MDB/SDB IRIS INVENTORY:
UPDATED 5/10/2022:
—-BLACK—-
BLACK STALLION (SDB) BLACK W/ WHITE BEARD 📷
DARK VADER (SDB) BLACK W/ BLUE BEARD 📷
—-LIGHT BLUE—-
DOT.COM (SDB) LIGHT BLUE W/ BLUE BEARD
TU TU TURQUOISE (SDB) PALE BLUE/LIGHT BLUE W/ LIGHT BLUE BEARD
BAY RUFFLES (SDB) LIGHT BLUE W/ LIGHT BLUE BEARD 📷
ICE INDIGO (SDB) LIGHT BLUE/PURPLE W/ WHITE BEARD 📷
MICROWAVE (MDB) LIGHT BLUE-ISH PURPLE W/ WHITE BEARD 📷
OPEN SKY (SDB) LIGHT BLUE W/ WHITE BEARD 📷
SAPPHIRE GEM (SDB)
—-LIGHT PURPLE—-
WORRY WART (SDB) LIGHT PURPLE W/ BLUE BEARD 📷
MY HUCKLEBERRY FRIEND (MDB) LIGHT PURPLE/PURPLE W/ WHITE BEARD
FANCY THIS (MDB) LIGHT PURPLE W/ LOGHT BLUE BEARD
BOWTIE (SDB) LIGHT PURPLE/ REDISH-PURPLE W/ WHITE BEARD
CELEBRATE (SDB) PURPLE/PINK W/ LIGHT PURPLE BEARD 📷
WILDCAT PAJAMAS (SDB) PURPLE /WHITE W/ PURPLE BEARD 📷
MUPPET (SDB) LIGHT PURPLE/LIGHT YELLOW W/ PURPLE BEARD
CIRCUS CLOWN (SDB) LIGHT PURPLE/PURPLE W/ ORANGE BEARD
SERENDIPITY ELF (SDB) LIGHT PURPLE/REDDISH STRIPES W/ LIGHT PURPLE BEARD 📷
JEOPARDY (SDB) REDDISH LIGHT PURPLE/RED W/ LIGHT PURPLE BEARD
—-PURPLE—-
JEWEL BABY (SDB) PURPLE
NOT GUILTY (SDB) REDISH-PURPLE W/ LIGHT BLUE BEARD
SANKT PAULI (SDB) PURPLE W/ PURPLE BEARD
FLOWER SHOWER (SDB) PURPLE W/ PURPLE BEARD
PULSATOR (SDB) PURPLE/DARK PURPLE W/ YELLOWISH-WHITE BEARD 📷
—-RED—-
SNUGGLEBUG (SDB) RED/DARK RED W/ PURPLE BEARD 📷
CATS EYE (SDB) PINK/RED W/ PURPLE BEARD
LITTLE BUCCANEER (SDB) RED W/ YELLOW BEARD
LADY IN RED (SDB) RED W/ ORANGE BEARD
JEWELERS ART (SDB) REDDISH-PURPLE/RED W/ PURPLE BEARD
CANDY APPLE (SDB) REDISH-PURPLE W/ PURPLE BEARD 📷
ON FIRE (SDB) RED/ORANGE W/ PURPLE BEARD 📷
AFRICAN WINE (MDB) RED W/ LIGHT PURPLE BEARD 📷
BUTTONWOOD (SDB) BLACK/YELLOW W/ BLUE BEARD 📷
BORDEAUX PEARL (SDB) BURGUNDY/WHITE STRIPES W/ BLUE BEARD
PUMPING IRON (SDB) PINKISH-RED/RED W/ BLUE BEARD 📷
BOWL OF CHERRIES (SDB) PINKISH-PURPLE-RED W/ PURPLE BEARD
REDDY FREDDY (SDB) PINK/RED W/ WHITE BEARD 📷
RASPBERRY TIGER (SDB) RED W/ WHITE BEARD 📷
RUBY ELF (MDB) REDDISH PURPLE W/ LIGHT PURPLE BEARD 📷
—-PINK—-
APRIL FANFARE (SDB) PINK/PURPLE W/ ORANGE BEARD 📷
JEWELS (SDB) PINK/PURPLE W/ ORANGE/WHITE BEARD
PAUSE (SDB) PINK/PURPLE W/ LIGHT PURPLE BEARD 📷
PUSSYCAT PINK (SDB) PINK W/ PINK BEARD
FRISK ME (SDB) PINK/PURPLE W/ BLUE BEARD
BREVITY (MDB) PINK W/ BLUE BEARD
CHANTED (SDB) PINK W/ PURPLE BEARD
—-ORANGE—-
SITTING PRETTY (SDB) LIGHT ORANGE W/ PURPLE BEARD
SPEAK NO EVIL (SDB) LIGHT ORANGE W/ ORANGE BEARD
PEACH COOLER (SDB) LIGHT ORANGE W/ ORANGE BEARD
TROLL (MDB) LIGHT ORANGE
TINY TITAN (MDB) LIGHT ORANGE W/ ORANGE BEARD 📷
ORANGE TIGER (SDB) YELLOW/YELLOW-ORANGE W/ ORANGE BEARD 📷
CHEROKEE SUNRISE (SDB) YELLOW/LIGHT ORANGE W/ ORANGE BEARD 📷
—-YELLOW—-
TASTY (SDB) BUTTER YELLOW W/ ORANGE BEARD
MARKSMAN (SDB) YELLOW W/ ORANGE BEARD 📷
LITTLE BLUE EYES (SDB) YELLOW W/ BLUE BEARD
—-WHITE—-
BLUEBEARDS GHOST (SDB) WHITE W/ BLUE BEARD 📷
RED HEART (SDB) WHITE/RED W/ WHITE BEARD
BLACK CHERRY (SDB) WHITE/RED W/ WHITE BEARD 📷
BALTIC BLUE (SDB) WHITE/YELLOW W/ BLUE BEARD
TEGAN (SDB) WHITE/LIGHT BLUE W/ YELLOW/ORANGE BEARD
EASTER HOLIDAY (SDB) WHITE W/ YELLOW CENTER 📷
NINE LIVES (SDB) WHITE/RED W/ WHITE BEARD
OPEN YOUR EYES (SDB) WHITE/BLUE W/ WHITE BEARD
STOP AND STARE (SDB) WHITE/PURPLE W/ ORANGE BEARD
BIG BLUE EYES (SDB) WHITE/BLUE W/ WHITE BEARD
ITS A SMALL WORLD (SDB) WHITE PEACH-CENTERED W/ ORANGE BEARD
—-?—-
ORIENTAL GEM (SDB) ?
LA DEE DA (SDB) ?
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21 Creative Ideas for Corporate Stage Design
Do you need some fresh inspiration for corporate stage design? Is it time you discovered a new approach for that annual conference or general session? Yes? Then you’re in luck! We’ve searched around the globe to put together a list of creative corporate stage design ideas worth a look! Simply scroll through for images and tips to get the inspiration flowing for your next corporate event.
IBM Impact Conference
Source: Encore Event Technologies
With some 18,000 people attending the IBM Impact Conference, every aspect of the event must engage huge amounts of people. That’s why event organizers chose to create a multi-dimensional set with a series of screens layered across the stage. Organizers assigned each conference topic a color. So, with this creative corporate stage design, it was possible to transform the set with lighting and on-screen imagery in the designated color for each topic. This is high-energy multimedia at its best!
2. AT&T Developer Summit
Source: Freeman
What happens when a big name needs to reinforce their industry stature? They turn to eventprofs to overhaul their summit with more uniformed branding and an emphasis on innovation. That’s what Freeman did for the AT&T Developer Summit. And the result? A huge impact.
Consistency was the priority here, as you can see from their impressive corporate stage design. Everything from the curved stage to the circular mats, backdrop and ceiling fixtures ties to the AT&T Developer Summit logo featured on the screen. The right balance of bold color energizes, without over-stimulating the senses.
3. Life Sciences Trainers & Educators Network Annual Conference
For a corporate stage design reflective of conference themes, look no further than the Life Sciences Trainers and Educators Network Annual Conference. Aspects of the Arizona landscape and LTEN’s technology theme were the inspiration for this beautiful stage set, because of the event’s location.
Layered backdrop elements like waved panels combined to create a representation of the Grand Canyon. The set also played with different textures and patterns via circuitry panels and used a triple-wide screen for presentations because Arizona is a hub for growing tech. Color washes lit the stage and intense color saturation emphasized the many textures. Blues, pinks and yellows created a sunset desert palette that was nothing less than stunning.
4. Forbes Women’s Summit
Source: Forbes
At the Forbes Women’s Summit, four C-suite leaders took part in a panel titled “The Builders: Shaping the Future of Work Now.” Intentional or not, the backdrop of timber paneling was entirely fitting for the name of this panel. The rustic backdrop combined with contemporary furniture created a clean but comfortable presence, while the timber paneling and greenery have an eco-friendly feel.
You don’t notice the curtains behind the timber at first, but the purple lighting adds a touch of color and a warm glow to the staging, without overshadowing the panel of speakers. This isn’t a highly-technical corporate stage design, but it’s nonetheless very effective. The perfect inspiration if you’re looking for cost-effective staging for your next corporate event.
5. Sony E3 2012 Press Conference
Now, we move to a huge-scale production with the Sony E3 2012 Press Conference. By using a variety of traditional 16:9 screens and square-shaped screens, with some set forward, while others receded, this created a fantastic sense of dimensionality. Rather than one wide stage raised at a single level, there is a central raised section that makes the speaker seem like he is among the audience which can help with attendee engagement.
Press play to see an impressive display of projection mapping interspersed with video. While you may not be working with a budget that allows you to create something that’s so high-impact, you can take inspiration to incorporate these elements on a smaller scale.
6. RECon Asia Pacific Conference 2017
Source: K&A International Co., Ltd.
RECon is the world’s largest global gathering of retail real estate professionals. You can see their staging was quite conventional; a large backdrop with the conference logo in plain sight, supported by a screen on either side to display content.
But, what stands out is their use of lighting to convey changing moods. Using different colors and even changes of direction for the beams of lighting helped create a variety of dramatic effects. To enhance further, they also used color washes across the staging and walls. Notice that more dramatic lighting was used for the guests’ arrival and while having dinner, with ambient blue washes used during conference sessions.
7. ICA (International Cotton Association) Trade Event 2016
Source: Adlib
The ICA Trade Event in 2016 was a celebration of the ICA’s 175th birthday. So fittingly, a custom built 40x7m stage set provided a backdrop for stunning projection mapping. This displayed a story of the past 185 years in the cotton industry. Look at the dramatic shift from the black and white projections to the bright colors of the poppy field which makes you feel like you’re really among them.
Lighting washes in blues and violets across the beautiful architecture add a sense of drama while highlighting the best features of the venue – the Titanic Hotel in Liverpool.
8. MariaDB 17 Tech Conference
Source: Visual Journal courtesy of Moniker
Consistent branding and clean lines were vital to an elevated conference experience at MDB 17 in New York. Layering bold colors and patterns created an aesthetically-pleasing corporate design that also had a sense of depth. A transparent speaker podium with a branded banner was the ideal choice to not detract from the bold backdrop.
A screen positioned to the side of the stage displayed content while allowing the speakers to be front and center. Consistency certainly doesn’t mean dull here. What stands out overall is a bright and uplifting vibe to energize attendees.
9. Pivot Summit
Source: Microhire
The Pivot Summit is a tech-centric business event in Geelong, Australia. So, the decorative staged features used here are a good choice. They resemble building blocks that bring to mind Tetris or molecules. Aside from unique shapes, a bold 3D logo and a color wash do wonders to bring this staging to life. These are a great foundation to use whenever you’re planning a corporate event.
Keeping the decorative features white makes sense for creating a contrast between them and the colored lighting. Positioning the widescreen above the stage, rather than to the side helps to continue drawing the eye of the audience to the front and center (whether they are sitting close by or towards the back.)
10. TTI Success Insights Conference
The TTI Success Insights Conference needed to change-up how their event presented, but it meant getting creative. It was essential to be able to easily reconfigure the one space to hold both general and breakout sessions. We also replicated the appearance of the main session staging for the breakout sessions. Attendees appreciated the consistency of quality as they moved between sessions and it helped to keep their energy up.
Panels of scenic fabrication placed at intervals between projection screens helped maintain that consistency, with easy mobility for the room changes. A blue light wash over the backdrop created a great work environment for attendees. The feel was classy but also uplifted.
11. In Good Company Conference
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Today’s the DAY. Meeting up and fueling up with coffee by @ladyfalconcoffeeclub, breakfast with @navitasorganics and more. #ingoodcompany2018
Special thanks to everyone who helped to make this happen, including @beautycounter @interiordefine @floyddetroit @oldnavy @dysonhair @potterybarnkids @moxxlyinc @thirdlove @framedandmatted @uppababy @alaskaair @sajewellness @methodhome @sweetgreen @ingridandisabel @onceuponafarm @littlefund @skyyvodka @biritesf @winc @native_cos @neveandhawk @oldnavy and so many others.
A post shared by @ beingoodcompany on Sep 28, 2018 at 10:31am PDT
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Now we turn to a smaller, but no less beautiful corporate stage design, for the In Good Company Conference. The overall design combines living room-like comfort with elements of nature – a breath of fresh air. The simple backdrop in all-white highlights the conference without any distraction.
Beautiful greenery disguises the front and sides of the black stage and helps to create a sense of happiness and balance. The furniture invokes a sense of intimacy, which is a perfect tie into both the conference name and purpose – for creative entrepreneurs who are women and mothers to connect with each other.
12. Forca Dimec 2018
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#EverBlock adds an impressive and creative presence to any event, and can be built and designed to any scale! . . . #staging #temporarystage #colorful #eventplatform #eventstaging #podium #specialevent #bigblocks #stagepresence #event #eventdecor #conference #entrepreneur #eventspace #specialevent #companyevent #companytraining #employeetraining #corporateevent #backdrop #backwall #featurewall #design #eventdesign #tedtalk #stagedecor #marketing
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You’re only limited by your imagination when it comes to creative temporary staging. A perfect example is this corporate event in Brazil. Two purpose-built brick walls from EverBlock flanked a curved widescreen for video projection mapping. Because the blocks can be taken apart and rebuilt for the next event or even to create something entirely new, they’re essentially a green building element. They’re also a great option for adding a sense of playfulness to a corporate event which might otherwise run the risk of appearing too serious.
We love that the blocks add color, texture and interest. But it’s also about the contrast created between technology and physical, tangible objects.
13. VOICE Summit 2018
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Day 2 of the VOICE Summit at NJIT and I still can't get over this gorgeous stage (or the presenters that have spoken on it)
#eventplanning
A post shared by Beth Lawrence (@_beth_lawrence_) on Jul 25, 2018 at 11:51am PDT
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At this tech event, 3D decorative panels with a resemblance to computer motherboards were used. To highlight the creative corporate stage design further, the fabric backdrop, stage and even the attendee furniture are all in black.
3D lettering is always a favorite because of its tangible nature. Also, because it was white, it could be projected onto for color changes throughout the event. Large screens were set to the side of each stage for optimum viewing, without detracting from the stage design.
14. Ministry of Education Event – Republic of Maldives
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Gov’t. announces fulfilment of free preschool education pledge An event of Ministry of Education – Republic of Maldives Event Managed by Iskandhar School #StagecoremvEvents #EventRigging #EventLighting #EventVideo #EventStaging #EventAutomation #EventSet and . #EventRental Photography: @framed.mv
A post shared by Stage Core Pvt. Ltd (@stagecore) on Nov 2, 2016 at 12:52pm PDT
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As this event was for the announcement of a pledge fulfillment for a free preschool initiative, the child-like feel to the staging was the perfect choice.
One of the most creative features at this event were the playful lighting projections onto the paneled ceiling. These projections were in the same colors as the bold stage backdrop panels. Because of the positioning of the panels, along with bold imagery and a small amount of text, it made them appear like pages in a children’s book.
15. Dubai Islamic Bank Gala Dinner
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Protec partnered @alsayeghmedia with #EventLighting #EventVideo #EventAudio #EventStaging & #EventRigging for the Dubai Islamic Bank gala dinner. #EventRental #EventProfs #GalaDinner #ProtecEvents
A post shared by PROTEC (@protec_events) on Jun 9, 2016 at 5:14am PDT
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This event makes our list because it’s the perfect example of creating a theme with corporate stage design. Of course, magnificence and opulence are just right for a bank’s gala dinner! Lighting, screens and 3D objects were all used as features that, when combined, resembled a galaxy with a night sky and a central planet with rings.
The brilliant lighting across each step reflects that of the rings, while also directing attention to the stage. We’re in awe of those lighting beams projecting outward from the stage. They create a feeling of inclusivity – that attendees are really part of what is happening on stage.
16. Microsoft EDU Keynote
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That time @heyheysu live illustrated our #MicrosoftEDU keynote
⠀⠀⠀⠀⠀⠀⠀⠀⠀ … #Repost @Microsoft⠀⠀ #hyesulee #handdraw #illustration #surface #surfacestudio #livedrawing #keynote #scenicdesign #design #designagency #production #creative #liveproduction #liveevents #experiential #eventdesign #experientialmarketing #eventproduction #creativeagency
A post shared by ZED INK (@zed_ink) on Sep 18, 2018 at 8:00pm PDT
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If you’re looking for something completely different, with a live, off-the-cuff feel, then this is the one for you! After all, who says you must do what everyone else is doing?
During a Microsoft EDU keynote, illustrator Hyesu Lee created an illustration using the Microsoft Surface Pro. It was shown live on a screen which became the backdrop for the session. Because of this colorful and attention-grabbing backdrop, it was essential that the rest of the corporate stage design didn’t compete for the audience’s attention.
17. YAHOO! Partner Day at Levi’s Stadium
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What a great team! #Repost @roarevents ・・・ And we are live! Final look at the stage! The transformation of the United Club is pretty spectacular! Thanks team @nicolesunday @blueprintstudiosevents @_designinmind @huckleberrykaren it looks FAB! #eventdesign #eventplanning #eventbranding #eventstaging #branding #design #creativepartners #workwiththebest #eventprofs
A post shared by Blueprint Studios (@blueprintstudiosevents) on Oct 28, 2015 at 10:24am PDT
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The goal for this corporate stage design was to wow the startup’s super-users, who were known for their appreciation of good design. In other words, the set needed to be Insta-worthy! Here, we see that sleek and stylish, rather than showy was more appropriate for the audience. And a sense of symmetry was essential too.
Staggered panels added depth, while still maintaining clean lines. The panels were also subtly shaded in different colors. A light stage is a nice change up from the many black and dark grey rental decks we see.
18. UP Global
Source: designworklife courtesy of Moniker
Don’t make the mistake of thinking “corporate” must be “impersonal”. UP Global showed an essential human element at their corporate event by using people’s images as part of their stage backdrop. After all, this is in line with UP Global’s desire to support entrepreneurial communities. We think obvious references like these can be more effective than the obscure. When you plan your next corporate event, think about the best way you can form a connection with attendees – not just wow them.
19. Turner Internal Meeting
Source: ATOMIC
The Turner Internal Meeting showcased completely different corporate stage design elements than our other list entries. A stand-out feature was their custom-built wood hero wall. Comb SuperWall was then positioned between the hero wall and the projection screens which were used to display both imagery and content. Notably, sections of Comb SuperWall were used around the rest of the venue too, to imitate columns for example.
With eye-catching features like these, it’s essential to then create some balance. And so, a clear podium and grey stage let the backdrop take the focus.
20. PARP at CeBIT ICT fair in Hannover
Source: Poland at CeBIT
For the largest ICT fair in the world, the high-tech and sleek staging we saw at Hannover was the perfect fit. The screens on stage function both as practical items for displaying content and decorative elements, thanks to unique shapes and their overlapping layout. Color also plays an important role. The red and orange hues are on-brand, while blues create some relief. A variety of lighting helps to create a dramatic multi-dimensional feel to the staging.
21. TOBY Awards 2009 for BOMA
Source: Smart Meetings, courtesy of Bravo Productions
What do you do when you need to create a beautiful awards dinner on a budget? You create an eco-friendly and reusable corporate stage design! For the client, Building Owners and Managers Association International (BOMA), event sponsors created a city skyline out of timber to build into a set. They added to the effect by renting trees indigenous to Southern California and using a gobo crafted into a representation of skyscraper windows to project light onto the set.
LED lighting was chosen for its energy efficiency, to continue the theme of eco-friendly design. But, it also allowed for more color changes throughout the event and therefore, a more dynamic corporate stage design.
As you can see, there are so many options now for creative corporate stage design. Look to elements of dimensionality, texture, color or lighting. But ultimately, you should choose what will best represent the event theme and the client’s brand, while keeping the energy of attendees up.
Did you find any corporate stage design inspiration here? What are you thinking about trying for your next corporate event?
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from Endless Events https://helloendless.com/21-creative-ideas-for-corporate-stage-design/
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Bluebird Haven Iris Garden is a Victorian show garden in the foothills of the Sierra Nevada Mountains of California. An acre of landscaped iris, daffodils, wildflowers, and a variety of shrubs and trees are surrounded by acres of row-cultivated iris. During the bloom season over 100,000 iris will be displaying their vibrant colors. Our garden features a Victorian gazebo, park benches, paths for viewing and selecting your favorite irises, and picnic tables for a leisurely lunch. We have a wide selection of outstanding iris varieties for you to choose from, featuring both antique and moderns.
Bluebird Haven Iris Garden may be reached at
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or e-mail
[email protected]. Mary Hess said she would welcome anyone, service clubs or individuals, wishing to volunteer to help in her garden.
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Catalog Key
Class TB Tall Bearded (greater than 28" tall) MTB Miniature Tall Bearded (small bloom, TB height) BB Border Bearded (15"-28" tall) IB Intermediate Bearded (15"-28" tall) SDB Standard Dwarf Bearded (less than 15" tall) MDB Miniature Dwarf Bearded (less than 8" tall) AB Arilbred, Oncobred, etc. Bloom Time E Early M Medium L Late Re Rebloomer (blooms spring and fall or winter) Color Type Self Iris of a single color Bitone Standards and Falls different shades of the same color Bicolor Standards and Falls of different colors Blend Two or more colors blended together Plicata Stitched, spotted or stippled color on different colored background Halo Falls have a distinct solid rim of a color different from center Description S Standards; the upper blossom petals F Falls; the lower blossom petals B Beard; the clustered hairs on the falls
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SOMETHING NEW! I now have over 4000 different cultivars in the garden. I did two huge rare iris garden rescues in the last two years. I have been asked to list my entire inventory, whether they are ready to sell or not for tracking purposes. I have about 500 new to me entries going in and I am dropping those I've lost. In doing so, those that I have 5 or fewer of will be listed but no price (NFS- not for sale). Those will not be for sale in 2018. This year's catalog will be very fluid. Garden rescues are always challenging. Names will come and go as the bloom season progresses and I establish what I really have. I am also adding "RARE" to those found in two or fewer commercial gardens in the U.S. They need saving from extinction.With that, we are happy to announce our 2018 catalog! This listing replaces all previous catalogs and price lists. We offer a carefully selected variety of irises for your garden, including a rainbow of different colors, a variety of styles, different heights and bloom times. Please use the order form above for your order and send in as soon as possible to ensure availability of all your selections. Depending on the size of your order, you will receive one or more BONUS selections of our choice (but we love hints) with your order. Minimum order is $10.00.
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All prices are net. CA residents please add 7.25% sales tax. Shipping fees are as follows: There is a minimum $8 shipping and handling fee. Mississippi area please add $2, East Coast add $4. Please include $8 for 1-9 iris, $9 for 10-14 iris, $10 for 15-19 iris, $12 for 20-24 iris. Add $.50 for each iris after that. Payment in full must accompany each order. Your canceled check is notification of receipt and acceptance of your order. Make checks payable to BLUEBIRD HAVEN IRIS GARDEN. Sorry we do not take credit or debit cards or PayPal.
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We can ship anywhere in the U.S. Since shipping is by USPS, please show a complete delivery address. The main shipping season is July and August. We do not ship outside the US. Order Cutoff Date: No orders will be accepted after August 15.
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Supplies of plants are limited to available stock. If we are out of stock on a particular iris, we will substitute a similar colored variety (of equal or greater value) only with your permission. If you have specific irises you wish us to substitute with, please indicate them on your order. PLEASE ORDER EARLY! We try to list iris that we feel can meet all of the year's demand, but sometimes we do fall short. PLEASE list several alternate varieties for substitutions OR give me a hint as to what goal you have in mind for your garden so that I can better serve your needs if you choose to accept substitutes. We also often use your alternate list for our bonus iris.
Guaranteed Plant Quality
Our irises are guaranteed true to variety name. Open your shipment as soon as it arrives. If you cannot plant the rhizomes within a few days, store them upright in a cool, well ventilated place until planting. If you are dissatisfied, we will replace or refund your order if you notify us of a problem within 14 days, and return the iris. We'll pay return shipping. We cannot be responsible for weather or growing conditions in your garden. Planting instructions are included with each order.
2375
AACHEN
Mahoney, J. 1982/83 TB 32 M Self RARE Laced and ruffled light red purple, yellow hafts veined greyed orange; B: yellow orange with 3/4" horns NFS 3938 AACHEN ELF Kennedy, G. 1984/84 MTB 20 M Bicolor RARE S:yellow, F:lavender, edged yellow, B:yellow 5.00 2210
ACCENT
Buss, W. 1952/53 TB 46 M Bicolor S:medium light yellow, F:rose-red, lines at haft on pale yellow ground, B:orange 5.00 1660
ACCLAMATION
Corlew, G. 1978/80 TB 35 M Self RARE Medium yellow with lighter center on falls, B:darker yellow 7.00 2465
ACE OF CLUBS
Hager, B. 1983/84 SDB 10 M Self RARE Yellow self, black signal; B:yellow 5.00 1298 ACROBAT Williamson, B. 1977/80 TB 35 ML Bitone RARE S:medium violet, blended plum brown from midribs, 1/4" plum brown edge, F:silver lilac, 1/4" plum brown edge, B:lemon, tipped white 7.00 3831 ACROPOLIS Berry, S. 1929/29 TB 48 EM Bitone S:mid blue-purple, F:dark blue-purple, B:yellow, tip blue-white SO 618
ACTRESS
Keppel, K. 1975/76 TB 35 EM,Re Self Wisteria violet, Indian orange in throat, B:white base, bright orange tips 6.00 4080 AD ASTRA Babson, S. 1964/67 TB 38 M Halo RARE S:medium yellow, F:white, edged yellow, B:white, tipped yellow NFS 1009 ADAM Craig, T. 1962/62 TB 38 EL Self RARE S:vineyard red, F:same but brighter NFS 1309
ADVENTURE BAY
Plough, G. 1978/79 TB 36 EM Bicolor S:majolica yellow with pink infusion in center, F:dauphin violet with muted brown hafts, 1/4" blended border, B:nasturtium orange 7.00 2600
AFFAIRE
Blyth, B. 1992/93 TB 36 EM Bicolor S:blue-grey, F:greenish mustard, yellow around B, tan wash 8.00 997 AFTER DARK Schreiners 1963/63 TB 44 EM Self RARE Dark violet-blue-black, B:deep red 6.00 3775 AFTERGLOW Sturtevant, G. 1917/17 TB 36 M Self RARE Grayish lavender shading to rich yellow thru center, B:bronzy orange NFS 855
AFTERNOON DELIGHT
Ernst, R. 1983/85 TB 36 M Bicolor S:lightly laced lt golden tan with lav infusion, F:lav with 1/8" golden tan border, gold shoulders, white infusion near yellow B; ruffled 8.00 3956 AGATINE Schreiner, R. 1959/59 TB 34 M Bitone RARE S:copper brown-red, F:mahogany red NFS 2601
AGE OF INNOCENCE
Kerr, F. by Stockton Iris 1994/94 TB 38 M Halo RARE PS:pure white, F:white, edged with sky blue rim, B:yellow, flaring 7.00 2003
ALABAMA BOUND
Foster, F. 1979/79 TB 36 E-M Self Big ruffled white self, lines deep in throat, B:orange; fluted 6.00 2448
ALADDIN'S WISH
Murawska, A. 1943/45 TB 32 E-L Self Blue plicata with brushed cream (gold) radiating through flower like sunrays; strong fragrance, unusual 5.00 3781 ALBERT VICTOR Barr & Sons 1885/85 TB 40 M Self RARE Lavender violet self, blue lav. spear, B:bluish white, orange tips NFS 1651
ALBICANS
Lange, J. collected 1860 SPC 20 E Self RARE Very old antique, white, somewhat fragrant; listed by some as PRINCESS OF WALES 7.00 4355 ALCALDE Babson, S. 1968/68 TB 40 M Self Deep indigo violet self, B:blue NFS 2985 ALCAZAR Vilmorin 1910/10 TB 36 ML Bicolor S:mauve, F:dark purple, bronze and yellow center with veins,B:orange 6.00 2826 ALLEPO PLAIN Sass, J. 1941/41 TB 30 L Plicata S:reddish brown on white, yellow at midrib, F:white, reddish brown speckled rim, yellow at haft with veins, B:yellow-orange NRS 22
ALI BABA
Lyon, D. 1951/52 TB 38 M Bitone RARE Very pleasing color combination on this older variety. S:light red-brown, F:dark red-brown; B:gold w/ maroon flecks; fragrant 6.00 2284 ALICE HARDING Cayeux, F. 1933/33 TB 36 M Self Soft medium yellow, semi-flaring, B:bright orange; strong fragrance NFS 4193 ALL AFLAME Plough, G. 1968/69 TB 37 EML Bitone RARE S:tangerine-orange, F:cadmium-orange, B:marigold-orange NFS 894
ALL THAT JAZZ
Denney, D. 1981/82 TB 36 M Bicolor S:light yellow, F:dark wine, lines at haft, B:yellow 7.00 315
ALLAGLOW
Tompkins, C. 1958/58 TB 37 ML Self Sunburst gold, blended butterscotch and copper-yellow; colossal bloom 5.00 297
ALLAH
Doriot, H. 1956/57 IB 15 VE Bitone RARE S:light lavender blue, ribbed green, F:parrot green-brown, edged blue, B:orange tipped white; slight ruffle 3.00 2353
ALLEGIANCE
Cook, P. 1957/58 TB 38 M Bitone S:violet-ultramarine, F:roslyn blue, B:med blue, tipped yellow; Dykes Medal 1964 6.00 4221 ALLINE ROGERS Kleinsorge, R. 1949/49 TB 34 M Blend Blend of pink to rose and gold at haft, B:orange NFS 2936
ALLURA
Brown, O. 1968/70 TB 34 M Self RARE Lavender blue self, edges of F deeper, lighter in center, B:white brushed lemon NFS 3935 AL-LU-WE Sass, H. 1932/32 TB 40 M Bicolor RARE S:yellow, pink wash, F:red, tan rim, lighter midline, yellow haft with maroon veins, B:orange SO 1682
ALMOND BLOSSOM
Craig, T. 1953/53 TB 40 M Self RARE Clear peach-blossom-pink, baby pink at haft, B:ibis pink; Good pink color for an older variety, lines at haft, GBF SO 962 ALMOST GLADYS Ensminger, A. 1978/82 TB 34 ML Bicolor RARE S:white with pink flush at base, F:coral pink with 1/4 inch white edging, B:red 7.00 494
ALPINE CASTLE
Blyth, B. 1979/79 TB 36 E-M Self S:white with faint blue infusion at edges, F:white, deepening from blue to violet at edges, B:tangerine 7.00 3838 ALPINE GLOW Kleinsorge, R. 1944/45 TB 40 L Self RARE Rose tones with lilac influence, brown shading at haft, B:gold orange NFS 2602
ALPINE JOURNEY
Blyth, B. 1983/84 TB 38 E-EM Bicolor S:snow white, F:golden yellow, B:golden yellow 8.00 2565 ALTA CALIFORNIA Mohr-Mitchell 1931/31 TB 48 M Bicolorf RARE S:mustard yellow, F:olive, buff flecked, dotted, and veined, B:yellow-orange 5.00 463
AM I BLUE
Denney, D. 1977/77 BB 20 E Self RARE S:pale blue with intense navy blue infusion through midribs and styles, F:pale blue, B:deep navy blue NFS 909
AMADEUS
Tompkins, C. 1989/89 TB 37 ML Self RARE A ruffled and flaring silver toned, orchid lilac blended with pale chicory blue, B:lemon white, tipped orange pink 7.00 2354
AMAS
Foster, M. 1885/85 TB 24 E Bitone Dark blue violet bitone, white at haft 5.00 1306
AMAZON PRINCESS
Nichols, H. 1971/73 SDB 14 E Self
Lemon yellow, B:orange with vivid red-brown halo on F
4.00 3359 AMBASSADEUR Vilmorin 1920/20 TB 40 M-L Bicolor S:smoky lavender, F:velvety purple- maroon, haft white, veined maroon, B:orange; yellow center, dark wire rim 6.00 946
AMBER BEAUTY
Schreiners 1982/82 TB 37 ML Self RARE Ruffled full golden yellow with amber cast, S: slightly lighter, F: darker lines at haft, B:rich gold 7.00 490
AMBROSIA DELIGHT
Niswonger, D. 1982/84 TB 36 M Bicolor S:white, F:orange, B:orange; slightly ruffled 7.00 3355 AMENTI Sass, H. 1935/36 TB 36 L Bicolor S:grayish-yellow vinaceous, F:light violet mauve, buff edge, haft to end of B yellow with gray veins, B:yellow 6.00 4312 AMERICAN CLASSIC Schreiners 1996/96 TB 36 E-L Plicata S:white, 1"violet blue edge, F:white, 1/2"violet blue plicata edging, B:light blue, tipped yellow; heavily ruffled NFS 231
AMERICAN HERITAGE
Williamson, B. 1975/78 TB 33 E-M Plicata RARE Plicata: deep blue-violet on white, 1" purple wash on bottom half of F, B:lemon yellow, tipped lt blue NFS 512
AMERICAN SWEETHEART
Sexton, N. 1983/8 TB 36 M Bicolor S:golden brown, F:rich black with gold haft markings, B:golden brown (orange) 7.00 1462
AMETHYST FLAME
Schreiner, R. 1957/58 TB 38 ML Self RARE Amethyst-orchid with pink sheen, warm amber wash on hafts; Dykes Medal 1963 6.00 252 AMETHYST SUNSET Welch, W. 1972/73 MTB 12 E Bicolor S:light yellow, F:light lavender 5.00 56
AMIGO
Williamson, E. 1933/34 TB 34 M Bitone S:light lavender blue, F:rich deep velvety pansy purple, lines at haft, thin light blue-white rim, B:orange 6.00 160
AMIGO'S GUITAR
Plough,G. 1963/64 TB 36 EM Bicolor S:butterscotch with violet midrib, F:blue-violet, B:yellow; white area at haft w/ veins. 5.00 38
AMITOLA
Sass, H. 1935/36 TB 32 L Blend RARE S:blend of light lavender and buff w/ yellow undertones, F:light violet and lavender blending to buff yellow edge, B:yellow NFS 1284
AMOROUS EMBRACE
Nelson, J. 1988/87 TB 34 M Self RARE Ruffled and laced baby-ribbon pink, B:tangerine NFS 2874
ANEMBO
Bootes, G. 1958/59 TB 40 EML RARE Light yellow self, lighter area in F; (name means peaceful) 5.00 3329 ANGEL BRIGHT Rees, C. 1965/66 TB 36 M Self RARE White self with brilliant gold on haft, B:orange NFS 876
ANGEL CHOIR
Schliefert, A. 1970/70 TB 32 M Self RARE Fluted pure white, B:pale yellow 5.00 1613 ANGEL SYMPHONY Meek,D. 1979/79 TB 34 EM Self RARE White, heavy texture veining with hint of green, B:orange, tipped white 6.00 689
ANGEL UNAWARES
Terrell, C. 1970/70 TB 38 EM Self RARE Ruffled snow white, B:white, slightly yellow at haft 6.00 2603
ANGELS IN FLIGHT
Messick, V. 1995/95 TB 37 M Self White self with blue infusion up S and in middle of F, B:cream; ruffled 8.00 4067 ANGELS IN THE ARCHITECTURE Silvers, T. 2017/17 SPX Plicata
S:white ground, blue-purple wide edge, F:white, blue-purple 1/2" rim, distinct purple veins at haft, B:orange, thin bluish end
NFS 4232 ANGIE Smith, C. 1957/59 TB 36 M Self Imperial purple self 5.00 1119
ANNA BELLE BABSON
Hager, B. 1984/85 TB 36 M Self Intense deep pink; B:narrow tangerine 8.00 3536 ANNA ELVIRA NASH Callis, E. 1939/41 TB 34 L Self RARE Light wine to pink toned self, darker on hafts and rims, B:white 5.00 2818 ANNE LESLIE Sturtevant, G. 1917/17 TB 27 M Bicolor S:white, F:red -violet, white haft with heavy red-violet veining, yellow styles, B:yellow, tips brown 5.00 2124
ANNE NEWHARD
Weisner, J. 1948/40 TB 38 VL Bitone RARE S:med blue-grape F:rich velvety purple-black B:white/maroon/yellow NFS 2115 ANNE-MARIE CAYEUX Cayeux, F. 1928/28 TB 36 E Blend RARE Soft rosy-heliotrope with greyish amber, B:orange; great vigor, pinkish violet in effect NFS 429
ANON
Gibson, J. 1974/75 TB 40 M Plicata S:carrot red, F:amber-yellow on rim, flushed brown-lemon on yellow-white ground, garnet-brown hafts, B:tangerine; ruffled and fluted SO 2604
ANSWERED PRAYERS
Keppel, K. 1994/95 TB 36 EM Bitone S:sea shell pink F:white w/ shell pink rim, B:deep orange, lighter tip NFS 15
ANTHEM
Schreiner, R. 1956/58 TB 40 M Self RARE Fuchsia-purple shot rose with bronze border, B:white base, yellow tips; wide flaring falls 6.00 2994 ANTIGONE Cayeux, F. 1939/39 TB M Self RARE Golden yellow self, B:bushy yellow-orange NFS 87 ANTIQUE IVORY Schreiners 1972/72 TB 36 ML Halo RARE Creamy white with light yellow border on S and F, B:yellow 6.00 3325 APACHE Farr, B. 1926/26 IB M Bitone S;copper vinous purple, lighter at base, F:dark crimson brown, heavy veining at haft on white, B:yellow NFS 1275
APACHE ROSE
Meek, D. 1982/82 TB 36 EM Plicata S:cream-brown with gold wash, F:cream-brown, peppered brownish plum, gold halo, B:burnt orange; ruffled 6.00 1841
APPLE VALLEY
DeForest,F. 1958/58 TB 38 M Self RARE White, tinted pink, hafts deeper pink, B:pinkish tangerine; laced edges NFS 2020
APPLEBLOSSOM PINK
Boushay, J. 1973/74 IB 18 E-M Self S:orient pink, F:white in center, darker pink at edges and hafts, B:white; short, very pretty 6.00 2858
APPLEJACK
Schreiner 1968/68 TB 37 L Blend Blend of russet brown to honey-peach, white w/ lines at haft, white line 1" below B, B:light orange; vigorous 6.00 636
APPRECIATION
Hager, B. 1983/83 TB 40 M Bicolor S:buff tan, gilt edge, F:orchid lavender, red-brown hafts, B:yellow NFS 715
APRICOT BLAZE
Gibson, J. 1970/71 TB 37 M Bitone RARE S:apricot-buff, F:cream overlain by copper-amber, B:bright orange NFS 4177 APRICOT GLORY Muhlesteirn, T. 1948/48 TB 36 EM Self RARE Apricot self, hafts flushed deeper, B:apricot SO 676
APRICOT SUPREME
Tompkins, C. 1951/51 TB 40 ML Self RARE Apricot-toned shell-pink, B:geranium red 5.00 964
APRIL HOPE
Gibson, J. 1979/80 TB 36 M Bicolor S:buff yellow-orange, F:violet with deeper violet veins, 1/4 inch brown rim, light brown hafts, B:yellow-orange; ruffled and serrated 6.00 4315 APROPOS Babson, S. 1963/64 TB 38 M Bitone RARE S:pastel lavender, F:deeper lavender and still darker midvein, B:blue; ruffled NFS 2979 ARABI TREASURE Burnett, M. 1962/63 IB 18 E Self RARE Deep violet self, darker around beard, B:wide fuzzy blue 5.00 971
ARABIAN TAPESTRY
Niswonger, D. 1983/83 TB 34 M Self Ruffled reddish brown with violet blaze in center of F, B:gold 7.00 1710
ARCADIA BUTTERCUP
Milliken, C. 1947/47 TB 30 E,Re Self RARE Sparkling deep golden yellow NFS 3570 ARCHEVEQUE Vilmorin 1911/11 TB 24 M Bitone RARE S:deep purple violet, F:velvety raisin purple, B:orange, maroon tips; 6.00 383
ARCTIC BLUSH
Austin, L. 1958/58 TB 40 M Self RARE Pale pink, B:tangerine; large bloom 5.00 3545 ARCTIC WINE Brown, A. 1963/64 IB 21 EM Self RARE Deep wine-red self, darker haft, B:bronze 5.00 4358 ARDIMAC Sundt, E. 1959/59 AB/TB 26 EM Bitone RARE S:violet purple, F:maroon, black signal, hafts and styles veined, B:black NFS 2449
ARGENT
Forbes. J. 1882/82 TB M Self RARE Med grape, white at haft to below B with dark grape lines 3/4 way down F, B:white base yellow tips 6.00 165
ARGUS PHEASANT
DeForest, F. 1947/48 TB 38 EM Self Rich golden honey brown, bright coppery sheen, B:old gold; large bloom, somewhat flaring, Dykes Medal 1952; still a popular brown 7 .00 2312 ARIANE Cayeux, F. 1935/35 TB 40 M Plicata RARE White ground with medium purple veining. Falls look like color was wiped and smeared in center, B:yellow 5.00 1026 ARKANSAS GIRL Sexton, N. 1982/82 TB 36 M Self RARE Lightly laced green-gold, B:green-gold NFS 2065
ARKANSAS SKIES
Rowlan, H. 1981/82 TB 35 M Self RARE Pale violet blue self, B:yellow, variable short blue-tipped horn 7.00 1121
ARPEGE
Schreiners 1966/66 TB 36 E Bicolor RARE S:mottled very light lavender-blue, F:dark blue-purple-violet, white at haft w/ lines, B:orange with blue tip; fades, GBF 6.00 4044 ARRIVEDERCI Keppel, K. 2013/14 TB 37 ML Bicolor S:pale peach, soft lavender midrib, F:warm lavender blend, slight blue center, B:orange, lavender white end; heavily rufflled NFS 3299 ARROYO Schreiners 1973/74 TB 36 M Self RARE Dark brown self, feather tip of blue below brown-red-copper beard NFS 2357
ART SHOW
Keppel, K. 1989/90 TB 34 M Bicolor RARE S:maise yellow blended peach beige except edge, F:cordovan red with 1/4" maise edge, upper 1/3 maise, striped cordovan, B:red orange; fragrant 9.00 2295
ASHA MICHELLE
Blyth, B. 1981/82 TB 38 M-ML Bicolor RARE S:lemon, F:creamy white, lightly stitched rose brown, lines of violet on F w/ midrib line part way down, B:yellow 6.00 3707 ASPENGLOW Loomis, by E. Long 1956/56 TB 36 M-L Self RARE Rich full well formed saffron yellow; slightly ruffled, strong well branched stalks. NFS 3395 ASTRO FLASH Schreiners 1976/76 TB 37 M Blend Rich blend of golden brown with henna accent, heart-shaped area of blue on F, B:yellow to gold NFS 1051
ASTRO FLIGHT
Rowlan, H. 1983/84 TB 33 ML Self RARE Lightly laced and ruffled wisteria blue self, darker lines at haft, B:yellow with 3/4" blue horn 7.00 3810 AT DAWNING Kirkland, J. 1933/35 TB 36 M Bicolor RARE S:pale pink-mother of pearl, gold base, F:rose-pink, white haft gold lined, B:golden orange; better in shade NFS 1056
ATLANTIC RIPPLES
Powell, L. 1974/74 TB 35 E-VL Self RARE Ruffled blue orchid, lighter at haft, B:blue NFS 3779 ATROVIOLACEA Todaro,A. 1856/56 MDB 6 EE Bitone RARE S:red-violet, F:deeper red-violet, B:thin white 6.00 2268
ATTENTION PLEASE
Mohr, H. 1973/74 TB 34 M Plicata RARE S:lilac purple with a few flecks of white, F:specturm violet on white ground washed with cream, B:orange-brown 7.00 3854 AUBURN Kleinsorge, R. 1945/45 TB 39 E Self RARE S:coppery henna brown, F:sa,me with wide blue patch below B, B:orange NFS 4077 AULD LANG SYNE Spahn, F. 1981/82 TB 35 EM Bitone S:creamy pink, F:peach pink, B:bright tangerine; ruffled 8.00 2309 AUREA or I. VARIEGATA variety id 1938 TB E Self RARE Has varigated leaves of yellow and green. Waiting for bloom. NFS 2855
AURIFERO
Mohr-Mitchell 1923/27 TB 40 M Bitone RARE S:soft lavender, F:flaring lavender flushed rose, white at haft with rich gold veining, B:golden yellow 5.00 3916 AUSTRALIS Todaro, A. 1861/61 TB M RARE S:pallid blue-violet, veining red-brown, F:pale violet, gray inner haft, B:white, tipped yellow at base, projecting; nice fragrance 8.00 5
AUTUMN APRICOT
Thimsen, A. 1987/88 TB 30 M,Re Bitone RARE S:light orange, F:light orange, cream area below B, B:red; ruffled 8.00 1186
AUTUMN BLUSH
Black, P. 1983/84 TB 33 EM Bicolor RARE S:mauve-pink with paler edge, F:cream with greenish cast, amber-rose hafts, pale pink suffused halo, B:deep sienna; ruffled and laced, frag NFS 3138 AUTUMN CIRCUS Hager, B. 1990/90 TB 34 E, Re Plicata S:white, lightly peppered blue-violet to solid edge, F:white, bold lines radiating from B, blue-violet plicata edge, B:white, blue tip 8.00 254
AUTUMN DELIGHT
Austin, L. 1952/52 TB 28 M,Re Bitone RARE S:amethyst pink, F:deep rosy mulberry, yellow haft with lines to end of B, B:yellow orange 5.00 809
AUTUMN ECHO
Gibson, J. 1973/75 TB 36 E,Re Plicata S:yellow speckled garnet-brown, rim flushed yellow, F:canary yellow, speckled garnet-brown, garnet-brown rim, small white signal, B:orange 7.00 2807
AUTUMN KING
Sass, H. 1924/24 TB M,Re Bitone RARE S:light bluish purple. F:darker w/ lighter rim, B:white base, yellow tips 6.00 732
AUTUMN LEAVES
Keppel, K. 1972/74 TB 34 M Bicolor S:brownish yellow, F:maroon with brown edges, B:orange-yellow; ruffled 7.00 2848
AUTUMN QUEEN
Sass, H. 1926/26 SDB 12 E,Re Self RARE White; rebloomer 6.00 1684
AUTUMN ROSEMIST
Austin, L. 1960/61 TB 34 M,Re Bitone S:misty buff pink, F:soft crimson pink, 1/4" darker rim, yellow at haft w/ lines, B:bright orange-yellow 5.00 1685
AUTUMN ROSYCHEEKS
Austin, L. 1963/63 TB 32 EE,Re Bitone RARE Light fuchsia-pink, mulberry cheeks on falls, lines at haft, B:red-orange; Wanted by many antique collectors. 5.00 1604
AUTUMN SUNSET
Lapham, E. G. 1939/39 TB 32 M,Re Bitone S:pale buff yellow w/ pale reddish violet wash, F:darker reddish violet w/ buff yellow blended rim, copper red at haft, B:yellow 5.00 3463 AUTUMN TWILIGHT Brown, G.P. 1971/71 TB 33 M, Re Bicolor S:brownish yellow, F:lavender with brown edging, hafts ecru with lavender veins 6.00 1686
AUTUMN VELVET
Brown, G. P. 1962/62 TB 33 EM,Re Bitone RARE S:deep carmine, F:darker carmine with a velvety sheen, B:gold-bronze; short bloom stalks 6.00 742
AVALON BAY
Hamner, B. 1973/74 TB 36 M,Re Self RARE Ruffled bluebird blue, B:yellow, tipped blue NFS 1192
AVENGING ANGEL
Williamson, B. 1980/84 TB 38 ML Self Ruffled burgundy red, B:burgundy 7.00 2606
AWAKENING
Meek, D. 1994/94 TB 35 ML Self S:deep pink with slight lavender infusion, F:pink to ivory from B to above lower rim, tan hint at haft, B:henna, lav-blue; sweet fragrance NFS 2802
AZTEC BURST
Blyth, B. 1993/94 TB 38 VE Bicolor S:white, F:apricot to light orange, B:apricot tangerine NFS 50 AZTEC COPPER Kleinsorge, R. 1939/39 TB 38 M RARE Lovely blend of smokey violets and coppper; slight fragrance 8.00 519 AZTEC STAR Niswonger, D. 1981/81 SDB 12 M Bicolor RARE S:pale yellow, F:red, edged pale yellow, deeper yellow in throat, B:pale yellow 4.00 1243 AZURE LUSTER Weiler, J. 1981/82 TB 36 M-L Self RARE Ruffled clean light azure-blue, lighter area around B, maroon lines deep in throat, B:yellow; semiflaring, pronounced fragrance 7.00 2399
AZURE WHIR
Durrance, J. 1992/92 TB 35 E Self Ruffled light blue-grey self, B:light yellow tipped blue NFS
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