Joe Willie Perkins was raised on a plantation in Honey Island, Mississippi. He only went to school as far as the third grade, so he didn’t write. He began his career as a guitarist but then injured the tendons in his left arm in a knife fight with a chorus girl in Helena, Arkansas in the 1940s. Unable to play the guitar, he switched to the piano.
In the 1950s, Perkins joined Earl Hooker and began touring. He recorded "Pinetop's Boogie Woogie" at Sam Phillips's Sun Studio in Memphis, Tennessee. The tune was written by Pinetop Smith, who created the original recording in 1928. Perkins learned to play-off Smith's records and said people used to call him Pinetop' because he played that song.
After his death in 2011 and in the late musician's honor, the Pinetop Perkins Foundation holds annual workshops for young musicians interested in Blues and Jazz music in Clarksdale, Mississippi. The foundation also provides financial relief to aging musicians through a program called the Pinetop Assistance League; with a goal of ensuring that elderly musicians who can no longer earn an income can pay their housing and medical costs in order to have comfort and dignity in their later years.
"Kral" Leo LaDell, Aotearoa'nın en iyi saklanan müzik sırlarından biridir. Norfolk Virginia'da doğan LaDell, Pinetop Perkins ve Bo Diddley gibi efsanelerle sahneyi paylaştı. Leo, geleneksel blues deyimlerinin bir karışımına kendi güçlü ve onurlu varlığını getiriyor. 2004'te Yeni Zelanda'nın Dunedin şehrine taşındıktan sonra Leo, ülkenin en iyi, en derinden hissedilen canlı performanslarından bazılarını sessizce sunuyor ve sadık bir takipçi kitlesi oluşturdu.
Willie “Pinetop” Perkins (July 7, 1913 - March 21, 2011) Delta Blues and boogie-woogie piano player was born near Belzoni, Mississippi. He played with some of the best-known blues and rock and roll artists in history and influenced many more including Elton John, Billy Joel, and Greg Allman.
He began at age ten playing guitar and piano but dropped guitar after sustaining an injury to his left arm. He moved to Helena, Arkansas to work with bluesman Robert Nighthawk, appearing on the recordings Nighthawk made for Chess Records. He recorded with Earl Hooker for Sun Records. He recorded “Pinetop’s Boogie Woogie” for Sun Records. Known as “Pinetop” since the 1940s, it was this record that stamped him with his lifelong nickname.
He replaced Otis Spann in Muddy Water’s band, a role that he maintained for twelve years. He joined other members of the Water’s band, striking out on their own as The Legendary Blues Band. This group toured and recorded from the late 1970s through the early 1990s releasing two records that received several Grammy nominations.
In 1988, he released his first solo effort, “After Hours,” on Blind Pig Records. He released the first of 15 solo records over 15 years. “Born in the Delta,” a multimedia-enhanced CD release, and “Legends,” with Hubert Sumlin. Both recordings received Grammy nominations in 1997 and 2000. He received a Grammy nomination for “Ladies Man” on MC Records and the Grammy Lifetime Achievement Award.
He received the Blues Music Award for best piano every year (1993-2004) when he voluntarily retired from nomination. The award was thereafter renamed the “Pinetop” Perkins Piano Player of the Year award.
In 2008, “Pinetop and Friends” was released featuring such legendary artists as Eric Clapton, B.B. King, and Jimmie Vaughn. He released “Joined at the Hip,” a collaborative project with Willie “Big Eyes” Smith, which received a Grammy for Best Traditional Blues CD.
He was still playing regularly at the age of 97 and was often seen jamming in clubs around his home in Austin. #africanhistory365 #africanexcellence
Brad Vickers and his Vestapolitans Peace In My Time
Brad Vickers and his Vestapolitans
Peace In My Time
ManHatTone Records
Bassist Brad Vickers apprenticed with Jimmy Rogers, Hubert Sumlin, and Pinetop Perkins. As the bass player for Little Mike and The Tornadoes he appears on 1988’s “Pinetop Perkins with Little Mike & The Tornadoes After Hours”, and on Little Mike’s 1990 follow-up “Heart Attack”. Sometime thereafter Vickers switched to guitar and…
https://www.podbean.com/media/share/pb-5fsf2-16beb60
Welcome to episode 80 of Norty Blues. I’m Archie Archive and the entertainment in ths edition is from;
Rube Lacy, Mae Glover, Bo Carter, Lula Reed, John Lee Hooker, Wendy Saddington, Lazy Eye, Pinetop Perkins, Larkin Poe and Lightnin’ Hopkins.
We’ve been lucky enough to see some tremendous live music right around the corner at both the Ale House the Hangar on the Hudson for many years, and on tonight’s episode we feature a few of the bands that have played there, recently and in years past. The Lost Planet Airmen stuff is from a brand new CD (I think?) and features all surviving members of the band, including Bill Kirchen, John Tichy, and Andy Stein who performed at the Hangar 2 weeks ago, and were tremendous! Here are the deets..
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July 7 ZODIAC
Mastering the Art of Slow Blues Piano: Tips and Tricks from the Pros
Slow blues is a genre of music that is characterized by its slow tempo, soulful melodies and heartbreaking lyrics. As a pianist, mastering the art of slow blues piano takes time, patience and practice. In this article, we will discuss some tips and tricks from the pros to help you become a master of slow blues piano playing.
1. Develop a Good Sense of Timing
Slow blues is all about timing. It is essential to develop good timing skills to play slow blues effectively. The best way to do this is by using a metronome to keep time. Practice playing along with the metronome until you can play blues piano without missing a beat.
2. Master the Blues Scale
The blues scale is the basis for slow blues piano playing. It is essential to master the blues scale, which includes the root, flatted third, and fifth notes of the scale. Practice playing the scale up and down the piano keyboard to get comfortable with it.
3. Learn Chord Progressions
Slow blues has a specific chord progression that is commonly used. This chord progression includes the I, IV, and V chords of the scale. Learn to play these chords in different keys and in various styles to improve your slow blues piano playing.
4. Practice Call and Response
Call-and-response is the cornerstone of blues music. Practice playing call-and-response phrases on the piano to develop your improvisational skills. These phrases should be short and simple, and should alternate between the call and response.
5. Play with Feeling
Slow blues is all about feeling. It is essential to play each note with intention and emotion. Experiment with different techniques, such as bending and sliding notes, to add more feeling to your playing.
6. Listen to Great Blues Pianists
Listening to great blues pianists is an excellent way to improve your playing. Some of the most notable blues pianists include Otis Spann, Pinetop Perkins, and Memphis Slim. Listen to their recordings and try to emulate their playing style.
7. Play with Other Musicians
Playing with other musicians is an excellent way to improve your slow blues piano playing. Join a blues band, attend jam sessions or collaborate with other musicians to develop your skills.
8. Train Your Ears
Training your ears is crucial to becoming a successful blues pianist. Listen to slow blues recordings and try to identify the different chord progressions, melodies, and rhythms used. This will help you to develop your improvisational skills and enhance your playing.
9. Practice, Practice, Practice
The most important tip for mastering the art of slow blues piano is to practice. Set aside regular practice time and work on developing your skills every day. With time, patience, and practice, you can become a master of slow blues piano playing.
In conclusion, mastering the art of slow blues piano takes time and effort, but it is worth it. With these tips and tricks from the pros, you can improve your skills and become a master of slow blues piano playing. Remember to practice regularly, play with other musicians, and listen to great blues pianists to develop your skills and enhance your playing.
Try this
Mastering the Art of Slow Blues Piano: Tips and Tricks from the Pros