By: Jim Underdown
Published: Jan 11, 2023
Ask the Atheist
Is it true the late pope was buried in multiple caskets?
R. Tarsi,
Egg Harbor, WI
No one who’s ever been to – or even seen pictures of – the Vatican should be shocked that former Pope, Benedict XVI, was buried in three (that’s right three) different coffins. St. Peter’s Basilica, with its gold accoutrements, bronze columns and doors, and priceless art is the very definition of excess, so why chintz on the pope’s funeral? Vows of poverty be damned!
[ Inside St. Peter’s ]
Jesus (had he ever lived) would have been appalled at the garishness of it all, I’m sure.
When I first heard about the triple coffins, I was incredulous. What? They’re going to chop this guy up and spread him around?! Holey moley! What kind of messed up ancient ritual is this? Are they punishing the guy for resigning before the Grim Reaper could get him? Is he finally going to get his just due for being in the Hitler Youth in the 1940s?
[ List of popes in St. Peter’s ]
I grew up Catholic for a bit and have heard plenty of their wacky ideas over the years – transubstantiation, limbo, the trinity, to name a few – but hacking a guy up seemed extreme even for the Catholic Church. They must be splitting the body up to send it on tour to raise money was one of my early thoughts.
Then I read that the coffins would be nested inside each other like those Russian Matryoshka dolls – which is a bit less gruesome but still excessive. Ok, that does make more sense… than dismemberment.
Here’s how it went.
The first box was made of cypress and, along with the pope’s body, contained bags of gold, silver, and copper coins. The cypress symbolizes humility – you know, of the guy who’s being buried in 3 caskets as a part of a multi-million dollar funeral.
I’m not making this up.
The second box was made of lead and had a skull and crossbones carved into. Ok, that’s actually kind of cool. But lead? The guy who carved the decorations into the lead will no doubt soon follow the pope to the pearly gates… or at least have some cognitive issues. I’d bet Superman sleeps in a similar sarcophagus – probably with his “S” logo on it instead of the skull and crossbones.
The third box was made of elm which evidently represents dignity, and housed the other two caskets. To reinforce the humility theme from box #1, the elm coffin was sealed with gold nails, which any carpenter – even Jesus – would tell you won’t do jack to hold it shut. Gold has terrible tensile, compressive, and yield strengths compared to a common steel nail. Not to mention they’re expensive as hell…
Each of the coffins was sealed with wax and wrapped with silk ropes. Surely the wax will keep grave robbers from all those coins. Again… tensile strength people! Are there no engineers on the Vatican payroll?
If they actually told us about the 3-casket extravaganza, what are they not telling us?
I wonder…
Was he buried in three pairs of underwear under his robes – one Jockey™, one Mormon, and one Orthodox Jewish – just hedge his bets to get into heaven? Those ought to help him get through the pearly gates, though St. Peter will ask him about the Hitler Youth thing. And God is very detail-oriented, you know.
Did each of his hands have 3 pinky rings on it – all perhaps donated by guilt-ridden Mafiosi over the years?
How many of the 135 Swiss Guards will it take to carry that heavy-ass triple load down to the catacombs?
I also wonder if the money bags made it all the way to the tomb. I sorta hope one of the workers palmed the coins before that casket got sealed up. Seems like a waste to bury perfectly good money with a guy dressed in silk and ruby slippers.
==
Queen Elizabeth II’s coffin was far less obscenely ostentatious. And the UK is actually real. For a former CEO of a corporation selling imaginary treatments for imaginary diseases, and imaginary travel to imaginary destinations...?
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The Laws Of Court Politics
Avoid Ostentation.
It is never prudent to prattle on about yourself or call too much attention to your actions. The more you talk about your deeds the more suspicion you cause. You also stir up enough envy among your peers to induce treachery and backstabbing. Be careful, ever so careful, in trumpeting your own achievements, and always talk less about yourself than about other people. Modesty is generally preferable.
Practice Nonchalance.
Never seem to be working too hard. Your talent must appear to flow naturally, with an ease that makes people take you for a genius rather than a workaholic. Even when something demands a lot of sweat, make it look effortless—people prefer to not see your blood and toil, which is another form of ostentation. It is better for them to marvel at how gracefully you have achieved your accomplishment than to wonder why it took so much work.
Be Frugal with Flattery.
It may seem that your superiors cannot get enough flattery, but too much of even a good thing loses its value. It also stirs up suspicion among your peers. Learn to flatter indirectly—by downplaying your own contribution, for example, to make your master look better.
Arrange to Be Noticed.
There is a paradox: You cannot display yourself too brazenly, yet you must also get yourself noticed. In the court of Louis XIV, whoever the king decided to look at rose instantly in the court hierarchy. You stand no chance of rising if the ruler does not notice you in the swamp of courtiers. This task requires much art. It is often initially a matter of being seen, in the literal sense. Pay attention to your physical appearance, then, and find a way to create a distinctive—a subtly distinctive—style and image.
Alter Your Style and Language According to the Person You Are Dealing With.
The pseudo-belief inequality—the idea that talking and acting the same way with everyone, regardless of their rank, makes you somehow a paragon of civilization—is a terrible mistake. Those below you will take it as condescension, which it is, and those above you will be offended, although they may not admit it. You must change your style and way of speaking to suit each person. This is not lying, it is acting, and acting is an art, not a gift from God. Learn the art. This is also true for the great variety of cultures found in the modern court: Never assume that your criteria of behaviour and judgment are universal. Not only is an inability to adapt to another culture the height of barbarism, but it also puts you at a disadvantage.
Never Be the Bearer of Bad News.
The king kills the messenger who brings bad news: This is a cliché but there is truth to it. You must struggle and if necessary lie and cheat to be sure that the lot of the bearer of bad news falls on a colleague, never on you. Bring only good news and your approach will gladden your master.
Never Affect Friendliness and Intimacy with Your Master.
He does not want a friend for a subordinate, he wants an assistant. Never approach him in an easy, friendly way, or act as if you are on the best of terms—that is his prerogative. If he chooses to deal with you on this level, assume a wary chumminess. Otherwise, err in the opposite direction, and clear the distance between you.
Never Criticize Those Above You Directly.
This may seem obvious, but sometimes some sort of criticism is necessary—to say nothing or to give no advice, would open you to another kind of risk. However, you must learn to coach your advice and criticism as indirectly and politely as possible. Think twice, or three times, before deciding you have made them sufficiently circuitous. Err on the side of subtlety and gentleness.
Be Frugal in Asking Those Above You for Favors.
Nothing irritates a master more than having to reject someone’s request. It stirs up guilt and resentment. Ask for favours as rarely as possible, and know when to stop. Rather than making yourself the supplicant, it is always better to earn your favours, so that the ruler bestows them willingly. Most important: Do not ask for favours on another person’s behalf, least of all a friend’s.
Never Joke About Appearances or Taste.
A lively wit and a humorous disposition are essential qualities for a good courtier, and there are times when vulgarity is appropriate and engaging. But avoid any kind of joke about appearance or taste, two highly sensitive areas, especially with those above you. Do not even try it when you are away from them. You will dig your own grave.
Do Not Be the Court Cynic.
Express admiration for the good work of others. If you constantly criticize your equals or subordinates some of that criticism will rub off on you, hovering over you like a gray cloud wherever you go. People will groan at each new cynical comment, and you will irritate them. By expressing modest admiration for other people’s achievements, you paradoxically call attention to your own. The ability to express wonder and amazement, and seem like you mean it, is a rare and dying talent, but one still greatly valued.
Be Self-observant.
The mirror is a miraculous invention; without it, you would commit great sins against beauty and decorum. You also need a mirror for your actions. This can sometimes come from other people telling you what they see in you, but that is not the most trustworthy method: You must be the mirror, training your mind to try to see yourself as others see you. Are you acting too obsequious? Are you trying too hard to please? Do you seem desperate for attention, giving the impression that you are on the decline? Be observant about yourself and you will avoid a mountain of blunders.
Master Your Emotions.
As an actor in a great play, you must learn to cry and laugh on command and when it is appropriate. You must be able both to disguise your anger and frustration and to fake your contentment and agreement. You must be the master of your own face. Call it lying if you like; but if you prefer to not play the game and to always be honest and upfront, do not complain when others call you obnoxious and arrogant.
Fit the Spirit of the Times.
A slight affectation of a past era can be charming, as long as you choose a period at least twenty years back; wearing the fashions of ten years ago is ludicrous unless you enjoy the role of court jester. Your spirit and way of thinking must keep up with the times, even if the times offend your sensibilities. Be too forward-thinking, however, and no one will understand you. It is never a good idea to stand out too much in this area; you are best off at least being able to mimic the spirit of the times.
Be a Source of Pleasure.
This is critical. It is an obvious law of human nature that we will flee what is unpleasant and distasteful, while charm and the promise of delight will draw us like moths to a flame. Make yourself the flame and you will rise to the top. Since life is otherwise so full of unpleasantness and pleasure so scarce, you will be as indispensable as food and drink. This may seem obvious, but what is obvious is often ignored or unappreciated. There are degrees to this: Not everyone can play the role of favourite, for not everyone is blessed with charm and wit. But we can all control our unpleasant qualities and obscure them when necessary.
“A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetrable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heart, speaks and acts against his feelings."
Jean de La Bruyère was a French philosopher and moralist
Born: 16 August 1645, Paris, France
Died: 11 May 1696, Versailles, France
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