Photo credits to Carlos López, Andy Red (Identification credit) and Juanjo Del Campo (Colourized) - Photos taken from the Facebook group 'Grupo Re-Viven!' La Tragedia de Los Andes - El Milagro de Los Andes
Esta flor vivirá pocos días, Platero, aunque su recuerdo podrá ser eterno. Será su vivir como un día de tu primavera, como una primavera de mi vida… ¿Qué le diera yo al otoño, Platero a cambio de esta flor divina, para que ella fuese, diariamente, el ejemplo sencillo y sin término de la nuestra?
Susan Stryker - Historía de lo trans. Las raíces de la revolución de hoy. Prólogo de Lucas Platero. Traducción de Matilde Pérez u María Teresa Sánchez. Editorial Continta Me Tienes.
i saw a dog that looked just like this when i was getting boba yesterday and it tried to pounce on me as i walked by and it was like being smacked w a peluche
Libertadores de Querétaro derrotó a Plateros de Fresnillo por marcador de 90 a 87 unidades. Un partido muy parejo en el que se vio mejor al equipo queretano el cual supo capitalizar y mantener su ventaja durante el encuentro, aunque por momentos estuvo parejo.
Duelo muy cerrado el que se vivió en los primeros minutos del partido entre Libertadores de Querétaro y Plateros de Fresnillo. 21 a 24…
SO YOU THINK YOU CAN DANCE USA SEASON 17 // Anna Miller & Carter Williams / "Don't Go Yet" — Camila Cabello / Salsa / Choreography by Jonathan & Oksana Platero / Top 10 Perform
Narciso "Ciso" Platero Abeyta, or Ha So Deh (1918–1998) was a Navajo painter, silversmith and Navajo code talker. He is known for his colorful paintings depicting Navajo life. His work is in the permanent collection of museums including the Smithsonian National Museum of the American Indian.
Abeyta was born in 1918. He is named after his father, Narciso. His mother was Pablita. He started drawing when he was eleven. He attended the Santa Fe Indian School, starting in 1939. Dorothy Dunn was his teacher. Abeyta was a Golden Gloves boxer. He served in World War II in the United States Army, as a code talker. After he returned from service, he was unable to work for ten years due to his experiences at war. Eventually, he attended the University of New Mexico. He trained under Raymond Jonson.
Abeyta was primarily a painter. His paintings document Navajo life, and use brush stroke techniques that are reminiscent of Navajo rugs. He had two known commissions for work as a muralist; a 1934 mural for a social science classroom in Santa Fe, New Mexico and in 1939 for Maisel's Indian Trading Post in Albuquerque, New Mexico. He demonstrated painting at the 1939 San Francisco World's Fair.
Abeyta married Sylvia Ann, a Quaker ceramics artist. They had seven children, including artists Tony Abeyta and Pablita Abeyta. The family lived in Gallup, New Mexico.
Photo restorations done by Esteban Lemos on Facebook (Credit)
Alt ID is too long so I'll add it here (Spanish has been translated): The Mendoza Plumerillo Airport, 12 of October 1972:
Standing, left to right: Roberto Canessa, José Luis Inciarte, Daniel Shaw, Eduardo Strauch, Alvaro Manginto, Daniel Fernández, Enrique Platero, Roy Harley, Gustavo Nicholich, Rafael Echavarren, Ramón Sabella, Carlos Páez, Diego Storm, Roberto Francois, Fernando Parrado, Daniel Maspons, Juan Carlos Menéndez, Padro Algorta, Felipe Maquirriain, Numa Turcatti, Julio Martinez Lamas.
Crouched, left to right: Arturo Nogueira, Marcelo Pérez, Jorge Hounie, Guido Magri, Gustavo Zerbino, Panchito Abal, Fernando Vásquez, Antonio Vizintin, Carlos Valeta, Gastón Costemalle, Pancho Delgado and Adolfo Strauch.
Photo taken in mid 1972 at a Loyola Club dinner.
From left to right, Alfredo "Pancho" Delgado, Alfredo Cibils and Numa Turcatti
Thank you again to Mr. Lemos for these photos, amazing work! x