what: headcanons
for what: the devil devil knocked once | fic idea
fando.m: d.are.de.vil c.omic
who: matt, claudia (oc), elek.tra
notes: for the new run of d.d, idk how i feel about it, but i am laughing at the idea of my oc claudia being like ?? but anywho, these are just rambly thoughts. before the actual 1st c*mic. -_- idk been too tired to write but i felt a need to headcanon thoughts. lol i just thought why not?
though cloud's father was not catholic before he passed, and she followed the same path as him; and later no path at all. claudia's adoptive mother is catholic and i can see cloud knowing a thing or two about catholicism because i see cloud's parents giving the dardashti children freedom to choose. so cloud knows of things, just not all things.
but anyways, cloud finds out matt's a priest through her investigating skills - cause she's a nosy ass, that's her biggest skill - after being left by matt and el.
and she's just like 👀being nosy about where they could be cause she's pretty sure they're dead but wants to make sure. but with them, it makes no sense for them to be dead after what happened, so she's like no...i'm searching. and when she finds matt as a priest, it's like haha YEAH. but what the FUCK.
she visits matt - her under an alias - so he doesn't question it. just takes the sweets she donates to the kids. she's super curious about his memory stuff, especially since she has her own memory shit to work through, but hers is less magic and more science.
but she doesn't press it, because she sees elektra through a window and she takes that as a sign to leave AND fast. seeing as she doesn't want to piss her off.
she meets up with elektra and is like "hello, you..." and elektra is like "you need to let him be" and cloud's like "you need to ...both wake up." and just basically gets a knife close to her neck and she leaves them both alone for a little while.
until, well....she doesn't....lmfao....
because she's so fucking annoying
probably should write it because it'd make more sense written but i haven't written these fools in a while. and writing priest!matt would feel like a challenge dfljlsfl but hmmmm
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What if.....I walked up behind you while you cooked dinner and slipped my hand inside your pants. Ran my nails down the inside of your thighs and back up, then tightly grabbed a hold of you and started jerking you off until you made a mess of yourself...
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not to expound upon the political implications of fandom every chance i get but noel gruber is revolutionary gay representation because he wants to be fucked up and evil and it is so disheartening to see transformative works where they act like his wants and personality are character flaws. roadblocks in the way of the most conventional and milquetoast gay romance story ever put to word document. which isn’t terrible but the fact of the matter is noel gruber exists to say not every gay person wants to be normal or wants to have a normal easy heteroimitative life. marlene dietrich was a bisexual woman who endured mountains of hardship on every level and did important things and made important art. jean genet was a writer and activist who lived on the fringes of society doing survival sex work for most of his youth. liberace was never *out* out and was torn apart relentlessly by tabloids about his life. these are the people he canonically admires, he wants to be a starving artist and live a fantastic, queer, risky life that offends and challenges the mainstream. not because he is too naive to want a normal quiet life, but because he was raised in the bosom of the most banal, sterile, conservative small town existence he could have possibly been in and knows for a fact he wants the complete opposite. queer assimilation to the heteronormative standards of life has been a powerful tool in our survival, yes, but the point of that is to survive to make a world where that isn’t necessary anymore. the ease straight white cis abled society offers is one that exists at the expense of those who do not fit it. that is why the girl is fucked up. in a perfect world she shouldn’t have to be any other way.
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WHY DID THE AUTHOR KILL YOU OFF?
Death As Redemption
Some things cannot be forgiven. What a shame, then, that so many consider forgiveness to be the be-all, end-all of character redemptions. Or that forgiveness in itself is the redemption. Whatever sins you committed, whatever actions weigh your soul down, the author has decided that you cannot make up for it... and so they will not let you try. No, you will not even be allowed to try and put as much positivity into the world as possible (you cannot restore the balance, but surely you could do something?). Instead, there is only one thing to do: Sacrifice yourself. You'll take a bullet meant for the hero, or tackle the villain off a cliff (dooming you both), or you'll use the last of your magic to get everyone else out safely. When the heroes speak of your death, they will act as if you have undone all your wrongs, as if dying was the holiest gift you were capable of giving. I cannot help but wonder... how much more could you have done, if you had only been given the chance?
TAGGED BY: @kateiisms
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♡ + crime / mafia for shoto
as a hero, it's shoto's job to stop crime before it stops ! but as someone who grew up as he did, he has a more assesing eye for small time criminals and actual villains. he won't begrudge a parent or sibling who just wants to feed their family. as long as they don't really hurt anyone, he's willing to somewhat overlook it. villians, for shoto are people who purposely hurt others just for the reaction of fear, for the sake of hurting them because they can. and those are the people he goes after ( rapist, murderers, abusers etc ) they get no mercy from him.
that being said, shoto is grateful that loni has done her best to keep him from ugly part of her job, because he probably doesn't want to know what she gets into, because to him ? she's just mom. if anyone bothers to ask, he's willfully ignorant about what she does, and more so, shoto doesn't think she's a villain ? in his mind, loni was dealt a bad hand and a lot of the trauma that she displays is not something that only comes from a life of crime, but from a beginning filled with pain and he can't fault her for that.
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