#oh god... me included...

[this-charming-primevalmusic]

EXACTLY

one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.

which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:

what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it

what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)

what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes

and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts

[skunkes]

🌈🌷 happy birthday to my imaginary boyfriend of well over a decade 💕🌺

[avbvee]

me too ena

[ewwww-what]

The moment when you find exactly what you were looking for (it was your best friend the whole time)

(close-ups below & my commission info)

[starscream-is-my-wife]

The beginnings of Thundercracker learning Skyfires schematics because he’s a magnet for trouble

[touchlikethesun]

what is the coolest scene in the whole of the mdzs donghua and why is it this one?

[thespacecaseace]

woe, submas ggg au be upon ye.

soooooo uh. there's a lot to say about this, me and my pal @artisticwizard have thought up a like entire dlc-like story line. boy separation, boys reunition, the pokemon popularity poll canonized (in a way), etc.

i have more sketches lined up (hopefully) so ill explain more in detail about the au later. for now i'll explain the premise/start of the au below.

In this AU, the twins have been slotted into the premise/plot of GGG as a pair of additional gods.

Ingo and Emmet are the twin gods of transportation: arrival and departure, the destination and the origin, etc. They run a shared two-way train through the towns of the Grove, from BuzzHuzz to the Grove Cove.

Their god room entrances are in the two engine cars located at the opposite sides of the train, yet they share a god space from ascending together.

Additionally, their engine cars can only move forwards; Ingo can only move towards the Spire while Emmet can only move towards the docks. They rely on one another to pull the train back and forth in tandem.

One day, a letter arrives from King that suggests though they've always move together, haven't they always wondered who's the better god between them? Who can pull the most weight, who can run the fastest, who is the most popular between the two? Clearly one of them has to be the best god of transportation.

Ingo and Emmet, who love competition and challenges, had already exhausted most physical comparisons (with most ending in a tie). Popularity is new territory though. Sounds fun, so why not?

Ingo and Emmet host a contest poll for who's everyone's favorite god between them (only between them, because they'd be grossly outpaced by other gods like Inspekta), which is kind of Splatoon Splatfest-like in festivity. The mood starts off great, and the Bizzyboys are a great help with decorating and hyping up the contest.

Maybe a little too good. Over the course of the event, some people start getting a little too hyper and competitive. The poll is now no longer fun for the weird groupies/chronically online sub groups, and they're quickly ruining everyone else's experience. Eventually it gets wayyy too serious. The twins fail to notice how bad it's getting.

Eventually Ingo is announced the winner. Both twins are happy with the results; it's Emmet's groupies who aren't. Harassment between groupies escalates to the point that one day, while the train is waiting to depart from BuzzHuzz's station, someone goes and decouples Ingo's engine car from the train cars.

When it's time to depart to the Grove Cove, the train, unknowingly, leaves him behind.

Now Ingo and Emmet are separated on the two furthest ends of their tracks, unable to reverse and reconnect their cars. They remain that way for what seems like an eternity...

...Until one day, a new Godpoke arrives.

[neptunym]

ULTRATOBER // Part 1 - Day 2: Favourite soundtrack

Its only desire: to see the sky for one last time.

(alt version under the cut)

[hinamie]

i'm exactly as normal about him as I thought I'd be

[emioliravioli]

sketch of transfem blaze pretty please?

maybe just a few...

[cementcornfield]

Ja'Marr Chase Crying Compilation 💜

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[mindflayers-and-silmarils]

ngl the headcanon of Curufin giving Celebrimbor the ataressë Curufinwë feels very much equivalent to that phenomenon of Hispanic mothers giving their daughters the name María no matter how many times it’s been repeated in the family

[kenzan-brainrot-mp4]

happy kenzan day to the three (3) people who celebrate

Alt version without the blur + the last panel because I was indecisive LOL

[wardensantoineandevka]

I will admit I'm a little salty that people, in an effort to prove that there is no good dialogue in Veilguard at all, keep comparing mission exposition to the high point narrative set pieces of prior games. I agree that some of the writing related to plot mechanics and mission exposition in Veilguard is a little too utilitarian, but that doesn't mean none of the dialogue is good or that prior games didn't also sometimes have this issue here and there.

I also generally dislike when people put the bar for good writing — and all writing too, not even just dialogue writing, ALL writing — at mic-drop sentences that still sound good completely divorced from context, because that really just reduces "good writing" down to like fake-deep philosophizing or witty quips exclusively. sometimes, a really good bit of dialogue sounds like a completely normal sentence out of context.

[blueskiesandstarrynights]

I'm well aware it's not going to happen for a grand variety of reasons but I do think it'd be so funny if wicked pt 2 had a post credit scene that's just a montage of fieyro going through the events of the wizard of oz and just well and truly Going Through It