#peter schuler

[neonjstr]

Happy Pal-entine's Day

[theqhreator42]

F R A N C H ⚡ ⚡ ⚡

[sheltiechicago]

read more books by Peter Schüler

[grimmicks]

“You must learn to love someone else apart from me, Sara.”

Picnic at Hanging Rock (1975) dir. Peter Weir cine. Russell Boyd

[whatamigonnawatchtoday]

Picnic at Hanging Rock

1975. Mystery Film

By Peter Weir

Starring: Rachel Roberts, Dominic Guard, Helen Morse, Jacki Weaver, Anne-Louise Lambert, Margaret Nelson, John Jarrat, Wynn Roberts, Christine Schuler, Jane Vallis...

Country: Australia

Language: English

[letterboxd-loggd]

Picnic at Hanging Rock (1975) Peter Weir

January 30th 2023

[gomosmorodina]

one of the reasons why bcs is in some terms better than brba is that bcs has much better small characters. brba has some very great secondary characters (max, gomez, all of jesse's friends, old man from junk yard, wendy) but it's pretty easy to forget about the rest of them and all i can say about my favourites is they are "nice" and "cool" and "cute". but bcs minor characters are next level! they are much more alive. not just useful and nice parts of narrative but a real humans with a story that is told by very few details. i could make a post where i list almost every bcs small character and they turn out to be my favourites because there's so much of them (clifford main and rich schweikart, kettlemans, lyle, little guy from the travel wire, margarethe ziegler, david the sommelier, caldera the vet, kristy esposito and many many many more). even the characters from brba that appeared in bcs as a minor ones seem as something bigger and new because they are shown by other means of expression, even if they were one of the mains in brba (hank and marie, francesca, huell, jesse). there are some brba characters that have this "untold potential story" but only because of the narrative (max, domingo, drew scharp, peter schuler) and their impact on other characters' lifes. in bcs characters can have a very small role in plot, but still their story and type reads. maybe it's because of better acting, maybe because of better casting in terms of expressive faces and overall looks, but i think writers and directors learned how to say about the characters more with very little.

[sexymonstersupercreep]

Nightmare Fuel Art Master-post, Vol. I

Regularly updated!

15th Century

Gerard David Hans Holbein Hans Memling Hieronymous Bosch Lucas Cranach the Elder Matthias Grunewald Titian

16th Century

Adriaen van de Venne Artemisia Gentileschi Filippo Napoletano Hans Baldung Grien Herri Met de Bles Jacopo Ligozzi Jan Mandijn Jan Massys Pieter Bruegel the Elder

17th Century

Caravaggio Francesco Furini Frans Francken II Juan de Valdes Leal Jusepe de Ribera Leonaert Bramer Peter Paul Rubens Salvator Rosa 18th Century

Edvard Munch Francisco de Goya Henry Fuseli J.M.W. Turner Karl Alexander Wilke Katsushika Hokusai Paolo Vincenzo Bonomini William Blake

19th Century

Amedee-Ernest Lynen Antoine Wiertz Armand Rassenfosse Arnold Bocklin Carlos Schwabe Edmond Louis Dupain Felicien Rops Francesco Scaramuzza Franz von Stuck Georges Rochegrosse George Frederic Watts Gustave Dore Gustave Moreau Henri Regnault Ilya Repin Jakub Schikaneder James Tissot Jean Francois Millet Jean Leon Gerome Jean Paul Laurens Jean Veber Jeno Gyarfas Jose Casado del Alisal Laszlo Mednyanszky Louis Gallait Maximilian Pirner Odilon Redon Paul Burck Theodore Gericault Theodor Kittelsen Theophile Schuler Tsukioka Yoshitoshi Wilhelm Kotarbinski William Holbrook Beard Witold Wojtkiewicz

“Turn of the Century” Alberto Martini Alfred Kubin Antonio Rizzi Egon Schiele Frantisek Kupka Fritz Gareis Georges Desvallieres Harry Clarke Heinrich Kley Henryk Weyssenhoff James Ensor Jaroslav Panuska Jean Delville Josef Mandl Julien Adolphe-Duvocelle Kathe Kollwitz Manuel Orazi Marian Wawrzeniecki Oscar Parviainen Piotr Stachiewicz Richard Tennant Cooper Sascha Schneider Sergius Hruby Wladyslaw Podkowinski Vasily Vereshchagin

[maximino-a]

guys Peter Schuler is homophobic he tried attacking me.

[windholm]

LOST GIRL PROJECT #8

Hi everyone, and welcome, to another Woodend!

For whoever's back, so glad and thankful you returned. For whoever's new to it, thank you for joining this """""little""""" fanfiction project, and please be sure to check out the introducting post for everything you have to know about it and to read its prologue, or Foreword, just as both the previous posts.

I'm currently living through a bit of a busy period, right now, so I can't assure you if I'll be able to publish next chapter in time for Christmas (not like you have nothing better to do about it, after all... 😅).

Now, about this chapter, it took me a while to write it down like I wanted to, and to really put into words the feeling I first had watching both the Picnic at Hanging Rock movie and series, as some of its most iconic moments (though, as usual, a little changed to fit my own version of this well known story).

I especially took some time to write down Miranda and her approach to this whole thing, so that she felt as mystical and mysterious as she was in the movie (if not a little more...)

Now, about Marion and Irma... well, it still is a little early to really delve into them as characters, but I wanted to spend a couple of words about Marion's book: I already had mentioned it in a previous chapter, and it is a book by J. M. Barrie himself, the first one featuring Peter Pan as a character.

There will be more to come about this book, so stay tuned...

About Edith, on the other hand, this is not the first chapter she is featured into. And by now, if you read the story until now, you probably have realised already the way I'm trying to put her down. That said, as close as mine is to her character in every single Picnic at Hanging Rock, I'm especially basing her on Christine Schuler's portrayal of her in the movie, though there's a lot about her that I decided basing on Ruby Rees' character in the series (his sneakiness, her being little more than a child...).

There will be a couple of scenes especially based on the latter, as the story progresses, and I can't overstate how forward I'm looking for them...

Well, guys, that's all for today! See you (hopefully) for Christmas... 🎅

WARNING: I do not own Picnic at Hanging Rock, nor any of the other movies/series/books/songs this fanfiction was inspired from. Again, this is just a fanfiction, and a homage to many of them.

[evoldir]

Fwd: Postdoc: Bolzano.Italy.Barkbeetle.Ecology

Begin forwarded message: > From: evoldir@evol.biology.mcmaster.ca > Subject: Postdoc: Bolzano.Italy.Barkbeetle.Ecology > Date: 26 October 2023 at 08:03:26 BST > To: rdmpage@gmail.com > > > Two Postdoctoral positions are available at the Free University of > Bozen-Bolzano (Italy) in the lab of Hannes Schuler. The project is > funded for two years and aim to study the European spruce bark beetle Ips > typographus and its association with microorganisms, nematodes and mites. > > The European spruce bark beetle Ips typographus is one of the most > important forest pests in Europe. Symbiotic associations with fungi and > bacteria are an important factor in the biology of this species. The focus > of this project is to study the associations of bark beetle populations > with symbiotic bacteria and fungi to obtain a more holistic understanding > of the biology, ecology and harmful potential of this beetle. Moreover, > we aim to study the role of nematodes and mites on the fitness of this > pest species. The project is in collaboration with Martin Schebeck and > Christian Stauffer (Boku, Vienna), Andrea Battisti (University of Padova) > and Peter Biedermann (University Freiburg). > > Position 1: We are looking for an enthusiastic candidate with a strong > background in molecular biology and experience with bioinformatic analyses > of bacterial and/or fungal communities associated with insects. The > candidate will be responsible to perform amplicon-sequencing as well as > whole genome sequencing for bacteria and fungi. > > Position 2: We are looking for a candidate with entomological skills > and interests in experimental field research. Experience with molecular > tools is desired but not required. > > The Free University of Bozen-Bolzano is located in one of the > most fascinating European regions, at the crossroads between > the German-speaking and Italian cultures. Its trilingualism in > teaching and research, its high level of internationalization as > well as an ideal research environment guaranteed by its excellent > facilities are some of the reasons why unibz regularly reaches > top positions in national and international rankings. Our lab > is part of the newly funded competence Centre for Plant Health >

[sheltiechicago]

Mad Max Hattingen by Peter Schüler Via Flickr: www.petersch%c3%bcler.de

[byneddiedingo]

Picnic at Hanging Rock (Peter Weir, 1975)t

Cast: Rachel Roberts, Vivean Gray, Helen Morse, Kirsty Child, Tony Llewellyn-Jones, Jackie Weaver, Frank Gunnell, Anne-Louise Lambert, Karen Robson, Jane Vallis, Christine Schuler, Margaret Nelson, Ingrid Mason, Jenny Lovell, Janet Murray. Screenplay: Cliff Green, based on a novel by Joan Lindsay. Cinematography: Russell Boyd. Art direction: David Copping. Film editing: Max Lemon. 

Picnic at Hanging Rock is an unstable mix of a film, playing on, among other things, themes of sexual repression, homoerotic attraction, colonialism, and the curious draw of geological anomalies: Hanging Rock is to the characters in the film as Devil's Tower is to Roy Neary in Close Encounters of the Third Kind (Steven Spielberg, 1977) or Sedona is to contemporary New Agers. We never learn how two schoolgirls and a teacher disappeared on their visit to the volcanic outcropping, but it doesn't much matter. What's clear is that the characters are misfits in both place and time, Australia in 1900. As one of the disappeared girls, Miranda (Anne-Louise Lambert), says, "Everything begins and ends in the right time and place." Like the hoopskirted women and top-hatted men in the wilds of New Zealand in Jane Campion's The Piano (1993), these schoolgirls are uncomfortably muffled against the reality of an Australian summer, to the point that, when they set out for the picnic, they are prevented from even removing their gloves until they have left the village of Woodend, their outpost of civilization. So the three girls who set out on their rebellious adventure shock a fourth, the whining, conventional Edith (Christine Schuler), when they dare to remove their shoes and stockings and proceed barefoot. Edith, who decides to leave the group, will later report that when she met Miss McCraw (Vivean Gray), who followed the girls' path, the teacher was not wearing a skirt. And when one of the girls, Irma (Karen Robson), is found alive but with no memory of what happened, she has mysteriously lost her corset. Several other stories, including the persecution by the headmistress (Rachel Roberts) of the misfit student Sara (Margaret Nelson), are interwoven with the principal incident. But for all its inconclusive narrative and sometimes clashing themes, the movie works by creating a complex symbolic texture. Peter Weir and screenwriter Cliff Green, adapting Joan Lindsay's novel (which was initially thought to be non-fiction), craft a story that tantalizes without frustrating. (Lindsay drafted but didn't publish a chapter with a sci-fi solution involving time warps; her editor was smart to excise it, and Weir and Green were wise to ignore it.)

[god-whispers]

aug 4

quotes

a little "acquired" wisdom from those who have traveled our road before.  enjoy and contemplate!

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“aim at heaven and you will get earth thrown in.  aim at earth and you get neither.”  — c. s. lewis

“there are many of us that are willing to do great things for the Lord, but few of us are willing to do little things.”  — dwight l. moody

“we have to pray with our eyes on God, not on the difficulties.” — oswald chambers

“let your religion be less of a theory and more of a love affair.” — gilbert k. chesterton

“he is no fool who gives what he cannot keep, to gain what he cannot lose." — jim elliot

"God does not give us everything we want, but He does fulfill His promises, leading us along the best and straightest paths to Himself.” — dietrich bonhoeffer

“the christian life is not a constant high.  i have my moments of deep discouragement.  i have to go to God in prayer with tears in my eyes, and say, ‘o God, forgive me,' or ‘help me.’” - billy graham

“if you believe in a God who controls the big things, you have to believe in a God who controls the little things.  it is we, of course, to whom things look 'little' or 'big'."  — elisabeth elliot

“worry does not empty tomorrow of its sorrows; it empties today of its strength." —  corrie ten boom

“the will of God will not take us where the grace of God cannot sustain us." - billy graham

“the greater your knowledge of the goodness and grace of God on your life, the more likely you are to praise Him in the storm." - matt chandler

“we may speak about a place where there are no tears, no death, no fear, no night; but those are just the benefits of heaven.  the beauty of heaven is seeing God.” ― max lucado,

“you contribute nothing to your salvation except the sin that made it necessary.” ― jonathan edwards

“we never know how God will answer our prayers, but we can expect that He will get us involved in His plan for the answer.  if we are true intercessors, we must be ready to take part in God’s work on behalf of the people for whom we pray.” ― corrie ten boom

“out of 100 men, one will read the Bible, the other 99 will read the christian.” ― d.l. moody

“but I will not tell you how long or short the way will be; only that it lies across a river.  but do not fear that, for I am the great bridge builder.” ― c.s. lewis

“it was strictly forbidden to preach to other prisoners.  it was understood that whoever was caught doing this received a severe beating.  a number of us decided to pay the price for the privilege of preaching, so we accepted their [the communists' ] terms.  it was a deal; we preached and they beat us.  we were happy preaching.  they were happy beating us, so everyone was happy.” ― richard wurmbrand,

“the devil frequently fills our thoughts with great schemes, so that instead of putting our hands to what work we can do to serve our Lord, we may rest satisfied with wishing to perform impossibilities.” ― santa teresa de Jesús,

“we sinned for no reason but an incomprehensible lack of love, and He saved us for no reason but an incomprehensible excess of love.” ― peter kreeft

“when man is with God in awe and love, then he is praying.” ― karl rahner

“when you are down to nothing, God is up to something.  it is up to you to reach out to find what God is up to for you.” ― robert schuler

“this is our time on the history line of God.  this is it.  what will we do with the one deep exhale of God on this earth?  for we are but a vapor and we have to make it count.  we’re on.  direct us, Lord, and get us on our feet." — beth moore

“o God — please give Him back!  i shall keep asking You.” ― john irving

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everyday my prayers include that final quote, "o God - please hive Him back!"  not to suffer but to reign - to begin the new age.  Father God - help us get those last few ushered in that will fill up the measure you have allotted (those who are willing to accept Your truth).

i would also quote again the next to last quote.  “this is our time on the history line of God."  "He has made from one blood every nation of men to dwell on all the face of the earth, and has determined their preappointed times and the boundaries of their dwellings, so that they should seek the Lord, in the hope that they might grope for Him and find Him, though He is not far from each one of us; for in Him we live and move and have our being, as also some of your own poets have said, ‘for we are also His offspring.’" acts 17:26-28

seek Him.  share Him.  see Him.  your redemption draws near.  look up - see Him coming in the clouds with great honor and power.  maranatha!  any day now

[letterboxd-loggd]

Picnic at Hanging Rock (1975) Peter Weir

May 16th 2022

[korrektheiten]

Pöser Putin, liebe Presse und ein bitterer Witz…

PI:»Von PETER BARTELS | Putin … Papst … Matussek … Schuler: Dreimal WELTWOCHE – dreimal Weltklasse!! Solche Storys gibt’s heute nur noch in der Schweiz, dem neuen  „Westen“ Deutschlands. Vergessen Sie NZZ, FAZ, WELT, ZEIT, vor allem Kriegstreiber BILD. PI-NEWS gibt sich die Ehre … Der Reihe nach: Peter Hänseler, WELTWOCHE-Redaktor, schreibt: „Im Vorfeld zur […] http://dlvr.it/SQCSnt «