#office clips

[captainpirateface]

Did you see "Saw"?

[lunarr-stuff]

*distant screams of agony*

[cellgatinbo]

pac was setting up a prank by himself and fit just stumbles upon it, doesn't say a word, and immediately joins him as his partner in crime <3

[salemoleander]

"Also Life Series is coming soon. You didn't- you didn't hear it from me."

[squiddlysq]

Murderbot's interview with Station Security when it first arrived on station went extremely well

[blockygraphics]

Bosscat.wmf, created August 1, 1996, 11:46 AM, clipart image included with Microsoft Greetings Workshop (1996).

[theveryworstthing]

it's 1:30 am and after a month of peacefully enduring Interesting Times, trying to set up a new laptop is turning me into the joker.

every day i am spending money and having problems.

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[naffeclipse]

Just realizing that the fact that there exists an “Angel Eyes” Eclipse implies the existence of either a more foreboding or comically innocent version of him called “Devil Eyes”

oh, Lumi, you just unleashed something devasting

As entertaining as a detective Eclipse would be, innocent and way in over his head when it comes to dealing with a mob boss Y/N who just so happens to find him devilishly handsome and too clever for his own good, I'm thinking of something worse than a mob boss.

As a young rookie cop, you are attempting to put out so many fires in the city. The crime rate is abysmal. The politicians are running on fumes and bribes. The police force is barely hanging on through constant corruption. Animatronics are still considered inhuman, unalive, objects to be owned and used, and disposed of. You're hoping that the laws declaring animatronic rights will pass soon.

Murders happen every single day in a city racked with gangs, crime lords, and thieves. You and a few other officers are tasked with dealing with a particular crime scene. It's not unusual for a politician to get assassinated, but there's something particularly brutal about the killing that sits in your stomach wrong—there was blood everywhere.

Then another important person gets knocked off, the carnage grisly and crimson, then another, and another. You can't shake how savage the murders are.

High-ranking officials start having you and other cops stand as bodyguards, taking them where they need to go, standing outside their meeting doors and on the street of their homes at night.

The killings keep happening. You learn of police officers who were standing watch were gutted, too. Slained just as well as the intended target.

You do your job, but you don't like it. You became a cop to help the city. This wasn't what you had in mind, much less babysitting powerful and possibly corrupted individuals that you despise.

That's how you confront him.

Late one evening, sitting in a squad car with a fellow policeman, you two keep each other awake with small talk until you hear the faintest scream. You both take off, and you take the back of the house. When you enter the gauche kitchen, there's a cook animatronic knocked to the ground. You stop to speak to the poor robot, her optics fuzzy until you offer a helping hand and get her back onto her wheels.

Before you can send her somewhere safe, a cold shudder rolls down your spine, as if someone were walking on your grave. You whirl around to find a towering figure at the far end of the room, dark and threatening. Black optics with pinpricks of electric yellow peer at you in judgment. The devilish eyes startle your soul.

You yell out commands to stop but the animatronic—you realize—doesn't head and disappears deeper into the house.

You give chase. You hear a gunshot upstairs and a shout from your partner. When you reach the second landing, you lift your gun to take aim, but a large fist clamp around your own. You fire once, hitting nothing. You're thrown against the wall, dangling by the wrists under the looming killer. Sharp rays, burgundy and royal blue, circle his face plate, splattered in bright blood.

It's too late. It's too late for the politician, it's too late for your partner, and it's too late for you.

He takes your gun and drops it far away. His staggering height gives no hope that you can fight him off, and already, he has you pinned. You simply hope that it will be quick, painless, but your heart sinks when he lifts a hand to your throat. His optics glint. You close your eyes.

A cold, slick finger tilts your chin up. He commands you to look at him, and you aversely obey. The optics scan your face. You wonder if he takes a sick pleasure from causing harm. You loathe that he most likely finds fear in your eyes but you are determined to not make a sound.

"Officer," he says in a cold, dark voice that spears your heart. He studies the badge on your chest, reading your last name etched in brass. You clench your fists, still suspended by his one large hand.

"Who are you?" you demand.

He doesn't answer. He cocks his head with a flash of sharp teeth in a metallic grin. When he drops you, you nearly crumple to the ground. You're aware of the blood underneath your chin where he had touched you. When you try to reach for your handcuffs, he's already down the stairs and out the door, fleeing the murders. Trembling, you fumble for your gun, but you find the clip gone.

The killer animatronic left you alive.

[almondcroissantsandink]

Jim from The Office sketches because I remembered he existed

[rosy-crow]

Genesis at the end of Crisis Core be like

[grishaversegirlblogger]

inktober day 3: path // the fall

hello, Deputy Officer Archangel Michael! and happy mean girls day to all who celebrate.

I KNOW I HAVE DISAPPOINTED AT LEAST ONE OF YOU TODAY I AM SORRY

i did desperately want to use the "sauntering vaguely downwards" line but i am also not immune to the crowley wet cat allegations.

and also i found that textpost about michael being in charge of casting out fallen angels. Michael is today's designated mean girl.

[lemon-lyman]

You see!? You spend most of our time being, you know, you. Then you write something like this to me.

[bumblingbabooshka]

Hey, Star Trek Writers... -taps the glass-

[rabbitinthefog]

Do you think he can resist?

[blockygraphics]

OFC074.WMF, modified 9/22/1992 7:03 AM; clip art from CompuWorks Business Cards & Certificates, 1994, via archive.org.