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#nba streets vol 3
johnnyandplankburner · 10 months
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Dunk Contest: Luigi
NBA STREET VOL. 3 (2004)
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oldschoolhip-hop · 10 months
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Core Classics: Whit Recreates Legendary Games from Childhood
Whit is a nostalgia artist who recreates our favorite memories from our childhood and applies them onto a canvas. These are just 3 of her wonders, from NBA Street Vol. 1 & 2 we see Stretch looking fly, but her real talents showed in Volume 2 with Michael Jordan, Dr Julius Erving, & Bonafide who look just as stunning as they did in 2003. The cover for Def Jam Fight for NY looks real clean with the…
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View On WordPress
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theadamantium · 1 year
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Harri’s Picks: Top 50 Modern Video Games (21st Century Consoles)
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Kingdom Hearts (2002)
The Witcher 3: Wild Hunt (2015)
Red Dead Redemption 2 (2018)
Uncharted 2: Among Thieves (2009)
Kingdom Hearts II (2006)
Escape From Monkey Island (2001)
Bully (2006)
Super Mario Odyssey (2017)
Metal Gear Solid 3: Snake Eater (2004)
Rock Band 2 (2008)
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11.  Red Dead Redemption (2010) 12.  The Last of Us Part II (2020) 13.  Grand Theft Auto V (2013) 14.  Indigo Prophecy (2005) 15.  Sly 2: Band of Thieves (2004) 16.  Uncharted: Drake’s Fortune (2007) 17.  Guitar Hero III: Legends of Rock (2007) 18.  Bioshock (2007) 19.  God of War Ragnarök (2022) 20.  The Last of Us (2013)
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21.  Uncharted 4: A Thief’s End (2016) 22.  Rock Band (2007) 23.  Psychonauts (2005) 24.  Hot Shots Golf 3 (2002) 25.  Jak and Daxter: The Precursor Legacy (2001) 26.  Ghost of Tsushima (2020) 27.  Batman: Arkham Asylum (2009) 28.  God of War (2018) 29.  Winning Eleven 9 (2006) 30.  Spider-Man (2018)
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31.  Metal Gear Solid V: The Phantom Pain (2015) 32.  Elder Scrolls IV: Skyrim (2011) 33.  Cyberpunk 2077 (2020) 34.  Middle-earth: Shadow of Mordor (2014) 35.  Grand Theft Auto IV (2008) 36.  God of War II (2007) 37.  NBA Street Vol. 2 (2003) 38.  Metal Gear Solid 4: Guns of the Patriots (2008) 39.  Dark Cloud 2 (2003) 40.  Tony Hawk’s Underground (2003)
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41.  SSX 3 (2003) 42.  Super Mario 3D World + Bowser’s Fury (2021) 43.  LittleBigPlanet (2008) 44.  Horizon Forbidden West (2022) 45.  Middle-earth: Shadow of War (2017) 46.  Gears of War 2 (2008) 47.  God of War (2005) 48.  Sly 3: Honor Among Thieves (2005) 49.  Uncharted 3: Drake’s Deception (2011) 50.  Ape Escape 2 (2003)
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missscifisunshine · 2 years
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What PS2 games are your go to?
Oh I love this question cause that means I get to nerd out for 3 seconds
I usually play SSX Tricky, SSX3, Kingdom Hearts, Sonic Heroes, NBA Street Vol 2, and occasionally one of the Bratz games when I really wanna feel like a kid….
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smokeybrandreviews · 1 year
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Get Out
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My kid brother posted this meme on Facebook stating that the best games from the PS2 era were Resident Evil 4 (Which, f*ck no, that port was trash!), Grand Theft Auto: San Andreas, and Need For Speed: Underground 2. Personally, i disagree. My list would be Persona 3 Fes, NBA Street vol. 2, and Tekken 5, in that order, with Grand Theft Auto: Vice City coming in at a close fourth place. Why isn't San Andreas on that list? Because i f*cking hate it. Now, don't misunderstand me, as a game, it's unassailable and deserves all of the shine it gets. Mechanically, what Rock Star was able to do with that title, pushing the PS2 to it's absolute limits in order to develop a true classic of the genre, is definitely worth mentioning. I give them full marks for that. No, my beef is with the actual content of the game. The very idea of San Andreas is offensive to me, and the fact that it's so popular only compounds that ire. That's my life. I was the black kid who grew up in the ghetto during the Nineties. That's a lived experience for me and, even though it's a game with made up scenarios that go way over the top towards the end, it still felt like disrespect. Rockstar made light of all that violent sh*t, all of those horrible experiences I endured at an age where I should have only been concerned about toys and cooties, and sold it. That sh*t wasn't fun. It wasn't a game. I ad two guns pulled on me before I made it to the sixth grade. The firs time a cop saw me as a threat, I was four years old. I've been to three separate house parties that have been aired out. That means shot up for those of you who aren't from where I'm from. When you're in it, its life. It's every day sh*t. When I got out of it, when I survived my statistical death and/or incarceration, looking back on all that sh*t, it was f*cked up. It shouldn't be a goddamn video game. I know people who weren't fast enough to get out of those parties. I know people who were in the wrong place, at the wrong time, and cat a wayward bullet. That sh*t isn't something i can just “turn off” and walk away from. I carry those experiences with me everywhere. They informed my entire life, for better or worse, so to see a goddamn video game portray them to the masses with suck flippancy, is f*cking infuriating.
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San Andreas wasn't a loving satire like Friday or an introspection like Boyz n the Hood. It felt like the Rockstar developers just watched a bunch of hood films and made one themselves. It felt like a bunch of white boys watched Menace II Society and said, "I want to do that." So they did. And then it got worse. San Andreas got so big because suburban white kids made it that way. I'm not one to hoard my culture from anyone. Black people make dope sh*t. From music, to fashion, to food; Out culture is f*cking dope. Literally, when people say anything about “American” culture, it's almost all black. We created Blues. We created Rock n Roll. We created Rap and Hip Hop. We made Nike a thing. Friends exists because Living Single f*cking killed. The CW exists today because we, as black people, supported them for years in the ratings. Same with Fox. Blackness, black people, are the backbone of everything “American” and we have to survive in a country that fetishizes our struggle, but hates us for that struggle. “Everybody wanna be a n*gga, but don't nobody wanna be a n*gga.” Paul Mooney, rest in peace, was speaking truth to power with that statement and San Andreas is the physical manifestation of that sentiment. Much like everything we produce, white people co-opted it and decided to make it their own. My lived experience was turned into a goddamn video game for white, suburban, consumption and, just like my music, they took that sh*t and ran. Motherf*ckers made that sh*t the best selling game on the PS2. Think about that; San Andreas sold MILLIONS upon MILLIONS of copies, topping all-time best selling charts because of white dollars. Now juxtapose that against the content of said game and tell me I'm talking out my ass.. San Andreas sold so well so non-black kids could detach themselves from the reality of that life, and safely cosplay as poor black kids from the hood. If games are a form of wish fulfillment and escapism, then these privileged white kids were making light of me entire goddamn life! Pretending to be a gang-banging gangster was a game to them. Running from strays was fun for them. Moving drugs and getting caused by cops was this make believe life they could just save and walk away from when they were finished. How is that not wildly f*cked up? It's super weird to me more black folks don't take issue with that. I'm not saying San Andreas is racist or that you're a bigot for enjoying it, I'm saying the game, itself, is problematic as f*ck and if we're looking back to hold ourselves accountable, I feel like this thing should really be addressed as well.
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smokeybrand · 1 year
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Get Out
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My kid brother posted this meme on Facebook stating that the best games from the PS2 era were Resident Evil 4 (Which, f*ck no, that port was trash!), Grand Theft Auto: San Andreas, and Need For Speed: Underground 2. Personally, i disagree. My list would be Persona 3 Fes, NBA Street vol. 2, and Tekken 5, in that order, with Grand Theft Auto: Vice City coming in at a close fourth place. Why isn't San Andreas on that list? Because i f*cking hate it. Now, don't misunderstand me, as a game, it's unassailable and deserves all of the shine it gets. Mechanically, what Rock Star was able to do with that title, pushing the PS2 to it's absolute limits in order to develop a true classic of the genre, is definitely worth mentioning. I give them full marks for that. No, my beef is with the actual content of the game. The very idea of San Andreas is offensive to me, and the fact that it's so popular only compounds that ire. That's my life. I was the black kid who grew up in the ghetto during the Nineties. That's a lived experience for me and, even though it's a game with made up scenarios that go way over the top towards the end, it still felt like disrespect. Rockstar made light of all that violent sh*t, all of those horrible experiences I endured at an age where I should have only been concerned about toys and cooties, and sold it. That sh*t wasn't fun. It wasn't a game. I ad two guns pulled on me before I made it to the sixth grade. The firs time a cop saw me as a threat, I was four years old. I've been to three separate house parties that have been aired out. That means shot up for those of you who aren't from where I'm from. When you're in it, its life. It's every day sh*t. When I got out of it, when I survived my statistical death and/or incarceration, looking back on all that sh*t, it was f*cked up. It shouldn't be a goddamn video game. I know people who weren't fast enough to get out of those parties. I know people who were in the wrong place, at the wrong time, and cat a wayward bullet. That sh*t isn't something i can just “turn off” and walk away from. I carry those experiences with me everywhere. They informed my entire life, for better or worse, so to see a goddamn video game portray them to the masses with suck flippancy, is f*cking infuriating.
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San Andreas wasn't a loving satire like Friday or an introspection like Boyz n the Hood. It felt like the Rockstar developers just watched a bunch of hood films and made one themselves. It felt like a bunch of white boys watched Menace II Society and said, "I want to do that." So they did. And then it got worse. San Andreas got so big because suburban white kids made it that way. I'm not one to hoard my culture from anyone. Black people make dope sh*t. From music, to fashion, to food; Out culture is f*cking dope. Literally, when people say anything about “American” culture, it's almost all black. We created Blues. We created Rock n Roll. We created Rap and Hip Hop. We made Nike a thing. Friends exists because Living Single f*cking killed. The CW exists today because we, as black people, supported them for years in the ratings. Same with Fox. Blackness, black people, are the backbone of everything “American” and we have to survive in a country that fetishizes our struggle, but hates us for that struggle. “Everybody wanna be a n*gga, but don't nobody wanna be a n*gga.” Paul Mooney, rest in peace, was speaking truth to power with that statement and San Andreas is the physical manifestation of that sentiment. Much like everything we produce, white people co-opted it and decided to make it their own. My lived experience was turned into a goddamn video game for white, suburban, consumption and, just like my music, they took that sh*t and ran. Motherf*ckers made that sh*t the best selling game on the PS2. Think about that; San Andreas sold MILLIONS upon MILLIONS of copies, topping all-time best selling charts because of white dollars. Now juxtapose that against the content of said game and tell me I'm talking out my ass.. San Andreas sold so well so non-black kids could detach themselves from the reality of that life, and safely cosplay as poor black kids from the hood. If games are a form of wish fulfillment and escapism, then these privileged white kids were making light of me entire goddamn life! Pretending to be a gang-banging gangster was a game to them. Running from strays was fun for them. Moving drugs and getting caused by cops was this make believe life they could just save and walk away from when they were finished. How is that not wildly f*cked up? It's super weird to me more black folks don't take issue with that. I'm not saying San Andreas is racist or that you're a bigot for enjoying it, I'm saying the game, itself, is problematic as f*ck and if we're looking back to hold ourselves accountable, I feel like this thing should really be addressed as well.
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tittalink · 2 years
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Nba street showdown iso download
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#Nba street showdown iso download install#
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If you enjoy this free ISO on, then you may also like other Sony Playstation Portable titles. You can also play this game on your mobile device. Download NBA Street Showdown (Europe) ISO to your computer and play it with a compatible emulator. Wireless Head-to-Head Play: Play one-on-one against a friend in the original Pick Up game mode. NBA Live 06 (US).iso (View Contents) 1 18:50: 1.2G: NBA Live 07 (US).iso (View Contents) 1 21:30: 1.4G: NBA Live 08 (US).iso (View Contents) 1 21:40: 1.5G: NBA Live 09 (US).iso (View Contents) 1 21:51: 1.5G: NBA Live 10 (US).iso (View Contents) 1 22:04: 1.6G: NBA Street Showdown (US).iso (View. NBA Street Showdown (Europe) ISO download is available below and exclusive to. Two Unique Game Modes: Earn style points in Shot Blocker and Arcade Shootout modes and enhance your status as the game’s newest street legend. Create Your Own Baller: Add your personal style to your created street baller and hold your own against the greatest legends in King of the Court mode.
#Nba street showdown iso download full#
Rule the Streets: Take on the biggest stars of the NBA in full Street style, battle it out with a 3-on-3 game, or go on the ultimate quest to become a Street legend in the King of the Court mode. NBA STREET VOL.2 iso for Playstation 2 (PS2) and play NBA STREET VOL.2 on your devices windows pc, mac ,ios and android Welcome to wowroms. Begin your journey to become a street legend with NBA Street: Showdown on PSP. NBA Street Showdown (Japan) Playstation Portable Download ROM. Defeat the best the streets have to offer with an arsenal of dunks, passes, dribbles, and tricks. With NBA Street: Showdown, tip off against the baddest old-school legends and today’s hottest players and rise above the rim with bigger-than-life moves. Create Your Own Baller: Add your personal style to your created. Rule the Streets: Take on the biggest stars of the NBA in full Street style, battle it out with a 3-on-3 game, or go on the ultimate quest to become a Street legend in the King of the Court mode. Note: You've downloaded (all parts) and right click on part 1 "Extract to folder, enter password,then all parts will be extracted and you will see the ISO or CSO file.Take your skills to a new level and challenge the greatest basketball icons to ever hit the court. Begin your journey to become a street legend with NBA Street: Showdown on PSP. Extract this file (the game) using WINRAR application to your computer or your psp and be happy. Inside this file you need search a file with format (.cso/.iso/.dax). STEP 3: After COMPLETING THE LINKS above, the file is compressed into a. STEP 2: Download your Favorite PSP or PSP-slim Games NOW!!!! STEP 1: To start this direct link download, you have to COMPLETE THE LINKS given below. Vimms Lair is funded solely through advertising and strives to keep ads as unobtrusive as possible. Extract this file (the game) using WINRAR application to your computer or your psp and be happy. Download 'NBA Street Homecourt' for the PlayStation 3. STEP 2: Download your Favorite PSP or PSP-slim Games NOW!!!! STEP 3: Open the file via µTorrent
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STEP 1: To start this P2P download, you have to install a Please read the instruction carefully if you don't want to get any problems. Begin your journey to become a street legend with NBA STREET Showdown. Defeat the best the streets have to offer with an arsenal of dunks, passes, dribbles, and tricks. NBA Live 10 (v1.01) NBA Street Showdown : NBA Street Showdown: NBA Street Showdown (v1.01) NBA Street Showdown: NCAA Football 07 (v2.00) NCAA Football 07: NCAA Football 09: NCAA Football 10: NFL Street 2 Unleashed: NFL Street 2 Unleashed (v1.02) NFL Street 3: NFL Street 3: NHL 07 (v1.01) NHL 07 (v1.01) NHRA Drag Racing Countdown to the. With NBA STREET Showdown, tip off against the baddest old-school legends and today’s hottest players and rise above the rim with bigger-than-life moves.
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hxshigami · 7 years
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NBA Street Vol. 3, GameCube
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aion-rsa · 3 years
Text
HBO Max New Releases:. July 2021
https://ift.tt/eA8V8J
LeBron James might be out of the NBA playoffs, but he’s still angling to be a big part of the summer entertainment season. That’s because HBO Max’s list of new releases for July 2021 is highlighted by a very special sequel.
Space Jam: A New Legacy premieres on July 16. will find LeBron teaming up with the Looney Tunes in a Warner Bros. IP-extravaganza. Can ‘Bron and the Looney Tunes beat the Goon Squad before Warner Bros.’ server steals LeBron “Bronny” Jr.’s soul (or something)? Let’s hope so. The two other major WB releases this month, No Sudden Move and Tom and Jerry in New York, both come to HBO Max on July 1.
HBO Max is also bringing some fun TV shows to its stream this month. The long-awaited Gossip Girl revival premieres on July 8. That will be followed by Mike White’s satirical limited series The White Lotus on July 11. Ronan Farrow’s excellent book Catch and Kill gets a docuseries adaptation on July 12.
July 1 will see the arrival of library titles like Planet of the Apes, Reservoir Dogs, and Scream. Recent hit Judas and the Black Messiah comes to HBO Max on that date as well. It’s a good month for geek TV with the Doctor Who 2020 Christmas Special (July 1), Nancy Drew season 2 (July 3), and Batwoman season 2 (July 27) all coming home to their streaming residence.
HBO Max New Releases – July 2021
TBA FBOY Island, Max Original Season 1 Premiere Romeo Santos: King of Bachata, 2021 (HBO) Romeo Santos Utopia Live from MetLife Stadium, 2021 (HBO)
July 1 ¡Come! (aka Eat!), 2020 8 Mile, 2002 (HBO) All Dogs Go to Heaven 2, 1996 (HBO) All Dogs Go to Heaven, 1989 (HBO) Behind Enemy Lines, 1997 (HBO) Beneath the Planet of the Apes, 1970 (HBO) Bio-Dome, 1996 (HBO) Black Panthers, 1968 Blackhat, 2015 (HBO) Brubaker, 1980 (HBO) Cantinflas (HBO) Conquest of the Planet of the Apes, 1972 (Extended Version) (HBO) Cousins, 1989 (HBO) Dark Water, 2005 (HBO) Darkness Falls, 2003 (HBO) Demolition Man, 1993 Dirty Work, 1998 (HBO) Disturbia, 2007 (HBO) Doctor Who Holiday 2020 Special: Revolution of the Daleks, 2020 Duplex, 2003 (HBO) Escape from the Planet of the Apes, 1971 (HBO) Eve’s Bayou, 1997 Firestarter, 1984 (HBO) First, 2012 For Colored Girls, 2010 (HBO) For Greater Glory: The True Story of Cristiada, 2012 (HBO) Full Bloom, Max Original Season 2 Finale Ghost in the Machine, 1993 (HBO) The Good Lie, 2014 (HBO) Gun Crazy, 1950 House on Haunted Hill, 1999 Identity Thief, 2013 (Extended Version) (HBO) Ira & Abby, 2007 (HBO) Joe Versus the Volcano, 1990 Judas and the Black Messiah, 2021 (HBO) Laws Of Attraction, 2004 (HBO) Lucky, 2017 (HBO) Maid in Manhattan, 2002 Married to the Mob, 1988 (HBO) Midnight in the Garden of Good and Evil, 1997 Mississippi Burning, 1988 (HBO) Monster-In-Law, 2005 Mousehunt, 1997 (HBO) My Brother Luca (HBO) No Sudden Move Pleasantville, 1998 The Prince of Tides, 1991 Project X, 1987 (HBO) The Punisher, 2017 (HBO) Punisher: War Zone, 2008 (HBO) Rambo, 2008 (Director’s Cut) (HBO) Reds, 1981 (HBO) Reservoir Dogs, 1992 (HBO) The Return of the Living Dead, 1985 (HBO) Return of the Living Dead III, 1993 (Extended Version) (HBO) Rounders, 1998 (HBO) Saturday Night Fever, 1977 (Director’s Cut) (HBO) Scream, 1996 Scream 2, 1997 Scream 3, 2000 Semi-Tough, 1977 (HBO) The Sessions, 2012 (HBO) Set Up, 2012 (HBO) Snake Eyes, 1998 (HBO) Staying Alive, 1983 (HBO) Stuart Little, 1999 The Texas Chainsaw Massacre, 2003 Tom and Jerry in New York, Max Original Series Premiere Trick ‘R Treat, 2009 (HBO) Tyler Perry’s Daddy’s Little Girls, 2007 (HBO) Tyler Perry’s Diary of a Mad Black Woman, 2005 (HBO) Tyler Perry’s I Can Do Bad All by Myself, 2009 (HBO) Tyler Perry’s Madea Goes To Jail, 2009 (HBO) Tyler Perry’s Madea’s Big Happy Family, 2011 (HBO) Tyler Perry’s Madea’s Family Reunion, 2006 (HBO) Tyler Perry’s Why Did I Get Married Too, 2010 (HBO) The Watcher, 2016 (HBO) The Water Horse: Legend of the Deep, 2007 (HBO) Westworld (Movie), 1973 White Chicks (Unrated & Uncut Version), 2004 The White Stadium, 1928 Won’t Back Down, 2012 (HBO) Zero Days, 2016 (HBO)
July 2 Lo Que Siento por Ti (aka What I Feel for You) (HBO)
July 3 Let Him Go, 2020 (HBO) Nancy Drew, Season 2
July 7 Dr. STONE, Seasons 1 and 2 (Subtitled) (Crunchyroll Collection) Shiva Baby, 2021 (HBO)
July 8 The Dog House: UK, Max Original Season 2 Premiere Gossip Girl, Max Original Series Premiere Human Capital, 2020 (HBO) The Hunt, 2020 (HBO) Looney Tunes Cartoons, Max Original Season 2 Premiere
July 9 Frankie Quinones: Superhomies (HBO)
July 11 The White Lotus, Limited Series Premiere (HBO)
July 12 Catch and Kill: The Podcast Tapes, Documentary Series Premiere (HBO)
July 15 Tom & Jerry, 2021 (HBO)
July 16 Betty, Season 2 Finale (HBO) Space Jam: A New Legacy, Warner Bros. Film Premiere, 2021  Un Disfraz Para Nicolas (aka A Costume for Nicolas) (HBO)
July 17 The Empty Man, 2020 (HBO)
July 18 100 Foot Wave, Documentary Series Premiere (HBO)
July 22 Through Our Eyes, Max Original Documentary Series Premiere
July 23 Corazon De Mezquite (aka Mezquite’s Heart) (HBO)
July 24 Freaky, 2020 (HBO)
July 26 Catch and Kill: The Podcast Tapes, Documentary Series Finale (HBO)
July 27 Batwoman, Season 2 Real Sports with Bryant Gumbel (HBO)
July 30 Uno Para Todos (aka One for All) (HBO)
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Leaving HBO Max – July 2021  
July 3 The ABC’s Of Covid-19: A CNN/Sesame Street Town Hall for Kids and Parents Part 2, 2020
July 4 Annabelle, 2014 Annabelle Comes Home, 2019 (HBO) The Conjuring: The Devil Made Me Do It, 2021 The Curse of La Llorona, 2019 The Nun, 2018
July 5 Lost And Delirious, 2001
July 8 Mad Max: Fury Road, 2015
July 10 It: Chapter 2, 2019 (HBO)
July 11 An Elephant’s Journey, 2018 In the Heights, 2021 Thanks for Sharing, 2013
July 15 Burlesque, 2010
July 17 The Notebook, 2004
July 26 The King’s Speech, 2010
July 31 17 Again, 2009 A Clockwork Orange, 1971 A Nightmare on Elm Street 2: Freddy’s Revenge, 1985 A Nightmare on Elm Street 4: The Dream Master, 1988 A Nightmare on Elm Street 5: The Dream Child, 1989 A Nightmare on Elm Street, 1984 A Nightmare on Elm Street, 2010 Adam’s Rib, 1949 America’s Sweethearts, 2001 Anaconda, 1997 The Apparition, 2012 (HBO) Are We There Yet?, 2005 Argo, 2012 (Alternate Version) (HBO) AVP: Alien vs. Predator, 2004 (Alternate Version) (HBO) Badlands, 1973 Beau Brummel, 1954 The Benchwarmers, 2006 Beverly Hills Chihuahua 2, 2011 (HBO) Beverly Hills Chihuahua 3: Viva La Fiesta!, 2012 (HBO) Billy Madison, 1995 (HBO) The Book Of Eli, 2010 (HBO) Bram Stoker’s Dracula, 1992 Bringing Up Baby, 1938 The City of Lost Children, 1995 The Color Purple, 1985 The Comebacks, 2007 (Alternate Version) (HBO) The Conjuring 2, 2016 The Crocodile Hunter: Collision Course, 2002 (HBO) Don’t Let Go, 2019 (HBO) Downton Abbey, 2019 (HBO) El Angel (aka The Angel), 2018 (HBO) Eyes Wide Shut, 1999 Fool’s Gold, 2008 Fort Tilden, 2015 (HBO) The Four Feathers, 2002 (HBO) The Gay Divorcee, 1934 Get A Job, 2016 (HBO) The Goonies, 1985 Grand Canyon, 1991 (HBO) Hairspray, 1988 Happy Gilmore, 1996 (HBO) Hellboy Animated Collection, 2006, 2007 The Hurricane, 1999 (HBO) I Know What You Did Last Summer, 1997 Iniciales SG (aka Initials S.G.), 2019 (HBO) J. Edgar, 2011 Jackie Chan’s First Strike, 1997 Jacob’s Ladder, 1990 (HBO) Jeremiah Johnson, 1972 Keeper Of The Flame, 1943 Kill Bill: Vol. 1, 2003 (HBO) Kill Bill: Vol. 2, 2004 (HBO) Kung Fu Hustle, 2005 The Lego Ninjago Movie, 2014 Less Than Zero, 1987 (HBO) Life Stinks, 1991 (HBO) Lincoln, 2012 (HBO) Little Children, 2006 (HBO) Little Man Tate, 1991 (HBO) Lovely & Amazing, 2002 The Lucky One, 2012(HBO) The Madness of King George, 1994 (HBO) Marisol, 2019 (HBO) Me 3.769, 2019 (HBO) Michael Clayton, 2007 Mickey Blue Eyes, 1999 Monster-In-Law, 2005 Mulholland Dr., 2001 Muralla (aka Muralla, The Goalkeeper), 2018 (HBO) Murder on the Orient Express, 1974 (HBO) Music and Lyrics, 2007 My Dream Is Yours, 1949 My Girl 2, 1994 My Girl, 1991 My Sister’s Keeper, 2009 Now, Voyager, 1942 Old Dogs, 2009 (HBO) The Opposite Sex, 1956 The Pledge, 2001 (HBO) Precious, 2009 (HBO) The Producers, 1968 The Prophecy, 1995 (HBO) The Prophecy II, 1998 (HBO) The Prophecy III: The Ascent, 2000 (HBO) Prophecy IV: The Uprising, 2005 (HBO) Prophecy V: The Forsaken, 2005 (HBO) Pulp Fiction, 1994 Rachel and The Stranger, 1948 Radio Days, 1987 (HBO) The Reluctant Debutante, 1958 Revenge of the Nerds II: Nerds in Paradise, 1987 (HBO) Revenge of the Nerds IV: Nerds in Love, 2005 (HBO) Revenge of the Nerds, 1984 (HBO) Robin Hood: Prince of Thieves, 1991 Roger & Me, 1989 Rollerball, 2002 (HBO) Romance on the High Seas, 1948 Rumble in the Bronx, 1996 Safe House, 2012 (HBO) Salvador, 1986 (HBO) Shall We Dance?, 2004 Shallow Hal, 2001 (HBO) Shocker, 1989 (HBO) Sinbad of the Seven Seas, 1989 (HBO) Sprung, 1997 (HBO) Stop-Loss, 2008 (HBO) Sunshine Cleaning, 2009 (HBO) Swing Time, 1936 Tea for Two, 1950 Thief, 1981 (HBO) This Is Spinal Tap, 1984 (HBO) Tinker Tailor Soldier Spy, 2011 (HBO) Top Hat, 1935 Trapped in Paradise, 1994 (HBO) Troll 2, 1990 (HBO) Troll, 1986 (HBO) Two Minutes of Fame, 2020 (HBO) Underdog, 2007 (HBO) Untamed Heart, 1993 (HBO) Up in the Air, 2009 (HBO) The Visitor, 2008 Waiting for Guffman, 1997 The Wedding Singer, 1998 Wendy, 2020 (HBO) Wildcats, 1986 (HBO) The Wings of Eagles, 1957 Without Love, 1945 Woman of the Year, 1942 Worth Winning, 1989 (HBO) Young Man with a Horn, 1949
The post HBO Max New Releases:. July 2021 appeared first on Den of Geek.
from Den of Geek https://ift.tt/3jwDnnp
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majornelson · 5 years
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This Week’s Deals With Gold And Spotlight Sale Plus Franchise Sale
Here are this week’s games and add-on deals on the Xbox Games Store. Discounts are valid now through 28 October 2019.
These deals will expire at 10:00 am UTC on Tuesday October 29th 2019
Xbox One Deals
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via Xbox Live's Major Nelson https://ift.tt/31x9jex
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sisilafami · 6 years
Text
2018
same shit, different year.
Rap:
My RAOTY is 03 Greedo - God Level i guess, then
70th Street Carlos - youtubes & 777
BlocBoy JB - Simi
Blueface - Famous Cryp & Two Coccy
Chief Keef - Ottopsy, Mansion Musik & Back From The Dead 3
City Girls - PERIOD & Girl Code
Co Cash - Foolhardy
Daboii - Neva Lookin Back
Drego & Beno - Sorry for the Get Off
Earl Sweatshirt - Some Rap Songs
G Herbo - Swervo
Goonew - Goonrich Urkel
Gunna - Drip Season 3
JPEGMAFIA - Veteran
Kevin Gates - Luca Brasi 3
Kodak Black - HeartBreak Kodak & Dying To Live
Lil Dude & Goonew - Homicide Boyz
Lil Durk - Signed To The Streets 3
NBA YoungBoy - Until Death Call My Name
Playboi Carti - Die Lit
Saba - Care For Me
Sada Baby - youtubes
Smino - Noir
SOB X RBE - GANGIN II
Trouble - Edgewood
ZMONEY - Chiraq Mogul
HM :
1TakeJay x Rucci - The Winning Team
21 Savage - I Am > I Was
Bandhunta Izzy - Code Blue
BbyMutha - Muthaz Day 3
Black Fortune - Ossh Rock
Busdriver - Electricity Is On Our Side
Chris Crack - Being Woke Ain't Fun
Fmb Dz - The Gift 2
Hermit and the Recluse - Orpheus vs the Sirens
Husalah - H
Jayo Sama - Out On Bond
Jean Grae & Quelle Chris - Everything's Fine
Key Glock - Glockoma & Glock Bond
Koran Streets - Late 20’s
Lil Tre - Unexpected
LUCKI - DAYS B4 II
Maxo Kream - Punken
Meek Mill - Championships
MIKE - War in my Pen
Migos - Culture II
Payroll Giovanni - Big Bossin vol. 2
Rico Nasty - Nasty
Roc Marciano - RR2꞉ The Bitter Dose & Behold A Dark Horse
SahBabii - Squidtastic
Saweetie - High Maintenance
SD - Pay Attention
Sheck Wes - MUDBOY
Shy Glizzy - Fully Loaded
$ilkMoney - I hate My Life…
Starlito & Trapperman Dale - Trapstar
Tierra Whack - Whack World
Trippie Redd - A Love Letter To You 3
YG - Stay Dangerous
YNW Melly - I Am You
Young Nudy - SlimeBall 3
Vince Staples - FM!
R’n’B:
Jacquees - 4275
Mariah Carey - Caution
Ravyn Lenae - Crush
Tamia - Passion Like Fire
Brent Faiyaz - Lost
Digital Beats:
RP Boo - I'll Tell You What!
Byrell The Great - Chopped Cheese
Iglooghost - Clear Tamei & Steel Mogu
Martyn Bootyspoon - Silk Eternity
EQ Why - East 37Th Street & Footwork Tracks Vol.2
Proc Fiskal - Insula
Sinjin Hawke & Zora Jones - Vicious Circles
Sabiwa - Sabiwa
P. Adrix - Álbum Desconhecido
Crystallmess - Mere Noises
Stun Pool - STUN POOL
Various - Príncipe Mixtape (2018 Special Edition)
Contemporary Music:
Vanessa Rossetto & Matthew Revert - Everyone Needs A Plan
Lucio Capece & Marc Baron - My Trust in You
Graham Lambkin - No Better No Worse Vol 2
Lee Fraser - Cor Unvers
Thomas Ankersmit - Homage To Dick Raaijmakers
Christopher Fox - Topophony
Alistair MacDonald - Cabinets de curiosité
Arek Gulbenkoglu - A gift like a hollow vessel
Cassandra Miller - Just So & O Zomer
Etelin - Hui Terra
eRikm - Mistpouffers
Francisco Meirino - The Ruins
Kate Carr - I Ended Out Moving To Brixton
Monty Adkins & Paulina Sundin - Beyond Pythagoras
MP Hopkins - Aeroplanes & Puddles
Peter Blamey - Five Fertile Exchanges
Jamie Drouin & Lance Austin Olsen - Moon Watcher
Savvas Metaxas - Wetlands
Clara de Asís - Without
John Tilbury & Keith Rowe - Sissel
Masayuki Imanishi - Worn Tape
Graham Lambkin & Áine O'Dwyer - Green Ways
Hong Chulki & Will Guthrie - Mosquitoes and Crabs
Eli Keszler - Stadium
Simon Whetham - Open and Closed Circles
Exael - Collex
Matthew Atkins - Cryptic System
linda catlin smith - wanderer
Tonus - Intermediate Obscurities I+IV & Texture Point
Jörg Widmann - Drittes Labyrinth / Polyphone Schatten
Mathias Delplanque - Témoins
Pascal Battus, Anne-F Jacques & Tim Olive - Trois Conseillers
Data Dump:
Aclds - ['b7nb95c
Aclds - {Qa.-br.e
Aclds - 3øºEg-x-8xd
Aclds - Fuadain Liesmas Appendages
Dalglish - I​​'​[​]​n​​f​​]​c​​​_​​T​​_
Scald - (Kyjch Uyr​[​st
Autechre - NTS Sessions
Post-Techno / Ante-House:
2814 - Pillar New Sun
Clouds - Heavy The Eclipse
De Leon - De Leon
Diptera - Antenna
DJ David Goblin - Ork Music
Dolo Percussion - Dolo 3
Facechain - Accensor
Galcher Lustwerk - 200% GALCHER
Hieroglyphic Being - The Red Notes
How Du - Landing
Kolorit - Workshop XXI
Loidis - A Parade, in the Place I Sit, the Floating World (& All Its Pleasures)
THUGWIDOW - DESIGNER VOID
Topdown Dialectic - Topdown Dialectic
Young Paint - Young Paint
Zuli - Trigger Finger
Robert Mallet-Stevens Music:
Nico Niquo - Timeless
Organ Tapes - Into One Name
Foodman - Moriyama & Aru Otoko No Densetsu
Aqueduct Ensemble - Improvisations on an Apricot
Motoko & Myers - Basis Key
Lolina - The Smoke
James Ferraro - Four Pieces For Mirai
Jon Hassell - Listening To Pictures
Gossiwor - Lighthouse
Oneohtrix Point Never - Age Of
New Old:
Carl Stone - Electronic Music from the Eighties and Nineties
Iannis Xenakis - Persepolis
Luc Ferrari - L’Escalier Des Aveugles
Pablo's Eye - Spring Break
Christian Zanési - Grand Bruit ⧸ Stop! l'horizon
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lespetitesmusiques · 6 years
Text
2018-musique.
Rituel de chaque fin d’année, madeleine-musique...
Ma petite liste est faite des albums, EP, morceaux, moments qui ont marqué ces 12 derniers mois. Aucune règle précise, aucune logique réellement cohérente, j’en ai écouté certains des dizaines de fois, d’autres quasiment pas, j’en ai rien à foutre.
Poing levé pour...
03 Greedo et Ty Dolla $ign, incarcérés pour un petit moment a priori, et qui sont peut-être les meilleurs chanteurs de rap et de rnb actuellement. Alors beaucoup de force à eux...
La fellation de Drake à Kodak Black, et son album, anti rappeur conscient par excellence, qui a plus de conscience politique que la plupart des gens qui nous gouvernent, mais surtout, qui fait cette putain de musique.
Ces russes, à l’alphabet incompréhensible, faisant bugger les moteurs de recherche spotify, qui font de cette musique techno/house quelque chose de passionnants, notamment ceux de Gost Zvuk
KA et ses monologues musicaux sur twitter, qui prêcha le bon rap au moment où j’en avais extrêmement besoin.
Noz, et sa boutique http://parkblvdrecords.com, qui fait ce vrai travail de disquaire, écouter et recommander, sans imposer, travail d’histoire, travail de creuseur... Ca donne presque envie de faire la même chose ici ! Si jamais quelqu’un est chaud...
Discogs, Twitter, forums et toutes ces listes qui s’agrandissent sans jamais se terminer, plus loin que l’Univers en expansion, et qui me font passer le temps à écouter de la musique, lire et creuser.
Frank Ocean, qui a réédité Endless, album sorti la même année que Blonded, cruellement... Parce que Blonded est immense, et que Endless n’est pas loin de l’être aussi. Frank Ocean est vraiment un des plus grands.
Shy Glizzy, qui a sorti son meilleur album à la toute fin de l’année 2017, Quiet Storm, et qui a donc accompagné quasiment toute la première moitié de l’année 2018. C’est certainement ce que j’ai le plus écouté cette année.
RAP, genre supérieur à tout autre.
Positions quasi-interchangeables.
1) SOB x RBE - Gangin’ II 2) Kodak Black - Dying to live 3) Sheck Wes - MUDBOY 4) 03 Greedo - God Level 5) Lil Durk - STTS3 6) Yungeen Ace - Life of Betrayal 7) NBA YoungBoy - Until Death Call My Name 8) Le best-of de Sada Baby 9) SCH - JVLIUS 10) Playboi Carti - Die Lit 11) BlocBoy JB - SIMI 12) Roc Marciano - Behold a dark horse 13) Payroll Giovanni - Big Bossin Vol. 2 14) Koran Streets - Late 20s
Et puis...
ALLBLACK & Kenny Beats - 2 Minute Drills Armand Hammer – Paraffin Black Fortune - OsshRock Blueface - Famous Cryp Chief Keef - Back from the Dead 3 Damso - Lithopédion Drakeo The Ruler - Cold Devil Drego & Beno - Sorry for the get off Earl Sweatshirt - Some Rap Songs G-Herbo - Swervo Hermit and the Recluse (KA) - Orpheus vs. The Sirens Husalah - H Jean Grae & Quelle Chris - Everything's Fine JPEGMAFIA - Veteran Kekra - LAND Kevin Gates - Luca Brasi 3 Meek Mill - Championships Mozzy - Gangland Landlord Peezy - No Hook Pusha T - DAYTONA Rae Sremmurd - SR3MM Rico Nasty - Nasty Roc Marciano - RR2 Saba - CARE FOR ME SahBabii - Squidtastic Shy Glizzy - Fully Loaded Ski Mask the Slump God – Stokeley Smino - NOIR SOB x RBE - Gangin’ Starlito - At WAR With Myself Too Trouble - Edgewood Vince Staples - FM! YBS Skola - Life of a shinner / Only Hope 3 ZMoney - Chiraq Mogul 03 Greedo - The Wolf Of Grape Street  21 Savage - i am > i was 70th Street Carlos - Compile
Mentions honorables : Bossman JD, Cash Kidd, Chief Keef, Chris Crack, City Girls, Co Cash, DaBoii & Yhung to, Glokknine, Goonew, Gunna, Jayo Sama, Lil Baby, Lil Dude, Lil Tre, Lil Yachty, LPB Poody, Lud Foe, Migos, Roddy Rich, SB Rich Noonie, Shoreline Mafia, Soldier Kidd, Trippie Redd, YG, YNW Melly, Young Nudy.
TECHNO/HOUSE, zarbi-catchy-ou-wavy-enough.
D’abord...
AEM Rhythm Cascade (AKA Flaty) - Litie Bavarian Stallion Series De Leon - De Leon DJ Healer - Lost lovesongs (mix) DJ Seinfeld ‎– DJ-Kicks DJ Taye - Still Trippin Don't DJ ‎– All Love Affairs Fail But They Never End Duckett ‎– Emperor's New Clothes Part 1 Heap ‎– The Brasserie Heroique Edits Part 5 Hieroglyphic Being - The red notes Hodge ‎– Beneath Two Moons & Exogenesis INFX ‎– Fences Of Metal Laurel Halo & Hodge - Tru / Opal / The Light Within You  Mori-Ra - Brasserie Heroique Edits Part 6 RP Boo - I’ll tell You What! Ross From Friends ‎– Family Portrait Via Maris - Glow Wall / CU2 | Shelleys  VA - Patina Echoes
Et puis...
Against All Logic - 2012 - 2017 DJ Earl - W3rk Dat DJ Lilocox ‎– Paz & Amor DJ Nigga Fox - Crânio Facta - Dumb Hummer / All the time Jay Glass Dubs - The Safest Dub Jamal Moss ‎– The Anticipatory Organization Joy O & Ben Vince - Transition 2 Joy O - 81b EP Kilchhofer ‎– The Book Room Laksa - Delicates & The Amala Trick Laurel Halo - Raw Silk Uncut Wood Loidis ‎– A Parade, In The Place I Sit, The Floating World (& All Its Pleasures) Niagara ‎– Apologia Oli XL ‎– Stress Junkie / Mimetic Peggy Gou ‎– Once Ploy - Ramos Skee Mask - Compro Theo Parrish - Preacher's Comin / Gullah Geechee Topdown Dialectic ‎– Topdown Dialectic VA - Cong Burn Yu Su - Preparations For Departure
Mentions honorables : Berceuse Heroique et affiliés, Fit Of Body, Dolo Percussion, Gábor Lázár, Principe records et affiliés, Puerto Rican Space Program, Shelley Parker, Thomas Fehlmann & Terrence Dixon, Toma Kami, Traxman, Zuli, тпсб et autres soviets.
RNB, donnant-envie-de-chanter-à-tue-tête.
1) 6Lack - East Atlanta Love Letter 2) Brent Faiyaz - LOST 3) Jeremih & Ty Dolla $ign - MihTy
Doja Cat - Amala Don Toliver - Donny Womack Ella Mai - Ella Mai Fatima - and yet, it's all love Jacquees – 4275 Jorja Smith - Lost & Found Kali Uchis - Isolation Noname - Room 25 Swae Lee - Swaecation Tirzah - Devotion
AUTRES MUSIQUES, passionnante-ou-dérangeante-assez.
1) Autechre - NTS Sessions 2) Yves Tumor - Safe in the Hands of Love. 3) Oneohtrix Point Never - Age Of 4) Various - Uneven Paths: Deviant Pop From Europe 1980-1991
Dean Blunt - Muggy Vol. 1 Eli Keszler - Stadium Elysia Crampton - Elysia Crampton Iglooghost - Clear Tamei & Steel Mogu Jlin - Autobiography (Music From Wayne McGregor's Autobiography) Kamaal Williams - The Return Kareem Lotfy - QTT10 Lolina - The Smoke Lonnie Holley - Mith Mohammad Reza Mortazavi - Focus Pendant (aka Huerco S) - Make Me Know You Sweet Pontiac Streator & Ulla Straus - Chat Rosalía - El Mal Querer Sarah Davachi - Let the night come on bells end the day Sons of kemet - Your Queen Is A Reptile ...Mais bon, la liste de ce que j’aurais voulu écouter encore, est toujours plus longue que ce que je viens d’écrire. Malgré tout, elle est chaque année de plus en plus courte, et cette année encore fut la meilleure année musicale de ma vie
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Text
Growing up in a culdesac was a pretty underrated experience
I’ve had to live in almost every type habitat except a car. I’ve in different apartments, houses and a trailer for a little bit. Out of everything living in a culdesac around other culdesacs was the best. It was almost like ed edd & eddy but better. We use to play nba street vol 2 then go outside to practice the moves then run different courts. We had like 3 different neighborhoods with at least one kid with a basketball goal. We’d run a few games of 21 then go to the next neighborhood. Garage goals were always cool but dragging it to the middle of the asphalt but never having to worry about cars? And the crib is right there? AND IF 2 KIDS GOT GOALS??? That shit was amazing.
Yea random memory
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octranslations · 7 years
Text
Haiiro no Ginka Volume 49
Haiiro no Ginka vol. 49 December 2010
Translation Credits:
Gansonaki Kaoruya - Cammie Die Meisyo De Meisyu - Cammie Rick Meets THE UNWAVERING FACT OF TOMORROW TOUR 2010 Nora Meets THE UNWAVERING FACT OF TOMORROW TOUR 2010 Shinya Dr. nemunemu no daigyakusyu - Risu Toshiya Aibiki no Mori - Risu Mu No Koufuku, Sanretsusha To Kubi/Happiness of Nothing The Assembled Neck - kirei_hukkatsu edited by Cammie
Gansonaki Kaoru-ya
Is everyone doing all right?  This is Kaoru who became exhausted from drinking and fell asleep in the dressing room during KORN's show.
Now, we returned to Japan and our Japan tour has just about begun. This time, for personal things, I've changed my set up for monitor and I feel refreshed. There are still improvements and need to work harder, but I think I can continue on with a good feel. By the way, for 10/28 Shinkiba, Rick didn't arrive to the venue until 2 hours before the show, and I didn't know what was going to happen. From now on, we'll be touring the western area, so I wonder how that will go.  I look forward to it and I will do my best!
And the single is finally getting released.  We've made you guys wait for a long time. The song itself was recorded around spring this year, but as we thought about our schedule and decided on the release, it took more time since our previous work. And we're reconstructing the beginning SE part for OBSCURE, so once that's done, I guess we can use it for the tour right away.
Also, for recent things I've done, I've been writing songs, watching films, and getting stabbed for places where my ink isn't finished. This is something trivial, but I have an urge to eat liver sashimi 1.  I can eat it every day. But since it's too much of a hassle to go eat, I haven't eaten any at all.  I'll eat it in Fukuoka.
There isn't much content, but around the next issue, I'll work hard in the making so that I can talk about the album! So see ya! Recently, I watched the film, "The Boy in Striped Pajamas".  Please watch it. I want to go watch "Lemmy".
Translator’s Note 1. Liver sashimi or ???? (leba sashi) is cow liver sliced thinly like sashimi, which is served with salt or sesame oil.
Meisyo de Meisyu
DIR EN GREY ambassador.  Many times the staff overseas describes Die this way, and even during this summer's U.S. tour, he spent the days doing "meisyo de meishu (drinking good sake at famous places) with his friends".  Yet these scenes are fishy from the actual person's memory.   This time, I, Yuichi Masuda, who went out to drink together in London during the U.K. tour, and who tripped on the street with blood running from the forehead, which was witnessed by him (Die), will report as much as I can remember.
After the show, there was an after show party hosted by the local radio station at the venue, and we drank together with APOCALYPTICA members and staff and had a pleasant chat.  Cellist Eicca said, “My body is finally getting used to this tour and I’m gradully getting into better shape.”  That night Die saw APOCALYPTICA’s stage from the beginning to the end for the first time, and he told them, “The live was full of waves and I didn’t get tired of watching.”   Eicca and the other members smiled in satisfaction.  However, the one who increases strangeness after being drunk is one of the band’s founder and cellist Perttu.  As Die said, “He looks like he can show up in ‘Pirates of the Caribbean,’” the other cellist and the eldest member Paavo (who has a routine of jogging around the venue surrounding before the live) laughed, “No, he’s more Jack Sparrow than the actual Jack Sparrow.”  But this Pirate Perttu who is usually cool and destructive on stage, was quite worn out that night.
In between sound check, Die, Kaoru, Perttu, and Paavo had a discussion style interview.  This will be shown on the music magazine December issue of “Player”, which was released on 11/2, so don’t miss out.  Naturally, everyone was sober during the interview.  THe conversation went into a broad area, but parts like, “We’re bands that aren’t tied down in genre,” “It feels strange for a Finnish band and Japanese band to tour together in the U.S. and speak in English,” and “Let’s do something interesting together some day” came into agreement.  From Perttu’s mouth, a word of wisdom was said: “By doing aggressive music, I’m able to maintain peace within myself.”
Die took Jeremy, a local friend that came to see the live, to a pub nearby the venue.  He originally was a staff for BULLETS AND OCTANE, and he now has a job affiliated to Minnesota Timberwolves, which is a NBA team based in Minneapolis.  On the actual day, there was a local Twins game in the baseball field, so the place was like a sports bar.  For the game, Twins lost after extra innings.  Yet regardless of the result, the local people continued their boisterous drinking party, and the two of them also fitted right in and continued to talk.
1 month after the U.S. tour, on 10/16 late night, Die was drinking together with Roy Mayorga and Ray Luzier in the city of Giroppon (Roppongi).  The first person is a drummer for STONE SOUR and the second person is the drummer for KORN, and this party was held after the first night of “LOUD PARK 10” ended, which DIR EN GREY also attended.  Die told Roy, “Our drummer  Shinya is very inspired by you.”  Then, he (Roy) answered back, “I’m honored.  But what is the meaning of that Shinya being absent (laughs)?”  As I explained, “It’s late at night and he is probably ‘nemunemu’ (sleepy head),” but I could not make him understand this.  In this global drinking party, it continued until dawn while expanding the circle of people.  At 7 in the morning next day, Roy was supposed to be leaving for departure from the hotel, but as usual (?), he didn’t get any sleep and he went inside the car as if nothing was wrong.  He was indeed a world-class “master of Meisyo de Meisyu”.
As I got the report from Mr. Masuda, I conducted a questionnaire to Die in-between planning meeting about the various scenes!
-According to Mr. Masuda’s memo... “There was a live on 9/1 House of Blues in Chicago.  After the show, there was an after-show party hosted by the local radio station where you were drinking together with the APOCALYPTICA members and staff,”but is there a party like this every time the live is over? Die: If there was time, there was always a party.  And another party!  The night view in Las Vegas was electrifying!
-On that night, Die-san saw APOCALYPTICA’s stage from the beginning to the end for the first time, but what kind of live was it? Die: This love~ this love?
- “On 9/21, there was a live in Minneapolis.  In-between sound check, Die, Kaoru, Perttu, and Paavo had a discussion style interview conducted.”  This was the interview on “Player” (December issue)  that was released on 11/2.  After doing an interview with the members of APOCALYPTICA for the first time, how was it? Die: They’re serious.
- There is a memo that says, “Naturally, they were all sober during the interview” (laughs), but do you drink a lot with the other band during overseas TOUR? Die: For this tour, I had the chance to drink with Rick a lot.  I can never forget the night of Boston; when the live was over, Rick was in a really good mood, and he took me to a BAR, and we drank down Jägermeister.  The next day, I was throwing up until the live was about to start, and even when I took the medicine the staff prepared, I would throw up right away.  Fear Jäger power (?’ 3’)=3 burp
-During the interview, you guys talked from the perspective of “genre” and “country”, but before this discussion, did you have this kind of deep talk with the APOCALYPTICA members? Die: I don’t remember because I was drunk.
-  Here, I would like to ask something more general, but what is something fun for Die-san during the overseas TOUR?
Die: ???
-On the contrary, is there something tough or sad?
Die: …(- _ -)
-When you TOUR around together with another band, is there something you feel when you spend your days with them?
Die: They really love Jäger.
- Mr. Masuda’s memo says, “After the Minneapolis live was over, Die took Jeremy, a local friend that came to watch the show, to a pub nearby the venue”... but how long have you known Mr. Jeremy?  His photo actually has appeared on vol. 41! Die: I met him in 2006 during the “FAMILY VALUES TOUR”.  Since then, every time we come to do a U.S. tour, he would come and see us.
- He “now has a job affiliated  to Minnesota TImberwolves, which is a NBA team based in Minneapolis.” right? Die: Yes.
-Die-san also likes baseball right? Die: V4 didn’t come true1.
-Now, there is one more thing remaining.  “Extra.  1 month after the U.S. tour was over, on 10/16 late night, Die was drinking with Roy Mayorga and Ray Luzier in the city of Giroppon (Roppongi).  The first person is a drumer for STONE SOUR and the second person is the drummer for KORN, and this party was held after the first night of “LOUD PARK 10” ended, which DIR EN GREY also attended.”  That must’ve been quite a night with these great people, but how did this happen? Die: From Roy’s words: “Meet at Roppongi.”
-It seems that Shinya-san became a topic of conversation while speaking with Mr. Roy...?
Die: I was drunk and I don’t remember.  Sorry, Shinya-san.
-You met KORN’s drummer, Mr. Ray, for the first time, but how did that go?
Die: He’s quiet and kind.
-On the LOUD PARK 10 website’s video  comment, KORN’s Mr. Jonathan mentioned “DIR EN GREY” for the artist he wanted to watch at LOUD PARK! Die: Jonathan’s favorite songs is “?-saku -.
-Die-san, you had a chance to speak with Mr. Jonathan backstage, but what kind of things did you talk about?
Die: MM
-As Die-san continues to drink with members and staff whom you did an overseas TOUR together, how do you communicate with other bands?  If there are any secrets... Die: Power of Jäger.
-Lastly, there was something I was curious about Mr. Masuda’s memo: “Recently, during the UK tour in London, I drank together, tripped on the street   and my forehead was bleeding... All this was witnessed by him”... What exactly happened (laughs)? Die: He also must have been attacked by a Jäger bomb.  By the time I looked back, he fell over face-down w(°o°)w Be careful, Masuda-san!
-This was “Meisyo de Meisyu” overseas.  Will this still continue here on after?  I look forward from here on after on who you will have a “Meisyo de Meisyu”.
Die:
Translator’s Note 1. Die is referring to the Japanese baseball team, Yomiuri Giants that could not make V4 (winning 4 times in a row for a baseball series).
For the domestic TOUR that started on 10/15, we welcomed our PA and tour manager Rick and translator Nora-san whom we are familiar with from the overseas TOUR.
For these 2 people that know DIR EN GREY overseas, we conducted a sudden interview to find out about the difference from Japan. RICK meets THE UNWAVERING FACT OF TOMORROW TOUR 2010
—Participating on this Japanese TOUR, is there any difference you feel between Japan and overseas, Rick-san?
For me, the biggest difference was the schedule.  Japan is very organized about it.  For example... We will be doing this at this time.  The U.S. is very flexible and depending on the situation, we have to make adjustments.  Also, the number of staff involved!  For the TOUR in U.S., we tour with the members, myself, and 2 techs, but there are around 30 people for staff for the TOUR in Japan...  That may be the biggest difference.
— I see.  Is there a clear difference between the staff overseas and Japan?
There are many things with LIVE overseas where there are many promoters, and with those people, we of course have a proper FES or not have one.  For example, when we went to SONISPHERE FESTIVAL in the U.K. this time, everything was displayed well and it was easy to work, but DOWNLOAD was a FES in the same U.K., but I did not have a good feeling with the affiliates and the local staff, and there were many problems.  On that point, LOUD PARK that was just held in Japan was a good environment and the staff were good and perfect!  Production is Japan is perfect.  I feel that the characteristic of Japan is being too perfect...
—I can see how the Japanese characteristic is showing up (laughs).  From Rick-san’s perspective, are there any difference between members overseas and in Japan?
(Laughs).  Everyone is basically the same!  Comparing to the members whom I met 4 years ago, there are parts where they grew up.  Die became very sociable and he is very active interacting with everyone.  I guess Kaoru changed the most.  He was so serious!  But now, he interacts with everyone.  For example, he changed when he orders a meal at a restaurant.  He now starts talking to local people.  Before, he would talk through Nora, but recently since they have been able to do things on their own more, I guess there is a part where they are getting used to the actual place (overseas).  At first they seemed timid but their personality is basically the same whether they are overseas or Japan.  I think they are starting to understand how to live every day overseas.  
—So the members’ performing does not change whether they are in Japan or overseas... right?
Yep!  They play 100 percent overseas or Japan!  They are completely ROCK(ing) out on stage.  There really is no difference.  Of course, Japan may be better for stage, equipment, lighting, and staging, but I guess that is it.  Overseas, there is a budget issue, and many times we cannot do things completely, but as a band, their standing towards LIVE remains the same.  
—The conversation is going to digress a little bit but... Rick-san, you have come to Japan numerous times and what do you think of the country?
This is my 11th time coming to Japan but I love it very much!  When I applied for visa, I had to find out how many times I went to Japan before and I took a look at my old passport to find out that I went to Japan 14 times.  I first came here in 1985 with a band called KEEL, but Japan during that time is different from today.  Now, foreigners can live here more easily.  Japanese are very polite, quick, and many people like to be tidy, so I’m always inspired by them.  Ah, and the food in Japan is wonderful.
—Going back to what we talked before... How is the live house in Japan for Rick-san?  You must have experience with the live house capacity we are touring this time in overseas too.
Overall, the venue equipment is better in Japan.  The 2000 seat capacity venue is incomparable between Japan and U.S.!  For a 2000 capacity venue, the band in the U.S. needs to bring in their PA, lighting equipment when they go on TOUR.  Really, live house with this capacity in the U.S. doesn’t have equipment built in (laughs).  What I thought of Shinkiba STUDIO COAST is that this equipment is the best in the world!! Regarding PA!!  With FES(tival), we are using places that have a good equipment set up so I have an easy time working with it, but between the equipments  in small venues in Japan and U.S., there is a real difference.  Even if you compare Europe to Japan, the level (of equipment) is still below.  
—So for Rick-san, Japan is very easy to work!!  Is that what you are trying to say?
Of course!! If I just tweak on the (PA) board, it’s perfect (laughs).
—What do  you think of the TOUR environment in Japan?  You always have to stay and sleep on the bus for overseas as you TOUR various major cities...
Japan is... I guess the move can be pretty annoying (laughs).  In the U.S., we’re on the bus the whole time and at times it can be tough, but there is an environment that allows us to have our own time; and, despite the small space, we can just spend the way there where we can rest when we want to, play games when we want to, and it feels like we’re on TOUR together with our home.  When we return to the bus, sleep, and wake up, we would be in a different city (laughs).  Since we can use the Internet on the bus, they are able to know what is going on in Japan too. Although when we go to mountain areas, the connection gets lost.  The world is becoming a smaller place because of the Internet.  Even if you are apart from your family, if you have the Internet, you can contact them.  My role overseas is to reserve hotels, and including TOUR planning, I don’t really know whether I’m a manager or a sound tech (laughs).  From touring many cities for many hours with the members all over the world, I feel that they know their circumstance no matter how many staff there are, and they know what needs to be done.  We went to Russia for the first time this year and it was really great.  With that in mind, I’m going to say again that Japan is an easy place to do!
—Even when I listen to what you’re saying, I understand that Japan is a fortunate environment.  No matter how much the environment changes, in a good way, DIR EN GREY will always be DIR EN GREY!  Now this is going to be the last part, so I would like a word from Rick-san for the members!
I always say this to the members: “Keep it heavy” (laughs).  I appreciate being able to come to Japan with DIR EN GREY as a reason, and after being together with them for few years, we were able to gain many experiences and I really appreciate them.  Coming to Japan this time, there were old songs that I heard for the first time, and there were songs that I thought, “That’s cool.”  The old songs were created just as good as the current songs, so in a good way, it’s something that’s unchanging for them.  That’s important.  I don’t want them to be sidetracked from what they want to do where it should be likely of DIR EN GREY.  I look forward to the next album and what is to come in the future!
—Thank you very much during your busy time!
Ah, this is a question but... why is the venue in Japan so hot (laughs)?  Isn’t there any air conditioner?
NORA meets THE UNWAVERING FACT OF TOMORROW TOUR 2010
—Participating on the Japanese TOUR this time, is there any difference between Japan and overseas, Nora-san?
There is no difference with staging.  There is difference with equipment and lighting, but basically, the atmosphere overseas and Japan are completely the same.  The members may feel more weight overseas, but on stage, that doesn’t affect them.
—Are you saying that they are themselves whether they’re overseas or Japan?
Basically, yes.  But for the members, the most difficult part is language barrier.  I don’t think Rick is concerned too much about it, but Rick and the people over there will directly tell the members, “This was good today.”  Everyone says this in a straightforward manner and the members receive it the same way, and I think that is a very stimulating thing too.  At times they may not understand the words, but the people’s reaction and action are conveyed to them.  At first, the members wouldn’t even try to communicate to the people overseas; but recently, even when they don’t know the language, they smile or greet where they’re able to have some communication.  There’s also a member that is studying hard to learn the language (laughs).  The bands that tour with them overseas are also interested in Japanese culture, and the members see that the other people are trying to understand them, so I think that’s why they are being like “Let’s try to communicate!”  Despite the language barrier or feel stressed on a personal level, at the actual site, they don’t let that show.  I’m amazed how they’re doing a normal TOUR no different from Japan.
—Rick-san mentioned this too, but they’re doing the things they need to do 100 percent no matter where they are, which is why there’s no difference. Now, is there any difference with fans?  Is there something Nora-san sees where you feel, “This is different!”?
The members get asked about the difference between Japanese and overseas fans a lot, but I think the passion towards DIR EN GREY is the same for both.  If I were to raise one thing it would be the way they get into the LIVE.  For example, the Japanese fans don’t do this, but around the beginning of “dead tree”, the U.S. and overseas fans would be dancing! I’ve never seen that in Japan, so that would be a clear difference.  It seems likely of Japanese... They are very quiet for quiet songs.  They try to react by matching to the style of the song.  Also, the unity of Japanese fans is amazing!
—Rather than enjoying individually, there may be an aspect where they enjoy the unity.
Yes.  But I think the love towards the band is the same.
—So from what Nora-san sees, is there any difference between the members in Japan and overseas?
H-m... I don’t think the members themselves change, but since the environment is different, the members act differently.  For example, everyone is living in a small space overseas.  That would be different in Japan. When we’re overseas, Rick or myself take care of everything for the members, so we can see how they are but... When I’m in Japan, I work separately from the members, so I don’t know too much, but observing the current atmosphere, I feel that the atmosphere in Japan is heavier.
—Rather than “heavy”, is it more “serious”?
Yes!!  Japan is home for them too.  I don’t think they are yearning for perfection overseas... Not for staging but towards their environment. The lifestyle is completely different from Japan, so there is a feel where they are doing their best at a different environment.  In Japan, since this is their home, they’re tyring to exert the greatest thing so I think that’s why they’re being serious.  So there isn’t anything different about the members and it has to do with the difference of environment.  
— They’re uncompromising because they’re from Japan.  Perhaps that’s why from Nora-san’s eyes, they seem to have a “heavy” atmosphere.  Do you feel that way with the members approach towards the Japanese fans?
Basically, their stance towards the fans don’t change, but I can really understand how the Japanese fan is their base.  No matter how tired he may be after a LIVE, Toshiya will be writing a DIARY (entry), and he may be thinking all day about what photo to post and then take the actual photos.  Everyone constantly checks the news in Japan and they want to show them where they’re going, so they would take photos for the newsletter or report their first-time experience even when they’re away (laughs).
They get inspired when they go overseas and I think they’re digesting what they have experienced so that they create songs for the fans.  They may be away from home, but I think they are getting inspired in order to create good songs and then return to Japan.  No matter how many times they go overseas, the first place they release their CD is in Japan!
—I’m going to change the topic, but what left you an impression while you were touring around Japan?
That would definitely by LOUD PARK for LIVE.  There was a lot of hard work but it left me an impression.  The LIVE left me an impression but the audience left a bigger impression.  People that weren’t fans of DIR EN GREY were watching their stage seriously.  This is the same as the FES overseas and TOUR that they aren’t headlining, and I always try to find people watching them that aren’t fans.  LOUD PARK this time is the same as the festival overseas, and it has made me think that there may be people that newly became fans.  Personally, being able to watch the stage from the beginning to start was very good for me.  When I’m overseas I have to communicate about the monitor, so I can only see them from the side and listen to the first 3 songs, and I have never seen them on stage properly!  This time I was able to watch them for the first time and I was able to experience what the audience feel.  
— What were your thoughts after watching them properly?
Well—  They’re great after all (laughs).  It’s intense watching them from the side, but I could feel the heaviness that Rick always says.  I watched them from the front; the lighting and staging were great, and I was finally  able to see what DIR EN GREY wanted to convey.  Also, when I saw “VINUSHKA” during LOUD PARK, when Kyo raised his hand, everyone on the floor also raised their hands... I was very moved.  I felt great unity too.  You can’t really see that overseas!!
— This is going to be the last part but please tell us your thoughts about this TOUR!
Thank you very much for letting me follow the Japanese tour as staff! Watching the staff supporting the band under different circumstance from overseas and  feeling the passion from Japanese fans directly, I felt moved and refreshed.  I learned a lot from watching DIR EN GREY from the front since I usually watch them from the side.  I really want the members to work hard in Japan and overseas!  I look forward to the next place where another challenge awaits them, and it’s a pleasure working with them.        
ShinyaDr. nemunemu no daigyakusyu
Hello everyone. This is Nemunemu and let's begin today. So I am currently writing this [column] in the fall. Speaking of Fall, it's a season of the palate. So this time for this year's custom tradition of hunting for taste/food, I went and picked chestnuts.
Indeed it looks like a town where chestnuts fall. Dr. Nemunemu's wild/animal instinct is at work. As you normally walk on a road you'd immediately see chestnuts on the roadside!
But my relief was still early. When I went for a closer look,
As expected crows or something had eaten everything inside and left the cone/burrs. But of course just knowing that there are chestnuts in this town is already a big catch/harvest. As I walked further on the road, there were more fallen chestnuts.
But of course this area has a terrain where crows can easily land so as expected only cones/burrs were left.
When I walked further I discovered a place that looked like an animal trail.
Nemunemu's wild/animal instinct suddenly pinged so I went further deeper into the trail. Then of course there it was!
A huge amount of chestnuts.
Of course it was still in an untouched condition.
I immediately started picking. But here I realized a big mistake as Nemunemu. I forgot my cotton work gloves eventhough I was going to pick chestnuts. Since I had no work gloves I used my bare hands to take the chestnuts out of the cone/burrs, I only picked as much until my hands hurt a lot.
So I brought the chestnuts home but I didn't know how to prepare/cook it so when I was staring at the chestnut, I drew on it without thinking.
This is a slime.
Since I drew a slime, I couldn't help but draw this.
This is King Slime. The Royal Order ring is the just the right size. Then I couldn't stop and I drew faces on all of the chestnuts that I picked.
That night in my dream I was attacked by chestnuts.
And so I will end this Nemunemu column here. This time since drawing faces on the chestnuts attacked my physical vigor there won't especially be any presents. I am accepting your comments so write down your member id, address, name, age, telephone number, Nemenumu Hakase no Daigyakyusu comment (better if long) and send it to ?105-8799 Nihon Yuubin Shiba Shitendome "a knot" Nemunemu kuri no kakari. The previous winner is No.XXXXX XXXXX-san. Congratulations.
Toshiya Aibiki no Mori
This time I am posting pictures that weren't posted in the Korea, Russia, England, North America DIARY. Well here it is!
1 This is personally the first time I felt that Yakiniku is delicious in Korea 2 This is the town that I saw from the hotel where we stayed in. 3  I ate breakfast with Ms.NAMIKI
1 This is the borscht and blini caviar that we ate at Moscow Airport. But ikura (salmon roe) came out... It seems that in Russia, cavier is a generic term for fish eggs. 2 It seems that Saint Petersburg Airport is written?! 3 Underneath the lobby table at the hotel where we were staying were black painted matryoshkas...
1 500yen water sold at Narita Airport. 2 Shrimp that I ate at SPARKS STEAK HOUSE. 3 Everyone ate while do a meeting. 4 Mr.CARL who did/sold the merchandise during this North America tour.
5 Japan's shame 6 Wonder if you can still ride this? 7 8 Parfait and hamburger that I ordered in LAS VEGAS.
9 Ramen that I ate in LAS VEGAS. 10 11 This is Red Bull. On the right is the 275yen size sold in Japan. On the left is the real/indiluted RED BULL. 12 LAS VEGAS nightscape
13 Exercise machine that I bought at the mall. 14 15 This is frozen durian. Probably not going to eat this again. 16 We chartered (laughs)
1 Arrived in the airport, this is Mr.HARUNA and Mr.GEORICE inside the car on the way to the hotel. 2 As for the hotel room, Mr.Shinya and I were in the same room but when we entered the room there was only one bed... 3 House in front of the hotel.
4 This is dinner. The pasta here is the best! It was so good that Mr.Shinya and I went to eat there after. 5 After this Mr.GEORGE will be picked up by the police...
1 After I came back home I went and watched METALLICA. 2 3 For several years I've been suffering from tenosynovitis [inflammation of the tendon sheath].Thanks to Ms.OKADA's needles [acupuncture], I could do the TOUR.
Well, this year is already over. Have you listened to "Warushawa no Gensou"? I think that we will also deliver new songs next year so please wait!
So, let's meet on the next "Aibiki no Mori"! Have a great year!!
Mu no koufuku, Sanretsusha to kubi/ Happiness of nothing, the assembled and the neck
I am different... I am not here... I wonder if I have fever, my eyes are getting swollen I feel as if I am drunk or have caught a cold I don’t know I, who understand the fact of what I’m doing, but kill time with indifference I am not trying to justify myself There are no lies in my feelings/in what I feel
My neck has gotten stiff
Now I am floating Now I am floating The mind floats and raises the body Summer is hot The sweat is bitter, I'm tired of it now Fusion in confusion, there is nothing
Mr.Sun, won't you please melt the ideals and the reality, which cannot go on as they would like to?
From neck to bottom, maybe I am just a flesh now. I don’t understand my mind. Who is it? Is it me? I don't know, but it's probably me... No,  you do understand right? Yes I understand and what I need to do hasn’t changed. I'll hold myself from answering my own questions about what I should do from now on.
So now I wish to rest1 Good night
Translator’s Note 1. The rest here also implies that he wants to have a temporary break from what he is doing right now.
44 notes · View notes
orjamjam369 · 3 years
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Things about 메이저추천 - Wizard of Odds
The usual suits are: cash,for which the suit symbol is a disc, representing a coin; strings, for which the suit symbol represents 100 coins strung together through holes in their centers; and myriads, representing tens of thousands. Players must wait until next roll as long as a pass line point has been established (players cannot bet don't come on come out rolls) before they can make a new don't come bet. When playing a game like Caribbean Stud Poker online for the first time, it’s helpful to begin by simply examining the table layout. Typically, you’ll see the familiar table game arrangement, pitting you against the dealer with a betting area in the middle of the felt. Today, poker has evolved into numerous variants with differing rules and formats. There are so many different forms of the game in existence that it would be near impossible to name them all.
In Arizona this system is only legally available for use by fraternal organizations, by service organization such as the VFW, American Legion or Amvets, or non-profits such as hospice or volunteer fire departments. Violating this rule will result in a dead hand and forfeiture of all bets. Another rule is that players may only have one hand per round. Yet another rule is that players must have all five of their cards in plain sight of the dealer.  Currently, only Oregon and South Dakota employ Class III gaming technology (incorporating a random number generator) into their VLT games. There’s really only one point during the game of Live Caribbean Stud where you’ve got the chance to employ strategy, and that’s when deciding whether to fold or play on. Two simple rules should always be followed: Fold if holding less than an Ace with a King ,Always raise with a pair or better
German playing card suits. (Von der Heyden, Strassburg, 1640). (Guest, Vol. 2) Right: Russian card deck with German suits (unknown). (Guest, Vol. 1) http://edition.cnn.com/search/?text=적토마게임 It's because early 1880s-era slot machines would actually dispense fruit-flavored gum. However, unlike standard poker games, Caribbean Stud Poker is played against the house rather than against other players. There is no bluffing or other deception. The rules had a small variation as the dealer had to expose 2 cards rather than one and the game had no progressive jackpot feature. Other than that, the rules and betting units were the exact same.
A number of the following out-of-print decks may be found, especially through on-line auctions. Previously, Five Star Playing Cards poker sized, was manufactured by Five Star Games, which had a gold colored fifth suit of five pointed stars. The player antes, and is then dealt a five-card hand; the dealer is also dealt five cards of which only one is exposed. The player now either folds, losing his ante, or bets an additional amount equal to exactly twice the ante. The dealer then reveals his remaining four cards. Eight rolled the hard way, as opposed to an "easy eight", is sometimes called an "eighter from Decatur".No. This is one of the most common misconceptions in poker. In Texas Holdem a flush (five cards of the same suit) always beats a straight (five cards in a numeric sequence). A straight-flush, which is five cards of the same suit in consecutive order, beats both hands.
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jafreitag · 4 years
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Grateful Dead Monthly: Capital Centre – Landover, MD 9/25/76 // Onondaga County War Memorial – Syracuse, NY 9/28/76
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On Saturday, September 25, 1976, the Grateful Dead played a concert at the Capital Centre in Landover, Maryland. And on Tuesday, September 28, 1976, they played a concert at the Onondaga County War Memorial in Syracuse, New York.
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The Capital or “Cap” Centre opened in 1973 just outside Washington, D.C. The arena hosted the NBA’s Washington Bullets and the NHL’s Washington Capitals, as well as the Georgetown University men’s basketball team, until 1997. It was demolished in 2002 and replaced by a mall. The Dead played there 26 times from 1974 to 1993.
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Perhaps ill-named, the Onondaga War Memorial is less of a memorial, and more of an indoor arena. The venue was built from 1949-51, and Wikipedia calls it a significant example of “World War I, World War II[,] and Aroostook War commemorative,” as well as “an early and sophisticated example of single-span thin-shell concrete roof construction.” Ok, boomer. It’s an old shed. And it’s now called the Upstate Medical University Arena at Onondaga County War Memorial – a name that just rolls off the tongue. The Dead played there five times: twice in 1971 (during the furious five era), twice in 1973, and once in 1976.
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These shows were in the middle of a short tour that began in Durham, NC on 9/23 and ended in Detroit, MI on 10/3. Between those dates, the band wound its way north, playing Landover, Rochester, NY, and then Syracuse. The first and third of those nights are commemorated (or memorial-ized, see what I did there?) as Dick’s Picks #20.
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I asked Liner Notes’ Chief Dead-itor ECM for his impressions of that particular release. He focused on the Landover show, 9/25/76, and sent this extended review:
Note – Keith’s piano is very prominent in the mix and he is in good form for this show.
The band started touring again in June 1976 after an almost two-year hiatus that began after the Winterland shows in October 1974. There were some big changes when the band returned, the most notable being that Mickey Hart rejoined the band after a five-year absence. It took the band some time to adapt to the two-drummer format. This resulted in an overall tempo slow-down for most songs. However, by September the band started hitting their groove and was working towards the glorious, almost orchestral sound that they eventually achieved in May 1977. There are hints of that progression in this show – especially in songs like Mississippi Half-Step, Sugaree, Cassidy, Scarlet Begonias and Dancing in the Street (sans Mu-tron, of course).
The show starts off in fine form with a Bertha that is speedy and driving. It has a great finale with Garcia adding “whoa’s and woos” in between each “Anymore.”
Minglewood is next. It is only the ninth performance since the band revived it at the Orpheum run in July 1976 after a five-year absence (last played on 4/29/71 at the Closing of the Fillmore East). These early versions are tepid compared to the way it would be played with Brent but the band puts in a very solid performance.
The next highlight of the evening is Cassidy. The jam section is now more developed than it was when the band brought it (back) into the repertoire in June 1976 (they played is once on 3/23/74 and then shelved it until the first show in 1976 – 6/3/76). This is an upbeat version that is totally nailed.
Mama Tried, usually a throw-away tune, has some pep in its step and keeps the energy high. It features enthusiastic backing vocals by Garcia.  
The Peggy-O that follows is gorgeous, especially Garcia’s second solo. Beautiful vocals .
The set closes with a lively Let It Grow, which gets downright frenetic at some points. There is also a short drum break which only happened in 1976 and then things simmer down and become a bit exploratory before the reprise. It is notable that Let it Grow was almost exclusively a second set song in 1976. So this first set performance was a bit of a treat. Additionally, Let it Grow would only be played two more times after this before taking a one-year break, making it all the more special. Instead of ending the set there, the band break tradition and give the audience another treat – a bonus song to end the first set – Sugaree. This version is nice and gooey. More telling though is how it shows early signs of the powerhouse that it was about to become in 1977. 
Set II opens with Lazy/Supplication and Half-Step  which are typically “first set songs.” It’s always interesting to see when the band mixes things up and gives “first-set songs” the second-set treatment.
In this case, Lazy/Supplication fares about the same way it does as a first set song. That is to say that it is not as long or exploratory as we might expect a second set song to be. Also, the Supplication jam seems to get cut-off early, but Weir’s vocals are very amped up!
On the other hand, Half-Step is a horse of a different color. Similar to Minglewood, Half-Step was revived at the Orpheum run in July 1976. It had absent since the hiatus. The tempo here starts off a little sluggish but the advantage of this is that it provides Garcia the opportunity to really dig deep vocally with the way he emphasizes the lyrics (i.e., on my waaaaay).The Rio Grandee-O section is fabulous. Garcia plays fluid, joyful, melodic passages which serve to electrify his bandmates as they approach the vocal section. The energy is palpable. The vocal harmonies are delivered with such confidence that the song feels like an anthem. Keith’s gorgeous piano flourishes add to the joyful vibe. Garcia patiently takes the outro jam to a slow and steady peak – early signs of 1977 (without the massive crashing chords). This is probably the best version of 1976.
From there the drummer’s pound out a brisk and aggressive lead-in to Dancing and the energy lifts off. Once the lyrics are dispensed with, Garcia begins a quick and funky lead that foreshadows the 1977 versions without the Mu-Tron. Things slow down as the vocals trail off. The band embarks on what will be the very last version of Cosmic Charlie ever played. Although I love the album, Aoxomoxoa, I am not a big fan of the slowed-down versions of Cosmic Charlie and St. Stephen that were revived in June 1976. The outro chorus “Go On Home…” on this version is extended and repeated like a chant which makes it gloriously eerie. Maybe it was their special way of giving Cosmic Charlie a final sendoff.
Coming off a stand-alone slow tune, the band needed to pick the energy back up so Scarlet Begonias was a perfect choice. This is an upbeat, full-bodied version that hints at how the song will develop when the band joined it with Fire on the Mountain just 6 months later. Donna is very subdued on the outro and does not overstep as she sometimes can do. Her voice quietly drifts in and out of the music which is the way I like it. 
The show ends with a typical long romp on the St. Stephen > Not Fade away segue which was so typical for this era. A respectable Sugar Magnolia provides the encore for one of the better shows from 1976.
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And Icepetal at the Grateful Dead Listening Guide blog has covered the Syracuse show, not only highlighting the show itself, but also discussing ’76 and its audience recordings:
This show is featured almost in its entirety on Dick’s Picks Vol. 20. But it has history from long before it came out commercially, and that history is in part related to demonstrating the glory of AUD recordings from a part of a year that isn’t famous for its soundboards. Most of the SBDs from Fall 1976 fall a bit flat. They just lack a lot of sparkle. As we have been dabbling into this period with AUD tapes, there are a fair number of good ones to be found, and it is now time to add 09/28/76 to this list as one of the more satisfying 1976 AUDs. Very up front, with exceptional low end, this tape permeates the sound field with the power of the Dead’s new (in ’76) sound system. Particularly sweet are the sound of the kick drums and Phil’s bass. These instruments tend to lay very flat on the SBD’s, while in the AUDs you can literally touch the energy coming out of them. The drums, especially, pulse with power. You can almost feel the push on the air, absent almost completely from the soundboards. On 09/28 we are thus treated to that most wonderful alignment of the stars – a wonderful recording of a wonderful performance.
It’s hard not to talk about 1976 without mentioning the dismissing the year gets in many Dead trading circles. Generally you either love 1976, or absolutely don’t. However, even some of the most anti-76 folks out there will generally acquiesce that there are a few glowing spots in this year. 09/28/76 falls into this category easily. In fact, after revisiting this AUD after a good many years myself, I regret that it took me so long to share it here on the blog. This show and recording demonstrate all that I love about 1976, and then some. It was one of the first late-1976 tapes I acquired in trade, and as an AUD, continued to cement my preference for this recording medium over soundboards. For this show, and a few others from the Fall of ’76, the audience tape brings an entirely heightened level of experience to the music itself – not because of the crowd, or the energy in the air, but strictly based on the way the sound of the band comes through on tape.
Icepetal’s typically eloquent rendering of the music is worth a read. He effuses about the long transition between Let It Grow and Goin’ Down the Road Feeling Bad, as well as the second set Playing Sandwich – Playing in the Band > The Wheel > Samson and Delilah > Jam > Comes a Time > Drums > Eyes of the World > Dancing in the Street > Playing in the Band.
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I found a review of the Syracuse show in the college newspaper. Wheel of Fortune is such a great song, ha.
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Here’s the Spotify widget for DP#20.
https://open.spotify.com/album/34KjKiNyuggM0g2No4ZnTv?si=R3d3HsVvTXK6Faf1WHAVTw
And transport to an audience recording of 9/28/76 HERE.
Thanks as always to Ed.
More soon.
JF
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