#particles js

[codingflicks]

Background Animation

[divinector]

Particles.js as Background

[anonymoosen]

Yipee new chatfic chapter thing

https://archiveofourown.org/works/58613830/chapters/161057095

Ugh why does the link look like this now whenever I upload it omd this is really the sign of my downfall perhaps-

ANYWAY YEA GOOFINESS WOO

[joshleejosh]

p2

joshleejosh.com/sketches

[nan0-sp1der]

omg heyyyy!!! youre that like… android right? i heard LYLA’s literally obsessed with you aha. ehem anyways

spider-terra at your service *dramatic bow* i’m js *swinging* by some other spider’s so i can introduce myself! first time at the society and all, yk?

-🕷️🌱

@i-love-vines At the sound of ecstatic exclamations, the sounds of footsteps rushing up behind her, Bridge finds herself stopping in her tracks to turn around and face the young agent.

Upon first glance, she finds her attention stolen by the inexplicable presence of what appeared to be particles of dirt strewn all about their person--imperceptible to human eyes, but immediately picked up in the android's vision.

Errant organic material, her systems identified it as. This child was of the earth. This was what Bridge's intuition told her.

"Spider-Terra..."

A quick glance at her profile as they were in the Spider Society's archives said so as well. 'Geokenesis' was this spider's unique ability. Unique by virtue and quite literally, as she isn't so sure she's met another with this ability.

The android returns Terra's bow with one of her own, her head dipping as she did so deeply before surfacing again.

"Greetings. It is a pleasure to be of acquaintance... Though, as you note that LYLA has mentioned me ad-nauseam, I am certain you know plenty of my already."

Of course. Leave it to LYLA to spread the word reliably, and without her say. Then again, there wasn't much anything to hide, their identities were shared exclusively amongst each-other and with a vow of total secrecy from the outside world. Much as Bridge would have preferred her existence remaining as yet another mundane detail in the daily lives of those around her, she supposed being known was such a consequence of knowing others.

"Should you require any assistance navigating the facility, you may call upon any of our senior advisors, LYLA, or myself. If you feel so inclined, Miguel may be of some help as well, though his presence is scant in these halls..."

Should she? It wouldn't do any harm if she warned--no, not warned. Too negative of a context... 'Advised'. It would do no harm if she advised the new agent to direct her questions elsewhere. A necessary precaution reminder.

"Though, it may be best if you left him to his work as best possible. He seldom has time even for his own duties."

She doesn't need to sully the man's reputation before the woman even had a chance to meet him herself. At the very lest, she can provide her with something of a neutral impression. The faint hope that he would grant himself a decent impression at some point, if not simply convey that he was only tired. To-the-bone, soul-deep, simply just tired.

[kakerutori]

I would like to know your opinion about soundtracks. I've already seen theories about The First lie and The first I love you, and many people think the soundtrack matters. But have you ever thought that they could really be random? I recently watched the series and found out that the soundtrack that played in the romantic scenes between Vicky and Robin was the same as in the scenes when Еl puts on Nancy's dress and Mike calls her pretty.

Oo, the soundtrack!! I love talking about the soundtrack parallels whenever they come up, especially the motifs of “Kids, “ “Eulogy,” “Eleven,” “This Isn’t You,” so on and so forth, plus, of course “The First Lie”/“The First I love You.” This is a really good question, because the way that the soundtrack is titled seems to indicate to me that it’s important to help express the emotions and often evoke memories for each scene, even if the titles don’t seem to match the mood. But I don’t think that the soundtrack is ever played randomly.

As for the scenes you’re referring to, you’re right, and it’s kinda hard to explain. I’m not even sure myself. The track that plays behind the scene where the boys are helping to disguise El and the scene where Robin and Vickie are making PB&Js is called “Kids Two.”

At first, I swore that this was “Still Pretty” but it’s not! It has notes of the riffs from “Kids” but with a slower tempo, and I think that maybe using this track was meant to parallel the tones of budding attraction and the purity of the moment apart from the world’s chaos - in other words - the innocence and some typical affections during one’s youth, thus, kids. And, yeah, as much as Robin and Vickie are teens, they’re still technically kids, so, it works.

But as much as I try to justify that title, another great one that doesn’t technically make sense is “On The Bus.”

This track plays when Lucas and Max have a heart-to-heart on the bus in season 2, and it also plays when Mike and Will have a heart-to-heart in Will’s room (aka the apology scene) in season 4. And I really don’t have an explanation for this title (besides the literal meaning because Lucas and Max were sitting on a bus) other than maybe it could be a metaphor for taking a pause and letting people in like how busses stop at different stations? Otherwise, like this example, I think that sometimes the soundtrack isn’t literally a direct callback to what it’s titled but rather a callback to the things happening during the scene.

That being said, some soundtrack titles are really specific to their titles and what’s happening, like “The First Lie” and “The First I love You.” And of course they hold very clear similarities just in a slightly more developed state. This is also found in “Kids” and “Teens.”

I think that Stranger Things, as it’s expanded, has also expanded a lot of its soundtrack. As it stands, seasons 1 and 4 have around 80 tracks on their own, meanwhile, seasons 2 and 3 have around 30-40.

Season 1 set the train running for motifs later on, seasons 2 and 3 lightly expanded (but of course most notably added “The First Lie” and “The First I love You”), and then season 4 re-contextualized and aged a lot of familiar tracks from all three.

I notice the soundtrack more and more whenever I rewatch season 4, most often of all seasons. They use a lot of established tracks almost like Star Wars does with certain characters such as “Eleven” for her moments in the lab and “Papa” for his. One of my favorite motifs and favorite reappearances in season 4 is “One Blink for Yes” which signifies a moment with lights across the Upside Down. It’s the track that played when Joyce first saw the lights from Will in season 1 and then it played when Nancy, Robin, Steve, and Eddie discovered the glowing particles in the Upside Down.

So, yeah, overall, the titles are not perfectly aligned across seasons to what’s happening on screen or, on the other hand, are extremely specific to what’s happening onscreen and thus might not carry over in other scenes too smoothly, but I think that it’s clear which tracks are meant to express bonds, romantic interest, discovery, and other key elements as a supplement to the scene. And I think that the motifs in particular are most important (many of which Byler have so 😉).

[i-think-were-alone-n0w]

ill speak my fucking truth, the TUA s4 ending was BULLSHIT.

alright alright, i get yall's issues ab five and lila, but i also understand it to some extent.

but one thing we can all agree on is how full of plot holes, unanswered questions, and how shitty of an ending we've got. also, it was so fucking rushed! hell.

to address the ending; why the fuck? why? why would our comfort characters cease to fucking exist? in all timelines, they've fought so hard to build good lives. it was bound to be ruined, but them to fucking cease to exist? thats wild!

and alright what about the other kids with marigold? (?) there were about what, 40+(?) born, right? where are they? this cant be real.

to address some other plot holes..

ray: what do you MEAN he just.. walked out on allison? they loved each other dearly, we sidnt get a fucking explanation?

sissy, SLOANE??: what, did these characters just disappear into thin air? if ray is alive, why couldn't sissy be, too? mostly after the big part harlan played in the third season. also, where the fuck did sloane go? so ben survived, but sloane just, what? disintegrated??? turned into pure marigold? hell.

ben?: why is no one talking about him? his love story was rushed, his motives were a bit stupid (not entirely, so i could excuse this), also he just fucking died and nobody seemed to actually care? klaus had little to no reaction and he was the closest to ben? what the hell is going on?

viktor: we ve gotten none of his backstory. we see a supposedly ex gf of his at the start, and they say he s getting every girl in town. what is he, afraid of commitment? a player? not able to sort his priorities? also, how come he didn't suffer any consequence after literally sucking those particles out of ben!? i mean, his body's got a fuck ton of marigold, and in theory when coming into contact with that bs particle; he should've what, exploded!?

reggie: how and why is reggie for once, supposedly nice? until now he played a role snd at the evnd revealed a facade and it being some evil plan. this time over though, what we see is what we get. he trusted viktor, he followed up on his word, gave him time, gave him chances, called so many times, and in the end, told his wife that he wishes to save it and couldnt believe it was her behind it. so why is he no longer evil? what's up with that?

jennifer: soo why was she inside a squid? what happened to her parents? how did she get that power? why is she destined to meet ben? erremmm.. so many plot holes w her.

commision: (i might be very wrong here and not remember the past seasons, feel free correct me if im wrong.) but ure telling me, that in NO timeline the commision still exists? lila and five have managed to travel through hundreds of them over the span of 6.5 years. and all of this, none of those timelines were helpful? or.. anything at all? i wish their arc wasnt so rushed, maybe more ppl would see through it. it didnt feel like 7 years. it felt like 2 months.

diego: throughout the season we see him getting clowned on for being a "failure" and being "fat" only for him to look the same, fucking ripped too, and be normal, react like a normal person would. he was a good, hard working father and good husband with pure intentions. what was all that for?

claire: i need to see more of her. we know klaus' been sober for 3 yrs, but its been 6. which menas that claure has seen that "bad, sick" side of klaus. we see her know how to recognise that he was relapsing. i wish we saw more of her childhood, her with allison and how she got so closs to klaus.

it all was so rushed. idk ill add more if i remember more chat.

if any of you want to see me address lila and five, i've made other posts. i think their arc was important, not necessarily asked for, but justified, too. i'll folloe up with more posts and answer questions. no hate here.. js opinions:).

[splatloon]

Q CELLBIT JS SAID THE PARTICLES ARE HIS PERFUME 😭😭😭

[nikkhil989]

AIR JET SIEVE SHAKER JS1100

Air Jet Sieving Machine JS 1100 is one of the best solutions to separate and deagglomerate sample particles. It has a special nozzle which helps in ensuring good results. JS 1100 can be used in applications like Pharmaceuticals, chemicals, plastic, rubber, detergent, minerals, pigment, toner, ceramics, food etc.

Standard Features of Air Jet Sieving Machine JS 1100

Air Jet Technology for dispersion and deagglomeration

Unique Nozzle Movement Design: Ensures better reproducibility, minimizes sieving time, reduces cleaning effort, and increases sieve life

Built-In Graphical 5” Colour LED Touchscreen Display

Digitally Controlled Adjustment of all process parameters:

Time: 001 - 999 minutes

Vacuum: 20 - 99 mbar / 0.3 – 1.45 psi

Speed: Digital control (5-55 min⁻¹ nozzle)

Quick & Efficient Procedure: Measuring range from 5 μm to 5 mm

Standard Sieves: 203 mm (8” ø) or 200 mm (with adapter)

9 Standard Operating Procedures (SOPs) Memory

Quick Start Mode: Start sieving under standard conditions without entering parameters

Digital Controlled Variable Nozzle Speed: 5-55 min⁻¹

Automatic Vacuum Regulation Option: Monitors air jet and keeps it constant, increasing reproducibility of sieve analysis

Cyclone Accessory Option: For sample retrieval; collects two fractions

Air Jet produced by powerful industrial vacuum cleaner

Optional Screening Software: For data processing, analysis, screening evaluation, and documentation of results

RS232 Interface: For Smart Screen Software

Balance Interface: Through PC Smart Screen Software

visit www.technovalue.in for more info

[anikashw]

Exhibition Reflection

In October 2023, I attended Refik Anadol’s Unsupervised exhibit at MoMA, and while it’s not a current show anymore, it has stuck with me. This exhibition conflicted me as someone who’s always been against AI in art. I’ve always approached my art by creating everything from scratch—whether through 3D software like Autodesk Maya or Blender or coding in p5.js. For me, manually crafting each piece is what makes it truly mine. That’s why generative art, where AI plays such a huge role, feels like a completely different world—one I’ve never fully explored. Still, seeing Unsupervised made me stop and think.

What really captured my attention was the visual fluidity of the exhibition—the way the colors shifted, the particle effects flowed, and the transitions were almost hypnotic. As someone who’s into motion graphics and loves working with particle simulators, I found myself engrossed by the smoothness of the visuals. I even took a video because I couldn’t get over how seamless everything looked. I had a feeling AI was responsible for much of that, but part of me thought, "Well, putting together visuals like this isn't too difficult if you know your way around certain tools." Yet, seeing the sheer scale and complexity made me realize that this was more than just a collection of pre-made visuals—it was something alive, evolving in real time.

The exhibit had this calming yet awe-inspiring vibe. You step into the main room as soon as you enter the museum, and suddenly, you're surrounded by this massive, constantly changing screen. The curation heightened the experience—isolating you from work made you feel like you were part of the piece flowing with the colors and patterns. It was easy to forget everything else and lose yourself in the visuals. The context of the space mattered a lot; it allowed the AI-generated transitions to take center stage in a way that made them feel more personal and immersive.

Reading the wall text helped me get a better understanding of how the exhibit was made. I learned that the AI behind Unsupervised was trained on millions of images and pieces from MoMA’s collection, which made it all the more meaningful. This wasn’t just random data being spat out—it was art based on art. That added a new dimension for me, but it also made me wrestle with a bigger question: Should we be okay with AI playing such a big role in creating art?

Even though Unsupervised was undeniably beautiful, I’m still torn. I’ve always believed that art should come from the artist, their hands, and their mind. AI is making producing these works more accessible, but where’s the line? How much of the human element are we willing to sacrifice for technology? AI in art feels inevitable now, but I think there has to be a balance—a limit to how much we rely on it. This exhibition opened my eyes to the possibilities AI offers, but it also reminded me that there’s something irreplaceable about the human touch in art, something that AI can’t replicate.

[eagletflysolutions]

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The individual project provides an opportunity for applying specialist knowledge together with analytic, problem-solving, managerial and communication skills to a particular area of interest within data science. Working with the full support and guidance of an allocated Project Supervisor, you will propose, plan, specify, develop, evaluate, and present a substantial project. Our teaching is influenced by current research in data science and artificial intelligence (AI) and driven by the tools and techniques that both employers and academic researchers are using daily. Machine Learning and Data Mining incorporate a large number of ways in which datasets with a variety of characteristics can be processed in order to provide for new insights and understanding - online data science course.

Much of this data contains valuable information, such as emerging opinions in social networks, search trends from search engines, consumer purchase behavior, and patterns that emerge from these huge data sources. We help you to understand how utilizing the speed and processing power of computers can assist in using data to make better decisions. You discover the new methods and the smart, unusual questions needed to make sense of both numerical and textual data. Python course training, Full-stack Java, Python full-stack developer course, Machine learning course, React JS, Data structures and algorithms, and C programming. For more information, please visit our site https://eagletflysolutions.com/ 

[dearestclement1ne]

sen is actually js a floating particle of dust so this argument is over guys

yeah good luck finding my waist xx

[cssscriptcom]

Create Interactive Canvas Particles - js-particles-factory.js

js-particles-factory is a JavaScript library for creating and animating particles on HTML canvas elements. It uses a throttled framerate based on requestAnimationFrame for smooth performance. The library generates floating, interactive particles with customizable shapes, sizes, and behaviors. Users can define various particle shapes, such as circles, squares, rhombuses, hexagons, triangles, or…

[volcanicalexg]

programming can be fun and all but sometimes i wish i had someone to talk abt it, everyone i know is an artist who gets scared at the sight of the command prompt and even the control panel

like it get it, i know its hard and looks scary, but are you not curious?? are you not amazed these things work at all? these things are the result of decades, maybe even a century of work from thousands of people whose names may now be lost to time. a huge jenga tower duct taped together and polished with time, and it works.

Dont you feel an itch sometimes? To look beneath the fabric of the universe and see its veins working? See its thoughts? What about your friend? Do you not wish you could know the way they think? The way they puzzle their way through a problem? How they see the world? Now what about your computer? Do you know how it does all that? Do you understand the logic behind it all?

And have you ever notice how much we are alike?

We made these things, and then made them speak a tongue different than us, because ours are too complex for them, isn't this the same as speaking to a toddler? They can be intertwined with one another, speak in ways we never could. Is this not a manifestation of what we desire? To be connected with others in a way words or touch are not enough. What about their organs? their jobs? each machine has to be built with their specific function in mind, their guts have to carefully arranged and cared for, a keyboard will never split a particle apart, a monitor will never make a clock. Is this not what we are? Each one of us is different in a way that makes us best at one kind of task than another.

And then we throw them away, they are being made for so. These beatiful crafts, this mirror of us, we dont make them to last anymore. They are made with short life spans, because they will be deemed too weak in the near future, and are not worth it anymore, newer technology will be faster, smarter, stronger. Is this not what we are too? To grow old, to grow "useless", to grow to be disposed of. You literally can't get a better reflection than this. We made these tools to help us achieve the impossible, and now they are no different than us, and sometimes we are the tools to keep them running.

Does none of this drive you crazy? Do you never question the inner workings of anything? Do you never look past the thin veil in front of you? Are you afraid of anything? Maybe that despite the lack of anything organic, you will still see yourself on the other side? Or are you scared of the one responsible for making the machine? And they planned to use it for?

anyway yeah im angry with js again. and adobe. and microsoft. again. and i got nobody to complain to.

[blvckoni]

// Define fundamental constants

const SPEED_OF_LIGHT = 299792458; // meters per second

const GRAVITATIONAL_CONSTANT = 6.67430e-11; // m^3 kg^-1 s^-2

const PLANCK_CONSTANT = 6.62607015e-34; // Js

const ELEMENTARY_CHARGE = 1.602176634e-19; // Coulombs

// Class definitions for fundamental components

class Force {

constructor(name, constant) {

this.name = name;

this.constant = constant;

}

}

class Particle {

constructor(name, charge, mass) {

this.name = name;

this.charge = charge;

this.mass = mass;

}

interact(forces) {

// Simulate interactions with forces

for (let force of forces) {

// Interaction logic placeholder

print(`${this.name} interacts with ${force.name}`);

}

}

}

class SpaceTime {

constructor(dimensions) {

this.dimensions = dimensions;

this.age = 0;

this.timeline = [];

}

expand() {

// Simulate expansion

this.age += 1; // Increment age by 1 arbitrary unit

print(`Universe age: ${this.age} billion years`);

this.timeline.push(`Age: ${this.age} billion years`);

}

curve(forces) {

// Simulate space-time curvature

for (let force of forces) {

// Curvature logic placeholder

print(`Space-time curves due to ${force.name}`);

}

}

loadCurrentTimeline() {

print("Loading current timeline...");

for (let event of this.timeline) {

print(`Timeline Event: ${event}`);

}

}

eraseTimeline() {

print("Erasing current timeline...");

this.timeline = [];

this.age = 0;

}

replaceTimeline(desiredTimeline) {

print("Replacing with the most desired timeline...");

this.timeline = desiredTimeline;

this.age = desiredTimeline.length; // Assuming each event represents 1 billion years

for (let event of desiredTimeline) {

print(`Timeline Event: ${event}`);

}

}

}

// Initialize fundamental forces

function initializeForces() {

let forces = [];

forces.push(new Force("Gravitational", GRAVITATIONAL_CONSTANT));

forces.push(new Force("Electromagnetic", ELEMENTARY_CHARGE));

forces.push(new Force("Weak Nuclear", /* constants */));

forces.push(new Force("Strong Nuclear", /* constants */));

return forces;

}

// Define fundamental particles

function createParticles() {

let particles = [];

particles.push(new Particle("Electron", ELEMENTARY_CHARGE, 9.10938356e-31));

particles.push(new Particle("Proton", ELEMENTARY_CHARGE, 1.6726219e-27));

particles.push(new Particle("Neutron", 0, 1.674927471e-27));

// Add more particles as needed

return particles;

}

// Initialize space-time

function initializeSpaceTime(dimensions) {

let spaceTime = new SpaceTime(dimensions);

spaceTime.expand(); // Big Bang

return spaceTime;

}

// Define evolution of the universe

function evolveUniverse(spaceTime, particles, forces) {

while (spaceTime.age < 13.8) { // Age in billions of years

for (let particle of particles) {

particle.interact(forces);

}

spaceTime.expand();

spaceTime.curve(forces);

}

}

// Main function

function main() {

let forces = initializeForces();

let particles = createParticles();

let spaceTime = initializeSpaceTime(4); // 3 spatial dimensions + time

// Load the current timeline

spaceTime.loadCurrentTimeline();

// Evolve the universe to create a timeline

evolveUniverse(spaceTime, particles, forces);

// Load the evolved timeline

spaceTime.loadCurrentTimeline();

// Erase the current timeline

spaceTime.eraseTimeline();

// Define the most desired timeline

let desiredTimeline = [

"Big Bang",

"Formation of stars and galaxies",

"Emergence of life",

"Development of intelligence",

"Technological advancements",

"Interstellar exploration",

"Universal harmony"

];

// Replace with the most desired timeline

spaceTime.replaceTimeline(desiredTimeline);

}

// Execute the universe script

main();

[jsartificialgrass]

Do you know about artificial turf infill granules? https://www.jsgrass.com Artificial turf rubber particles, also known as infill, are used in artificial turf to provide cushioning, stability, and resilience to the playing surface. The price of rubber particles for artificial turf is usually quoted per kilogram or per pound. The cost can range from a few dollars to several dollars per kilogram, depending on the specific product and market conditions. Email：info@js-grass.com Whatsapp/Tel: +8613695863502