. In a way, Sunday is a transitional day from the concepts of last week to fresh concepts for the upcoming week.

Goals/Ideas -Study trouble vocabulary -Go over rusty topics and old notes -Establish a goal/theme for the week -Research/study a new topic *Prepare/post new lessons, if applicable

MANGO MONDAY

Mondays are for practicing with the Mango app and making corresponding notes/posts for the new chapters I learn. There might be weeks where It’ll be more useful to cover old units instead of starting new ones. Monday is an easy day --app-led learning and focusing on common phrases.

Goals/Ideas -Learn a new Mango chapter -Brush up on old chapters -Learn common phrases *Make Mango posts

TRANSLATION TUESDAY

Tuesdays are for translating any interesting materials in my target language. This will provide exposure to different media --songs, dialogue, quotations, excerpts, etc.-- which can cover reading, writing, and listening. Translation is also a great way to challenge yourself by using the knowledge you’ve retained while also seeing where you have room to improve. Tuesdays are mentally challenging days to test your recall and comprehension in your target language.

Goals/Ideas -Translate from native language to target language -Translate from target language to native language -Get comfortable with different forms of media *Post translations (once confident, of course)

WORDY WEDNESDAY

Wednesdays are word-focused days for meaningful vocab building. Identify new words or trouble words (Tuesday might help point these out!) and try to practice using them. Some people may have a hard time with vocab, but I find I learn new words with ease so Wednesdays are easy days where I can learn and engage with new vocab.

Goals/Ideas -Focus on new or difficult words -Make vocab lists/flashcards and review them -Create examples using key vocab -Write journal entries using a vocab list/theme *Make “word of the day” posts for queue

IMMERSIVE THURSDAY

Thursdays are for exploring your target language through a variety of media so you get accustomed to reading, writing, and listening. You can rotate your media each week, or you can focus on what you feel needs work. Thursdays are creative or experimental days where you can play with your target language and practice using it.

Goals/Ideas -Watch films/TV -Converse (messaging or actually talking) -Read a book -Listen to music (and try to sing along!) -Write creative literature (poetry, a story, etc.) -Play a word game/puzzle *Post the chosen exercise for the day

FREE FRIDAY

Fridays are free days where you can take a break from exercises and learning for a day. Although, sometimes if you feel productive it wouldn’t hurt to do something if you feel up for it, just don’t feel like you have to! Fridays are mental health days so you don’t overload yourself.

Goals/Ideas -Relax! Enjoy your day off!

SATURDAY SUPPLEMENTS

Saturdays are for recapping information you’ve been exposed to throughout the week, and they are also good for strengthening your weak points. For example, verbs aren’t my strong suit right now, so on Saturdays I might spend time focusing on verb charts and practicing writing sentences. You might find your Saturdays will be a repeat of one of the other days of the week and that’s okay! Sometimes you need to spend more than one day on a concept! These are also days you can use to make up for a day you missed too. Saturdays are the miscellaneous days that give you an opportunity to focus on concepts that need attention.

Goals/Ideas -Study verb charts -Practice writing -Conversing in target language -Doing worksheets/puzzles -Do research on an area you need help with/are curious about -Ask a native speaker about things you need help with *Post the day’s language activity

Remember, if you run into trouble words or are confused about things throughout the week, write them down so you can take notes or make flashcards later! Also keep in mind that if you’re having a hard time, don’t feel bad doing minimal work. If you can’t do a whole vocab list on Wednesday, at least write down a new word on a flashcard. If you can’t watch a whole movie on Thursday, maybe listen to a song on your commute to work/school. Always try to do something, even if it’s small.

If anyone has any questions, ideas, or comments, please drop by my ask box or leave a comment!

[ananya24blog]

Nutrition Olympiad 2019-Nutrition Redefined

Nutrition Olympiad kicked off this year as an exciting extravaganza, which was boosted by the participation of the youth. It was held on Saturday, 27th April 2019 at the Bangabandhu International Conference Centre (BICC), Agargaon, Sher-E-Bangla Nagar, Dhaka, organized by the Meeting the Undernutrition Challenge (MUCH) project, implemented by the Food and Agriculture Organization of the United Nations (FAO) in collaboration with the Food Planning and Monitoring Unit (FPMU), Ministry of Food, and the BIID Foundation during Nutrition Week 2019. The event was financially supported by the United States Agency for International Development (USAID) and European Union (EU).The fundamental objective of the “Nutrition Olympiad 2019” was “To foster youth networks at national and regional levels to advocate for improvement of nutritional status for all and to find innovative ways to improve nutrition awareness and behavior especially among adolescents and youth.”  BIID Foundation and the organizing team are willing to successfully initiate this act by this spectacular event.

The event that began sharp from 8am and proceeded upto 6pm was indeed a grand event attended by very significant figures who are associated with working towards a nutritious future. The main programme(inaugural ceremony, competitions and Nutrition Club stalls) was held inside the Hall of Fame at BIIC. It was splendidly decorated and the colourful stalls on each side added to the ambience. Registration of participants and visitors were done from 8am and the speeches began at around 9am. There were present government officials and representatives from international and national organizations, civil society, private sector, academia, and media,

The first speech was delivered by M BadrulArefin, Director General of FPMU, Ministry of food. In his speech, he stated that he was satisfied to be part of this wonderful event and went on to emphasize on the significance of nutrition in our lives. The next speech was by our very own Md. Shahid Uddin Akbar, Chairman and CEO of BIID foundation. He expressed his contentment in successfully conducting this huge programme contributing to nutrition which is an essential part of life and is the key to solving crucial diseases that’s circulating around. He also states about the contributions of this foundation and the incoming collaboration projects with other organizations. Moreover, he enunciated his wish to expand nutrition club. His speech was followed by Guest of Honour, Robert D. Simpson, representative of FAO in Bangladesh, who delivered the message of importance of nutrition and how “food brings us together” and addresses the issues of malnutrition globally. After that, Special Guests H.E. RensjeTeerink, Ambassador to the EU in Bangladesh and Sadhan Chandra Majumder, Hon’ble Minister of Ministry of Foodconveyed their speeches. Succeedingly, Chief Guest Dr. Md. AbdurRazzaque, Hon’ble Minister of Ministry of Agriculture conducted the inauguration of this Olympiad.

Afterward, participants and guests, all together stood up in unison to take the Oath of Nutrition Club Member. Closing remarks were given by Chairperson ShahabuddinAhmed,Secretary, Ministry of Food.  FAO representative, Robert D. Simpson; US ambassador Earl R. Miller, officials of Jica and other important guests went around and appreciated the stalls, taking pictures with the enthusiastic participants. Ambassador Miller commented “All people should have access to a variety of safe and nutritious foods, and the knowledge that they need to make healthy diet choices. The youth participating here today are setting an example for everyone and are key to promoting good nutrition in Bangladesh.”

There were around 17 stalls of  different organizations, namely Maple Leaf International School, ULAB, Sher-e-Bangla Agriculture University, ProtivaBikashCenter,Noakhali,  Prime Asia University, Noakhali Science & Technology University, MoulanaBhashani Science and Technology University, Nutrition Club, FAO, Bangladesh Agriculture University, College of Home Economics, DPNC, Islamic University,Kushtia, INFC, Imam Gazzali Girls School and College, Joymontop High School.The participants were gleeful and each organization had put their best efforts to uphold their individual projects.The guests and participants were also served breakfast and lunch.

Selected participants competed in amusing games such as open internet challenge, healthy diet chart, food design, mini essay, cooking, street play& video nutrition messages.

At the grand closing ceremony, winners of the various games were chosen from different organizations. BIID Foundation CEO,Md Shahid Uddin Akbar gave a speech which signified the advancements in technologies that BIID has worked on which greatly proved beneficial and is developing still to be the best and also mentioned the integration of new ICT tools including mobile based solution and social media. He also expressed his gratification in successfully conducting this huge event with the cooperation of the collaborating organizations and with the keen support of the members and officials of BIID and also by the enthusiasm of the energetic youth participants. Hon’ble State Minister of  Information and Communication Technology Division,Zunaid Ahmed Palak also delivered a convincing, motivating discourse promulgating healthy food and in proper amount.Next addressed Hon’ble Minister of MoHFW Zahid Malek and Md. Ashadul Islam, Secretary of Health Services Division, MoHFW and Qamrul Islam, MP, Hon’ble Minister, Ministry of Food. Magician Jewel Aich also delivered a few remarks.Then winners of the best stall, best nutrition club, action tree etc were awarded too. The winners chosen are- Street Play:MowlanaBhashani Science & Technology University; Diet Chart: Group A: Imam Gazzali Girls School & College, Group B: College of  Home Economics; Open Internet Challenge: Maple Leaf International School; Food Design: MowlanaBhashani Science & Technology University; Best Nutrition Club: Imam Gazzali Girls School & College; Most Innovative Nutrition Club: College of home economics; Mini Essay: Group A-Imam Gazzali Girls School and College, Group B-Maple Leaf International School, Group C- ULAB; Best Mentor:AbdulRaquib, Senior Science Teacher at Maple Leaf International School and a few more.

The grand event came to an end smoothly. In the last few minutes, winners and participants clicked pictures on the stage with the honorable guests. Such was the extravaganza and we hope the next Nutrition Olympiad is held just as marvelously or perhaps more grandly.

Closing ceremony; respected guests with the winners

[lovebanglamotivation]

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Project 14

Course code and name: MSJ11456 Introduction to Animation (Alternative course to Bangla for Media) Project Name: Animation – “Is Rapping Wrong?” Project Type: Short film Project Date: Fall 2020 Project Theme: Motivated Reasoning Project Description: Our faculty assigned us a short film for final project. We had the freedom to draw or animate anything in our film but it had to be in animation fully and also following the CI theme. Project Objective: With the CI theme, we had to make an animation short film of any kind to portray our message clearly to the viewers. Project Justification: This was a group project. We worked on the concept and storyboard and started working on the final project. The group did not maintain time and their responsibilities properly but we still managed to finish it with extra time. This animation video was selected for the CI forum. We wanted to show that rapping is obviously known around the world as a genre of music but still not properly taken as a good thing in today’s society. So the animation film tells about this issue through a rap music itself.

Group Name: Kryptonite Group Members: Arpan Nuel Thigidi (163012035) Tahsin Tabassum (172012015) Tohin Miah (172012057) Wangkhem Thonglen (172012065) Syed Mustafeez Mustafa (173012003)

Video Title: Is Rapping Wrong? Video link: https://youtu.be/s0FcBQizH5I

Learning and reflections: This project was one of the hardest and the best I worked during my whole university life. I got to rap and write the lyrics and match the song with the rap. My speaking and communication skill has improved a lot that I could rap for this while I would have been scared to even try when I was younger. I learned how to be a proper team leader from this project and be there for each of my members and their task and help them too. My animation and video editing improved a lot too mostly because of telling my team members how to edit and animate.

[dailyshare]

 How blindfoldedly we kept trusting western culture that led to us vanished.



https://gurukulamhistory.blogspot.com/2021/07/how-blindfoldedly-we-kept-trusting.html

After the establishment of convent schooling system in India dharma almost vanished. But some how, now, social media has taken the responsibility of bringing Dharma back to life. 

More than the politicians and many social reformers, social media is a lot capacitive of using their power. 

Despite, many ill-effects of social media, using it as a platform to make people aware about Dharma is the best part of it. 

Nonetheless everything has some drawbacks but we must know how utilize it's capabilities and lessen the harms. 

Many handles on insta, twitter post enormous quotes about Dharma in such a beautiful manner, so that all could understand and relate it. 

But the misery is, when i see how numerous Gurukuls have been destroyed and now we are left with no option rather to send our kids to Coventry schools. 

Whole education system has changed into coventry schooling system.

The first school in England opened in 1811 . At that time India had 732000 Gurukuls. Find out how our Gurukul got closed?

How did Gurukul end?

First tell you what were studied in Gurukul of our Sanatan culture tradition! It is necessary to know what was studied in Rishikul after Aryavarta's Gurukul. 

Change your thoughts with this education and remove the popular delusions!   

01 Agni Vidya (Metallurgy)  

02 Vayu Vidya (Flight)  

03 Water Education (Navigation)  

04 Space Science (Space Science)  

05 Prithvi Vidya (Environment)  

06 Surya Vidya (Solar Study)  

07 Chandra and Lok Vidya (Lunar Study)  

08 Megh Vidya (Weather Forecast)  

09 Substance Electric Education (Battery)  

10 Solar Energy Vidya (Solar Energy)  

11 Day/ night vidya  

12 Srishti Vidya (Space Research)  

13 Astronomy  

14 Geography knowledge (Geography)  

15 Kal Vidya (Time)  

16 Geology Education (Geology Mining)  

17 Gemstones and Metals (Gems & Metals)  

18 Attraction Vidya (Gravity)  

19 Prakash Vidya (Solar Energy)  

20 Vidya (Communication)  

21 Aircraft Vidya (Plane)  

22 Jalayan Vidya (Water Vessels)  

23 Agneya Astra Vidya (Arms & Ammunition)  

24 Biology Sciences (Zoology Botany)  

25 Yagna Vidya (Material Sic)

This is the talk of scientific education. Now let's talk about professional and technical education! 

26 Commerce (Commerce)  

27 Agriculture (Agriculture)  

28 Animal husbandry (Animal Husbandry)  

29 Bird Keeping (Bird Keeping)  

30 Animal Training (Animal Training)  

31 Yan Machine (Mechanics)  

32 Chariot (Vehicle Designing)  

33 Ratankar (Gems)  

34 Gold Car (Jewellery Designing)  

35 Clothing Man (Textile)  

36 Pottery (Pottery)  

37 Blacksmith (Metallurgy)  

38 Takkas  

39 Dying (Dying)  

40 Khatwakar  

41 Rajjukar (Logistics)  

42 Architect (Architect)  

43 Cuisine (Cooking)  

44 Chariot (Driving)  

45 River Manager (Water Management)  

46 Indicators (Data Entry)  

47 Cowshala Manager (Animal Husbandry)  

48 Garden Tents (Horticulture)  

49 Forest Pal (Horticulture)  

50 Measured (Paramedical)   

All this education was taught in Gurukul, but with time, when Gurukul disappeared, this knowledge also disappeared! Today, the future of the youth of our country is being destroyed by the Macaulay method, then in such a time, the redemption of Gurukul is needed.  

How did Gurukul end in India? 

Convent schools ruined. Indian Education Act was formed in 1858 It was drafted by 'Lord Macaulay'. Even before he had conducted a survey of education system here (India), many Britishers had given their reports about India's education system. One of the British officer was G.W. Luther and the other was Thomas Munro! Both of them had surveyed different areas at different times. Luther, who surveyed North India, wrote that there is 97 % literacy here and Munro, who surveyed South India, wrote that here there is 100% literacy.   

Macaulay had clearly said that if India is to be slaves forever, its ′′ indigenous and cultural education system ′′ must be completely demolished and replaced with ′′ English education system ′′ and only then only in body Indians but English will be born from the brain and when they leave the university of this country, they will work in our interest.  

Macaulay is using an idiom - ′′ Just as a farm is thoroughly plowed before a crop is planted, so must it be plowed and brought in the English education system. ′′ That's why he first declared Gurukuls illegal. Then he declared Sanskrit illegal and the Gurukul's of this country he finished it by roaming around setting them on fire, beat the teachers in it and put them in jail.  

Till 1850 there were ' 7 lakh 32 thousand ' Gurukul in this country and at that time there were ' 7 lakhs 50 thousand ' villages in India. Meaning every village had an average Gurukul and all these Gurukuls used to be ' Higher Learning Institute ' in today's language. 18 subjects were taught in all of them and these people of Gurukul Samaj used to run these together, not by the king.  

Education was given free in Gurukuls. This is how all Gurukuls were abolished and then English education was legalized and the first convent school opened in Calcutta. That time it was called 'free school'. Under this law, Calcutta University was created in India, Bombay University was created, Madras University was created, these three slavery-era universities are still in the country!  

Macaulay had written a letter to his father. It is a very famous letter, in it he writes: 

′′ These convent schools will bring out children who look like Indians but are English by brain and they don't know anything about their country. They won't know anything about their culture, they won't have any idea about their traditions, they will not know their idioms, when such children are there in this country, even if the British go away, English will not leave this country. ′′

 The truth of the letter written at that time is clearly visible in this country now and see the misery of the act that we are ashamed to speak our own language. Speak in English to be called an educated. We feel inferior of ourselves who are ashamed to speak our own language.  

People argue that English is the international language. There are 204 countries in the world and the English language is spoken, read and understood in only 11 countries, then how is this international language? Even in terms of words, English is not rich but poor language. The bible of these British was not in English and Jesus Christ did not speak English. The language of Jesus Christ and the language of the Bible were Armec. The script of Armek language was similar to our Bangla language. That language went extinct in the time cycle.   

The language in the United Nations is not English, all the work there is in French. A society that is cut off from its mother tongue never gets good and this was Macaulay’s strategy! In which almost they have conquered because today's youth knows more about Europe than India. Considers Indian culture as dhakosla but imitates western countries. Supports the leftist despite not knowing the importance and characteristics of religion.   

A pricking question to all the brothers, we all should know about religion. Because religion teaches us nationalism, religion teaches us socialism, religion motivates us to sacrifice our life for parents, teachers and nation. Tradition is a spiritual science, spirituality is the richer science than the science we all know today...   

Lets think.   

May be time answers.

[shrimadbhagwadpuran]

Find out how our Gurukul got closed?  How did Gurukul end? 

https://dharma-basics.blogspot.com/2021/07/find-out-how-our-gurukul-got-closed-how.html

The first school in England opened in 1811 . At that time India had 732000 Gurukuls. Find out how our Gurukul got closed?

How did Gurukul end?

First tell you what were studied in Gurukul of our Sanatan culture tradition! It is necessary to know what was studied in Rishikul after Aryavarta's Gurukul. 

Change your thoughts with this education and remove the popular delusions!  

01 Agni Vidya (Metallurgy)  

02 Vayu Vidya (Flight)  

03 Water Education (Navigation)  

04 Space Science (Space Science)  

05 Prithvi Vidya (Environment)  

06 Surya Vidya (Solar Study)  

07 Chandra and Lok Vidya (Lunar Study)  

08 Megh Vidya (Weather Forecast)  

09 Substance Electric Education (Battery)  

10 Solar Energy Vidya (Solar Energy)  

11 Day/ night vidya  

12 Srishti Vidya (Space Research)  

13 Astronomy  

14 Geography knowledge (Geography)  

15 Kal Vidya (Time)  

16 Geology Education (Geology Mining)  

17 Gemstones and Metals (Gems & Metals)  

18 Attraction Vidya (Gravity)  

19 Prakash Vidya (Solar Energy)  

20 Vidya (Communication)  

21 Aircraft Vidya (Plane)  

22 Jalayan Vidya (Water Vessels)  

23 Agneya Astra Vidya (Arms & Ammunition)  

24 Biology Sciences (Zoology Botany)  

25 Yagna Vidya (Material Sic)

This is the talk of scientific education. Now let's talk about professional and technical education!

26 Commerce (Commerce)  

27 Agriculture (Agriculture)  

28 Animal husbandry (Animal Husbandry)  

29 Bird Keeping (Bird Keeping)  

30 Animal Training (Animal Training)  

31 Yan Machine (Mechanics)  

32 Chariot (Vehicle Designing)  

33 Ratankar (Gems)  

34 Gold Car (Jewellery Designing)  

35 Clothing Man (Textile)  

36 Pottery (Pottery)  

37 Blacksmith (Metallurgy)  

38 Takkas  

39 Dying (Dying)  

40 Khatwakar  

41 Rajjukar (Logistics)  

42 Architect (Architect)  

43 Cuisine (Cooking)  

44 Chariot (Driving)  

45 River Manager (Water Management)  

46 Indicators (Data Entry)  

47 Cowshala Manager (Animal Husbandry)  

48 Garden Tents (Horticulture)  

49 Forest Pal (Horticulture)  

50 Measured (Paramedical)  

All this education was taught in Gurukul, but with time, when Gurukul disappeared, this knowledge also disappeared! Today, the future of the youth of our country is being destroyed by the Macaulay method, then in such a time, the redemption of Gurukul is needed.  

How did Gurukul end in India? 

Convent schools ruined. Indian Education Act was formed in 1858 It was drafted by 'Lord Macaulay'. Even before he had conducted a survey of education system here (India), many Britishers had given their reports about India's education system. One of the British officer was G.W. Luther and the other was Thomas Munro! Both of them had surveyed different areas at different times. Luther, who surveyed North India, wrote that there is 97 % literacy here and Munro, who surveyed South India, wrote that here there is 100% literacy.  

Macaulay had clearly said that if India is to be slaves forever, its ′′ indigenous and cultural education system ′′ must be completely demolished and replaced with ′′ English education system ′′ and only then only in body Indians but English will be born from the brain and when they leave the university of this country, they will work in our interest.  

Macaulay is using an idiom - ′′ Just as a farm is thoroughly plowed before a crop is planted, so must it be plowed and brought in the English education system. ′′ That's why he first declared Gurukuls illegal. Then he declared Sanskrit illegal and the Gurukul's of this country he finished it by roaming around setting them on fire, beat the teachers in it and put them in jail.  

Till 1850 there were ' 7 lakh 32 thousand ' Gurukul in this country and at that time there were ' 7 lakhs 50 thousand ' villages in India. Meaning every village had an average Gurukul and all these Gurukuls used to be ' Higher Learning Institute ' in today's language. 18 subjects were taught in all of them and these people of Gurukul Samaj used to run these together, not by the king.  

Education was given free in Gurukuls. This is how all Gurukuls were abolished and then English education was legalized and the first convent school opened in Calcutta. That time it was called 'free school'. Under this law, Calcutta University was created in India, Bombay University was created, Madras University was created, these three slavery-era universities are still in the country!  

Macaulay had written a letter to his father. It is a very famous letter, in it he writes: 

′′ These convent schools will bring out children who look like Indians but are English by brain and they don't know anything about their country. They won't know anything about their culture, they won't have any idea about their traditions, they will not know their idioms, when such children are there in this country, even if the British go away, English will not leave this country. ′′

 The truth of the letter written at that time is clearly visible in this country now and see the misery of the act that we are ashamed to speak our own language. Speak in English to be called an educated. We feel inferior of ourselves who are ashamed to speak our own language.  

People argue that English is the international language. There are 204 countries in the world and the English language is spoken, read and understood in only 11 countries, then how is this international language? Even in terms of words, English is not rich but poor language. The bible of these British was not in English and Jesus Christ did not speak English. The language of Jesus Christ and the language of the Bible were Armec. The script of Armek language was similar to our Bangla language. That language went extinct in the time cycle.  

The language in the United Nations is not English, all the work there is in French. A society that is cut off from its mother tongue never gets good and this was Macaulay’s strategy! In which almost they have conquered because today's youth knows more about Europe than India. Considers Indian culture as dhakosla but imitates western countries. Supports the leftist despite not knowing the importance and characteristics of religion.  

A pricking question to all the brothers, we all should know about religion. Because religion teaches us nationalism, religion teaches us socialism, religion motivates us to sacrifice our life for parents, teachers and nation. Tradition is a spiritual science, spirituality is the richer science than the science we all know today...  

Lets think.  

May be time answers.

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#spiritual #spirituality #dailydevotional #harekrishna #harekeishnaharerama #haribol #quotes #quote #quotgram #quotesgram #dailymotivation #motivation #motivationquotes #lifequotes #vedicwisdom #gita #givegita #vrindavanchandradas #give #harerama #lordkrishna