#before i started ranting

[spitblaze]

considering how many transmascs were legitimately way angrier BEFORE starting T and have since calmed down significantly have we perhaps considered that maybe the reason so many cis dudes are angry and aggressive isn't because of testosterone but maybe. like. personal issues. unmet needs. a social climate that teaches them that there are only like three acceptable emotional outlets for men max and one of them is being angry and shouting

[tagidearte]

Who?

(Can't do digital art again yet. Traditional has been fun, though. Click for not blurry quality)

[thatrandombystander]

"Chaos' Hades 2 design is better because it's hot and having the genderqueer character be less eldritch is better representation"

Well maybe some of us genderqueers like interesting and thematic designs and identify more with eldritch monstrosities over conventional attractiveness? What about the unsettling weirdo representation for freaks like me 😔

Although holding the detached head and spine of your previous form does absolutely slap

[enden-k]

almost forgot how healing it is to just sketch ur ocs after shit work until youre too tired

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[latinoperce]

rick riordan you became the thing you swore so much to destroy. why change some of these things in the show??? the thing im most angry about is that the changes are either purely nonsensical or just done poorly

theyve completely eliminated the books sense of urgency, like theres no stakes on anything. you can miss the deadline and everythings fixed with a little talk with zeus. you recognize medusa and crusty and the lotus hotel right out of the gate, and obviously the only conclusion is that kronos is behind everything even though hes supposed to be locked in the deepest part of tartarus and youre a 12yo who just got thrown into this life and is just learning that monsters are real. fights are over in 30 seconds and theres no injuries or consequences except for an off screen comment on how you lost your bag or maybe a new stain on your shirt. theyre 12 but also they know everything there is to know about the greek myths.

in the books they learn and realize things as they go! its the experiences that change percy and grover and annabeth and things are supposed to be HARD because theyre kids!!! and they were sent on a mission they shouldnt have been sent on, but they get through it with each other and with a sense of comedy because theyre fucking kids! yea theyre gonna almost die and then say hello to gladiola the pink poodle, and play hacky sack on the bus stop, and stuff themselves with cheeseburgers every chance they get bc kids arent supposed all knowing and mature all the time

you cant promise a faithful adaptation of a book and then change the basic things that made the book be loved in the first place

[cacaocheri]

this was supposed to be one drawing!! ONE DRAWING!!!!!!!!! but every time i draw them i can't stop i need to keep going

[the-ships-to-rule-them-all]

the level at which people are misusing the term "Never Again" in the far left absolutely infuriates me.

"Never Again" doesn't refer to the idea of no more genocides -- unfortunately people are evil and corrupt and seek scapegoats and destruction, there were genocides in the years following the Holocaust, there were genocides 10 years ago, there are multiple genocides going on as we speak

"Never Again" means we as Jews will pay attention to the warning signs, will not mindlessly allow antisemitism to fester and take over our communities, we will fight back. it means we will be proud. it means we will not let you hate us without a word of refusal.

"Never Again" is a warning for us, it is a reminder that what happened then can happen now -- is happening now. The Far Left doesn't get to use it against us. You don't get to turn our tragedies into hate-speech and antisemitic rhetoric.

Am Yisrael Chai

[hikaruchen]

I’ll keep the king when you are gone away. I’ll keep him safe from the dark things that wait. — King by The Amazing Devil

INPRNT | COMMISSION INFOS

-

Some details for archaeology nerds (Here we go again AHAHAHA)

First of all the costume Alfred wears in this pic is BY NO MEANS historical accurate, but if we really want to be 100% accurate then to my knowledge there’s a high chance that Alfred wouldn’t be wearing dresses gowns at all (whoever decided to make Alfred wear those pretty cough dresses cough in the show I wish your family to prosper for all eternity YOU’RE A HERO), so instead I just chose to design whatever clothes I want and add some Anglo-Saxon elements in it :)

1. Alfred’s earrings

Took inspiration from the 7th century Anglo-Saxon/Frankish crystal ball, now in Ashmolean Museum, Oxford. Here’s the thing, I know English men (and the monarchs) don’t wear earrings until the 16th century and earrings weren’t even popular during the Anglo-Saxon period, but once I saw Charles I wearing pearl earrings in his portrait I just can’t help but put something pretty on Alfred’s ears as well lol…Sadly I can’t find the exact size of this one but the official site says that it was used as a pendant/an amulet! Probably for pagan practices though, but it’s pretty, isn’t it? :D

2. Patterns on Alfred’s gown

Taken from the patterns on the Bewcastle Cross in Cumbria (which used to belong to Northumbria, built in around the 7th to early 8th century, aka the period Bede lived in.

3. The woven band

The pattern is taken from the Laceby band found in Laceby, Lincolnshire, dated to early 7th century. It seems both Scandinavians and Anglo-Saxons enjoy wearing tablet-woven bands? Saw this kind of things a lot in viking clothes reconstruction as well.

4. …Whatever this is

From fol. 34r in Book of Kells, the famous Celtic gospel book completed in Ireland circa 800 AD. As you can see I got lazy during drawing this lol but the illustrations in the original manuscripts are really impressive!

Now I don’t know if this is a good news or not but I’ve still got like…six wips for alhtred in hand…Good god of arts DELIVER ME

[poisoned-pearls]

Because Jamil and Azul wanted Nami to know both of their own languages, after she had started speaking they adopted the “one parent, one language” model for bilingual children (and eventually adding ‘English/standard common language in twst which for me would be English’ at school and other places)

This did however lead to an era where Nami had absolutely NO CLUE that her parents could actually speak to each other. She’d grown up hearing abt the mermaid princess SHE got a husband without saying a word it made perfect logical sense that her parents were together despite being unable to speak to each other as well.

So for the longest of time, whenever one would give her a little test (like Jamil asking her to bring Azul a folder he left in the living room to his office) she took it with GREAT importance, because SHE was their only lifeline!! Only She could foster the communication between them, so she had to make sure it was perfect!!!

Genuinely she believed 100% her dads had never spoken a word to each other. There was one time specifically where Jamil was leaving to go hang out with ruggie, and she ran off to go say goodbye at the door. Azul absentmindedly just went “tell your baba I love him!” As she scurried off and her little brain just exploded.

Bc that was also the first time she had ever been told that! To her this was the first time Azul had EVER said I love you to Jamil. She fucking RAN to Jamil and just jumped while going “papa said he loves you!!!1!1!1!!1” bc to her this was like. The BIGGEST moment ever.

(Of course Jamil was not entirely aware of her thought process at that moment, and simply kissed her on the forehead before saying “goodbye dear. Could you tell him I love him too?” Which lead to little Nami freaking out more and like. Basically jumping Azul on the couch. That is when Azul REALIZED that she thought they just spoke their one language-)

@ghostiidasponk @stormyscrapez @squishosaur @snowwhite0430 @inotonline

@mello-bee @thehollowwriter @meowbyul @lowcallyfruity @saneriddlefan67 

@driedupeyeballs @shadowy-skies

[ganondoodle]

so guess what they released more interviews and i think given what a writing shitshow totk was and what they have been saying in all these interviews is actually painting a really bad picture; i dont have the time, nor the energy to go over every detail

but they were commenting on people wanting the more linear format back and aonuma himself basically said that he thinks people who feel like that do so only bc of nostalgia and "Why do you want to go back to a type of game where you're more limited or more restricted in the types of things or ways you can play?"

what .. the fuck, more freedom DOESNT automatically mean better??? like ... restriction can be a GOOD thing just as tooo much freedom can be BAD?? like in totk??? are you fukcing shitting me- what the hell are games even for then, has he had an awakening to the fact that he actually just loves sandbox games without realizing it???? im not playing fucking zelda for a sandbox, especially not when its advertised as a somethign else

its pretty clear that they want to keep this format going with everything they say there, ... maybe it really is over huh

also i hate how they kept talking around answering anything about story/lore; they go asked how ganondorf even connects to ganon since theres nothign about it in game, and all they got out was welllll we dont wanna say anything bc its up to the player; about every question you got the answer of "make somethign up yourself" which is just ... its really clear they dont actually care but dont want to say everything is meaningless actually, so they try to be vague about it and with doing that really just confirm they didnt think about it and they dont care- so no lore actually matters, nothing thats been said or established has any meaning bc they will get rid of it the second it crosses paths with their new -more freedom equals better- philosophy, they say its bc they want you to be "free" to think up anything but apparently dont realize that when there are no rules, no consistent lore or anything that it ROBS it, it stops having meaning, its fun to connect dots only when there are rules you need to work with and dots to connect in the first place, when you have an established world with its restrictions it drives you to think more creatively about things- but when there are no rules?? its fucking boring!! thats what it is!!

when you discard all rules i wont care to get invested into anything bc i know it will not be considered again, be done away with without any reason and wont have influence on coming or previous games ... bc there are no rules, anything is possible and everything can be changed any second, so nothing matters

(they also talked about the many viral videos of those very few dedicated people that make godzilla mechs in totk and how happy they are about that- i get that to some extent, but the way they kept talkign about it really just felt like it confirmed my suspicion that that whole mechanic was mainly implemented to let people do that since that gets shared around en masse making it seem like that is why people enjoy it while neither the game nor the narrative are build around it in any way ..)

it just makes all the time i spend thinking, feeling and theorizing about zelda like a true waste of time, bc nothing matters and there are no rules-

i am someone who greatly enjoys working with and around established lore/rules, its fun to me to recontextulize things by being smart or creative with it all without breaking anything or as little as possible of the established things!

if i wanted to do just do anything i want I COULD HAVE ALREADY DONE THAT bc theres nothing actually stopping anyone to just make up what they want! i DONT need canon to lose all rules for that??!!

maybe ill have to make myself believe the franchise ended with botw on a good note ... ono

[florsial]

I should be allowed to romanticize eczema since its pissing me off and won't give me a break. Anyways, Barty with eczema on his hands that lasts all year round. Wearing funny bandaids over the cracked and bleeding skin. Always moving his hands. Allowing Evan to gently run a scalpel through the rough skin. If they are quiet enough with their breathing, they can hear the metal. Sometimes Evan would poke at the exposed epidermis underneath, the red underneath that bleeds when you scratch too hard. It's kinda like when your lips crack and you continuously run your tongue through it to feel the little sting of pain. It's like that with Barty's eczema. Also blood-sucking and scab picking.

anyways same <3

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[bixels]

OUGGHHHH UR RARIJACK IS SO (explodes intio confetti with joy )

have uou considered: them trying on outfits they picked for each other?

or or or

Rarity washing and braiding AJs hair

or

Them celebrating the others birthday, trying to figure out what to get them and surprising them n all that

or them baking together and wgatever Ensues out of that

ANYWAYS KEEP DOIN YO THANG THEY R SO CUTE ❤️❤️❤️

Oh, I have lots of ideas for them.

Because I'm drawing them pre/early-relationship, I have a lot of stuff I haven't gotten to yet. I think, despite Rarity falling in love first, AJ is the most outwardly and obviously in love. Like, girl is in LOVE with her wife. The type to take off her jacket and put it over a puddle so her wife can cross. The type to walk around with hearts popping over her head.

Something I definitely wanna get around to drawing is how they were when Rarity first moved to Ponyville, because they would've hated each other, lol. AJ going from, "I can't stand her fake ass. 😒" to, "Yes Miss Rarity. Anything you want, Miss Rarity. 🥴" Or Rarity going from, "What a big, dirty brute. 😡" to "What a big, dirty brute. 🥵"

Anyways, later one comic idea I had for when they eventually get married is Rarity comes home to catch AJ trying to surprise her with a dinner. But things are going awry because AJ is so stressed and nervous about making everything perfect, and she even burns her apple pie. She has a bit of a breakdown because she feels she can't do anything right like she's supposed to anymore, and Rarity comforts her and tells her, why don't they bake the pie together? The comic ends with the two kneading dough together.

[wycross]

i cant stop thinking about yuuta now. like sure i liked him well enough but after this chapter he has my entire heart. and he is so so so tragic. (of course he is everyone here is)

its this that i keep going back to in my head. it encapsulates what i think is yuuta's grief.

right before this, of course, we've seen him screaming about how nobody ever cared about demanding gojo to be a monster. he cares for gojo so deeply, of course, because gojo saved him, gojo is practically his dad, and he actually sees gojo.

hes a special grade, one of few, and out of the special grades, i think hes the only one with realistic potential to surpass gojo. he has the potential to be gojos peer, so gojo doesnt have to be alone. hes the only one strong enough to save gojo, in a way, to actually take up his burden and allow gojo to be human in a way he hasnt been since geto.

but yuuta is simply too late. hes too young, too unpolished, too late. gojo's already been a monster for a decade, with no other choice and with nobody to stand by his side. yuuta cant save him now.

thats what i think really crystallized for me in this panel. yuuta is telling gojo about his plan, the plan that was so controversial with everyone else because of yuuta's humanity being on the line, the plan that only he could ever pull off. and gojo shrugs it off, not shocked in the least, and just tells yuuta that he's got to keep working because he's not good enough yet.

the talk about yuuta's heritage is so important to this too. "you might've been born even more blessed than me". does that ring any bells, maybe? "i alone am the honored one?"

gojo is acknowledging that yuuta could've been at his side, could've been strong enough to save satoru, for him to not be alone in this curse of a blessing of strength anymore. but hes just. too. late.

[lazycranberrydoodles]

COME ON GUYS DON'T LET DIANXIA DOWN