#or maybe I'm totally wrong

[cool-person-yey]

45% of my brain is like " the puter voices are jmart and jonah magnus!!11!1!1!!;" and 45% are " they know we were going to try make TMA and tmagp have some sort of direct relation and they're using it to trick us" and the other 10% are " these motherfuckers are planning something totally different and completely unexpected"

[itspileofgoodthings]

one of my favorite things about pride and prejudice is that in the last third of the book Elizabeth’s internal monologue about Darcy is her admitting that she’s in love with him but also putting all sorts of qualifications around that statement that kind of ...tamp down the level of emotion (the “feelings, if not as tender as Jane’s for Bingley, at least as just” line, even the whole thing about her and Darcy being well-matched objectively speaking) and as soon as she’s engaged you get the unbridled joy in the narrative about her own joy, cc: “I am happier even than Jane; she only smiles, I laugh.” 

[mccoyquialisms]

my theorizing so far re the gods:

I think that many years ago Sol and Galicaea conspired to remove their celestial rivals (Ankarna and Cassandra, respectively) and steal their followers for themselves. The way this was done for Cassandra is known. It has been implied the unnamed god's transition from the more benign 'summer, sun' domain to the more aggressive 'fire, wrath' domain was a gradual transition of faith traditions, but the triggering event for this was not made clear. I suspect that Sol was involved with this, as in the modern day of Spyre he and his son Helio now embody the summer/sun aspects. The Rat Grinders insistence in involving specifically a cleric of Sol is also highly suspicious. There has been a lot of emphasis on the different aspects of the gods and how they might be influenced by their followers, but I don't think we should be discounting the actions gods can make on the mortal world through their followers, and I think teasing out this connection will be essential to solving the mystery. There have been FAR too many references to Galicaea and Sol this season for them to not have a hand in this. The absolutely insane series of events in the Hallowed summoning circle seem to point to this as well.

As for the rage god themselves, they seem to be dangerous, both to the world and to Cassandra specifically. Very possibly they were transformed into some kind of hellish or fiendish god, they became dangerous, and this is what ultimately prompted them being killed. However, I can't escape the thought that there has to be more to it than that. There's been a lot of talk this campaign about 'fairness', and you know what strikes me as exceedingly unfair? Having your domain stolen, your wife killed by her own siblings and being utterly powerless to stop it. It is unfair that you are unable to even mourn them properly or have any hope of their revival. You can't even speak their name. Rage against injustice is not inherently bad and is often needed to trigger meaningful action. What delineates useful anger and useless anger is what you do with it, which is a theme which has constantly popped up this season. Was Ankarna's developing rage justified, but it then turned into something ugly and untenable? Cassandra's domain has been characterized as "scary" and "dark", and in one aspect of her it IS, but it's been made abundantly clear this season that it is also protective and beautiful and needed. She was redeemed and made who she is now by someone recognizing and believing in that. It would make sense to me that the being she once walked hand in hand with would need that kind of belief to be redeemed too.

[cephalog0d]

Yeah I'm not done yet.

The thing I keep coming back to is that as much as I'm down to nit-pick things like how characters are written and plot details (and boy are there a whole infestation of nits to pick), what it boils down to is that the basic premise here shouldn't even be happening.

I get they're doing a Thing with Bruce and the after effects of Failsafe and Zur and Insomnia so sure I guess it makes sense to have him acting totally unreasonably. I'm not saying it's a plotline I'm thrilled with, but whatever. This is about everyone else.

You have half a dozen people routinely patrolling in Gotham, who've been doing it for years, who know the city and how it works, who have at least two people who are particularly inclined towards collecting and parsing data for patterns for crime fighting purposes, and none of you noticed anything amiss until Selina called and was like "Hey did you notice my neat new plan I've been doing?"

To that point, in a room full of literal canonical geniuses not a single person has thought to ask any of a dozen very practical questions that occurred to me, a non-genius reader, roughly 10 seconds after reading what The Plan was. Things like, oh, I don't know

How is this going to be a sustainable long-term effort?

For example, what happens when Gotham's wealthiest realize what you're doing and dramatically beef up their security (with tech or with actual people), making it much harder and more dangerous?

Like iirc you, Selina, have definitely had some real dicey situations as a result of your profession, and you're a lot more experienced than these people.

(Hey speaking of which isn't there a whole secret society of Gotham's wealthiest and most powerful who have access to nearly unkillable assassins? Who keeps coming back even though they keep being taken down? You think any of these people might belong to that?)

What happens when the rich folks get pissed and sic the heavily militarized GCPD on you? Don't act like they won't, I'm sure someone's squirreled away stuff from that whole Fear State fiasco.

For that matter, what happens when the costumed villainry figure out who swiped all their henchpeople and decide to object to it, presumably violently?

How many people are we talking here anyway that you're training? How many ultra-wealthy people live in Gotham? How many easily stealable things do they have sitting around to take? (As opposed to, like, other non-liquid fake assets like stocks)

How are you fencing all this anyway? Isn't that a great way to get caught? Or is everyone just stealing cash? (Or did nobody think about the part between "got the valuable thing" and "have usable money from it"?)

How on god's green earth did you ever assume this was going to end in anything other than violence?

Like of course one of your guys got killed. It doesn't matter that you told them no violence, even if they fully buy into that it only takes one panicked reaction when someone's home who shouldn't be, on either side, and there you go.

Look I get what they're trying to do. It's supposed to be a big moral quandary about whether it's right to allow some crime if it decreases other crime, the struggle between Batman being unreasonably violent and unwilling to listen and this new plan of Selina's. First of all that's a weird debate to have when everyone having it is technically a criminal to some degree. And second of all, it doesn't matter, this isn't about the morality, this is about how this plan is fucking dumb and was destined to fall apart even if Batman was still asleep and the fact that any of you are buying it just means there's a gas leak in Gotham somewhere.

[pickypickypeak]

[son-of-natalie]

Who is Percy chasing in the Lotus Casino and why do I feel like it could be Mr. D?

[broadwayfangirl222]

[cattatoir]

I think I have unpopular Sandman takes bc I'm usually on his side

[i-hate-everything-except-fandoms]

You know, with some places reporting a mysterious 9th episode for OFMD season 2, despite Max's official press release of 8 episodes, I'm becoming increasingly more convinced that episode 8 will be an extended episode

[cool-person-yey]

hey come look at this thing I found in my notes app

Yk what fucks me up about tmagp and tma?

Here's the thing. we Know that in tma it was going to end like that regardless of everything. The Web or whatever would find a way to put The Archivist in the " right " tracks. but there's still some things that maybe could've been better? we don't know for sure but— there were some deaths, some disasters that maybe could've been avoided. it's the maybe that gets you, because we're not sure but what if? it's the hopefulness of it all, the fact that even if it could've been better it'd still end the same.

But in tmagp from what we know for now, it seems like everything is a deliberate choice. if there's any spooky power bullshit happening we don't know yet, but the things that Sam is doing— researching about the institute, looking for leads, going to the Magnus Institute Manchester ruins for fucks sake— and not only him but the others, Teddy choosing to quit, Alice choosing to ignore everything, Gwen wanting to be "in", they choose to do it. and we know from past experiences that it's going to bite them in the ass later. and they're going to think I shouldn't have done that. I could've done that. why did I do that?

It's almost comical you know? How, regardless of if they had a choice or not, they're still going to be asking themselves the same questions.

[familyofpaladins]

I HAD A REVELATION

okay so I was thinking about gender. My gender. And my feelings about being a cis girl over time.

When I was little I used to wear all kinds of dresses and wore nail polish and even occasionally makeup (but like. Sloppily as a 7 year old would lol) and how overtime I stopped wearing nail polish and stopped wearing dresses and despised make up. I dont really remeber why I stopped with nail polish. Maybe because it flaked off too easily or maybe I was sick of the few colors we had idk. I know I gradually stopped wearing dresses and night gowns because I was sick of being told I couldnt "put my legs up [up against the wall or just straight up in the air] or that I had to sit a certain way while wearing one. So I wore more and more pants.

I think about how i used to stand in the toys aisles while my mom did grocery shopping and look at "The Boys" section and think how much cooler it was than the girls section.

And I think about how my music teacher told us one day we'd hit puberty and we'd grow and us girls would be like "[in a high pitched voice] OH MY GOSH I LOVE BOYS AND DID YOU HEAR ABOUT SO AND SO" and I looked over at my classmates and friends to see if they were also terrified of becoming annoying teenage boy-obsessed girls.

And i think about how when I was at my friend's house and we were building "tree forts" in the woods i would wish I had a penis for the convenience of being able to just go pee behind a tree, because squatting near the ground was Not Fun and I hated walking all the way back to the house. And I think about how I hated that I'd have to wear a bra once my boobs started to come in

Now you might be thinking. Friend I think you want[ed] to be a boy. But the thing is, i dont.

I may have hated being restricted in dresses but I dont actually hate them. I've gotten a couple dresses in the last 10 years (for prom and graduation and a [not my] wedding) and how I actually did like how I looked in them and enjoyed wearing them for that time.

I think about how I was jealous of the boys selection of toys, but also how I had a ton of barbies that I massively enjoyed and how if I'd been a boy I probably wouldnt have been able to enjoy them (thanks to pressure from society) as well as a bunch of other "girly" items and shows and movies. I think about how I'm actually Asexual and that I wasnt scared of becoming "a young woman", I just didnt understand the obsession with sex/romance/boyfriend&girlfriend stuff.

And while having a penis is more convenient for peeing I also remeber thinking that it would suck to get kicked in the balls and/or that trope of falling on soemthign between your legs that happens in so many movies (not that it feels any better with a vagina honestly). And that if I had been born a boy I'd most likely have to deal with all the toxic masculinity forced on me, and I'm glad I dont have to deal with that.

And while me and my boobs dont always get along, I remember that after getting my first cute bra, I thought. Oh well maybe this isnt so bad. And I mostly wear sports bras now because I do wish they were smaller and I HATE that so many bras (EVEN THE SPORTS BRAS) are already padded into cup shapes, and while I don't mind Having Boobs, i Do Not want to show them off. And sometimes i think that maybe i wouldn't mind chopping them off, but then i think how my figure/outline/silhouette would look with out them, and that seems worse.

And i think about the times I've accidentally been called "Sir" from tired fast food employees when wearing gender nonspecific clothing and felt happy about it. But not "oh it feels right to be called sir/he/him" , but more of "hehe I fooled you! You thought this was a dress but its pants!"

And really this is all to say. I was born a girl and grew up that way so it's what I'm used to. If I'd been born with a dick then I guess I'd be a guy. If you magically stuck me in a male body right now, would I feel like a Guy or feel like a girl in a guys body? I honestly dont know. So am I non binary? Maybe that that doesnt quite feel right either.

Being a girl is what I've grown up as and into, and it's what I'm used to and going by anything else is… odd. Maybe itd be better and maybe it wouldnt. It's like an old blanket. You've had it forever and maybe its frayed and patched maybe a little too small and it's not what people expect you to have for a blanket, and maybe you could do with a new one. But nothing feels right with out it. No other blanket feels the same. It's what you're used to and its familar. It's a comfort blanket.

And that's why being a [cis] girl is my comfort gender.

[homoqueerjewhobbit]

You all know, there was still a woman nominated for best director this year, right?

[total-drama-brainrot]

my total drama oc is a reversal of the show's pre-established "villain" archetype.

right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).

and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.

plus, chris is more than happy to enable them so long as they keep things interesting.

interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.

consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!

until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.

they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.

what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?

and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!

but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.

by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!

they don't know what to do. they barely even know who they are anymore.

and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.

[smallishdoggo]

The idea that Dancer didn't and couldn't have known that FCG was a person, and is thus absolved of any responsibility for treating them like an object comes up every once in a while, and, like. Folks. She knew FCG had enough capacity for thought to be worth lying to. She lied to him about having made him. She cannot have considered them basically a toaster. Like, are we imagining that Dancer is out here lying to Pussy the Second to make herself seem smarter?

She bought FCG and restored them, and knew from that restoration that a lot of the technology behind FCG was beyond her understanding. She knew FCG could talk and reason, which is something no automaton we've ever encountered is capable of (excluding aeormatons). She spent four years with him, watching him be very very noticeably different than other automatons. She didn't need to know that he was an aeormaton or what aeormatons were historically capable of; she had all the evidence she needed to understand FCG as a person, and she just didn't.

Like, I can fully believe that she understood all that, that FCG has the capacity to think and feel on some level, and just decided that none of that made them a person. Cause that's the way FCG has thought about themself since their introduction. They think, they feel, they want things, just not how a person would. Not important, not weighty enough to matter.

And I think that matters when thinking about her! Specifically when thinking about her relationship to FCG. Dancer fucked them up! She raised them, he didn't know any other life than the one she built for him till murderbot mode. And I do think she has some responsibility for that. I don't think you can just say that she didn't know any better. She knew a lot! And she could have sought out more information on ancient automatons and their capacities. And she didn't! She knew enough to know she didn't understand FCG and how they worked, and she just. Decided not to do anything about that. She just decided that the thinking feeling robot that she bought should just be a thing that she owns and makes use of, and who cares where it came from or what it might do in the future.

I don't think she's a monster or anything, but it's wild how allergic this fandom is to considering her to have profoundly hurt the person she BOUGHT AND OWNED. Particularly given how gung ho this fandom tends to be about characters having the right to enact bloody vengeance on anyone who has ever made them feel bad.

[void-botanist]

19, 20, 21, 22 for the polycule of your choice? :0

whoops we're doing it for two of them :3 and I'll include Heith too

19 - Summarize your character's goals in one sentence.

Marcus: be okay and go home, but also never have to tell Heith about all of his lies by omission

Heith: figure out if she's actually for real serious about Marcus (she thinks she might be actually for real serious about Marcus) and one way or another move out of her hotel room on Aephar

Yera: be a mom and try to make peace with the fact that Marcus is not here to be a part of the family

Hossan: be a dad and help Umedes figure themself out

Gren: see Marcus again and hopefully find out that there was no need to be jealous about his girlfriend, and make sure everyone's okay, especially the baby

Pali: prevent Kiatcarmen from finding Marcus (though that isn't a very active job), make sure the shifter coalition in the court doesn't budge, and get somewhere with her studies of shifter magic

Umedes: figure out whether they want to have a kid or not help

Kiatcarmen: find Marcus, because Minaya must not ascend, and do whatever else she can to preserve her accomplishments in the kingdom

Pirianus: broaden Kiatcarmen's vision beyond legacy, or, failing that, as he has for some 30+ years, get her to open up to him

Caladea: see Marcus again, and for his polycule's sake believe with all her heart the lies they tell Kiatcarmen

Thade: continue completing the political project du jour and end up in a happily ever after with Pirianus, which might also make him more welcome in the palace

Orvi: complete the one thing he was installed in the palace to accomplish

20 - Who's in the way of those goals?

Marcus: his mother. Always his mother. And honestly a little bit himself

Heith: herself, mostly. This is so not like her - well, specifically the part where she's still here when there have been plenty of times to go home

Yera: realistically, Kiatcarmen. But she still sometimes feels like she's lost some of her verve

Hossan: Umedes is the big challenge here. They're just so indecisive

Gren: Kiatcarmen, but sometimes it's easier to focus on the fact that Marcus has an interstellar girlfriend that none of them have ever met and that's so frustrating

Pali: herself. There aren't enough hours in the day for everything, and she has to sleep ugh

Umedes: themself, because they were the one who said this would be a great idea for when Marcus comes back. Who 100% believed Pali and Minaya and her ferasca spouses that this would go great. And who also took one look at Yera & Hossan's baby and thought that maybe they were signing up for more than they realized

Kiatcarmen: Marcus. Always Marcus. But she also blames Minaya and Yera and Pali for his disappearance, and she needs Pirianus to just shut up. This would have been so much easier with Jimmy

Pirianus: Kiatcarmen because he put his eggs all in one basket. But he mostly blames himself

Caladea: Kiatcarmen, but she tries to focus on what she can do better, and how she's getting in her own way

Thade: he's beginning to suspect he's been in his own way this entire time but it can't be understated how much Pirianus is constantly hot and cold

Orvi: it changes frequently, but always some contingent of the court

21 - What is your character's relationship with their emotions?

Marcus: he can't control his bad emotions, so he suppresses them. This has never caused any problems

Heith: she's just as cynical about her emotions as she is about everything else, but sometimes she just can't not feel something completely unironically

Yera: she's gonna feel them whatever they are so [grits teeth] negative emotions are part of the fullness of experience (she will be screaming into this pillow later)

Hossan: left to his own devices, he would feel his emotions, and then let them cast away upon the wind. Being with Yera and Gren has made him learn how to interrogate them more

Gren: he feels everything. A lot. He also conceptualizes things in terms of feelings a lot

Pali: she would like to believe she doesn't have them, but then she lays awake at night deconstructing them

Umedes: they tend to put intense feelings away for later, but don't ever get to later unless later comes for them first

Kiatcarmen: her emotions are so rich and nuanced and nobody understands that, so all of her emotions collapse into some flavor of annoyance

Pirianus: don't like that feeling? Repress it! This will never result in it returning in continually more warped and incomprehensible forms

Caladea: being in the palace seems to have stunted her emotions - they're flatter, duller, and way more anxious no matter what they are

Thade: don't like that feeling? Deflect it! The more mirrors there are between you and your emotions the less you will ever know what they are and the less you can ever be responsible for them

Orvi: he has a mental Tupperware for emotions that allows him to keep control of himself. He is the only person on this list who will actually open that Tupperware on purpose later

22 - What regrets do they have, if any? (From any part of the story, not just exposition.)

Marcus: missing out on eight years of his "real" life, and especially not being there when Gren's grandmother died. If only he'd been stronger, he could have stayed

Heith: before finding out about Marcus, that she's kind of a flake to her band, but they don't seem to mind that much. After finding out about Marcus, that she ever thought there was some kind of "magic" between them and maybe she could feel naïve about love for two seconds

Yera: she regretted drifting away from her father and sister, so she's fixing that now

Hossan: most of his regrets are from the now-distant past and don't make much sense - even he will say so - but he always finds himself regretting that he can't seem to do more for people

Gren: not going home even more before his grandmother died, even though he was practically splitting his time between his home city and the palace. He also regrets letting Marcus leave, even though he had to, and there was no other real choice

Pali: after getting married, she got more distant from her professor mentor, and the regret hit her hard when they died

Umedes: most immediately, thinking that having a kid was a good idea (they are beginning to think that this is a pregnancy kink that got out of hand). But more than anything they regret not going with Marcus, even though they couldn't

Kiatcarmen: Ashmalo was a liability, but she still regrets that he died (despite her image she does not think that assassination is the right way to deal with most problems, including Ashmalo). Conversely, she regrets that she couldn't save Jimmy, even though medical science itself could not have saved Jimmy. She also regrets letting Minaya slip out from under her thumb, because if she hadn't, she wouldn't be stuck looking for her runaway son

Pirianus: that he can't seem to permanently extract himself from Thade. If he stops and thinks about it (read: gets drunk and sad) he regrets spending so many years of his life trying to get through to a woman who would just as soon throw him to the dogs

Caladea: that she couldn't do more for Marcus or Minaya or Ashmalo, and that she still can't. And that being stuck in the palace has left her struggling to try and pick up the pieces of her creativity and her passion even though it should have given her unlimited resources to pursue them

Thade: things he's said to people. Most of them used to be seared in his brain because he thought they were funny, and eventually he figured out that oh, maybe they weren't. But some of them seemed bad from the moment they came out of his mouth (not before that, unfortunately, because he wasn't thinking about it) and he wishes he could take them back for real, especially the things he's said to Pirianus

Orvi: that he's still here. He had one thing to accomplish, and even though it was complex, it's taking SO. LONG. He knew that marrying into the royal family meant that he probably wasn't going to permanently go home again, but the longer this drags on the less he even wants to show his face there, and he wonders if it was worth it at all

[thegoldenelite]

My sibling just reminded me that last year, I jokingly said that Hangman and Ibushi should run out to save Kenny after a match (yknow when he's getting his ass kicked by the other team). Except, they didn't plan to save kenny together. So when they're running side by side, they're just looking at each other in confusion, trying to be the first one in the ring to save Kenny😂