#officer daniel rigg

[ediblesglue]

DANIEL RIGGG MY ANGEL YOU DESERVE RECOGNITION

[smashorpassmakeyourchoice]

[goatcheesecak3]

You don't understand how badly it hurts me that Rigg didn't end up being an apprentice.... we were fucking robbed

[redneckkangaroo]

I want to watch saw 4 again. I miss Daniel Rigg. I miss him. He's so fatally flawed. I just. Please He's my favorite character. Yeah im adam and lawrence posting all the time but my heart belongs to Rigg. I will eat up a middle-aged man falling victim to his fatal flaw for his best friend. Augh. I dont even care that hes a cop he chose his best friend over his wife I love him.

Btw. If u even care. Rigg would have been a good jigsaw apprentice because of his very strong morals, but he simply cannot be taught. This man refuses to slow down even after so many people tell him. He doesn't listen and hes my bbg because of it.

[flimsysquid]

Rigg! 🧩

[coryosbaby]

Pls write more Hoffman stuff T-T I’ve been reading it repeatedly for the past couple of days along with your Adam stuff. I’m gnawing at the iron bars of my enclosure. I love your writing <3

𝒞𝑜𝒸𝓀𝓌𝒶𝓇𝓂𝒾𝓃𝑔 𝓌𝒾𝓉𝒽 𝑀𝒶𝓇𝓀 + 𝒶 𝓉𝒽𝓇𝑒𝑒𝓌𝒶𝓎 𝓌𝒾𝓉𝒽 𝒮𝓉𝓇𝒶𝒽𝓂 ♡

Cw: nsfw . Slight dubcon towards the end, cockwarming, p n v, exhibitionism, daddy kink, age gap, threeway, creampie

A/N: u ask u shall receive 🙏🏻 this is Hoffman & strahm + maybe a lil hint of Daniel Rigg but I’ll be writing more of just Hoffman soon if that’s what u prefer 🩷

The days spent in Mark’s office can either be incredibly boring and painful, or incredibly fun and painful.

And on this day, as his hard cock slides itself inside of you, you decide it’s going to be a fun but painful day— quivering, you let out a small whine as he fills you up in his desk chair. His cock, thick and long, is causing an ache and burn in your core. But how could you care when you’ve been wet for him all day?

Mark is barely paying mind to you; being a detective means having a lot of paperwork, and that he must finish today. But that doesn’t mean he can’t squeeze in a little time for you, right?

“Daddy..” you mumble, adjusting the ends of your skirt. He had just slid right in, with absolutely no warning at all! He was so mean sometimes. Batting your eyelashes, trying to get him to look at you, you add, “Cmon, why do you just fuck me?”

“Quiet.” He grunts. He’s flipping through a page from a case file. Although it’s confidential, he never minds letting you see the cases he works on. You’ve kept worser secrets for him, after all. “Keep yourself occupied, why don’t you?”

Oh, that’s rich coming from the man holding you down on his dick. You pout, crossing your arms across your chest. You purposely squirm on his lap, then. He exhales sharply, as you clench your walls on him.

And just then, a knock sounds.

Your face becomes bright red, and you’re quick to try and get off of Mark’s lap. But he tsks, holding you down with both hands and keeping you in place. Your eyes widen in fear.

“Come in,” Mark states.

And of course, the person who opens the door is Peter Strahm— someone you’ve grown to dislike since you heard him whisper something about the “young piece of ass” Hoffman had laying around in his office every day. You were quite offended by that statement, even though Peter has grown to be— in your opinion— too nice to you.

“Hoffman,” he says, trying to avert his gaze from your flushed face. You pray that he can’t see Mark’s unbuttoned pants and your pussy wrapped around him. “I need to talk to you… alone.”

Mark rolls his eyes, pushing his hips up. Letting out a tiny gasp, you can feel his cock sliding against your walls— and with shame, you try not to pay attention to the way your cunt gets slicker at the thought of Peter catching you being such a whore.

“You can say it here, Strahm.” He pats your hip, ruffling your skirt. “I can assure you, her pretty little head is empty right now.”

You should be offended, but really, you can’t think. Peter’s sleeves are rolled up today, his arms and hands exposed and— fuck, why do you want them to touch you?

“It’s about the Jigsaw case,” Strahm presses. His eyes land on yours again, and he watches the expanse of your legs. Your face flushes furiously, and you feel a drop of slick begin to run down your inner thigh.

Shit.

“And?” Mark teases. “It doesn’t matter to her. What is it?”

“It’s..”

Peter’s eyes are on your tits, your thighs quivering. You bite your lower lip, and you can’t help but let a fuzzy feeling take over you as he watches you.

“Cat got your tongue, Strahm?”

Mark smirks, and when he grabs your hips and pushes you further down on him, you can’t help it— you let out a moan, a desperate and sex crazed moan.

Peter doesn’t even know what to do or say— just stands there, his mouth open and a tent forming in his jeans. Mark continues to bounce you up and down on him.

“No—“ you whimper. “Mark! Peter, ‘m so sorry—“

“Fuck..” Peter whispers.

“You want a piece of her?” Mark chuckles, lifting up your skirt. Your cunt is exposed, all creamy and wet, little clit throbbing. You begin to rock your hips back onto your boyfriends hard length. “She wants you to fuck her. Don’t you, angel?”

You can’t help but nod, watching as Peters hand goes down to palm his crotch. He looks at you with a hungry stare.

Mark lifts you up with his strong arms, getting out of the chair and dragging you to the front of his desk. He slips out of you, pushing your body down onto the hardwood. Your cheek presses against a stack of papers as Mark spreads your legs with one of his feet. He lifts up your skirt, revealing your aching cunt for Peter to see.

“Cmon, Strahm,” Mark urges. “Don’t you wanna fuck her pussy? She’s so tight, so warm…”

And fuck, as wrong as it is Strahm is practically hypnotized by the sight of your gaping hole clenching around nothing. It needs something to fill it so bad, he thinks.

Fuck it. He stalks over, gives Mark a little shove to get out of his way. He unbuckles his belt. Mark begins stroking his cock at the sight of your doe eyes looking up at him. Peter pulls his throbbing length out of his pants, and rubs it up against you. You feel like heaven— and when he pushes into your hole, presses his balls firm against your ass, his eyes almost roll back into his head. It’s been a while since he’s fucked such a young, tight pussy.

“Oh—“

You whine as he pulls out and pushes right back in, incredibly hard. His skin smacks against yours as he begins to pound you against the desk.

Mark, chuckling, pats your cheek with his palm.

“That’s my girl.”

He’s stroking his cock over your face now, and Peter groans and spreads your asscheeks apart to get a better view of you.

“Been keepin’ this sweet thing from me all this time, Hoffman?”

His differences with the other man seemed to be forgotten because of your warm, wet cunt.

“Would’ve let you fuck her sooner if you weren’t such a prick.” Mark replies, and grunts when the tip of his cock hits your lips. “Don’t cum inside her. That’s something only I can do.”

Strahm huffs, displeased, but doesn’t say anything. He listens to your whimpers and moans. His mouth begins running, spewing harsh words to you as his cock moves in and out of your slick folds.

“Such a slutty little girl.”

“God, baby, are all the men you fuck always twice your age?”

“Knew you were a filthy whore the moment I saw you walk into big man’s office. Shit, yeah, clench like that again, bitch.”

Although Mark should be angry at these remarks, he knows it’s just a way to break you down on Strahm’s cock. He knows that you love being degraded and used.

It’s not long before Mark’s length fills your mouth, and as you swallow him down your throat Peter begins to rub your clit in harsh circles. Choking on Mark’s cock and squeezing your walls around Peter, your orgasm washes over you in harsh waves. You spasm against the both of them, your release dripping onto Peter’s thighs.

Peter is close, too, and he can feel it. Pulling himself out of you is probably the hardest thing he’s ever forced himself to do— and this even includes when he had to stick a metal straw in his neck because he almost drowned to death. He rubs himself against your lower back, letting out a small, “fuck yes, baby, such a good whore for daddy,” As he spills thick ropes all over the tramp stamp adorning your skin. He relaxes against you for a moment, then pulls away and tucks himself back into his pants. He nods at mark, then murmurs a small, “thanks, honey.” To you as he approaches the door and makes his way out. Mark pulls himself out of your mouth and makes his way over to your quivering form.

“Okay?” He murmurs softly.

You nod, head empty and hole clenching as Mark lines himself up. Much thicker than Strahm, he adds a harsh sting to the mix of your overstimulated cunt once again. He thrusts in and out of you at a harsh pace, his cock practically ripping you in half as it pummels your guts. You can feel that neediness coming back, that urge to cream all over a cock again.

“Yes, daddy,” you mewl. “Please. Please, I need it..”

“Yeah?” He says harshly. His fingers dip into your hips, watching the puddle of cum forming at the base of your lower back. “What if I called the whole office in here, huh? Two cocks not enough for this greedy cunt? Maybe you need to be smothered by another detectives pussy. Maybe you need another fat cock to split you in half…”

And Jesus, Mark’s filthy fucking mouth has you squirming and aching for another orgasm. He grabs your throat with one of his strong hands, bending your body back towards him. Strahm’s spend leaks down in between your ass cheeks and smears all over Mark’s lower stomach, leaving white strings stuck between your body and his, but he doesn’t care. Chasing his release, the mess adds to the amount of pleasure coursing through him.

Your fingers move up to hold onto his hand, as a way to loosen his grip. But you know he won’t let up— once Mark is set on a brutal pace with you, he always has to have his hands around your neck. His cock is bruising, kissing your cervix in just the right way and —

Oh.

Your eyes now, have averted to the office window. A breath of air leaves you as you realize that the blinds, ever always closed, are now open.

You try to get Mark’s attention— try to find a way to get him to let up so the window can be covered again. Thankfully, no one has walked by. It’s an empty hallway. But anyone could be willing…

“Mark,” you wheeze. His eyes flit to where you’re eyes are focused. To your surprise, the man doesn’t stop fucking you— in fact, his thrusts only seem to increase. His smell evades your senses, all cologne and herbal soap and laundry detergent, and you feel fucking dizzy.

And then, a shadow crosses that hallway. A familiar figure, with a stack of papers in his hands.

Daniel Rigg.

There, walking right across the office window. Noticing movement out of the corner of his eye, his body freezes midway, and he turns to look at the both of you.

Eyes filling with tears , you can’t do anything but take Mark’s cock and watch the man. And slowly, you recounted that you hadn’t seen Strahm when he had left the room— hadn’t seen him pull on the string of the blinds. Hadn’t seen Mark’s small smirk when he saw them being opened.

“Looks like we have an audience.” Mark teases.

You notice the tent forming in Detective Rigg’s pants, and your eyes flit down. He begins to stutter on his movements, and the papers in his hand drop to the ground. He shuffles, quickly picking them back up. And, with embarrassment and an urge to stroke his now hard cock, he begins to walk, fast, away from the scene.

Those motherfuckers.

© 2023 bratty-lxndry444 🤏🏻 all rights reserved. do not copy, translate, modify, repost, or claim as yours !!!

[theflirtmeister]

my dumbest saw headcanon is that when eric matthews turned up to the office like "my trans kid wants to change his name and is scared too", both hoffman + rigg went into fun older uncle mode and hoffman legally changed his name to detective and rigg changed his name to daniel to show how easy it was, and they just never changed it back

[runningw-thewolves]

A Horrific Game: Saw and Fenrir

As we come towards spooky season, the air around us becomes colder as the nights get darker. More and more, we feel the pull to the darkness. I especially find myself anticipating the beautiful horrors of Halloween as they approach. I especially find myself anticipating a special event me and a friend have planned, where I will get to watch the movie Saw. (NOTE: this was first written last year. The night with my friend was incredible.)

I have found myself pondering the philosophy of the movies. The bizarre psychology behind each game. What is being communicated. And I must admit I've found myself my fair share of favourite traps. But there was one trap that stood out when I was watching clips online. One that feels close to home as a follower of Fenrir.

"Break the bonds that bind."

For anyone worried; I will not be showing any footage from the movie. However, I will be explaining how the trap works. If you are comfortable reading on, continue to "Keep reading". If not, you are welcome to leave. I completely understand.

In Saw 4, we are introduced to Officer Daniel Riggs, who finds himself the latest player of Jigsaw's games. Jigsaw challenges Riggs to not save everyone he comes across through various challenges that take him all around the city. One of the traps he comes across is set in a school classroom, tagged "Save as I save". Inside, Daniel finds the corpse of a middle aged man, strapped to a metal pole in the centre of the room. On the other side is a delirious, hysterical woman around the same age. The woman and man Riggs recognises as a couple he encountered once, later suspecting the man of abusing his wife. Their names are Rex and Morgan.

We come to find out that Morgan and Rex were essentially made into a pincushion, with thin metal poles "nail gunned" into their bodies. Morgan only had major flesh wounds, where as Rex's major arteries were all pierced. Morgan was told that to survive, she had to pull out the poles, which would spare her but kill her abusive husband. Surrounded by the evidence of the abuse Rex had forced on her and their daughter, Morgan spared no time to remove the poles. She screamed in brutal agony, knowing that just behind her back her husband was being pierced to death.

The thing about the Saw movies is there is a philosophy, a meaning, a story and lesson behind each game. This trap is one that I understand perfectly. Being trapped in a situation where you are being bled out, hurt by someone, abused, manipulated, bullied, so on. Someone you care about. The trap is the extreme of a lesson many Fenrir followers have said Fenrir teaches, one I can attest to. Removing the chains that hold you back. Especially of someone who has hurt you.

We all know the story. Fenrir was bound by the Gods, betrayed by Tyr. I doubt I need to recount it for those in the know. Upon watching the scene, I found many parallels to the horrific situation Fenrir found himself stuck in. Bound by people he cared about, realising the only one who could save him was himself. Something he teaches to many of us who find ourselves in similar situations. What stood out to me in the scene was it didn't shy away from how brutally painful the experience of cutting someone off can be. It's not as easy as closing the door and walking away. It's grabbing hold of a pole, pulling it out slowly as brutal agony shoots through your system, blinding you with tears and pain. Yet, you know it's what you need to do. Even if it comes at the cost of someone else.

I was raised to be a massive people pleaser. If someone was upset with me, I was conditioned to bend over backwards and fuck myself over just to make them happy again. Recently, I've come to realise that the only person who wins in that situation is no one. Especially me. Poles stuck through my body, leaving them in just so someone doesn't get angry with me. What I've slowly began to understand is this; someone being angry with you isn't always a statement on your character.

People are gonna find any reason to hate you, reasonable or not. Some will hate you for enjoying the same things as them, some will hate you for existing, some will hate you for no reason at all. You can't make everyone happy. Trying to only adds more chains to yourself, more poles in your body. And the last thing Fenrir would want to see any of his followers do is willingly allow more chains to be placed upon them.

If there’s anything to take away from this, I’d say it’s that the process of removing chains is one of the most difficult challenges we will face. Our chains are like the various traps of Saw, where they reflect the horrors we’ve gone through or the pain we inflict upon ourselves. Amanda had a mental breakdown and cried after she took off the reverse bear trap, which John put on her to act as her drug addiction. Lawrence had a mental breakdown when he heard Diana screaming over the phone, that’s what finally got him to do something. Morgan cried and was beside herself when Daniel arrived, knowing what happened and not wanting to be alone. If there’s one part about Saw’s philosophy I agree with, it’s that sometimes we need to fall to become better.

Does that mean abuse and oppression should be tolerated? HAH. Fuck no. Life is difficult enough as is. But no one learned to walk straight away. We learned from our failures, our mistakes, and our pain. It can be done, with enough effort and determination. Something I strongly suspect Fenrir knows exists in the bowels of every living being.

[fantasywritten]

anyway uh… like this post for a starter from officer DANIEL RIGG because i have zero self control lol. specify if you’re a multi! you don’t have to know about saw and i’m more than happy to just have him in his regular old cop / detective / swat / sergeant verse!

[unfinishedzizzy]

30. Growth (Daniel Riggs)

@demonic-ungaikyo-dragon

The mask isn't his.

...

"ACU control center, this is Officer Daniel Rigg, do you copy?"

"Yes Rigg, we do. Has the Red Angel been located?"

"Yes m'am it has."

"Ok, we're sending in re-enforcement to contain. Stay on the line until further instructions are given. Remember: don't upset it, it has a tendency to either kill or mutate those who upset it."

"Got it."

.

"Wait, what are you doing?"

"..!"

"No, get back! Stay away!"

: )

"GET AWAY FROM ME-"

"Officer Riggs, are you still there?"

"..."

"Riggs, are you there?"

"...Oh? Who wants him?"

"This is ACU containment staff, we need back up at Officer Riggs location, stat. We see the angel, but Riggs isn't here. At least... we don't think it's still him."

[ediblesglue]

Real talk why is it SO HARD TO FIND PICTURES OF DANIEL RIGG???? The internet did him foul :/ leave pictures of him if you have them

[honoredsage]

[aion-rsa]

How No Time to Die Fixes On Her Majesty’s Secret Service

https://ift.tt/3luzm3v

This article contains major No Time to Die spoilers. Our spoiler-free review is here.

Shortly after George Lazenby attended a screening of No Time to Die last week, the Australian actor and one-time 007 jumped on Twitter to write, “I got to see the new Bond here in LA. Interesting choice of music, I must say.” Having seen the latest James Bond movie ourselves, it’s easy to guess why the star of On Her Majesty’s Secret Service (1969) would be so flattered with Daniel Craig’s swan song.

The influences of Lazenby’s OHMSS are unmistakable throughout No Time to Die, and in fact that connection has been speculated about ever since Spectre ended six years ago with Craig’s Bond retiring, driving off into the sunset with Madeleine Swann (Léa Seydoux). Like the ’69 movie before it, this coldhearted womanizer seemed to finally be settling down, and thawing that heart out. And yet, few could have guessed just how much No Time to Die would lean into those parallels.

Before we even hear Billie Eilish’s new Bond song, the new film’s extended pre-credits sequence includes an orchestral version of Louis Armstrong’s “All the Time in the World.” Hans Zimmer turns the most breezy Bond tune of all-time, which came from OHMSS, into a symphony of strings as we witness what happily ever after looks like for James Bond. He’s now in Matera, Italy with Madeleine, and they’re essentially honeymooning; the pair even quote the Armstrong song, just as Lazenby’s Bond did to the woman he married, Contessa Teresa di Vicenzo (Diana Rigg). Tracy Bond.

For longtime fans of the Bond franchise, this already puts No Time to Die on simultaneously nostalgic and tragic footing since any of them could tell you that Rigg’s Tracy is the one “Bond Girl” the original 007 loved… and the one who died in his arms. In that scene, Lazenby’s Bond even wept, “We have all the time in the world.” No Time to Die thus positions itself as the spiritual descendant or even remake of that film for the Daniel Craig era; a film about love and loss…

Still, even before NTD’s release that seemed dark. After all, hadn’t Craig’s 007 experienced enough tragedy following the loss of Eva Green’s Vesper Lynd in Casino Royale (2006)? Five movies later, she’s still hanging like a pall over his tenure. So I’m sure many fans wondered during No Time to Die whether history would repeat itself again. Would Craig’s final turn in the tuxedo end in the same heartache that took a little bit of the original version’s soul? As it turns out, no, not at all. Instead, No Time to Die is a revision of that ending—the film which fixes On Her Majesty’s Secret Service.

This is not to say it fixes it as a film. OHMSS finished near the top of our official ranking of Bond films, and is largely considered one of the most underrated entries in the franchise’s history. Christopher Nolan, among others, even lists it as his favorite Bond movie. But what makes No Time to Die’s homages remarkable is they address the older film in a way that brings resolution not only to Craig’s era, but also the ghosts of that ’69 movie which were left unresolved when producers Harry Saltzman and Cubby Broccoli elected to sweep that movie under the rug after it failed at the box office.

No Time to Die fixes On Her Majesty’s Secret Service for James Bond himself.

How No Time to Die Changes OHMSS’ Ending

This begins with the choice to separate James and Madeleine during their proverbial honeymoon without her receiving a bullet in the head like poor Tracy. Instead their separation is the tragic culmination of Bond’s own past traumas from Casino Royale onward. Madeleine knows that Vesper was “the big one,” to quote Christoph Waltz’s Blofeld. So she encouraged James in the opening to visit Vesper’s grave and put the pain to rest. Yet in sadly typical Bond movie fashion, Blofeld and SPECTRE anticipated Bond would one day return to Vesper’s tomb and hid a bomb there, as well as an apparently small army of idle assassins who must’ve spent years soaking in the Italian sun.

Bond survives their attack, of course, but he also hears a message from Blofeld designed to poison the well of his budding romance: Blofeld claims Madeleine is his creature who led Bond to slaughter. With a man as paranoid and oft-betrayed as 007, it’s enough to send his wounded chauvinism back to the forefront, and to convince him to leave Madeleine on the spot. Like Lazenby’s Bond, SPECTRE stole his happily ever after. Although unlike OHMSS, the woman he chose to settle down with is still breathing.

When Den of Geek’s Rosie Fletcher spoke with No Time to Die director Cary Joji Fukunaga, he told us about his relationship with OHMSS—as well as why he approached revisiting that story so differently.

“I watched [On Her Majesty’s Secret Service] and was impressed with the craft and scope of the film, and then also the storyline, and the fact that Bond got married and had this really poignant moment at the end of the film,” Fukunaga said. “That line, ‘We have all the time in the world.’”

And yet, the idea of “fridging” Madeleine—a modern term for the trope of killing female characters in order to heighten the pathos of male protagonists—seemed ghastly today.

Says Fukunaga, “When Barbara [Broccoli] and I were first talking about the project, and the fact that in Spectre Bond leaves with Léa Seydoux’s character, Madeleine Swann, there’s an expectation that something is going to happen. And there’s an expectation that something bad’s going to happen to her, specifically. ‘If there’s going to be a new film, there has to be a new Bond woman.’ And I remember Barbara saying, ‘We don’t want to do that. We don’t want to kill off someone simply to have a new flavor of the month in there.’”

So they didn’t. Instead, Bond’s greatest weakness—his general cynicism and misanthropy, especially toward women—is exploited by his enemy at the expense of his own happiness. This replicates the heartbreak of On Her Majesty’s Secret Service at the very beginning of the film, but unlike that or even Casino Royale—where a similar tragedy’s importance is squandered by a mediocre follow-up in Quantum of Solace (2008)—No Time to Die spends the rest of its running time satisfyingly exploring the fallout from Bond’s lifestyle and loss, and what could finally bring such a man lasting peace.

To be sure, we briefly get another classic Bond woman with a delightfully kooky performance by Ana de Armas as Paloma. With her plunging blue v-neck dress, worn quizzically in combat, she echoes the appearance of another beloved leading lady in the series, Barbara Bach’s Soviet agent in The Spy Who Loved Me (1977). Bach’s character was also the first to pick at the old wound of OHMSS by bringing up Tracy’s death to Bond. But they still have a frolicking romance, of course.

By contrast, de Armas’ Paloma, who is an anxious Cuban-American spy on her first mission, never gets romantic with Bond. Rather No Time to Die acknowledges how the scars of 007’s lifestyle, and losing now multiple loves to the game, can catch up with the character. He therefore comes off more as a bemused mentor to Paloma instead of a romantic foil.

Plus, he’s still hung up on Madeleine.

How No Time to Die Changes James Bond’s Ending

More than some world domination scheme, this is the true crux of No Time to Die. Unlike any other major Bond Girl before her, Dr. Swann is allowed to reenter James’ life. When she does, she quickly becomes the mission for Bond. He discovers evidence of his previous folly, and evidence of the life he gave up. He discovers Madeleine has given birth to a daughter whom he’s missed five years of happiness with.

By not “fridging” Madeleine, No Time to Die gets to ask fundamental questions no other movie dared: Who is James Bond… and who could he become? We’ve obviously never seen James as a father figure—or especially considered what it would mean for such a man to have a daughter. In this way, the man Bond is changes overnight. He goes from being a loner to at least trying to act the family man.

Read more

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Which brings us to No Time to Die’s ending. The Bond franchise is still the Bond franchise. Invariably, the women James cares about, both Madeleine and now daughter Mathilde, wind up kidnapped by the new villain Safin (Rami Malek), who is a genocidal maniac. But saving the world is almost incidental to Craig’s Bond, a character for whom everything is always personal.

Hence the resolution to the movie, and Bond’s life. After he’s poisoned by Safin, James can still save himself. The nanobots in his blood are designed solely to kill Madeleine and Mathilde. But Bond himself is safe; he could continue on living, even returning to MI6 if he so chose—just without ever seeing the woman he loves or his daughter again. The lifestyle we’ve grown accustomed to watching 007 enjoy for 60 years is unthreatened. But the life he could’ve had with Tracy, with Vesper, and now with Madeleine? That has once again been cruelly stolen.

So rather than live on for another adventure, or in Craig’s case more self-loathing in a Jamaican hut, he accepts this as a good death. Or good enough. He walks up to the top of the villain’s lair and waits for the rockets he summoned to save the world. He dies alone, but with his death, he ensures Madeleine and Mathilde live on.

At the point in his life where he has everything to live for—a point which gives new meaning to the title “No Time to Die”—he accepts oblivion and gives mother and child all the time in the world.

This is Bond’s personal happy ending. If you asked Lazenby’s James if he’d rather Tracy or he be struck by Blofeld’s bullets in OHMSS, he’d probably offer himself up. He’d rather have died than watch Tracy be placed in “the refrigerator.” That’s also been demonstrably true of Craig’s Bond since Casino Royale; he never recovered from Vesper. At least now he has a chance for it to be him instead of her. More importantly, he has a daughter, a real Bond girl, whom he can protect.

It’s the ending Bond would’ve wanted in ‘69. So when No Time to Die finally fades to black, with Louis Armstrong’s “All the Time in the World” playing once more, Bond has gotten his long lost happy ending.

No Time to Die is playing in theaters now.

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The post How No Time to Die Fixes On Her Majesty’s Secret Service appeared first on Den of Geek.

from Den of Geek https://ift.tt/3aj9tgi

[tuseriesdetv]

Noticias de series de la semana

Renovaciones

ITV ha renovado McDonald & Dodds por una tercera temporada

FOX ha renovado Duncanville por una tercera temporada

Cancelaciones

CBS ha cancelado MacGyver tras su quinta temporada

Noticias cortas

Tatiana Maslany (Sister Alice) no estará en la segunda temporada de Perry Mason.

Jodie Turner-Smith abandona The Witcher: Blood Origin debido a un retraso en las fechas de producción.

Netflix adquiere The 39 Steps, la adaptación de la novela de John Buchan (1915) protagonizada por Benedict Cumberbatch.

Fichajes

Jennifer Jason Leigh (The Hateful Eight, Single White Female) se une a la segunda temporada de Hunters. Será Chava, cazadora de nazis.

Nick Offerman (Parks and Recreation, Devs) será Uncle Miltie, quien ayuda a Rand (Seth Rogen) a distribuir la sex tape, en Pam and Tommy.

Nikolaj Coster-Waldau (Game of Thrones) protagonizará y producirá el drama The Second Home, la miniserie adaptación de la novela de Christina Clancy (2020) que sigue a dos familias separadas a raíz de un fatídico verano en Cabo Cod, Massachusetts.

Samantha Morton (Harlots, The Walking Dead) será Catherine de Medici en The Serpent Queen.

T'Nia Miller (Years and Years, The Haunting of Bly Manor), Charlotte Riley (Trust, Peaky Blinders), Alex Hernandez (UnREAL, The Son), JJ Feild (Turn, Lost in Space), Eli Goree (Riverdale, Pearson), Gary Carr (The Deuce, Death in Paradise) y Adelind Horan (The Pioneers) se unen a The Peripheral.

Renée Elise Goldsberry (Hamilton, Zoey's Extraordinary Playlist) se une a She-Hulk. Interpretará a un personaje llamado Amelia.

Hayley Squires (Adult Material, The Miniaturist), Frak Dillane (Fear The Walking Dead, The Girlfriend Experience), Clémence Poésy (Genius, The Tunnel) y Jamael Westman (Anne Boleyn) se unen a The Essex Serpent.

Wayne Brady (How I Met Your Mother, Colony) será Del Cooper, un comediante convertido en productor y el nuevo interés amoroso de un personaje aún no desvelado, en la quinta temporada de The Good Fight.

Shelley Conn (Liar, The Lottery) y Calam Lynch (Mrs. Wilson) serán Mary Sharma, la madre de las hermanas Kate (Simone Ashley) y Edwina (Charithra Chandran); y Theo Sharpe, ayudante de un impresor; en la segunda temporada de Bridgerton.

Sebastian Roché (The Young Pope, The Originals) y Michelle Ventimilla (Seven Seconds, Gotham) serán recurrentes en Big Sky como Wagy, el sheriff de Lochsa County; y Rosie Amaya, hija de Gil Amaya, el gerente del rancho de los Kleinsasser.

Adepero Oduye (The Falcon and the Winter Soldier, 12 Years a Slave) y Cornelius Smith Jr. (Scandal, God Friended Me) serán Karen Wynn, enfermera jefe en la unidad de cuidados intensivos y líder del comité ético; y Bryant King, especialista en medicina interna y uno de los pocos doctores negros del hospital; en Five Days at Memorial.

Karen Robinson (Schitt's Creek, Tiny Pretty Things) será recurrente en la tercera temporada de A Million Little Things como Florence, una dulce viuda con sentido del humor.

Kareem Green (It's Showtime at the Apollo) será recurrente en Flatbush Misdemeanors como Kareem, padrastro de Dan (Dan Perlman).

Patricia Hodge (Miranda, A Very English Scandal) sustituye a la fallecida Diana Rigg en el papel de Mrs. Pumphrey en la segunda temporada de All Creatures Great and Small.

Ebonee Noel (FBI, Wrecked), Karen LeBlanc (Ransom, Departure), Yaani King Mondschein (Saving Grace, Blood & Oil) y Rance Nix protagonizarán The Kings of Napa.

Peta Sergeant (Snowfall, The Originals) se une como regular a la sexta y última temporada de Supergirl. Será Nyxly, una prisionera de la Phantom Zone.

Max Osinski (Agents of S.H.I.E.L.D., The Last Ship) será recurrente en la segunda y última temporada de The Walking Dead: World Beyond como Dennis, un soldado dedicado y disciplinado que trata de recuperar su vida.

Tom Kenny retomará su papel de narrador en Powerpuff. Robyn Lively (Twin Peaks, Light as a Feather) será Sara Bellum.

Sinéad Keenan (Being Human, My Left Nut), Lola Petticrew (Bloodlands, My Left Nut), Amy James-Kelly (Gentleman Jack, Safe), Genenieve O'Reilly (Tin Star, The Honourable Woman), Colin Morgan (Humans, Merlin), Owen McDonnell (Killing Eve, The Bay), Prasanna Puwanarajah (Doctor Foster, Patrick Melrose) y Kerri Quinn (Come Home, Coronation Street) protagonizarán Three Families, antes conocida como When It Happens To You.

Nicholas Burton (Dave & Theo) y Aaron Jeffery (Wentworth, McLeod's Daughters) se unen como recurrentes a Pieces of Her. Serán Andrew Queller, el hijo pequeño de Martin Queller (Terry O'Quinn); y un misterioso y potencialmente peligroso personaje que aparece en la vida de Laura (Toni Collette) y Andy (Bella Heathcote).

Barbara Alyn Woods (One Tree Hill; Honey, I Shrunk the Kids: The TV Show) será recurrente en Chucky como la alcaldesa Michelle Cross.

John de Lancie (Star Trek: The Next Generation) volverá a interpretar a Q en la segunda temporada de Star Trek: Picard.

Ntare Guma Mbaho Mwine (The Chi, Treme) será recurrente en The Lincoln Lawyer como Raymond Griggs, un intenso y tenaz detective de Los Ángeles que investiga un asesinato.

Osy Ikhile (The Feed) y Caoilinn Springall (The Midnight Sky) se unen como regulares a Citadel. Stanley Tucci (Feud, The Lovely Bones), Nikki Amuka-Bir (Avenue 5, Luther), Susan Lynch (Happy Valley, Apple Tree Yard), Sara Martins (Death in Paradise), Leo Woodall (Cherry), Gráinne Good (The Other Lamb) y Leo Ashizawa (A Discovery of Witches) serán recurrentes.

Raff Law (Twist) será el sargento Ken Lemmons en Masters of the Air.

Tammy Townsend (K.C. Undercover) se une como regular a la sexta temporada de Queen Sugar. Paula Jai Parker (A House Divided, Family Time), Marquis Rodríguez (When They See Us, Iron Fist) y McKinley Freeman (Hit the Floor, Samantha Who?) se unen como recurrentes.

Thomas Barbusca (The Mick, Chad) y Adrienne Wells se unen como recurrentes a la tercera temporada de Black Monday. Serán Werner, un joven republicano del equipo de Blair (Andrew Rannells); y Nomi, una joven talentosa que pronto se convierte en la joya de la corona en el nuevo negocio de Mo (Don Cheadle).

Vic Mensa será recurrente en la cuarta temporada de The Chi como Jamal, alguien que quiere ayudar a su novia y a su hermana pequeña.

Eugenio Mastrandrea (All Cops Are Bastards), Keith David (Greenleaf, Future Man), Danielle Deadwyler (P-Valley, Watchmen), Kellita Smith (Z Nation, The Bernie Mac Show), Judith Scott (Snowfall, Dexter), Lucia Sardo, Paride Benassai y Roberta Rigano se unen a From Scratch.

Pósters

          Nuevas series

Peacock ha encargado un reboot de Queer as Folk centrado en un grupo diverso de amigos de Nueva Orleans cuyas vidas cambian tras una tragedia. Creada, escrita y producida por Stephen Dunn (Little America, Closet Monster), que además dirigirá el piloto. Produce Russell T. Davies (Queer as Folk, It's a Sin).

Tom Holland (Spider-Man: Homecoming, Lo imposible) protagonizará y producirá la primera temporada de The Crowded Room (diez episodios), antología de Apple TV+ que contará historias reales de personas que aprendieron a vivir con enfermedades mentales. Esta primera tanda, basada en 'The Minds of Billy Milligan' (1981), la biografía escrita por Daniel Keyes, trata sobre la primera persona absuelta por su desorden de personalidad múltiple, conocido ahora como trastorno de identidad disociativo, en los años 70. Escrita por Akiva Goldsman (A Beautiful Mind, Fringe).

Justin Timberlake (Inside Llewyn Davis, The Social Network) interpretará al productor y presentador de concursos de televisión Chuck Barris. Según sus memorias, publicadas en 1984, esta profesión era una tapadera para ocultar su verdadero trabajo como asesino de la CIA en los años 60 y 70. Creada y producida por Jon Worley (Justified, SEAL Team). Escrita y producida por David Hollander (Ray Donovan, The Cleaner). Hubo adaptación cinematográfica en 2002.

HBO Max encarga King Shark, spin-off de The Suicide Squad. Escrita y dirigida por James Gunn (Guardians of the Galaxy, Scooby-Doo).

HBO Max encarga diez episodios de Minx, comedia ambientada en Los Ángeles en los años 70 y protagonizada por una feminista joven y formal (Ophelia Lovibond; Elementary, W1A) que se alía con un editor de poca monta (Jake Johnson; New Girl, Stumptown) para crear la primera revista erótica para mujeres. Con Idara Victor (Turn, Rizzoli & Isles), Jessica Lowe (Wrecked, Miracle Workers), Lennon Parham (Lady Dynamite, Bless This Mess), Michael Angarano (The Knick, This Is Us) y Oscar Montoya (Bless the Harts). Escrita y producida por Ellen Rapoport (Desperados). Produce Paul Feig (The Office, Zoey's Extraordinary Playlist).

HBO Max desarrolla Deeds, comedia negra sobre una agente inmobiliaria desesperada (Kristin Davis; Sex and the City, Melrose Place) que se embarca en un camino cada vez más oscuro cuando se ve obligada a aliarse con una pareja de sociópatas jóvenes y drogadictos que pronto descubren que en el mundo de los bienes raíces de Los Ángeles, en lo que se refiere a inmoralidad y comportamientos despiadados, les llevan ventaja. Escrita por Michael Davidoff (Working) y producida por Kristin Davis (And Just Like That...) y Ellen Pompeo (Grey's Anatomy).

HBO Max desarrolla una comedia ambientada en un campamento de verano en la que cuatro amigas de toda la vida que se preparan para ser monitoras jurarán mantener su amistad tras la llegada de una chica nueva desde otro campamento. Escrita por Lauren Herstik (American Vandal, Pearson).

Showtime desarrolla Mabel, serie precuela de Madea en la que Mabel Simmons se muda a Atlanta en 1972. Escrita por JaNeika James y JaSheika James y producida por Tyler Perry.

The Downstairs Girl, la novela de Stacey Lee (2019), tendrá adaptación televisiva. Ambientada en Atlanta en 1890, sigue a una joven que vive con su guardián en un sótano y trabaja como criada para una de las familias más adineradas por el día y escribe anónimamente en un periódico por la noche. Escrita por Aminta Goyel (Ghostwriter).

Fechas

La décima temporada de Call the Midwife se estrena en BBC One el 18 de abril

El estreno de la 2ª y última temporada de Selena: The Series se adelanta del 14 al 4 de mayo

Girls5eva se estrena en Peacock el 6 de mayo

Run The World se estrena en Starz el 16 de mayo

La quinta y última temporada de The Bold Type se estrena en Freeform el 26 de mayo

Panic se estrena en Prime Video el 28 de mayo

La tercera temporada de Sistas se estrena en BET el 9 de junio

La undécima y última temporada de The Walking Dead se estrena en AMC el 22 de agosto

Tráilers y promos

Loki

Selena: The Series - Temporada 2 y última

Run The World

High School Musical: The Musical: The Series - Temporada 2

The Mosquito Coast

Pose - Temporada 3 y última

Girls5eva

The Chi - Temporada 4

Jupiter's Legacy

[drunkcnsunlight]

“you’ve had every piece of my heart since the moment i met you.” ( RIGG TO JENNY )

--- the last several months had been a blur to the woman, but that did not come as a surprise: the last several YEARS had been a blur to her, too. a little smile curved her mouth, and she spun around musically... almost as if she heard a tune that no one else could... so that she could better face her partner. “and YOU pulled ME out of my reverie, DANIEL.” she lifted her hand, so that she could run her pale fingers over the officer’s cheek. “before you, i went hundreds of years without feeling a thing.” that was not wholly true: she felt what OTHERS felt, when she healed them, but those sensations were not her own emotions, and they were only temporary. otherwise, she was a DRIFTER: moving from one place to another, but never able to escape the castle that had consumed her husband, and his family, in its flames. DRAGON FIRE. “but what is it that you are TELLING me?” jenny asked, batting her lashes sweetly, and not wanting to assume the nature of their relationship, if she should not do so. 

@bcssbitchs​

[storytellerssanctum]

Oh yes I should’ve been specific lol. A NSFW hc for Daniel Rigg would be nice 😊

Sure my love! I am so so sorry this took so long and it’s a little short omg I’m trying to find some motivation

Daniel Rigg NSFW Headcannons

Loud as all hell, will make sure you know he’s enjoying himself

Calls you pet names like babe, baby, stuff like that

Swears under his breath a lot

Pretty dominant but if you like it the other way around he’d try it out

He’s very touchy, always has his hands on your hips, in your hair, anything where he can touch you

Kisses you a lot but it’s sloppy and more so on your neck/jaw

Can go for a long time

Multiple round kinda guy

Would not want to hurt you/scared of it. He’s a pretty built guy and he’d be afraid he might be too rough with you

Likes when you’re on top

Fast paced guy, teasing drives him crazy

Like I said about the kissing, not just your face. He likes to kiss your stomach, your thighs, anywhere he can get to

Is gentle with you, tries not to grab you too roughly or too hard because he hates hurting something he loves so much

Worships the ground you walk on. He’s a pretty hard guy, but you’re always his weak spot

Makes sure you’re pleased in every way and won’t stop until you’re finished

Big into cuddling afterwards. Put on a movie, get a cozy blanket. He’s super chill afterwards and just wants you in his arms

He doesn’t really get sleepy afterwards, just calm. He doesn’t necessarily want to take a nap, just lay with you

He’s not a super horny guy, but as soon as you mention you’re ready, he is too

Doesn’t love doing it in public places, probably tried it in his office a few times but would rather have you home where he can really enjoy you

Super into foreplay. Like would draw it out for an hour because he enjoys it so much

Likes giving head more than receiving it for sure

Loves it when you kiss his neck/jaw. It really turns him on

When you make noise it drives him wild, makes him want to go ten times longer