Tumgik
#plz put mishima in manga
avoresmith · 7 years
Text
au where anyone other than atsushi is the main character, go
Kyouka
Kyouka is the most obvious option here, as her character arc literally follows Atsushi’s beat by beat and does it better because she gets to be seen having actual flaws and conflict while Atsushi’s point in life is just to Be Very Good. 
She’s an orphan who was beat down badly by the universe and needs to make peace with her Gift and how it’s uncontrolled presence in her life has played a huge part in all of the painful garbage she’s had to deal with. She has to learn to not just value her own life (Atsushi) but learn to believe she is capable of using the same abilities she used to kill to help people and that there is value to that (Dazai). She has a connection to Akutagawa, a better one than Atsushi, who just thinks that guy is a dangerous asshole, as Akutagawa fucked her up by trying to 'help’ her the same way Dazai 'helped’ him (which echoes the fact that Dazai fucked up Akutagawa by trying to teach Akutagawa the way he was taught by Mori). This creates a way more dynamic and interesting victims vs their abusers and cycle of violence story that they were TRYING to do with Atsushi and his abuser that falls completely flat, on account of how that guy wasn’t actually a character and we are just told we’re supposed to sympathize with him because ‘life is complicated’ instead of actually shown the ways in which life is fucking complicated. 
This would also allow for a narrative of victims vs their abusers where ACTUALLY HAVE, A VICTIM, CHALLENGING THEIR ABUSER AND DEMANDING THEY DO BETTER instead of what we currently have which is 1) Dazai flees Mori and hates him (legit) 2) Akutagawa seeks Dazai’s acknowledgement forever (no?? buddy) 3) Atsushi cries when his abuser died trying to maybe be nice to him for once finally =‘( (ohmygod).
Also, while Dazai and Atsushi mean... something?? to each other, it’s practically only relevant in Atsushi’s arc as something to yell at Akutagawa about, and while we can Assume Dazai Has Feelings we basically never see Dazai impacted by Atsushi. However, if it was Dazai who stops Kyouka from killing herself and takes her out of the mafia we have Dazai directly engaging with his perspective on suicide, and saving someone from the mafia in a way he was never saved, and this leads into him Also Engaging With All Of That, which then could be a continuing theme within their relationship.
(And I didn’t Go In This Direction because my central argument is that Kyouka already does everything Atsushi is doing if better and if given more focus could dramatically improve the manga, but also her relationship with Kouyou could also be given more prominence, and then holy shit, we’d have two important ladies instead of just one!)
In this AU Atsushi honestly doesn’t even need to exist. Kyouka could make friends with Kenji instead, and they could have adorable hyjinks where Kenji teaches her how to be polite to people and then they both get way too extra if politeness fails. 
(MORE UNDER THE CUT)
Akutagawa
This would probably have to be a darker manga, or Akutagawa would have to be less garbage, but as one of the only characters with multiple interesting relationships he is kind of a natural point to focus around. He has Gin, Higuchi, Kyouka, (thREE WOMEN) and Dazai as far as relationships that already important, and Chuuya and Mori and Kouyou are all characters that could be explored more if the manga was more mafia focused. While the mafia aren’t actually villains anyway, this change would make them more sympathetic, but Akutagawa would still be a really interesting MC, and this would fix the fact that Atsushi is only interesting around Akutagawa. 
Unlike Atsushi, Akutagawa has clear wants, motivations, and character progression, so Atsushi makes a lot more sense as Akutagawa’s rival character than the reverse. Boy with garbage life collides into the boy his master replaced him with, only to constantly seethe with anger that this asshole was so fucking lucky. Eventually discovers that his rival’s life actually wasn’t that easy but still can’t comprehend why his rival doesn’t appreciate what he has enough, or why this prick is worth more to his master than he was. Cue a compelling dynamic of Akutagawa improving himself relentlessly while not fully understanding what path he is on, but desperate to get out of the trashfire of his life. He thinks this means earning Dazai’s approval but in fact it means learning he doesn’t need to be a terrible human being to survive.
This would make Dazai far LESS sympathetic, but Dazai sucks so that is only fair.
Dazai
Okay, I won’t lie, Dazai would a SUPER CHALLENGING perspective character for a manga. What makes Dazai’s writing so amazing is how deftly he handles the unreliable narrator, which is hard to do when we don’t actually see the world via the MC’s perspective. And while I am happy to rag on BSD all the live long day, I do think one if it’s strengths is that it picked up on what an interesting character Dazai-types would be viewed exclusively from the outside, and has managed to portray that sort of peculiar contradiction of personality traits quite well. 
HOWEVER, despite being the most popular character, we never really get to see Dazai having a character arc. We know he has improved, we know he has wants and is actually probably working very hard to get his life in order, but we only know any of that from the end of the light novel to the start of the manga. We don’t actually get to see Dazai having conflict, confronting his fears, making hard choices, and growing as a person. 
However, while we never really see it in the manga, given what we know about Dazai’s history, we can probably assume that the choices Dazai makes to help Atsushi is something that actually impacts Dazai quite a bit. The last time he put himself in this position the result was Akutagawa; a challenge which Dazai completely failed on many levels, even if the result was technically a very loyal and capable mafioso and thus something Mori would have slated as a win. Dazai engaging with what it means to teach a human without himself knowing how to be a good human, and probably in the process also learning about ‘goodness’ via someone like Atsushi who is naturally inclined toward the heroic, would actually give Atsushi an interesting place the narrative. 
This would make Dazai waaaaaay more sympathetic, as we would also presumably see him struggling to adapt to ADA life, see his masks slip more often, and more signs of the fact that for real these last two years of being around decent human beings from 9 to 5 is probably the first time in his life he’s dealt with such people. We’d also get to see that he’s probably still depressed, drunk, and suicidal, but may be able to chart the ways he gradually becomes less so and what prompts those improvements. 
Kenji
Kenji is also a nice boy who wants to talk it out but then will beat the shit out of you if that attempt fails. What if instead of being a 2D one time gag character he actually had a motivation and a character arc to engage with? He could more or less follow the same story beats Atsushi sets up, just done better and with less redundancy. Kenji would make an interesting foil for Akutagawa since by all appearances his life wasn’t garbage, and his ceaseless tone deaf optimism in the face of Akutagawa’s ceaseless tone deaf fury would be, if nothing else, pretty fucking entertaining. 
Kunikida
wOW ANOTHER HEROIC CHARACTER WHO USES VIOLENCE TO RESOLVE CONFLICT. IT’S LIKE THERE ARE A BUNCH OF THESE. What if Kunikida being Dazai’s partner was at all narratively relevant and they had a dynamic that went deeper than Dazai aggravating Kunikida for the lulz and Kunikida being willing to trust Dazai when the chips are down.
Since Kunikida is slated to be the next leader of the ADA he makes a potentially compelling choice as a protagonist, as it would be an easy way to involve all of the (MANY) under appreciated ADA characters, by having their future boss learn what it means to actually work with and appreciate the backgrounds of his various future underlings. It wouldn’t need to be slated specifically as ‘Kunikida Is The Heir’ but given that it’s a shounen manga it could be effortlessly set up that way, and unlike Atsushi, Kunikida has a LOT of obvious flaws. He is naive, inflexible, emotionally vulnerable, distrustful, impatient, judgmental, and gullible. He also has CLEAR WANTS (Idealism) seeing him struggling for something fundementally unattainable and the ways he learns to update his ideal of idealism, in part by overcoming his individual flaws and in part by realizing that while idealism might be worth seeking it cannot be achieved. He would have a lot to learn from every member of the team, and in doing so could give them more importance to the story.
Yosano
you waNNA KNOW WHO IS GREAT AND DEEPLY UNDER APPRECIATED?? YOSANO. IT’S YOSANO. AU where actually Yosano is the main character. If you need a more compelling argument than that IDK what to say to you.
Tanizaki
What if Tankizaki had a narrative purpose other than gag and deus ex ability.
Mishima
AU where Mishima Yukio is in the manga, he’s an ex-government worker who was fired for being a bit too radical but he deeply respects and is super gay for Fukuzawa’s aesthetic and agrees to join the ADA. Rather than being Dazai’s protege he fancies himself Dazai’s rival and is intent to expose what garbage he is but the joke is on him because everyone knows that including Dazai. 
None the less, Mishima also is a more callous and aloof person who wears a friendly mask and via picking at Dazai he picks at himself. The more fixated he gets on exposing Dazai, the more he has to confront the fact that the world is more complicated than he wants it to be and it frightens him to examine the degree to which he doesn’t feel he actually belongs among society and thus tries very hard to construct a place for himself in it with his radical behavior and exacting standards, whereas Dazai accepts that he just should go in the trash. 
Dazai, in response, really doesn’t like being picked at effectively. Everyone else within the ADA accepts the masks he wears without question, never actually confronting his suicidal ideation or talking to him about where he comes from, even once they know about it. Mishima, in his relentless pursuit of being able to classify and deconstruct Dazai to overcome him, does just this, and frankly it sucks a lot for Dazai because Mishima would be the first person to A) learn the grueling details of his past and B) understand how fucked up that is for someone like Dazai who is only hiding his sensitivity and C) still look him in the eye and tell him to get his shit together. Mishima becomes the first person since Odasaku who actually understands Dazai but this time it is the worst because Mishima is mean. 
Dazai counters by ruining Mishima’s life in the most extraordinarily petty ways as frequently as possible.
Atsushi
ALTERNATIVELY. Atsushi actually is a good protagonist.
HERE IS AN EXERCISE, WHAT DO EACH OF THESE SHOUNEN HEROES WANT AND HOW DO WE KNOW?
Edward Elric: wants the philosopher’s stone, will do basically anything for it, we find this out in chapter 1.
Gon Freaks: Wants to find his dad, chapter 1
Luffy: Wants to find his dad, chapter 1
Allen Walker: wants to save everyone from akuma because dad feels, chapter, idk, like 3
Naruto: Wants the acknowledgement of his village, works tirelessly for it. We find this out in like chapter 1. (yeah I know naruto is bad don’t @ me but look the MC had a clear motivation)
(AV have you read any shounen manga since 2001-- nO)
Atsushi: Wants... uh. To not starve??? This need is met in chapter 1. Wants to... be.. a good employee...? Wants to beat Akutagawa because... he’s bad....??? Wants to... make Dazai proud...?
It’s not impossible to write a story with a MC who isn’t clearly motivated, but it’s a fuckload harder to make it compelling and you prrrroobably need to have some other kind of clear focus to replace the fact that your MC does not. IE if you are specially exploring the story of an unmotivated hero, you frame his actions around the fact that he is really just doing things by route and how this separates him from the people around him who actually have priorities in their life. 
Or, if you want to be like ‘Atsushi’s motivation is that he cares and wants to help!’ LOOK: If they are sO HEROIC that they just nEED TO BE THE HERO ALL THE TIME (Allen Walker) either because they lack self worth (Allen Walker) or are so empathetic that they can’t help but try to save everyone (Allen Walker), you narratively frame the story around them so that it highlights this as both a strength and a weakness of their character. The inability to save everyone vs feeling like your life only has value if you can save everyone is deeply fucked up and should haunt your MC.
The manga starts to slightly course correct Atsushi after waaay too many chapters, which is why he starts having an actually interesting dynamic with Akutagawa. But now he wants to ‘overcome his abuser’, and though this itself is extremely unclear as to what it means. I suspect it means ‘continue to do the exact same shit he’s being doing until he believes in himself’ whichhhhh is boring. It could work if the framing is consistent and Atsushi begins to have actual conflict with his own behavior and the way he treats his life as disposable and his suffering as unimportant. 
He could also use some flaws, which, again, we only see signs off later in the game with his Akutagawa relationship. Atsushi can be forgiven for not realizing that Dazai was horrible to Akutagawa, since neither Dazai nor Akutagawa will ever explain that, but he is still pretty shitty to Akutagawa deliberately! And it’s nice seeing him be a little prick.
If everything that is happening now with Atsushi had happened from the beginning, you know how you are supposed to start a shounen manga with the protagonist actually doing anything interesting or important, the manga would be much less bad. If Atsushi had more than like 1.5 flaws and a .75 motivation now, the manga would also be a lot better.
I don’t actually like this idea as much as all of my other ones, but if he MUST be the MC, what if he was actually good at it at all.
18 notes · View notes