#paul mcsweeney

[girlonfilms]

Paul Mescal, Nicola Coughlan, Aidan Turner, Letitia Wright set for National Theatre stage

London’s National Theatre has announced a whole host of film and TV stars who will perform in the venue’s new season. Continue reading Paul Mescal, Nicola Coughlan, Aidan Turner, Letitia Wright set for National Theatre stage

[helmstone]

Madfabulous — what Ruby Stokes did next

Madfabulous — what Ruby Stokes did next

First she was a Bridgerton, leaving to take the lead in Lockwood & Co. With the cruel cancellation of the latter, Stokes now appears in historical film Madfabulous, currently filming in Wales. Deadline reports Stokes and Rupert Everett have joined the cast to star alongside Callum Scott Howells. The film is a C19 feature from director Celyn Jones. Described as a “fantastical reimagining set in…

[younes-ben-amara]

ما في عقول أبناء الأمة هو ما يرتقي بالأمة لا المواد والأشياء📈💰🧠

ما هذه المجموعة من المختارات تسألني؟ إنّها عددٌ من أعداد نشرة “صيد الشابكة” اِعرف أكثر عن النشرة هنا: ما هي نشرة “صيد الشابكة” ما مصادرها، وما غرضها؛ وما معنى الشابكة أصلًا؟! 🎣🌐 🎣🌐 صيد الشابكة العدد #47 مساء -أو صباح- السعد حسب الوقت الذي تقرأ فيه هذا. 👋 🧈 يُلخِّص لنا جيكوب غرينفلد (Jakob Greenfeld) في عدد نشرته المُعنون بـ اِتّبع الفضول [Play Permissionless] مقال بول جراهام (Paul Graham) هائل…

[only-sweet-ones]

Pre-BAFTA thoughts

On 27th of March TV BAFTA nominations will be announced, so I decided to speculate about possibility of Nicola nomination.

I. Possible categories for nomination. Nicola, projects she is in and people related to her could be nominated in the following categories:

Best Drama Series (possibly Bridgerton)

Best Scripted Comedy (possibly Big Mood, Big Boys)

Best Actor (possibly Luke Newton for Bridgerton)

Best Actress (possibly Nicola for Bridgerton/Big Mood, Lydia West  for Big Mood)

Best Supporting Actor (possibly someone from Bridgerton like lord Debling, Featherington husbands, or someone from Big Mood)

Best Supporting Actress (possibly someone from Bridgerton like Claudia, Cressida (Jess), Featherington sisters, Portia or someone from Big Mood)

Best Male Comedy Performance (possibly Dylan Llewellyn for Big Boys, Robert Gilbert or Eamon Farren for Big Mood)

Best Female Comedy Performance (possibly Nicola for Big Mood, Lydia West  for Big Mood)

This is just me guessing, so I’m not sure if everyone mentioned is even eligible for this year’s BAFTA. And yes, this is highly biased as a Nicola fan—you can basically read it as me hoping Nicola herself, her projects, and those connected to her get nominated.

II. Background information on previous years’ nominations (picked randomly based on my personal bias)

Bridgerton has never been nominated, except for Virgin TV's Must-See Moment in 2021. Meanwhile, Derry Girls, Big Boys, Sex Education, and their respective actors have received multiple nominations and won in some categories.

2024: “Big Boys” nominated for Best Scripted Comedy

2023:

“Bad Sisters” was nominated and won Best Drama Series

“Derry Girls” was nominated and won Best Scripted Comedy (Big Boys was also nominated)

Cillian Murphy (“Peaky Blinders”) was nominated for Best Actor

Jon Pointing as Danny (“Big Boys”) was nominated for Best Male Comedy Performance

Siobhán McSweeney as Sr. George Michael (“Derry Girls”) was nominated and won Best Female Comedy Performance

“Derry Girls” Finale was nominated for Memorable Moment, but Platinum Jubilee: Party at the Palace – Paddington Meets The Queen won

2022:

Lydia West as Jill Baxter – It's a Sin  was nominated for Best Actress

Ncuti Gatwa as Eric Effiong – Sex Education  was nominated for Ncuti Gatwa as Eric Effiong – Sex Education (Netflix)

2021:

Paul Mescal – Normal People was nominated for Best Actor

Aimee Lou Wood – Sex Education  was nominated and won Best Female Comedy Performance

Bridgerton – "Penelope is revealed as Lady Whistledown"  was nominated for Virgin TV's Must-See Moment

2019: Derry Girls  was nominated for Best Scripted Comedy

III. My personal predictions.

Being cautiously optimistic, I hope Big Mood will be nominated  for Best Scripted Comedy  and Nicola will be nominated for Best Actress  or Best Female Comedy Performance.

It would be really cool for Bridgerton to be nominated but based on the previous nomination I guess they are very heavy on British.

But we will see👀

So vote for the carriage scene https://publicvote.bafta.org/po-cruises-memorable-moment.

[1americanconservative]

@VigilantFox

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10 Shocking Stories the Media Buried Today #10 - British advisors to Kamala Harris have been caught plotting to "kill Musk's Twitter," and now

@ElonMusk

is saying, "This is war." This damning discovery was uncovered by Paul D. Thacker and Matt Taibbi. The report reveals that it’s England—not Russia—involved in real election interference. It starts with leaked documents from the Center for Countering Digital Hate (CCDH), a group linked to the British Labour Party, showing a plan to take down X. Their "annual priorities" mission is: "Kill Musk's Twitter." Alongside that is "advertising focus," which means a harassment and shaming campaign to scare away advertisers and drain X's revenue. Morgan McSweeney, a key figure behind British Prime Minister Keir Starmer's rise to power, is leading this effort. The report suggests that he is aiming to replicate the success he had in the U.K., using narrative control, political influence, and censorship to shape the outcome of the 2024 election. The leaks also show that CCDH is pushing for new laws to control "misinformation"—all under the guise of combating disinformation, while actually trying to manipulate U.S. legislation. This report is damning, and it shows how much the world's most powerful people hate free speech and the open flow of ideas. Anyone claiming to combat "misinformation," at this point, is clearly your enemy, not your friend.

For more details, check out

@thackerpd’s thread: https://x.com/thackerpd/status/1848755448674934836…

[darkmaga-returns]

Auron MacIntyre

Oct 24, 2024

Progressive journalists and politicians have endlessly accused Donald Trump of colluding with Russia to influence U.S. elections. But a new bombshell report reveals that the Kamala Harris campaign is working with the British Labour Party to censor social media and news outlets within the United States, hoping to sway the 2024 presidential election.

Many Republicans had already raised concerns when reports emerged this month that more than 100 Labour staffers traveled to the United States to campaign for Harris in North Carolina and Pennsylvania. Journalist Paul Thacker and Matt Taibbi’s report revealed a deeper relationship between the Harris campaign and foreign political agents, with a shared agenda that includes destroying Elon Musk’s X (formerly Twitter).

Pledge your support

After eight years of accusing Donald Trump of treasonous foreign collusion, it’s now clear that the Democratic Party is comfortable working with elements of the British government to manipulate U.S. politics.

Thacker and Taibbi show how foreign political operatives are not only advising the Harris campaign but also directing critical aspects of it. The highly partisan nonprofit Center for Countering Digital Hate has served as a vehicle for foreign influence. CCDH, a subsidiary of British think tank Labour Together, is led by progressive strategist Morgan McSweeney, who also advises Harris.

In the U.K., CCDH has championed censorship under the guise of fighting “misinformation.” Its U.S.-based office has helped organize advertiser boycotts of right-leaning news outlets like the Federalist and Zero Hedge.

McSweeney, credited with Labour Prime Minister Keir Starmer’s rise, has pushed for extreme measures to suppress free speech in Britain. After riots erupted in response to the mass knifing of several children earlier this summer, Starmer emptied prisons of violent criminals to make room for political dissidents. His government has cracked down on social media posts, even arresting people for sharing content critical of immigration policy. Additionally, Starmer’s government has been arresting Christians for silently praying in public. This is the level of censorship the Democrats wish to enforce, First Amendment be damned.

[invisibleicewands]

We, the undersigned, come together as creatives and artists, recognising the immense power held within each voice, especially those often underrepresented in our society. 

Art and creativity shapes and reflects the diverse experiences of our communities. It’s vital that politics does too, and that everyone’s voice is heard in our democracy. 

But in Britain today, as many as 8 million people are not registered to vote at their current address. Turnout of younger voters has been falling considerably.  New rules requiring photo ID risk excluding hundreds of thousands of citizens, and disproportionately affecting poorer people, those with disabilities and people from minority ethnic backgrounds.

We, the undersigned, stand united in our belief that participation in elections is not just a right, but a profound responsibility—one that should extend to everyone, at the heart of a vibrant democracy. 

That is why we urge you to join us in registering to vote for the upcoming local elections before the deadline of 23:59 on Tuesday 16 April, at https://qrco.de/giveanx. Remember, you are also eligible to register if you are a qualifying EU or Commonwealth citizen. 

We join hands with the young people leading the Give an X campaign in emphasising the importance of young people shaping the future, and we urge each and every citizen to claim their seat at the table.

Voting is not just casting a ballot; it is narrating the stories of our communities and painting a vision of a better tomorrow. In the face of huge challenges nationally and globally, that has never been more important.

Let’s all of us write the next chapter together. We Give an X – will you?

Signed,

Michael Sheen - Actor

Paapa Essiedu - Actor

Meera Syal CBE - Actor and writer

Armando Iannucci - OBE Writer, director, producer and performer

Amelia Dimoldenberg - Comedian and presenter

Billy Bragg - Singer and songwriter

Samuel West - Actor and director

Sharon Gaffka - TV personality

Es Devlin CBE - Artist and designer

Ahir Shah - Comedian

Ralf Little - Actor and writer

Sir Stephen Frears - Director

Misan Harriman - Photographer and Chair of the Southbank Centre

Mei Mac - Actor

Sally Lindsay - Actor

Siobhán McSweeney - Actor and presenter

Sir Alistair Spalding CBE - Artistic Director, Sadler's Wells

Alice Aedy - CEO, Earthrise

David Lan CBE - Writer, producer and director

Georgia Harrison - TV personality

Timothy Sheader - Artistic Director, Donmar Warehouse

Henny Finch - Executive Director, Donmar Warehouse

Paule Constable - Lighting designer and Associate Director of the National Theatre

Daniel Lismore - Sculptor and designer

Luke McQueen - Comedian

Elliot Levey - Actor

Joseph Henry - Architect

Charlie Condou - Actor

Seeta Indani - Dancer and actor

Ania Magliano - Comedian

John O'Farrell - Author and scriptwriter

Emily Berrington - Actor

Rebecca Hendin - Illustrator

Jack Guinness - Writer and founder of The Queer Bible

Michael French - Head of Games London

Joseph Zeal-Henry - Director, Sound Advice

Sacha Lord - Co-founder of The Warehouse Project & Parklife festival Sam Evans - Musical Director

Estelle van Warmelo - Director

Bernard Donoghue OBE - CEO, Association of Leading Visitor Attractions

Stephen Skeet - Director of Impact, Volunteering Matters

Kayleigh Wainwright - Director of Youth Sector Innovation, UK Youth

Joe Bailey - CEO, Brighten the Corners/Out Loud Music

Jack Gamble - Director, Campaign for the Arts

Mete Coban MBE - CEO, My Life My Say

Lauren Kay-Lambert - Co Managing Director, Shape History

Sami Gichki - Co-Chair of the #iWill Movement

[rich4a1]

Ann Kittredge REIMAGINE

ANN KITTREDGE REIMAGINE Zevely Records, Inc. Ann Kittredge, vocals/arranger; Wendy Cavett, Steve Ross & Christopher Denny, piano/arranging; Alex Rybeck, piano/arranging/keyboard; Sean Harkness, bass/electric guitar/arranger; Rex Benincasa & Dan Gross, drums/percussion; Mary Ann McSweeney, bass; Tom Kochan, string orchestration; Robin Zeh (CM), Paul Woodiel, & Joyce Hammann, violins; Katarzyna…

[cryptoto]

HEA vs STA Dream11 BBL Prediction 2024-25 Match 19

Brisbane Heat and Melbourne Star will lock horns in Match 19 of the 2024-25 BBL on Wednesday, January 1, 2025, at The Gabba, Brisbane. Continue reading to find out HEA vs STA Dream11 BBL 2024-25 Match 19 Prediction. Predicted XIs for Brisbane Heat and Melbourne Star Brisbane Heat Predicted XI: Tom Banton, Jimmy Peirson (WK), Colin Munro (C), Nathan McSweeney, Matt Renshaw, Max Bryant, Paul…

[hamsdd]

HEA vs STA Dream11 BBL Prediction 2024-25 Match 19

Brisbane Heat and Melbourne Star will lock horns in Match 19 of the 2024-25 BBL on Wednesday, January 1, 2025, at The Gabba, Brisbane. Continue reading to find out HEA vs STA Dream11 BBL 2024-25 Match 19 Prediction. Predicted XIs for Brisbane Heat and Melbourne Star Brisbane Heat Predicted XI: Tom Banton, Jimmy Peirson (WK), Colin Munro (C), Nathan McSweeney, Matt Renshaw, Max Bryant, Paul…

[bllsbailey]

Leaked Docs Expose Far-Left Group's Plan to Kill 'Elon Musk's Twitter' Ahead of Election

The British are coming, and they're going to interfere with our elections. 

Leftists are furious Elon Musk is campaigning on former President Donald Trump’s behalf and are looking for every opportunity to take him down before the 2024 election. Leaked internal documents from a British nonprofit organization expose the group’s plan to “kill Musk’s Twitter” by targeting advertisers.

The Center for Countering Digital Hate (CCDH), a group associated with England’s Labour Party, is allegedly attempting to meddle in the U.S. presidential election. According to internal documents obtained by journalists Paul Thacker and Matt Taibbi, the company seeks to strengthen its ties to the pro-censorship administration of President Joe Biden and Vice President Kamala Harris. 

The founder of CCDH is British political operative Morgan McSweeney, who is advising Harris’s presidential campaign.

In a coordinated effort to undermine X, the company is reportedly pressuring advertisers to withdraw their funds and support from the social media platform to ruin it financially. Its agenda includes “Progress towards change in the USA and support for STAR,” which means creating an “independent digital regulator” that could “impose consequences for harmful content” and “set up meetings with [Sen. Amy Klobuchar (D-MN)] team.”

The company is notably known for recently hiring the firm Lot Sixteen to lobby congressional offices on “misinformation” in Washington, D.C. Taibbi and Thacker explained that although the CCDH describes itself as an anti-misinformation organization, one of its top priorities is to “trigger EU and UK regulatory action” against platforms such as Twitter. 

The CCDH has had over 60 meetings with U.S. lawmakers “on the Hill” this year alone, while another task assignment reads “Meeting with 16 congressional offices over the next two weeks to give updates on the Elon lawsuit.” 

Musk described the company’s objectives as a “criminal organization” and declared this “war.” He vowed to go after the company and its donors— and their donors. 

Trending on Townhall Videos

[poligrafoserio]

Grupo de censura britânico ligado a Starmer e Kamala Harris conspira para “matar o Twitter de Musk”, mostram documentos vazados

Documentos vazados do Centre for Countering Digital Hate – o grupo de censura fundado pelo novo chefe de gabinete de Keir Starmer, Morgan McSweeney – mostram que o grupo planeja “matar o Twitter de Musk” enquanto fortalece os laços com os democratas. Paul D. Thacker e Matt Taibbi têm a história no DisInformation Chronicle .

Em um vazamento explosivo com ramificações para a próxima eleição presidencial dos EUA, documentos internos do  Centro de Combate ao Ódio Digital — cujo fundador é o agente político britânico Morgan McSweeney, que agora  assessora a campanha de Kamala Harris  — mostram que o grupo planeja  por escrito  "matar o Twitter de Musk" enquanto fortalece os laços com o governo Biden/Harris e democratas como a senadora Amy Klobuchar, que  apresentou  vários  projetos de lei para regular a "desinformação" online.

MATAR, MATAR, MATAR: Não importa o que mais o CCDH fale, “Matar o Twitter de Musk” é seu primeiro item de negócios

O gabinete da senadora Klobuchar não respondeu ao pedido de comentário.

Os documentos obtidos pelo  DisInformation Chronicle  e  Racket  mostram o hiperfoco do CCDH em Musk — “Mate o Twitter de Musk” é o primeiro item no  modelo  de suas notas de agenda mensais que remontam aos primeiros meses deste ano.

O  Centre for Countering Digital Hate  é o aliado ativista antidesinformação do Partido Trabalhista do Primeiro Ministro Keir Starmer, e um veículo de mensagens para o think tank neoliberal do Partido Trabalhista, Labour Together. Tanto o CCDH quanto o Labour Together foram fundados por Morgan McSweeney, um Svengali creditado por pilotar a ascensão de Starmer a Downing Street, assim como Karl Rove é creditado por guiar George W. Bush até a Casa Branca.

Os documentos do CCDH têm importância particular porque os agentes políticos do Labour Together de McSweeney têm ensinado estratégias eleitorais para Kamala Harris e Tim Walz, levando  o Politico  a chamar o Partido Trabalhista e os Democratas de " partidos irmãos ". O foco do CCDH em "Matar o Twitter de Musk" também aumenta as questões legais sobre o status de isenção de impostos da organização sem fins lucrativos como uma organização 501(c)(3).

De acordo com o IRS, a CCDH pode perder seu status tributário especial se “ uma parte substancial de suas atividades estiver tentando influenciar a legislação ”. No entanto, o terceiro item da CCDH em sua lista de prioridades anuais é “Desencadear ação regulatória da UE e do Reino Unido” e o grupo anteriormente empregou a empresa  Lot 16 para fazer lobby em escritórios do Congresso  sobre “desinformação” em Washington.

Tanto o DisInformation Chronicle  quanto  o Racket  enviaram várias perguntas extensas ao atual CEO do CCDH, Imran Ahmed, outro agente político britânico ligado ao Labour Together de McSweeney. Apesar dos repetidos pedidos de comentário, Ahmed se recusou a responder.

Nos últimos dois meses, o  Washington Post  e  o Politico , entre outros, publicaram uma  série  de  artigos  sobre conselheiros britânicos do Labour Together resgatando a donzela política aflita que é a campanha Harris/Walz.  O Politico  escala McSweeney como o "mentor eleitoral" que primeiro ajudou Keir Starmer a derrotar o esquerdista Jeremy Corbyn para se tornar o chefe do Partido Trabalhista, até a vitória " esmagadora " de Starmer sobre os conservadores para se tornar primeiro-ministro em julho passado, o que implica que McSweeney e sua equipe podem realizar um milagre semelhante para Harris.

McSweeney é uma figura ascendente, tendo acabado de ser  promovido a Chefe de Gabinete de Starmer  em algo como um golpe palaciano após a  renúncia abrupta de Sue Gray, uma figura de longa data do Partido Trabalhista . McSweeney é enaltecido, não apenas por uma inclinação à direita no estilo Carville dentro do partido, mas por sua maestria em arrecadação de fundos e dinheiro obscuro, tendo  supostamente  atraído uma série de novos doadores ricos para o Partido Trabalhista nos últimos dois anos.

Após 25 anos de “relacionamento especial” sendo essencialmente “tráfego de mão única”, com políticos de Washington aconselhando os britânicos, os democratas “agora acreditam que realmente têm algo a aprender com o Partido Trabalhista”,  como  Politico  explicou . Os democratas supostamente aprenderão com o brilhantismo tático do Partido Trabalhista. 

Artigo original:

[rockrevoltmagazine]

IBOTW: Parts Per Million

Parts Per Million Paul McSweeney Vocals/Guitar S. Brian Bailey Guitar/Vocals Alex Marks Bass/Vocals David MacCauley

And here we are again – bringing you some incredible music from amazing bands that deserve your eyes and ears. This week’s Indie Band of the week is Parts Per Million, an independent rock band from the New England area. The band was founded by singer/songwriter Paul McSweeney and guitarist Brian Bailey, and rounded out with bassist Alex Mark’s and drummer David MacCaulay. They are bringing back that 90’s era heavy rock and grunge, paired with four part singing harmonies and soaring guitar solos.

Read on to get a little more acquainted with Parts Per Million and feast your ears on their music, because we know these guys are going to rock it like none-other.

Hi! It’s great to get a chance to talk to you about your band and your music. Let’s start off with whatever you feel we need to know about what you are up to right now.

We have a new EP releasing sometime this summer, depending on the current situation titled The Cycle. We just released “2020 VISION”, our fourth single from that EP, and an incredible video worth checking out.

We will definitely do that – how would you describe your band?

The vocal harmonies of AIC, the sonic assault of early Soundgarden, and the energy off the Foo Fighters.

Bold words my friend! I like it. Why did you decide to play the genre or genres you do?

I really miss good heavy rock music in the mainstream. We just want to believe we have something special and different, and just enough of what others miss to make a serious impact on the world.

Where do you usually gather songwriting inspiration? What is your usual songwriting process?

Inspiration usually comes from other musicians and songs. For me the writing process almost always starts on an acoustic guitar, followed by vocal humming. At this point it usually goes to the band and becomes a possibility of someone adding something to it. From there I usually go home and write lyrics on something that I already had determined somewhere along the line. Initially, it always starts in a quiet place.

What specific themes do your songs cover?

 Suicide, politics, societal pressure, abandonment, death…you know…all the happy stuff! (laughs). The newest EP is about cycles, whether of behavior, politics, or life. Some of the many repeating things that happen in our lives

Do you think that online presence is important for fans to find you and critics to find your music to write about?

Yes. especially now. We all have noticed a downward trend on crowds in venues as a whole. Any way to connect with people on any level is important, and we enjoy making videos and content. We also welcome critique of the band and our songs, whether good or bad to keep perspective.

How do you promote your band and shows?

Every way possible: social media promotion, direct messaging, going to other area shows and handing out flyers and tickets. This, still being the best way in my opinion. Putting faces to names and making friends in the scene is the best way to build a following in my opinion. To many bands do not get out and support others unless they are playing the show.

That’s a shame, especially now. What’s the best and worst thing about playing clubs?

The best thing about it is it can be an intimate packed house full of energy. The bad part is it can be completely dead.

Agreed. What are your immediate music career goals?

To tour, to get a little more recognition nationally, and to play in front of a festival or large crowd.

Those are great goals. Once you’ve achieved that, do you feel you would call it a success? What is your definition of “success”?

If I could make a living off of music with 3 other guys, I’d call that a success. If this ended today, I’d still feel the same way. We’ve put out some really good material, and I’m proud to have it in the world.

Most definitely. What advice would you give to fellow bands?

Just keep going. If you find the right people to make music with, just keep going. It takes time. We have been through so many ups and downs and sometimes when things looked like they were at their worst, we did our finest work.

How do you balance your music with other obligations – mate, children, job?

For me this was always a big deal, so it comes out on the table in the beginning with anyone who enters my life. It isn’t always easy, and usually takes a lot of my free time. I wouldn’t do it any other way though. I love playing and writing music more than anything in this world.

Connect with Parts Per Million (click icons):

IBOTW: Parts Per Million was originally published on RockRevolt Mag

[darkmaga-returns]

All my investigations are free to access, thanks to the generosity of my readers. Independent journalism nonetheless requires investment, so if you took value from this article or any others, please consider sharing, or even becoming a paid subscriber. Your support is always gratefully received, and will never be forgotten. To buy me a coffee or two, please click this link.

On October 22nd, independent journalists Paul D. Thacker and Matt Taibbi published a bombshell investigation, exposing how the intelligence-adjacent Center for Countering Digital Hate (CCDH) hatched a covert plot at the start of 2024 to “kill [Elon] Musk’s Twitter.” This highly politicised attack on ‘X’ is just one component of a wider British invasion of the US political sphere, designed to sabotage Donald Trump’s presidential campaign, guarantee the election of Kamala Harris, and keep Washington embroiled in the Ukraine proxy war quagmire.Leaked CCDH docs show destroying ‘X’ is the organisation’s chief priority

CCDH was founded by Morgan McSweeney, a British political svengali widely credited with masterminding Keir Starmer’s landslide July general election win, now closely advising Harris’ presidential campaign. The organisation, which targets both left and right dissident voices for censorship and deplatforming, was spun out of Labour Together, a “think tank” McSweeney led 2017 - 2020. In this position, he drew up Machiavellian plans for Starmer’s seizure of power, and neutralising then-Labour leader Jeremy Corbyn and his party support base, much of which subsequently came to fruition.

CCDH was a key element of McSweeney’s anti-Corbyn crusade. Officially founded in early 2019, its first act was to launch Stop Funding Fake News (SFFN). Initially operating without any clarity on who or what was funding and running the endeavour, it promoted boycotts of independent English-language news outlets. Resultantly, major businesses were pressured into withdrawing their adverts from target websites, to starve them of revenue. The approach was devastatingly effective, shutting down several websites and forcing others, like The Canary, to downsize.

[mapletreeonfire]

The Great Festive Bake Off

[noel-fielding-web-page]

Sorry, I couldn't resist. The cake is just luvly :)

GBBO Quotes, Specials, Part 1 (2019-2020)

[x]