#no thoughts only the sillies and the horrors

[vintagetvstars]

Alan Alda Vs. Robin Williams

Propaganda

Alan Alda - (M*A*S*H) - He is both the saddest wettest little meow meow and your kindly grandfather and your favourite eccentric uncle (mom's side). Somehow it works. Passionate Democrat, feminist, great writer, he and his books are hilarious. Did a cartwheel when he won an Emmy! How he met his wife is the best meet cute of the last two centuries, and they've now been married over 60 years!!!

Robin Williams - (Mork & Mindy) - Mork & Mindy will forever be iconic. Robin Williams is such a gem on this show! Nanu Nanu <3

- No Negative Propaganda Please -

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Alan Alda:

he’s just so good in MASH

he put so much bisexuality into hawkeye i think it fundamentally changed me when i was little and watching mash for the first time. anyway do we all know the story about how he met his wife when they were at a party together and they were the only two people eating the cake that fell on the floor and he fell in love with her over her laugh. i just think hes neat :) i love when theres a strange looking man. also feel it necessary to say that the guy that wrote the book mash was based on wrote himself as hawkeye and HATED alda's hawkeye bc he displayed his morals too much (alda had it in his contract for the show that every episode had to have an operating room scene bc otherwise you arent backdropping the fact that war is Not fun. actually. he almost didnt take the role bc he thought a war comedy would make too much light of the horrors)

please please please use this picture of him, he's so hot in it

His comedic delivery in MASH...

The story of how he met his wife is charming and sweet, and they've now been married 65 years

Just look at him. He's the most beautiful man I've ever seen but also he's completely average. He's got a weak jawlines and a round face and these big soft eyes and he's just so beautiful. He's capable of playing a silly charismatic sitcom protagonist in one scene, and a jaded army surgeon haunted by the deaths he's witnessed in the next. He's so hot that my dad once told me he decided to apply to medical school because of how much he was attracted to Hawkeye Pierce. That's literally how I learned that my father was bisexual.

He's also just a really great dude? He's been outspoken about his political beliefs for a long time, and has always been strongly and vocally anti-war, pro-feminist, and pro lgbt. He served a tour in the Korean war, and his experiences there informed his performance in the show. He (and honestly the entire cast, but especially him) really just soared above and beyond the standard for comedies of the day.

He's so funny and his eyes are pretty

He loves and is a champion of science (Source).

Robin Williams:

[paper-bag-arts]

HII OXENFREE FANDOM‼️‼️👋😁

[hecatialapis-lazuli]

i feel like I've talked about this before but I wish blazblue dipped more into the horror of the situation. Whether you wanna go cosmic or existential both kind of work, though I guess the theme is a bit more despair than horror? Those two feel like they marry together pretty well.

Like. Think of CS. You have Noel, becoming what she always was, something inhuman. Literally screaming and crying after having the truth of the world and the PFDs revealed to her. You have Ragna, also learning the truth, and that he has tried so, so many times and failed every single time. You have Terumi, relishing in the hopelessness that should cause, yet being just as stuck as everyone else, and painfully aware that if he wants out of this hell, he has to claw his way out.

Idk, I just think there's a lot of stuff in blazblue that lends really well to horror. There's already themes about loss of autonomy, just play a little more into that, emphasize the helplessness before the Master Unit, and then the satisfaction of finally being free.

Hell, the Master Unit/Origin still is sympathetic in this interpretation. She's suffering, she's not doing anything out of malice, she just wants to be a person. Not even the Origin is immune to the horror of being a thing, strung up to watch and desperately try for another ending this time. This time, it'll work.

[cream-and-tea]

LAY ME DOWN. chapter seven excerpt. unedited. featuring: agnes’s attempt to understand a new and troubling situation through understanding a new and troubling person. light body horror. self-harm adjacent behaviour. general freaky magic stuff.

[transcript under the cut]

oh brother. these guys again.

TAGLIST (ask to be +/-). @vellichor-virgo @transmasc-wizard​ @houndmouthed @muddshadow @just-wublrful @corkywantstowrite @shrunkupthejams @andromedaexists @caninemotiff @lungs-and-gills @lychniscitrus @phantomnations @onomatopiya @deer-in-headlights-stare @arctic-oceans @redbloodprose @definitelynotclayface @cannivalisms @atthenian

“Show me then,” the words are out of her mouth before she has time to think. Animal instinct. Too distracted to remember to bite her tongue.

Pallas blinks at her once, slowly. “What?”

She can walk it back, that would be safest, the nothing already crouched expectantly in the back of her throat. Instead she uncrosses her legs and swings them over the edge of the bed to better face them. Having feet on the ground makes her feel more solid, more certain.

“I want you to show me. Vita. I want to see it.”

Pallas raises an eyebrow. “Show you?”

She scoots forward slightly and nods, made a bit braver by the fact that they don’t seem to be angry or condescending, just confused. Probably really confused because Agnes is awful at telling what people feel by their faces and even she can see it clear as day.

“You’ve already seen it,” Pallas says, setting down the pen and shrugging back into their jacket. “You know what it does.”

And that’s true isn’t it? In the Haithwood and in the library. Pallas winding every bit of her body around their fingers and holding her frozen to the ground, Pallas making Calliopes nose break and bleed in a burst of icy rage, Judge reaching under her skin to pull her injured flesh back into shape. Vita. Blood and flesh and living bone. Honestly she’s seen enough for a lifetime. There’s still that sick feeling in her gut whenever she thinks about any of it.

So maybe it has less to do with the magic and more to do with Pallas, who’s spent every hour of every day since she got here pushing her to reach for the dead in a way she never has before. Pallas has had everything to do with her ghosts and her gravespeaking but every time they’ve used their power she’s had absolutely nothing to do with it, a bystander at best and a victim at worst. It's not that she’s upset, or ungrateful, just that she wants to see them the same way they’ve seen her. That isn’t so much to ask? Right?

“Yeah.” Agnes moves to rest her chin in her hands. “But I haven’t seen you use it when you’re not…”

Scaring me? Attacking people?

“...y’know,” she finishes lamely.

Pallas has gone still in the chair and she can’t help but feel the same hot embarrassment as before at the expression on their face, nakedly baffled in a way that feels too intimate for her to be seeing. It’s like something about what she’s asking has managed to fully shock the danger out of them, leaving just a person who doesn’t understand what’s happening. Agnes hadn’t thought that was even possible to do, and the revelation that it is fills her with a kind of mad, giddy joy. You’re just like me. You don’t know what’s going on right now.

All this time she’s been tiptoeing around Pallas, but now she’s knocked them off balance and hasn’t been reduced to a pile of blood and guts. So there are some things she can do. She is not totally helpless and they are human after all and they are being awkward! Being awkward in front of her!

“I don’t exactly have a broad scope,” Pallas says dryly. “I doubt you’ll like anything I have to share.”

Agnes doubts it as well, but that’s not really the point. And nothing they said just now was no.

“Maybe it’ll be nice. Maybe I’ll think it’s nice.”

Pallas stares at her like a chicken confronted with a bicycle. Then they look away. Then they let out a long, quiet breath and close their eyes before shifting to face her properly, both feet on the ground as well.

“Sit back,” it’s closer to their normal voice but with a faintness to it. Not quite trembling, but definitely not steady either. Agnes straightens up and tilts back onto her palms as Pallas shifts forward. It feels like too long before they open their eyes, which are just as grey and bad as ever.

“I won’t do anything to you,” Pallas says, as if that’s an option they were considering. Agnes can’t help but feel a twist of relief, the memories of that first meeting in the woods are never far from her mind and no matter how much she wants this, any chance to avoid something like that happening again is a welcome one.

“Right.” She nods.

“If you start screaming, or vomit, or pass out, I will cease interacting with you alltogether. That is a promise.”

“I’ll be okay.”

Pallas’s brows furrow with what could be concentration or could be concern. Their mouth opens, floundering for half a second, like they were about to say something else before closing back into a tightly pressed line. They hold their left hand out in front of them, like they’re waiting for a high five, and somehow Agnes knows that, whatever it is, it’s about to start and her anxiety feels like victory in the face of that.

At first it is nothing much, just a thin red line slicing down their middle finger. So straight and clean it could’ve been made with a scalpel. Not even that much blood. Then, simultaneously, the line begins to creep down their palm and out to each of their other fingers, dripping beads of crimson down the clammy pale of their skin. Somehow it doesn’t seem real, like Agnes is looking at a diagram in a book that’s mysteriously been animated in front of her. If Pallas feels any pain at all they don’t show it, face unchanged as the skin starts to peel back from their hand.

That does make Agnes draw in a sharp breath, even though she’s been very good at staying quiet and still up until now, fearful like she was in the classroom with Judge that any sudden action will throw the magic off-balance. But she doesn’t look away, because she asked for this, and Pallas doesn’t pause in their unfurling even if their brows furrow slightly at the sound. It happens in one smooth motion, practiced, effortless, performed with all the ceremony of taking off a glove. Agnes does not start screaming, or vomit, or pass out. She’s dressed animals before and, apart from how Pallas is not dead and the effect is contained to just the one hand, this isn’t really different. There's the careful separation of skin from muscle, the delicate definition that separates the parts underneath, the red and pinkness of it all.

Of course it’s not really the same either, because the parts of Pallas being stripped away are not set aside for later use; instead they stay floating in the air around the hand, held frozen in the same way her body had been back in the forest when they first met. Warm, wet flaps of skin, fresh as the blackgreen bark stripped from trees back home, hover drowsily like something pickled in a jar. It is also not separated, not really, everything still intertwined and beating with red and alive, muscle and artery and nerve working together, just lifted up and away. Agnes never paid her own hands much mind beyond the work they could do and how cold they got in the winter, but now she imagines her skin split apart and away the way Pallas’s is, wonders if all of that really exists inside her too. It feels wrong somehow, what’s in front of her now is just meat. A person should be made up of more than that. There are so many small parts to a hand, parts she cannot name but Pallas probably can or else they would not be able to do any of this. They don’t stop until the muddy white of their fingerbones begin to show, then the entire thing spasms with an uneven spurt of blood, a pulse that Agnes feels in her own chest, and goes totally still.

In the silence she can’t help but lean forward, marvelling at the web of flesh in front of her, and even as her scalp prickles and her stomach turns over and the air around her seems to hum with the urge to run a part of her itches to reach out a finger and touch. That really would just be the same as fiddling around with the guts of an animal, but also it would be different. Somehow she knows it would be different. Different in a way she’ll never be able to understand unless she does it. Which she won’t. Because Pallas is terrifying and this has only proved that a hundred times over.

Though maybe not as terrifying as she thought before. They did listen to her, or humour her, or whatever this is. It’s something for sure. Agnes can always make do with something. It’s how she stays alive.

Her breath ghosts across the bloody strand of a muscle, and that is what breaks the spell, that or Pallas is just done or some other condition she doesn’t know has been met. The coming back together seems to take a good deal longer than the taking apart, sweat glueing dark strands of hair to Pallas’s cheeks and the grinding of their teeth made audible despite the damp, slithering sounds of their hand seaming itself back together until the only trace of what just happened is a rusty crusting of blood packed around their nails and in their palm lines.

They pull the hand away while Agnes can’t help but keep watching, transfixed as they flex it in and out of a fist with a disinterested glare, impatient while a few stray cracks and pops fill the newfound silence. Once that’s done they hold it out one more time, as if proving to Agnes just how inconsequential vivisecting a part of them in front of her really was.

“There. Happy?” Pallas slumps slightly, tipping their head back enough that she can see their pulse fluttering frantically just beneath the skin of their neck. Again she resists the urge to touch it. She likes all of her flesh right where it is. Thank you very much.

Palla shifts to look at her and Agnes remembers that she’s been staring, not answering them, and internally kicks herself for being such an idiot.

“I am,” She breathes out, makes the monumental effort to meet their eyes. “I actually really am.”

[thedndgoblinwholivesinyourwalls]

beth may has a chance to make trudy’s relationship with her kids genuinely heartbreaking and i’m worried if she finds out that she has that power

[nocentis]

Black Arum ┆ Siegrain

Content warning: main character death, cannibalism, gore, toxic/unreliable narrator, highly canon divergent character portrayal. Read at your own risk. You will probably take psychic damage from this.

╳┆A lure was stuck in the soot between his lungs. Many times he'd felt the tug — enough that the wire fray had worn a rut where his ribs met — and many times he'd found her on the other end, reeling for remnants of him that no longer existed. She would aim to break him open, sift around in the cinders for those specks of him she wanted to confiscate, keep for herself, so that she could finally be rid of him. Once those flecks were washed and panned, the remains would reek like plough mud closure. For that reason he would come to her whole, every whit of ash accounted for.

A cherry little game they'd play. Her with flint and steel, eager to reignite that paltry spark of "good" that flickered freely for a lapse before he remembered himself. Him with tinder and kindling, letting it light only to call on the rain again. Her with just enough hope. Him with just enough time.

That resolve was so very compelling. More than her beauty, her candor, and even that glow he so loved to bask in — that luster he wanted to hold between his teeth and bury under his nails — more than that, her tenacity was a toothsome temptation, and he wasn't keen to deny himself anything.

So when he felt the pull, he caved to the beck and spooled the lisle. That day, the line seemed lighter, thinner, than it ever had. It should've been strong. Tensile. Instead it felt gossamer fine and just as frail, poised to tear at an ill touch, and he wasn’t exactly renowned for his gentle hands. Still, he gathered it with both palms and wrapped it proudly around himself like a ceremonial sash, grin scrawled across his face something devilish.

╳┆He found her lying in the shade beneath a long-lived magnolia, still and silent as she never was, with the color of her namesake spread around her head in halo streaks. Battle-torn, as she so often was, and yet uncannily... passive.

Anything he'd planned to say went out the airlock. Instead, he stood there with an anchor in his stomach, reaping the benefit of doubt.

Not a frown nor a sigh when he darkened her sanctum, only heavenward eyes tearless and unblinking and a resigned breath just short of peaceful. That worn tether waned phantom thin, light as helium, and the tension in his chest went slack.

There was no definite snap. No dramatic severing or ear-popping moment of clarity. Only the vague sense of loss so fresh a wound that denial was a numbing salve.

“Get up,” his voice a command, sandgrit against whetstone, thickened by an unnamed antigen.

The silence felt like mockery. A placid scene void of chittering fauna, clouds' drum, or even the most timid breeze. It wanted him to hear the absence of her breath and the stillness of her chest. It wanted him to hear the hollow. The empty. The nothing. Wanted it to resonate; to find the furthest reaches of his mind and clean them out until all that was left was this icy, clarifying silence.

He knew the end when he saw it. This was something much worse. It was robbery.

Her life wasn’t for the world to take. It was for him to hold in his hands. 

Something wet and pathetic slicked his tongue — some whiny, pleading thing — and it was stubborn as oil. The authority slid to the back of his throat and left him choking, “You are the indomitable Titania. You’ve laced fingers with Death time and again only to rise and slay and conquer, so get up.”

Her warmth was set to a slow drip, spilling from her in tired beads and seeping soundlessly into her chosen ground. Little whispers of her lost to greedy loam, sullied, never to be returned.

A waste of precious love. The sod won’t drink of her as he will. It will take of her and give back what? New “life” so fragile and fleeting? A feeble weed will take root, bloom its days few, and curl itself inside out? Pathetic. An insult to her legacy. An insult to the diamond-split sharp of her bladesoul.

His heart boiled over — popping, sticking, simmering sicksweet saccharine. It colored him cloying, flooded his mouth, and forced him to kneel at her altar.

"Please," he keened, hollow and morose, and his own pleading sickened him, “Say something.”

The sun trickled through the leaves like ichor, lighting up her black-blown eyes and the thin ring of honey surrounding them. Dim, distant, and dead as the moon.

His hand carved a path to her face, fingers featherlight against her fading flush. He brushed her bangs from her eyes and forced an unbroken breath through his quavering mouth. He traced each scar too faint to see and the parts of her skin their star kissed. Memorized the map of her face — each curve and crease, each fine hair, and every eyelash. He would carve out a space in his mind in her shape and fill it with the thousand sweet nothings he kept in his pockets.

He gathered her hand and threaded it with his own. When he opened his mouth, a rickety twine escaped from the deepest point of his chest, so he forced his jaws shut to keep the grief corked. He uncurled her fingers and pressed his cheek into her palm, trapping her there against his own scarred skin. His eyes fell shut as he breathed in this borrowed touch — this moment fated, stolen from him by this world's insatiable avarice.

He kissed her palm directly in the center; held it against his mouth and felt his own ruined breath echo back to him from the deepest grooves of her skin. Again, he begged, “Please, Erza.”

Of the armors innumerable now haunting this hallowed ground, this one least befit her. 

He revered Death. If there was a god, surely it was Death, he thought, for Death asks for nothing but life. The dead don’t know that they’re dead. They know a split second of euphoria and then a sharp, definite end. Isn’t that the work of a gracious god? One last stroke of color whether in peace or peril, and then eternal rest. Back to the dust you sprouted from.

But now he couldn’t see any of that beauty he often waxed poetic about. All he could see was change yet to come. All he could see was her, and he wanted her back.

He wanted her back, yet he knew better than anyone that there was no such thing as resurrection. While Death might be gracious, it was not generous, and it was not to be reasoned with.

The thought of her buried deep, bathed by the dark and abandoned to rot — it washed his mouth acid sour. It ate straight through his tongue and lingered in the roots of his teeth, burning, raging redhot in his jaws’ marrow.  A grave didn't suit her anymore than a pyre.

Soon she would be cold. Stiff. A feast for flies and their insatiable young. In the days to come, she would bubble and bloat and sallow. Her skin would loosen and slough off. The sun would bleach her bones. The meat of her would melt into oil and fat and bogspit. She would mix in with the soil, the groundwater, and this thankless magnolia would thrive.

It was tall, thick, with branches spread in all directions. The lowest of its limbs showed off the varied deep greens of its large waxy leaves, their undersides a chalky brown. A few white flowers bloomed, palm-shaped petals open in praise like they'd come to witness and worship. There was no question why she'd chosen to crawl here. It must've reminded her of home.

Despite its beauty, it was hardly worthy of her. Nothing in this ravenous world was. Her grave should be carved within his chest. There, he could keep her warm. He could host her in his veins. One day, they would wade the waters of woe together. Until then she could live under his skin.

He wouldn’t allow her to spoil. Wouldn’t place her gently into time’s whittlesome hands only to lose her peel by peel by rotting peel.

This world has taken much from you. Do not allow it to take her too.

A carnal ache etched itself into bone, a depth of passion he hadn't felt since he wrought for a false Heaven.

She is a fruit, ripe as a plum and twice the taste. Peel her open. There is a seed at her core. Plant it in your soot-field chest and watch her bloom anew.

What are these hands for if not this?

Flesh like sheets of silk. Muscle like rope. Blood like honey. Bone like an ivory trove. The splitting, the squelching, the straining, ripping, snapping; it burrowed marrow-deep and lingered there. Her chest peeled apart like jagged teeth, jaws croaking their rusted tune, and inside that redslick maw was the center of the universe.

The heart upon its throne, still as she, shielded by her precious lungs. It slid into his palm like it was always meant to be there. Raw, rich, and so very scarlet. Its sinews strained against his pull — those hollow vines that fed even the furthest parts of her — so he wrenched them free and draped himself in them like matchless finery.

Eat. Eat ‘til you’re sick. There’s a hole the size of her in the pit of your stomach. Eat until you fill it. 

What are these teeth for if not this?

Tough as leather; smooth as rubber. His teeth slid right off the rind and clicked together with nothing but metallic sheen between them. He gnashed at that ink-dripping muscle until he found a spot weak enough to tear apart. It tasted of rare meat and iron; a heady gore thick enough to drown in. He swallowed, gasped, and that first new breath felt like a blade.

The child inside him saw her split-open ribs as his cradle. He wanted to crawl inside, curl up, and die. He wanted to paint himself her color.

He lost his vision to the hot, angry wash. His own sobs were a distant sound, muffled by meat and blood and his own desperate fingers. He was numb in the mouth and in the shake of his hands, but he forced himself to eat, eat despite the choking, the gagging, the wet, weeping remorse.

Don’t you dare throw her up. Be grateful. Swallow and say thank you and finish what you’ve started.

He bit into his own palm, indistinguishable from her core, and he cried out in sour relief. His hands spread raw grief over his face, through his hair, and down his neck.

You’re no better than this starving world.

He curled into himself, hands clutching his own aching chest, and despite the cloudless sky, he called upon the rain.

[the-sunshine-dims]

everyday i am more and more tempted just to post the single chapter i have of the nutcracker au

[squuote]

we should talk more about mariella. I think she is so silly…in my head aaaghhh….

[just-a-living-meat-thing]

Just had a dream where I was this investigator detective guy investigating this string of beheadings/murders and they kept getting increasingly worse and more terrifying and supernatural, and I was starting to become one of the last people still alive, so I kept calling my superiors like “there’s something wrong with this case, I can’t do this, I need a transfer please, please there’s something wrong here, please take me off this case—“ and they wouldn’t take me off the damn case, so I kept getting steadily more and more ✨psychologically damaged✨ the longer I kept investigating, and experiencing more and more Horrors and becoming altogether a complete wreck. And then one day I had a meeting with 2 informants on the case, so I went up to the house they were in (already having a bad feeling about the whole thing) and talked to them for a bit, feeling like we were being watched by something none of us could ever understand, then I had to step outside for a quick call. When I came back in not even a minute later, there was blood fucking everywhere and one of the informants had been decapitated, and the other was… well, everywhere—I could only find two severed legs and their torso from the mess. I called the emergency line for my department and they sent two people out—I think I’d smoked my way through an entire pack by the time they arrived—and once they were there I told them everything I knew, that I was getting out of this shit no matter what, and did they know where a payphone(??) was so I could call my boss? And they pointed one out to me so I ran down and did my whole crying begging throwing up schtick and my boss was like “no I’m not transferring you. You need to finish this case, even if it kills you.” and then I woke up like ?????? What the fuck dude????

Anyways I’m making him into an oc I think I’m gonna call him Cringefail Boyloser Number 10

[goat-boy-sounds]

one of these days I feel like I should watch an actually really scary horror movie like blair witch or skinamarink or that new maika monroe movie but idk.

[starlit-eudemonia]

I think I’d be more terrified if Ocudeus was a colossal squid or giant squid. That inspires thanatophobia at its worst. They can be thirteen meters long 😭😭 (43ft) and their long ass hand tentacles freak me out. Also found that colossal squids have barbed suckers and giant squids’ have serrated edges. Um-nope.

[get-more-bald]

the fuck do you mean I have to leave....

[piplupod]

i love when my brain is trying to scare me and im just too tired and apathetic to get scared. nice try idiot!! unfortunately for you I Do Not Care!

[carpetcat2]

[chrispy3]

caty and tyler sketches <33

[Image Descriptions: 3 images of pencil drawings on white paper. They feature my characters, Caty and Tyler. The first image shows the two of them drawn from the shoulders up, Caty on the left and Tyler on the right. Caty is slightly shorter than Tyler. She has a round face and nose, she wears a serious expression and has a permanent wrinkle between her eyebrows. She has her hair pulled back in a ponytail with some loose hairs in front of her forehead and ears. Tyler has a long face and large nose and a stubbly beard. He is smiling at Caty. He has short wavy hair that he has pulled back with his cat ear headbands. They are dressed in Halloween costumes, Caty is a dog girl and Tyler is a cat boy, they are both wearing normal clothes with animal ear headbands and minimal face paint. The next image shows Caty in the foreground on the left, and Tyler in the background on the right. Caty is facing forwards and looking intensely at the viewer, and stating “we aren’t alone down here”. Tyler is cheerily smiling while holding a snail on one finger. from this angle you can see he has a nose piercing in his left nostril. He says “Well of course not! There’s this snail I found!” The next image shows 3 parts of a conversation with the two. Tyler muses “I wonder what I taste like…” In the next drawing, Caty says “i can figure that out” and smiles. In the next drawing, they are both imagining Caty biting Tyler’s arm. Tyler looks at Caty warily while imagining this, and she just smiles at him blankly. End Description.]

[kartsstuffig]

guys i went into my hallway to turn down the ac and found this thing standing there and when i enter it's general vicinity it makes me feel weird and sick and it kind of looks like me any tips or advice