Some thoughts about Otohan Thull, the impact of chance on storytelling structures and themes in ttrpgs, and the catharsis of fulfilling story beats.
BIG SPOILERS FOR C3E91 OF CRITICAL ROLE UNDER THE CUT
You have been warned.
Hang with me here cause for the first half it could sound like i’m whining but i promise that this isn’t a negative or critical post. (also, i’m a little sleep deprived so if i’m not making sense just ignore me oops)
Okay, so a thing for me when it comes to ttrpgs compared with, let’s call it ”traditional” mediums of storytelling such as books or movies, is that the randomness that comes with dice rolls, chance and improv can sometimes leave certain story beats feeling… unfulfilled? Chance can lead to things getting resolved in a way that doesn’t feel impactful - or at least not as impactful as it could’ve been.
The death of grand villains such as Otohan Thull is a very good example of this. We expect villains to meet their demise dramatically, and thematically. As i was watching the latest episode, i found myself hoping that Laudna, Imogen or Orym would get the hdywtdt on Otohan. They are the ones who personally have been hurt by her the most, and therefore ”should” (according to my brain that is used to certain story structures ) get the final blow. If the story was told through a traditional storytelling medium, these are very likely scenarios. I’m not saying that it definitely would’ve happened like that, but I’m saying that however it would’ve happened, it would’ve been in a thematically impactful way.
In ttrpgs however, the thematically impactful death of a major villain isn’t guaranteed. The fact that some things aren’t gonna get resolved in the most fulfilling ways is something that we just have to accept. And i DO accept that - but it doesn’t stop the moments where it happens from feeling… incomplete.
WITH ALL THAT BEING SAID - here comes the part where it will stop sounding like i’m about to be whiny about the way it played out.
The outcome of this episode, the death of Otohan, DID feel fulfilling and impactful. It WAS impactful - and thematically relevant. Just not in the way that I expected. Which is exactly what I wish to experience around storytelling.
FCG’s sacrifice is heartbreaking and beautiful. It left me devastated and thankful. Otohan Thull has been so masterfully set up as a villain throughout the campaign. For their death to feel fulfilling, it kind of NEEDED to happen in a grand and impactful way. To me, she DESERVED a memorable death. The most obvious ways that could’ve come true is if Laudna, Imogen or Orym would’ve killed them. Laudna, she would kill the person who murdered her and further her spiral downward into Delilah’s embrace. Imogen and Orym, they would’ve gotten revenge on the person killing the people they loved the most.
Of course, those scenarios aren’t the only thematically fulfilling ways Otohan Thull could’ve died. What transpired this episode is absolutely, 100% meaningful and fulfilling. It just fulfilled another story beat then the ones I expected.
I have already seen a lot of posts highlighting 4SD discussions, previous conversations between characters and the growth of FCG as a character preceding this episode, where among other things FCG’s tendencies to want to sacrifice themselves, their journey towards the Changebringer and her philosophy of choosing your own path, and their growth towards viewing themselves as a living being with a soul. Therefor, I don’t feel the need to go into details of why their death felt thematically in line. We knew they were a ”ticking time bomb”. We knew they wanted to keep their friends safe with any means necessary.
What this means for the death of Otohan, is that it happened in a way that is bittersweet, cathartic and simultaneously expected and unexpected. THAT, is everything you could wish for in the death of a major villain. Otohan Thull has been one of my absolute favorite villains in all three campaigns. She has been brutal, involved and has kept the characters looking over their shoulders in fear everywhere they go. They deserved a grand death. They deserved something impactful, thematically relevant and unforgettable.
Otohan’s death will forever be etched into my brain. As Brennan said so beautifully: ”Why do we tell stories? To try to make sense of a world that can be terrifying and enormous”. This made sense. It was still terrifying. But it made sense. It was fulfilling.
TL;DR, ttrpgs don’t guarantee that major villains will meet their ends in thematically fulfilling ways. In this case, it WAS fulfilling and impactful. Just not in the way I, personally, expected.
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memories that linger | love and deepspace
there's always been something pushing against you. and not in the metaphorical, woe is you sort of way, but in the way that... well, you can't quite put your finger on it. there's nothing metaphorical about it, you think, but anyone else would swear it's just your luck. you believe that, too, when you aren't so displeased with the way things are going. there is something that tries to force your hand, change the choices you want to make.
you realize that sounds crazy. that's why you keep it to yourself.
you've stopped resisting the push so much these days. you feel it like a hand upon your back, urging you forward and into the hunter association's ranks despite your dream of publishing your manga. it feels simultaneously wonderfully right and terribly wrong, though the development of certain events quickly steals your attention away from that invisible hand. you want answers. you need them, and you'll march in whichever direction that leads you to them.
additional details
in this verse, i'm writing chiyo as the mc and toying with the concept of past lives like the game does, though i may also sprinkle in a little itty bitty bit of fourth wall stuff -- like chiyo having the thought, " this is like a game, and someone else is making my choices. " as a treat <3
but the focus will be more on fate bc chiyo really hates it as a concept, and that's so much fun to write in this setting :' )
when interacting with other mc's, we can decide if we'd like our characters to just so happen to be in the same boat, having grown up with grandma and caleb, etc. if not, i have no problem writing chiyo in her main verse! there's plenty to work with either way and i'm happy to adapt!
bc chiyo's parents and grandmother play such important roles in her development, they're alive and well until wanderers kill them during chiyo's freshman year of high school. this event leads to josephine taking her in. she was a friend of the family and as good as a second grandmother to chiyo.
i'll likely think to add more when i'm not sleep-deprived and as i progress in the story, but if you have any questions, just let me know <3
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