#particles js background
Explore tagged Tumblr posts
Text

Particles.js as Background
#particles js background#animated background#animation#jquery background animation#background animation#learn to code#html css#code#divinector#frontenddevelopment#css#css3#html#webdesign#particles animation#particles js
0 notes
Text

Background Animation
#background animation#learn to code#html css#codingflicks#frontend#code#css#html#css3#frontenddevelopment#plugins#particles js#javascript#animation
0 notes
Text
Explore 38 JavaScript Background Effects
Welcome to CSS Monster, where creativity meets functionality! Immerse yourself in our extensive compilation of handpicked, free vanilla JavaScript background effect code examples. Discover a diverse range of options, including dynamic changes in background color or image, captivating animations, implementations with canvas, and much more. Our February 2020 update brings you 24 new items, showcasing the latest trends and innovations in JavaScript background effects. Whether you're a seasoned developer seeking inspiration or a designer looking for ready-to-use code snippets, this collection caters to your needs. Explore the versatility of these background effects, each offering a unique way to enhance the visual appeal of your website. From subtle transitions to dynamic animations, our curated examples provide a wide spectrum of possibilities for creating engaging user experiences. Dive into our collection and elevate your web design with these JavaScript background effects. Stay tuned for more updates as we continue to expand our offerings and bring you the latest in web development trends. Happy coding! Author jen July 30, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS GRAYSCALE AMBIENT BACKGROUND Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Bruno Vieira December 1, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS BVAMBIENT - VANILLAJS BACKGROUND PARTICLES Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Cameron Knight November 8, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS CHANGE BACKGROUND COLOUR WITH GSAP SCROLLTRIGGER Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js
Author F.ala O.viara July 26, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS UNICODE PATTERNS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Toshiya Marukubo August 14, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS JAVASCRIPT CANVAS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js
Author Toshiya Marukubo July 11, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS JAVASCRIPT CANVAS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Mary Lou June 10, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS MOTION HOVER EFFECT FOR A BACKGROUND IMAGE GRID Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js
Author Toshiya Marukubo May 18, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS JAVASCRIPT CANVAS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Tadas Karpavičius May 2, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS MOTION Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Pavitra Golchha May 2, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS 1337 MATRIX Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Red April 20, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS GRID WORMS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js
Author Manan Tank March 26, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML (Pug) / CSS (Stylus) / JS HELLO MATRIX Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author ycw March 24, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML (Pug) / CSS (Less) / JS HELLO LIGHT Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Johan Karlsson March 19, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS (Babel) RANDOM CHEVRON PATTERN Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Kevin Levron February 26, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS (Babel) RANDOM, COS AND SIN Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Johan Karlsson February 25, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS (Babel) COLORFUL CIRCLES Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Johan Karlsson February 25, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS (Babel) COLORFUL SQUARES Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js
Author Johan Karlsson February 21, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS (Babel) ORANGE SQUARES Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Paul Neave February 19, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS WOBBLE Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Strahinja Babić February 19, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS BACKGROUND SHAPE CHANGE Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Ben Matthews February 7, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS TRUCHET LATTICE Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Fabio Ottaviani January 4, 2020 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS (Babel) FLOW FIELD N.2 Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Simon Goellner December 8, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS OBLIGATORY FALLING SNOW Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Alfons Nilsson November 22, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS METABALLS - WEBGL Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Chris Smith October 17, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS FILL BACKGROUNDS WITH ANIMATION Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Scott Weaver September 21, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS TRIPLE "A" WALLPAPERS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Michal March 15, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS FIREFLIES Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Michael Burridge February 19, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS / JS BACKGROUND TEXTURE ACROSS SEVERAL DIVS Compatible browsers: Chrome, Edge, Firefox, Opera, Safari Responsive: yes Dependencies: easeljs.js, tweenmax.js Author Hakim El Hattab February 5, 2019 Just Get The Demo Link How To Download - Article How To Download - Video Author HTML / CSS (SCSS) / JS (Babel) Read the full article
0 notes
Text
Pixel, Pixel, Pixel’s, Cant You See, Why You Just Need To Work For Me!
Hi my name is Terence Stephens from Bronx NY, and I am a software engineering student at The Flatiron coding school. This is my first of many blog post on my journey, my ups and downs, what I’ve learned and most importantly the fun I’m having. Currently I’m doing a team project and it is coming out Amazing. Two seconds into planning our project we had 1645283 ideas and the motivation was through the roof. We picked a video game project and I love video games so you can only imagine how far I’m willing to go to make this perfect.
When I realized I might be out of my league, and I have so much more too learn.
I wanted a really good animated background that was video game like and for any of that to happen I had todo a little work with CSS particles and Pixels.
What is a pixel animation?
“Pixel art is a form of digital art, created through the use of software, where” images are edited on the pixel level. The aesthetic for this kind of graphics comes from 8-bit and 16-bit computers and video game consoles, in addition to other limited systems such as graphing calculators. In most pixel art, the color palette used is extremely limited in size, with some pixel art using only two colors. “.
How does particle JS work?
Particles.JS
“is a lightweight JavaScript library used for creating particles which looks likes the vertices of polygon. We can also interact by hovering over the particles and create more particles by clicking on particles.”
So I started my project and all my ideas started to fall one at a time .
some examples:
Found these pixels and knew I NEEDED them but this was not something I could just copy and paste.
THE CODE
FINDING OUT THE HARD WAY:
I got them to show but this was the problem, they would stay at the bottom of the page.
Trying with the best knowledge I have with CSS/JAVA I just could not get it to position correctly.
I DELETED EVERYTHING!!!!!
Forgetting about positioning made me waste so many hours but there was light at the tunnel with the help from my team.
Resources that helped me:
https://datacadamia.com/web/css/pixel
https://www.w3schools.com/w3css/w3css_examples.asp
https://www.w3schools.com/css/css_positioning.asp
Github Particle.js demo
https://vincentgarreau.com/particles.js/
2 notes
·
View notes
Text
3JS Final Code
<!DOCTYPE html> <html> <head> <meta charset="utf-8"> <style> body { background-color: #ffffff; margin: 0; overflow: hidden; } audio{ position: absolute; } </style> <title>Lonely Orbit</title> <!-- <link rel="icon" type="image/png" href="/Images/Icon.png"/> --> </head> <body> <!-- audio trigger --> <audio controls loop style="margin-top: 10px;"> <source src="music/scott-buckley-signal-to-noise.ogg" type="audio/ogg"> <source src="music/scott-buckley-signal-to-noise.mp3" type="audio/mpeg"> Your browser does not support the audio element. </audio> <p style="position: absolute; background-color: white; border-radius: 10px; margin-top: 70px; padding: 10px;"> Signal To Noise by Scott Buckley | https://soundcloud.com/scottbuckley <br> Music promoted by https://www.free-stock-music.com <br> Attribution 4.0 International (CC BY 4.0) <br> https://creativecommons.org/licenses/by/4.0/ </p>
<script src="js/three.js"></script> <!-- connect to three.js -->
<script> //Audio hide by clicking on page window.addEventListener('load', (event) => { console.log('page is fully loaded'); let controls = document.querySelector('audio'); let body = document.querySelector('body'); body.addEventListener('click', function hideMe(){ console.log("test"); controls.style.display = "none"; }); }); //Text about music hide by clicking on page - needed so I can use the music window.addEventListener('load', (event) => { console.log('page is fully loaded'); let controls = document.querySelector('p'); let body = document.querySelector('body'); body.addEventListener('click', function hideMe(){ console.log("test"); controls.style.display = "none"; }); }); var camera, scene, renderer; var geometry, material, mesh;
function setup() {
var W = window.innerWidth, H = window.innerHeight; renderer = new THREE.WebGLRenderer(); renderer.setSize( W, H ); document.body.appendChild( renderer.domElement );
camera = new THREE.PerspectiveCamera( 50, W/H, 1, 10000 ); camera.position.z = 500;
scene = new THREE.Scene(); // paste your code from the geometryGUI here //Main sphere that floats in place geometry = new THREE.SphereGeometry(100, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 1}); meshMain = new THREE.Mesh(geometry, material); meshMain.position.y = 200; meshMain.castShadow = true; scene.add(meshMain); //reflection of main sphere - note position Y geometry = new THREE.SphereGeometry(100, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 1}); meshMainD = new THREE.Mesh(geometry, material); meshMainD.position.y = -200; meshMainD.castShadow = true; scene.add(meshMainD); //all other sphares floating arround plus their reflections geometry = new THREE.SphereGeometry(50, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh = new THREE.Mesh(geometry, material); mesh.position.y = 200; mesh.castShadow = true; scene.add(mesh); geometry = new THREE.SphereGeometry(50, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); meshD = new THREE.Mesh(geometry, material); meshD.position.y = -200; meshD.castShadow = true; scene.add(meshD); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh2 = new THREE.Mesh(geometry, material); mesh2.position.y = 200; mesh2.castShadow = true; scene.add(mesh2); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh2D = new THREE.Mesh(geometry, material); mesh2D.position.y = -200; mesh2D.castShadow = true; scene.add(mesh2D); geometry = new THREE.SphereGeometry(40, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh3 = new THREE.Mesh(geometry, material); mesh3.position.y = 200; mesh3.castShadow = true; scene.add(mesh3); geometry = new THREE.SphereGeometry(40, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh3D = new THREE.Mesh(geometry, material); mesh3D.position.y = -200; mesh3D.castShadow = true; scene.add(mesh3D); geometry = new THREE.SphereGeometry(60, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.8}); mesh4 = new THREE.Mesh(geometry, material); mesh4.position.y = 200; mesh4.castShadow = true; scene.add(mesh4); geometry = new THREE.SphereGeometry(60, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh4D = new THREE.Mesh(geometry, material); mesh4D.position.y = -200; mesh4D.castShadow = true; scene.add(mesh4D); geometry = new THREE.SphereGeometry(20, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh5 = new THREE.Mesh(geometry, material); mesh5.position.y = 200; mesh5.castShadow = true; scene.add(mesh5); geometry = new THREE.SphereGeometry(20, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh5D = new THREE.Mesh(geometry, material); mesh5D.position.y = -200; mesh5D.castShadow = true; scene.add(mesh5D); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.8}); mesh6 = new THREE.Mesh(geometry, material); mesh6 .position.y = 200; mesh6.castShadow = true; scene.add(mesh6); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh6D = new THREE.Mesh(geometry, material); mesh6D .position.y = -200; mesh6D.castShadow = true; scene.add(mesh6D); geometry = new THREE.SphereGeometry(20, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh7 = new THREE.Mesh(geometry, material); mesh7.position.y = 200; mesh7.castShadow = true; scene.add(mesh7); geometry = new THREE.SphereGeometry(20, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x211c6b, transparent: true, opacity: 0.5}); mesh7D = new THREE.Mesh(geometry, material); mesh7D.position.y = -200; mesh7D.castShadow = true; scene.add(mesh7D); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh8 = new THREE.Mesh(geometry, material); mesh8.position.y = 200; mesh8.castShadow = true; scene.add(mesh8); geometry = new THREE.SphereGeometry(30, 100, 100); material = new THREE.MeshLambertMaterial({shading: THREE.FlatShading, color: 0x411c6b, transparent: true, opacity: 0.5}); mesh8D = new THREE.Mesh(geometry, material); mesh8D.position.y = -200; mesh8D.castShadow = true; scene.add(mesh8D);
//plane that creates reflection effect - note opacity under pmaterial pgeometry = new THREE.PlaneGeometry( 1000, 1000, 20, 20 ); map = THREE.ImageUtils.loadTexture('texturez/white.jpeg'); //Need to get this texture working for spotlights to work on plane pmaterial = new THREE.MeshPhongMaterial({ map: map , transparent: true, opacity: 0.8}); map.wrapS = map.wrapT = THREE.RepeatWrapping; map.repeat.set( 160, 160 ); plane = new THREE.Mesh( pgeometry, pmaterial ); plane.rotation.x = - Math.PI / 2; plane.receiveShadow = true; plane.scale.set( 30, 30, 30 ); scene.add( plane );
//Lighting to set atmosphere bg = document.body.style; bg.background = '#0f0722';
renderer.shadowMapEnabled = false;
scene.fog = new THREE.Fog( 0x170d2f, 1, 3309.3 );ambientLight = new THREE.AmbientLight( 0x000025 ); scene.add( ambientLight );
hemisphereLight = new THREE.HemisphereLight(0xf7c3ff, 0x000000, 0.22); scene.add( hemisphereLight );
directionalLight = new THREE.DirectionalLight(0xde48ff, 0.15); directionalLight.position.set( 0.46, 1, 0 ); directionalLight.castShadow = false; scene.add( directionalLight );
spotLight1 = new THREE.SpotLight( 0xff75ff, 0.66 ); spotLight1.position.set( 100, 1000, 100 ); spotLight1.castShadow = false; spotLight1.shadowDarkness = 0.2; scene.add( spotLight1 );
spotLight2 = new THREE.SpotLight( 0xb752ff, 0.55 ); spotLight2.position.set( 100, 1000, 100 ); spotLight2.castShadow = false; spotLight2.shadowDarkness = 0.2; scene.add( spotLight2 ); //Star particles geometry = new THREE.Geometry(); for ( i = 0; i < 5000; i ++ ) { var vertex = new THREE.Vector3(); vertex.x = 3000 * Math.random() - 1000; vertex.y = 3000 * Math.random() - 1000; vertex.z = 3000 * Math.random() - 1000; geometry.vertices.push( vertex ); } material = new THREE.ParticleBasicMaterial( { size: 5, sizeAttenuation: false, transparent: true, opacity: 0.5 } ); material.color.setHex( 0xffffff ); particles = new THREE.ParticleSystem( geometry, material ); particles.sortParticles = true; scene.add( particles );
}
function draw() {
requestAnimationFrame( draw ); // experiment with code from the snippets menu here camera.position.y = 100; camera.position.z = 1000; meshMain.position.y = Math.sin( Date.now() * 0.002 ) * 10 + 200; meshMainD.position.y = Math.sin( Date.now() * 0.002 ) * -10 - 200; mesh.position.x = Math.sin( Date.now() * 0.0002 ) * 500; mesh.position.z = Math.sin( Date.now() * 0.0004 ) * 400; meshD.position.x = Math.sin( Date.now() * 0.0002 ) * 500; meshD.position.z = Math.sin( Date.now() * 0.0004 ) * 400; mesh2.position.x = Math.sin( Date.now() * 0.0001 ) * 500; mesh2.position.z = Math.sin( Date.now() * 0.0002 ) * 400; mesh2D.position.x = Math.sin( Date.now() * 0.0001 ) * 500; mesh2D.position.z = Math.sin( Date.now() * 0.0002 ) * 400; mesh3.position.x = Math.sin( Date.now() * 0.0001 ) * 400; mesh3.position.z = Math.sin( Date.now() * 0.0001 ) * 300; mesh3D.position.x = Math.sin( Date.now() * 0.0001 ) * 400; mesh3D.position.z = Math.sin( Date.now() * 0.0001 ) * 300; mesh4.position.x = Math.sin( Date.now() * 0.0002 ) * 500; mesh4.position.z = Math.sin( Date.now() * 0.0004 ) * 600; mesh4D.position.x = Math.sin( Date.now() * 0.0002 ) * 500; mesh4D.position.z = Math.sin( Date.now() * 0.0004 ) * 600; mesh5.position.x = Math.sin( Date.now() * 0.0003 ) * 300; mesh5.position.z = Math.sin( Date.now() * 0.0001 ) * 400; mesh5D.position.x = Math.sin( Date.now() * 0.0003 ) * 300; mesh5D.position.z = Math.sin( Date.now() * 0.0001 ) * 400; mesh6.position.x = Math.sin( Date.now() * 0.0003 ) * 600; mesh6.position.z = Math.sin( Date.now() * 0.0002 ) * 500; mesh6D.position.x = Math.sin( Date.now() * 0.0003 ) * 600; mesh6D.position.z = Math.sin( Date.now() * 0.0002 ) * 500; mesh7.position.x = Math.sin( Date.now() * 0.0003 ) * 400; mesh7.position.z = Math.sin( Date.now() * 0.0001 ) * 600; mesh7D.position.x = Math.sin( Date.now() * 0.0003 ) * 400; mesh7D.position.z = Math.sin( Date.now() * 0.0001 ) * 600; mesh8.position.x = Math.sin( Date.now() * 0.0003 ) * 600; mesh8.position.z = Math.sin( Date.now() * 0.0002 ) * 400; mesh8D.position.x = Math.sin( Date.now() * 0.0003 ) * 600; mesh8D.position.z = Math.sin( Date.now() * 0.0002 ) * 400; particles.rotation.y = Date.now() * 0.00005; spotLight1.rotation.y = Date.now() * 0.00005; spotLight2.rotation.y = Date.now() * 0.00005; directionalLight.rotation.y = Date.now() * 0.00005; hemisphereLight.rotation.y = Date.now() * 0.00005; //mesh.position.x = Date.now() * 0.0003; //mesh.position.z = Date.now() * 0.0003;
renderer.render( scene, camera );
}
setup(); draw();
</script> </body> </html>
0 notes
Photo

Aurora over Sweden : It was bright and green and stretched across the sky. This striking aurora display was captured last month just outside of stersund, Sweden. Six photographic fields were merged to create the featured panorama spanning almost 180 degrees. Particularly striking aspects of this aurora include its sweeping arc-like shape and its stark definition. Lake Storsjn is seen in the foreground, while several familiar constellations and the star Polaris are visible through the aurora, far in the background. Coincidently, the aurora appears to avoid the Moon visible on the lower left. The aurora appeared a day after a large hole opened in the Suns corona allowing particularly energetic particles to flow out into the Solar System. The green color of the aurora is caused by oxygen atoms recombining with ambient electrons high in the Earths atmosphere. via NASA
js
1K notes
·
View notes
Text
Aliens, Clowns & Geeks Review: Sci-Fi Comedy Aims Low And Scores High
https://ift.tt/eA8V8J
No one sets out to make a cult movie. Most filmmakers aspire to commercial heights even if they only have the budgets for a B-movie. They see films like Blair Witch realign box office accounting and apply all kinds of quantum physics to mimic the exponential multiplication. Very few achieve it, and the ones which do usually do it by accident, and certainly not with serious intent. Aliens, Clowns & Geeks is not afraid to be ridiculous. It joins the ranks as such brave films as Attack of the Killer Tomatoes, Killer Klowns From Outer Space, and Frankenhooker.
It is also so much more than these films, dripping with artistry, and yet considerably less, with masturbating aliens, pussy ping pong, and sphincter-pinching obelisks. Richard Elfman’s sci-fi comedy has an abundance of experimental fun and a happily reckless disregard for taste. It owes as much to Frank Zappa as it does to Frank Capra, and can in some ways be seen as a screwball comedy take on the 1955 film noir classic Kiss Me Deadly. For a silly film, Aliens, Clowns & Geeks summons serious plot twists. It captures the casual surrealism of the Marx Brothers in hyper-speed.
Though it’s not on the level as Forbidden Zone, how could it be? Elfman’s 1980 cult classic ranks way past closing time on the clock of midnight movies. Aliens, Clowns & Geeks is still completely original. Unlike other films where low budget hobbles creativity, this uses a lack of funds to its advantage. In some ways this is like Tim Burton’s Mars Attacks!, except done on one-thousandth of the budget and with 1/100th of the stars. Aliens, Clowns & Geeks marks the final feature film role for the late Verne Troyer (Austin Powers: The Spy Who Shagged Me, Goldmember, Harry Potter and the Sorcerer’s Stone). His Clown Emperor Beezel-Chugg is a memorable turn. Narcissistic, lethal, and commanding, he is the Emperor of the Nine Planet Federation, and still gets hauled in for Illegal dwarf tossing.
The little clown who gets tossed around is played by Nic Novicki, but don’t feel too bad for him, he takes dirty pictures of nuns in porta-potties in his spare time. George Wendt plays a priest who condemns him to eternal damnation for it. French Stewart (Stargate, 3rd Rock from the Sun) gets the Fickle Finger of Fate Award for being able to maintain an Arte Johnson impression throughout a whole film as the German scientist Professor von Scheisenberg.
Mimicry is only one extra talent the actors bring into their roles. Rebecca Forsythe contorts her voice and face excruciatingly and exquisitely as Swedish lab assistant Helga. She’s studied quantum, subquantum and super-quantum dynamics, and delivers one of the greatest pickup lines in cinema history: “you would be surprised at how incorrect the calculations of many rocket scientists can be.” Her body proves to be equally supple whether during head-banging sex or in one-on-one martial arts combat.
No one quite makes the faces or shrieks the screams quite like Bodhi Elfman, who plays the lead, a jaded actor named Eddy Pine. Bohdi, the actor playing the actor, is a cartoon character masquerading as a person. His cynical Steve Buscemi-esque delivery grounds him even as the only missed opportunity in the film is a Looney Tunes sight gag where hens lay so many eggs they rise to the roof of Porky Pig’s barn.
Happily, the camera turns away when the obelisk is introduced to the film. Whether it is just a worthless novelty or the key to the universe, Eddy’s anus is “the chosen portal.” The Chinese military wants the obelisk, there’s an intergalactic battle between alien clowns and green Martians over it, and Dr. von Scheisenberg wants to melt it down for clean energy. About a foot long, and looking like the Washington Monument with squiggly sub-particle lettering, it is also known as the jamtoid key, and is worth more than a three-picture deal, but “money won’t mean nothing if the world explodes.”
Elfman, who also directed Shrunken Heads, and Modern Vampires, has a background in theater, and uses troupe mentality by casting actors in multiple roles. Anastasia Elfman brings the fire of a true believer to five characters. Helga’s sister Inga is played by Angeline-Rose Troy, who also plays Eddy’s junkie-whore mother. The noises she makes in one particular chase scene is so alien and unexpected, it brings the whole movie to another level. Steve Agee plays Eddy’s recently transitioned Burlesque dancer and bar-owning sister Jumbo, as well as the chicken-suit wearing Eddy Pine. Richard Elfman plays the clown Da-Beep. Martin Klebba is an angry clown captain.
The final character is the original soundtrack, which upstages the action in the best of ways. Aliens, Clowns & Geeks could be called a musical, but not in the same way The Rocky Horror Picture Show is, even if there is gender fluidity flowing through it. For the film, Elfman reunited with the Mystic Knights of the Oingo Boingo, who starred in Forbidden Zone. The score was written by Danny Elfman and Ego Plum. Danny Elfman wrote the theme song to The Simpsons, the music to Nightmare Before Christmas, and did the singing voice of Jack Skellington. Plum is best known for the noises he made for SpongeBob SquarePants and The Ghastly Love of Johnny X, but also plays in the band Mambo Demonico. Consisting of 75 minutes in a ninety-minute movie, the music makes the film unique. The diverse mix of genres makes the movie feel like live performance.
Aliens, Clowns & Geeks is laid out in the three-act story structure of classic comedies. It is zany, evoking the feel that logic has been usurped by the most unreasonable intrusions. The film opens on the road. The first victim is a large biker clown who is mind controlled to be some kind of monosyllabic Terminator-style obelisk retrieval machine. Eddy is taking his sorrows for a swim in the deep end of a dive bar. His network series, “Cry Me Dry,” was cancelled a day before it was set to air. Their first encounter is inadvertently suspenseful, as the clueless Eddie chalks up a seemingly random request to another day in Hollywood.
The movie then takes on a science fiction turn while keeping to an LA Noir sensibility, albeit with frenetic sexcapades (“May you procreate and spread your clown seed wide”), campy caricatures, vampy vehicular battles, and trampy throughlines. Masturbating aliens remotely manipulate blond femme fatales with X-box controllers, making the conquest of earth look like a video game. This highlights the depersonalization of battle, intergalactic or terrestrial. This very human alienation is further accentuated every time the green aliens have to get approval from corporate. There are impossibly surreal scenarios, like a ménage à trois scene where Eddy’s on the bottom and the POV shows the two girls on top. The scene ends in a nuclear explosion, topping the fireworks display of the first climax of Deep Throat. There is a head exploding scene which is more over-the-top than Scanners.
As comedy, each of the set ups have great payoffs, and the running gags never trip up, even if Eddy slips into Shakespearean soliloquies before exiting, stage left. Elfman mocks Hollywood itself, pointing out that the Beverly Hills Police Department only takes calls from celebrities while actors kiss ass on Hollywood Boulevard all day. The film even throws in visual sight gags, like a bucket of brains which is kept in a joint compound container labeled “head stuff.” One character is reading a book called “The Strawberry Fields of Heaven by Blossom Elfman.”
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Aliens, Clowns & Geeks makes no apologies. You just have to go with it. Groucho Marx once advised if nothing else is getting a laugh, “drop your pants.” This turns out to be the greatest weapon of the movie. It saves the day as much as it lowers the bar. It is worshipfully irreverent, and politically incorrect. There is no shame nor the slightest consideration given to cancel culture. “Life is complicated, take if from the guy with a dick in a dress,” we are advised in the film. Even insane biker clowns may not be what they seem. Aliens, Clowns & Geeks is silly, goofy, stupidly intelligent, and absolutely what a mad scientist would order.
Aliens, Clowns & Geeks will be opening in a drive-in run, double billed with Forbidden Zone: Director’s Cut. Details will be announced.
Subscribe to Den of Geek magazine for FREE right here!
(function() { var qs,js,q,s,d=document, gi=d.getElementById, ce=d.createElement, gt=d.getElementsByTagName, id="typef_orm", b="https://embed.typeform.com/"; if(!gi.call(d,id)) { js=ce.call(d,"script"); js.id=id; js.src=b+"embed.js"; q=gt.call(d,"script")[0]; q.parentNode.insertBefore(js,q) } })()
The post Aliens, Clowns & Geeks Review: Sci-Fi Comedy Aims Low And Scores High appeared first on Den of Geek.
from Den of Geek https://ift.tt/3pb5Yi2
0 notes
Photo

A way to look up JavaScript operators
#514 — November 13, 2020
Unsubscribe | Read on the Web
JavaScript Weekly

10 Insights From Adopting TypeScript At Scale — A fantastic writeup (from a TC39 member, no less) of how Bloomberg (the financial media company) adopted TypeScript and now has 2,000 full-time JavaScript engineers. Curiously we also learn that Bloomberg also have their own JavaScript runtime built around the V8 engine.
Rob Palmer (TC39 and Bloomberg)
A Way to Look Up JavaScript Operators — Quick, name as many operators as you can! Got to about ten or so? This site covers about fifty with a quick explanation of each (well, except the bitwise ones).
Josh W Comeau
The Most Complete Spreadsheet Solution for JavaScript Apps — New Release: Fast enterprise JavaScript spreadsheet for delivering true spreadsheet experiences. Learn more about SpreadJS v14 including native Excel I/O, Calc Engine with 450+ functions and more. Download a free trial or view the online demos.
SpreadJS by GrapeCity, Inc. sponsor
Angular 11 Released — Are you one of the allegedly 1.7 million developers using Angular? Maybe experimental webpack 5 support, faster builds, improved hot module replacement support, and automatic inlining of fonts can tempt you onto the latest version.
Mark Techson (Google)
Babylon.js 4.2 Released: Powerful 3D Rendering Engine — Babylon.js is a particularly powerful 3D rendering engine aimed at artists, game developers, and anyone with 3D ideas to explore. New to 4.2 is a new particle editor, sprite editor, texture inspector, and more. See the playground if you want a quick play.
Babylon.js
'No More Free Work from Marak' — The creator of faker.js (a library for creating dummy data) pushing back against supporting businesses for free with his open source work has become a cause célèbre in the past week. “Pay me or fork this,” he says. Whatever your take, the topic of work vs reward in open source will remain both important and divisive.
Marak X
⚡️ Quick bytes:
We've not had time to go through them yet, but VueConf Toronto has released a lot of talk videos from their recent online conference.
Replay is a React-inspired JavaScript game engine and they're having a game jam starting today and running for a week.
Windows user? The Windows Terminal Preview 1.5 release may interest you.
The TypeScript team have written up some notes on TypeScript's release process.
📚 Tutorials, Opinions and Stories
Rethinking the JavaScript Pipeline Operator — Dan concludes “I hope that TC39 decides to reject this proposal” but it’s interesting to see how he reaches that conclusion.
Dan Shappir
Understanding Modules and import and export Statements — Modular programming demands, well, modules, and JavaScript now has built-in support for these and here’s the basics of their operation.
Tania Rascia
Is Your JavaScript Testing Stack Holding You Back? — Learn how to boost your productivity with the ultimate development workflow.
Wallaby.js sponsor
Things I Don’t Like About Vue.js (as a React Engineer) — Well, we love Vue, but to be fair to Harry, he did write What Vue.js Does Better Than React recently too ;-)
Harry Wolff
Back to Basics: Event Delegation — Events don’t just occur on the element you apply them to. Instead they go all the way down the DOM tree to the event and back up again. Christian demonstrates where this can help you out.
Christian Heilmann
How to Detect When a Sticky Element Gets Pinned — …thanks to the IntersectionObserver API.
David Walsh
Live Workshop: Getting Started with OpenTelemetry in Node.js
Lightstep sponsor
▶ How to Recreate Tic Tac Toe with HTML, CSS, and JavaScript James Q Quick
You're Probably Not Using Promise.All Enough Sam Jarman
How to Create a Commenting Engine with Next.js and Sanity Bryan Robinson
▶ My VS Code Setup: Must Have Configurations and Shortcuts James Q Quick
🛠 Code & Tools

Mermaid: Markdown-'ish' Syntax for Generating Flowcharts, Sequence Diagrams, and More — Being able to ‘draw’ diagrams in a structured, text-based and have them render into something presentable is pretty appealing.
Knut Sveidqvist
jsdiff: A JavaScript Text Diffing Implementation — Can compare strings for differences in various ways including creating patches for the changes. The library is quite mature but just reached version 5.0. There’s an online demo too.
Kevin Decker
core-js 3.7.0: A Modular Standard Library and Polyfills for JS — A popular collection of polyfills covering ECMAScript features up to ES2021 level. The project has had some interesting problems recently, but releases are now flowing again.
Denis Pushkarev
CodeFix - Automatically Clean Up Technical Debt
CodeFix sponsor
React Frontload 2.0: Simple Full-Stack Data Loading for React — Do full stack data loading and state management inline in React components by writing a data loader in your component (with a hook) and it ‘just works’ with SSR and in the browser.
David Nicholas Williams
Running Vue.js in a Web Worker? — A promising prototype of running Vue.js in a Web Worker so that work is offloaded to a background thread with updates being sent back to the main thread asynchronously.
Jerzy Głowacki
Dexie.js: A Minimalistic IndexedDB Wrapper — IndexedDB is a widely supported browser API for data storage and Dexie aims to make it simpler to use (and will offer an approach for server syncing too.)
David Fahlander
Microsoft Edge Tools for VS Code — Use the Microsoft Edge Tools from within VS Code to see your site’s runtime HTML structure, alter its layout, fix styling issues as well as see your site’s network requests.
Visual Studio Marketplace
ShareDB 1.5: Realtime Database Backend Based on Operational Transformation — For when you need real time synchronization of JSON documents (such as for behind a real time collaboration app).
ShareJS
💻 Jobs
Senior / Intermediate Full Stack Developers (Sydney or Brisbane) — A SaaS business with phenomenal growth. True flexible working. You’ll have 5+ years in JavaScript / TypeScript, as well as production experience with AWS/Serverless.
Compono
JavaScript Developer at X-Team (Remote) — Join the most energizing community for developers and work on projects for Riot Games, FOX, Sony, Coinbase, and more.
X-Team
Find Your Next Job Through Vettery — Create a profile on Vettery to connect with hiring managers at startups and Fortune 500 companies. It's free for job-seekers.
Vettery
👀 A Correction
The File System Access API: Simplifying Access to Local Files — Several issues ago we mistakenly referred to this API’s spec as an ‘open standard’ when it's just a spec. It's Chrome only (for now), not a W3C standard, though it remains an interesting idea. (Thanks to reader Šime Vidas for noting our mistake and noting that the path from the WICG to a W3C standard is a long one indeed!)
Pete LePage and Thomas Steiner
by via JavaScript Weekly https://ift.tt/2IzXSPs
0 notes
Photo

Novo artigo foi publicado no https://juliocesar.pro.br/site/?p=297
Tomates: Conheça os tipos e usos na culinária
Saladas ou molhos? Veja quais os tipos de tomate para cada preparo! Essencial na casa das famílias italianas e adorado pelos brasileiros, o tomate está quase sempre presente nas nossas refeições. Ele pode ser consumido em saladas, recheios, em forma de molhos ou condimentos, como o tradicional catchup e, até mesmo, virar suco! Além de […]o posto sobre tomates apareceu primeiro no Guia da Cozinha.
Saladas ou molhos? Veja quais os tipos de tomate para cada preparo!
Essencial na casa das famílias italianas e adorado pelos brasileiros, o tomate está quase sempre presente nas nossas refeições. Ele pode ser consumido em saladas, recheios, em forma de molhos ou condimentos, como o tradicional catchup e, até mesmo, virar suco! Além de ser versátil, essa fruta também é rica em diversos nutrientes.
Quem consome regularmente o tomate está ingerindo boas doses de licopeno, um poderoso antioxidante. Ele ainda previne o câncer, ajuda a fortalecer os ossos, já que possui vitamina K, colabora para a saúde da pele e dos olhos com as vitaminas A, B e C e muito mais!
Bom, agora que já sabe dos benefícios, é hora de aprender um pouco mais sobre os tipos de tomate que estão disponíveis no mercado. Assim, você vai deixar o preparo das suas receitas ainda mais saboroso e prático. Confira!
div#n2-ss-5width:1200px;div#n2-ss-5 .n2-ss-slider-1position:relative;div#n2-ss-5 .n2-ss-slider-background-video-containerposition:absolute;left:0;top:0;width:100%;height:100%;overflow:hidden;div#n2-ss-5 .n2-ss-slider-2position:relative;overflow:hidden;padding:0px 0px 0px 0px;height:600px;border:0px solid RGBA(62,62,62,1);border-radius:0px;background-clip:padding-box;background-repeat:repeat;background-position:50% 50%;background-size:cover;background-attachment:scroll;z-index:1;div#n2-ss-5.n2-ss-mobileLandscape .n2-ss-slider-2,div#n2-ss-5.n2-ss-mobilePortrait .n2-ss-slider-2background-attachment:scroll;div#n2-ss-5 .n2-ss-slider-3position:relative;width:100%;height:100%;overflow:hidden;outline:1px solid rgba(0,0,0,0);z-index:10;div#n2-ss-5 .n2-ss-slide-backgrounds,div#n2-ss-5 .n2-ss-slider-3 > .n-particles-js-canvas-el,div#n2-ss-5 .n2-ss-slider-3 > .n2-ss-dividerposition:absolute;left:0;top:0;width:100%;height:100%;div#n2-ss-5 .n2-ss-slide-backgroundsz-index:10;div#n2-ss-5 .n2-ss-slider-3 > .n-particles-js-canvas-elz-index:12;div#n2-ss-5 .n2-ss-slide-backgrounds > *overflow:hidden;div#n2-ss-5 .n2-ss-slideposition:absolute;top:0;left:0;width:100%;height:100%;z-index:20;display:block;-webkit-backface-visibility:hidden;div#n2-ss-5 .n2-ss-layers-containerposition:relative;width:1200px;height:600px;div#n2-ss-5 .n2-ss-parallax-clip > .n2-ss-layers-containerposition:absolute;right:0;div#n2-ss-5 .n2-ss-slideperspective:1000px;div#n2-ss-5[data-ie] .n2-ss-slideperspective:none;transform:perspective(1000px);div#n2-ss-5 .n2-ss-slide-activez-index:21;div#n2-ss-5 .nextend-arrowcursor:pointer;overflow:hidden;line-height:0 !important;z-index:18;div#n2-ss-5 .nextend-arrow imgposition:relative;min-height:0;min-width:0;vertical-align:top;width:auto;height:auto;max-width:100%;max-height:100%;display:inline;div#n2-ss-5 .nextend-arrow img.n2-arrow-hover-imgdisplay:none;div#n2-ss-5 .nextend-arrow:HOVER img.n2-arrow-hover-imgdisplay:inline;div#n2-ss-5 .nextend-arrow:HOVER img.n2-arrow-normal-imgdisplay:none;div#n2-ss-5 .nextend-arrow-animatedoverflow:hidden;div#n2-ss-5 .nextend-arrow-animated > divposition:relative;div#n2-ss-5 .nextend-arrow-animated .n2-activeposition:absolute;div#n2-ss-5 .nextend-arrow-animated-fadetransition:background 0.3s, opacity 0.4s;div#n2-ss-5 .nextend-arrow-animated-horizontal > divtransition:all 0.4s;left:0;div#n2-ss-5 .nextend-arrow-animated-horizontal .n2-activetop:0;div#n2-ss-5 .nextend-arrow-previous.nextend-arrow-animated-horizontal:HOVER > div,div#n2-ss-5 .nextend-arrow-previous.nextend-arrow-animated-horizontal:FOCUS > div,div#n2-ss-5 .nextend-arrow-next.nextend-arrow-animated-horizontal .n2-activeleft:-100%;div#n2-ss-5 .nextend-arrow-previous.nextend-arrow-animated-horizontal .n2-active,div#n2-ss-5 .nextend-arrow-next.nextend-arrow-animated-horizontal:HOVER > div,div#n2-ss-5 .nextend-arrow-next.nextend-arrow-animated-horizontal:FOCUS > divleft:100%;div#n2-ss-5 .nextend-arrow.nextend-arrow-animated-horizontal:HOVER .n2-active,div#n2-ss-5 .nextend-arrow.nextend-arrow-animated-horizontal:FOCUS .n2-activeleft:0;div#n2-ss-5 .nextend-arrow-animated-vertical > divtransition:all 0.4s;top:0;div#n2-ss-5 .nextend-arrow-animated-vertical .n2-activeleft:0;div#n2-ss-5 .nextend-arrow-animated-vertical .n2-activetop:-100%;div#n2-ss-5 .nextend-arrow-animated-vertical:HOVER > div,div#n2-ss-5 .nextend-arrow-animated-vertical:FOCUS > divtop:100%;div#n2-ss-5 .nextend-arrow-animated-vertical:HOVER .n2-active,div#n2-ss-5 .nextend-arrow-animated-vertical:FOCUS .n2-activetop:0;div#n2-ss-5 .n2-ss-control-bulletvisibility:hidden;text-align:center;justify-content:center;z-index:14;div#n2-ss-5 .n2-ss-control-bullet--calculate-sizeleft:0 !important;div#n2-ss-5 .n2-ss-control-bullet-horizontal.n2-ss-control-bullet-fullsizewidth:100%;div#n2-ss-5 .n2-ss-control-bullet-vertical.n2-ss-control-bullet-fullsizeheight:100%;flex-flow:column;div#n2-ss-5 .nextend-bullet-bardisplay:inline-flex;visibility:visible;align-items:center;flex-wrap:wrap;div#n2-ss-5 .n2-bar-justify-content-leftjustify-content:flex-start;div#n2-ss-5 .n2-bar-justify-content-centerjustify-content:center;div#n2-ss-5 .n2-bar-justify-content-rightjustify-content:flex-end;div#n2-ss-5 .n2-ss-control-bullet-vertical > .nextend-bullet-barflex-flow:column;div#n2-ss-5 .n2-ss-control-bullet-fullsize > .nextend-bullet-bardisplay:flex;div#n2-ss-5 .n2-ss-control-bullet-horizontal.n2-ss-control-bullet-fullsize > .nextend-bullet-barflex:1 1 auto;div#n2-ss-5 .n2-ss-control-bullet-vertical.n2-ss-control-bullet-fullsize > .nextend-bullet-barheight:100%;div#n2-ss-5 .nextend-bullet-bar .n2-bulletcursor:pointer;transition:background-color 0.4s;div#n2-ss-5 .nextend-bullet-bar .n2-bullet.n2-activecursor:default;div#n2-ss-5 div.n2-ss-bullet-thumbnail-containerposition:absolute;opacity:0;z-index:10000000;div#n2-ss-5 .n2-ss-bullet-thumbnail-container .n2-ss-bullet-thumbnailbackground-size:cover;background-repeat:no-repeat;background-position:center;div#n2-ss-5 .n-uc-141f65a7267db-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n2-font-dcfc2638b6adfc1ba040a25d8a01d844-hoverfont-family: 'Montserrat','Arial';color: #111111;font-size:162.5%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 600;div#n2-ss-5 .n2-font-0ed261e468b0c5ba56ab1ad93d3ece48-paragraphfont-family: 'Open Sans','Arial';color: #767676;font-size:100%;text-shadow: none;line-height: 1.8;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: normal;div#n2-ss-5 .n2-font-0ed261e468b0c5ba56ab1ad93d3ece48-paragraph a, div#n2-ss-5 .n2-font-0ed261e468b0c5ba56ab1ad93d3ece48-paragraph a:FOCUSfont-family: 'Open Sans','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.8;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: normal;div#n2-ss-5 .n2-font-0ed261e468b0c5ba56ab1ad93d3ece48-paragraph a:HOVER, div#n2-ss-5 .n2-font-0ed261e468b0c5ba56ab1ad93d3ece48-paragraph a:ACTIVEfont-family: 'Open Sans','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.8;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: normal;div#n2-ss-5 .n-uc-1943b787f09dc-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n-uc-16d539a868e5c-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n-uc-KWvZZjOjTqsq-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n-uc-9kIldnL9Yrsi-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n-uc-H2dmEljvkFrk-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n-uc-tgVsDuBBtWXI-innertransition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);div#n2-ss-5 .n2-style-c65dc3560c7973fb135fd2d39eb80ee4-headingbackground: #ffffff;opacity:1;padding:5px 5px 5px 5px ;box-shadow: none;border-width: 0px;border-style: solid;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:99px;div#n2-ss-5 .n2-style-c65dc3560c7973fb135fd2d39eb80ee4-heading:Hover, div#n2-ss-5 .n2-style-c65dc3560c7973fb135fd2d39eb80ee4-heading:ACTIVE, div#n2-ss-5 .n2-style-c65dc3560c7973fb135fd2d39eb80ee4-heading:FOCUSbackground: #107eb6;div#n2-ss-5 .n2-style-13db8e01048e160765b65c9fb1f05ec6-dotbackground: RGBA(11,115,168,0.46);opacity:1;padding:5px 5px 5px 5px ;box-shadow: none;border-width: 0px;border-style: solid;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:50px;margin: 4px;div#n2-ss-5 .n2-style-13db8e01048e160765b65c9fb1f05ec6-dot.n2-active, div#n2-ss-5 .n2-style-13db8e01048e160765b65c9fb1f05ec6-dot:HOVER, div#n2-ss-5 .n2-style-13db8e01048e160765b65c9fb1f05ec6-dot:FOCUSbackground: #0b73a8;div#n2-ss-5 .n2-style-540018aaa523dc91fd73a2d36259dba5-simplebackground: #ffffff;opacity:1;padding:3px 3px 3px 3px ;box-shadow: none;border-width: 0px;border-style: solid;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:99px;
TOMATE CACHI
Se tratando de tamanho, o tomate Caqui é o maior e mais robusto se comparado aos demais. Assim como o nome, lembra o um pouco o formato do caqui. Por ser mais firme que os outros, é excelente para o preparo daquele vinagrete do churrasco. Possui um nível de acidez médio e não é muito indicado para o preparo de molhos caseiros.
TOMATE CARMEM
Esse é um dos tipos de tomate mais comercializados no país. Possui bastante água e seu sabor não é muito intenso. Também pode ser conhecido como “Longa Vida”, já que dura muito mais que os outros tipos. É ideal para o preparo de saladas do dia a dia.
TOMATE HOLANDÊS
Quer fazer uma salada saborosa? Então, utilize o tomate holandês! Comercializado em ramos, possui uma sabor mais adocicado que os demais. Quando for comprar, preste atenção na coloração do cabinho: prefira sempre os verdes, se estiver mais escurecido ou marrom, não está tão bom para o consumo.
TOMATE DÉBORA
Um tomate coringa para o dia a dia é o Débora. Sua acidez é mediana e possui mais sementes que o italiano, por exemplo. Você pode utilizar tanto no preparo de saladas e recheios quanto para fazer molhos simples.
TOMATE ITALIANO
Esse sim você pode usar e abusar para fazer molhos saborosos e encorpados. O tomate italiano é aquele mais alongado e carnudo por dentro. Ele não possui tanta acidez, tem poucas sementes e é o mais frágil de todos.
TOMATE SWEEP GRAPES
Como o nome sugere, o tomate tem o formato de uvas. Seu sabor é bem adocicado e é praticamente uma versão mini do tomate italiano. Você pode usar para enfeitar pratos ou fazer uma saladinha diferente. Fica incrível!
TOMATE CEREJA
De formato bem arredondado, o tomate cereja também pode ser usado para uma salada diferente. Experimente também utilizar em espetinhos em um churrasco ou em canapés – porque ele arrasa na apresentação, fala aí!? É bem refrescante e possui pouca acidez.
0 notes
Text
Easy Particle Animations In JavaScript - ab-particles
Easy Particle Animations In JavaScript – ab-particles
ab-particles is a lightweight JavaScript library that makes it simple to create interactive particle animations as a background of any container.
How to use it:
1. Create a canvas element to hold the particle animations.
<canvas id="particles"></canvas>
2. Load the minified version of the ab-particles library.
http://js/ab-particles.min.js
3. Render a default particle animation on the canvas…
View On WordPress
0 notes
Text
Aliens, Clowns & Geeks Review: Sci-Fi Comedy Aims Low And Scores High
https://ift.tt/eA8V8J
No one sets out to make a cult movie. Most filmmakers aspire to commercial heights even if they only have the budgets for a B-movie. They see films like Blair Witch realign box office accounting and apply all kinds of quantum physics to mimic the exponential multiplication. Very few achieve it, and the ones which do usually do it by accident, and certainly not with serious intent. Aliens, Clowns & Geeks is not afraid to be ridiculous. It joins the ranks as such brave films as Attack of the Killer Tomatoes, Killer Klowns From Outer Space, and Frankenhooker.
It is also so much more than these films, dripping with artistry, and yet considerably less, with masturbating aliens, pussy ping pong, and sphincter-pinching obelisks. Richard Elfman’s sci-fi comedy has an abundance of experimental fun and a happily reckless disregard for taste. It owes as much to Frank Zappa as it does to Frank Capra, and can in some ways be seen as a screwball comedy take on the 1955 film noir classic Kiss Me Deadly. For a silly film, Aliens, Clowns & Geeks summons serious plot twists. It captures the casual surrealism of the Marx Brothers in hyper-speed.
Though it’s not on the level as Forbidden Zone, how could it be? Elfman’s 1980 cult classic ranks way past closing time on the clock of midnight movies. Aliens, Clowns & Geeks is still completely original. Unlike other films where low budget hobbles creativity, this uses a lack of funds to its advantage. In some ways this is like Tim Burton’s Mars Attacks!, except done on one-thousandth of the budget and with 1/100th of the stars. Aliens, Clowns & Geeks marks the final feature film role for the late Verne Troyer (Austin Powers: The Spy Who Shagged Me, Goldmember, Harry Potter and the Sorcerer’s Stone). His Clown Emperor Beezel-Chugg is a memorable turn. Narcissistic, lethal, and commanding, he is the Emperor of the Nine Planet Federation, and still gets hauled in for Illegal dwarf tossing.
The little clown who gets tossed around is played by Nic Novicki, but don’t feel too bad for him, he takes dirty pictures of nuns in porta-potties in his spare time. George Wendt plays a priest who condemns him to eternal damnation for it. French Stewart (Stargate, 3rd Rock from the Sun) gets the Fickle Finger of Fate Award for being able to maintain an Arte Johnson impression throughout a whole film as the German scientist Professor von Scheisenberg.
Mimicry is only one extra talent the actors bring into their roles. Rebecca Forsythe contorts her voice and face excruciatingly and exquisitely as Swedish lab assistant Helga. She’s studied quantum, subquantum and super-quantum dynamics, and delivers one of the greatest pickup lines in cinema history: “you would be surprised at how incorrect the calculations of many rocket scientists can be.” Her body proves to be equally supple whether during head-banging sex or in one-on-one martial arts combat.
No one quite makes the faces or shrieks the screams quite like Bodhi Elfman, who plays the lead, a jaded actor named Eddy Pine. Bohdi, the actor playing the actor, is a cartoon character masquerading as a person. His cynical Steve Buscemi-esque delivery grounds him even as the only missed opportunity in the film is a Looney Tunes sight gag where hens lay so many eggs they rise to the roof of Porky Pig’s barn.
Happily, the camera turns away when the obelisk is introduced to the film. Whether it is just a worthless novelty or the key to the universe, Eddy’s anus is “the chosen portal.” The Chinese military wants the obelisk, there’s an intergalactic battle between alien clowns and green Martians over it, and Dr. von Scheisenberg wants to melt it down for clean energy. About a foot long, and looking like the Washington Monument with squiggly sub-particle lettering, it is also known as the jamtoid key, and is worth more than a three-picture deal, but “money won’t mean nothing if the world explodes.”
Elfman, who also directed Shrunken Heads, and Modern Vampires, has a background in theater, and uses troupe mentality by casting actors in multiple roles. Anastasia Elfman brings the fire of a true believer to five characters. Helga’s sister Inga is played by Angeline-Rose Troy, who also plays Eddy’s junkie-whore mother. The noises she makes in one particular chase scene is so alien and unexpected, it brings the whole movie to another level. Steve Agee plays Eddy’s recently transitioned Burlesque dancer and bar-owning sister Jumbo, as well as the chicken-suit wearing Eddy Pine. Richard Elfman plays the clown Da-Beep. Martin Klebba is an angry clown captain.
The final character is the original soundtrack, which upstages the action in the best of ways. Aliens, Clowns & Geeks could be called a musical, but not in the same way The Rocky Horror Picture Show is, even if there is gender fluidity flowing through it. For the film, Elfman reunited with the Mystic Knights of the Oingo Boingo, who starred in Forbidden Zone. The score was written by Danny Elfman and Ego Plum. Danny Elfman wrote the theme song to The Simpsons, the music to Nightmare Before Christmas, and did the singing voice of Jack Skellington. Plum is best known for the noises he made for SpongeBob SquarePants and The Ghastly Love of Johnny X, but also plays in the band Mambo Demonico. Consisting of 75 minutes in a ninety-minute movie, the music makes the film unique. The diverse mix of genres makes the movie feel like live performance.
Aliens, Clowns & Geeks is laid out in the three-act story structure of classic comedies. It is zany, evoking the feel that logic has been usurped by the most unreasonable intrusions. The film opens on the road. The first victim is a large biker clown who is mind controlled to be some kind of monosyllabic Terminator-style obelisk retrieval machine. Eddy is taking his sorrows for a swim in the deep end of a dive bar. His network series, “Cry Me Dry,” was cancelled a day before it was set to air. Their first encounter is inadvertently suspenseful, as the clueless Eddie chalks up a seemingly random request to another day in Hollywood.
The movie then takes on a science fiction turn while keeping to an LA Noir sensibility, albeit with frenetic sexcapades (“May you procreate and spread your clown seed wide”), campy caricatures, vampy vehicular battles, and trampy throughlines. Masturbating aliens remotely manipulate blond femme fatales with X-box controllers, making the conquest of earth look like a video game. This highlights the depersonalization of battle, intergalactic or terrestrial. This very human alienation is further accentuated every time the green aliens have to get approval from corporate. There are impossibly surreal scenarios, like a ménage à trois scene where Eddy’s on the bottom and the POV shows the two girls on top. The scene ends in a nuclear explosion, topping the fireworks display of the first climax of Deep Throat. There is a head exploding scene which is more over-the-top than Scanners.
As comedy, each of the set ups have great payoffs, and the running gags never trip up, even if Eddy slips into Shakespearean soliloquies before exiting, stage left. Elfman mocks Hollywood itself, pointing out that the Beverly Hills Police Department only takes calls from celebrities while actors kiss ass on Hollywood Boulevard all day. The film even throws in visual sight gags, like a bucket of brains which is kept in a joint compound container labeled “head stuff.” One character is reading a book called “The Strawberry Fields of Heaven by Blossom Elfman.”
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Aliens, Clowns & Geeks makes no apologies. You just have to go with it. Groucho Marx once advised if nothing else is getting a laugh, “drop your pants.” This turns out to be the greatest weapon of the movie. It saves the day as much as it lowers the bar. It is worshipfully irreverent, and politically incorrect. There is no shame nor the slightest consideration given to cancel culture. “Life is complicated, take if from the guy with a dick in a dress,” we are advised in the film. Even insane biker clowns may not be what they seem. Aliens, Clowns & Geeks is silly, goofy, stupidly intelligent, and absolutely what a mad scientist would order.
Aliens, Clowns & Geeks will be opening in a drive-in run, double billed with Forbidden Zone: Director’s Cut. Details will be announced.
Subscribe to Den of Geek magazine for FREE right here!
(function() { var qs,js,q,s,d=document, gi=d.getElementById, ce=d.createElement, gt=d.getElementsByTagName, id="typef_orm", b="https://embed.typeform.com/"; if(!gi.call(d,id)) { js=ce.call(d,"script"); js.id=id; js.src=b+"embed.js"; q=gt.call(d,"script")[0]; q.parentNode.insertBefore(js,q) } })()
The post Aliens, Clowns & Geeks Review: Sci-Fi Comedy Aims Low And Scores High appeared first on Den of Geek.
from Den of Geek https://ift.tt/3pb5Yi2
0 notes
Text
Best Black Friday Deals & Discounts
div#n2-ss-3{width:1200px;float:left;margin:0px 0px 0px 0px;}html div#n2-ss-3{float:right;}div#n2-ss-3 .n2-ss-slider-1{position:relative;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;height:600px;border-style:solid;border-width:0px;border-color:#3e3e3e;border-color:RGBA(62,62,62,1);border-radius:0px;background-clip:padding-box;background-repeat:repeat;background-position:50% 50%;background-size:cover;background-attachment:scroll;}div#n2-ss-3 .n2-ss-slider-background-video-container{position:absolute;left:0;top:0;width:100%;height:100%;overflow:hidden;}div#n2-ss-3 .n2-ss-slider-2{position:relative;width:100%;height:100%;}.x-firefox div#n2-ss-3 .n2-ss-slider-2{opacity:0.99999;}div#n2-ss-3 .n2-ss-slider-3{position:relative;width:100%;height:100%;overflow:hidden;outline:1px solid rgba(0,0,0,0);z-index:10;}div#n2-ss-3 .n2-ss-slide-backgrounds,div#n2-ss-3 .n2-ss-slider-3 > .n-particles-js-canvas-el,div#n2-ss-3 .n2-ss-slider-3 > .n2-ss-divider{position:absolute;left:0;top:0;width:100%;height:100%;}div#n2-ss-3 .n2-ss-slide-backgrounds{z-index:10;}div#n2-ss-3 .n2-ss-slider-3 > .n-particles-js-canvas-el{z-index:12;}div#n2-ss-3 .n2-ss-slide-backgrounds > *{overflow:hidden;}div#n2-ss-3 .n2-ss-slide{position:absolute;top:0;left:0;width:100%;height:100%;z-index:20;display:block;-webkit-backface-visibility:hidden;}div#n2-ss-3 .n2-ss-layers-container{position:relative;width:1200px;height:600px;}div#n2-ss-3 .n2-ss-parallax-clip > .n2-ss-layers-container{position:absolute;right:0;}div#n2-ss-3 .n2-ss-slide{perspective:1500px;}div#n2-ss-3 .n2-ss-slide{perspective:none;transform:perspective(1500px);}div#n2-ss-3 .n2-ss-slide-active{z-index:21;}div#n2-ss-3 .n2-ss-button-container,div#n2-ss-3 .n2-ss-button-container a{display:inline-block;}div#n2-ss-3 .n2-ss-button-container.n2-ss-fullwidth,div#n2-ss-3 .n2-ss-button-container.n2-ss-fullwidth a{display:block;}div#n2-ss-3 .n2-ss-button-container.n2-ss-nowrap{white-space:nowrap;}div#n2-ss-3 .n2-ss-button-container a div{display:inline;font-size:inherit;text-decoration:inherit;color:inherit;line-height:inherit;font-family:inherit;font-weight:inherit;}div#n2-ss-3 .n2-ss-button-container a > div{display:inline-flex;align-items:center;vertical-align:top;}div#n2-ss-3 .n2-ss-button-container span{font-size:100%;vertical-align:baseline;}div#n2-ss-3 .n2-ss-button-container a span{margin-right:0.3em;}div#n2-ss-3 .n2-ss-button-container a span{margin-left:0.3em;}div#n2-ss-3 .n-uc-MrcWeUZWWk5U-inner{transition:all .3s;transition-property:border,background-image,background-color,border-radius,box-shadow;background:RGBA(255,255,255,1);}div#n2-ss-3 .n2-font-115882d017674ee3780b6b916d946135-link a{font-family: 'amazon';color: #ffffff;font-size:75%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: left;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-115882d017674ee3780b6b916d946135-link a:HOVER, div#n2-ss-3 .n2-font-115882d017674ee3780b6b916d946135-link a:ACTIVE, div#n2-ss-3 .n2-font-115882d017674ee3780b6b916d946135-link a:FOCUS{color: #ffffff;}div#n2-ss-3 .n2-style-6f9eb4b16f76fb06b19330ff80bec763-heading{background: #ff9900;opacity:1;padding:2px 10px 2px 10px ;box-shadow: none;border-width: 0px;border-style: groove;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:0px;}div#n2-ss-3 .n2-style-6f9eb4b16f76fb06b19330ff80bec763-heading:Hover, div#n2-ss-3 .n2-style-6f9eb4b16f76fb06b19330ff80bec763-heading:ACTIVE, div#n2-ss-3 .n2-style-6f9eb4b16f76fb06b19330ff80bec763-heading:FOCUS{background: #00c1c4;}div#n2-ss-3 .n2-font-c327a3f72e314d971f68cc9049ea24d9-hover{font-family: 'Roboto','Arial';color: #e79d19;font-size:137.5%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-996986ec375228fd7a43684484414a0d-paragraph{font-family: 'Roboto','Arial';color: #282828;font-size:87.5%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-996986ec375228fd7a43684484414a0d-paragraph a, div#n2-ss-3 .n2-font-996986ec375228fd7a43684484414a0d-paragraph a:FOCUS{font-family: 'Roboto','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-996986ec375228fd7a43684484414a0d-paragraph a:HOVER, div#n2-ss-3 .n2-font-996986ec375228fd7a43684484414a0d-paragraph a:ACTIVE{font-family: 'Roboto','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-205feda0f04ed0c3bf800ff6319f8249-link a{font-family: 'Roboto','Arial';color: #000000;font-size:106.25%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: center;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 700;}div#n2-ss-3 .n2-font-205feda0f04ed0c3bf800ff6319f8249-link a:HOVER, div#n2-ss-3 .n2-font-205feda0f04ed0c3bf800ff6319f8249-link a:ACTIVE, div#n2-ss-3 .n2-font-205feda0f04ed0c3bf800ff6319f8249-link a:FOCUS{color: #ffffff;}div#n2-ss-3 .n2-style-b1dad04b73ea5c402fe1ab3b90497325-heading{background: #ff9900;opacity:1;padding:10px 30px 10px 30px ;box-shadow: none;border-width: 0px;border-style: groove;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:25px;}div#n2-ss-3 .n2-style-b1dad04b73ea5c402fe1ab3b90497325-heading:Hover, div#n2-ss-3 .n2-style-b1dad04b73ea5c402fe1ab3b90497325-heading:ACTIVE, div#n2-ss-3 .n2-style-b1dad04b73ea5c402fe1ab3b90497325-heading:FOCUS{background: #00c1c4;}div#n2-ss-3 .n2-font-87e79020f87e8f197096a2aa921bfd33-paragraph{font-family: 'Roboto','Arial';color: #282828;font-size:87.5%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: left;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 400;}div#n2-ss-3 .n2-font-87e79020f87e8f197096a2aa921bfd33-paragraph a, div#n2-ss-3 .n2-font-87e79020f87e8f197096a2aa921bfd33-paragraph a:FOCUS{font-family: 'Roboto','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: left;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 400;}div#n2-ss-3 .n2-font-87e79020f87e8f197096a2aa921bfd33-paragraph a:HOVER, div#n2-ss-3 .n2-font-87e79020f87e8f197096a2aa921bfd33-paragraph a:ACTIVE{font-family: 'Roboto','Arial';color: #1890d7;font-size:100%;text-shadow: none;line-height: 1.5;font-weight: normal;font-style: normal;text-decoration: none;text-align: left;letter-spacing: normal;word-spacing: normal;text-transform: none;font-weight: 400;} #1 Best Seller

Toshiba 32LF221U19 32-inch 720p HD Smart LED TV - Fire TV EditionList Price $180.00 With Deal: $119.99 SAVE $60.01 (33%)A Smarter TV Is Here Toshiba HD Smart TV is a new generation of television featuring the Fire TV experience built-in and including a Voice Remote with Alexa. Toshiba delivers a superior TV experience that gets smarter everyday and access to all the movies and TV shows you love. The Voice Remote with Alexa lets you do everything you'd expect from a remote—plus, easily launch apps, search for titles, play music, switch inputs, control smart home devices, and more, using just your voice.

AmazonBasics Microwave bundle with Echo Dot (3rd Gen) - Charcoal List Price $109.98 With Deal: $59.99 Save $49.99 (45%)The Ask Alexa button When pressed, there’s no need to say “Alexa” or “microwave.” To start cooking, use your voice or just press the Ask Alexa button and say your cook time. The button will instantly wake up your paired Echo, just like saying “Alexa” does. For example, press the Ask Alexa button and say, “2 minutes,” or “frozen vegetables.” Fire TV, Fire Tablets, Echo Look, and Amazon Tap devices are not supported with the Ask Alexa button. #1 Best Seller

Ring Video Doorbell 2 with Echo Show 5 (Charcoal)List Price $288.99 With Deal: $139.00 SAVE $149.99 (52%)Never miss another visitor Watch over your home and answer the door from your phone, tablet and PC with next-gen security from Ring Video Doorbell 2. Ring sends you alerts when anyone comes to your door, so you can see, hear and speak to visitors from anywhere. Read the full article
0 notes
Photo

Un nouvel article a été publié sur https://www.rollingstone.fr/tremplin-val-rock-2019/
Découvrez les gagnants du Tremplin Val de Rock/Rolling Stone
Les six finalistes se sont affrontés sur la scène du Hard Rock Café Paris. En jeu, leur concert sur la scène du Festival Val de Rock.
Six groupes, six ambiances, six envies. En cette soirée du 6 juin, sur la scène de Hard Rock, ça bataille ferme. Les candidats, sélectionnés parmi plus de 150 prétendants pendant six semaines sur le site valderock.rollingstone.fr, ont tout donné en live. Car là était l’important, plus que de gagner, offrir un show mémorable. Et pour cela, les différents jurys des prix décernés, menés par les parrains Kémar (No One Is Innocent), Axel Bauer et Renaud Bizart (Thérapie Taxi), mais aussi les équipes de Rolling Stone Magazine et de Val de Rock Festival, ainsi que Guillaume André du studio Audioscope, qui ont eu à décerner trois prix distincts, ont eu fort à faire !
Rest In Gale (Courtesy of Hard Rock Café)
Ainsi, le Grand Prix Rolling Stone, qui permettra au vainqueur d’enregistrer un morceau au Studio Audioscope et de monter sur la scène du festival Val de Rock a été décerné aux exceptionnels (nos mots sont pesés) Rest In Gale, qui feront également l’objet d’une interview dans le magazine à paraître fin juin. Leur set époustouflant, rock à souhaits, a soufflé jury comme public. Qualité du songwriting, présence scénique, jeu, voix surréelle du chanteur, un groove à tomber, la victoire était amplement méritée.
Le Prix du Public, sélectionné dans un premier temps par les internautes sur le site, puis confirmé par les parrains du Tremplin, a quant à lui été attribué à Overall, groupe looké façon « conquête de l’espace » (c’est vrai qu’on célèbre cette année le cinquantenaire de première homme sur la Lune !), ont envoyé du bois avec un rock teinté de new wave, une présence scénique très pro et des compositions à la hauteur.
Enfin, le très attendu Prix Val de Rock Festival, qui permettra, lui aussi, de faire monter le lauréat sur la prestigieuse scène de l’événement, a fait l’objet d’une exception, le jury n’ayant pas réussi à départager les deux candidats : la jeune Phelto et sa pop electro suave et For the Hackers, groupe de virtuoses pop rock electro, rompus à l’exercice scénique.
Vous retrouverez tous ces groupes en live sur la scène du Festival Val de Rock dès le 28 juin. Et nous y serons pour les soutenir !
Une pensée pour les deux groupes qui n’ont pas été retenus mais qui ont tout donné : Easy Strike et Glue.
div#n2-ss-3width:1200px;float:left;margin:0px 0px 0px 0px;html[dir="rtl"] div#n2-ss-3float:right;div#n2-ss-3 .n2-ss-slider-1position:relative;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;height:500px;border-style:solid;border-width:0px;border-color:#3e3e3e;border-color:RGBA(62,62,62,1);border-radius:0px;background-clip:padding-box;background-repeat:repeat;background-position:50% 50%;background-size:cover;background-attachment:scroll;div#n2-ss-3 .n2-ss-slider-background-video-containerposition:absolute;left:0;top:0;width:100%;height:100%;overflow:hidden;div#n2-ss-3 .n2-ss-slider-2position:relative;width:100%;height:100%;.x-firefox div#n2-ss-3 .n2-ss-slider-2opacity:0.99999;div#n2-ss-3 .n2-ss-slider-3position:relative;width:100%;height:100%;overflow:hidden;outline:1px solid rgba(0,0,0,0);z-index:10;div#n2-ss-3 .n2-ss-slide-backgrounds,div#n2-ss-3 .n2-ss-slider-3 > .n-particles-js-canvas-el,div#n2-ss-3 .n2-ss-slider-3 > .n2-ss-dividerposition:absolute;left:0;top:0;width:100%;height:100%;div#n2-ss-3 .n2-ss-slide-backgroundsz-index:10;div#n2-ss-3 .n2-ss-slider-3 > .n-particles-js-canvas-elz-index:12;div#n2-ss-3 .n2-ss-slide-backgrounds > *overflow:hidden;div#n2-ss-3 .n2-ss-slideposition:absolute;top:0;left:0;width:100%;height:100%;z-index:20;display:block;-webkit-backface-visibility:hidden;div#n2-ss-3 .n2-ss-layers-containerposition:relative;width:1200px;height:500px;div#n2-ss-3 .n2-ss-parallax-clip > .n2-ss-layers-containerposition:absolute;right:0;div#n2-ss-3 .n2-ss-slideperspective:1500px;div#n2-ss-3[data-ie] .n2-ss-slideperspective:none;transform:perspective(1500px);div#n2-ss-3 .n2-ss-slide-activez-index:21;div#n2-ss-3 .nextend-arrowcursor:pointer;overflow:hidden;line-height:0 !important;z-index:20;div#n2-ss-3 .nextend-arrow imgposition:relative;min-height:0;min-width:0;vertical-align:top;width:auto;height:auto;max-width:100%;max-height:100%;display:inline;div#n2-ss-3 .nextend-arrow img.n2-arrow-hover-imgdisplay:none;div#n2-ss-3 .nextend-arrow:HOVER img.n2-arrow-hover-imgdisplay:inline;div#n2-ss-3 .nextend-arrow:HOVER img.n2-arrow-normal-imgdisplay:none;div#n2-ss-3 .nextend-arrow-animatedoverflow:hidden;div#n2-ss-3 .nextend-arrow-animated > divposition:relative;div#n2-ss-3 .nextend-arrow-animated .n2-activeposition:absolute;div#n2-ss-3 .nextend-arrow-animated-fadetransition:background 0.3s, opacity 0.4s;div#n2-ss-3 .nextend-arrow-animated-horizontal > divtransition:all 0.4s;left:0;div#n2-ss-3 .nextend-arrow-animated-horizontal .n2-activetop:0;div#n2-ss-3 .nextend-arrow-previous.nextend-arrow-animated-horizontal:HOVER > div,div#n2-ss-3 .nextend-arrow-next.nextend-arrow-animated-horizontal .n2-activeleft:-100%;div#n2-ss-3 .nextend-arrow-previous.nextend-arrow-animated-horizontal .n2-active,div#n2-ss-3 .nextend-arrow-next.nextend-arrow-animated-horizontal:HOVER > divleft:100%;div#n2-ss-3 .nextend-arrow.nextend-arrow-animated-horizontal:HOVER .n2-activeleft:0;div#n2-ss-3 .nextend-arrow-animated-vertical > divtransition:all 0.4s;top:0;div#n2-ss-3 .nextend-arrow-animated-vertical .n2-activeleft:0;div#n2-ss-3 .nextend-arrow-animated-vertical .n2-activetop:-100%;div#n2-ss-3 .nextend-arrow-animated-vertical:HOVER > divtop:100%;div#n2-ss-3 .nextend-arrow-animated-vertical:HOVER .n2-activetop:0;div#n2-ss-3 .n2-ss-control-bulletvisibility:hidden;text-align:center;justify-content:center;div#n2-ss-3 .n2-ss-control-bullet-horizontal.n2-ss-control-bullet-fullsizewidth:100%;div#n2-ss-3 .n2-ss-control-bullet-vertical.n2-ss-control-bullet-fullsizeheight:100%;flex-flow:column;div#n2-ss-3 .nextend-bullet-bardisplay:inline-flex;visibility:visible;align-items:center;flex-wrap:wrap;div#n2-ss-3 .n2-bar-justify-content-leftjustify-content:flex-start;div#n2-ss-3 .n2-bar-justify-content-centerjustify-content:center;div#n2-ss-3 .n2-bar-justify-content-rightjustify-content:flex-end;div#n2-ss-3 .n2-ss-control-bullet-vertical > .nextend-bullet-barflex-flow:column;div#n2-ss-3 .n2-ss-control-bullet-fullsize > .nextend-bullet-bardisplay:flex;div#n2-ss-3 .n2-ss-control-bullet-horizontal.n2-ss-control-bullet-fullsize > .nextend-bullet-barflex:1 1 auto;div#n2-ss-3 .n2-ss-control-bullet-vertical.n2-ss-control-bullet-fullsize > .nextend-bullet-barheight:100%;div#n2-ss-3 .nextend-bullet-bar .n2-bulletdisplay:inline-block;cursor:pointer;transition:background-color 0.4s;vertical-align:top;div#n2-ss-3 .nextend-bullet-bar .n2-bullet.n2-activecursor:default;div#n2-ss-3 div.n2-ss-bullet-thumbnail-containerposition:absolute;opacity:0;z-index:10000000;div#n2-ss-3 .n2-ss-bullet-thumbnail-container .n2-ss-bullet-thumbnailbackground-size:cover;background-repeat:no-repeat;background-position:center;div#n2-ss-3 .n2-style-2737ed7824379179d6f65294786025bc-dotbackground: #000000;background: RGBA(0,0,0,0.67);opacity:1;padding:5px 5px 5px 5px ;box-shadow: none;border-width: 0px;border-style: solid;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:50px;margin: 4px;div#n2-ss-3 .n2-style-2737ed7824379179d6f65294786025bc-dot.n2-active, div#n2-ss-3 .n2-style-2737ed7824379179d6f65294786025bc-dot:HOVERbackground: #d85935;div#n2-ss-3 .n2-style-49e742a212f9729a0ddf99a086d83bfb-simplebackground: #ffffff;background: RGBA(255,255,255,0);opacity:1;padding:0px 0px 0px 0px ;box-shadow: none;border-width: 0px;border-style: solid;border-color: #000000; border-color: RGBA(0,0,0,1);border-radius:0px;
0 notes
Text
Coding with P5.js and Tone.js Week 4
Building upon the simple Step Sequencer Andi showed us, the next task was to make our own simple step sequencer and pair with a visual element that matches the sounds made.
I made a 2-Sequence Step Sequencer which essentially still uses the concept of a Mono Synthesizer that is fed 2 random sequences of notes which tempos can be adjusted using a slider I made using the Createslider function in P5.js that affects the “frameCount” value.
vimeo
Above video demonstrates the sounds made by the Step Sequencer with the two sliders that correlates to the speed of the respective sequences.
For the visuals, I decided to use the Particles which sizes is affected by the audio of the Step Sequencer utilizing the FFT (Fast Fourier Transfer Function) in P5.js using Soundflower to route the audio output into the the Soundlfower 2 ch inpout which was used as the default Mic source for my sketch.
The End result:
vimeo
All the effects heard in the Video is using Tone.js library.
Code is as follows:
let t0; let t1; let steps = []; let steps2 = []; let beats = []; let beats2 = []; let index = 0; let index2 = 0; let numberOfSteps = 8; let numberOfSteps2 = 8; let randomize = false; let t0Slider, t1Slider; let panvol = new Tone.PanVol(2, 0); let panvol2 = new Tone.PanVol(1, 0); var reverb = new Tone.JCReverb(0.9).connect(Tone.Master); var delay = new Tone.FeedbackDelay(0.5);
var mic; // input sources, press T to toggleInput()
var fft; var smoothing = 0.5; // play with this, between 0 and .99 var binCount = 512; // size of resulting FFT array. Must be a power of 2 between 16 an 1024 var particles = new Array(binCount);
function setup() { createCanvas(600, 600); textSize(15); noStroke(); smooth(0);
mic = new p5.AudioIn(); mic.start();
// create sliders t0Slider = createSlider(1, 128, 100); t0Slider.position(20, 20); t1Slider = createSlider(1, 128, 100); t1Slider.position(20, 50); //rSlider = createSlider(0, 50, 0); //rSlider.position(20, 80);
initSynths(); newBeat(); newBeat2();
// create 8 Steps using a loop for (let i = 0; i < numberOfSteps; i++) { steps[i] = new Step(i, 70 + i * 30, height/4); }
// create 8 Steps using a loop for (let i = 0; i < numberOfSteps2; i++) { steps2[i] = new Step(i, 70+ i * 30, height/2); } }
function initSynths() { t0 = new Tone.MembraneSynth(); t0.oscillator.type = 'triangle'; t0.chain(reverb,delay,panvol, Tone.Master);
t0.envelope.attack = 0.02; t0.envelope.decay = 0.1; t0.envelope.sustain = 0.6; t0.envelope.release = 0.6;
t1 = new Tone.AMSynth(); t1.oscillator.type = 'triangle'; t1.chain(reverb,delay, Tone.Master);
t1.envelope.attack = 0.02; t1.envelope.decay = 0.02; t1.envelope.sustain = 0.08; t1.envelope.release = 0.08;
// initialize the FFT, plug in our variables for smoothing and binCount fft = new p5.FFT(smoothing, binCount); fft.setInput(mic);
// instantiate the particles. for (var i = 0; i < particles.length; i++) { var x = map(i, 0, binCount, 0, width * 2); var y = random(0, height); var position = createVector(x, y); particles[i] = new Particle(position); }
}
function draw() { background(0,32);
const t0s = t0Slider.value(); const t1s = t1Slider.value(); //const rev = rSlider.value(); fill(255); text('T1 Speed', t0Slider.x * 2 + t0Slider.width, 35); fill(255); text('T2 Speed', t1Slider.x * 2 + t1Slider.width, 65); //fill(255); // text('Reverb Size', rSlider.x * 2 + rSlider.width, 95); console.log(t0s, t1s);
push(); // iterate array steps using the forEach function // and draw each Step steps.forEach((el) => { el.draw(); }); fill(0,0,0); translate(70 + index*30,200); rect(0,0,20,4); pop();
push(); // iterate array steps using the forEach function // and draw each Step steps2.forEach((em) => { em.draw(); }); fill(255,0,0); translate(70 + index2*30,height/4 + height/3); rect(0,0,20,4); pop();
if (frameCount % t0s === 0) { index = index + 1; if (index === numberOfSteps) { index = 0; if(randomize === true) newBeat(); } steps[index].update();
}
if (frameCount % t1s === 0) { index2 = index2 + 1; if (index2 === numberOfSteps2) { index2 = 0; if(randomize === true) newBeat2(); } steps2[index2].update();
}
var spectrum = fft.analyze(binCount); for (var i = 0; i < binCount; i++) { var thisLevel = map(spectrum[i], 0, 255, 0, 1);
// update values based on amplitude at this part of the frequency spectrum particles[i].update( thisLevel );
// draw the particle particles[i].draw();
// update x position (in case we change the bin count while live coding) particles[i].position.x = map(i, 0, binCount, 0, width * 2); } } var Particle = function(position) { this.position = position; this.scale = random(0, 1); this.speed = createVector(0, random(0, 10) ); this.color = [random(0, 255), random(0,255), random(0,255)]; }
var theyExpand = 1;
// use FFT bin level to change speed and diameter Particle.prototype.update = function(someLevel) { this.position.y += this.speed.y / (someLevel*2); if (this.position.y > height) { this.position.y = 0; } this.diameter = map(someLevel, 0, 1, 0, 100) * this.scale * theyExpand;
}
Particle.prototype.draw = function() { fill(this.color); ellipse( this.position.x, this.position.y, this.diameter, this.diameter ); }
function newBeat() { for (let i = 0; i < numberOfSteps; i++) { beats[i] = floor(map(random(), 0, 1, 1, 8)); } console.log(beats); }
function newBeat2() { for (let i = 0; i < numberOfSteps; i++) { beats2[i] = floor(map(random(), 0, 1, 1, 8)); } console.log(beats2); }
function triggerSound(theIndex) { let n = beats[theIndex]; if (n === 1) { t0.triggerAttackRelease('C2', '4n'); } else if (n === 2) { t0.triggerAttackRelease('F3', '16n'); } else if (n === 3) { t0.triggerAttackRelease('B2', '16n'); } else if (n === 4) { t0.triggerAttackRelease('D4', '4n'); } else if (n === 5) { t0.triggerAttackRelease('E3', '4n'); } else if (n === 6) { t0.triggerAttackRelease('F2', '4n'); } else if (n === 7) { t0.triggerAttackRelease('C4', '4n'); } else if (n === 8) { t0.triggerAttackRelease('A2', '4n'); }
}
function triggerSound2(theIndex2) { let m = beats2[theIndex2]; if (m === 1) { t1.triggerAttackRelease('E5', '4n'); } else if (m === 2) { t1.triggerAttackRelease('F4', '16n'); } else if (m === 3) { t1.triggerAttackRelease('C3', '16n'); } else if (m === 4) { t1.triggerAttackRelease('A4', '4n'); } else if (m === 5) { t1.triggerAttackRelease('E2', '4n'); } else if (m === 6) { t1.triggerAttackRelease('G5', '4n'); } else if (m === 7) { t1.triggerAttackRelease('C5', '4n'); } else if (m === 8) { t1.triggerAttackRelease('A3', '4n'); }
}
function mousePressed() { steps.forEach((el) => { el.click(); }); steps2.forEach((em) => { em.click(); }); }
function keyTyped() { if (key === ' ') { newBeat(); } else if (key === 'a') { newBeat2(); } }
0 notes
Photo

Mozilla layoffs, Rome, and some CSS comics
#453 — August 12, 2020
Web Version
Frontend Focus

☹️ Mozilla Laying Off 250 Employees — Sad news from the folks behind Firefox — they've laid off a quarter of their entire workforce, which reportedly includes both the DevTools and MDN teams. A troubling and unfavourable sign for the future of a diverse web. There’s been extensive discussion on Hacker News about this.
Mitchell Baker
Rome: Unifying The Frontend Development Toolchain — This is an ambitious in-beta project that aims to replace Babel, ESLint, Webpack, Prettier, Jest, and more, to ostensibly simplify the frontend workflow. We’re all for it if it works. Here’s the introductory blog post.
Sebastian McKenzie
The Definitive Introduction to Svelte with Rich Harris — Learn how the Svelte framework works, write svelte components, and take a tour through the entire Svelte API in this detailed video course.
Frontend Masters sponsor
Web History — Chapter 1: Birth — The first in a long-form series about the history of the web. This initial entry looks at the work Sir Tim Berners-Lee carried out to make the web a reality.
Jay Hoffman
Some More CSS Comics — Julia is back with another batch of her excellent CSS explainer comics. There’s six to go through here, covering things such as compatibility, specificity, centering, flexbox and more.
Julia Evans
Enhancing User Experience With CSS Animations — How to build CSS animations and transitions in your interfaces that are inclusive, accesible and will enhance your users’ experience.
Stéphanie Walker
⚡️ Quick bits:
A living doc of things to consider when building sites for iOS 14 users.
The New York Times is pretty good at creating clever pages that show off their journalistic work, and so it goes with this look at 'viral particles' on the New York subway.
Some app design lessons we can learn from Google.
People are doing some neat exploration of building SPAs with Rust by way of WebAssembly.
Could you build a Web 'piano' in just 1KB of code? This guy shares how he did it.
From 2017 comes the back story to how we got 'favicons' on the Web.
Do you need a custom select control? Spoiler: No.
Working with pre-rendered/static sites? You may enjoy Brian Rinaldi's JAMstacked newsletter.
💻 Jobs
Our Design Team Is Looking for a Talented UX Content Strategist — We will be creating and publishing original UX thought leadership content that ties into Activity Feeds and Chat Messaging.
Stream
React JS Developer (Remote) — 13 million people and counting plan outdoor hiking and cycling routes with our apps. If you are smart and talented React Dev, join us to inspire more people to explore more of the great outdoors.
Komoot
Find a Job Through Vettery — Use Vettery to connect with hiring managers at startups and Fortune 500 companies. It's free for job-seekers.
Vettery
➡️ Looking to share your job listing in Frontend Focus? More info here.
📙 Tutorials, Stories & Opinion
content-visibility: The New CSS Property That Boosts Your Rendering Performance — The CSS content-visibility property enables web content rendering performance benefits by skipping rendering of off-screen content. Here’s how to leverage it for faster initial load times.
Una Kravets & Vladimir Levin
Optimizing CSS for Faster Page Loads — A look at just how CSS affects page load times and what you can do to improve it.
Tomas Pustelnik
How To Configure App Color Schemes with CSS Custom Properties — A modern approach on how to set up CSS Custom Properties that respond to application colors.
Artur Basak
The Remote Access Smart Lock That Works Without Wi-Fi — Share a PIN with family, friends, guests, and employees. Grant access any time, anywhere using our algoPIN™ technology.
igloohome sponsor
Supercharging <input type=number> — The number input type provides a nice control for working with numbers on most platforms, with min and max bounds, stepping up and down, etc. But what if you want to add more power to it with custom stepping types and controls? Kilian has a go at this here.
Kilian Valkhof
Modern CSS Solutions — We linked to this a few months back, but a lot has been added since. A great series of posts examining modern CSS solutions to annoying problems.
Stephanie Eckles
Laws of UX — A collection of the key maxims that designers must consider when building user interfaces.
Jon Yablonski
Nailing the Perfect Contrast Between Light Text and a Background Image
Yaphi Berhanu
Best Practices in CSS: Organization and Naming Conventions
Daniel Sipe
CSS Mistakes We Make Whilst on Autopilot
Ahmad Shadeed
🗓 Upcoming Events:
Front-End Focus (August 17) – It's got the same name as this newsletter but it's nothing to do with us. It's from the An Event Apart team though and has some fantastic speakers lined up.
You Gotta Love Frontend (August 24-28) — This now online event will feature five talks over five days. Here's the speaker line-up.
International JavaScript Conference (September 2 - 4) — Lots of workshops, sessions and keynotes — now all online.
🔧 Code, Tools and Resources

Coolors: A Customizable and Flexible Color Scheme Generator — There are a number of tools like this one, but this one has quite a few features including palettes from photos, export in multiple formats, share palettes via URL, and lots more.
Fabrizio Bianch
Forge Icons: A Set of 300+ SVG Icons for a Variety of Projects — You can test them out on a dark or light background and interactively change size, stroke, and color to suit your needs.
forgesmith
Online Checkout Made Simple with Square’s Payments APIs and SDKs
Square Developer sponsor
Take Me On — A fun browser-based take on A-Ha’s 80s classic Take On Me. Note: This will ask to turn on your webcam.
Adam Kuhn codepen
Chrome Extension Development Kit — Is a Chrome extension in your future? This paid development kit comes complete with project files (built using React) enabling you to leverage your current skills into a new domain.
Ryan Fitzgerald
Kickstand UI: A Design System You Can Use Everywhere — This framework has a slew of components and utilities that are focused on accessibility via color contrast, HTML semantics, and use of ARIA.
Burton Smith
SurveyJS: A JavaScript Survey and Form Library — Here’s a live demo.
Devsoft Baltic OÜ
Figma to Code: Generate Responsive Pages for Tailwind, Flutter, and SwiftUI — A free design-to-code plugin for Figma that converts your layouts to responsive code.
Bernardo Ferrari
by via Frontend Focus https://ift.tt/2PNTxso
0 notes
Text
Creating a simple p5.js sketch
The first task for the Programming II course is to create a simple sketch using P5 libraries combining code from a few examples on the P5js.org page. At the first glance it looks fairly easy, but many of the examples sets up a canvas on the JavaScript file, thus making it difficult to layer different functions as the code overlaps. I will watch some introductions to creating with p5 on YouTube to get an understanding what is possible with p5. Maybe I could manage to create a video and graphics application? This is something that I found out about processing and p5.js:
Processing is a project from 2001 bringing the idea of creative coding (creative applications/expression through programming). Processing was first built on Java, though today browsers listen to JavaScript. p5.js is a processing project and it is a simple environment to help learn JavaScript and make interesting creative applications to run on a browser. It is a library of functions and an online editor to code in.
Created by Lauren McCarthy, her projects can be found here: http://lauren-mccarthy.com/
I got caught by one tutorial on how to make the browser take a video of you and paint the pixels in real time on the web browser screen. It uses the idea similar to the Video Capture and Video Pixels example on p5js.org, but instead of a local video, it broadcasts live video from computer camera.
The sketch uses a live video and a single particle that moves randomly and draws a trail of itself. The video is shown on the browser via a video dom element from p5.js library. The particle grabs color from the video and then the particle is multiplied to create the full image. In the HTML doc I used CDN links for dom and sound libraries.
(insert screenshot)
Later in the week I will work on creating a simple CSS GUI for the application. Also I will try to allow the user to pick the background color with sliders.
0 notes