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nouveauweird · 5 years

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do you have any recs for learning about screenwriting / how to screenwrite? i'm one of those writers who kind of sees things like a movie and i'm wondering if things would work out better for me with a new medium. thanks in advance!

I hope you’ve got some time to read all of this because it got really frickin’ long.

I was introduced to screenwriting in a Writing Lab in college and followed suit into a Screenwriting IA (Integrative Activity, where students demonstrate what they’ve learned over the course of their studies in the Cinema and Communications program).

So admittedly, most of what I learned was from two teachers who already knew their stuff and worked in the industry. However, I was so interested in pursuing screenwriting once I’d fallen in love with it, that I bought all the “optional” resource books my Screenwriting teacher had recommended.

The Screenwriter’s Manual: A Complete Reference of Format and Style by Stephen E. Bowles, Ronald Mangravite, and Peter A. Zorn Jr. really has the basics for what you need to learn how to get into screenwriting. It is available on Amazon for a range of prices.

I also read significantly through The Screenwriter’s Problem Solver: How to recognize, identify, and define screenwriting problems by Syd Field and to be honest it can actually be useful for any kind of story writer, as I perused it and applied some of its content to a few films I found were really poorly executed.

I own, but have not significantly perused:

Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee

My uncle who is a screenwriter recommended highly, I personally haven’t dived in yet because the McKee has a stupid disclaimer about why he chose to use He pronouns to refer to the writer throughout the book which was a bit irritating so I just covered it with a sticky note and let it sit for a while.

Writing Short Films: Structure and Content for Screenwriters by Linda J. Cowgill

*Writing Tools: 55 Essential Strategies for Every Writer by Roy Peter Clark.

*Showing & Telling by Laurie Alberts

*Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg (currently reading)

*Take Off Your Pants! : Outline Your Books for Faster, Better Writing by Libbie Hawker.

* = not screenwriting specific, general writing.

Two other books that come highly recommended by both of my uncles who work in the industry are: Save the Cat by Blake Snyder, and Screenplay: The Foundations of Screenwriting by Syd Field.

Since I didn’t learn this completely on my own, I don’t have many online resources, but a quick google search of “Basic Screenwriting Format” should yield you some decent results. HERE is one I found, which has a few book recommendations in it as well. Airtable has resources for screenwriting as well but I am not as familiar with it, search “screenwriting” in the template section.

Here’s what I can recommend right off the bat, sign up for Celtx. It has free and paid subscription services, and you can keep 3 projects on your account at a time, but you can also just download them as PDF’s to free up space and reupload them later and the format will be in tact. Scrivener also has a screenwriting word processor, but it’s a (one time) paid program.

There are many other word processors for screenwriting, but the best for beginners is Celtx. Most processors these days do the formatting for you, unlike 10-20+ years ago when you had to figure that shit out yourself. All you have to do is get familiar with where everything goes.

Which brings me to the next part of my answer…

A Screenwriting Crash Course

For a whole fucking load more of information, look under the cut.

First and foremost, I think it’s important to understand that the narrative description / action / description (all terms used interchangeably) is written in present tense 3rd person, and that you should focus on describing exclusively on what can be SEEN and HEARD. You should also try to be as concise and brief as possible. I found this was quite freeing because while I do love the metaphorical descriptions in prose, screenwriting is a very snappy and visual medium to write in.

Another thing to understand is that beyond learning the basic formatting rules of screenwriting, you can pretty much bullshit formatting you’re not sure about. I’ve read many screenplays where certain elements were not consistent, such as whether or not the writer chooses to put their characters’ names in CAPS every single time (you should at least do so when the character is first introduced).

It’s actually really easy to find scripts of your favourite films online with a quick google search, it might take practice but I’ve managed to build a decent collection of screenplays that I like to read and get an eye for certain formatting tricks that won’t be in a “how to” book. Screenplays also read very quickly. There’s a general rule of 1:1 for page:minute, meaning 1 page is usually equal to one minute of screen time, and if not, it usually averages out.

I’m going to pull some quotes from The Screenwriter’s Manual to give you a bit of an idea of where you can start: pg 25 - 44, 49 - 63

You can find photos of the table of contents HERE if you’d like to message me directly with specific questions, I’d be happy to send you photos of the section you want.

The Staging

The first component in the scene line [or slug line] provides the most basic information about the set-up for the scene.

The staging is ALWAYS abbreviated and followed by a period. There are only two choices for a scene:

INT. for an interior set, informing the reader that the scene takes place in an inside environment

EXT. for an exterior set, specifying an outside environment.

1. The Location

The second component in the scene line is the location in which the scene takes place.

The location follows the INT. or EXT. designation and is separated from it by two character spaces [most screenwriting processors will do this automatically].

Do not abbreviate any words in the location component of the scene line. For example,

INT. APARTMENT is correct, and INT. APT. is incorrect.

VERY IMPORTANT

It is absolutely essential that every specific location be distinguished from every other location.

If Joe lives in an apartment, then you can call that location INT. APARTMENT But if, in the same screenplay, Bob also has an apartment you can no longer use INT. APARTMENT as a location for Bob’s apartment.

To eliminate confusion, one solution is to call each apartment location by the resident’s name: INT. JOE’S APARTMENT and INT. BOB’S APARTMENT

Once a specific location has been identified in the scene line, all subsequent scenes taking place in that location MUST be identified in exactly the same way.

FIRST NOTE:

The location identifies where the activity and dialogue take place…

… if John lives in a multi-room apartment and John is currently in his bedroom (so that other rooms are concealed from view), then the scene line must read, INT. JOHN’S BEDROOM or INT. JOHN’S APARTMENT, BEDROOM

[If the action moves from one location to another there are different ways to indicate it; one would be to created a new scene line to indicate the new location, or to indicate the new location in the description like “John walks out of his bedroom and into the LIVING ROOM”. ]

…

FOURTH NOTE

A scene line can take either of two common variations:

Most often, the scene line will define a specific location, such as INT. JOHN’S LIVING ROOM which limits the field of view to the area where the “camera” is placed.

If the scene takes place in a more generalized location, you can write it as an open scene, such as EXT. COLLEGE CAMPUS … By identifying the scene in a generalized way, you are indicating that it is not important to your narrative to identify precisely where on the campus this scene takes place.

THE TIME

The third component of the scene line indicates the general time at which the scene begins.

The time follows the location and is separated from it by a character space, then a dash, and then another character space.

[ example: INT. JOHN’S HOUSE, ATTIC - DAY ]

The time component of the scene line is most typically specified as a simple DAY or NIGHT. However, the time component can define a more precise period of the day or night. For example, DAWN, MORNING, AFTERNOON, RUSH HOUR, etc.

… You CANNOT specify an exact time, such as 3:30 PM, in the scene line. If such a specific time is required, you need to [include it in your description]…

When there is no lapse of time from one scene to the next, the time element in the scene line could simply be, CONTINUOUS. … if the time lapse is very brief, then you could use something like, MOMENTS LATER, A FEW MINUTES LAYER

AN EXEMPTION:

If a scene takes place in a location in which there is no way to gauge the visible time (DAY or NIGHT), then that element is omitted from the scene line.

ADDING SPECIFICS TO THE SCENE LINE

IDENTIFYING HISTORICAL PERIOD

[example EXT. PARIS, FRANCE - DAY (1946)

EXT. CHICAGO, ILLINOIS - DAY (1920′s)]

INDICATING A MOBILE SITUATION

If a scene opens with a moving vehicle within the location, then that can be indicated in the scene line. For example… INT. JOHN’S CAR - DAY (MOVING)

2. ACTION or [DESCRIPTION]

Description imparts the necessary detail to the essentials of the scene, describing such features as the characters, sets, props, and any necessary action and sound cues.

It is generally best to keep the level of detail focused on the actions and dialogue that comprise the narrative. That is where your attention and the reader’s interest should be directed.

By describing the particular props and decor in a scene and how each character dresses or grooms, you can suggest such character information as personality type, emotional condition, religious affiliation, economic level, artistic taste, and for forth.

First, establish the scene, describing only what is visually apparent in the location and giving only as much detail as necessary.

You cannot describe anything that cannot be seen… until they have been revealed.

You do not need to itemize things that are generic and would ordinarily be present, such as furnishings, colours, arrangements, [etc]…

However you MUST specify anything that is unusual or essential to the scene.

[ My uncle imparted me with a great tip; screenwriting doesn’t maintain traditional prose rules about paragraphs. You should try to keep your descriptions a maximum of four lines, and feel free to break them up into one-line or even one-word for emphasis.]

…

VERY IMPORTANT:

You can only convey what is happening at the moment… [No what has happened or what will happen].

You CANNOT provide any biographical, psychological, or situational information [about your characters] unless you can find visual means to do so (such as a newspaper article, a television program, [etc.])…

INTRODUCING CHARACTERS

Each character must be introduced in the description the first time [they] physically appear in the screenplay. This includes not only major characters, but also supporting characters and even minor characters and groups that function as characters.

NAMING CHARACTERS

When a character is introduced, [their] name is ALWAYS typed in ALL CAPS regardless of whether the character is identified by a proper name, a profession, or an appearance… EVANS, AGENT ONE, DERELICT…

Once a character has been introduced, all subsequent references to that character’s name in the description should be written in a normal manner with initial caps… Evans, Agent One, Derelict…

DESCRIBING CHARACTERS

As the screenwriter, you know who is a major character and who is a supporting or minor character because you have the entire story in your mind. The reader, however, is in a different situation.

… The amount of detail you provide about a character’s appearance and demeanor will give the reader a key to that character’s important in the script.

As a guide, when characters are introduced, you need to make clear how important each is going to be by tailoring the description and context accordingly.

[ You should describe their appearance and what they are doing when you introduce your characters. There are many different formats to describe a character when you are introducing them, and none of them are the hard and fast rule, you will probably end up settling for your own preferred method].

WARREN EVANS, late twenties, intense, handsome with closely cropped hair and a neatly trimmed moustache, is working with cool precision at one of the hundreds of banks of wiring terminals. he is dressed in coveralls and wearing thin latex gloves.

A VARIATION:

A character’s age can also be assigned a numerical designation, such as…

WARREN EVANS (late 20s), ruggedly handsome, dressed in…

Seated at the table is CINDY LEWIS, late 20s and very attractive…

[ Generally you should only mention eye colour, skin colour, height, weight, hair style/colour if it is relevant to the narrative. ]

WORDS THAT GET CAPPED

In addition to using CAPS to introduce characters in the description, there are established conventions for other elements that need to be typed in CAPS but only if they affect the narrative…

Those elements include:

all essential costumes, props and decorany important action, effects, or emphasisany required music or sounds

Although some of the following instances require CAPPING, many will be judgement decisions.

FIRST NOTE:

You CANNOT identify every costume, prop, or decor on the set. Ordinary objects that have no special significance to the narrative should be left [ in normal text].

SECOND NOTE:

… if a certain prop is important to the story, you should CAP it when it first appears, regardless of whether it is important to that particular scene.

WHEN TO CAP AND WHEN NOT TO CAP

CAPPED words can be effective only if they are used sparingly and appropriately, if CAPPED words are used too frequently, their significance will be lost.

3. THE DIALOGUE-BLOCK

The dialogue element, [also] called the dialogue-block, of the screenplay format consists of three components:

the character-name specifies which character is speaking…the dialogue reveals what is being said by that charactera parenthetical, when necessary, instructs [or indicated an element of] how or to whom the character [is speaking]. EVANS (to the group) Sorry I’m late. This round’s on me.

GENERAL RULES

ALWAYS contains the character-name and dialogue, and it MAY, if helpful, also contain parentheticals.is ALWAYS single spaced with no blank lines that internally separate the individual componentsis ALWAYS preceded and followed by a single blank line

[ Parentheticals should not be used too often, you should be attempting to provide context for how the character is delivering their line in the description by providing adequate mood/intensity/emotion.]

CHARACTER NAMES

A character-name is the designation used for the speaker…

… Once a character-name has been established, you MUST consistently use that name from that character.

For example, if you’ve introduced the character as COLIN PRYCE in the description, then you will probably want to use the designation COLIN or PRYCE in the dialogue-block.

DIALOGUE

Everything that the actor speaks that is heard by the audience is dialogue.

[Dialogue] is ALWAYS written in basic prose with initial caps and proper punctuation.

EMPHASIS IN DIALOGUE

To emphasize a particular word or phrase you should underline it.

OFF-SCREEN or VOICE-OVER CUES

[ Off-screen: when a character is not physically present in the scene peaks from a nearby location, close enough that they could enter the scene. Such a character might be speaking from a room out of view or from behind a concealed area.

Voice-over: (1) a voice heard from a mechanical device such as a telephone, radio, intercom, tape recorder, answering machine, walkie-talkie, etc. (2) The voice of a narrator, which is required when the dialogue is spoken by an unseen narrator. (3) The thoughts of a character, applied when a character is visually present and what is heard are their thoughts.

Usually, a character who is speaking dialogue is visually present within the scene. However, there are two important exceptions: off-screen and voice-over.

The off-screen (O.S.) and voice-over (V.O.) cues

- ALWAYS follow the character-name on the same line- are ALWAYS enclosed in parentheses- are ALWAYS abbreviated in upper case.

PARENTHETICALS

Parentheticals are a convenient device to convey specific information about how the dialogue is being said…

[Parentheticals] are ALWAYS enclosed by parentheses… are restricted to words, phrases, and fragments… ALWAYS apply to the dialogue that immediately follows it.

Parentheticals need to be concise and direct, indicating such brief information such as:

- to whom the character is speaking (to John), (into phone), (to himself)- a particular gesture or mannerism(raising his glass), (looking at her watch)- how the dialogue is being spoken(angrily), (coughing), (softly), (thick ____ accent)

WRITING PARENTHETICALS

Because parentheticals are limited to words and phrases, they [should always be written in lowercase and with no punctuation, for example:

(loudly)

No more than two directions should be included in any parenthetical. If two directions appear they should be separated by a semi-colon:

(to the class; loudly)

THREE SPECIAL CASES

- a (beat)- a (pause)- an (interrupting)

[A (beat) indicates a change of thought, suggests a moment of indecision, or conveys a dramatic effect.

A (pause) signifies that a break in the dialogue occurs. This is most often used in phone conversations.

An (interruption) indicates that the dialogue begun be the previous speaker is being interrupted by the current character (there are a few different ways you can format this). ]

I won’t go any further than this because this is already extremely long, but ultimately I invite you to take a look at some of the scripts (here and here) I’ve written and doctored as an amateur screenwriter as well as digging up your own favourite movie scripts which will give you a good idea of how to implements what formatting.

#anon asks.#answered asks.#writeblr #am writing #screenwriting #resources.#writing advice.#on screenwriting.#long post.#my resources.

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mikethebarberchicago · 5 years

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victoriaroach · 2 years

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allamericanlimochicago · 2 years

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allamericalimo · 3 years

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ihknkm · 3 years

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chicagostripper · 3 years

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There are many different ways in which you can enjoy the stripper dance party. It depends on the type of event you want to organize. Make this choice beforehand.

? You can book independent strippers

If you are not comfortable with booking strippers from the club then you can also select to book them from outside the club. You can search for the best independent stripers who work on an independent basis.

In general, independent strippers are always a better choice. You will get to negotiate the price. You can book two or more strippers for your event. You can pay them as the bulk amount. This will always be considered more cost-effective.

Hiring a stripper from the club is always more expensive. You have to make a deposit and pay the club fee as well. Some clubs may also charge you for transportation services. This choice is expensive.

? You can select the best location

When it comes to location selection you always have two different options. You can select to organize the entire party at the strip club. But you have to keep in mind that you may not be allowed to organize a private event in the club. You will have to enjoy wilt other guests as well.

You have a second option as well. You can rent a villa and book the stripers. This will always be a better option. You get to enjoy the event in your privacy. You may not have to share the strippers with private guests.

You also have the convenience to make the booking with the hotel room. But in that case, you may have to follow the rules of the hotel. A private house party is always a better choice. Before you book the Chicago bachelorette party strippers always go through the rule book.

Different strip clubs may follow different rules. Even if you are booking independent strippers, you have to follow these rules. You are only hiring these girls for entertainment.

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pawcarebooking · 5 months

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Digital Marketing for Mobile Grooming Business: 6 Powerful Strategies to Know

Learn essential digital marketing techniques customized for mobile grooming businesses. Uncover six potent strategies aimed at enhancing your visibility, attracting new customers, and maximizing your business growth potential in the competitive pet care industry.

#Best dog grooming chicago south side.#Best dog groomer chicago south side #online grooming booking in chicago #best dog groomer in chicago #Online grooming booking in chicago for dogs #top-rated professional dog groomers in chicago #Top Pet Grooming Business in chicago #Best Pet Grooming Business in chicago #best Grooming marketplaces in chicago #grooming business in chicago #Pet Grooming Business in chicago

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pratikkadbane · 3 years

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Global Clicks Group Ltd in Consumer Health (South Africa)market Research Report Forecast year2021-2026

Clicks Group is expected to strengthen its leading position within drugstores/parapharmacies and pharmaceutical wholesaling in South Africa in the forecast period. The company is expected to continue to focus on broadening its range of private label and exclusive branded products, with a particular focus on consumer health, beauty and personal care and homewares. The company is also expected to expand its store network by acquiring independent drugstores/parapharmacies and converting these into…

Euromonitor International'sClicks Group Ltd in Consumer Health (South Africa)? global briefing offers an insight into to the size and shape of the Home Care market, highlights buzz topics, emerging regions, countries and categories as well as pressing industry issues and white spaces. It identifies the opportunity zones within home care, analyses leading companies and brands and offers strategic analysis of major factors influencing the market - be they new product developments, packaging/ format /ingredients innovations, economic/lifestyle/environmental influences, distribution or retail pricing issues. Forecasts illustrate how the market is set to change and criteria for success.

Also Read: http://www.marketwatch.com/story/global-pvc-cling-film-market-research-report-2021-market-insights-overview-analysis-and-forecast-2021-2021-03-10

Product coverage: Air Care, Bleach, Dishwashing, Home Insecticides, Laundry Care, Polishes, Surface Care, Toilet Care.

Data coverage: market sizes (historic and forecasts), company shares, brand shares and distribution data.

Also Read: http://www.marketwatch.com/story/e-beam-sterilization-services-global-market-growth-status-and-outlook-research-report-2020-2021-03-11

Why buy this report? * Get a detailed picture of the Home Care market; * Pinpoint growth sectors and identify factors driving change; * Understand the competitive environment, the market’s major players and leading brands; * Use five-year forecasts to assess how the market is predicted to develop.

Also Read: http://www.marketwatch.com/story/global-prepared-dry-foods-market-growth-status-and-outlook-2021-2026-2021-03-11

Euromonitor International has over 40 years' experience of publishing market research reports, business reference books and online information systems. With offices in London, Chicago, Singapore, Shanghai, Vilnius, Dubai, Cape Town, Santiago, Sydney, Tokyo and Bangalore and a network of over 800 analysts worldwide, Euromonitor International has a unique capability to develop reliable information resources to help drive informed strategic planning.

Table of Content

CLICKS GROUP LTD IN CONSUMER HEALTH (SOUTH AFRICA)

Euromonitor International

December 2016

Also Read: http://www.marketwatch.com/story/global-world-male-grooming-products-market-outlook-industry-analysis-and-prospect-2026-2021-03-12

LIST OF CONTENTS AND TABLES

Also Read: http://www.marketwatch.com/story/global-electric-actuator-market-insights-overview-analysis-and-forecast-2021-2026-2021-03-13

Strategic Direction

Key Facts

Summary 1 Clicks Group Ltd: Key Facts

Competitive Positioning

Summary 2 Clicks Group Ltd: Competitive Position 2016

CONTACT DETAILS :

[email protected]

+44 203 500 2763

+1 62 825 80070

971 0503084105

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freesuitwhispers · 3 years

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Global Johnson & Johnson Inc in Beauty and Personal Care (World) Market Updates, News and Data 2021-2026

As the beauty and personal care world sees a growing interest in premium beauty, Johnson & Johnson’s mass-heavy portfolio is holding steady through its power brands Neutrogena, Aveeno and Listerine. While the company is seeing a slowdown in growth, J&J is looking to revitalise interest in its brands through new product innovations and launches.

ALSO READ: http://www.marketwatch.com/story/global-medical-education-market-insights-overview-analysis-and-forecast-2020-2029-2021-03-13

Euromonitor International’s Johnson & Johnson Inc In Beauty and Personal Care (WORLD) Company Profile offers detailed strategic analysis of the company’s business, examining its performance in Beauty and Personal Care industry. The report examines company shares by region and sector, product developments, market and distribution strategies, challenges from the competition and future prospects. Use it to understand opportunities and threats facing the business and the factors driving success.

ALSO READ: http://www.marketwatch.com/story/global-mobile-engine-filtration-market-insights-overview-analysis-and-forecast-2021-2026-2021-03-14

Product coverage: Baby and Child-specific Products, Bath and Shower, Colour Cosmetics, Deodorants, Depilatories, Dermocosmetics Beauty and Personal Care, Fragrances, Hair Care, Mass Beauty and Personal Care, Men's Grooming, Oral Care, Oral Care Excl Power Toothbrushes, Premium Beauty and Personal Care, Prestige Beauty and Personal Care, Skin Care, Sun Care.

Data coverage: market sizes (historic and forecasts), company shares, brand shares and distribution data.

Why buy this report?

* Get a detailed picture of the Beauty and Personal Care market;

* Pinpoint growth sectors and identify factors driving change;

* Understand the competitive environment, the market’s major players and leading brands;

* Use five-year forecasts to assess how the market is predicted to develop.

ALSO READ: http://www.marketwatch.com/story/global-drumsticks-market-size-share-value-and-competitive-landscape-2021-03-14

Table of Contents

introduction

Introduction

STATE OF PLAY

EXPOSURE TO FUTURE GROWTH

ALSO READ: http://www.marketwatch.com/story/cosmetic-chemicals-global-market-growth-status-and-outlook-research-report-2020-2021-03-16

Exposure to future growth

COMPETITIVE POSITIONING

Competitive positioning

Skin care

ALSO READ: http://www.marketwatch.com/story/global-halogen-free-flame-retardants-market-size-share-value-and-competitive-landscape-2020-2021-03-16

Baby and child-specific products

Oral care

KEY FINDINGS

APPENDIX

CONTACT DETAILS :

[email protected]

+44 203 500 2763

+1 62 825 80070

971 0503084105

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wildedaisies · 4 years

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INTRODUCING. DAISY

NAVIGATE.

About

Visage

Musings

Melodies

Aesthetics

BASIC STATS.

FULL NAME: Daisy Mae Wilde

NICKNAME(S): Dais

AGE: 26 years old.

BIRTHDAY: December 16, 1994.

GENDER: Cis Woman

PRONOUNS: She / Her

ORIENTATION: Bisexual

BIRTHPLACE: Dallas, Texas

CURRENT LOCATION: Catalina Island, California

OCCUPATION: Bartender for Luau Larry’s / Intuitive Reader (Online)

MARITAL STATUS: Single.

PETS: 2 cats

PHYSICAL APPEARANCE.

HEIGHT: 5′3

WEIGHT: 114 lbs

HAIR LENGTH / COLOR: Just below her shoulder & dark brown with rose gold highlights.

EYE COLOR: Light brown

PIERCINGS: 1 in each lobe, 3 both upper helix, 1 in left nostril.

TATTOOS: She has a small infinity symbol on her left wrist. A large watercolor compass tattoo with the inscription “Not all who wander are lost” on stretching across her shoulder blades. She has a collection of small constellations running down the back of her left leg featuring Sagittarius, Pisces, and Leo.

ETHNICITY: Black, White, & Indigenous Canadian

LIFE IN DEPTH.

TRIGGER WARNINGS: child neglect and somewhat abuse

Daisy Mae Wilde knows absolutely zero things about her birth parents. It was a closed adoption and her adoptive parents pulled all the strings they could to ensure that any and all information regarding her existence before them was sealed away permanently.

She however does know that she was just under a year old when they brought her into their family. Growing up Daisy thought she was rather lucky. And in some ways she absolutely was. At least she had a home where things like food, water, and shelter were never in question. At least she wasn’t being bounced around from foster home to foster home. She had two very wealthy parents who gave her anything and everything she could ever want as a little girl. She was a spoiled princess.

However, as she got older and she began to grow into her own person she started to realize that she didn’t want to be this perfect socialite princess that her mother was grooming her to be. The idea of being just another shallow future trophy wife was as appealing to her as sardines on pizza. That is not at all.

But it wasn’t until she wandered into a metaphysical shop one day while playing hooky from her elite Dallas private school that she actually wanted to be started to click into place. Something about that little shop just felt right. She ended up going home with a couple of books (one on finding her inner goddess and another about tarot, oracle, and astrology) and her very first tarot deck.

Daisy began her journey of self-exploration all the while her parents continued to force her into their vision of the perfect daughter. She wore the prim and proper clothes and went to all the charity galas and made nice with the children of her parents ‘friends’. She even took part in the debutante balls and the stupid beauty pageants that her mother loved so much.

But as she grew closer to adulthood, Daisy was beginning to feel suffocated more and more. She also began to realize how wrong her parents were in the way they had raised her. It wasn’t okay that 90% of the time they ignored her and left her to be raised by the staff only to bring her out to show off as their perfect daughter whom they rescued from “a potential life on the streets” when it suited them. Nor was it okay for her mother to lock her in a dark closet whenever she disobeyed them even slightly.

Needless to say, that realization is what lead to her hauling ass out of Dallas the day she turned eighteen. She’d been saving up most of her ‘monthly allowance’ since she was a young teen though she hadn’t originally intended for it to be a nest egg for that reason, it paid off in the end. Her first stop was New Orleans where she spent almost a year immersing herself in local culture and nightlife. From there she took off to Miami and then up to Atlanta and eventually she made it to New York where she spent a few months before moving on to Chicago.

She had this wanderlust deep within her veins that caused her to almost itch with the need to keep moving. She stayed in Seattle for only a month before the need to bolt filled her. She made her way through California and spent a few weeks in Los Angeles before realizing the huge city was its own kind of stifling. Plus the traffic absolutely sucked.

It was as she was about to start heading East again that Daisy decided to take a day trip to Catalina Island. And as she took the ferry ride over a sort of calm began to settle within her. Something about the island called to her and if she didn’t know any better she’d almost say it was like coming home. That feeling only increased as she spent the day sunbathing on the beach, poking her head into cute little shops, and exploring the beautiful island.

And so what began as one last Californian hoorah led to Daisy feeling like perhaps this was where she was meant to stay. At least for a little while. Certainly, that itch would show back up some months down the line urging her to move on, but until then she decided Catalina Island was for her. At first, she was staying at a beautiful hotel but once she made the decision to stay she found an adorable loft in Lafayette Square that felt more like home than any place ever had before. She even decided to take up a part-time job as a bartender at a cute little tiki bar that she fell in love with.

STRENGTHS & WEAKNESSES.

POSITIVE TRAITS: Adventurous | Effervescent | Humorous

NEGATIVE TRAITS: Flighty | Overemotional | Reckless

MORAL ALIGNMENT: Chaotic Good.

WESTERN ZODIAC: Sun - Sagittarius | Moon - Pisces | Rising - Leo

She’s a complicated little thing. She’s a wild child through and through with a heart of gold. She’s a mess inside out but is always wearing a smile and telling you it’s gonna be okay no matter how bad things get. But there’s always been just a bit of aching sadness underneath all her happy smiles and positive attitude. And if she’s honest with herself some anger too. Anger that her childhood wasn’t what it should have been and that she knows deep down the reason she keeps running from city to city is because she’s terrified of once again feeling trapped like she was back home by her parents. Deep down she wants to belong somewhere but she doesn’t know how to differentiate between belonging somewhere and being trapped somewhere just yet. Daisy also has an intense amount of empathy in the way that she can easily attune herself to the emotions projected by other people. This can lead to her own emotions being compromised. Though over time she’s gotten better control of it, it can still hit her pretty hard if she’s already feeling emotionally vulnerable at the time.

THE LITTLE THINGS.

She’s deathly allergic to wasps and bees

She’s absolutely a little bit pretentious (in that hippie free love kinda way) lol but I swear she’s got a heart of gold. She’s just in her own head a bit sometimes and is too impulsive to think logically half the time.

Daisy is the kind of girl that falls in love very easily. Though it’s a superficial kind of love. Always surface level and anytime either of them starts dive to deep she panics and finds reasons to end the relationship ultimately breaking her own heart and sometimes theirs as well.

She likes to dance around in socks while cooking or baking and often has her own little spontaneous dance parties.

She has two cats, a sweet smokey gray girl named Cinder and grumpy boy named Tigger. One might assume that having a pair of cats as your travelling companions wouldn’t work out too well, but you’d be surprised at how well they do. Though it’s no surprise to Daisy she did find them stranded as kittens at a truck stop in New Jersey of all places.

Daisy does online general pick-a-card tarot readings on YouTube but also has a website where she sells personalized readings and it has a little shop where she sells healing crystals, essential oils, candles, and other spiritual tools. Though she does dream of one day having her own physical shop once she's ready to settle down. One just like the cute little shop she'd wandered into almost a decade before.

Her favorite time of day is sunset. She loves watching the colors light up the horizon as the day ends. She believes that no matter how bad her day has gone just the fact that there’s still something beautiful to witness is enough to keep her going.

She has a minor obsession with butterflies. She’s all about change and new beginnings and since butterflies are a symbol of this concept she’s high key obsessed.

She is highly claustrophobic.

The end of spring and beginning of summer is her favorite time of year. She loves all the beauty that spring brings but she also can’t help but love the way summer makes her feel so free. She’s not cooped up in her apartment just to stay warm, she can go out and do all the adventure-y things she wants in the summer.

It should come as no surprise that some of her favorite colors are the shades of the sunset. She loves pinks, purples, and oranges. But if you really want to know her absolute favorite shade? It’s rose gold.

#✘ FILED UNDER ❯ ABOUT

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wildlyhardphilosopher-blog · 5 years

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Dog Training Northumberland | Effective Solutions

New Post has been published on https://dogtraining.dknol.com/english/dog-training-northumberland-effective-solutions/?utm_source=Tumblr&utm_medium=Tumblr+%230+Freda+K+Pless&utm_campaign=SNAP%2Bfrom%2BBest+Dog+Training

Dog Training Northumberland | Effective Solutions

Behavioural Modification A Pet’s Breakfast Jump to Navigation When will you be able to trust your puppy to wander loose throughout the home? Scott, John P.; and John L. Fuller (1965). Genetics and the Social Behavior of the Dog, Chicago: University of Chicago Press. Marlo, Shelby (1999). New Art of Dog Training, Chicago: Contemporary Books, ISBN 0-8092-3170-0 HOW WE CAN HELP AS A DOG BEHAVIOURIST Horticulture · 30 April 2018 Cart Be the Pack Leader Vet Visit Program Rescue and Rehabilitate Make a lifesaving difference to animals by becoming a foster carer, donating, fundraising, joining an event, volunteering and more. Email a Friend PEDIGREE® Dry Dog Food Adult Roasted Chicken, Rice & Vegetable Flavor Locations Whether you train your new puppy or dog yourself, take classes, or hire a private trainer, some basic training tips should be tackled right out of the gate. These top 10 tips from professional dog trainers at the top of their game will help get you going. Puppy Training ⟶ The proper training of your dog will build a lasting foundation for a rewarding, lifelong friendship. Urban Dog Training can help you acquire the knowledge and skills to train your dog to become a confident, happy and well behaved companion. Home What we do Care for Animals Dog Care Dog Training Tips and Videos Blue Mountains Shelter Urns and Keepsakes A further follow-up session will allow you to fine tune the training under expert guidance. Firstly a canine health profile is required to exclude physical reasons for the dog’s behaviour. This is available through Redgum Vets. On payment of the behavioural training package, Redgum’s Amichien Bonding consultant will make contact with you to arrange a time when she can view your dog in its everyday environment. Chicken Show all Phone: (08) 8642 3308 CONTACT US Contact SitDropStay Dog Behaviour Australia on Messenger Bedding Older Puppy Training Doggy Bootcamp Place a treat in both hands. Adoptions · 30 April 2018 Animal Care amp Information Meet The Team Enforcement Rates PPGA Construction Motivating Miracles Workshop Council business, news and information Jump up ^ Slabbert, J. M.; O. A. E. Rasa (1997). “Observational learning of an acquired maternal behaviour pattern by working dog pup: an alternative training method?”. Applied Animal Behaviour Science. 53 (4): 309–316. doi:10.1016/S0168-1591(96)01163-X. Charities we’re proud to donate to FAQ – The costs of veterinary care 11 References Training Advice Leashes for Active Dogs 32 Greenaway St, Bulleen – Harry Hampson Innovation and research Rally’O Training Leave it Jump up ^ Burch, Mary R; Duane Pickel (1990). “A toast to Most: Konrad Most, a 1910 pioneer in animal training”. Journal of Applied Behavior Analysis. 23 (2): 263–4. doi:10.1901/jaba.1990.23-263. PMC 1286234 . PMID 16795731. Weekend: Which Level do I start in? Classical conditioning[edit] Goodog dog and puppy training Northern Beaches Our Infomercial 571 Montague Rd Dog training and puppy training Waiting at gate/door Turramurra Recreation Centre Location Anxiety Training Certificate III In Engineering – Maintenance – Fitting and/or Turning Our drop-in playgroups are a perfect complement to your vet’s puppy preschool class, particularly for owners looking forward to an adult dog who is comfortable, relaxed, and on her best manners around people and other dogs. Plus we guarantee puppy playgroup will be the best 30 minutes of your week – what could be better than a room full of puppies playing? Guided by a professional dog trainer, your pup learns her social P’s and Q’s while burning off excess energy in play – which means a better night’s sleep for you. Level 1 Basic Dog Manners 7 week course – Upgrade $295.00 Standard $235.00 At the request of our many dog-loving friends owners and partners across the nation, we’d like to share the following information, addressing a wide variety of dog care, training tips, and much more! Here you will find full color public information handouts ready for printing. Engineering Jump up ^ Wogan, Lisa (November 2010). “The Mirror Method”. The Bark. Retrieved 3 December 2012. Related Articles Community and education Urban Dog Training Ground Rules Report a Cruelty Case Location: AWL Wingfield, 1-19 Cormack Rd Wingfield 5013 Food & Treats Dog registration Outdoor classes will only be cancelled in the following situations: Good Leadership and Communication

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fbq('track', 'ViewContent', content_ids: 'dogtraining.dknol', ); I love dogs they are so cute AND Contact us now for a FREE 10min phone consultation You are here: Home Enrol or Call Us Now on 07 3342 0568 Book Orientation Session Phone: Access to the password protected section of our website with the following benefits: Our crazy vizsla is now happy and calm – cannot recommend George highly enough. Pricing & member benefits Our Approach 1 Hour Personal Training Session Pet information videos Domestic animal businesses Animal First Aid Dog Grooming Frequently Asked Questions Puppy training classes, private training training, dog training classes, and private dog training in Adelaide and the Adelaide Hills, covering the Adelaide Hills Council (including Balhannah, Lobethal, and Stirling), the Mt. Baker Council (including Burnside, Kensington, and Rose Park), the City of Mitcham (including Belair, Colonel Light Gardens, and Mitcham), the City of Unley (including Fullarton and Unley), the Campbelltown City Council (including Magill and Rostrevor), and the City of Tea Tree Gully (including Modbury and Tea Tree Gully). Location & Training Times ABC TV Education Policies and Class Information Course Resources Where To Go For Class Dogs and animals Loading… Home / 5 essential commands you can teach your dog The 1980 television series Training Dogs the Woodhouse Way made Barbara Woodhouse a household name in the UK, and the first international celebrity dog trainer.[25] Known for her “no bad dogs” philosophy, Woodhouse was highly critical of “bad owners”, particularly those she saw as “overly sentimental”.[26] She described the “psychoanalyzing of dogs” as “a lot of rubbish”.[27] Her no-nonsense style made her a pop-culture icon, with her emphatic “sit” and catch cry of “walkies” becoming part of the popular vernacular.[28] 25 Sep 2017 3:32:27am Featured Scott, John P.; and John L. Fuller (1965). Genetics and the Social Behavior of the Dog, Chicago: University of Chicago Press. Click here to book a class Privacy, Terms and Conditions SA 5700 Typical positive reinforcement events will satisfy some physiological or psychological need, so it can be food, a game, or a demonstration of affection. Different dogs will find different things reinforcing. Negative reinforcement occurs when a dog discovers that a particular response ends the presentation of an aversive stimulus. An aversive is anything that the dog does not like, such as verbal admonishment, or a tightened choke chain.[39] our services Treats All classes are held at Hays Paddock with a car park in Lister St, Kew East. No events Lots of work to do still but an overwhelming and uncertain future for our fur babies has turned in an afternoon of learning, to an exciting adventure we feel capable of tackling and coming out on top. General Information Course Content: QBCC Approved Managerial Course for Trade Contractors Blue Dog Training User Login News about Cesar FREE STANDARD SHIPPING will automatically be calculated on your cart upon reaching a value of $25 or more in eligible products that are collectively under 45kg in weight, after all other discounts are applied. Training Information Konrad Lorenz, an Austrian scientist who is regarded as developing the foundations of ethological research,[14] further popularised animal behaviorism with his books, Man Meets Dog and King Solomon’s Ring.[15] Lorenz stated that there were three essential commands to teach a dog: “lie down” (stay where you are), “basket” (go over there) and “heel” (come with me).[16] Sydney Shelter and Veterinary Hospital Maths Courses All Ages (Part 2) United Kingdom FAQ – Transporting a bird to the vet Dog to dog interaction Tell people what you think Online Course -Basic Dog Manners – Level 1 Pet Boarding Best Dog Obedience Training | More Details Here Best Dog Obedience Training | More Information Here Best Dog Obedience Training | More Info Available Here Legal | Sitemap

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