Oops! All Mysterio!
I had a lot of fun doing these :] and I might eventually do more later but for now! The sillies <3
Info under the cut!
All Mysterios, left to right, top to bottom!
First slide, Cartoons: 1967, 1981, Spider-man and his amazing friends, 1994, TSSM, 2017
Second slide, Comics: Webspinners, Moosterio, Media Blizzard, Undead, Symbiote, Cosmic comic
Third slide, Fan designs: Mine :] , @hollowsart , @lazymonth , @cronchyy2 , @thenyougetbackup , @lazydaydrawings
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Finished the new Wednesday series and I figured out what the Tim Burton version of the Addams Family is missing for me and it’s the mania. There’s no manic edge to any of the jokes. There’s hardly any snap (pun intended) in the dialogue. Gomez is sedated, the guy who played the younger version of him was serving more Gomez energy in five minutes onscreen. There’s a moment where CJZ calls him “mon cheri” and there is ZERO reaction, not even an aborted attempt at a “Tish! That’s FRENCH!” gag, which I was definitely waiting for. Pugsley isn’t hyperactive at all. He says he misses being waterboarded but he doesn’t beg Wednesday to torture him or really do much at all the few minutes the kid is onscreen. His one gag is basically just a fat-kids-will-eat-anything joke where he chows on some potpourri. Nothing in the therapy scene to suggest how VERY in over her head Kinbott is. Nobody else is ever really set on edge or feeling jumpy because they have no idea what any Addams will do next.
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Alex is actually so wasted as a F1 driver … he could have done numbers as a tumblr user
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Genuinely don’t know how people come out of the Soul Eater anime ending calling Maka’s punch a “friendship punch” when they literally talk about Madness vs Bravery throughout the show AND THEY LITERALLY SAY ITS BRAVERY IN THE SHOW !!!
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Electro charges the sinister 6’s phones for them
AA I WAS SO EXCITED TO DRAW THIS THANK YOU FOR THE REQUEST
Its a group effort to get everything charged up again after a big battle.
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can everyone shut the fuck up about boothill. can we talk instead about the way hsr 2.1 tackled the themes of death and life and used the character who is an emanator of nihility - and is thus expected to not care about life because all things come to an end and the nihility consumes all - to subvert that pessimistic philosophy entirely. to have her instead stipulate that yeah, we all die, but doesn't that just mean we should enjoy our lives more? the journey is what matters, not the end. it would be really cool if we could talk about that
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