I caught up with my re-watch of the second episode of Rings of Power! The episodes are long and have a lot going on, but it was fun and enjoyable—more than the first, actually, since it wasn't trying as hard to introduce everything and could breathe more.
I really liked the beginning with Galadriel in the sea, staring up at the stars before she starts swimming. Very apropos.
I thought Nori et al's stuff would be kind of tedious (I've never been super into hobbits or proto-hobbits), but tbh I find everything about it delightful to watch.
Arondir and Bronwyn are maybe the prettiest onscreen pairing I've ever witnessed. Their little theme/motif is also really nice and not overwrought the way the music sometimes got in the first episode. It suits my sense of their story being a bit like marginalia that doesn't exactly fit into the grand sweeping main narrative of Middle-earth, but is getting some spotlight anyway.
And now we've got Celebrimbor for real, with warning bells all over him! (Not literally.) I appreciate that almost the first thing he does is mention Fëanor, and he and Elrond immediately dive into a conversation about the Silmarils and craftsmanship, and Elrond seems deeply ambivalent off the bat. Him saying "So much beauty, and so much pain" about them/Fëanor's craftsmanship while wearing a feathery outfit that is hard not to associate with Elwing is ... yeah. You'd know, Elrond.
Celebrimbor's slightly snarky explanation that he asked for a massive team to build his tower forge thing and Gil-galad "has sent me you, instead" kind of worked for me? Robert Aramayo doesn't look anything like my idea of Elrond but I love his difficult-to-pin-down yet determinedly pleasant performance of Elrond's emotions and mannerisms. I also like Celebrimbor's robes.
And, oh man, seeing Khazad-dûm in its heyday? HELL, YEAH. The music is doing some of the lifting but mostly it's just fucking awesome to see. The show is clearly lingering on it with a lot of love and attention, which it's really nice to see the dwarves getting.
I liked getting references to Aulë from the dwarves (no, it's not what dwarves would ordinarily call him, but it's a reasonable concession to comprehensibility for people who aren't, well, us). During the whole challenge thing, Elrond is referred to as an Elf over and over and over, which I'm kind of :\ about as a firm proponent of Half-Elves Are Not Men or Elves, No Matter What Ultimate Fate They Chose. Elrond seems pretty uncomfortable with it (though that may be more about his relationship with Durin), but also does more or less accept it as a descriptor.
Nori was still trying to figure out the Stranger, which somehow is not boring, and meanwhile her father's ankle breaks or sprains or something as part of festival preparations. The Harfoots collectively treat this as a huge deal and are asking if he'll be able to migrate, which is not exactly framed as super ominous, but definitely seems significant and at least somewhat ominous. Nori is clearly pretty freaked out.
The first part of the episode is sadly a bit sparse on my girl Galadriel (though she got so much attention in the first episode that it's understandable), but we got back to her, still swimming. It'd be a bit unbelievably impressive from other people, but I can believe it for her. She sees the raft of survivors before we do, which I liked as a little detail.
The raft is really spiky, appropriately enough for a raft with Sauron on it. It's kind of hilarious that almost his first line is "Looks can be deceiving." No shit, lmao.
The survivors+"Halbrand" and Galadriel have this brief and slightly weird interchange about Corsairs, which strikes me as an odd reference both geographically and in the time period we're in.
Then there's a SEA WYRM that shows up out of basically nowhere and causes havoc resulting in the deaths of everyone except Sauron Halbrand and Galadriel. A coincidence, I'm sure.
Then we cut back to Elrond and Durin, and finally find out why Durin is so mad at Elrond. It turns out that Elrond basically ignored his existence for 20 years while he was doing ... things, and Elrond didn't even realize it'd been so much time because a couple decades is nbd to him. Angst and other difficulties around different lifespans = one of my most favorite fantasy tropes, so I'm onboard for this particular drama.
It's a little surprising that Elrond of all people would make this mistake, but then again, Elros himself lived so long that 20 years would have been a tiny fraction of his own lifetime, too. (Now I want lifespan angst or anxiety or something with Elros being the one who's "welp, it's really been that long?")
Anyway, I enjoyed how serious and fraught the whole discussion is and then the cut to comedy when Elrond arrives to apologize to Durin's wife, Disa. IDK, I didn't feel it was undercutting Durin as a character or his feelings, even while poking a bit of fun at his sulkiness—e.g., when Disa enthusiastically tells Elrond to make himself comfortable, and Durin is like, "But not too comfortable."
I love Disa's appearance, by and large. The patterning on her outfit is so cool and different. She's generally a delightful character, and I appreciate that while there's an element of calculation to what Elrond is doing, he seems genuinely interested in her and her work. The narrative itself feels really interested in the dwarves and their culture at this point, and I just enjoyed that a lot.
Meanwhile, back to Galadriel and Halbrand/Sauron. It's still really funny to me that there was so much indignation over Eminem Sauron being insufficiently hot, and then actual Sauron turned out to be this currently bedraggled but very conventionally attractive guy.
I like his little head tilt as he's ostensibly figuring out what's going on and his little "You're a deserter, aren't you?" As if he doesn't know who Galadriel is, hah.
When he says "My people have no king," it feels like a pretty blatant call-back to Boromir in Jackson's FOTR, but of course it's inverted, ultimately. Halbrand is a shadow Aragorn, not a shadow Boromir, and is himself (supposedly) the king he's rejecting. I'm not going to go on too much about it because I have a whole post about it here.
Anyway, Galadriel condescending to Sauron is kind of delightful. Sure, she's mistaken in assuming he's mortal. But everyone should condescend to Sauron, actually!
Back to Bronwyn, who is a bit more interesting in this episode, she actually makes it home and tries to convince her village that something is very wrong, but no one believes her. They seem kind of ridiculously stupid, tbh? Maybe not ridiculously—I can believe they would actually respond that way (I lived in the shadow of Mt St Helens for years, I know very well that historically sometimes that's the response to clear warnings of disaster). But come on, people.
Then there's Arondir in the horrifying claustrophobic tunnels with the glimpses of horrific claws. It is very successfully claustrophobic, especially when MICE start running all over him as they're trying to escape. Agh, the special hell. Then he emerges in a pool of water, only the water is super gross also, and he's focusing on the bubbles of something pursuing him only to get grabbed by a different claw monster.
We don't see him again for the entire rest of the episode and that's alarming!
I was taking little notes while I was watching, but at this point that got interrupted and I ended up watching the rest of the episode with other people and didn't take notes. But general thoughts:
Durin's final change of heart wrt Elrond and decision to take Elrond's offer to his father was a bit oddly offscreen, and it's kind of needlessly mysterious about what advantage the dwarves have over the Elves, but the show has already given us enough through both exposition and the behavior of the characters that it's not hard to buy.
Sauron saving Galadriel with Finrod's dagger is like. Hmm. Well. Yeah, that's a lot. I really like the scene of their raft in the storm—not much actually happens apart from it looking cool, but it did look really cool! And I love the imagery of Sauron desperately trying not to be drowned by the wrath of the sea, aka what will actually happen to him! :)))
I love how mysterious the Stranger is and basically everything that Nori and Poppy choose to be. Things like Poppy's "I don't speak firefly!" just work much better for my personal sense of humor than ... like, dwarf-tossing.
Theo's whole deal with the sword is ... menacing in a way where we know enough to know something is Very Wrong and related to Sauron, but not really what's going on with it. And the thing Bronwyn and Theo fought and killed was super freaky. I liked the abrupt cut to Bronwyn showing the decapitated head to the stupid villagers and them being like, "hmm. okay, guess we're moving now."
Aaaand Galadriel and "Halbrand" have been discovered!
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