Tumgik
#poor dear pamela
fuzziiwuzzii · 4 months
Text
Tumblr media
“What a little shit stirrer.”
Archie Madekwe made a direct comparison between Farleigh and Regina George so obviously I HAD to draw it
2K notes · View notes
k-wame · 4 months
Text
Tumblr media Tumblr media Tumblr media
CAREY MULLIGAN as "POOR DEAR" PAMELA ↳ Daddy always said I'd end up at the bottom of the Thames. ↳ Saltburn (2023) writ. Emerald Fennell
176 notes · View notes
thrownoutbarbie · 4 months
Text
Justice for "Poor Dear" Pamela
She had like 5 minutes of screentime and ate everybody up
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
177 notes · View notes
poetslore · 4 months
Text
One thing that I found interesting about Saltburn (2023) is the costume and makeup choices. Venetia has a terrible bleach job. Her roots are showing and admittedly it looks like she did it herself. Her makeup is sloppy, and her clothes are mismatched at times. I thought this was interesting considering the Cattons are rich and she’d be able to afford a good dye job and I bet someone would have taught her how to do makeup. This proves that Venetia has seperate herself from her families wealth.
“Poor Dear Pamela” also doesn’t exactly look like someone who would hang around the Cattons. Her hair is dyed a bright red and She has a good amount of visible tattoos. This is interesting because she isn’t exactly someone that the Cattons would typically choose to spend their time with, making me think that the Cattons simply allow her to be around because it makes them look good. Taking on a “charity case” such as Oliver and allowing someone far different than them to stay with them.
I believe that Felix and Venetia are very disconnected with their wealth. Felix likely felt a need to flaunt his wealth at Oxford due to the attention he was receiving and likely felt like he didn’t have a choice. The kids are definitely disconnected from the wealth but I believe Venetia is far more disconnected. Felix likely doesn’t feel a need for wealth but enjoys the pleasures that the lifestyle gives him
160 notes · View notes
elspeth-catton · 4 months
Text
Tumblr media
137 notes · View notes
admireforever · 4 months
Text
Tumblr media
Poor Dear Pamela
Saltburn
95 notes · View notes
mediademon · 4 months
Text
Tumblr media Tumblr media Tumblr media
Carey Mulligan in SALTBURN (2023)
139 notes · View notes
heart0fclay · 2 months
Text
Elspeth: “goodness, what is a liverpool.”
Pamela: “i have no idea”
Farleigh: “i hate this family.”
Felix: “i’m so high, what is this on the table? these chocolates are all for me by the way”
Tumblr media
24 notes · View notes
cynicalrainbows · 4 months
Text
Carey Mulligan needs more appreciation for her role as Poor Dear Pamela in Saltburn: 'I don't know the Russian for whore so I sort of thought it sounded like lovely poetry.' Everything about her performance is glorious, just one brilliant line after another, delivered so flawlessly: her hilariously sincere Ohhhh Noooo when looking at Elspeth's goosebumps, 'Daddy always said I'd end up at the bottom of the Thames', her absolutely sincere agreement that no, they don't have rehab in Liverpool. Just an amazing mix of hilarious and also the saddest, most tragic character in the whole entire film.
28 notes · View notes
k-wame · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
CAREY MULLIGAN as "POOR DEAR" PAMELA ↳ Saltburn (2023) dir. Emerald Fennell
35 notes · View notes
alwayshungrytoo · 4 months
Text
Tumblr media Tumblr media
she’s my wife btw
23 notes · View notes
slutburn · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
siantmiller: POOR DEAR PAMELA played by Carey Mulligan in Emerald Fennell's @saltburnfilm
Hair and Make-Up Design
Supporting Pamela's vaguely masked misfortune, uncomfortably dressed from breakfast through to bedtime, my start point was the hair.
It had to be red! Bold, out-there, a statement. Long enough, but not so as to compete with her clothes, soft but structured, kooky and eye catching. And it needed to work in the 'red' room when we first see Pamela in Saltburn.
Karen Elson sprang to mind, with a pinch of Kate Bush and Florence Welch. Via Zoom, I met Carey during her filming commitments to Maestro, and discussed my mood board looks, Due to availability, our 1st and final fitting would be the day before filming.
Carey's fabulous wig maker Jessica Lalande, sent me some colour samples to try out in the sets and against the costumes from Costume Designer, Sophie Canale. Once chosen, the wig was made, uncut, with plenty of length to work with.
The make-up look was partly inspired by a Chanel campaign from 2007, our story setting. Further to this; looks with similar tones, which defined the eyes plus a hint of the 30's. Adding a wine coloured lip stain and super dark wine nails, which were pre-prepped and stuck on. I wanted Carey's brows to be well defined below her mid-forehead fringe, and with a touch of over extension. The roundedness of the eye makeup lending itself to her wide eyed, naive, doll like and slightly sorrowful demeanour.
The tattoo designs have a deliberately hand-drawn quality, done by me using a Blackwing Matte pencil on cartridge paper, developed for in-house printing with ProCreate.
These were inspired by many things including, Amy Winehouse, Russian mob ring tattoos, and nightmares of losing her teeth - which I took from Pamela's historical drug dependency. The Damien Hurst Pharmacy-era capsule tattoo, stems from a back story Carey and I devised, which references a past relationship Pamela had with a rock star from The Verve 'R•ash'. The 'Lucky' horseshoe is my nod to @luckychap
Brilliant application by
@andrewsimonin wig & cut ❤️@sarakramer_makeup ❤️
22 notes · View notes
island-in-the-shadows · 2 months
Text
Your lesbian lover that you're bored with Pamela. But also in another life Kitty while you were Jane. You guys are just something in all universes.
No but Elspeth going on about Pamela and "the men!" Like Oliver going on about Felix and "the girls!" Ok ok ok ok.
Felix is so like his mum and he was fucking gossiping but at the same time like he just wanted his family to know Oliver? Idk. He tries somewhat to be like: knock it off and even then...
Imagine arriving at your room and all your shit is unpacked. I'm a broke ass ho I would be concerned.
I love that Felix is so barefoot. The sun god. Unconcerned with his feet being destroyed. They never are are they?
12 notes · View notes
bottomless-brainrot · 5 months
Text
SALTBURN AS PORTALS ( melanie martinez ) SONGS
a/n | just a fun little rant and analysis of how specific songs on the album represent a character, their actions or emotions that I believe fit how I saw them within the movie. also i've never done a character analysis before so i will try to make my ideas clear for those of you who would like to read them.
a/n | also sorry if i repeat my points lol.
saltburn spoilers below
CHARACTERS
Oliver Quick - Tunnel Vison
yeah, you can look, but you can’t touch / i’m not just anybody
not the first thing i want to get into but i will be going through the songs line by line so here goes…
to start is the obvious ‘hands off’ rule that we find out is bestowed upon all of Felix’s ‘toys’ that he has brought out to Saltburn. Vague mentions of previous friends from Venetia, the hovering eyes of Farleigh for Oliver’s next slip-up and the instant anger Felix gets at Oliver for not understanding that he wasn’t for the other and just supposed to entertain him.
it was clear that the family seemed to be fascinated with him the same way people would at a zoo or an art museum, staring at the priceless treasures from a distance and never to get as close to them as a handler would
eyes on the prize,…that’s your demise, yeah, you hold me like you’re rushing to my thighs
Oliver’s weird sexual tension with Felix throughout the movie due to that white savior complex
his way in right from the start was Felix’s need to fix him; that power in knowing that he could make him happier than whatever Oliver had now.
honeysuckle and fresh meat / but i’m more than that
the Cattons never saw Oliver to be on their level. Oliver was always told who he was and how to act from the family so much so that they believed his innocent act up until their final moments. he easily weaved himself into a core front of the family in a matter of days really showing that he wasn’t to be underestimated…
playing house to distract me / but you’re no good at acting
thinking back to the scene where Felix is talking to Oliver and Oli mentions that his family has problems and Felix instant shift of posture and interest is such a dead give away
i mean it took Oliver one bat of an eye lash and a smile to find out each individual family member’s deepest darkest secrets and twist them into a control point for his own game.
seeing that at it’s core, the Cattons weren’t anything but forced smiles and money bags of a picture perfect family. such an old money move.
i make them tumble down the hill they climbed / i don’t regret it
using the family to slowly climb up the ranks and then getting rid of them one by one just so he could have it all to himself.
king of the hill moment
show me how far obsession goes / could have been more now we’ll never know
in the end, i am a firm believer that if Felix listened and forgave him then Oliver wouldn’t have given him the poisoned glass.
if he had mentioned that they were still friends but he needed some time to think, Oli would have definitely poured out the glass and un-pretend to be wasted out if his mind to have a better conversation and 'fix' things.
but anyway, Oliver spilling his guts to Felix and still not having that wholehearted love reciprocated really did a number on him which led to the killing no doubt. what they could have had together in the end was only left for one.
i saw a post on here earlier might link if i find it but it was something like “oliver having sex above his grave because he couldn’t ever do anything with Felix unless there was a distance between them” and i couldn’t agree more!
Felix Catton - Spider Web
flexing like pricks with their stolen power / they're just who the spider will eat
not that Felix was flaunting his wealth or his social status, but that was what made him a target to Oliver as well as his desperate need to 'help' him get away from what he thought was his hectic lifestyle
he was gullible enough to believe everything he was told over his own family countless times, and even after finding out the lies he still chose to hide the truth because he didn't want to be seen in a different light to his family.
thinking about that line "you’re kind about everyone, you can't be trusted." so heavily right now.
didn't ask for this dangerous visibility / i'm feeling too scared to sleep
the moment when Oliver spills his guts and tells Felix he did it all just for him. made himself into this character just so that he could get close to him and secure his spot within his life as a friend.
it left Felix visibly staggered as he thinks about everyone else who could have done the same; everyone else he's left high and dry for his attention and the possible lengths they went through to try and get it back in his past.
better off dead than stuck in a maze / the center may seem like a gift
Felix having sex in the maze believing no one would find him there because its a place he knows like the back of his own hand. however, Oliver's interruption makes it known that he is more exposed than he thought.
also to me his death being at the center of the maze and him being the dead center of the family as they all mourn him with such vigor and slowly lose their minds really gets to me.
up all night, bound to their addiction to it / lifeless eyes, they die in the pit of the spider web
Felix's premature death being the root to how Oliver get his 'in'. he was the hub of the web and after his death is when everything truly spiraled into chaos and one by one his family followed him to the grave.
Elspeth Catton - Leeches
leeches surrounded, conscience is throbbing
Elspeth my love you dissevered only happiness.
i think we could all agree that the wealth came from her as well as the family’s popularity due to her younger years in life with her career
Elspeth, as we come to find out, has met many influential individuals throughout her life as well as the free loaders.
we hear about the numerous people that have come to Elspeth for favors and help in their troubled time, that really only used her kindness to get into a life of luxury. ( not including pamela )
although it is draining for her, she never openly complains about how helping is a bother for her building up the exhaustion until someone else brings it up.
let all their friends in, the enemy's present
Felix gets his kindness from his mother’s side obviously, thats clear in how she is so inviting with Pamela and Oliver regardless of their circumstances.
i cannot stress enough how i feel like she would have ket Pamela at Saltburn if nothing was whispered to her about how ‘awful’ Pamela was.
she was drawn into the direction of who was the problem in the eyes of others but never her own. thinking about the dinner table scene after finding Felix’s dead body n how Farleigh called out to her to save him instead of pleading his case. he knows she would have saved him like she has before.
how much blood can you draw / with your claws from a flesh that's not yours? / my hands aren't yours, and / gnaw on my bones, no marrow left
honestly hate how Oliver played the long game with her
he found out her routine after Sir James’ death, stalked her, gave her a false sense of home after losing her entire family by his hands and then killed her off and stole all her wealth.
i believe she had the most tragic death and if you want to debate on the argument of ‘innocence,’ she really displayed no evils.
Venetia - Womb
oh the rant im about to do
a seed in mother and I chose that space for me / little does she know it's free, ooh, yeah
the moment i saw her on screen i just knew she had some sort of issue with her mother and boy was i so on the spot
its vague when Elspeth mentions it so i could be completely wrong but i believe Venetia ( and Felix ) was raised by her grandparent ( “my mother always said born masochist” )
i felt that Venetia has wanted to get a rise out of her mother with her sexual activities because she was never given that parental figure she wanted. never been disciplined the way she should’ve as a child or told good from bad.
how Elspeth just dumps out all Venetia’s dirty laundry the moment she meets Oliver and doesn’t seem to care that she’s flaunting herself to a complete stranger. almost encourages it!
its no wonder she’s so close with her brother because he’s shown true spine with her
and I know my brother / he'll make the journey later on / conversations in the cosmos, yeah
if you didnt pick up on the incestuous relationship between Felix n Venetia i don’t believe we watched the same movie.
a lot of what im saying is up for debate but i know that their parents took trips frequently. the casual mention of going to London for Pamela’s funeral was all by chance and if Elspeth hadn't said anything they would have left without a word, and seeing how okay with it Venetia and Felix were gave me so many thought on them.
just being stuck in all of Saltburn by themselves just free to do with the wealth and the space as they please alone together
for years it must have always been them, maybe Farleigh was there on occasion but most of the time its been them.
and i can see with Felix it’s beyond protective brother. no he’s made claim to Venetia the same way he’s done for Oliver and all his past friends.
“i’m used to it, honestly. he never liked sharing his toys. even the ones he doesn’t want to play with anymore.” oh im so sick
at first i had thought Oliver was replaced again but she was referring to herself in this moment and that did it for me.
Felix claiming his own sister for himself, she doesn’t need another males approval because Felix is all she has depended on for her every need why should she stop now even if he doesn't think of her in that way anymore?
why should she go for another when he’s still here? why go through that pain when he’s only ever showed her real happiness?
no one could ever be as impactful as him in her life and whenever someone gets close he cuts them off. i’m gonna climb the walls
feeling alive, the closer that I get to my life / i’m pushing out the center, the core / i’m sweating through the flower no more, no more
Venetia finding her control and power through the means of her own body is sickening to me.
like openly saying how she got molested and her own mother making a joke out of it and offering her to a stranger im so sick and furious right now.
sex being the only way she’s noticed, the only way people will listen to her the way she wants instead of being seen like some fragile beauty like her mother
all of the planning, yet I still feel unprepared / kick and screaming 'cause I'm scared, ooh, yeah
sorry to bring it back to the incest but my god you cannot tell me she doesn’t get at all Felix’s closet friends for the giggles
Venetia is sickeningly scared of losing the one person in the house she’s emotional intertwined to so of course she interjects herself into his relationships the only way she knows how — and it works every time.
getting with all of Felix's best friends to spend more time with Felix as the lover of his closest friends this girl was obsessed
she knows he’ll get mad and she knows she’ll get that parental chiding from Felix but he will never cut her off the way he does his friends because they only have each other in end.
the intimacy between them tells a story only woven by having to embrace one another on a different level then just siblings. they were naked in front of each other sunbathing unabashed like a regular tuesday for fucks sake.
and I know she suffers contractions of hell and death / eyes are bloody screaming out, ooh, yeah
thinking about her final moments with this
bathing in Felix’s bath tub, soaking in his soap, smelling his aftershave on Oliver’s face like second nature, seeing his clothes on another man and feeling so disgusted and yet its so inviting.
she kisses Oliver in the heat of the moment not because its him but because if she closes her eyes and forget for just a moment it would have been Felix.
but of course its not enough and its not the same as having him there alive so she chooses.
a life on earth that's a living hell without the man that makes her whole or to be reunited with him in death. she chose the latter.
Farleigh - Void
it's tastin' kinda lonely / and my mind wants to control me
the self-preserving outcast of the Cattons.
its clear in the script and Archie did such a wonderful portrayal of his emotions because that boy Farleigh was really there for himself.
he had his own back from the get go
he’d be present within all conversation but at the same time watching everyone, pinpoint each and every shift in the pecking order and making sure he doesn’t leave his place in the middle of it all.
no one here but me to judge me
whether it ever was a race thing or if it was just a status thing, Farleigh knew of his own worth and because of it he knew the other couldn’t ever understand him no matter how much explaining would need to be done
then comes in Oliver, the outcast with a need for a approval that he knows will overshadow his own
honestly i never thought he hated him per se, but he knew of his intentions from the start he just underestimated how low Oliver would go to maintain his own position
i’m tryin' to find the doorway / my eyes are starin' at me / and they seem so damn unhappy
his family struggles and pride being his greatest turmoil of all in the movie
seeing how easily the Cattons give away their wealth to complete strangers over their own bloodline must not have been easy, especially having to go and beg for it.
i believe he wanted a way out of it, to find some way to rely on himself to support his side of the family but that wasn’t something be could have easily obtained so the Cattons were his only real option.
pipe down with the noise, i cannot bear my sorrow
Farleigh being the first to notice Oliver for who he is the night of the death and the morning following hurt me so much
if he had more of a backbone to press into Felix and the rest of the family that this nobody can’t get close to them i feel like things would have been so different.
Felix was a family matter, Oliver’s presences wasn’t a needed one especially only having known him for a single term. it was just invading
in that moment of sadness is when it clicked for Farleigh, if not that Oli was the root of the problems at Slatburn he had to be a factor in them
but do to his own emotions he couldn’t find the right way to expose it.
look at the mess i've done, there is nowhere to run, yeah / holdin' a loaded gun, the void
Oliver outing Farleigh in the end to ensure that he was dealt with in his plan. i’m furious
not that anything he was doing the night of the party was right but he wasn’t the only one
the maids scrubbing cocaine from the toilets and tables highlights that plus Venetia and Felix were there too but Farleigh was only trying to fit in and keep his place in the close circle so he joins them. if he were reluctant to or chicken out then he wouldn’t be a toy anymore and that looming pressure of loosing his funding was already enough to keep him chained to them.
but it was never something he could have denied or challenged especially with his history so he had no choice but to leave all his life and behind and get replaced by a nobody.
Sir James - Battle of the Larynx
explained within duo expression.
Pamela - The Contortionist
twisted all my limbs for you / two of them in knots and two of them in loops
poor dear Pamela
she was the only normal person in the entire film with no grudge on anyone or ill intent. literally just need a place to stay to get back on her feet and that is what the Cattons offered but because she wasn't interesting enough to entertain them they tossed her away.
asking her to fetch a made as soon as Oliver enters as an excuse to get her to leave so the conversation could shift onto her
you can tell 'em what you wanted to
Pamela didn't live a life of lavish obviously by her proper nature ( the same persona Oliver pretended to play except you know a genuine one ) so of course the others treated her as entertainment.
Farleigh and Elspeth saying her looks were her only point just a dull flower in bloom
also Elspeth's comment about how she dropping so many hints before it goes so far really bugged me
like the only time they pressed for her to leave was at the dinner when she brought up having found a place and even then it was a half assed 'oh we'll miss you so much'
twisting all my bones like screws / stretching my self-worth, just like you usually do
i think Pamela thought of Elspeth as a friend helping out
then she's suddenly thrusted out of the house without notice, bags already packed and cab fare paid as if her new arrangements had been already settled.
i cannot begin to understand how hurt she might have been in that moment and what could have been the core drive for her suicide but her death really hurt me the most.
DUO EXSPRESSIONS
Oliver & Ventia / Elspeth - Faerie Soiree
mushrooms everywhere i'm turning / laced with love, intensive grooving / they said, they sail / i know how to make you go crazy every day
the spell he casted on both Elspeth and Venetia
had both woman hooked on him trying to draw that hidden side he only expressed to them in secret.
the Oliver that got Venetia to eat again. the Oliver that had Elsepth stunned at his forwardness and thinking of him even after the incident. the Oliver that would have had Farleigh under his thumb if he hadn't went for the kill so soon.
led me astray to the faerie soirée / alone, alone / now i wanna ride with the magic / lose sight of the gravity of home
he was a welcomed distraction to both of them. a change that they hadn't thought would be influential as he was.
given them both an individual false hope - for Venetia it was a man who showed initiative if only for a moment that could toy with her instead of the other way around; for Elspeth it was familiarity he would give her some sort of normal in the now hollow halls of Saltburn.
it is such a shame both couldn't see past the fantasy until it was too late.
Oliver & Ventia - Moon Cycle
...do I really need to explain?
But in all seriousness,
he bit the cherry down, he's delirious / seeing red figures in his mirrors and / acting like a real tough, furious
giving her a outlet for her parental issues
the first man in a while that showed her dominance in a way that had her changing her whole routine
he says he doesn't care, that he's into this / it happens every time the new season hits
Venetia thought Oliver would be different than Felix's other toys that come to Saltburn, but was disappointed once again.
now he kissing on the ground that i walk on / tryna get another taste, but I'm all cramped up
her dumping him right after Felix found out ( thinking Felix had a private conversation with her ) he was eager to fic things but she wasn't going to play a game with another coward of a man.
juice melting like raspberry pomegranate / it's so scary
" no, i wanted to look at the moon. it's nearly full. do you know what that means? " | " we're all about to lose our minds. "
oh the foreshadowing. Venetia you are too powerful
seeing that version of Oliver ( the one who had her delirious ) the day of the incident. piecing together everything in the end ( you disgusting little nobody. oh my god. you ate him right up. and licked the fucking plate. ) leaving her shocked and broken over what she's done. how close she got close to the cause of it all. frightened by everything
Sir James & Elspeth - Battle of the Larynx
i speak in cursive, i'm poignant, assertive / there's musical chairs in my teeth
Sir ' what i say must be the truth always ' James
thinking about how nothing happens unless he approves. how every order and command that was ever given had went through him first if it wasn't his command to begin with
deciding that Pamela needed to leave, lowering the amount Farleigh's mom gets, cutting Farleigh off after finding out about the drugs, bribing Oliver because he needed normalcy again
and it was all enforced with such urgency too, no question to any of it like he was a general to his soldiers
don't you battle with my larynx tonight / i'll wreck you if you chase me / but i'll be silent 'til you cross the line
Sir James had minimal lines within the movie but whenever he did it held authority.
when something wasn't going the right way he'll interject ( insisting to Pamela at the dinner table that her time was due ) other than that he was silent until called upon
and they talk without thinking / they bark while they're shaking / with teeth that are round and dull
he was the controlling factor within the family and to Elspeth
he knew what was best for her all the time, he knew what she needed all the time, he knew just what to say to get her to listen all the time
i will die on this hill. Elspeth would have let Pamela stay longer if he hadn't said anything to her and she probably would have overlooked Farleigh doing drugs the day of the party if Sir James didn't fight it.
but anyway, James wasn't someone that Oliver could have manipulated, not like the rest of the family so he had to buy time until his death which he got lucky for.
Saltburn would have been unattainable if Sir James hadn't passed really.
Farleigh & Oliver - EVIL
and it felt like bliss, used to miss your kiss / now i'm hop-skip jumpin' over narcissists / ... / now the role is reversed and told you i'ma switch / how you like my spit?
they should have fucked on screen at least four more times your honor
their back and forth. cat and mouse. push and pull. the tension of fighting for the center spot of attention for the family and fucking for dominance would have done it for me
but Oliver had to fuck that up with the email. he could have really controlled Farleigh, lulled him into thinking they should work together for what they want and then hung him out to dry but no Oliver was greedy
the panic in Oliver's eyes though when Farleigh admits to being invited to the party after he thought he got rid of him was priceless
just one foiled seduction after another with him
everything i expressed, i professed / it never quite made it through / ... / no, i won't defend you to all my friends / this time, i refuse
the quips at Oliver's pride. the mentions of getting bored and tossed aside. stating his claim on Saltburn and rubbing it in his face on his birthday. Farleigh played the game well even if he lost it in the end.
if you bite my hand again / i will never feed you, you can call me evil / take it to the grave if you wanna play pretend / i won't be mistreated, please call me conceited
Oliver finding out about Farleigh's private life and family issues and Farleigh's retaliation at karaoke with "rent".
Oliver pointing out their in the same boat offering the mic and how easily Farleigh accepts the mic just like how easily he accepts his role.
shows their difference in it really; Farleigh takes it as it is, he knows what his life has become and what could happen if it ends. and yet Oliver still saw himself as something more to the Cattons and especially Felix.
Farleigh & Ventia - Powder
don't wanna know where you go when you aren't around / i'd rather stay naive, too much to believe
it's past point of no return, when will we learn? / alert me when this shit is over
the acceptance they both have to face in the end. Farleigh in knowing he's been bested and that all his wealth is gone. Venetia seeing how Oliver got to consume her own brother's identity whole and take what was most precious to her.
show me a picture you paint of someone else / lived a double life, wish i was surprised
eyes rollin' back to your head, and i'm wonderin' how / i recognize your face, put it all to waste
will never be the same again knowing that these two died seeing the truth. all the fight was stripped from them piece and left vulnerable to the emotional pain Oliver put them through.
THE CAUSE AND EFFECT
Felix to Everyone - Nymphology
call me your nymph / praise me for martyr, praise me for sin / call me your muse / a sprite or an elf you cry to, then use
Felix was everything to everyone. he could do no wrong as he was the pinnacle; forced on a pedestal he never fought for or against.
everyone wanted Felix. be it to brag about the sex, to have the money or to just let it be known that they were in his circle.
and he lived it up.
he knew the power he had on people and used it how he pleased. ditching his hookups when he got bored, cutting ties with friends that weren't of interest to his close circle anymore.
he knew of the people's infatuation, but no one ever dared to over step a boundary in fear of angering their chosen so he lived like he was untouchable. believed he was on another level to all and got so full of himself he couldn't see the signs of wandering hands getting closer and closer to the unattainable.
i'm not crazy, i'm not wild, you're just stupid, little child / get your image off my back, i'll give you a heart attack
Oliver wanted Felix in both body and mind. the devotion he forced onto Felix, begging and pleading to be his henchman again after being found out.
Felix wanted none of it, the first time ever seeing someone want him on a level of desperate he's never seen and feeling revolted
but Oliver tells it to him the way no one else could, because that is his life. people treat him like a king on his throne and approach in a line offering whatever they can to get his approval. locked in the maze with no guards he was left to see it all as it is.
Oliver to Felix - Pluto / Light Shower but will not elaborate
I think that it's finally time pluto, destroy me / kill me off slowly / i'll bathe in my ashes / rise like a phoenix / show me who I am becoming
Felix bringing Oliver to the point of no return.
cutting him off with dignity for the sake of the family not knowing he made a mistake in judgement.
Oliver not being able to handle being seen, cannot cope with knowing that his infatuation sees his true colors
pluto, transform me / turn off my lonely / i'll sit with my silence / fix all my conflict / show me the demons I'm hiding
yet at the same time, he's free.
he has had his fill of Felix - his fill of the Cattons - whether he wanted to believe it or not.
he had gotten closer than his plan had assigned, so close he's hurt by his own action. crying and fucking his grave as one last show of his 'love' left soaking in the muck.
moving on with no regrets to the next phase of the plan.
Oliver to the Cattons - Milk of the Siren
strangle the fear of deciding / which one's deserving to drown
the montage at the end
Oliver's plan unfolding the moment he laid eyes on Felix. how he watched and waited, studied what would have made him noticeable. Found out his class schedule and he sabotaged his bike, weaved a lie so great that when it was found out he had to die.
tired of silence and being polite / your legs turn to shimmering scales in the night
Oliver hunting the Cattons in the evening. whispers to Elsepth, the peeping tom moments with Felix, following Venetia, fucking Farleigh.
all of it under the moons watchful eye.
don't feel bad when these fuckers all drown / let them drown / let them drown / let them drown
" and you made it so easy. spoiled dogs sleeping belly-up." | " no natural predators. " | " well... almost none. "
nothing wrong with a little havoc (drink from the leche of sirens) / it's fun when shit hits the fan
all the side notes in the script. ( he looks up to see Duncan’s silhouette staring down at him from the hill above. he can deal with that later. )
he had fun toying with them all and becoming the new king. putting all their wealth to a better use than he thought they could.
11 notes · View notes
"daddy always said id end up at the bottom of the Thames" 🤝 the catton tradition of writing a dead family members name on a stone and tossing it in a body of water in order the grieve them
9 notes · View notes