“The men sat in the next booth at the Brown Derby. My back was to them. Suddenly I perked up as I heard my name.
“Liz Renay,” one of them said. “There’s a girl who had some tough breaks.”
“She brought it on herself,” the other voice said.
“Still … it’s kind of sad. She wasn’t just another one of those French pastries who come to Hollywood to look for fame. She had it. She has one of the most beautiful faces I ever saw. You know, she just missed being great.”
I turned to get a look at the man who had just spoken. I recognized him as William Ornstein, a reporter for Hollywood Reporter.
Ornstein spoke again: “Yeah, that Renay really could have made it big. She was on the way to becoming a superstar. Add a few good breaks and subtract a few of the bad ones and you know, she could have been Marilyn Monroe.”
/ From Liz Renay’s chatty, meandering autobiography My Face for the World to See (1971) /
Born on this day: the sublime Liz Renay (née Pearl Elizabeth Dobbins, 14 April 1926 - 22 January 2007) – b-movie actress / burlesque queen / jailbird / naive outsider painter / gangster Mickey Cohen’s moll / “Streaking Grandmother” / authoress of multiple volumes of sordid memoirs (including My First 2,000 Men and Staying Young) / all-round kitsch icon and the woman hailed by John Waters as “my idea of total glamour.” For Waters’ fans, Renay is venerated for her performance as Muffy St Jacques in punk masterpiece Desperate Living (1977) - especially for her acidic delivery of lines like, "I was having an erotic dream!" and "I sleep in the room next door - naked!" She’s also memorable in The Thrill Killers (1964) and The Hard Road (1970).
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i'm a thousand different people. every one is real.
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I'll never not believe that Davos is the one who fell first and harder. that he wasn't the one getting his heart truly broken. the one fighting for Aaron's love and attention and aching when he is denied. the one longing for Aeron and having to reckon with the fact that he can never truly have him, there's too much keeping them apart.
sure, Aeron has his own feelings, his own longing, his dread.
but you can see it in their faces, it's Davos's heart that's a mess, his soul that is aching, while Aeron is more confused and unsure of his own feelings and where they lie in the mess that is feuds and war and blood and kin.
Davos is angry but full of bitter, rage filled acceptance. Aeron is scared, confused, and stuck between acceptance and denial. and it's breaking me.
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Have a Sun, Moon, and a StarrSpice!
I’ve been super busy with work and other stuff in my life so I haven’t had the time energy or motivation to really draw all that much, but with things settling down a bit I decided to stretch my drawing muscles and dive back in
And who better to do that with than sun and Moon? The most drawable boys ever
Very self indulgent but very much needed with the chaos in my life lately
It feels good to be back
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something about percy nearly dying at luke's hand at the end of tlt ruffles my bones. because imagine feeling like a burden to anyone who dared to care for you. imagine blaming yourself for the death of your mother. imagine grieving in black and white amid a world of color. and then an older brother sees you for all of your sorrow and pain. your cries for help that go unanswered. your longing for a reason to breathe again. and becoming someone you look forward to confiding in when the dust settles. only to discover that their source of light was merely a flame. and the summer air was always meant to burn you alive. truly haunting.
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