#musicresearch

[achou277-blog]

Marvin Gaye's Lost Music: The Belgian Connection #MarvinGaye #LostMusic #BelgianConnection #MusicHistory #SoulMusic #RnB #MusicDiscovery #MusicArchives #MusicResearch #Musicology #MusicLegends #MusicDocumentary #MusicHistory #MusicTrivia #MusicFacts #MusicNews #MarvinGayeFans #MusicLovers #BelgiumMusic #HiddenGems

[surveycircle]

Tweeted

Participants needed for online survey! Topic: "Gender Inequality in Music PR, and the Impact on Artists" https://t.co/fmag7eXI0k via @SurveyCircle #MusicResearch #GenderInequality #MusicPr #WomenInMusic #gender #survey #surveycircle https://t.co/KvCdqDGisE

— Daily Research @SurveyCircle (@daily_research) Mar 29, 2023

[chasm2018]

This weekend we are turning the tables. Instead of focusing on being fans of Harry, it is all about Harry the Fan. It is only natural that musicians should be music lovers. Let us never forget that Harry brought a hand-decorated carrot cake to Stevie Nicks at one of her shows. It seems like Harry can probably relate to some of the strange things we do for him.

X

Harry shows his support for artists he loves (including himself) by wearing their merchandise. On Saturday January 12 @a-butterfly-on-his-tummy will be sharing with us the best of Harry in #BandMerch. 

X

When Harry goes to concerts himself, he seems to live by his own advice and does whatever makes him happiest. That can vary from clapping and dancing along, to eating fruit! On Sunday January 13 @whoopsharrystyles will be showcasing Harry doing #MusicResearch by attending concerts.

All the love, The TW team: Hannah, M, Kat, Kay, Courtney, Dawn and Sofia

[iamgabrisan]

GODWIN LOUIS EXPLORES THE WORLDWIDE IMPACT OF AFRO-CARIBBEAN SOUNDS AND CONCEPTS ON MUSIC AND TAKES THEM GL🌍BAL https://godwin.rockpaperscissors.biz/dispatch/pu/25474 @godwinloue Godwin Louis | About💡 http://godwinlouis.com/ ----------------------- HAITI⭐LEGENDS #GodwinLouis #Global #Haitiansaxophonist #NewCD #Feb22 #Jazz #MaleekWashington #HansJohnson #NewMusicMonday #BlueRoomMusic #jazzspeaks #musicresearch #rhythmsofdiaspora #WebertSicot #CadenceRampa #NemoursJeanBaptiste #AfroCaribbean #Compas #CompasDirect #BerkleeCollegeofMusic #RockPaperScissors https://www.instagram.com/p/Btm0USzl50q/?utm_source=ig_tumblr_share&igshid=49cqt3ivyazz

[zerotodrum]

Best Music Notation Software In 2022 (Free & Pro)

Picking the wrong music writing software can mean spending hours writing out something that should be written in minutes, so it pays to do your research. To save you time, we’ve rounded up the best music notation software this year and talked about the pros and cons of each option

Without further adieu, here are our picks for the best music notation software packages of 2022.

More: https://zerotodrum.com/best-music-notation-software/

[willhurdstrings]

Happy belated birthday (25 March) #bélabartók (1881-1945) As a #belabartok birthday gift to myself, I purchased this source catalog of #folkmusic in Bartok’s compositions by Vera Lampert. The book comes with a recording of some of Bartok’s original field recordings from his travels through the central/Eastern European countryside a century ago! Looking forward to gaining a #deeperunderstanding of the music of one of my #favoritecomposers #booksaboutmusic #musichistory #musichistory101 #ethnomusicology #ethnomusicologist #ethnomusicologie #musiceducation #bartók #classicalmusic #musicresearch #musiclibrary #fieldnotes #fieldrecordings #musicianslife #classicaliscool #classicalmusiciscool #violinteacher #musicteacherlife #musiceducator (at Washington D.C.) https://www.instagram.com/p/CbmyYXPOf2s/?utm_medium=tumblr

[3dplanner]

#Tinkering versie 2.1 tot 2.5 van de #whirlytube voor #dwarsfluit met @sofiagantois en #FRart. #3Dprinting by #3Dplanner www.3Dplanner.be #flute #music #fluteplayer #musician #flutist #fl #flutelife #flutemusic #flauta #flutelove #flutes #musicresearch https://www.instagram.com/p/CUr8uCRNOzU/?utm_medium=tumblr

[biointernet]

Music waves Research and the Biointernet

Music waves Research and the Biointernet

https://www.iumab.org/category/music/ When a musician is playing a piece, and the audience is enjoying it, they can develop physical synchronies. The team used a technique called near-infrared spectroscopy to monitor the brain activity of a professional violinist while he was videoed playing a series of 12 brief, classical pieces. They then used the same technique (which involves shining beams of light through the skull, to monitor changes in blood flow) on 16 women while they watched the video, and listened to all of these pieces. (Because gender differences in inter-brain synchronisation have previously been observed, only women were recruited as listeners.)

BIOELECTROGRAPHY OF MUSICAL ENVIRONMENT

The averaged inter-brain coherence between the audience and a violinist predicts the popularity of violin performance

Highlights

Music popularity is explored in terms of interpersonal brain synchronization.• Dual-NIRS approach is used to record brain activity of the violinist and audience.• The averaged IBC between audiences and the violinist correlates with popularity.• IBC not only discriminates high and low popularity, but also predicts popularity.• Music appreciation involves brains in a temporally aligned network.

Abstract

Why is some music well-received whereas other music is not? Previous research has indicated the close temporal dependencies of neural activity among performers and among audiences. However, it is unknown whether similar neural contingencies exist between performers and audiences. Here, we used dual near-infrared spectroscopy (NIRS) to assess whether inter-brain synchronization between violinist and audience underlies the popularity of violin performance. In the experiment, individual audience members (16 females) watched pre-recorded videos, each lasting 100 ​s or so, in which a violinist performed 12 musical pieces. The results showed that the popularity of the performance correlated with the left-temporal inter-brain coherence (IBC) between the audience and the violinist. The correlation was stronger at late watching (>50 ​s) than at early watching (≤50 ​s). The smaller the Granger causality from the audience to the violinist was, the higher was the popularity of the piece with the audience. Discriminant analysis showed that the IBC could distinguish high popularity from low popularity. Further analysis using support vector regression showed that the IBC could also predict the popularity. These findings reveal the association of IBC with the popularity of violin performance. Music appreciation involves the brains of music producers and perceivers in a temporally aligned network through which audiences perceive the intentions of the performer and show positive emotions related to the musical performance. IBC, Performance popularity, Violin, Temporal, cortex, NIRS https://www.sciencedirect.com/science/article/pii/S1053811920301427?dgcid=rss_sd_all https://digest.bps.org.uk/2020/03/23/musicians-and-their-audiences-show-synchronised-patterns-of-brain-activity/ https://www.iumab.org/category/music/

IUMAB Music Research Library

Music Waves, GDV Sputnik, Brain activity and more Welcome! Music waves Research and the Biointernet See also:

2020 Influence of mobile phone to people

2020 Influence of mobile phone to people IUMAB Music Research Library Influence of mobile phone to the brain Response mobile phone to people

2020 Music structuration of water

2020 Music structuration of water IUMAB Music Research Library Bioelectrography Water Research

2020 Remote detection of music influence

2020 Remote detection of music influence IUMAB Music Research Library Distant influence Research Read the full article

[codysummit]

Another score from this weekend- this old biography of John Lee Hooker that I haven’t read in eons. If I had to describe his music it would be “magic”. It’s not about technique, it’s pure feel. You listen to him and you fall under his spell. It’s actually great for going to sleep to in that regard (the more acoustic stuff). Furry Lewis also has that quality to me. That magic, that voodoo, whatever it is...blues! Also here’s an old Ibanez DE-7 delay I used to use. I hope it works! I remember liking this pedal, and folks seem to be shelling out $$$ for them on reverb. Cha-Ching! #johnleehooker #musicbio #musicbiography #research #musicresearch #doyourhomework #read #ibanezde7 #oldguitarpedal #reverb #chaching #gettingpaid #blues #rootsmusic #rootsmusician https://www.instagram.com/p/B2x5D14noqq/?igshid=1nivhglsb6xne

[ethnotestoronto]

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Exploring Kensington Market with Professor Farzaneh Hemmasi. The multi-year Kensington Market Research Project has been producing an unprecedented body of knowledge about Toronto's most celebrated multicultural heitage district since 2014. Read more about the KMRP at ethnographylab.ca/category/kensington-market . 📹 Adam Fainman

[sandylolahoney]

View this post on Instagram

A post shared by Sandy Powlik aka Lola Parks (@lolaparks)

Sweet #serendipity! Saw @theenglishbeat at @bellyuptavern on Friday - so good! “Where is the tenderness, where is it?” #tenderness #livemusic #bellyup #danceparty #SolanaBeach #California #musicresearch #beats #upbeatmusic #britpop (at Belly Up)

[shawnterrywhc]

MUSIC IDEAS

I have looked at a range of music with different beats that may complement with the visual outcome that I am trying to convey. I have essentially chosen remix music because it has this urban yet a sophisticated feel to it that I really like about. I decided to look at different paced music to visualised how it will fit the outcome, depending on the aesthetic and state that the result has presented. The type of genre that I have chosen to explore was inspired by Youtubers like ToThe9s because of the pace of the music flows smoothly and the climax of the music is gripping yet calming at the same time, and I think it will provide the ambience of the video more gratifying. 

[haitilegends]

THE RHYTHMS OF DIASPORA : Godwin Louis SPEAKS | JAZZ SPEAKS - http://www.jazzspeaks.org/the-rhythms-of-diaspora-godwin-louis-speaks/

"On the process of doing research for his upcoming album Global

" I’ve spent the last seven years exploring that and studying and understanding the connection that was brought to #Haiti from West #Africa. I’ve gone to Africa five times in the last four years. The music on my upcoming album, Global, is based on the music transported out of Africa, to the rest of the world via the transatlantic slave trade.

This process of exploration began thanks to a grant that The Jazz Gallery gave me to pursue my compositional voice. During that period of 2013-2014, I was noticing a lot of connections between Haiti and New Orleans. I was fortunate enough to live in both places, and I couldn’t help but notice the similarities in terms of culture, architecture, even in terms of cuisine, musically, of course. And then historically, I found major connections rooted in the Haitian revolution. In 1790 and 1804, you had a lot of affranchis, free people of color, that fled Haiti to what was then known as #French #Louisiana. And, of course, they brought their culture and their rhythm. So I was intrigued in that and I began exploring that music, and I presented some of that at the Jazz Gallery in June 2014.

And because of that, I was able to continue to dig even deeper. I went back “across the pond” to Africa to see some of the things that were brought in and how much they’ve changed, and I’ve extended those studies to South America as well.

I began to understand that whenever I see triple meter, that’s something that’s coming from West Africa. So that’s an area that spans from Senegal to Western Nigeria, and back then we would consider that as either Upper or Lower Guinea. In places like Haiti, you hear terms like that, where they’ll say “nég Guinea” meaning, a fella from Guinea. And then also, the other term that you would hear is “nég Kongo” meaning a person from Kongo, meaning a fella from Kongo, which is modern day Cameroon all the way down to Angola. And that’s sort of like “duple meter.” So in West Africa, you have a big triple meter connection, and whenever you see technical things that are in 6/8 or 3/4 , that kind of “Afro” sound that they call it in jazz: “Afro-Cuban”, “Afro-Jazz”….that triple sound is coming from West Africa: Yoruban rhythms, Dahomey, Benin, Togo, Ghana. But whenever we’re dealing with duple meter, which is some of the sounds found in Haiti and New Orleans—you know, Congo Square.

One of the hubs for a lot of the cultures that were transported is Haiti because, in Haiti, there were tribal religions that were preserved. You have rhythms for instance, called Nago, and I found that the Nago rhythm that I always heard in Haiti is actually coming from a tribe in Benin. Nago is pretty a much the Yoruba people in Benin. So if you’re in Nigeria, you’re Yoruban, but if you’re from Benin, you’re Nago. In Haiti, there is a rhythm called #Nago, and that’s very similar to what we know today as the swing rhythm. Sort of like when you’re listening to Elvin Jones, that feels to me like a Nago rhythm.

So, the Haitians were able to conserve and preserve some of those rhythms. And also we have #Kongo, which is also a rhythm that happens to be a duple meter rhythm, and those roots are coming from Kikongo culture from Central Africa. And then we have rhythms like #Yanvalou. All of these rhythms are associated with places in Africa, the names of kings, and so on. So I think because of what the Haitians achieved in gaining independence from slavery, they were able to keep a lot of those rhythms and a lot of those tribal names. Lots of people doing research on the African influence in the United States tend to bypass Haiti, but I really found it to be the hub. The three hubs are #Cuba, Haiti, and Brazil in terms of finding that pure connection to Africa. But again, researchers and #ethnomusicologists usually go to Cuba and #Brazil but don’t know anything about Haiti. So it was interesting for me to connect it all. 💡

On the compositional process and how it related to his research:

I spent a lot of time visiting certain regions and certain tribes and listening to the different sounds and the use of language in the music. I was in Mali listening and learning, and I was sitting in a rehearsal. It was fascinating to me the way that Bambara, which is the local dialect that they were singing in…it was interesting to me how the time signature was always based on the text. So a lot of the time, you would have an over-the-bar-line idea because of the text. And I would sit trying to figure it out, and I asked them: “why is it like that? This isn’t really 6/8…I heard a bar of 5 here, a bar of 6”. And then I was told, “oh no, this is all based on the text. So I have to finish the phrase, whether it falls on a bar of 4 or bar of 5. You Americans look at it like this, but for us, it’s all based on the text.” So for me it’s about exploring the rhythm in the language. I try to have the melodies match the feeling and rhythm of the language. And oftentimes, that means writing melodies that go over the bar line. I call that a “textual approach to melody”, which is the way they would do it in Mali or with the Dahomeys or in Benin.

Now, I think the next thing will be exploring East Africa. Going to Ethiopia, to Egypt, Kenya. Because I’ve found some interesting connections, historically and musically between East Africa and West Africa, but that’s for the next excursion.

I used to play in an Ethiopian jazz band called the Either/Or Ensemble, and that was really my introduction to African music in general. I got to play with the great Mulatu Astatke, and I’m actually featured on one of his albums. The band got to travel to Ethiopia and it was an amazing experience, and that was my first time playing that music. And I found that influence in Togo. Vodoo music in Togo uses that same scale called the Anchihoye. So I’m kind of intrigued. How did that mode get from Ethiopia to Togo?

On Haitian saxophonists that inspired Godwin:

I grew up listening to a lot of this Haitian saxophonist named Webert Sicot. He was known as the Siwel saxophonist. It’s sort of like the Caribbean or Haitian version of a Trad-Jazz or Dixieland style of playing. Sort of like Louis Armstrong in the way that Louis Armstrong emotes on the trumpet: all those beautiful melodic ideas. That’s called a Siwel. And I grew up listening to that kind of sound and that super-melodic way of soloing, and Webert Sicot was one of the kings of that sound. So I was learning a lot of this language through Webert Sicot without even knowing what it was. Webert Sicot was the king of a genre called Cadence Rampa that was influenced by the French Antilles, Martinique, Guadeloupe, Dominica. He was actually Nemours Jean-Baptiste’s [ the popular Haitian tenor saxophonist and bandleader] rival. Nemours Jean-Baptiste carved out the Compas genre as his own, so Webert Sicot decided to start his own style called Cadence Rampa. And they both are amazing musicians of course, but in terms of marketing, they decided to go their separate ways. Cadence Rampa was more French Antillean. But Compa became the music of the people because of the lyrics and accessible sound. "

SOURCE :

💡 READ MORE :

http://www.jazzspeaks.org/the-rhythms-of-diaspora-godwin-louis-speaks/

-------------------------------

💡Rock Paper Scissors - Godwin Louis - Godwin Louis Explores the Worldwide Impact of Afro-Caribbean Sounds and Concepts on Music and Takes them Global

https://godwin.rockpaperscissors.biz/dispatch/pu/25474

----------------------

GLOBAL by GODWIN LOUIS on Amazon Music -

https://www.amazon.com/Global-Godwin-Louis/dp/B07NDJ93NS

GLOBAL by GODWIN LOUIS on iTunes

https://itunes.apple.com/us/album/global/1451576702

GODWIN LOUIS | Global | CD Baby Music Store

https://store.cdbaby.com/cd/godwinlouis

----------------------------------

🎥 Watch "GODWIN LOUIS -

"I CAN'T BREATHE"

https://youtu.be/uHa_jaG9BRo

From his upcoming album:

G L 🌍 B A L

to be released on February 22, 2019

Music video featuring: Maleek Washington Directed by: Hans Johnson Blue Room Music

-----------------------------------

Godwin Louis | About💡

http://godwinlouis.com/

-----------------------

HAITI⭐LEGENDS

#GodwinLouis #Global

#Haitiansaxophonist

#NewCD #Feb22 #Jazz

#MaleekWashington #HansJohnson #NewMusicMonday #BlueRoomMusic

#jazzspeaks #musicresearch #rhythmsofdiaspora

#WebertSicot

#CadenceRampa

#NemoursJeanBaptiste

#AfroCaribbean

#Compas #CompasDirect

#BerkleeCollegeofMusic

[harryknowsme]

Thanks for joining me on this week’s Themed Weekends fun with #MusicResearch.  In my opinion, Harry really needs to attend more concerts!  Who’s with me?

[surveycircle]

New on my Pinterest: New Studies @SurveyCircle http://bit.ly/2De7Qh7 : Participants needed for online survey! Topic: "An Insight into the Music Community Online" http://bit.ly/2F6ikTK via @SurveyCircle #Mulo #Music #Communtiy #MusicResearch #Insight #MusicCommunity #Survey http://bit.ly/2NWq0en #SurveyCircle #Research #Survey #Study #CallForParticipants #Participants #Respondents | Participate now: http://bit.ly/2ubuYeh

[ellieripleyresearch]

“The best moments in our lives are not the passive, receptive, relaxing times… The best moments usually occur if a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.”

– Mihaly Csikszentmihalyi 

Positive psychological flow, is a mental state where the person performing an activity is fully immersed, with a sense of energised focus and concentration for the task. 

Photos: Holly Rollins