#preenaction

[xbupmmri7s4n]

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[jojsmxiao]

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[zydlksvbfzjq]

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[agoddamn]

>it’s another Jar-Jar ep

“Let me go in alone!” literally why

>it’s a Jar-Jar ep AND a shenanigans ep

This one dude is the coolest Gungan ever and he’s already dead; being interesting truly is the kiss of death in this show

>Grievous got bodied by Gungans

...Wow, Palpatine really got a huge-ass hooked nose all of a sudden. I mean, Dooku’s nose looks a lot more exaggerated too, but his entire design is based off his super stylized 03CW look; all of his verticals are cranked up to eleven. He looks like Mundi’s long-lost brother. Palps...does not

New lightsaber soundboard?

Ah, so this is That Ep

>not even a second of debate about how shady this is

WHATEVER

So Wolffe has his cyber-eye by now, huh. No canon on how he got it, I assume?

Don’t do this to me

“Great, it’s gonna be another mascot alien planet” Even these guys know they’re in a comic relief ep

Man, the Wolf Pack have incredibly detailed armor decos. Those thin lines? Those sharp details? Plo’s Bros are ‘Eavy Metal-level. Plo must be so good at thinning his paints.

Like, I think I’m supposed to be taking the Wolf Pack as the hardass super manly team because they were hazing 3PO and complaining about cutesy mascot aliens, but that paint job reveals them as incredibly patient and detail-oriented

>the disgust in Wolffe’s face on seeing the hug

>Gods

Oh, this is gonna be another ep where it’s like “did you see Star Wars? It’s like that thing that happened in Star Wars” and be a preenactment of the Ewoks worshipping 3PO

For being two feet tall, these guys sure built some high ceilings

Wolffe is...not a problem-solver lmao he’s a “not-my-fucking-problem”er. Hey, more characterization than Cody gets

>R2 jumps after 3PO

Goddamn, they really are married

I think this is the most I’ve liked a Droid Shenanigans ep, and it’s mostly because of Wolffe and company

Ents woke up

“She”? I swear to god, if I see tree boobs…

The sewer cover looks like it’s patterned after these tree guys

Ah, flower boobs…

I can’t quite tell if she’s supposed to be the same species as the Ents. Those guys were skeletons and she definitely isn’t a skeleton. If she’s supposed to be a different species, the cherry blossom motif is a nice look

River

I feel like this is one of those eps with a shitload of concept art that didn’t get used much. Loads of aliens and ideas here.

>ANOTHER shenanigans ep

This time there’s no Wolffie to save me

Look, Lassie is driving the car...again....

“Hey did you see Star Wars, this is like that thing that happened in Star Wars where the small, harmless-looking alien traps and ties up the MCs”

Do they know that I’ve seen Star Wars? Sometimes I think they don’t know I’ve seen Star Wars

>sexy Barbie aliens

Wow, you really can get away with gore when it’s not red

Why does this feel so much like watching reboot Voltron

So we started with the Lollipop Guild, and now we’ve found Oz the Great and Powerful…

Much-reduced Wolffe content makes this a lot more boring than the last one

What do these guys run on, fucking iPhone batteries?

>Battlebots

*checks my watch*

[andyqwoods]

Vappu. 1st of May. Das Erste Mai. . #turku #leon #olmos #vappu #firstofmay #perhedraama #perhetragedia #lasinenlapsuus #kittensofinstagram #catsofinstagram #lonkero #kurkolonkero #rairuoho #jaffa #mountaindew #mountainjew #preenactment #familydrama #familytragedy #drunkcats #katzenjammer #krapula #hangover #alcoholiccats #sukkairti #sokkairti #reenactment #leonkowalski #edwardjamesolmos #ishootraw #googlepixel (at Turku, Finland) https://www.instagram.com/p/Bw4MIvRl4Fv/?utm_source=ig_tumblr_share&igshid=j4uifhlpc2zf

[robbybirdy]

Lucky Legacy- Chapter 27: Time Travel Adventures

“Marla hitched a ride on a Conestoga Wagon to experience a part of the Oregon Trail. It was rough just like the history books. Luckily, Marla didn’t catch dysentery before disappearing once more into the time stream.”

“It was quite a ride, but the cattle have been brought to market with Marla’s help. She learned a lot about riding and what’s edible on the range, and those skills are to come in handy in the future.”

“Marla barely made it back into the time stream after getting trapped by a tyrannosaurus. Those teeth were inches away!”

“Marla appeared accidentally in the middle of a crowd while time traveling, but nobody noticed. They were all cheering about some kind of shepherd just to save the galaxy from some huge ancient machine god threat. The celebration was definitely cool though.”

“Marla was digging through some alien ruins when she was surrounded by angry Cola Zoids! It turns out his is just how they build their towns. Marla quickly apologized and smoothed things over.”

“After Exploring the cybernetic jungle of Gaia 13, Marla was almost made chieftain of a tribe of neobarbarians. Unfortunately the time stream opened and Maria had to jet.”

“Marla narrowly avoided the angry Keeper of Time when she was being consulted for the biggest historical preenactment even since the 4100s. Time to go somewhen else!”

“After exploring in time, Marla came back with: A new item: The Prince of Pickleburp. The Prince of Pickleburp can be found in the family inventory. Some money: $2, 494.”

[dontpokethekitty]

Time for this years meeting of the historical preenactment society https://www.instagram.com/p/BsD1S2tAdt1/?utm_source=ig_tumblr_share&igshid=n15nn6um03z8

[clowntools]

i wonder if people rp about star trek and if they do i hope they call it preenacting

[pingo-bungleton-blog]

Manage when‘nt for a equilateral

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[quincyowensart]

It turned out to be a great day to defy my eventual death with @lukeecrawley while installing our "Visionaries"- the newest series of light sculptures in our portfolio. We're excited to see them turned on once @iplpower taps them in to the electricity. We're excited to title each sculpture in honor of impactful neighbors from the #Monon16 area concurrently with @harrisoncenterarts and their upcoming #PreenactIndy event in October. Thanks @joannataft and all of the #HCA team for including @lukeecrawley in this vision. #light #lightart #lightsculpture #sculpture #preenactment #OperationFalcon #ihavemadscissorliftskills #whattheduck (at Festiva)

[maxwellyjordan]

Thursday round-up

The latest episode of Bloomberg Law’s Cases and Controversies podcast “highlights an issue that’s been piling up on the high court’s docket: Qualified immunity, the legal doctrine that serves to shield law enforcement from liability even in the face of the most egregious allegations of civil rights violations.” At Slate, Mark Joseph Stern notes the “emerging, cross-ideological consensus that the court’s jurisprudence here has spiraled out of control,” and he hopes the court will grant one of the 10 pending cert petitions “urg[ing] SCOTUS to reevaluate its qualified immunity precedent.”

Briefly:

At the Arizona Republic (via How Appealing), Daniel Gonzales reports that “[n]early 650,000 undocumented ‘Dreamers’ are awaiting a decision from the Supreme Court that will determine whether they will be allowed to continue to receive temporary protection from deportation and work permits under an Obama-era program called Deferred Action for Childhood Arrivals that President Donald Trump wants to end.”

At The Hill, John Kruzel covers “[s]peculation over a possible vacancy” on the Supreme Court, which “has focused in recent years on the prospect of Justice Clarence Thomasexiting while Republicans control the White House and Senate, and alternatively on the health of the court’s aging liberal bloc.”

In an op-ed at the Chicago Daily Law Bulletin, Daniel Cotter looks at the recent decision in Opati v. Sudan, which held that the current version of the terrorism exception to the Foreign Sovereign Immunities Act allows punitive damages for preenactment conduct,” and “a fascinating book on women on the court.”

At Vox, Ian Millhiser writes that “[a] California church asked the Supreme Court over Memorial Day weekend for an exemption to the state’s stay-at-home order, claiming that the order violates the Constitution when applied to places of worship”; “even a temporary emergency order would have sweeping national implications: It would be a clear signal that the Supreme Court … intends to expand ‘religious liberty’ rights, even potentially at the expense of public health.”

At Empirical SCOTUS, Adam Feldman analyzes “the content of the arguments and at the words spoken” during the court’s unusual May sitting.

We rely on our readers to send us links for our round-up. If you have or know of a recent (published in the last two or three days) article, post, podcast or op-ed relating to the Supreme Court that you’d like us to consider for inclusion in the round-up, please send it to roundup [at] scotusblog.com. Thank you!

The post Thursday round-up appeared first on SCOTUSblog.

from Law https://www.scotusblog.com/2020/05/thursday-round-up-528/ via http://www.rssmix.com/

[allinfonet-blog]

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[nofomoartworld]

Hyperallergic: ArtRx NYC

Yara Travieso, La Medea (photo by Maria Baranova)

 Coil

When: Tuesday, January 3–Sunday, January 22 (prices vary) Where: Various

PS122’s 12-year-old annual festival is a conglomeration of performance types — virtual reality, dance, theater, “interdisciplinary”  — bringing together productions from different parts of the world. Coil has a focus on technology this year, and in that vein, one of the most intriguing-sounding pieces is Yara Travieso’s take on Medea, “a musical re-imagining of Euripides’ violent tragedy into a dance-theater performance and feature film á la Latin-disco-pop variety show.” I’ve also got my eye on Britt Hatzius’s Blind Cinema, in which, instead of seeing a film, you sit blindfolded while a child watches and describes it to you.

 Under the Radar

Tania El Khoury, Gardens Speak (image via publictheater.org)

When: Wednesday, January 4–Sunday, January 15 (prices vary) Where: Various locations

A mainstay festival that’s been running for 13 years now, the Public’s Under the Radar is also the most firmly planted in the world of traditional theater. That doesn’t mean that much in NYC, though, and standout shows this year include Tania El Khoury’s immersive graveyard where you can listen to the oral histories of 10 dead individuals and Philippe Quesne’s play in which a band of metalheads decides to build an amusement park in a forest.

 American Realness

When: Thursday, January 5–Thursday, January 12 (prices vary) Where: Abrons Arts Center (466 Grand Street, Lower East Side, Manhattan) and Gibney Dance (280 Broadway, Tribeca, Manhattan)

American Realness was once the upstart of the January festival set, but now that it’s in its eighth edition, it’s hardly a newbie. Still, the flavor here is a definitely more experimental than at the previous three, which means you’re just as likely to encounter a life-changer as a let-down. This year I’m particularly excited about Trajal Harrell’s mashup of postmodern dance and voguing and Paul Lazar’s choreographed recitation of John Cage’s one-minute stories. And do not miss a special conversation titled “Native American Realness,” which will bring together Rosy Simas, Christopher K. Morgan, and Sara Nash to discuss the state of Native American performance work today.

David Lang and Mark Dion, Anatomy Theater (image via bricartsmedia.org)

 Prototype

When: Thursday, January 5–Sunday, January 15 Where: Here Arts Center (145 Sixth Avenue, Soho, Manhattan)

Considering the recently concluded L’Amour de Loin was the first opera written by a woman to be staged by the Met in over a century, having a festival that pushes the boundaries of the form in New York City is essential. Prototype festival is now in its fifth season, following experimental highlights like last year’s Angel’s Bone — composed by Du Yun to include a choir, video, and immersive set considering human trafficking through fallen angels — and 2015’s Toxic Psalms — which responded to the oppression of women and was performed by the powerful Carmina Slovenica vocal theater company. Promising productions this year include Anatomy Theater, composed by David Lang with scenic design by artist Mark Dion, and inspired by 17th- and 18th-century medical texts; Missy Mazzoli’s Breaking the Waves, about a wife’s harrowing sacrifice; Matt Marks’s Mata Hari, on the conviction of the alleged World War I femme fatale; and M. Lamar and Hunter Hunt-Hendrix’s Funeral Doom Spiritual, which sings out for a timely ruin to white supremacy. —AM

Louise Bourgeois, “Untitled” (detail, 1998–2014), suite of 8 Holograms, each about 11 x 14 in (photo by Matthew Schreiber, © The Easton Foundation/Licensed by VAGA, NY)

 Louise Bourgeois’s Holograms

When: Opens Thursday, January 5, 6–8pm Where: Cheim & Read (547 West 25th Street, Chelsea, New York)

It’s been five years since the New Museum’s small show on artists’ holograms, and the hoped-for resurgence of holographic aesthetics has yet to come about, but Cheim & Read is doing its part with this exhibition of eight works created by the late, great Louise Bourgeois in collaboration with the New York–based holographic art studio C-Project in 1998. The glowing red works take up Bourgeois’s trademark iconography of out-of-scale domestic objects, glimpses into strange, intimate scenes, and other unsettling, enigmatic images. In summary: Louise Bourgeois with lasers — be there! —BS

 A 14.5-Hour Moving-Image Journey

When: Friday, January 6–Sunday, January 8 Where: Light Industry (155 Freeman Street, Greenpoint, Brooklyn)

I’ll admit to knowing next to nothing about Peter Watkins, but as a sucker for very-long-running films and performances, I was interested in the 870-minute The Journey as soon as I heard about it. And the more I read the description, the more fascinated I became:

The Journey is Watkins’s most ambitious experiment with form: at once a documentary, a dystopian science fiction film, a handbook for media analysis, and an organizational structure linking activist groups throughout the world. From 1983 to 1986, he undertook a transcontinental project to map the corrosive anticipation of impending nuclear catastrophe. … The result is a fourteen-hour cartography of capitalism, historical memory, and fear that weaves together an analysis of the global arms race, recollections of survivors of the bombings in Hiroshima, Nagasaki, and Hamburg, and community preenactments of possible disaster scenarios.

If only it didn’t also sound so timely.

Yvonne Rainer and Adam Pendleton (image courtesy Performa)

 A Video Portrait of Yvonne Rainer

When: Monday, January 9, 7pm (free with online reservation) Where: Anthology Film Archives (32 Second Avenue, East Village, Manhattan)

Commissioned by Performa, Just back from Los Angeles: A Portrait of Yvonne Rainer is artist Adam Pendleton’s third in a series of video portraits, all of which are part of his Black Dada project. I saw one of the others, his portrait of Lorraine O’Grady, in Radical Presence at the Studio Museum in 2014; fragmented, dreamlike, and lyrical, it has stuck with me ever since.

*   *   *

With contributions by Allison Meier and Benjamin Sutton

The post ArtRx NYC appeared first on Hyperallergic.

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[quincyowensart]

Filing this under: "Things I didn't learn in art school." #publicart #preenactment #preenactindy #monon16 (at Central Indianapolis, Indianapolis, Indiana)

[quincyowensart]

There's always something happening with me and @lukeecrawley . We did a #popup #light #installation on#TinkerStreet tonight. #preenactment #preenactindy #creativeplacemaking in partnership with @harrisoncenterarts (at Festiva)