#providence毕业证

[miyavilessoncollection]

[MIYAVI LESSON] MIYAVI and PS COMPANY

This article is to tell you guys how many resources MIYAVI has got from PS COMPANY and his fans, co-miyavi. In my opinion, it was a breach of trust for him to take on someone else's resources and not help the people who provided them realize their dreams, but instead marry Melody and run away from PS COMPANY. MIYAVI, he's a liar! He never liked music or even his fans!!! They were just tools for MIYAVI to marry an American. His daughter, who can't even speak Japanese, and claimed to be "American" at a jazz class in Tokyo in 2024. You can use translation software to understand the content of the article. Thank you so much. m (_ _)m

[雅学精选]八一八MIYAVI和PS COMPANY当年的那些事

MIYAVI，原名石原崇雅，1981年生，曾经隶属于Due’le quartz乐队，乐队解散后开始SOLO活动，依旧隶属于PS COMPANY事务所，2009年奉子成婚后宣布PSC脱退。 PS COMPANY��代表取缔役是尾崎友美，也就是传说中的尾崎社长了。 我少女时代因为信息不对称，我对尾崎友美的印象大致也和中文流媒��上看到的差不多，老巫婆，压榨旗下艺人，养小白脸，等等(我不删不改，就那么留着)。

我对日本粉丝跑路也是非常不理解，结婚生子怎么了？不至于这样就跑路吧。我10年前左右的文章，很多也都是这个看法。 直到我自己因为对雅-miyavi-的狂热喜爱，不计代价的大量收购有关他的日语原版纸媒后。 在大量看到他的日本活动细节和时间线后，我现在对石原崇雅其人和尾崎友美，有了全新不一样的认识。

现在我来给大家分享一下我搜集到的信息，各位看客看完后自己分辨就好。

PS COMPANY简介 先来说一下PS COMPANY （又称PSC或P缶，因为公司的日语读音很像P缶），此处主要引用wiki，同时增加一些wiki中没有的有关MIYAVI的时间线。

“制作歌手照片和官方网站，短期内连续发售音源，将CD的封面换成数种进行发售，所属乐队的定期巡回演唱会等宣传战略都很强势。

代表董事尾崎友美是从视觉系乐队的粉丝变成制作职员的。

2005年与king records合作推出PS music, 11月23日正式发行CD及DVD。之后，除了雅-miyavi-， Kagrra，的新作由PS music发售。

2007年5月、雅-miyavi-(当时)、Kagrra，、Kra、the GazettE、Alice Nine的主要部门之外、小规模的独立制作人培育部门Indie。最近的Indie PSC.中，BORN是成员。

2009年1月3日，PS COMPANY 10周年纪念演唱会“Peace & Smile Carnival”在日本武道馆举行。 门票在开售当天就售罄。

2009 年，PS COMPANY 乐队与 King Records 之间的合同似乎已经到期。 Kagrra， 2010 年的新专辑由 Crown Tokuma Music Sales 作为独立专辑发行。 之后，the GazettE 决定将由 Sony Music Records 发行，Alice Nine 将由 Tokuma Japan Communications 发行。

2009年4月5日，雅-miyavi-于日比谷野外大音乐堂的LIVE演出，宣告加入PS COMPANY十年毕业。

2009年4月8日，成立自己的公司J-glam inc.。次日于MySpace公开成立公司与结婚事实，并宣布孩子将于夏天出生。

2011 年，所属的 SuG 宣布将暂停活动并离开了事务所。

2014 年 3 月 2 日，Rave 加入了独立 PSC。

2016 年 9 月 30 日，LOTUS 因独家合同终止而从事务所离籍。

PSC旗下乐队：

PS music

Kra

Indie PSC.　

レイヴ

the LOTUS

*Indie PSC.由 King Records 的子公司 Bellwood Records进行 发行。

曾经所属的乐队

Dué le quartz

餞ハナむケ。

bis

Ash

Palette

雅-miyavi-

Kagrra,

SuG

アリス九號.

ViViD

ダウト

BORN

SCREW

the GazettE （这个据我考证只是在一个PSC下面的子事务所，其实并没有离开PSC，大概是因为这个乐队人气一直特别高，所以给了专门的管理团队）

PSC的工作环境和起家过程 PSC的事务所工作是什么样的呢，此处引用雅-miyavi-2009年在杂志中的采访（Arena 37℃，2009年3月号，我自己翻译的。这个杂志采访的时间点很微妙哦，是melody实际上已经怀了好几个月，但是还未对外官宣婚育的时候。）：

这次一边回顾着1月3日的武道馆PSC祭，一边想请您讲述从事务所成立之初就在的居民、雅所知道的10年。 -好了好了，明白了。(这时事务所的staff给我倒茶)谢谢。嗯?这是什么东西？(发现托盘背面的价签)含税210日元(笑)。”工作人员说“啊，价签还是买的时候贴的呢…(苦笑)”“明明已经在武道馆办了事务所的祭典live，而事务所却还在用210日元的盘子吗~ 噫~"大概这样的感觉(笑)" 好嘛(笑)，210日元的盘子! -含税210日元倒是可以，不过还是拿着价签用吧(笑)。但是，事务所最开始其实也只有Due’le quartz(雅所在的乐队)的4个成员和社长(笑)。我们还得自己去冈田屋寻找制作服装的素材，还有专门卖视觉系的CD店，这些我都是进了事务处才知道的。这就是我们曾经有过的的文化……(笑) 竟然是社长带着成员挨个转了一圈唱片公司啊。而且一开始只有女性staff啊。 -因为以前是全是女性，所以事务所搬来搬去的时候，连艺人都被排挤出去了。那个时候连开口说话都很辛苦呢(笑。不过，以前只有Due’le quartz的时候，我和sakiponn（前Due’le quartz的主唱sakito的昵称）、社长还有我，三个人去全国参加in store event*。那个时候，我调查了所有去过的地方的CD店，带着Due’le quartz的CD。“拜托了。”然后一家一家地去打招呼。社长以前好像在演歌系的事务所待过一段时间，这（陌拜）似乎是在那里学来的技巧。因为还是根本没人知道的地下视觉系乐队，所以总是会听到“哈？Due’le quartz？这是什么玩意？”就算是这样，社长还是一直带着我和sakiponn到处走，这真的到现在还留在心里，也因为这样我很尊敬她（尾崎友美）。

*in store event，即店内活动，是指名人或行业成员在唱片店、书店或购物中心等设施中举办的活动。 它主要作为 CD、DVD、书籍（照片书、散文等）促销活动的一部分来完成。

店内现场表演是表演音乐的店内活动。

作为活动的例子有签名会、握手会、游戏大会等，音乐家的场合也可以进行演奏和歌唱行为。在谁都可以进入的空间里不收取费用的情况很多，另一方面，拥有活动专用空间的店，也会有“只有购买商品的顾客才能入场”等限定对象的情况。

===========================

再引用一下尾崎友美自己的采访（2014年5月9日，Musicman’s RELAY）

尾崎:还有很多演唱会，但是当时即使想去都没办法。那时，母亲再婚了，继父是个很优秀的人，一家人关系很好。但他说:“女孩子怎么可能去东京，福冈应该也有很多工作吧。”我想如果要工作的话只能在音乐界，但是福冈没有唱片公司和事务所，只有live house和唱片店。虽然有厂家的营业所，但都是从总公司来的，本地只有前台之类的工作。因为在唱片店工作了5年，有好几家公司问我“要不要来我家?”，但我并不是想做前台，我还是憧憬制作或者事务所。

——您是怎么说服父母的呢?

尾崎:离家出走。

——���吧(笑)。

尾崎:写了留言就出门了。

——你最初在东京住在哪里?

尾崎:永福町吧。

——那是多大的时候呢?

尾崎:22 ~ 23岁左右。短大毕业后，我在福冈待了一段时间，一边观察情况，一边找房子。

——你刚来东京的时候工作还没定吧?

尾崎:当然。总之只能离开。

——这种行动力真是太棒了。

尾崎:不过我也想过一定要把地址告诉我母亲。我一直觉得东京很危险，所以就在派出所前面找了个房子，在一间单间里，只要有被褥、音响、电视和电话就行了。现在我还记得，到东京的那天晚上，我去便利店站着看招聘杂志(笑)。

——(笑)。当时还没有互联网呢。

尾崎:虽然找到了事务所的招聘机会，但是我依然一边想着“不可能被在艺能界这么有名的地方录用”，一边把简历投了出去，结果还是顺利地被录用了。现在被称为“3k”*的行业，年轻人都不太愿意来，但在当时却很受欢迎。我通过了激烈的竞争，终于进入了公司。就像做梦一样(笑)。

*3k指日语的「きつい、汚い、危険」的简称。又脏又累又危险的行业。”

“尾崎:我并不是有什么特别的目标才辞职的，而是一边找工作一边去看演唱会，偶然有个歌手问我:“能不能作为工作人员来帮忙?”我就开始帮忙了。艺人们非常热情，“大家一起去主流公司吧”，虽然没有任何经验，但还是努力了。结果去了主流公司，事务所却有工作人员说了一句“不要女的”就被挂断了。

——这真是太冤枉了。

尾崎:成员们都为了能留下来而努力了……总之很不甘心，想着“不能去主流公司就不会辞职”。现在想想，是非常渺小的自尊吧(笑)?

自尊心越强，越能让人踏实做事。(笑)

——对事务所来说，应该也认为你是志愿者吧。

尾崎:的确如此。因为在那里被切断了，由于不甘心才成立了PS COMPANY哟(笑)。

——真是太帅了。顺便说一下，那个事务所现在还在吗?

尾崎:已经没有了。但是，我充满了今后要培养视觉系第一艺人的心情。”

——到成立PS COMPANY为止异常的快呢。来东京才两年吗?

尾崎:现在想想还挺可怕的。应该说是鲁莽吧。虽然也有不甘心的心情，但我想是因为喜欢视觉系才会这样的。

——即使这么想，也很难真的就做到。

尾崎:因为没有公司愿意接��，所以只能自己做了(笑)。

——是有所属的艺人创立的吗?还是建立之后才开始发掘的?

尾崎:只有一个艺人。他们既是工作人员也是艺人的ローディー*，我们谈到了我们想做这样的艺术家的梦想，就一起从召集成员开始。当时聚集在一起的成员之一是当时17岁的Miyavi-，是Due'le quartz的一位艺人。

*ローディー，也就是roadie，中文直译是路人，但是词不达意= =。主要是指流行音乐业界中，那些进行乐器安排、装载、运输、安装、调整等音乐活动，对乐器进行维护管理，对音乐人进行支援等业务的人。

有时也被称为ロードクルー(road crew)、ロードマネージャー(road manager)。专门负责乐器等器材的调整和安装的人也被称为テクニシャン(Technician)。

——Miyavi先生是如何成为成员的？

尾崎：当时我们公司里没有艺人，所以入不敷出，所以我们只做PS COMPANY主办的活动。 因为出场的艺人和Miyavi-是同学的缘故，所以就来了。 他介绍说“是大阪的朋友。。”，问“你是否愿意在我家做？”，就邀请来了。

——顺便问一下，你听过Miyavi先生弹吉他吗？

尾崎：不，我没有。

——明明没有听过，却还是邀请了吗?那是因为有V系的感觉吗?

尾崎:直觉吧。

——真是太棒了。这种直觉可不一般。活动全部是您自己做的吗?

尾崎:是的。虽然成立了事务所很好，但是旗下没有艺人。既然作为事务所成立了，就必须好好地进行音乐活动，所以有各种各样的考虑吧。那么，最快捷的就是快速活动了。话虽如此，一个刚成立不久、名不见经传的奇怪公司的活动，肯定不会有艺人愿意参加，所以我很拼命。

以前，著名艺人在日本武道馆等大型会场的演唱会之后，会有化着妆的业余艺人给演唱会结束后出来的客人发传单。于是我装成客人，把这些东西全部拿回来，如果有觉得不错的艺术家，就马上打电话问“能不能参加活动”，一个月大概做四次这种活动。所以一开始大家以为我们不是事务所，而是活动公司(笑)。

——Miyavi-也是这样，没有看过演奏却能被找到，真是了不起。

尾崎:就算现在，所属的艺人也几乎没听过曲子。见了面听到对方说“想做”，“那试着做?”，就这样。

——公司是什么时候步入正轨的呢?

尾崎:到Kra为止都是4个人一起做的。

——这样的话，真是忙得团团转啊。因为什么都要做。

尾崎:全部都要做呢。一��都是在摸索。

——4个人看管3个艺人。每个人都有各自的活动，演唱会也不是在同一个地方举行吧?

尾崎:已经一塌糊涂了。即便如此，也有一开始就留下来的员工。真的很感激呢。但是，现在想想，那样也很开心。

——你现在有多少员工?

尾崎:光员工就有40人左右吧。我经常说，企业就是人，我只是个创业者，什么都没做，我有很多真正的好员工。

——不仅是音乐家，对员工也有看人的眼光。

尾崎:我想“和这个人合作”的话就会自己去接近。对室长铃木就像跟踪狂一样纠缠不休地说“想和你一起工作”(笑)。我也知道她的头衔，但不知道她以前做过什么。这也是直觉。

===========================

看完了石原氏和尾崎氏的官方证词，我们可以大概概括一下PSC是怎么开始创业和运营的，概括下来就是： 1. 尾崎氏也是单亲家庭，是离家出走来到的东京，在创业的时候家庭没有给她任何经济援助，刚来东京的时候甚至还要想办法解决租房和打工（经济）的问题。 2. 尾崎友美本人就是粉丝，她是抱着做V系第一艺人而不是赚钱的目的进入的事务所行业。

3. 事务所内staff的生活也好，艺人的生活也好，都很清贫，早期只有尾崎一个人既是社长也是staff，还要带着乐队去唱片店，通过陌拜来推销CD。后面即使已经到了2009年，PS COMPANY 的10周年纪念演唱会“Peace & Smile Carnival”在日本武道馆举行并售罄的情况下，事务所连招待人都还在使用210日元的廉价餐具。

关于第2点，“做V系第一艺人”，这句话嘴上说说很容易，如果只是嘴上说说，不仅是各位看客，连我这种也算经历各种社会上摸爬滚打的人也是不相信的。 那我来直接考证尾崎友美当年为了雅-miyavi-这个艺能团队，做了哪些事情好了。 由于年代久远，一些小活动已经不可考证，还有些不重要的例如发CD和录唱片这些过于幕后的内容也不好考证，我下面主要考证的时间线是他的各种大型公开活动细节，包括大型演唱会，海外巡演，肉眼可见的重量级团队等。 其中很多演出以及大型活动，因为不明原因连日本语wiki上都未收录（笑），丢失的词条中，关于重点活动，我会详细解释活动细节和内容。

PS COMPANY大事记

-2002年9月22日，Due’le quartz刚解散，这一年石原氏开始solo，艺名为雅-miyavi-。后面没剩几个月了，这年基本没有太大型的活动。 -2003年4月25日，2003下剋上，场地渋谷公会堂，是一个2000多人的hall，预定票价3800日元，当日券4500日元。这场有刻VHS录影带和DVD，比较容易在网上找到信息。 2003年10月19日，成りあがり，场地日比谷野外大音楽会堂，是个3000人左右的坐席hall，无论什么时候购买，票价一律3820日元。 这场演出我要重点解说一下，虽然你看对外的官宣信息没啥特别的，但是如果你发现了支援乐队“石原軍団”的人员名单，相信你一定会和我一样惊讶。

你没有看错，真的是这4个人。

也许有人不认识第三个乐队，那是X-JAPAN的吉他手hide自己带的乐队。 成员名单和后面天天被拿出来吹的S.K.I.N., the last rockstars，可以说成员名单高度重合。

剩下那个圣饥魔的吉他手，圣饥魔在日本的地位不比X JAPAN低，虽然不是视觉系，但是也是殿堂级的乐队。

然后这几个人是真的在和雅-miyavi-平等的组乐队吗？笑。 想想看雅-miyavi-姓什么。他们只是来做support的。

不信我们来看下： S.K.I.N. GACKT from Malice Mizer YOSHIKI from X JAPAN SUGIZO from LUNA SEA/X JAPAN 雅-miyavi- the last rockstars HYDE from L'Arc~en~Ciel/VAMPS YOSHIKI from X JAPAN SUGIZO from LUNA SEA/X JAPAN MIYAVI

S.K.I.N.由于年代久远演出细节难以考证，我们来看看末代摇帝的好了。

这是东京场的细节和票价。最便宜的都要12000日元，最贵的要98000日元。

只要3820日元，你就可以看到X JAPAN，圣饥魔，LUNA SEA，hide的solo乐队的成员同台竞技啊（泪奔

2003年12月28日，現代奇想博覧会，东京BAY HK HALL。这是个拼盘演出，里面包括MUCC，Merry，DAIGO，the GazettE等乐队，票价为提前购买5500日元，当日券6000日元。 这场演出雅-miyavi-的支援乐队还是来自X JAPAN，圣饥魔，LUNA SEA，hide的solo乐队“石原軍団” *“石原軍団”参与的两场演出，日本语wiki全都没收录（包括几个前辈乐手自己的百科），很有意思（笑）。

2004年7月，日本脱出。这是个海外巡演，日程和场地以及票价是 7.10 韩国 QUEEN LIVE HALL，3820日元。 7.18 香港 香港湾仔会议展览中心 （这场因为非典流行取消） 7.24 台湾 17 Young party，6300日元。

由于年代久远，只能找到韩国场地的照片了，长这样。

只有4个乐手都转身困难的情况，从舞台宽度推算，一定是300人以下的场子，甚至就100人。。

*这场神奇的海外巡演，日本语wiki未收录（笑）。

你是不是很奇怪为什么我写的是日元定价？没错，这几场说是海外巡演，其实是让日本粉丝去远征的，有当时的应募券证明。甚至怕日本仔雅不懂远征，除了单卖日本仔雅，还找了旅行社打包差旅费用哈哈哈。 远征费用很贵，旅行社报价96000~99000日元。 广告页上还提到，当年的4月他去了韩国参加event，5月在台湾参加event，6月在香港参加event。

2004年8月11日 最初也是最后（？）的雅fan感谢DAY，东京巨蛋（5.5万人） 2004年8月31日 This is 王道，日本武道馆（1.5万人）。

这两场活动我要重点介绍，因为这组活动可以说惊天地动鬼神（？）了。 首先，第一个见面会的场地是东京巨蛋。

东京巨蛋，坐席全开有大约5.5万人，是日本最大的室内场地之一。

而之前最多也就开过3000人演唱会的石原氏怎么可能有这个演出动员力呢？ 没错，所以这场活动不是演唱会，是见面会。他也没办握手会，是摸头会，每个人都来见面给他摸头。 看台全部没开，就开了内场。

也就包个东京巨蛋嘛，虽然这场地得要百万场租吧，可是这不是还能卖票卖周边吗？ 然后我找到了另一页当时的宣传单，发现这个东蛋见面会居然是免费的。。

日本武道馆的那个票价也是奇低，预售就5050日元，当日购买就5500日元。

而武道馆的最终票房如何呢，有图有证据。

内场没敢开票，一张没有卖。

看台大量都是空的，最下层全空，其它部分空。

也因为这样做了个空中舞台。杂志宣传这是武道馆历史上第一个空中舞台，说的。。也没错。。

人家正常卖内场和最下层看台的，空中舞台那可全是视线盲区好吧。。

作为一个也算了解些演出成本预算的人，看到这里我的心已经在滴血了。保守估计2004年的海外巡演+东蛋见面会+武道馆演出，亏了300万等值人民币及以上（光与东蛋等体量国内场地的每日场租就差不多这个价格）。。

*这两场神奇的见面会+演唱��，日本语wiki未收录见面会，但是演唱会嘛，大约因为刻了DVD卖，所以收录了（笑）。

爆亏的2004年结束了。我们来看2005年。

2005年，又开始做海外巡演了。 7月14日，台湾 17 Young party 5500日元

7月16日，韩国 Dream theater SH CLUB 5500日元

而且又又又在组织日本仔雅去远征了，只是这次不仅旅行社不限制人头数了，均消也贵了好多，直接123000~233000日元了，几乎是上次的2倍。

其实也能理解，毕竟上个年度那几个大型项目亏损太多了，只能靠日本仔雅们的消费把亏空补回来。

*这场神奇的海外巡演，日本语wiki也是未收录（笑）。

2005年基本没啥大型活动了，也就有个事务所的大拼盘活动 2005 peace & smile，不过这个跟他本人的开支关系不大。

但是开始办一些意味不明的应援单曲和活动。如下。

2005.10.10，婚纱应援会。要求必须穿婚纱或其它婚礼正装参加活动，现场亲手赠送玫瑰花和新娘认定证书（翻译过来真的就叫这个名字）。

*这些神奇的见面会，日本语wiki也是未收录（笑）。

2006年上半年就一些日常的营业活动，不过确实在高密度发单曲，半年时间出了3张，还全都拍了很精致的MV，主要日程如下。

2006年下半年被公司送去美国游学了，让他学习英语和海外文化，虽说就几个月的留学，但是连发新cd都暂停了差不多一年。

石原氏自述是一点不懂英语的情况被送到洛杉矶去的，所以这段时间是他开始学习英语的契机。

游学的费用自不必说，肯定是公司承担的。 而且他可不是���龄很小的练习生。他每1个月不活动，这1个月他这条线对于事务所就是颗粒无收的，而且staff和他本人又不能不付工资。。所以实际上他断档学习的这几个月，对于公司是巨亏的。

这部分资讯由于他当时人在海外，有的事情日语区记录不详细，英语区的记录倒是很详细，我就直接搬运了： 2月17日，Miyavi应霹雳舞演员Mr. Freeze的邀请，在拉斯维加斯米高梅大酒店的Tabu Ultra Lounge与当地的DJ和打击乐手一起举办了他在美国的第一场个人演唱会。5月25日，在由Yoshiki在洛杉矶Wiltern剧院举办的JRock Revolution演唱会上，官方宣布Miyavi将成为s.k.i.n乐队的成员。6月29日，该乐队在加州长滩的动漫博览会上举行了他们的首演，也是他们唯一的一场演唱会。

也就是年初他游学回来，2007年5月25日加入由YOSHIKI(X JAPAN)、Gackt、SUGIZO(LUNA SEA)组成的S.K.I.N乐队。

2007年6月，开始喊起NEO VISUALIZM的口号，并邀请多位杰出艺人(Beat Boxer、Bass、Drums、Turntable、Tap、Painter)组成歌舞伎男子z。

然后2007年下半年开始疯狂做海外巡演。日程和场地直接看截图就好，全是live house。

2007年12月25日，举办2007下剋上演唱会，场地渋谷C.C.Leomonホール（其实还是2003年涩谷公会堂，2000多人的场地）。也就是回国后他在日本的动员力和2003年几乎毫无变化。。

*这段开始，日语百科几乎具体日程全删，就留了他去海外巡演的大致日程，场地全部不表，英语百科部分有所保留。

2008年又是继续疯狂做巡演，这是英语区扒下来的日程表，场地都不大，百来人的居多。

USA CIRCUIT

2008/05/14 USA Anaheim

2008/05/16 USA Los Angeles

2008/05/18 USA San Francisco

EUROPE CIRCUIT

2008/06/21 GERMANY Cologne

2008/06/22 GERMANY Berlin

2008/06/24 NETHERLANDS Amstelveen

2008/06/27 SPAIN Barcelona

2008/07/01 SWEDEN Stockholm

2008/07/02 FINLAND Helsinki

ASIA CIRCUIT

2008/07/10 TAIWAN Taipei

2008/07/12 KOREA Seoul

2008/07/13 KOREA Seoul

2008/07/18 CHINA Shanghai

JAPAN CIRCUIT

2008/08/02 Osaka FANJ-twice

2008/08/04 Fukuoka DRUM Be-1

2008/08/06 Kyoto WORLD

2008/08/08 Nagoya Electric Lady Land

2008/08/10 Sapporo mole

2008/08/11 Sendai MACANA

2008/08/13 Kanazawa AZ

GRAND FINAL

2008/08/16 Tokyo AKASAKA BLITZ

2008/08/17 Tokyo AKASAKA BLITZ

这里我再补充一下，做这种海外小场地巡演，通常做法是要拉本地赞助，也就是找本地主办进行支持，他们精算之后觉得能回本，才会愿意承担所有开支后给出秀费到艺人，否则的话如果没有演出动员能力，就只能自理场地租金、设备租赁/搬运和人员差旅，做一场亏几万很正常。按他的巡演密度和去的场地大小看，这轮巡演做出来后能把成本打平就不错。

而关于歌舞伎男子时期的录音室音源完成度和舞台人员配置完成度嘛，我就放一张图。

这是幕前所有团队的合影(上舞台的)，别的幕后支持比如贴身经纪人、调音、灯光、服装、造型，甚至录音时候帮忙的编曲、录音、混音等都不在这张合影里。 养这个团队背后是巨额的开支。

而石原现在弄的一吉他一鼓，据关系者描述，他的合计团队（幕前幕后）加一起只有7±3个这个配置，具体成员是：本人，鼓，DJ，调音，灯光，吉他技师，经纪人，根据场地情况加减3。

再补充一个我了解的常识。哪怕是live house级别的海外巡演，一般的日本乐队团队都是10人以上，比他至少多贝斯手、化妆、服装（服装这个岗经常还有2个人），有时候还自带翻译。

亏损嘛，自然是靠本土的仔雅承担（FC年费，周边，演唱会门票等），甚至可能是靠当时日本演出已经越开越大的PSC事务所家其它乐队的盈利承担。 有个小细节，大家可以去蓝鸟上看下，the GazettE的几个人全员都没和MIYAVI互粉哦。此团当时是PSC商业最成功的团。细思极恐哦。

后面，我再加几个时间线。主要是他婚育和官宣婚育的时间。

具体为什么是这个时间，我专栏另一篇关于他是否是奉子成婚的文章有具体考证，这里不表了。

结合他的演出日程，把时间线混进去看，你就可以更加体会日本粉丝和事务所的工作人员都是什么心情了。

石原氏婚育和官宣时间线

*只要石原爱理是足月的不是早产的，melody的受孕期理论上是2008.09-10这个时间段

2009.03.14 雅-miyavi-和Melody领证结婚

2009.04.05 雅-miyavi-于日比谷野外大音乐堂的LIVE演出，宣告加入PS COMPANY十年毕业。

2009.04.8 雅-miyavi-成立自己的公司J-glam inc.。

2009.04.9 雅-miyavi-于MySpace公开成立公司与结婚事实，并宣布孩子将于夏天出生。

2009.07.29 大女儿石原爱理出生

所以关于为什么他一结婚，日本本土粉丝都不是腰斩级别的跑路，而是膝斩级别的跑路，各位看官就自己思考吧。

[vv2637859758]

#毕业证#成绩单#学历认证#留信网认证#使馆认证#diploma#degree#certificate#transcript#grade#诺瓦艺术与设计大学#诺瓦艺术与设计大学毕业证#NSCAD毕业证#NSCAD#NSCADUniversity# #诺亚斯特学院#诺亚斯特学院毕业证#NorQuest毕业证#NorQuest#NorQuestCollege# #普洛威顿斯学院#普洛威顿斯学院毕业证#Providence毕业证#Providence#ProvidenceCollege# #瀑布学院#瀑布学院毕业证#Sault毕业证#Sault#SaultCollege#（在 Providence College）

[yinzhengs]

timeline of zhai tianlin drama

—aka, why OS s2 is in peril: the tl;dr is that people are casting suspicion on zhai tianlin’s phd thesis’ validity + it’s blown up. this is taken from this weibo post here that tried to give a summary / timeline of events (note that as far as i can tell, OP is biased against ztl...) 

note that a lot of (if not all) of these claims are unsubstantiated / based on questionable “evidence.” my heart goes out to ztl for having to deal with the massive influx of hate — tags abt this have been trending all week, and this drama’s even made the news. (link to english article, south china morning post)

avenuex also made a video about it here (which i haven’t watched yet bc frankly i don’t have the emotional energy, but i’ve heard it’s good)

throughout the post they refer to ztl as “翟博士” which is lit. doctor/phd zhai. whether or not it’s snarky... well... i’ll leave it to you to decide. all my additions in the form of links or supplementary info are in square brackets.

一个翟博士引发的惨案 / lit. a massacre that dr. zhai started

背景：翟博士微博晒出北大光华学院博士后站录取通知书，自勉“加油，小翟”。

background: dr. zhai shared on weibo his acceptance letter to the brilliant beijing university, encouraging himself with the caption “加油 [jiayou], xiao zhai” (approx. keep up the good work, little zhai) 第一波：翟博士不知知网。网友问他能否在知网看见他的博士论文，他一头雾水问“知网是什么” 翟博士：自我挽尊“我说不知道1+1=2都有人信”。 the first wave: dr. zhai didn’t know about 知网 [zhiwang] / China National Knowledge Infrastructure (wiki link provided, but it’s a research database similar to jstor in the west). netizens asked if they would be able to read his phd thesis on CNKI. completely confused, he asked: “what’s CNKI?”

dr zhai [later], trying to save his own dignity: “people would believe me even if i said i didn’t know 1+1=2.” 

[ie. he commented this to note that he meant it sarcastically. ppl on the net didn’t believe him, sparking the next events...]  第二波：翟博士无c刊论文。网友通过知网查询，发现翟博士没有c刊论文，正规大学毕业一般都需要发论文。 翟博士轧戏无时间上学。网友分析翟博士博士期间的工作量，基本都在拍戏和活动，完全不符合全日制学生的在校时间。 翟博士工作室挽尊：“博士论文将由学校统一上传”，“通过函授、导师进组指导学习”。

the second wave: dr. zhai doesn’t have a paper in the CSSCI (a rather unhelpful wiki link provided, essentially the largest social science publication citation index in china + a measure by which a publication’s authenticity/accredibility is measured). netizens searched across CNKI and found that dr. zhai didn’t have any papers [cited] in the CSSCI, though according to usual university graduation standards, theses must be published [into the system].

dr. zhai had no time to attend class while filming. netizens analyzed dr. zhai’s workload during his phd program [2014-2018] and found that he was always either filming or doing promotional activities — there was no way he could have had time to attend full-time schooling during the semester.

his studio’s damage control: “[ztl’s] doctoral thesis will be organized and uploaded by his university,” “through correspondence [long-distance teaching], his advisor oversaw his studies”

第三波： 网友继续质疑没有c刊论文如何答辩。 粉丝拿翟博士唯一发表在《广电时评》文章挽尊，但被嘲笑不是c刊，又挽尊北电不一定用c刊。

the third wave: netizens continue to question — without a published thesis, how could he defend his dissertation?

fans tried to defend him with an essay he published in “广电时评” [a film-related magazine], but were mocked because that wasn’t a CSSCI publication. fans also tried to defend him saying that beijing film academy [where ztl got his phd] didn’t necessarily use CSSCI. 第四波：于妈下场。于妈发出对话截图，证明翟博士有十万字论文，且高达645k，赞他写的好。 网友质疑十万字论文怎么只有600多k，引用文献和开头学校图标都没有吗。 the fourth wave: mama yu [nickname for director yu zheng, notable for shows like story of yanxi palace + yin zheng’s upcoming winter begonia] appears. yu posts a screenshot of their chat history [with picture of attachments sent], proving that dr. zhai had a thesis w/ over 100,000 words, and a file size of over 645 kilobytes, praising that he wrote it well.

netizens call into question why a 100,000 word thesis is only ~600 kilobytes — was there no bibliography, or even a icon [ie. picture file which would increase file size dramatically] of his school[’s logo]?

[unfortunately... this didn’t really help his case, considering yu zheng has also been involved in controversy regarding plagiarism allegations many times]

第五波：同学被拖下水扒皮。与翟博士一起毕业的其他学生名单被翻出，网友挨个知网查询，均有3-5篇论文，有人非c刊。  电博士不用发c刊论文，含金量受质疑。

the fifth wave: classmates are pulled into the controversy + not spared. the list of the other classmates that graduated w/ dr. zhai was dug up. netizens searched each of them one by one on CNKI: they all had 3-5 papers, some didn’t have CSSCI publications.

beijing film academy’s phd students don’t need to publish CSSCI-level papers — beijing film academy’s academic standards are called into question.  第六波：翟博士抄袭。翟博士发表在《广电时评》的普通文章知网查重高达40%，抄袭十几年前的文章。 文章被抄袭的黄教授朋友圈回应“春晚饰演打假警察的人要我来打假”。 打脸工作室声明没有学术不端行为。

the sixth wave: dr. zhai’s plagiarism. the essay [mentioned earlier], published in 广电时评 was ran through CNKI and [supposedly] had a similarity rating of over 40%, with passages plagiarized from papers over ten years old.

professor huang li hua posted on his wechat: “the one who acted on 春晚 [lunar new year broadcast show] as someone exposing cops as fake has to be exposed by me as a fake.”

[ztl’s] studio officially announced that no academic dishonesty had taken place.

[huang later continued, translation from the south china morning post: “The celebrity’s management company claimed Zhai had no academic misconduct issues, but my essays a decade ago were copied paragraph by paragraph. The truth trumps his argument,” Huang wrote on the Chinese social media app WeChat.] 第七波：学术不端列撤。四川大学将翟博士事件列为学术不端案例，几日后又删除。

the seventh wave: removal from “academic dishonesty” list. sichuan university listed dr. zhai’s case as an example of academic dishonesty, but deleted it after a few days. [link to the world’s worst screenshot] 第八波：导师被拖下水扒皮。翟博士导师被扒出，身为博导却是本科毕业！导师另一位弟子也无c刊论文。

the eighth case: [ztl’s] academic advisor is dragged into the controversy. dr. zhai’s advisor was dug up — he was appointed phd advisor, but had only an undergraduate degree! another one of this advisor’s students also didn’t have a CSSCI-level publication. 第九波：官媒发声。人民日报、共青团微博、紫光阁等官媒发表对翟博士的质疑。 北电回应：自查自纠小组成立。 北大回应：看北电查的怎么样根据规则处理。

the ninth wave: official state media starts reporting: people’s daily [newspaper], the communist youth league’s weibo, tower of purple light [magazine], etc. publish articles regarding the suspicion surrounding dr. zhai

beijing film academy’s response: an internal investigation committee has been established.

beijing university’s response: we will wait on beijing film academy’s investigation results, and then follow standard regulations to deal with this matter.

[ according to smcp: around this time, essay is also reported to have been taken down from CKNI ] 第十波：院长被拖下水扒皮。翟博士毕业答辩导师、北电表演系张院长被网友扒出五十多岁娶了自己的九零后学生刘某，也是杨紫同学，北电下制片厂投资两人演男女主角，找杨紫张一山关晓彤当配角，只获得75万票房。 the tenth wave: a university dean is pulled into the controversy. [one of the] advisors dr. zhai had to defend his dissertation against to graduate, dean zhang of beijing film academy’s acting school, is revealed to have married a student (surname liu) of his born in the 90′s(?), despite being over fifty himself. she was also a classmate of yang zi [this is very irrelevant but she’s a very famous post-90′s actress who graduated from beijing film academy. you might know her for being in ashes of love.] 

a movie production studio under beijing film academy invested in producing a movie where dean zhang + his wife liu were the male/female leads, getting yang zi, zhang yishan, and guan xiaotong [all v v v v famous] to play supporting roles, though it only made 750,000 at the box office.

[so i did some digging and it appears that this is the movie they’re talking about. again it’s mostly irrelevant if you ask me, but maybe you wanted to know. mostly the controversy is for like, taking a really young wife and then making beijing film academy pay for his romantic fantasy movie lol. 

what does this have to do with zhai tianlin? pretty much nothing tbh] 第十一波：北电侯亮平、阿廖沙再次被提起……北电的水有多深? 豆瓣赐翟博士新绰号：靖北侯。

the eleventh wave: previous allegations of professors’ sexual assault cases / misconduct brought back into question ... how much is beijing film academy hiding?

[ the specific cases they reference are 阿廖沙 and 侯亮平, both web names that anonymous posters used on weibo to report/investigate sexual assault allegations at beijing film academy. (the second name is a reference to a character in a tv show who’s a anti-corruption prosecutor); i can talk about those cases but it’d take a whole separate post — tl;dr anonymous poster shares account of sexual assault and ensuing ostracization from faculty/classmates when they tried to bring it to light and ultimately turned to weibo. it was a rly big trending topic for a while back in 2017. ]

douban confers on dr. zhai a new nickname: 靖北侯 

[the meaning, v. approx “peaceful north marquis” is a reference back to “平西王,” “peaceful west king/prince,” the nickname for 薄熙来 (bo xilai), a PRC politician sentenced to life imprisonment for corruption — obviously, the 北/bei also refers to beijing film/uni + 候 is a convenient callback to the previous anon investigator into beijing film sexual assault cases]

that was very very long. i hope this was somewhat helpful ;-; chinese social media has been blowing up about this, this is an attempt to capture some of the context. (this has been stressing me and my friends out as well — fingers crossed for ztl to get out of this unscathed.)

[deepdefendordaze]

留学英文Essay写作_六大黄金法则以及四大禁区

　　虽然Essay这么难写，但是，也有一些可以拿高分的准则，本文小编就为大家分享高分Essay写作必知黄金法则，希望对想要在Essay拿高分的留学生小伙伴们有些帮助。文章转自：www。Essayghost。com

　　我们服务过众多留学生客户，累计写作Essay作业论文写作总量超过20000篇，通过率始终保持在99%以上，专业的查重软件在线检测，保证原创只是我们的最低标准，总体写作质量非常不错，客户非常满意。因平时任务较多，望需要代写作业论文的留学生朋友尽量提前预约，以便我们的写手老师高质量的按时完成写作。如有疑问可以添加微信好友，朋友圈成绩单每日更新，这个任何写作都无法可比的，真实的反馈，真实的成绩，如有造假愿意承担责任。

　　黄金法则1、关注相关问题的重点词汇

　　Essay写作的时候，术语的选择非常重要。对于需要探索的问题，重点标注关键词汇，并且灵活运用相关或者类似的词汇，这样会让你在写作的时候大大提高效率，也能帮助避免写作的时候重复使用词汇。这是你学术能力的重要体现，展现你对此问题的理解程度。 

　　黄金法则2、Provide a clear structure 

　　对于全文的布局要有明确的把握。比如写美国大学Essay最常见的结构就是五段式。

　　其中包括：开头段Introductory paragraph，三段主体段落和结尾段落。需要注意的是，第二、三、四段是全文重点，一定要注意内容的可读性。不管你选择什么样的写作结构，你只需要按照以下的思路来构思就可以：

　　1、Tell what you’re going to tell them(Introduction)

　　2、Tell them(body)

　　3、Tell them what you told them(conclusion)

　　黄金法则3、Build a strong case

　　你所写的论点不能连自己都说服不了，而且要有强有力的论据去证明他，你不能只说这个东西好，到底好在哪要说清楚。不要太主观的说我觉得这个现象就是好，然后没有一点理由。

　　黄金法则4、Use formal language

　　写Essay写得好是可以发表的，写Essay也不是平时唠嗑，你想怎么说就怎么说，在Essay 中，一定要用正式的词句，不要写的太随意。不要用缩写。

　　黄金法则5、Pay attention to presentation

　　在写作的过程中不要给自己今后答辩挖坑，毕竟答辩也占分数，分析可能在答辩中需要解释的点，提前准备好。

　　黄金法则6、Beware the ditto simplicities 

　　关于什么是抄袭，只要是句子里不管你是直接引用还是把别人的句子paraphrase了，你都要做cite就是标注出处，不然都算抄袭。而且你引用别人的话不标注，你要证明这句话到底对不对的，如果标注了就不用，一定要牢记写英文论文要在文章内标注出处。 

　　上面说完了高分Essay写作的一些黄金法则，下面来为大家说一下高分Essay一定不能做的

　　写Essay时，有一些留学小伙伴们绝对不能犯的错。

　　1、没有证据就不要形成意见

　　写英文Essay的时候，如果你发表自己的想法，需要做调查，有实际数据支撑才可以写出来。不能凭空出现自己的观点。你的观点是一定要是合乎逻辑的，并且有现有研究和事实的支持。 

　　2、不要提交初稿

　　有的同学在deadline前才写完草稿，然后就匆匆提交上去了，这也是不可取的。要留出足够的时间来修改你的草稿。Essay的标点符号、语法和其他方面都会是打分的标准，这就是为什么你要注意细节，在定终稿之前一定要好好检查你的草稿。

　　3、不要使用陌生的单词和短语

　　避免使用过于复杂的单词和短语，如果你不明白它们的用法，以及它们该放置于哪一上下文内，这会让你避免以不恰当或不正确的方式提及事情。

　　4、不要把事情拖到最后一分钟 

　　无论如何，做好准备总比不做好准备好。尤其是像Essay这样重要的事情。许多人把文献���用留到最后一分钟，以为不会花那么长时间。

　　然而，文献引用往往会占用大量的时间，最后导致Essay提交被延迟。如果你为Essay熬到很晚，你可能会很累，更有可能犯错误。所以，及时完成任务，给自己留出足够的时间来应对任何意外事件。

[dueessay]

z专业高分代写机构

美国ESSAY代写论文网,美国代写论文,美国代写，Dissertation 代写,美国毕业论文代写，同样我们的ESSAY、PAPER以及毕业论文Dissertation代写团队也非常优秀！我们保证所有论文都是100%原创，交稿守时！多年服务于英国、美国、澳洲、加拿大的留学生提供论文代写、essay代写、毕业论文代写、dissertation代写、report代写、博士research proposal代写。

IPOD自发行之日起，便成为人们津津乐道的话题，不仅打破了销售奇迹，而且远远超过了人们的预期。本文就简要介绍苹果公司的IPOD，iPod的发行不仅影响了数字化音乐媒体，而且促进了科技产品的创新。希望大家通过这篇文章能够对科技的不断发展和科技产品的不断更新做出一个新的诠释。随着经济的不断发展和社会的不断变迁，相信未来的时代将是一个科技不断发展，竞争不断加大的时代。 https://www.mingxinwrite.com

Growth of The Ipod | Business Dissertations

The iPod is perhaps the most talked about technological product in recent times. It has set sales records that have lave literally destroyed the predictions of all analysts by superseding everyone’s expectations. The interesting issues concerning this topic is how the iPod impacted not only the digital Music electronics industry, but was also responsible for the turnaround of a company on the brink of bankruptcy.

It is this very fact that makes the growth and life cycle of iPod an experience in itself and one that creates a sense of wonder at its success. But how did all this come about and just why did the iPod do so well? These are questions that we look to find answers towards whilst shedding light on the internal pressures faced by the parent company Apple.

The paper takes the reader through the history of the parent company Apple and its declining fortunes until the introduction of the iPod. This revolutionary innovation then dictated the pace at which the organisation was able to turn itself around to become one of the more successful computer companies in the world today. The report also looks at how Apple as a company defines itself with the onset of the iPod boom – can it still call itself a computer company in the literal sense of the word or does it now see itself entering a diversified phase of business operations and hence, would need to re-think it’s overall businessstrategy and core competencies.

The views of different writers expressed through the paper help in building an understanding of the pressures the company has undergone over the last decade and why it has taken the decisions that it has. The paper revolves around the growth of the iPod as the key driving force for all major business and technical decisions, it understand how it had to be re-modelled and adapted to the market needs and demands. The paper also paints the competitive landscape at different stages of the growth cycle and how this impacted or did not impact the iPod.

Finally, the paper looks at the varying consumer tastes, the positives drawn from the product itself and what lies in store for the future of the product and the company. The methods used to create a deeper understanding of the iPod environment were through a variety of primary and secondary sources. Some of this is discussed in greater detail in different section of the paper. However, for the purpose of this report, the researcher took great care in trying to put together different pieces of work by various writers so as to be able to provide more holistic and all-encompassing view of the real scenario that surrounded the iPod boom. On a more generic note, most writers and experts within the industry agreed that the success of this product was unrivalled by others of its kind in recent times.

[no-bull-capital]

Biden’s Chance of Presidency

MSM has been painting a world where Biden presidency is a certainty. So let’s examine this a little. 

My personal opinion is that Trump still has a better chance of reelection despite Biden’s apparent support in the media. My guess is 55/45 in Trump’s favor. 

Let’s get one thing straight before we begin - Americans are simply humans, with human tenancies and desires. They are not just white left-wing bible bashers who follow a cult leader blindly. The most basic human instinct is to subscribe to benefits and avoid harms. Humans can make incorrect decisions at times due to the lack of or having false information, or due to the lack of physical and mental capabilities; for the vast majority of times, however, we follow our desires and choose accordingly. The decision making process for picking a president, consciously or subconsciously, is no different. Therefore we base our analysis on such premise. 

Biden’s biggest problem right now seems to be - what is his political platform? Can anyone provide a concise answer?

Trump often acts silly, abnormal or even rude in front the media, without any presidential class. Recall how he shoves his way through a group of leaders at G20 and pushes Montenegro’s PM to the side? Regardless of all the fluff, Trump’s political stance has been clear: 

1. Cut taxes and reduce government spending

2. Promote domestic industries; encourage multi-national corporations to bring back manufacturing jobs

3. Combat illegal immigration to boost employment

4. Reduce international obligations such as NATO and WHO

5. Pull out of the middle east and pivot geopolitical efforts towards China

7. Wage trade war against China to bring back manufacturing jobs.

What’s the thought process behind above points? America has fully reaped the benefits of a post-cold war era. The current structure of international trade does not provide sufficient benefit to large portions of US citizens. America’s annual trade deficit stands tall at $600 billion, and is directly caused by the loss of manufacturing jobs. The mass emigration of its secondary industry has hollowed out the blue-collar middle class, particularly in the rust belt. The socioeconomic impact is significant, with cities such as Detroit, Cleveland and St. Louis losing ten to twenty per cent of their population. Tech is great for investors, but does not provide income for vast majority of middle-class. American needs to transform.

Trump’s approach is protectionism and self-preservation. The only way to protect American workers is to disrupt Chinese manufacturing and logistic industrial chain while mandating corporations to bring back domestic manufacturing. 

Trump is bold - not afraid to admit America’s key weakness, to frame the problem and to clearly communicate proposed solutions. Unlike most politicians, he avoided political bickering over incremental differences represented by Democrats and Republicans. As such, Trump was the weakest candidate in 2016 in terms of political capital without the backing of the Republican party. While media painted him as a clown in a circus, he focused on one message - MAGA, by guiding blue collar Americans conceptualize the root cause of their problems and delivered a total of 323 rallies to drive home his message. Despite being the least competitive candidate, he beat Clinton who was the hottest political star at the time. 

Looking back at the last four years, Trump delivered his promises regardless of how media focused once again on his eccentricity. Though he did fail to build an actual wall on the Mexican border, Trump was able to paint an unwelcome image to deter illegal immigrants. All in all, America needs to transform in order to maintain its dominance, and Trump jump started that transformation whether or not it was in the right direction. 

On the other hand, what is Biden’s political platform and his fundamental focus? What problems does Biden hope to solve? There isn’t a clear message. 

从核心上讲，民主党的未来在于全球化，美国目前的玩法在经济全球化中造成了美国制造业衰败、经济空心化、贫富差距扩大，但从逻辑上说这只能说明美国目前的玩法不上道，不能说明美国在全球化中毫无竞争力注定一败涂地（其实确实如此，但是美国总归会有不少人不愿面对这个事实，相信美国尚有苟延残喘之力），民主党同样需要有一个转型方案，需要的是找到一个新的游戏规则来为美国在全球化的过程中争取更多的利益占据更大的优势并且保证更多的人收益，然后以此对抗特朗普的地方保护和孤立主义解决方案。

但是拜登没有好的解决方案，不仅仅是拜登，整个民主党建制派都没有好的方案，反建制派的桑德斯倒是有，但是那个方案比特朗普方案更离谱，对于民主党来说完全不可接受。拜登就目前而言，仍然是老式的民主党建制派政客作风，遇到问题随口敷衍，谨言慎行，嚼着先前被嚼烂的老旧陈词，对总统宝座之外的一切事情持模棱两可的态度。现在除了政治正确以及和特朗普对着干以外，大家对他还有什么印象？

没有核心施政纲领，没有完整的解决方案，在这么个美帝日薄西山行将完蛋被迫考转型苟延残喘的时代，拜登靠什么赢特朗普？

争取年轻人？78岁满头白发昏昏沉沉结结巴巴的拜登，凭什么比74岁照样满头金发精力旺盛恨不得一天上25小时Twitter的特朗普更讨年轻人欢心？更何况特朗普的新政带来了无数的新工作，拜登能给这个吗？年轻人没工作，难道用爱发电养活自己？

政治正确？特朗普就是打着政治不正确的旗号上台的，政治正确能有多少杀伤力？

接地气？特朗普就是煽动民粹起家的，你能有他接地气？更何况拜登这样的精英政客能接地气到哪里去？

执政能力？特朗普从政四年干的事情比拜登从政四十年做的事情还多，拜登拿什么忽悠选民他比特朗普更有能力？

爆黑料？特朗普从七个月到七十多岁做过的坏事，还有什么没爆出来吗？倒是拜登自己的黑料，在选举期间爆出来可能有意想不到的杀伤力。

另外再说一下美国目前的新冠疫情和骚乱。

疫情方面，特朗普政府抗疫不利这点没得洗，但是这件事情的影响不宜做过分解读。首先美国的新冠疫情高潮即将过去，虽然疫情将要长期存在，但是像高潮期间那样每周死上万人的情况不大可能维持到年底，所以说美国大选的时候新冠疫情对选民的冲击力将会远小于现在。当初特朗普不顾疫情强行重启经济带来的意外成果是，跟着特朗普重启经济的红州，普遍更快地恢复了正常的社会生产生活，经济形势也要更好一些，而坚决不重启经济的蓝州，因为封锁经济造成的损失以及原本的生产和就业被那些红州抢走，经济形势更加恶化了，所以除了不幸死于新冠肺炎的十几万人之外，对于那侥幸没有死于强行重启经济导致的疫情扩撒的三亿多美国人来说，因为重启经济，他们的生活比起预期（长期封锁经济）改善了，甚至因为比其他州更早的重启经济，他们获得了更多的就业和生产机会。因此基于幸存者偏差，死于肺炎的人不大可能在大选期间诈尸或者还魂控诉特朗普的冷血和无能，而重启经济后侥幸没死的人反而成了经济重启的受益者，那些没能尽快恢复经济的地区的居民则不幸成了囚徒博弈的双输者，既没有享受到封城带来的低死亡率，还得承担封城带来的经济损失，而比起特朗普抗疫不力又急着重启经济让红州抢了他们的机会，他们同样怨恨州政府抗疫不力（备注：1、美国是联邦制国家，中央政府对地方行为的干预能力有限，很多抗疫工作都是由州政府决定的，联邦政府难以直接干涉；2、蓝州感染以及死亡人数均在红州之上。）又迟迟不肯放开经济导致他们衣食无着，所以特朗普政府应对灾情不利对选举的影响不宜高估。

骚乱本身对特朗普声誉的打击和拜登的声誉的提高也不宜高估。首先，和抗击疫情不力完全不同，骚乱本身及其起因不太容易归咎于特朗普政府，毕竟杀人的是州警又不是联邦警察，民众的注意力被从新冠肺炎吸引到骚乱本身对民主党就不是什么好事情。其次，骚乱重点发生在蓝州，除了人口构成不同之外，蓝州迟迟不肯放开封锁导致经济衰退是非常重要的因素；再次，暴乱对民意的影响是多方面的，非洲裔可能会因此而敌视特朗普，白左圣母也会因此而坚定对抗特朗普的决心，但是反过来那些被暴徒抢了钱砸了店或者做不成生意的人会倒向主张坚决镇压的特朗普，红脖子们也会感谢特朗普坚决镇压以及不禁枪而自觉地把脖子晒得更红，所以骚乱只会更加坚定双方的基本盘，并且迫使一部分中间选民立即站队而已；最后，骚乱不能把新冠疫情死亡人数推到每周一万五千上下的巅峰水平，那么民主党在骚乱完了之后必然面对信用破产的问题，之前民主党一直拒绝解除封锁导致大家不能上街做事，但是现在却放任骚乱者上街闹事，上街闹事不会传播新冠，上街做事却会传播，除非《柳叶刀》上再发篇文章论证新冠只会感染逐利之徒不会感染高贵的黑命贵和白左圣母，否则民主党之前对特朗普重启经济的抵制将彻底丧失科学依据，这个后果可比特朗普忽悠别人注射消毒液严重多了，毕竟特朗普的忽悠只是坑死了几个傻逼，民主党这可是影响上亿人的生计，但是反过来说，骚乱引起已经趋于平息的新冠疫情重新爆发，对民主党同样不是什么好事情，特别是红州多数已经重启经济但是疫情没有严重反弹的前提下。

另外，拜登对于这个有利时机的应对和掌握并不如特朗普。骚乱这几天，拜登及其追随者办的事情：抨击共和党、给黑命贵站台、抨击执法机构、给黑人下跪、其追随者跪下给黑人洗脚；特朗普办的事情：抨击共和党、给执法机构站台、抨击骚乱、去SpaceX给马斯克站台、去西点军校的毕业典礼讲话、其支持者组成民兵组织维护治安。

对于一个中间派美国吃瓜群众来说，他会觉得美国的前途系于何处？是煽动黑人打砸抢+跪舔黑人+解散执法机构重回杀戮世界，还是强化社会治安+巩固军事优势+重建太空霸权？我觉得选择第二种未必比第一种更不合理。

简而言之，民主党的优势很难转化为拜登的优势。原因在于从大面上看，美国总统选举是一个贩卖梦想和个人魅力的地方，而拜登除了抨击特朗普之外，拿不出东西贩卖给他的潜在支持者，且缺乏个人魅力；从具体问题上看，拜登进退失度，把自己和极左翼捆绑在一起，没有发挥自己作为建制派政治家的优势。

当然了，那些理性的人仍然会选择拜登，毕竟美国的衰落不可避免，比起特朗普透支美国所剩无几的寿命去搞那个虚无缥缈的“再次伟大”，美国在拜登的领导下按部就班的寿终正寝，确保他们能按照美国走向衰亡的节奏，带着资产转移到古巴或者委内瑞拉这样和中国关系友好的国家，融入当地的社会，保证他们在中国主导的时代对于美洲事务仍然有一定的话语权，更符合相对理性的美国垄断资产阶级的利益。但是拜登要说服美国民众他们的国家已经彻底不可救药，他们唯一的希望是搬到在他们眼里也许还不如美国的古巴和委内瑞拉，争取在中国的时代找个能得天独厚的舔到中国吃剩下的残羹剩饭的地方苟延残喘才是他们唯一的出路并不容易，拜登的金主们也不会希望拜登把这条后路透露给民众，毕竟古巴和委内瑞拉的体量并不大（这两个国家加起来也不如美国大），机会有限，那些人岂能把这么重要的信息透露给普通民众？所以拜登即使知道这些门路，也没法说出来

[fuwenjunstudio]

修饰、拼接与叠加——读傅文俊的数绘摄影

作者：彭锋

自从摄影技术发明以来，它就一直在为自己的艺术地位而奋斗。摄影不被当作艺术，原因在于它是机械复制的结果，主要由光学和化学等因素决定，人的心灵无法渗透其中。尽管摄影师也有手艺高低之分，但手艺所起的作用也是相当有限。美学家们津津乐道于绘画与摄影的区别：摄影与绘画存在本体论上的不同。摄影可以在法庭上作证据，哪怕它有点模糊；绘画则不能，哪怕它描绘得更加清晰。由此可见，摄影与对象有关，用来记录对象；绘画与主体有关，用来表情达意。记录对象的是技术，表达情意的是艺术。摄影与绘画的区别，由此可见一斑。

但是，美学家们在摄影与绘画之间划下的这条界线，遭到了技术和艺术的双重挑战。从技术角度来说，数码成像技术的出现，完全摧毁了摄影与对象之间的因果关系。摄影家可以像画家一样，采集各种图像元素来表情达意。观众可以像欣赏绘画作品一样，读解摄影作品的情绪和寓意。今天摄影要在法庭上作证，首先得弄清楚它是否是数码合成的产物。换句话说，摄影要在法庭上作证，首先需要证据来给自己作证。从艺术的角度来看，自从现成品成为艺术以来，已经没有人再执着于心灵的渗透和技巧的高明。拾得的现成品和实际发生的事件，无需艺术家的加工改造，也可以成为艺术作品。由此，艺术与非艺术之间的边界彻底模糊了。在当代艺术的语境下，我们无法否认摄影是艺术，就像我们无法接受绘画是艺术一样。今天有许多摄影被认为是艺术杰作，也有无数绘画被关在艺术的门槛之外。判断艺术与非艺术的标准发生了变化。绘画无法凭借自身就必然是艺术，摄影也不会因为自身就必然不是艺术。

傅文俊数绘摄影作品《春来江水绿如蓝》

有了数码合成技术之后，摄影发生了哪些变化呢？首先，显而易见的是修饰。在胶片摄影时代也有修饰，但是修饰的程度有限，而且有较高的技术要求。不是所有人都可以进行修饰，即使是技艺高超的技师，也不能随心所欲地���饰。在数码摄影时代，修饰的技术门槛大大降低，修饰的程度大大提高。只要掌握简单的技术，就可以随心所欲地进行修饰。照片不再受到与对象的因果关系的束缚，因而不再是不以人的意志为转移的；相反，照片完全服从主观意愿的安排，它甚至比绘画更加柔软，我们的心灵更加容易渗透进去。于是，摄影成了美化现实的主要途径，成为日常生活审美化的主要方式。

修饰可以让照片比现实更美，但是美并不能让照片成为艺术。在今天这个日常生活审美化的时代，美成了日常生活的基本特征。然而，艺术毕竟要跟日常生活有所不同。在日常生活不美的时代，美可以成为艺术的特征。在日常生活已美的时代，对于艺术来说，美不仅无益，反而有害。为了与美的日常生活拉开距离，艺术有可能要跟美决裂。因此，修饰只是将照片变成美的商品，但不足以将它变成艺术。照片要成为艺术，反而要抵制修饰。

除了修饰之后，数码摄影技术还方便了拼接。电影中的蒙太奇技术，在数码时代更是游刃有余。通过拼接来生产意义、表达观念、制造戏剧性效果，成为当代影像艺术的主要手法。例如，徐冰正在创作的《蜻蜓之眼》，就取材于拾得的监控视频。徐冰从海量的监控录像中，找出他需要的主人公、情节、场所等故事片所需要的全部元素，将毫不相关的视频拼接成了悬念丛生的故事片。除了剪辑之外，《蜻蜓之眼》没有用到电影的任何其他因素，没有摄影，没有演员。

与徐冰用拼接去制造流动的影像艺术不同，傅文俊用叠加制造静态的摄影艺术。像徐冰并不改变影像一样，傅文俊也没有改变照片，他们都不是生产卡通或动漫的艺术家。徐冰用拼接的方式，将监控录像资料转变成了艺术品；傅文俊用叠加的方式，将普通照片转变成了艺术品。在傅文俊的作品中，有通过多层照片的叠加，造成抽象绘画的效果的“数绘抽象”系列。在通常情况下，艺术家通过减除和提取，就能将具象作品变成抽象作品。但是，傅文俊采取的是相反的路径，通过不断的叠加和累积，创造出抽象的作品。由于是叠加和累积，不是减除和提取，傅文俊的抽象数绘系列作品具有特殊的深度和密度，像反复绘制的油画作品一样，令人回味无穷。傅文俊用摄影来追求油画效果，与他早年从事油画创作有关。但是，傅文俊没有像大多数艺术家那样，利用照片来创作油画，而是相反，用照片来体现油画的趣味。

傅文俊数绘摄影作品《空山新雨后》

在“昨夜西风”系列中，傅文俊将宋版书和胡杨树的图片叠加在一起，形成了自然与文明的相互映衬。宋版书和胡杨树都经受了长时间的洗礼，它们凝聚的时间的印痕，很容易让人发思古之幽情。这个系列作品呈现出来的趣味，与王国维所说的古雅十分接近。王国维将古雅视为中国美学特有的趣味，“昨夜西风”系列作品是少有的能够体现中国美学精神的摄影作品。

“和而不同”系列可以被视为“昨夜西风”系列的变体，傅文俊将胡杨树的照片替换为西方经典雕塑和中国历代名画的叠加。于是，自然与文化的对话，就演变成为中西文化的对话。追求完美形体的西方雕塑与崇尚虚灵气韵的中国绘画，代表两种全然不同的审美理想，但是当傅文俊将它们叠加起来的时候，却没有丝毫违和之感。傅文俊以自己特有的方式，诠释了和而不同。和而不同是中华文明赖以长盛不衰的智慧，今天也只有它才能解开文化多样性与文明冲突之间的死结。

追求和而不同，并非无视文明冲突。相反，正是因为直面文明冲突，才需要倡导和而不同。在“游戏”系列作品中，傅文俊非常巧妙地表达了当今国家之间的博弈关系。傅文俊选取骰子作为博弈的象征，投下骰子溅开的水花勾勒出不同国家的地图形状。骰子与地图之间不对称的比例，暗示博弈已经成为当今国家的重要内容。

与“游戏”关注国与国之间的博弈不同，“他心通”关注人与人之间的博弈，尤其是人与自我之间的博弈。作品的基本因素是佛像和人头的透视影像。傅文俊通过巧妙的处理，很好地揭示了今天人性与神性的关系。佛像相对较小，或许暗示今天神性的萎缩。放大的头骨，表明自我的膨胀。但是，头骨的模糊和可朽，又表明自我是暂时的，神性才是永��的。这组作品衍生出来的丰富寓意，真是耐人寻味。它也像一面镜子，让我们看见自己身上的人性与神性的博弈。

《后工业时代》是傅文俊的大型影像装置作品，由五个巨大的轮胎和四面投影组成。作品的内容大多取材于作者生活的重庆。山城重庆以重工业闻名于世，依山崛起的大厦和飞跨两岸的大桥，给人以信息社会少有的崇高感。傅文俊的《后工业时代》，非常精准地传达了现代工业造就的崇高感。然而，这并不是现代工业的辉煌时刻，而是它的末日来临。现在工业即使要退出历史舞台，也是轰轰烈烈地退场.

傅文俊不仅开创的数绘摄影技法或流派，他的作品所展现出来的对社会和人生的思考的广度和深度更是让人深思。在傅文俊手里，摄影不再是记录事实的工具，而是表情达意的画笔，是充满哲理的檄文。

2017年2月23日于北京大学蔚秀园

关于作者彭锋：北京大学艺术学院教授、2011年威尼斯双年展中国馆策展人彭锋担任策展人。

本文是彭锋作为策展人，于2017年3月在中国美术馆举行的《和而不同——傅文俊数绘摄影展》所写的评论文章。

Decoration, montage and overlying-- Review on Fu Wenjun’s Digital Pictorial Photography

By Peng Feng

Ever since the emergence of photographic technology, it had been struggling for its position in the art field. Why the photography was not considered as an art consists in the fact that, it was determined by the optical and chemical factors, and the human spirit had no way to penetrate. Although photographers varied on their technical skills, the techniques made a difference in a very limited way. Aesthetic scholars has been taking delight in talking about the ontological differences exist between painting and photography. In a court trial, photography could be the evidence, although a little blurred. Painting could not do the same, even if it makes much clearer deion. We can notice that photography is linked to the object, aimed to record such an object; painting is linked to the subject instead, aimed to express ideas or feelings. The technology aims to record an object, while the art aims to express ideas or feelings. So the differences between photography and painting can be conjured up through seeing a part.

However, the boundary of photography and painting drawn by the aesthetic scholars has encountered the twofold challenge of technology and art. From the prospective of technology, the appearance of the digital imaging technology has destroyed the cause-effect relation between photography and the object. Photographer, like a painter, can collect any kind of visual elements to express ideas or feelings. Observers can appreciate the workpiece as if it was a painting, understanding the morale and implied meaning of the photographic work. In other words, if the photography wants to be shown as evidence in a court trial, it needs evidence to prove itself first. From the perspective of art, after the readymades having become artworks, there is no one insists any more on the spirit penetration and advanced techniques. The pick-up readymades and real-happened events, without any working and transformation by the artists, can also be considered as artworks. Then the boundary between art and non-art is completely blurred. In the context of contemporary art, we can not deny photography is art, just like we can not accept painting is art. Today numerous photographic works are regarded as art masterpieces, at the same time a lot of paintings are left out the door of art. The standard to judge if something is art or not has changed. Painting is inevitable to be an art just for its nature, and photography is inevitable not to be an art just because of its nature.

Since the born of digital composing technology, what has happened to the photography? Firstly and obviously, it is the decoration. The Decoration did exist already in the era of using films to produce photography, but the degree was limited with high requirements of the technique. Not everyone could do the decoration, even the technician with superb skill was not able to do it following his inclination. In the digital age, the decoration techniques has become much easier, thus the degree of decoration is highly increased. Just grasping the simple techniques, one can do the decoration as he pleases. The photography is free from to the limitation of the cause-effect relation of the object. So photography is not independent of man’s will any more. On the contrary, it can be arranged completely on man’s will, and be even softer than the painting, as our spirit can go deep inside in an easier way. Consequently, photography has developed into a major method to beautify the reality, becoming a principal way to aestheticize the daily life.

The decoration can make the photography more beautiful than the reality, but the beauty can not make the photography become an art. In the current time of daily life aestheticization, beauty has become a basic characteristic of the daily life. However, art should be different from the daily life. In an era that daily life was not beautiful, beauty could become a characteristic of the art. But in an era that daily life is already very beautiful, for the art, beauty is not useless, but harmful instead. Aiming to distance with the beautiful daily life, possibly the art will break with the beauty. Therefore, the decoration can only turn the photography into a beautiful merchandise, but is insufficiently turn it into the art. For becoming the art, photography should boycott the decoration.

Beside of the decoration, the digital photography technology has also provided convenience to the montage. In our digital times, the montage technique used for the filmmaking can be done with skill and ease. Taking use of the montage for the purpose of producing meaning, expressing ideas and creating dramatic effect, has become a principal method in the contemporary video art. For example, Eyes of Dragonfly, an undergoing film project of artist Xu Bing, has drawn its material from the collected surveillance videos. From tremendous amount of videos, Xu Bing finds out all the necessary elements composed of a story, including characters, plots, places, and makes the montage of unrelated videos, developing into a story film permeated with suspense. Except of the montage, Eyes of Dragonfly does not use any other elements of film, no photography, no actors.

Different from Xu Bing, who uses the montage to produce video art in dynamic state, Fu Wenjun applies the overlying to create photography art in static state. Xu Bing does not change the videos, and similarly Fu Wenjun also does not change the photos. They are not artists who produce cartoon or manga. Xu Bing, with the method of montage, has transformed the surveillance videos into artwork; while Fu Wenjun, with the method of montage, has transformed the ordinary photos into artwork. In his works, Fu Wenjun does the overlying of photos in multiple levels, and creates the series Digital Pictorial Abstraction series featured with the effect of abstract painting. Normally, the artist can change a realistic work into an abstract one by way of deduction and extraction. However, Fu Wenjun has applied the opposite way, creating abstract works with constant overlying and accumulation. Thanks to the overlying and accumulation, not the deduction and extraction, his digital painting abstract workpieces are characterized by special depth and density, just like the repeatedly painted oil paintings, which provide endless aftertaste to the spectators. Probably with regard to his experience with oil painting creation in his early stage, Fu Wenjun uses the photography to pursue the effect of oil painting. Unlike many artists, he does not use photography to assist oil painting creation, but on the contrary, presents the delight of oil painting through the photography.

In the series A Wind from Yesterday, Fu Wenjun overlays the images of a page made from a woodblock printing in Song Dynasty and a Euphrates poplar, leading nature and civilization to set each other off beautifully. Both of the two objects have gone through the test of a long time, so, as symbols of time they can evoke people’s nostalgia towards ancient times. The works embody a taste that is very close to the “classic elegance” proposed by the modern Chinese scholar Wang Guowei. This scholar regarded the “classic elegance” as a very special interest in the Chinese aesthetics. A Wind from Yesterday represents one of the few photographic works able to give expression to this Chinese aesthetic spirit.

Harmony in Diversity can be seen as a variant of A Wind from Yesterday, in which Fu Wenjun replaced the Euphrates poplar with the overlying of Western classic sculptures and Chinese ancient paintings. Then the dialogue between nature and civilization has evolved into the dialogue between Chinese and Western culture. It is evident that they represent two completely different aesthetic ideals: the Western sculptures pursue a perfect form, while the Chinese paintings adore the light and intangible spirit. Nevertheless, with the overlying performed by Wenjun, they do not appear to be inharmonious. In his own special way, the artist interprets the harmony in diversity, which represents a wisdom contributing to the continuous development of Chinese civilization and which can untie the hard knot of culture diversity and clash of civilizations.

Seeking harmony in diversity does not involve ignoring the clash of civilizations. On the contrary, precisely because we are facing directly the clash of civilizations, we need to advocate the harmony in diversity. In the series Game, Fu Wenjun has brilliantly expressed the current relationship of gambling among countries. The dice is chosen as symbol of the game, and the water splashes created from the throwing of dice outline the map of countries. The asymmetric proportion of dice to maps implies that the game has become an essential content of national politics nowadays.

Different from Game, that pays attention to the gambling among countries, Thought Reading focuses on the game among people, especially between the person and himself. The basic elements in the series are some Buddhist statues and pictures of the human skull under X-ray. Fu Wenjun, with ingenious treatments, reveals the relationship between humanity and divinity in our time. The Buddhist statues are relatively small, which possibly implies the shrinkage of the divinity nowadays. The enlarged skull refers to the expansion of the self. However, the skull is blur and will be rotten, indicating that the self is temporary and the divinity is forever. The meanings conveyed by this series give us much food for our thinking, just like a mirror, which make us to see the game between humanity and divinity.

Post-industrial Era is a large-scale photography installation created by Fu Wenjun, composed of five huge tires and four video projections. Chongqing, a mountainous city, is known for its heavy industry. The high-rises on the mountains and cross-river bridges bring people a sense of sublimity that is hardly to find in information society. Post-industrial Era delivers accurately this sense of sublimity created by modern industries. However, it is not a glorious moment for modern industries, but instead their last days. Even though modern industries will leave, they will leave the stage of history in a grand style.

Fu Wenjun not only has paved the way for the technique or school of digital pictorial photography, his works also represent the manifestation of a wide and profound thinking on the society and life, which is very charming. As for Fu Wenjun, photography is not merely a tool to record reality, but a brush to express his ideas or feelings, a proclamation permeated with philosophy.

Wei Xiu Park of Peking University, 23rd February 2017

About the author Peng Feng: Professor at Peking University School of Arts and curator of the Chinese Pavilion at the 54th Biennale di Venezia.

This critic article is written by Peng Feng as the curator of “Harmony in Diversity: Fu Wenjun’s Digital Pictorial Photography Exhibition” held at the National Art Museum of China in March 2017.

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Essay写作高分法则

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对于全文的布局要有明确的把握。比如写美国大学Essay最常见的结构就是五段式。

其中包括：开头段Introductory paragraph，三段主体段落和结尾段落。需要注意的是，第二、三、四段是全文重点，一定要注意内容的可读性。不管你选择什么样的写作结构，你只需要按照以下的思路来构思就可以：

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2、Tell them (body)

3、Tell them what you told them (conclusion)

3、Build a strong case

你所写的论点不能连自己都说服不了，而且要有强有力的论据去证明他，你不能只说这个东西好，到底好在哪要说清楚。不要太主观的说我觉得这个现象就是好，然后没有一点理由。

4、Use formal language

写Essay写得好是可以发表的，写Essay也不是平时唠嗑，你想怎么说就怎么说，在Essay中，一定要用正式的词句，不要写的太随意。不要用缩写。

5、Pay attention to presentation

在写作的过程中不要给自己今后答辩挖坑，毕竟答辩也占分数，分析可能在答辩中需要解释的点，提前准备好。

6、Beware the ditto simplicities

关于什么是抄袭，只要是句子里不管你是直接引用还是把别人的句子paraphrase了，你都要做cite就是标注出处，不然都算抄袭。而且你引用别人的话不标注，你要证明这句话到底对不对的，如果标注了就不用，一定要牢记写英文论文要在文章内标注出处。

写Essay时，有一些绝对不能犯的错。

1、没有证据就不要形成意见

写Essay的时候，如果你发表自己的想法，需要做调查，有实际数据支撑才可以写出来。不能凭空出现自己的观点。你的观点是一定要是合乎逻辑的，并且有现有研究和事实的支持。

2、不要提交初稿

有的同学在deadline前才写完草稿，然后就匆匆提交上去了，这也是不可取的。要留出足够的时间来修改你的草稿。Essay的标点符号、语法和其他方面都会是打分的标准，这就是为什么你要注意细节，在定终稿之前一定要好好检查你的草稿。

3、不要使用陌生的单词和短语

避免使用过于复杂的单词和短语，如果你不明白它们的用法，以及它们该放置于哪一上下文内，这会让你避免以不恰当或不正确的方式提及事情。

4、不要把事情拖到最后一分钟

无论如何，做好准备总比不做好准备好。尤其是像Essay这样重要的事情。许多人把文献引用留到最后一分钟，以为不会花那么长时间。

然而，文献引用往往会占用大量的时间，最后导致Essay提交被延迟。如果你为Essay熬到很晚，你可能会很累，更有可能犯错误。所以，及时完成任务，给自己留出足够的时间来应对任何意外事件。

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《图审者》 第六章 留学的蓝

《图审者》 第六章 留学的蓝 正文

蓝即将登机，目的地地球。 蓝是一位刚刚中学毕业的学生，他以优秀的成绩被地球某大学录取，蓝的父母很欣慰，大儿子成功入学，意味着他的两个弟弟会得到更多的优待。 看着蓝走进船舱，母亲对孩子他爸说：“终于将蓝抚养长大，我们有更多精力去照顾蓝的两个弟弟，把他们全部抚养长大，我们就可以安度晚年了。” “孩子他妈，你别想得太轻松，地球精英无数，能不能混出个人样还不清楚。” “要是不行就回火星陪我们，哪里不能存在呢？” “见过大世面之后，可能回不来了。” “一件好事情，别想到糟糕的一面。” 母亲与孩子他爸说完，两人乘上反重力汽车，返回庄园。 蓝坐在靠近窗户的一侧，他第一次离开火星，八百年前人类改造火星，处处生机勃勃。 飞船升空，远处地面耸立的氧气工厂成为破旧的建筑，再也没有它运作的机会，火星已被氧气氧化，草木繁盛，氧气工厂成为改造火星的标志，作为人类征服荒凉外星的里程碑，作为文物，被保护着。每年火星教育��举办盛大的氧气制造厂参观活动，告诉每一个在火星居住的公民，他们的家乡是临近的星球。 地球，是所有人类共同的家园和征服宇宙的起点。 蓝透过玻璃窗，蓝色的火星大海笼罩着大陆板块，三大洲六大洋的宏伟壮观一览无余。 太阳刺目的光线透过窗户，经过特殊材料阻挡，光线对人体无害，为了营造太阳的刺目感，玻璃并不一股脑地把所有光线隔离在外。蓝兴奋地看着面前的太阳，他降低玻璃的透明度，一颗红色的“鸡蛋”漂浮悬挂在宇宙黑布上。 你要记得，这是你第一次看见无比璀璨和令人无比激动的景象，这是第一次，你终于走向了未来！虽然没有红酒和美食庆祝，但终会有一次，你会度过无比幸福的一生。蓝心中如是想着。 飞船离开大气层，进入太空中转站，飞船很快进入人造中转站的预定轨道，并降落于此。 蓝走出机舱，寻找着道路，看着头上站牌的数字，他很快找到方向。 前往星际飞船的路较远，地面滚动装置让行走变得简单和轻松，广播不断播报着飞船的起落，航班指示着上机的旅人快些做好准备。 路途不会耽搁太久，蓝百无聊懒地站在地面上，任拖拽装置将他带向目标航班。 很快他来到对应地候机室，稍稍等了半小时，登机的广播响起。 他正在和朋友通过社交软件通讯，视频中的伙伴说：“我听到你那儿的登机通知了，你到地球有空之后再邮件我。” “时间匆匆，有点舍不得。”蓝说。 “也许你需要个女友了，长途旅行百无聊赖，和女友煲电话粥一定可以满足你沟通需求。”朋友说完挂断电话。 也许在大学会遇到一位自己喜欢的姑娘，蓝想。 蓝找到自己的座位，他很幸运，仍然是靠窗的区域，能够透过玻璃窗看见外面的宇宙景观。 飞船徐徐开动，前往加速区域，蓝看见周遭还有许多大型星际飞船停靠，往前只是在电视中观看到飞船的模样，能真实近距离地感受科技的力量，应该是有一番激动的情愫，蓝尽可能地让自己有激动的感觉，但是，他没有。 也许古代的人会激动，习以为常的事物是不会让人激动的。蓝心中解释着自己不会激动的原因。 大型星际飞船已经到达加速轨道，飞船的速度逐渐增加，蓝感觉到微弱的压迫感，他呼了一口气，当飞船速度稳定后，蓝觉得舒服许多。 蓝看着窗外的风景，依旧是夺目的太阳，这颗照射地球和火星的恒星已悄然存在数十亿年，每日按时出现在头顶，人们总是容易忽略他的存在，就像一位英雄，提供生物和文明的必须，却从来不自封功业。太阳的面貌经过大气层的“筛选”，就像电视中的“虚假”模样，能如此真实地亲身体验到宇宙的浩瀚，与太阳同在悬空的宇宙中，是如此震撼。 飞船逐渐转向的过程，太阳的光源逐渐“移动”至另一侧，远处，能看见银河的绸带，犹如一张水中的飘动的丝巾，在漆黑的宇宙“幕布”上镶嵌着无比璀璨的“珍珠”，星星点点的遥远恒星孕育着怎么样的生命？人类是否能够离开太阳系前往临近的恒星系统开发令人向往的宇宙资源？蓝想到此处，感觉学业的重要性：如果我有一番成就，也许可以领略到更多的意义。 旅途时间长达50个标准小时，在这段时间内，飞船座椅上配备有显示屏，乘客可观看自己喜爱的节目，蓝很快找到自己喜欢的节目，是明星的综艺节目，他喜爱的明星∑正在节目上驾驶空天赛车比赛。 飞船有免费饮料和事物，还算可口，蓝在艰难的条件中总能去勉强适应环境，并且食物也不是特别不合胃口。虽然身边有许多和自己一样的乘客，但大家都假装忙活着自己的构想出来的事情，没有太多交谈，蓝也理解这种行为，因为他也是如此做的。 如何开口与对方交谈，变成了人类的难题，话题和环境总是没有社交的前提，大家更乐意在量子网络与陌生人对话、视频，如果谈得来，觉得对方长相也喜欢，可能会不远万里见面庆祝彼此成为朋友，然后离开，不知道何时能想见，不知道何时能走进对方的生活。 又或者，不需要想见，有过一次相聚足够，可这般反反复复的交际，最终也变得无聊起来，可能安静地呆在房间中，更有意义些许。 一段旅程，并不会花费太长的时间，50个小时匆匆就过去了，该休息的时候，坐在椅子上，入睡，该上厕所的时候，慢慢走过长廊，走向厕所，对再慢慢地走回椅子，该吃饭该喝水的时候，无精打采走向食堂，一点点吃着食物，静静坐着，看着屏幕上的综艺节目，或者是有趣的电影、电视剧，时间悄然而度。 即将到达地球，广播通知着飞船里的旅客们，大家充满了惊喜和期待，很快他们看见了月球，一颗传说中无比巨大的星球，围绕着地球旋转了无数岁月，它们就像是忠诚的伴侣，因为一种契约而永恒对地在一起。 一位来自火星的诗人曾经那般描述地球和月球之间的微妙关系：在寂寞的太空，很少有人相信爱情，人类的起源星球，那蔚蓝色的地球，它的身边，月球是永远的陪伴，他们因爱情而联络在一起，永不分离。 这首朴素的爱情诗歌，火爆了一个世纪，学学多多来自火星的游客，纷纷前往月球基地欣赏宇宙幕布悬挂的爱情美丽，或者在地球，夜幕降临，晴空万里，抬起头，一轮皎洁的明月，是陪伴了地球文明无数岁月的结晶。 如今这首诗歌成为课本里面的教学内容，当火星的居民听到关于地球的信息，总会联想到月球的神迷。 与月球的相见是短暂的，飞船里的游客们伸长了脖子，向窗外望去，只是一颗星球，赋予了它一定的意义就会呈现出不一样的期待。 前往地球，蓝色的星球美不胜收，逐渐接近，飞船进入太空站预定轨道，太空站与赤道修建的直连电梯相接，远处可以看见一部部电梯载着乘客上下往返。 蓝下机后跟随着人流前往“赤道升降机”，路途许多大型显示屏广告：机器人管家、美食、宠物、珠宝首饰、景区旅行，地球提供给外来游客的期许从几块显示屏中显露出来，让每一个来到地球的人产生诸多期待。 蓝走进升降梯，升降机启动，快速地往地球方向下降，地球的体积也看起来越来越大，边缘优美的圆弧形与宇宙黑暗的背景相互依托，地球显得无比蔚蓝和壮观。 电梯进入大气层，一望无尽的云海令人生出激动万分地颤抖感。 在电梯快速下降处于失重状态中，加之视野的所见，蓝终于不需要通过内心的暗示以证明自己的第一次是多么有意义，外部的震撼完全性地传递到身体每一根神经，发麻的害怕快感不断像巨浪拍打礁石一般快速回旋。 通过云层，可看见满目的绿色，远方的海洋蔚蓝和湛蓝的天空和谐交接。 “这就是地球吗？美得不可思议！”蓝情不自禁地冒出这么一句话。 近处，城市两栋建筑高耸入云，城市与自然相融，没有火星杂乱的城市规划乱感，而是一幅处处充满艺术美的画卷。 学长在等候着新生，蓝很快和学长相识，并与学长相互添加通讯。 “晚上在宾馆有新生接待仪式，你按照这个地址前往宾馆。”学长说完将地址发到蓝的手机。 蓝没对学长说什么，打开地图导航，离目的地不远。 地下转送带将蓝迅速带到宾馆，他很快办理好入住手续，进入房间，房间不大不小，一张干干净净舒舒服服的床，一张红色的沙发，透明的茶几摆放着茶具，白色的��子简单而亲切，茶几底部用植物编制，似乎嗅到一股草木芬芳的气味。 墙壁上挂着电视屏，配备着立体游戏盒子，另一面墙壁上挂着一幅艺术诗歌，是箫笛欧诺的早年作品《墓碑》： 望穿了深深的雨巷 看惯了潮落潮涨 听熟了摇铃的呼唤 盼痴了夕阳下的车站 却没有为我而靠岸的渡船 也许 会有一只船为我靠岸 而岸边的墓碑上写着 等待…… 这首诗，蓝默念了几遍，他能感觉到文字中饱含的情感。 “是爱情诗吗？”蓝自顾自地问。 “标题太伤感了吧，不过这首诗本身就很伤感。” 一间充满艺术气息的房间，蓝觉得是个好兆头，他很喜欢文学，学校专业也是文学系，他相信自己能够在文字殿堂发光，来到地球，升降机上看见的美不胜收的风景，在宾馆邂逅箫笛欧诺的诗歌，他的未来一定与文学有着紧密的联系，他相信着。 夜晚，学长疲惫地将最后一位学弟带到宾馆，并招待了一席丰盛的佳肴。 学长说：“我介绍自己，让大家知道我是谁，我名字叫豫伟，相信各位学弟知道学校依山傍海的地理环境，春天百花盛开，夏季海水清澈见底。” 大家有说有笑地回到房间，有些同学筹堆前往沙滩游玩。 蓝进入房间，在他将要拉动窗帘时，却看见如此景色： 红色的月亮从山峦处升起，周围的云朦胧，打开窗，没有风。现在的时间将近10点，在书本上看见的月亮升起的常规时间是6点多。有一片海域被月光照亮。整片大海尽头亮着光芒，像繁星一样，那是航道指示灯，大海尽头与天相交处，无数的灯光并排着，照亮海域，隐约能看见照亮的云翳。

Blue study abroad "The Reviewer" Chapter 6 Blue study abroad Body

Blue is about to board the plane, destination Earth. Blue is a recent high school graduate students, he was admitted to a university on earth with excellent results, Blue's parents are very pleased that the eldest son successfully enrolled, meaning that his two younger brothers will get more preferential treatment. Watching Blue walk into the cabin, the mother said to his father, "Finally raised blue, we have more energy to take care of Blue's two younger brothers, they all raised, we can live in old age." " "Child his mother, you don't think too easy, the earth elite countless, can mix out the personal style is not clear." " "If not, go back to Mars and stay with us, where can't it exist?" " "After seeing the great world, i may not be able to come back." " "A good thing, don't think of the bad side. " The mother and the child, his father finished, and the two got in the anti-gravity car and returned to the estate. Blue sits near the side of the window, and he leaves Mars for the first time, eight hundred years after humans transformed it. The spacecraft lifted off, the distant ground towering oxygen plant became a dilapidated building, no longer the opportunity for it to operate, Mars has been oxygen oxidation, grass bloom, oxygen factory become the symbol of the transformation of Mars, as a milestone in the human conquest of desolate alienstars, as cultural relics, is protected. Every year the Mars Education Bureau hosts a grand oxygen manufacturing plant tour to tell every citizen living on Mars that their hometown is a nearby planet. The earth is the common home of all mankind and the starting point for conquering the universe. Blue through the glass window, the blue Martian sea shrouded the continental plate, three continents and six oceans magnificent view. The sun's stinging light passes through the window, is blocked by special materials, the light is harmless to the human body, in order to create the sun's prickly feeling, the glass does not have a brain to isolate all the light. Blue looked excitedly at the sun in front of him, he lowered the transparency of the glass, and a red "egg" floated on the cosmic black cloth. You have to remember, this is the first time you have seen the brilliant and exciting scene, this is the first time, you finally move to the future! Although there is no wine and food to celebrate, but there will be a time, you will be very happy life. Blue heart is like thinking. The spacecraft leaves the atmosphere and enters the space transit station, where it quickly enters its intended orbit and lands. Blue walked out of the cabin, looking for the road, looking at the number of signs on his head, and he quickly found his way. The distance to the starship is far away, the ground rolling device makes walking simple and easy, the broadcast constantly broadcasts the ship's landings and landings, and the flight instructs the passengers on board to get ready quickly. The road won't be delayed for long, blue hundred boringly standing on the ground, let the drag device take him to the target flight. Soon he arrived at the corresponding lounge, waiting for a little half an hour, and the boarding broadcast rang out. He was communicating with a friend through social software, and his partner in the video said, "I heard your boarding notice there, and you'll email me when you're free on Earth." " "Time is in a hurry, a little reluctant. Blue said. "Maybe you need a girlfriend, long-distance travel boring, and girlfriend spending time on the phone will certainly meet your communication needs." "The friend hung up after he said it. Maybe in college will meet a favorite girl, Blue thought. Blue found his seat, and he was lucky to still be in the window area, able to see the cosmic view outside through the glass window. The spacecraft slowly started, to the acceleration area, Blue saw around a lot of large starship docked, forward just in the television to see the appearance of the spacecraft, can really feel the power of science and technology up close, should have a feeling of excitement, blue as far as possible to let oneself have an emotional feeling, but he did not. Perhaps ancient people would be excited, and things that would have been used to would not be exciting. Blue's heart explains why he won't be excited. The large starship has reached the accelerated orbit, the spacecraft's speed gradually increased, Blue felt a faint sense of oppression, he breathed a sigh of relief, when the spacecraft's speed stabilized, Blue felt much more comfortable. Blue lookout out of the window of the landscape, is still a dazzling sun, this shining star on earth and Mars has quietly existed for billions of years, every day on time on top of the head, people always easy to ignore his existence, like a hero, to provide the necessity of biology and civilization, but never self-proclaimed. The face of the sun through the atmosphere "screening", like the television "false" look, can be so truly experienced the vastness of the universe, with the sun in the suspended universe, so shocking. The process of the spacecraft gradually turn, the sun's light source gradually "move" to the other side, in the distance, you can see the silk ribbon of the Milky Way, like a floating silk scarf in the water, in the dark universe "screen" inlaid with incomparable bright "pearls", stars dot the distant stars of what kind of life? Can humans leave the solar system to develop desirable cosmic resources for nearby star systems? Blue thinks of it here and feels the importance of my studies: if I've achieved something, I might be able to appreciate more. The journey time is up to 50 standard hours, during which time the ship's seats are equipped with a display, passengers can watch their favorite programs, Blue quickly found their favorite program, is the star variety show, his favorite star is driving the air racing race on the program. The ship has free drinks and things, it's delicious, blue can always barely adapt to the environment in difficult conditions, and the food is not particularly unappealing. Although there are many passengers around him who are like themselves, everyone pretends to be busy living their own ideas out of things, there is not much conversation, and Blue understands this behavior, because he does the same. How to open up to talk with each other, become a human problem, topics and environment is always no social premise, we are more willing to talk with strangers in the quantum network, video, if talk, feel the other side also like, may not be far away to meet to celebrate each other become friends, and then leave, do not know when to see, do not know when to see, Don't know when to walk into each other's lives. Or, do not need to see, had a meeting enough, but such a back-and-forth communication, and eventually become bored, may quietly stay in the room, more meaningful. A journey, and will not take too long, 50 hours hurriedly passed, the rest time, sitting in a chair, sleep, the toilet time, slowly walked through the corridor, to the toilet, to slowly walk back to the chair, should eat to drink water, a little food, sitting quietly, Watching on-screen variety shows, or funny movies, TV shows, time quietly. Coming to Earth, the radio informed the spacecraft passengers, everyone is full of surprises and expectations, and soon they saw the moon, a legendary giant planet, around the earth for countless years, they are like a loyal companion, because of a contract and eternally together. A poet from Mars once described the delicate relationship between the earth and the moon: in lonely space, few people believe in love, the origin of human planet, that blue earth, its side, the moon is forever companion, they are connected by love, never separated. This simple love poem, hot for a century, learning more tourists from Mars, have gone to the moon base to enjoy the beauty of the space curtain hanging, or on the earth, night fall, clear sky, raised his head, a clean moon, is accompanied by the earth civilization for countless years of crystallization. Now the poem is a textbook, and when the inhabitants of Mars hear about the Earth, they always think of the moon's fascination. The sight of the moon is short-lived, the spacecraft's tourists stretched their necks and looked out of the window, just a planet, giving it a certain meaning will show a different expectation. To Earth, the blue planet is beautiful, gradually approaching, the spacecraft into the space station scheduled orbit, the space station and the equator built by the direct elevator, in the distance can be seen a section of the elevator carrying passengers up and down. The blue down-plane followed by the flow of people to the "equator lift", the road many large-scale display ads: robot butlers, food, pets, jewelry, scenic travel, the earth to provide foreign visitors from a few displays revealed, so that everyone who came to the earth to produce a lot of expectations. Blue into the elevator, the lift starts, quickly descends in the direction of the earth, the earth's volume also looks bigger and bigger, the edge of the beautiful arc and the dark background of the universe, the earth appears extremely blue and spectacular. Elevators enter the atmosphere, and a sea of endless clouds gives birth to an exciting tremor. In the elevator rapid descent in a weightless state, coupled with the vision of the view, Blue finally does not need to through the inner hint to prove how meaningful the first time, the external shock completely transmitted to the body of each nerve, the burst of fear of the thrill of constantly like a big wave hit the reef as fast swing. Through the clouds, you can see the full of green, distant ocean blue and azure sky harmonious lying. "Is this the earth?" It's amazing! "Blue can't help but come up with such a sentence. Nearby, the city's two buildings towering into the clouds, the city and nature, not Mars messy urban planning chaos, but a picture full of artistic beauty. The schoolmaster is waiting for a new student, and Blue soon meets the schoolmaster and adds communication with the schoolmaster. "In the evening there is a freshman reception ceremony at the hotel, you follow this address to the hotel. "The head of the school said the address to the blue cell phone. Blue didn't say anything to the schoolmaster, open the map navigation, not far from the destination. Underground transfer belt will be blue quickly brought to the hotel, he quickly check-in procedures, into the room, the room is not small, a dry clean comfortable bed, a red sofa, transparent coffee table placed tea sets, white cup simple and cordial, the bottom of the coffee table with plants, seems to smell a smell of grass and wood fragrance. On the walls hang series of television screens, equipped with stereoscopic game boxes, and on the other wall hangs an art poem, "Tombstone", di Ono's early work: Look through the deep rain alley I'm used to seeing the tide rise Listen to the call of the bell Looking forward to the station in the sunset but the ferry that docked for me. Maybe There's going to be a boat to shore for me. And the gravestone on the shore says Wait...... The poem, read several times by Lanmer, he could feel the emotion in the text. "Is it a love poem?" Blue asked himself. "The title is too sad, but the poem itself is very sad. " A room full of artistic atmosphere, Blue feel symhesia is a good omen, he likes literature, the school major is also the department of literature, he believes that he can shine in the temple of words, came to the earth, the lift saw the beautiful scenery, in the hotel, Di on the poetry, his future must have a close connection with literature, he believes. In the evening, the schoolmaster tiredly brought the last student to the hotel and entertained him with a hearty meal. The school master said: "I introduce myself, let everyone know who I am, my name is Yu Wei, I believe that fellow students know the school by the mountains and the sea of the geographical environment, spring flowers blooming, summer water clear bottom." " Everyone said and laughed back to the room, some students piled up to go to the beach to play. Blue entered the room, and when he was about to pull the curtains, he saw such a view: The red moon rose from the hills, and the clouds around it were hazy, opening windows, and there was no wind. Now the time is nearly 10 o'clock, the normal time to see the moon rising in the book is more than 6 o'clock. There was a sea of light lit by moonlight. The whole sea at the end of the light, like a star, that is the channel light, the end of the sea and the sky intersection, countless lights side by side, lighting the sea, vaguely can see the light of the clouds.

[vv2637859758]

专业办理#毕业证#成绩单#学历认证#办真实教育部国外学历认证#diploma#degree#certificate#transcript#grade#诺瓦艺术与设计大学#诺瓦艺术与设计大学毕业证#NSCAD毕业证#NSCAD#NSCADUniversity# #诺亚斯特学院#诺亚斯特学院毕业证#NorQuest毕业证#NorQuest#NorQuestCollege# #普洛威顿斯学院#普洛威顿斯学院毕业证#Providence毕业证#Providence#ProvidenceCollege# #瀑布学院#瀑布学院毕业证#Sault毕业证#Sault#SaultCollege#（在 Sault College）

[liurenbcf]

真假马云Deciphering Jack Ma

本文写于2008年。

This article was written in 2008. 

本文由全球首个语言信息公链LIC提供多语服务

1995年8月，杭州。马云家。电视台的摄像机在摄像。486电脑，电话拨号到上海电信，连接成功，打开Mosaic浏览器，敲入http：//www.chinapages.com。三个半小时之后，杭州望湖宾馆的网页下载完毕。指着从美国西雅图传回来的图片和简介，马云很自豪，很兴奋，他证明了他没骗大家，他证明了Internet的确存在……

Hangzhou, August 1995. Inside Jack Ma's home, there is a TV camera filming what is going on. Through his i486 computer, Jack dials into Shanghai Telecom. The connection is successful. He opens the Mosaic browser and keys in "https://ift.tt/2uNl4Ac". Three and a half hours later, the web page of Lakeview Hotel Hangzhou is fully downloaded. Pointing at the images and summary received from Seattle, Jack is both proud and excited. He has proven that he was not lying to everyone: the Internet truly exists... 

1964年9月10日，马云生在杭州。父母是半文盲。马云英文很好，13岁起，骑自行车带着老外满杭州跑；数学很差，敢考1分；自幼习武，喜欢打架，打得缝过13针，挨过处分，被迫转学杭州八中。

Jack Ma was born in Hangzhou on the 10th of September 1964 to semi-literate parents. He became proficient in English from a young age and began fetching foreigners around Hangzhou on a bicycle when he was 13. However, he was poor at math and once scored a whopping one mark in an exam. He practiced martial arts since his childhood, and enjoyed fighting so much that he once required 13 stitches, while in a separate incident, he was disciplined and forced to transfer to Hangzhou Eighth Middle School. 

18岁，当他想上北大的时候，他经历了第一次高考落榜；19岁，再次参加高考，再次落榜；20岁，第三次高考，勉强被杭州师范学院以专科生录取。因同专业招生不满，后被调配进入外语本科专业。

When he was 18, he had dreams of attending Peking University, but ended up failing the college entrance exams. At 19, he retook the exams but failed them once again. At 20, he retook them a third time and was narrowly accepted into Hangzhou Normal University as a junior college student. However, thanks to vacancies in the intake, he was subsequently allocated to the foreign languages undergraduate major. 

1984年，考上大学，只论英语，马云从此如鱼得水。很快当选校学生会主席，随后当选杭州市学联主席。1988年毕业，马云被分配到杭州电子工学院，教英语，每月89元工资。马云很快成为杭州优秀青年教师，发起西湖边上第一个英语角，开始在杭州翻译界有名气。因此，很多人来请马云做翻译，马云做不过来，于1992年成立海博翻译社，请退休老师做翻译。海博第一个月全部收入700元，房租2400元。为生存下去，马云背着大麻袋到义乌、广州去进货，海博翻译社开始卖鲜花，卖礼品。马云还曾经销售过一年的医药，推销对象上至大医院，下至赤脚医生。1994年海博持平，1995年开始赚钱。海博翻译社赚钱之后，马云就没再管它。

And so, Jack finally made it into university in 1984. Because the courses were taught only in English, he took to them like a duck to water, and was soon elected as chairperson of Hangzhou City's students' federation. After graduating in 1988, he was assigned as an English language lecturer to Hangzhou Dianzi University, where he earned a salary of 89 yuan per month. He quickly became an "Outstanding Young Teacher" of Hangzhou, and established the first English Corner by the side of West Lake. He also began to make a name for himself in Hangzhou's translation circle, and would subsequently receive more translation requests than he could handle. In 1992, he founded Hangzhou Hope Translation Agency, through which he invited retired teachers to do translation work. The agency amassed a revenue of 700 yuan in its first month, way lower than the monthly office rent of 2,400 yuan. In order to keep the business going, the agency began selling fresh flowers and gifts, and thus Jack had to carry large sacks to purchase stock from cities such as Yiwu and Guangzhou. For a year, he even sold medicine to clients ranging from big hospitals to barefoot doctors. The agency broke even in 1994 and became profitable from 1995. Jack no longer managed it after it turned profitable. 

1994年圣诞节后一周，杭州电子工学院。来自西雅图的外教比尔在和马云聊互联网。两个都不懂互联网，但这并不妨碍，比尔讲得很激动；也不妨碍，马云听得很激动。此时的马云，已经决定创业。“此前教给学生的东西都是从书本上贩卖而来，是在误人子弟。没意思。”马云在找机会。

Hangzhou Dianzi University, a week after Christmas 1994. Bill, a foreign lecturer from Seattle, was talking about the Internet with Jack. Though neither man understood the Internet, this was no hindrance. Bill spoke very excitedly about the topic, while Jack listened equally excitedly. By this time, the latter had already made up his mind to become an entrepreneur. "Everything which I've taught my students was copied from books. There's no meaning and fun in misguiding the young." He was on the lookout for an opportunity. 

1995年初，马云受托，作为翻译来到洛杉矶沟通落实一起高速公路投资，未果。马云从洛杉矶飞到西雅图找比尔。信仰互联网的比尔领马云去西雅图第一个ISP公司VBN参观。

Jack arrived in Los Angeles in early 1995 as a translator for a highway investment project which was ultimately unsuccessful. He took a flight to Seattle to find Bill, who as a believer in the Internet, brought Jack to visit Seattle's first ISP company, VBN. 

两间很小的办公室，猫着5个对着屏幕不停敲键盘的年轻人。马云不敢碰电脑。公司的人说，不要紧，你就用吧。公司的人打开Mosaic浏览器，键入Lycos.com，对马云说：“要查什么，你就在上面敲什么。”马云在上面敲了个beer，搜索出了德国啤酒美国啤酒和日本啤酒，就中国啤酒。马云敲Chinese，返回是no data.，马云又敲china history，找到一个50字的介绍。

Cramped within two very small offices were five young men who perpetually faced monitor screens while tapping away on their keyboards. Jack did not dare to touch the computers until an employee told him not to worry and to try using one. The employee opened the Mosaic browser and keyed in "Lycos.com" before telling Jack, "Type in whatever you want to search for." Jack entered the term "beer", which returned results of German beer, American beer, and Japanese beer, but none of Chinese beer. He then entered the term "Chinese", which returned the message "no data". He subsequently tried the term "china history", and found nothing but a 50-word introduction. 

马云问：“为什么有些能搜索到，有些搜索不到？”公司的人告诉他：“要先做个homepage，放到网上去，然后，全世界人都能搜索到了。”

He asked the employee, "Why are some things searchable while other things aren't?" To which the employee replied, "You have to create a homepage and put it on the web first. After that, anyone around the world will be able to find it." 

马云马上想到应该给海博翻译社做个homepage。上午9：30，马云守在机器旁，等着海博翻译社网页完工。按照马云的意思，制作人员在海博翻译社网页写明了报价、电话和信箱。中午12：30，马云离开。晚上，马云回来收到5封回信。来自日本、美国、德国的客户来问翻译价格，最后一封来自海外的华侨，是个留学生，他对马云说：“海博翻译社是互联网上第一家中国公司。”马云感到了互联网的神奇，他兴奋地对VBN公司说：“你在美国负责技术，我到中国找客户。咱们一起来做中国企业上网。”

Jack immediately thought of setting up a homepage for his translation agency. At 9:30 a.m., he waited beside the machine for the web page to be completed. According to Jack himself, the programmer provided the agency's translation rates, as well as a telephone number and an email address, on the web page. Jack left the company at 12:30 p.m., and when he returned at night, he noticed five messages in the inbox. Four of them were written by clients from Japan, the United States, and Germany, asking about the agency's translation rates. The last message was from an Overseas Chinese student who told Jack that "Hangzhou Hope Translation Agency is the first Chinese company on the Internet." Beginning to feel the magic of the Internet, Jack excitedly told VBN, "You shall be responsible for the technical aspect here in the US while I head back to China to find clients. Let's work together on China's Internet enterprise." 

1995年3月夜。杭州马云家坐着24位朋友，都是马云4年来在夜校教书时结识的外贸人士，马云想听听这些做外贸的人对Internet的商务需求。

24 friends were gathered in Jack Ma's home on one fine night in March 1995. These people were all foreign trade professionals who Jack had got to know over 4 years of teaching evening classes. He wanted to find out what business needs these professionals would have for the Internet. 

马云在对他们说：“我要辞职，干Internet。”马云开始宣讲Internet。马云讲了整整两个小时。马云讲得糊涂，大家听得同样糊涂。

He told them, "I want to quit my job and work on the Internet," following which he began to explain and extol the virtues of the Internet. After speaking for a good two hours, Jack became just as confused as his listeners. 

马云讲完，朋友们问了5个问题，马云都没答上来。23位朋友反对马云干Internet：“你开酒吧，开饭店，办个夜校，都行。就是干这个不行。”只有一个人说：“你要是真的想做的话，你倒是可以试试看。”

After he had spoken enough, his friends asked him five questions, none of which he was able to answer. At the end of the gathering, 23 of his friends opposed his plan. "You may open a bar, run a restaurant, or found your own night school. Anything but this." Only one person said, "You can give it a shot if you really want to." 

马云没听他们的，第二天一早，立即向学校辞职，然后，自己拿出六、七千元，向妹妹、妹夫借了一万多，凑足2万元。然后，马云给杭州电子工学院计算机教师何一兵打了电话：“你听说过Internet吗？我们一起干Internet……”

Jack did not heed their advice. The next day morning, he immediately resigned from his job at the school. He then pooled together a sum of 20,000 yuan, of which 7,000 was his own money while the rest was borrowed from his sister and brother-in-law. Subsequently, he rang up He Yibing, who was a computing teacher at Hangzhou Dianzi University. "Have you heard of the Internet? Let's work on the Internet together..." 

1995年4月，中国第一家互联网商业公司杭州海博电脑服务有限公司成立。三名员工是马云、马云夫人张瑛和何一兵。此时离中国电信通互联网还有4个月。

In April 1995, China's first Internet business company, Hangzhou Haibo Computer Services Limited, was established. Its three staff were Jack, his wife Zhang Ying, and He Yibing. At this time, China Telecom was still four months away from providing Internet services. 

1995年5月9日，http：//www.chinapages.com中国黄页上线，马云开始从身边的朋友做生意。他的生意经是，先向朋友描述Internet怎么怎么好，然后，向要他们资料，通过EMS寄到了美国，VBN将homepage做好，打印出来，再快递寄回杭州。马云将网页的打印稿拿给朋友看，并告诉朋友在Internet能看到。此时，离中国能上Internet还有3个月。

China Pages (https://ift.tt/2uNl4Ac) was launched online on the 9th of May 1995. Jack started to do business with his friends. His method was like this: he would first describe the pros and benefits of the Internet to his friends, and then request information regarding their companies from them. He would next send the information via EMS to the United States. VBN would do up a homepage, print it out, and send it back to Hangzhou via EMS. Jack would show the print-out of the web page to his friends and tell them that it was visible on the Internet.  At this time, China was still three months away from being able to access the Internet. 

不能实际地看到，朋友怀疑马云在编故事。马云说：“你可以给法国的朋友打电话，给德国的朋友打电话，或者给美国的朋友打电话，电话费我出，如果他说没有，那就算了；如果他说有，证明有了，你要付我们一点点钱。”中国黄页当时的收费标准是，一个homepage 3000字外加一张照片，收费2万元，其中1.2万给美国公司。

His friends suspected that he was running a scam because they were yet unable to see the web page for themselves. His reply to them was, "You can call your friends in France, Germany, or the US to take a look. I'll pay the call charges. If they say there's nothing, then forget it. But if they can see it, then that proves that it's real, and you'll have to pay us some money." The standard fee charged by China Pages at that time was 20,000 yuan for a homepage with 3,000 words and a photograph. Of this amount, 12,000 went to VBN. 

1995年，互联网上的中国网站太少，中国黄页效果很好。望湖宾馆是当时网上能看到的唯一的中国宾馆，时逢世界妇女代表大会，许多世界妇女代表到杭州后，专程过去看看望湖宾馆。钱江律师事务上线之后，留得是家里电话，半夜三更老是有人打电话给他。

In 1995, China Pages achieved strong results, in large part because there were few Chinese websites on the Internet. The only Chinese hotel which could be found on the web was Lakeview Hotel. Appropriately, during the World Conference on Women that year, many delegates paid a special visit to the hotel while touring Hangzhou. When Qianjiang Law Firm launched its own web page and placed a home number on it, the owner of this number began to be inundated with phone calls even in the middle of the night. 

北京连着两次舍弃

Abandoning Beijing in Quick Succession 

1999年初。夜。大雪。北京小酒馆。马云和18个手下不停地喝酒，吃肉，一直到醉，然后，唱《真心英雄》，说长相聚，多开心……天亮了，马云提议爬长城。长城上，终于有人忍不住嚎啕大哭。“为什么我们付出那么多，却什么也都不到？”马云无法回答，他忍住伤心，发誓要建立一个让所有中国人都为之骄傲的网站。马云指着长城上的“张三到此一游”，逗趣：“这是中国最早的BBS。”那晚8时，马云和18个手下跳上北京开往杭州的列车，挥手南下……

In a small Beijing pub on a night of heavy snow in early 1999. Jack and his 18 staff were eating and drinking non-stop to the point of inebriation. They began singing "True Hero" and expressing their wish for more such fun gatherings. When day broke, Jack suggested climbing the Great Wall, and so they did. On the Wall, one of them finally burst into tears. "Why do we have nothing to show for all our efforts?" Jack had no answer, but he checked his emotions and vowed to build a website which every Chinese citizen would be proud of. He pointed at the words "Zhang San was here" which were scribbled on the Wall and quipped, "This is China's first ever BBS." At 8 p.m. that night, Jack and his staff hopped on a train from Beijing to Hangzhou, and never looked back... 

中国黄页上线后，马云带何一兵到北京拜会当时的互联网偶像张树新。张树新很忙，她花了半小时见马云。

After the online launch of China Pages, Jack brought He Yibing to visit his Internet idol Zhang Shuxin, who could afford only half an hour to meet Jack as she was busy. 

从瀛海威出来，又望了一眼那块著名的“中国离信息高速公路离还有多远”牌子，马云对何一兵说：“如果互联网有人死的话，张树新一定比我死得更早。”“第一、她的观念我听不懂；第二、我做的是企业上网，她做的是老百姓上网。”

Stepping out from Inforhighway's office, and after taking another glance at the famous sign which read "How much further is China from the information superhighway?", Jack said to He Yibing, "If anyone dies because of the Internet, then Zhang Shuxin will surely die before me. Firstly, I can't understand her concept, and secondly, her business is about getting people to get online, whereas mine's about getting enterprises to do so." 

1995年7月，中国黄页为浙江省外宣办做了一个网站，在网上宣传浙江的经济文化，美其名曰“金鸽工程”。《钱江晚报》记者文敏、周丹以中国最早的政府上网工程为题大篇幅报道。文中说，“为金鸽工程下一步的技术问题，总经理马云已飞赴美国……”

In July 1995, China Pages created a website for Zhejiang Province's international communication office. The website, which publicized Zhejiang's economy and culture, was dubbed as the "Golden Pigeon Project". As it was China's earliest governmental online project, two journalists of Qianjiang Evening News, Wen Min and Zhou Dan, wrote a lengthy feature on it. One line read, "General Manager Jack Ma has flown to the United States to address the technical issues of Golden Pigeon Project's next step..." 

杭州出名之后，马云要进一步在全国成名。1995年12月，他再次来到北京，通过朋友介绍，认识了《北京青年报》一名司机。马云将稿件递给司机，同时塞给他500元钱。“不管什么媒体，发了就算你的。”司机很有能耐，发了5个媒体，还上了《中国贸易报》头版。马云意识到了《中国贸易报》有眼光，马上找到了该报副总编孙燕君，跟他谈了两天两夜。早在1995年10月20日，《中国贸易报》已经成为中国第一个上网的媒体。“当时他和我一样不懂互联网，但是他觉得互联网肯定有戏，他说马云，我支持你。”

Having made a name in Hangzhou, Jack wanted to become famous throughout China. He once again visited Beijing in December 1995. Through a friend's introduction, he became acquainted with a driver working for Beijing Youth Daily. Jack passed a manuscript together with 500 yuan to the driver. "The money is yours as long as any media outlet publishes the manuscript." The savvy driver sent the document to five media outlets, and it even made the front page of China Trade News, which Jack thereupon recognized to have good foresight. He immediately sought out the deputy editor-in-chief Sun Yanjun, with whom he spoke for two days and nights. China Trade News had already become China's first web-based media on the 20th of October 1995. "Like myself, he didn't understand the Internet at that time, but he could feel its potential. He told me he supported me." 

一个月后，北京长安俱乐部，孙燕君请了京城各大媒体30多位编辑记者，马云出3万元钱，得到了向京城媒体集体宣讲互联网的机会。北京网速太慢，没办法联网，马云就将内容全部拷到硬盘上。

A month later, Jack forked out 30,000 yuan for the opportunity to give a talk about the Internet at Beijing Chang'an Club to an assembly of more than 30 editors and journalists invited by Sun Yanjun from Beijing's various major media outlets. He had to store all of his content on a hard disk because Beijing's network speeds were too slow to connect to the web. 

大清早，将两台从杭州带来的486电脑安装好，马云就在那里等编辑记者们陆续到场。那天，马云讲了两个小时，讲什么是互联网，网络有什么好处。

Early that morning, he readied the two i486 computers he had brought over from Hangzhou and waited at the club for the arrival of the editors and journalists. Subsequently that day, he spoke for two hours explaining what the Internet was and what benefits it had. 

马云没等到文章见报，因为，第二天上面就有文件下来，要求暂时不要宣传互联网。“他们说，马云，你如果能够说服《人民日报》上网的话，我们就可以报道了。”马云通过一个朋友认识了《人民日报》办公室里的一个行政人员。有天晚上，马云和他聊得很晚，这个时候来了一个人，他问：你们在聊什么？马云说在聊互联网。这个人就跟马云聊起来，这个人就是《人民日报》发展局局长谷家旺。临了，谷家旺说：“你应该给《人民日报》处以上干部讲一次Internet。”马云给《人民日报》讲了两次Internet，并参与了《人民日报》上网的框架构思。“《人民日报》对我还不错，我把北京杭州来回的车票钱，还有日常开支都赚回了。”在京期间，马云住在朋友办公室里，天天吃麦当劳，一直吃到现在见了麦当劳就想吐。

But no articles regarding his talk were published in the newspapers. This was because the day after his talk, the media outlets received a notice from on high with instructions not to publicize the Internet for the time being. "They told me that they would be able to report on it if I could persuade People's Daily to go online." Jack soon got to know an executive from the People's Daily's office through a friend. One night, Jack was chatting with this acquaintance until it was very late when someone walked over and asked, "What are you two chatting about?" After Jack told him they were discussing the Internet, this person joined in the conversation. He was the director of the development bureau of People's Daily, Gu Jiawang. In the end, he said, "You should give a talk about the Internet to the upper management of People's Daily." Thereafter, Jack gave not one but two talks to the People's Daily and participated in the newspaper's framework and planning processes for its online venture. "The People's Daily treated me well. I managed to make back not only my travel fare between Beijing and Hangzhou, but also my daily expenses." While in Beijing, Jack stayed in his friend's office, and ate McDonald's every day until he will vomit if he sees the golden curvy M today. 

马云越来越有名，中国黄页越做越大，引起杭州电信注意，杭州电信也做了一个中国黄页，域名是：chinesepage.com，分食马云的市场。“杭州电信注册资本三个亿，我们才2万，另外，田溯宁的亚信当时也虎视眈眈。”1996年3月，马云决定和杭州电信合并。中国黄页作价60万元，占30%股份，杭州电信投现金140万人民币，占70%股份。1996年，中国黄页营业额做到了700万人民币，但马云和杭州电信合作并不愉快。“做.COM公司犹如养孩子，而杭州电信想赚现钱，你不可能让3岁小孩去挣钱吧！” 

Jack's fame grew as China Pages became ever bigger. This caught the attention of Hangzhou Telecom, which began to set up its own version of China Pages, at the domain chinesepage.com, to compete in Jack's market. "Hangzhou Telecom had a registered capital of 300 million yuan, whereas we had only 20,000 yuan. Moreover, Tian Suning's AsiaInfo was also lurking." Jack decided to merge his company with Hangzhou Telecom in March 1996. China Pages was valued at 600,000 yuan and took a 30% stake, while Hangzhou Telecom pumped in 1.4 million yuan and took a 70% stake. Although China's Yellow Pages business made a turnover of 7 million yuan in 1996, Jack was not happy about the partnership with Hangzhou Telecom. "Running a dot-com is like raising a child. Instead, Hangzhou Telecom only thinks about making fast money. You can't ask a three-year-old child to earn money, right?"  

1997年初，在得到外经贸部进京成立中国国际电子商务中心（EDI）邀请后，马云决定放弃中国黄页。他将自己所持的21%中国黄页以每股2、3毛钱的价格贱卖给了公司，拿回10多万元。当时中国黄页账上还有107万现金，40多万应收款。“等于已经打开局面。”“自从我离开之后，中国黄页再就没有赚过钱。”“做企业，个人英雄主义必须去除。个人英雄主义最后反而会把企业给害了。”外经贸部给了中国国际电子商务中心200万元启动资金，还说给马云他们30%股份。马云很兴奋地从杭州带了5个兄弟北上，6个人租了一个20平方米的房间，连续苦干了15个月。外经贸部官方站点、网上中国商品交易市场、网上中国技术出口交易会、中国招商、网上广交会和中国外经贸等一系列网站全干了出来。网上中国商品交易市场是中国政府首次组织的互联网上的大型电子商务实践，净利润做到了287万元。事情做出来了，但马云们的股份在体制内却很难落实。“我们那时候就拿几千元一个月的工资，其他什么也没有。”

Jack decided to give up on China Pages after receiving an invitation from MOFTEC to establish China International Electronic Commerce Center (CIECC) in Beijing in early 1997. He sold his 21% stake in China Pages back to the company at a price of 20 to 30 cents per share, and received more than 100,000 yuan. At that time, China Pages had 1.07 million yuan of cash and more than 400,000 yuan of receivables in its accounts. "It was all but in smooth operation already. China Pages never made a profit after I left. Individualistic heroism must be gotten rid off in order to do business, for it'll ultimately harm the business instead." MOFTEC provided a start-up capital of 2 million yuan to CIECC and offered Jack a 30% stake in the company. He excitedly brought over five brothers from Hangzhou, and together the six of them rented an apartment of 20 square meters and toiled for 15 straight months. They created a series of websites for entities including MOFTEC, China's Commodity Trading Market Online, China's Technology Export Fair Online, China Merchants Bank, and Canton Fair Online. In particular, China's Commodity Trading Market Online was the Chinese government's first attempt at organizing a large-scale e-commerce business, and it made a net profit of 2.87 million yuan. After they finished their work, however, Jack and his brothers found it difficult to liquidate their shares within the system. "At that time, we received a monthly pay of a few thousand yuan, and nothing else." 

1998年底的互联网越来越热，借助外经贸部平台，马云认识了杨志远，结交了广泛的外贸关系。名有了，关系有了，方向有了，资源有了，4年时间，舍弃两次，算什么，马云决心重新开始。

The Internet began to boom in late 1998. Over MOFTEC's platform, Jack became acquainted with Jerry Yang and established relations with a wide range of foreign trading partners. 

阿里巴巴带头大哥

The Alpha of Alibaba 

1999年 2月21日，杭州湖畔花园马云家。摄像机在进行全程录像。马云妻子、同事、学生、朋友，18个人或坐或站，围绕着他们的首领马云。

Hupan Garden, Hangzhou, 21 February 1999. Inside Jack Ma's home, a camera is recording the entire scene. Standing or sitting around Jack are 18 people, comprising of his wife, colleagues, students, and friends. 

马云将手一挥，“从现在起，我们要做一件伟大的事情。我们的BToB将为互联网服务模式带来一次革命！”马云掏出身上的钱往桌上一放，“启动资金必须是 Pocket money（闲钱），不许向家人朋友借钱，因为失败可能性极大。我们必须准备好接受‘最倒霉的事情’。但是，即使是泰森把我打倒，只要我不死，我就会跳起来继续战斗！”

Jack waved his hand and said, "We shall do something noble from now onwards. Our B2B shall revolutionize the service model of the Internet!" He fished out a few coins from his pocket and placed them on the table. "Because the likelihood of failure is extremely high, our start-up capital has to be our own pocket money. There shall be no borrowing of money from family members or friends. We must be prepared for the worst case scenario. But, even if I'm knocked down by Mike Tyson, I'll get on my feet and continue fighting as long as I'm not dead!" 

马云讲疯了，他讲得酣畅淋漓，痛快淋漓。他终于讲明白了4年来一直在讲的互联网。马云先讲新浪走势，后讲自己的前途。“现在，你们每个人留一点吃饭的钱，将剩下的钱全部拿出来。”另外，“你们只能做连长、排长，团级以上干部我得另请高明。”

Jack was talking crazy. He poured his heart out fully and impassionedly. He was finally able to explain what the Internet, which he had spoken non-stop about for four years, was. He started by talking about new trends before moving on to his own future. "Now, I want all of you to take out your money and keep only a little for food. All of you can only be 'captains' and 'sergeants' within the company. I'll hire better-qualified people for the upper management." 

根据马云“不得向亲戚朋友借钱”的指示，后来被成为18“罗汉”的创业者们凑了50万元本金。办公室设在马云家里，最多挤过35个人。马云规定，员工必须在他家附近租房，确保五分钟可以到公司。工资大家都一样，每月500元，10个月内没假期。“发令枪一响，你不可能有时间去看对手是怎么跑的，你只有一路狂奔。”马云要求员工每天工作16到18小时，困了就席地而卧。干得太辛苦，马云就下厨为大家做几道菜。

According to Jack's instructions not to borrow money from family members or friends, the co-founders, who later became known as the "18 arhats", pooled together 500,000 yuan in capital. Their office was set up in Jack's home, which was only big enough for 35 people to squeeze into. He stipulated that every staff must rent an apartment within five minutes of the office. Everyone's pay was fixed at 500 yuan per month, and they would have no holidays for the first ten months. "After the starting pistol is fired, you won't have time to look at how your opponents are running. Your only option is to run as fast and wild as you can." Jack demanded that every staff work for 16 to 18 hours a day. They could sleep on the floor when they were exhausted. He would cook up a few dishes for everyone when work became too tough. 

alibaba.com域名是马云1998年底在美国餐厅吃饭时突然想到的，他随即问餐厅侍者，知不知道阿里巴巴？侍者笑了：芝麻开门！马云跑到街上又问了几个人，回答都是：芝麻开门。“从我外婆到我儿子，他们都会读阿里巴巴。”“世界上几乎所有语言中的发音都是‘ａ－ｌｉ－ｂａ－ｂａ’，也就是说全世界的商人都可以没有困难地接受我们网站的名字。”马云最终从100多个名字中选择了阿里巴巴。

Jack had conceived the domain name "alibaba.com" while eating in a restaurant in the United States in late 1998. He had casually asked a waiter whether he knew who Ali Baba was, to which the waiter laughed and replied, "Open sesame!" Jack went to the streets and asked several people the same question, only to get identical responses. "Everyone, from my maternal grandmother to my son, has read the story of Ali Baba. Practically every language on Earth pronounces the name as 'a-li-ba-ba', and that means merchants all over the world will be able to accept our website name without difficulty." Jack eventually chose the name Alibaba out of more than a hundred ideas. 

商业模式是现成的，在外经贸部就探索了出来的。网上中国商品交易市场净利润287万元，从实践上证明这个市场的存在和这个商业模式的坚固健康。

He had already finalized the business model while working for MOFTEC. The net profit of 2.87 million yuan generated by China's Commodity Trading Market Online was practical proof of the existence of this market and the robust health of this business model. 

当时，中国对外贸通道主要靠“广交会”、国外展会或者依托既有的外贸关系，还很大程度上受控于香港贸易中转。入世在即，很多中国中小企业迫切需要自主控制的外贸通道。马云认为阿里巴巴借助互联网能够而且应该肩负其这个使命。

At that time, China's foreign trade depended heavily on the Canton Fair, overseas exhibitions, and existing foreign trade relations. It was also controlled to a large extent by Hong Kong, which served as a commercial transit point. China's imminent entry into the WTO meant that an autonomously-controlled foreign trade channel became a pressing need for China's SMEs. Jack believed that, with the aid of the Internet, Alibaba could and should undertake this mission. 

实现方式，马云坚持用BBS。“只要能发布供求信息，能按行业分类就行。”其他人不同意，拍着桌子和马云吵。马云拍自己脑袋，还是认为自己对。“阿里巴巴用户是不怎么会上网的商人，一定要简单。”

Jack was adamant about using BBS as the implementation method. "It can publish supply and demand information and classify by industry. That's enough." Some of his staff disagreed, and would bang on the tables as they argued with him. After beating his head, Jack remained convinced that he was right. "Alibaba's users are merchants who aren't savvy with the Internet. We have to keep the interface simple." 

1999年3月，马云在外地发电子邮件要求手下立即完成BBS设计，手下还是不同意。马云怒了，抓起长途电话，尖叫：“你们立刻、现在、马上去做！立刻！现在！马上！”他真想立马飞回去，猛拍他们脑袋。

In March 1999, Jack sent an email from out of town to his staff, demanding that they complete the design of the BBS immediately. The staff revealed that they remained opposed to Jack's idea. Enraged, Jack made a long-distance call and screamed over the phone, "GO AND DO IT RIGHT NOW, ALL OF YOU! RIGHT NOW! RIGHT! NOW!" He wished he could fly back immediately and smack every one of them on their heads. 

第四次创业，马云需要的是追随者、执行者，不是合作者。一直作为马云合作者的何一兵参与了阿里巴巴创业，无法掩饰和马云的分歧，最终和马云分道扬镳。之后两人再见面，谁也不谈工作。

This was his fourth business venture already. What Jack needed was not partners, but followers and executors. He Yibing, who had collaborated with Jack all along, became unable to conceal his differences with Jack while working on Alibaba, and eventually went his separate way. Since then, neither man would talk about work whenever they met again. 

1999年4月15日，alibaba.com上线。耶鲁博士、华尔街混迹多年的Invest AB副总裁蔡崇信听说阿里巴巴后，立即飞赴杭州洽谈投资。和马云谈了4天后，蔡崇信说：“马云，那边我不干了，我要加入阿里巴巴！”马云求之不得。“好！你来帮我管钱。”“我不会管钱，我最多管过200万人民币。”

Alibaba.com was launched online on the 15th of April 1999. After hearing about Alibaba, Joseph Tsai, a vice-president at Invest AB who had spent many years studying at Yale University and working on Wall Street, immediately got on a plane to Hangzhou to negotiate an investment with Jack. After four days of discussion, he said, "Jack, I'll give up my job to join Alibaba!" Jack was most welcoming. "Alright! You shall help me to manage money. I don't know how to manage money. The most I've ever managed is 2 million yuan." 

蔡崇信加盟增加了阿里巴巴的说服力，1999年10月29日，由高盛公司牵头，Transpac Capital、Investor AB of Sweden、Technology Development Fund of Singapore 联合向阿里巴巴投资500万美元。

Joseph's addition to the team increased Alibaba's persuasiveness. On the 29th of October 1999, a joint investment led by Goldman Sachs and comprising of Transpac Capital, Investor AB of Sweden, and the Technology Development Fund of Singapore invested US$5 million in Alibaba. 

1999年10月30日，阿里巴巴第一轮融资完成第二天，马云春风得意地飞赴北京见孙正义。那天，马云没穿西装；那天，他没想从孙正以那里融钱，因为昨天他刚融到了钱。马云只是想和孙正义谈谈他的阿里巴巴，谈谈他对互联网的看法，听听孙正义的看法。

On the 30th of October 1999, the day after Alibaba's first round of financing, Jack jubilantly flew to Beijing to meet Masayoshi Son. That day, Jack neither wore a suit nor thought about seeking investment from Son, for he had raised money just the previous day. Jack simply wanted to talk about Alibaba and the Internet to Son and hear the latter's opinions on them. 

采访手记

Interview Transcript 

历史的碎片一页页飘落

Fragments of History Fall Through the Air Page After Page 

每个人都活在自己的经验世界里，记者也不例外。2000年，《计算机世界》办展览会，时逢我的新书《中国.com》出版，我就被报社派去展台签名销书。当我同别人正聊得高兴，一个读者扯我一下：“你应该重视马云。他的阿里巴巴为中小企业开启了新的外贸通道。他在外经贸部的尝试也是开创性的，很有意义。”我笑笑，没将这位读者的话往心里去，转过身继续闲聊。那时，我心里满是三大门户，满是王志东、丁磊。

Everyone lives in a world of their own experiences, and a journalist is no different. China Computerworld ran an exhibition in the year 2000. As this coincided with the publication of my new book, "China Dotcom", I was sent by my newspaper to our exhibition booth to sign autographs and promote my book. While I was happily chatting away, a reader tugged on me and said, "You should pay attention to Jack Ma. A new foreign trade channel for SMEs has been opened by his Alibaba. His experiments at MOFTEC were also groundbreaking and inspiring." I laughed and did not take this reader's words to heart. At that time, I was preoccupied with the Three Gateways, Wang Zhidong, and Ding Lei. 

我不做外贸，从来不上alibaba.com，所以，2000年7月10日，马云出现在《福布斯》封面，媒体报道马云是50年来第一位获此殊荣的中国企业家，对此，我漠然一笑，依然没将马云当回事。

I did no foreign trade and never went on alibaba.com before. Thus, when Jack Ma appeared on the cover of Forbes on the 10th of July 2000, and the media reported that he was the first Chinese entrepreneur in 50 years to receive this honor, I smiled indifferently and continued to not take him seriously. 

2002年元旦，我到杭州采访浙大网新总裁陈纯。走在西子湖畔，我突然想起了“好玩”的“西湖论剑”，想起了马云。我知道王峻涛和马云关系很好，王峻涛是第一届和第二届“西湖论剑”嘉宾。我和王峻涛关系也很好。我拨通了王峻涛电话，我说：“我在杭州，我要找马云。”王峻涛说：“我马上让他打给你。”刚放下电话，马云的电话就到了。采访快结束的时候，马云告诉我，他外婆去世，他要赶过去，不能请我吃晚饭。“你今晚要是没别的安排，我请你喝茶。”

On New Year's Day 2002, I went to Hangzhou to interview the president of Insigma Group, Chen Chun. I suddenly thought of the interesting West Lake Discussions, and of Jack Ma. I knew that Wang Juntao had a very good relationship with Jack Ma. Wang Juntao had been a distinguished guest at the first and second West Lake Discussions. My relationship with Wang Juntao was also very good, and so I called him up and told him I was in Hangzhou and wanted to meet Jack Ma. He told me that he would get Jack Ma to call me right away. Jack Ma called as soon as I put down my phone. When my interview with him was ending, he told me that his maternal grandmother had just passed away and he needed to rush over, and so he would not be able to treat me to dinner, but that if I had no other plans at night, he could treat me to tea. 

在西子湖畔茶楼上，最终完成采访后，马云开始和我聊DoNews。他建议DoNews销售企业ID：“DoNews上多批评，也要给企业一个自己说话的地方和方式。”后来胜天落实了这个主意，就是今天的新闻通。

In the West Lakeside teahouse, after the interview was finally completed, Jack began to chat about DoNews with me. He suggested for DoNews to market enterprise IDs. "There are a lot of critical comments on DoNews. Enterprises should also have a space and way to speak." Subsequently, this idea was realized as what is Xinwentong today. 

尽管马云给我留下了很好的印象，但回到北京，我一直没敢动笔写马云。我怕自己在写一个并不存在的神奇故事。那时，阿里巴巴网站对我而言，依然遥远的像童话中的“芝麻开门”。我找不到真切感受，找不到“马云在美国遭黑社会绑架”的旁证。

Although Jack Ma left a favorable impression on me, I never dared to write about him after returning to Beijing. I was afraid that I would be writing a non-existent magical story. At that time, Alibaba's website remained as distant as the fairy tale's "open sesame" to me. I could not feel it personally, just like I could not find circumstantial evidence that Jack Ma was once kidnapped by an American syndicate. 

2003年5月10日，淘宝成立。开始抢夺eBay易趣C2C市场，没过多久，马云就宣称淘宝已经超过eBay易趣，我笑了笑，心说：“怎么可能？易趣原来是90%的市场占有率啊。”

Taobao was established on the 10th of May 2003. It began to snatch away eBay's C2C market, and after not long, Jack Ma declared that Taobao had already surpassed eBay. I laughed and told myself, "How's that possible? eBay's original market share was 90%." 

2005年8月17日，雅虎宣布，以10亿美元现金和雅虎中国全部资产为代价，换取马云创办的阿里巴巴40%的股份和35%的投票权，其中雅虎中国资产私下折价6亿美元。

On the 17th of August 2005, Yahoo announced that it would pay US$1 billion and all of Yahoo China's assets in exchange for 40% of Alibaba's shares and 35% of its voting rights. Yahoo China's assets were privately discounted by US$600 million. 

这个消息让我开始重新审视3年之前的所做的那次采访，我在自己的Blog里写到：“历史的碎片，一页页飘落，好事者拣起自己中意的那页。”

This news made me begin to reexamine the interview I had conducted three years ago. I wrote in my personal blog, "Fragments of history fall through the air page after page. Busybodies pick up whichever page catches their fancy." 

马云成功了。马云成功了，就能证明他所讲的那些故事全是真的吗？但我和大家一样爱听成功者的故事，爱听成功者总结成功经验，以达到激励自己、启发自己之目的。不排除虚假故事激励出真实故事的可能性。记者可能永远无法触摸到真实，但记者可以触摸到他自己，所以，我的故事里略去“马云在美国遭黑社会绑架”，略去“马云和孙正义在洗手间融资”，略去我认为不靠谱的故事。

Jack Ma has succeeded. Now that he has, does that really prove that all of the stories he told were true? But I, like everyone else, love listening to successful people's stories and summaries of their experiences. This helps me to motivate and inspire myself to achieve my goals. After all, false stories can inspire real ones. Perhaps a journalist may never be able to feel truth, but he can at least feel himself. That's why I omitted from my story "Jack Ma's kidnapping by an American syndicate", "Jack Ma's and Masayoshi Son's financing talks in a restroom", and other stories which I felt were dubious. 

2005年10月09日，北京东方君悦酒店大堂，我请马云喝茶。马云对我说：“只有两种媒体或者网站能够生存：一种是有特色；一种是有规模。”“DoNews以前偏左，现在偏右。”“不应该太周正了。办成新浪科技就没意思了。”

On the 9th of October 2005, I treated Jack Ma to tea in the lobby of Grand Hyatt Beijing. He told me, "Only two types of media outlets or websites can survive: one is those which have special characteristics, and the other is those which are large-scale." "DoNews used to be left-of-center, now it's right-of-center." "Stop being so regular. It'll be boring if it becomes like Sina Tech." 

那天，正陶醉在成功喜悦之中的马云讲了他的新闻观。“做过了。一定要记下来，要不等于没做。后人还会犯同样的错误。”“王峻涛能写，我能说。”对写字的人将观点和事实混在一起表述，马云很有意见。“你要是瞎猜，你就要说明，这是我的观点。”

That day, Jack Ma, who was reveling in the joy of success, spoke about his views on journalism. "When something has been done, it must be recorded, or else it's as good as not having been done before, and future generations will repeat similar mistakes." "Wang Juntao can write while I can speak." He was very critical of writers who mixed opinion and fact in their articles. "If you're making a wild guess, you have to declare that it's your personal opinion." 

那天，我问了马云一个似乎是在讨好他的问题。“为什么你能有今天，而同样聪明的中国电子商务的先驱王峻涛却还在为创业努力？”马云说：“我在前面说，演讲，做宣传，作势，而我背后，有一帮人在实干，苦哈哈地卖力干，而王峻涛身后没有18‘罗汉’。我说过了，有人做；他说过，就说过了，说过了而已。”

That day, I asked Jack Ma a question which seemed like flattery. "Why is it that you can be where you are today, while the equally-clever Wang Juntao, who is the pioneer of China's e-commerce, is still toiling away?" He replied, "While I was talking, giving speeches, doing promotions, and attitudinizing, there was a group of people behind me doing the nitty-gritty and working themselves into the ground. Conversely, Wang Juntao doesn't have '18 arhats' behind him. When I say something, there are people working on it. When he says something, it's just empty talk." 

2006年11月3日，DoNews 5G在讨论 “马云付华谊兄弟3000万广告费，而他自己是华谊兄弟股东，这是否是关联交易？”马云得知后，短信告��正在参与讨论的牟正蓬：“我马云不贪便宜，哈哈。我马云要是那样的人，还能做什么事？”马云的这个回答使我想起，马云分股份给18罗汉，马云放弃控股用VC的钱养大阿里巴巴，这些事实都指向马云是一个只顾事情成功，而不计较小利的人，但马云的确是华谊兄弟股东，的确付了华谊兄弟3000万高额广告制作费……更有消息指出，阿里巴巴日前收购的口碑网股东马云夫人张瑛……

On the 3rd of November 2006, DoNews 5G held a discussion on the topic "Jack Ma paid Huayi Brothers 30 million yuan in advertising fees when he is a shareholder of Huayi Brothers himself. Is this a related party transaction?" When Jack Ma learned about it, he sent a message to Mu Zhengpeng, who was taking part in the discussion, saying, "Haha, I'm not a cheapskate. How could I be successful if I was that kind of person?" This response made me think of his distribution of shares to the 18 arhats, as well as his forsaking of holding and using venture capital to grow Alibaba. These facts show that Jack Ma is someone who only cares about the success of his business and does not bother about cheap gains. But he is undeniably a shareholder of Huayi Brothers, and certainly paid Huayi Brothers 30 million in advertisement production fees...  news has also pointed out that Jack Ma's wife, Zhang Ying, is a shareholder of the word-of-mouth network which Alibaba purchased a few days ago... 

“历史的碎片，一页页飘落，好事者拣起自己中意的那页。”即便拾起的是同一片落页，18“罗汉”和周鸿祎的解读也一定不同，但6年之前“应该重视马云”的提醒没错，马云是个人物。（刘韧）"

Fragments of history fall through the air page after page. Busybodies pick up whichever page catches their fancy." Even if they pick up the same fallen page, the 18 arhats and Zhou Hongyi would certainly interpret the writing differently. But the advice to pay attention to Jack Ma which I received 6 years ago was right. Jack Ma is indeed somebody. (Liu Ren) 

from 公众号「刘韧」 https://ift.tt/2LOXrxm via IFTTT

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[ltop]

2.

Dear Mom,

When I was six, you started me out in piano. You took me to weekly lessons with a nice elderly Chinese man who gave me candy and trinkets. At the lessons, you sat by me, learning to read notes and play scales so that you could help me practice at home. You sold your wedding ring to buy me a piano.

When I was seven, you signed me up for classes at the local ice rink. You stood by the edge of the rink, encouraging me as I flopped, floundered, and cried my eyes out on the ice. At home, you showed me videos of Michelle Kwan and Chen Lu. “You could be like this one day!”

When I was eight, you took me to a Chinese dance academy. You wanted me to be more connected to Chinese culture, after I asked you to get me McDonalds for lunch at school. You mentioned that had your parents had the money when you were young, you would’ve become a dancer.

When I was ten, I completed the final level of the state piano tests. The nice elderly Chinese man gave me a graduation certificate, and told you that he was no longer a suitable teacher for me. You sought out other teachers in the area, finally settling with a Polish lady who taught at the local community college. She charged $100 per lesson.

Soon, you were driving up to 200 miles per week, shuttling me from piano to skating to dance classes. I attended some sort of lesson almost every day after school; piano and skating on Mondays, violin on Tuesdays, zither on Friday, dance on Saturday, and Chinese school on Sunday.

When I started middle school, you lost your job. You never mentioned it explicitly, but I could tell that we had less money to spend. Occasionally, when I would slack off at a lesson, you’d remind me of how much the lesson cost. I remember thinking, “well I never asked you to spend that much money on me,” but said nothing.

In seventh grade, school started to get tough, and waking up at 4am for skating classes were starting to take a toll on me. I mentioned quitting skating and violin, but you insisted that I should continue. You reminded me of the time and money that had been invested to bring me this far, and told me that I just needed to grit my teeth to make it through. You couldn’t comprehend why I would voluntarily throw away opportunities that you’d worked so hard to provide for me. You mentioned the word sacrifice—the word made me cringe.

In eighth grade, I started to resent you. My friends at school would talk about how Asian parents were too pushy and demanding, and I started to wonder why you couldn’t be more like the relaxed American parents that let their kids roam free. For some reason, I internalized American parenting as ideal, and anger built inside of me as I thought of how “pushy” you were. I decided that I would need to assert my rights as an “American” child—the right to be independent and make my own decisions. I insisted that you stop sitting in on my piano lessons. I demanded that you wait in the car while I completed my skating sessions. I told you that I would quit skating, no matter what you said.

You were obviously hurt by my actions, and often wondered aloud what you had done to deserve such backlash. You couldn’t understand why I was suddenly pushing you away. You would repeat: “all I ever did was give, give, give, and now this is what I get?” Hearing these words though, only made me angrier. I didn’t understand why I “owed” you something, when I had never asked you to give me anything. Sending me to piano lessons, skating and dance classes, were all things you had volunteered for, I thought. If anything, it seemed like I was the one suffering, being forced to continue with skating when I didn’t care for it anymore.

Even though I’d requested that you sit outside during my piano lessons, you didn’t back down that easily. You insisted that you had the right to listen in on my lessons, because you paid and drove me to them. I tried to counter you with all sorts of arguments and threats—that it was Dad who paid for lessons because he was the one with the job, that I would get my license as soon as I turned 16 and drive myself to lessons, etc. Our relationship devolved to the point where we constantly fought over who had more authority. Looking back, I don’t know why winning that fight was so important to me. Perhaps it was intrinsic pride, or the inclination to model my life after an American ideal, to be independent and have the freedom to do whatever I wanted to.

Eventually, you did let me quit skating. By that time though, we no longer had a working relationship. I still resented the fact that I had been seemingly forced to continue skating. You continued to mention how you’d sacrificed so much but never got anything in return. It made me angry, but more than anything, stemmed an underlying feeling of guilt that still stands as a barrier in our relationship today.

Mom, recently you called me and told me about a concert you’d be singing in with your choir. Our conversation made me think back to how you told me you wanted to be a singer or a dancer when you were young. At the time, your parents didn’t have the money to support you, and you had to spend your time caring for your grandma and younger brother. Later, you went to college and met Dad. He eventually got a job in America, an unpassable opportunity at the time, and you decided to make the move with him. Soon after, you became pregnant, and I was born. It was only after I left for college that you were able to finally do what you wanted—to sing and dance.

You often mentioned giving me opportunities that you never had. I can’t help but think that that was the reason why you wanted to give me the chance to try all sorts of different activities, even if we didn’t always have the money for it. Perhaps you wanted to see me succeed, in a way that you didn’t have the chance to. Perhaps it was to help me achieve the American dream, doing everything you could to make sure I’d live a better life in America.

Regardless of your reasoning, I’d just like to say that I’ve come to appreciate all the opportunities you’ve given me. I realize now that some of my resentment toward you, especially in my high school years, may have been misguided. I now feel lucky to have started out in so many different activities that have given me a good foundation in many areas—music, dance, athletics, Chinese language, etc. So thank you, Mom, for being the driving force behind who I am today. I love you, even though I may never be able to tell you that to your face.

親愛的媽媽，

當我六歲的時候，妳讓我開始學鋼琴。妳每個禮拜帶我去找一個中國長者，他會給我一些糖果和小飾品。上課的時候，妳會坐在我身邊，學習閱讀音符和彈音階，好幫助我在家裡練習。妳賣了妳的結婚戒指給我買了一架鋼琴。

當我七歲的時候，妳在當地的溜冰場上替我報名了。妳站在溜冰場的邊上，當我在冰上摔倒，掙扎，大哭起來的時侯鼓勵我。在家裡，妳給我看關穎珊和陳露的錄影片，“有一天妳也可以像這樣！”

當我八歲的時候，妳帶我去中國舞蹈學院。在我要求妳讓我在學校吃麥當勞當午餐之後，妳希望我能夠與中國文化有更多的聯結。妳提到如果妳年輕時父母有這個錢，妳就會成為一個舞者。

當我十歲的時候，我完成了州級鋼琴考試的最後一級。那位和藹的中國長者給了我一張畢業證書，告訴妳他已經不再適合教我了。妳尋找該地區的其他老師，最後找上一位在當地社區學院教課的波蘭女士。她每堂課收取100美元。

很快地妳每個星期就要開車開到200英里之遠，載我往來於鋼琴，滑冰及舞蹈班之間。我幾乎每天放學後都要參加一些課程。星期一鋼琴和溜冰，星期二小提琴，星期五古箏，星期六舞蹈，星期天中文學校。

當我開始上中學時，妳失去了工作。妳從來沒有明講，但我可以感覺得到我們能花的錢少了。偶爾，當我在某個課程上放鬆了，妳會提醒我這課程有多貴。我記得我那時在想：“但是我從來沒有要求妳花這麼多錢在我身上”，但我什麽都沒說。

七年級的時候，課業開始變得困難，要一大早四點起來上溜冰課開始對我造成問題。我提到要放棄溜冰和小提琴，但妳堅持要我繼續下去。妳提醒我走到這個地步已投入的時間和金錢，並告訴我我只需要咬緊牙關熬過它。妳不能理解為什麼我會自願放棄妳這麽辛苦工作來為我提供的機會。妳提到犧牲這個詞 - 這個詞讓我覺得很難以苟同。

到了八年級的時候，我開始怨恨妳了。我在學校的朋友們會談論亞洲的父母太過緊逼和嚴格，我開始想説為什麼妳不能像美國的父母那樣放鬆，讓他們的孩子自由自在。由於某種原因，我將美國式的教養視為理想。當我想到妳是如此緊逼時，在我內心開始產生憤怒。我決定我需要主張我作為一個美國小孩的權利 - 獨立的權利而且讓自己做主。我堅持妳停止一起上鋼琴課。我要求妳在我上滑冰課時在車上等。我跟妳説我會放棄滑冰 - 不論妳說什麼。

妳顯然因爲我的行為而感到受傷，並經常想說妳是做了什麼會得到這樣子的反彈。妳不明白為什麼我突然把妳從我的生活中推開。妳會重複說：“我所做的一切都是在付出，付出，付出，結果這就是我得到的？“ 但是聽到這些話，只是讓我更憤怒。我不明白當我從來沒有要求妳給我什麼的時侯，為什麼我會欠妳。我認爲送我到鋼琴課，溜冰和舞蹈班，都是妳自願的。如果真的有什麼，似乎我才是那個受苦的人 - 當我不想要它時還要被迫繼續滑冰。

雖然我在鋼琴課時要求妳坐在外面，但妳並沒有那麽容易讓步。妳堅持妳有權利旁聽我的課，因為是妳付的錢和開車載我來的。我試圖用各種的論點和威脅來反駁妳 - 那就是錢是爸爸付的因為他才是那個在上班的人，我一到十六歲就會馬上去拿到駕照自己開車來上課，等等。我們的關係淪落到了我們要不斷爭取誰擁有更多決定權的地步。現在回頭看，我不知道為什麼贏得這場爭戰對我來說是這麽重要。也許是內在的驕傲，或者是傾向於根據美國理想塑造自己的生活，獨立自主，可以自由去做任何我想做的事情。

最後，妳還是讓我放棄了滑冰。但是到了那時候，我們已不再有一個能夠良好溝通的關係。我仍然對我似乎是被迫繼續滑冰的事實感到不滿。妳繼續提起妳如何犧牲了這麼多，但卻從來沒有得到任何回報。它使我生氣，但更重要的是，它導致了一種潛在的內疚感，到今天仍然是我們關係中的障礙。

媽媽，最近妳打電話給我，跟我說到妳要和妳的合唱團一起唱歌的音樂會。我們的談話讓我回想起妳如何告訴我，當妳年輕的時候，妳想成為一個歌手或舞者。當時，妳的父母沒有錢來支援妳，而妳必須花時間照顧妳的祖母和弟弟。後來，妳去上大學，遇到了爸爸。他最終在美國找到了一份工作，在當時是一個很難得的機會。妳決定和他一起走。不久之後，妳懷孕了，然後我出生了。只有在我去上大學之後，妳才終於能夠做妳想要的 - 唱歌和跳舞。

妳經常提到給我妳自己從來沒有過的機會。我不禁想到，這就是為什麼即使我們並不總是有錢可��擔它，妳還是想要讓我有機會嘗試各種不同的活動。也許妳想要——以一種妳沒有機會去做的方式——看到我成功。也許是為了幫助我實現美國夢，盡一切可能來確保我在美國過上美好的生活。

不管妳的道理如何，我只是想說，我開始感激妳給我的所有機會。我現在意識到，我對妳的一些怨恨，尤其是在我高中的時期，可能是被誤導了。我現在感到幸運的是我有開始了這麽多不同的活動，這些活動給了我在很多領域的良好基礎——音樂，舞蹈，田徑，中文等等。所以，謝謝妳媽媽，作為我能有今天的我背後的動力。我愛妳，即使我可能永遠無法當妳的面告訴妳。

亲爱的妈妈，

当我六岁的时候，妳让我开始学钢琴。妳每个礼拜带我去找一个中国长者，他会给我一些糖果和小饰品。上课的时候，妳会坐在我身边，学习阅读音符和弹音阶，好帮助我在家里练习。妳卖了妳的结婚戒指给我买了一架钢琴。

当我七岁的时候，妳在当地的溜冰场上替我报名了。妳站在溜冰场的边上，当我在冰上摔倒，挣扎，大哭起来的时侯鼓励我。在家里，妳给我看关颖珊和陈露的录影片，“有一天妳也可以像这样！”

当我八岁的时候，妳带我去中国舞蹈学院。在我要求妳让我在学校吃麦当劳当午餐之后，妳希望我能够与中国文化有更多的联结。妳提到如果妳年轻时父母有这个钱，妳就会成为一个舞者。

当我十岁的时候，我完成了州级钢琴考试的最后一级。那位和蔼的中国长者给了我一张毕业证书，告诉妳他已经不再适合教我了。妳寻找该地区的其他老师，最后找上一位在当地社区学院教课的波兰女士。她每堂课收取100美元。

很快地妳每个星期就要开车开到200英里之远，载我往来于钢琴，滑冰及舞蹈班之间。我几乎每天放学后都要参加一些课程。星期一钢琴和溜冰，星期二小提琴，星期五古筝，星期六舞蹈，星期天中文学校。

当我开始上中学时，妳失去了工作。妳从来没有明讲，但我可以感觉得到我们能花的钱少了。偶尔，当我在某个课程上放松了，妳会提醒我这课程有多贵。我记得我那时在想：“但是我从来没有要求妳花这么多钱在我身上”，但我什么都没说。

七年级的时候，课业开始变得��难，要一大早四点起来上溜冰课开始对我造成问题。我提到要放弃溜冰和小提琴，但妳坚持要我继续下去。妳提醒我走到这个地步已投入的时间和金钱，并告诉我我只需要咬紧牙关熬过它。妳不能理解为什么我会自愿放弃妳这么辛苦工作来为我提供的机会。妳提到牺牲这个词 - 这个词让我觉得很难以苟同。

到了八年级的时候，我开始怨恨妳了。我在学校的朋友们会谈论亚洲的父母太过紧逼和严格，我开始想说为什么妳不能像美国的父母那样放松，让他们的孩子自由自在。由于某种原因，我将美国式的教养视为理想。当我想到妳是如此紧逼时，在我内心开始产生愤怒。我决定我需要主张我作为一个美国小孩的权利 - 独立的权利而且让自己做主。我坚持妳停止一起上钢琴课。我要求妳在我上滑冰课时在车上等。我跟妳说我会放弃滑冰 - 不论妳說什么。

妳显然因为我的行为而感到受伤，并经常想說妳是做了什么会得到这样子的反弹。妳不明白为什么我突然把妳从我的生活中推开。妳会重复说：“我所做的一切都是在付出，付出，付出，结果这就是我得到的？“ 但是听到这些话，只是让我更愤怒。我不明白当我从来没有要求妳给我什么的时侯，为什么我会欠妳。我认为送我到钢琴课，溜冰和舞蹈班，都是妳自愿的。如果真的有什么，似乎我才是那个受苦的人 - 当我不想要它时还要被迫继续滑冰。

虽然我在钢琴课时要求妳坐在外面，但妳并没有那么容易让步。妳坚持妳有权利旁听我的课，因为是妳付的钱和开车载我来的。我试图用各种的论点和威胁来反驳妳 - 那就是钱是爸爸付的因为他才是那个在上班的人，我一到十六岁就会马上去拿到驾照自己开车来上课，等等。我们的关系沦落到了我们要不断争取谁拥有更多决定权的地步。现在回头看，我不知道为什么赢得这场争战对我来说是这么重要。也许是内在的骄傲，或者是倾向于根据美国理想塑造自己的生活，独立自主，可以自由去做任何我想做的事情。

最后，妳还是让我放弃了滑冰。但是到了那时候，我们已不再有一个能够良好沟通的关系。我仍然对我似乎是被迫继续滑冰的事实感到不满。妳继续提起妳如何牺牲了这么多，但却从来没有得到任何回报。它使我生气，但更重要的是，它导致了一种潜在的内疚感，到今天仍然是我们关系中的障碍。

妈妈，最近妳打电话给我，跟我说到妳要和妳的合唱团一起唱歌的音乐会。我们的谈话让我回想起妳如何告诉我，当妳年轻的时候，妳想成为一个歌手或舞者。当时，妳的父母没有钱来支援妳，而妳必须花时间照顾妳的祖母和弟弟。后来，妳去上大学，遇到了爸爸。他最终在美国找到了一份工作，在当时是一个很难得的机会。妳决定和他一起走。不久之后，妳怀孕了，然后我出生了。只有在我去上大学之后，妳才终于能够做妳想要的 - 唱歌和跳舞。

妳经常提到给我妳自己从来没有过的机会。我不禁想到，这就是为什么即使我们并不总是有钱可负担它，妳还是想要让我有机会尝试各种不同的活动。也许妳想要——以一种妳没有机会去做的方式——看到我成功。也许是为了帮助我实现美国梦，尽一切可能来确保我在美国过上美好的生活。

不管妳的道理如何，我只是想说，我开始感激妳给我的所有机会。我现在意识到，我对妳的一些怨恨，尤其是在我高中的时期，可能是被误导了。我现在感到幸运的是我有开始了这么多不同的活动，这些活动给了我在很多领域的良好基础——音乐，舞蹈，田径，中文等等。所以，谢谢妳妈妈，作为我能有今天的我背后的动力。我爱妳，即使我可能永远无法当妳的面告诉妳。

[derek-tadashi-takeuchi]

9TH ANNUAL CLEANTECH GLOBAL OPEN - TAKEUCHI GALLERIES & DOME ENTERTAINMENT PRESENT CAO YONG

Internationally Acclaimed Master Artist Cao Yong featured at Academy Awards of Cleantech 9th Annual Cleantech Open Global Forum

November 7, 2014 at 6:48pm

CAO YONG WILL BE UNVEILING HIS NEWEST WORK TITLED "PEACE" AT THE 9TH ANNUAL CLEANTECH OPEN GLOBAL FORUM 2014

CLICK THIS LINK TO SEE OUR EVENT COVERED BY CNBC   http://www.cnbc.com/id/102157190#.

THIS POST INCLUDES BOTH OUR PRESS RELEASE AS WELL AS OUR CORPORATE SPONSORSHIP PACKAGE

(SEE CAO YONG'S BEAUTIFUL ART BY CLICKING "CONTINUE READING" BELOW)

FOR IMMEDIATE RELEASE                    

DENISE O'BRIEN DOME Consulting, LLC P.O.Box 45392 Los Angeles, CA 90045 310.754.9321 Denise.DOMEConsulting@gmail.com  

DEREK TADASHI TAKEUCHI REPRESENTING GALLERY  - TAKEUCHI GALLERIES 424.213.0996

samuraiwarriordt@yahoo.com www.trueARTmovement.com PRESS RELEASE IN ENGLISH AND IN CHINESE

国际知名的艺术大师曹勇将隆重出席“Academy Awards of Cleantech”第9届 Cleantech Open 全球论坛及晚宴

Renowned Chinese Master Artist Cao Yong will be afeatured celebrity attending events during Global Entrepreneurship Week inSilicon Valley. Yong’s artwork, recognized globally as a symbol of freedom,peace and tranquil living will be part of the Cleantech Open Gala FundraisingDinner at the San Francisco Winery on Treasure Island.

华裔著名艺术大师曹勇将作为特邀名流出席在硅谷举行的全球创业周的一系列活动。曹勇的作品，那些被全世界公认的自由，和平与宁静生活的象征的画作，也将成为 Cleantech Open 在San Francisco Winery onTreasure Island 举办的盛大筹款晚宴的一部分。

PALO ALTO, California—October 31, 2014: The CleantechOpen (www.cleantechopen.org), the world’s largest clean-technology accelerator, announced that Chinese artist Cao Yong’s paintings will be featured during an elegant and exclusive Green Carpet VIP Reception and silent auction fundraising dinner in San Francisco on Thursday, November 13, 2014, leading the way to the 9th Annual Cleantech Gala Dinner from 7:30-10:30 p.m. The dinner and Awards Celebration prior, known as the “Academy Awards of Cleantech” will be hosted by comedian Hal Sparks during the Cleantech Open Global Forum.  Sparks, an American actor, comedian, musician and television personality, is best known for his contributions to VH1,hosting E!'s TalkSoup, the role of Michael Novotny on the American television series Queer as Folk, and as Donald Davenport in Disney’s Lab Rats.

PALO ALTO，加州—2014年10月31日：Cleantech Open (www.cleantechopen.org)，世界上最大的 Cleantech的发展和促进机构，宣布华裔艺术家曹勇的画作被特邀参与优雅和独家的绿地毯贵宾招待会以及无声拍卖筹款晚宴，这一活动将于2014年11月13日星期四在旧金山举行，为之后7：30--10：30pm进行的9th Annual Cleantech Gala Dinner 拉开序幕。晚宴和颁奖庆典之前，被称为“Academy Awards of Cleantech”的全球论坛将由喜剧演员哈尔·斯帕克斯（Hal Sparks）主持。斯帕克斯是一名美国演员、喜剧演员、音乐家和电视名人，以他对VH1的贡献闻名，他主持E！的脱口汤，在美国电视连续剧同志亦凡人中演迈克尔·诺沃提尼（MichaelNovotny）并在迪斯尼的美国电视情景喜剧实验室老鼠中饰演唐纳德·达文波特（Donald Davenport）。

Yong, a U.S. citizen, travels the world, capturing stories and events of the moment through his famous paintings. Called Master of Artists by some of his collectors due to his capability of painting so many different styles, many have called Yong a Living Master; he is still alive and the quality of his work is like the Old Master Artists Picasso, Rembrandt, and Van Gogh. He has painted everything from Tibetan caves to favorite San Francisco destinations and is well-known for his remembrance pieces from American events like September 11th, to the earthquake in Sichuan, China. Yong has been honored around the world, including America’s NASA, the White House, Independence Hall, and his art gallery in China, which receives a record-breaking 10,000+ visitors a day.

曹勇是一个美国公民，他周游世界，通过他的著名画作捕捉故事和当下的事件。鉴于他可以画出众多不同风格的能力，他的收藏者将他称之为艺术大师，许多称曹勇为在世名师。他还活着，而他的作品可与老艺术大师毕加索、伦勃朗和梵高媲美。他的题材包罗万象：从西藏岩洞到人们熟知的旧金山景点，以及著名的美国大事件如911的纪念作品，到中国的四川大地震。曹勇荣获了世界各地的奖誉，包括美国国家航空航天局、美国白宫、美国独立纪念馆，他在中国的艺术画廊每天接待破纪录的10000人次。

Cleantech Open is proud to announce that Yong will be flying in from China with his most recently completed painting “Peace,” which has not yet been seen in public. His latest art piece will be unveiled at the Gala Fundraising Dinner, where more than 100 Cleantech Open entrepreneurs and companies from the United States and around the world will dine with CEOs andexecutives from diverse fields. “Mother nature belongs to all of humanity. It is my hope that my artwork lends a voice to nature and to humanity. We have to collectively and conscientiously stop our destructive encroachment and return serenity to nature. Only peaceful coexistence between mankind and nature surpasses narrow-minded ideologies and is thetrue salvation for our survival and prosperity. This virtuous circle is ourgreatest and everlasting contribution to our own existence,” shares Yong.

Cleantech Open 自豪地宣布曹勇将从中国飞来并带回他从未公开的作品，即他最近刚刚完成的画作“和平”。他的最新艺术作品将在筹款晚宴的盛会上揭幕。在晚宴上，超过100个 Cleantech Open 的企业家以及来自美国与世界各地的公司将与不同领域的CEO和高管们共进晚餐。“大自然是属于全人类。我希望通过我的作品带给自然和人类一个声音。我们必须要共同认真地停止我们的破坏性侵蚀，给自然带回宁静。只有人与自然的和平共处会超越狭隘的意识形态，是真正的拯救我们的生存和繁荣。这种良性循环，是对我们自身存在的最伟大的和永恒的贡献。”这是曹勇与我们的分享。

The Global Forum Awards Celebration will be the highlight and culmination of a year of global competition. This year, more than 150 American and international cleantech startups are vying for the top honors. The day will start with a champagne toast with all attendees, startups, investors, and government and industry leaders, followed by a keynote that kicks off a morning of technology demonstrations on four stages surrounding the expo area. Attendees can also take in an entrepreneurial speaker panel, an afternoo nkeynote, final judging on the main stage, alumni testimonials, and cleantech market outlooks from Cleantech Open sponsors. Emcee Hal Sparks will host the final Cleantech Open awards ceremony,

Public registration is now open at https://www.eventbrite.com/e/cleantech-open-2014-global-forum-vip-tickets-13738589491?discount=CTO_DOME

全球论坛颁奖庆典将是全年全球竞争的亮点和高潮。今年，150多个美国和国际 cleantech 科技创业公司都在争夺最高荣誉。这一天将从所有参会者、创业公司、投资者、以及政府和行业领导者共同的香槟举杯开始，随后一位主讲人将为上午在展会四个展台进行的高科技演示拉开序幕。与会者还可以参与不同的创业者讨论会、下午的主题演讲、在中心舞台进行的终审、校友证言、以及 Cleantech Open 的赞助商对 Cleantech Open 的市场展望。哈尔·斯帕克斯将主持最后的清洁科技颁奖典礼。

公开注册现已开放：https://www.eventbrite.com/e/cleantech-open-2014-global-forum-vip-tickets-13738589491?discount=CTO_DOME

This year’s Global Forum is set in two excellent venues. Day One presentations and judging will be held at the Hilton San Francisco Financial District. On Day Two, the event expo, live presentations and final judging will be showcased at San Francisco’s historic Treasure Island Administration Building. This exclusive and elegant event will include a silent auction produced by DOME Entertainment & Consulting in conjunction with the Cleantech Open, in which over 20 of Yong’s paintings will be available for viewing and purchase, among other silent auction items.

今年的全球论坛设定在两个优秀的场地。第一天的介绍和评审将在希尔顿旧金山金融区举行。第二天的展会活动、现场演示以及最终评审会将在具有悠久历史的旧金山金银岛行政大楼举行。这一独家而优雅的活动将包括由Cleantech Open主办、DOME娱乐与咨询公司操作的无声拍卖会，会上超过20幅曹勇的画作将与其他无声拍卖作品一起供与会者观赏和购买。

Since its founding in 2005, the Cleantech Open has established itself as the leading force for accelerating clean-technology entrepreneurs. Of the more than 865 companies that have participated in the Cleantech Open Accelerator in the United States alone, nearly half have gone on to raise external capital now totaling in excess of one billion dollars. Sparks will be on hand to announce this billion-dollar milestone for the Cleantech Open organization. The event will feature innovative entrepreneurs, investors, business leaders, and strategic partners that have helped Cleantech reach this milestone, and Sparkswill be there to honor the Cleantech Open and its award winners with his owncomedic style.

自2005年成立以来， Cleantech Open 已成为加速清洁高科技创业者的主导力量。在美国就有超过865家公司参加了 Cleantech Open 活动，近一半已经在筹集外部资本，现在总计超过十亿美元。斯帕克斯将在现场为 Cleantech Open 组织宣布这个十亿美元的里程碑。本次活动将展现帮助 Cleantech科技达到这一里程碑的创新的企业家、投资者、 商业领袖以及战略合作伙伴。斯帕克斯将用自己特有的喜剧风格来授予荣誉给Cleantech Open的获奖者们。

Rex Northen, executive director of the Cleantech Open shared, “We are thrilled that comedian and actor Hal Sparks willbe on hand to recognize the accomplishments of the best of the best this year at our annual awards. We recognize that Cao Yong’s artwork represents excellence internationally and we are honored that he will be unveiling hislatest work “Peace” here at our Cleantech Open gala just weeks before he and his new painting will be honored at the Great Hall of the People’s Republic ofChina in Beijing, the White House of China.”

Cleantech Open 的执行董事雷克 诺贞（Rex Northen）说，“我们非常高兴能请到喜剧演员哈尔·斯帕克斯来我们的年度大奖会上为我们的最佳成就获得者亲自颁奖。我们知道曹勇的作品代表了国际上的最佳水准，我们非常荣幸他将在我们的 Cleantech Open 的晚会上为他的最新作品“和平”揭幕。数周之后，他和他的新作将在被称为中国的白宫的中华人民共和国人民大会堂中荣耀现身。”

Within the United States and in 33 countries internationally, the Cleantech Open has set up a network of thousands of business leaders, technologists, government officials, investors, service providers, partners and entrepreneurs, united with an intense focus on energy management, environmental solutions, carbon reduction, energy assessment legislation, sustainability and energy consumption policies and many more facets of clean technology. “Cao Yong’s artwork with its intricate detail of nature, oceans, and a healthy, clean environment truly depicts what we at Cleantech Open strive to create through our mission: a better world with a clean environment that we can pass on to the next generations,” acknowledges Northen.

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Cleantech Open 开放在美国以及国际上33个国家建立了联络数以千计的商界领袖、技术专家、政府官员、投资者、服务商、合作伙伴和企业家的网络，联合了强烈关注能源管理、环境问题解决方案、节能减碳，节能评估立法以及可持续发展和能源消耗的政策和清洁科技的方方面面。诺贞说：“曹勇的作品以其对自然、海洋和健康、洁净的环境的复杂细节而著称，描绘了一个我们Cleantech Open正通过自己的使命力争打造的世界：一个拥有干净环境的更好的世界，让我们可以传给下一代。”

The Global Forum is organized and produced mainly by volunteers. Visit www.cleantechopenglobalforum.org or call 310.754.9321 to find out how you can become an event sponsor, purchase tickets to the Global Forum or Gala Dinner & Fundraiser, attend the silent auction and VIP Green Carpet, become a Cleantech Open member, or donate directly to the Cleantech Open.org via PayPal. Funds raised will help provide continued funding for the Cleantech Platform to assess, mentor and train the very best startups in the country.Those who support the Cleantech Open make it possible for clean technology to support entrepreneurial innovation through a proven accelerator model created in Silicon Valley and now replicated around the world.

全球论坛主要由志愿者参与组织。如需了解如何成为一个活动赞助商，需要为全球论坛和筹款晚宴以及无声拍卖与要人绿地毯活动购票，或想了解如何成为Cleantech Open的会员，以及如何通过PayPal直接向Cleantech Open.org捐款，请访问网站www.cleantechopenglobalforum.org 310.754.9321。募集到的资金将有助于向清洁科技平台提供持续的资助，用于评估、指导和培训美国最优秀的创业公司。这些支持Cleantech Open的有识之士令用清洁科技来支持企业创新成为可能。这个由硅谷创建的、已被证明成功的加速器模式目前已在世界各地被复制。

ABOUT THECLEANTECH OPEN

The Cleantech Open runs the world’s largest cleantech accelerator. Its mission is to find, fund and foster entrepreneurs with big ideas that address today’s most urgent energy, environmental and economic challenges. A 501(c)(3) not-for-profit organization, the Cleantech Open provides the infrastructure, expertise and strategic relationships that turn clever ideas into successful global cleantech companies. Since 2006, through its one-of-a-kind annual accelerator and mentorship program, almost 900 participating companies in the United States alone have raised a total of more than $950M and created thousands of jobs. Internationally, the Cleantech Open Global Ideas competition is held annually in collaboration with Global Entrepreneurship Week (GEW), and has included entrepreneurs from 39 countries. Fueled by a global network of more than 2,000 volunteers and sponsors, the Cleantech Open unites the public and private sectors in a shared vision for making the cleantech sectors a thriving economic engine around the world. For more information, visit www.cleantechopen.org, or follow us on @cleantechopen and Facebook.

关于CleantechOpen

Cleantech Open是世界上最大的清洁科技发展及促进机构。它的任务是发现、赞助和培育对当今最紧迫的能源、环境和经济挑战有大的想法的企业家。作为一个非营利组织，清洁科技向可以将聪明的创意转化为成功的清洁科技的公司提供基础设施、专业知识以及战略合作关系。自2006年以来，通过独特的的年度加速器和导师项目，仅在美国就有近900家参与公司筹集到总额超过9.5亿美元，创造了成千上万个就业机会。在国际上，清洁科技全球开放竞赛每年都与全球创业周（GEW）合作举行，参与者包括了来自39个国家的企业家。在遍布全球的2000多名志愿者和赞助商的推动下，CleantechOpen联合了公共和私营这两大阵营，为了使清洁科技成为全世界的经济引擎这一共同愿景而努力。如需了解更多信息，请访问www.cleantechopen.org, 或 @cleantechopen 以及 Facebook.

ABOUT CAO YONG

One of the most celebrated living artists in the world, Cao Yong was born in China in 1962 and is now a US citizen, found peace and consolation in drawing at age five, and often skipped meals and pawned his clothes to buy art supplies. At eleven he began studying with a noted artist in Beijing and received his BFA in 1983. He lived for seven years in Tibet, including a now-legendary year studying prehistoric cave paintings and creating artwork while living alone in a deserted mountain cave, which resulted in his first one-man art show in Beijing in 1989. Yong wasrecognized as Japan’s most honored muralist and was extolled as “an artistic genius of our time.” The artist’s most prolific out pouring of work began when he arrived to the USA in 1994, first in New York, and then California. Pouring his talent into oil and canvas to depict scenes he has experienced around the world, Yong has become one of the most collected living artists in America and his paintings have been exhibited in prominent museums and art galleries worldwide,and even in New York’s Times Square on NASDAQ billboards.  Some of his most famous paintings include“Freedom,” a tribute to 9/11, “We the People” and works of art featuring European, Eastern, American, Mediterranean, Tibetan and other exciting locales.Yong is celebrated daily within his own art gallery built in his honor in Beijing. Each of his detailed works of art are zealously welcomed worldwide andsold and distributed in over 200 galleries globally. Yong now aims to bridge East andWest in his paintings and to create harmony throughout the world, making it abetter place for all to enjoy.  “Cao isnow a wealthy painter of romantic visions of California, Hawaii and the Italian coast, having remade himself in three countries by mustering physical endurance, resourcefulness and a classic immigrant's willingness to adapt.” ~The Los Angeles Times

关于曹勇

世界最著名的在世艺术家之一，于1962年出生于中国，现为美国公民，五岁时通过画画找到平静与安慰，并经常不吃饭或典当自己的衣服用以购买绘画用品。在十一岁，他正式跟随来自北京的著名艺术家学画，并在1983年获得了艺术学士（BFA）。他在西藏生活了七年，其中有一年独自生活在一个山洞中研究史前洞穴壁画并绘制大批作品，这些作品在曹勇1989年于北京举办的的第一次个人艺术展中亮相。曹勇是日本最受赞誉的壁画家，被称颂为“我们这个时代的艺术天才。” 画家曹勇进入一个盛产期。他于1994年抵达美国，先到纽约，然后去加利福尼亚州。他将自己的才华倾注在颜料和画布上，尽情描绘了他游历世界各地所捕捉到的场景。曹勇在美国已成为画作被收藏最多的活着的艺术家之一，他的作品在世界各地著名的博物馆和艺术画廊展出，甚至出现在纽约时代广场纳斯达克广告牌上。他的著名的画作包括了纪念9/11的“自由”、“我们，合众国人民”、以及对欧洲、东方、美国、地中海、西藏和其他令人兴奋的地方的各种艺术描绘。曹勇在北京拥有自己的艺术画廊，每天都有成千上万人拜访。他的充满细节的画作在超过200家画廊销售并受到全世界热情的收藏家的追捧。曹勇现在的目标是用他的绘画在东西方搭起一座桥梁，并在世界各地创建和谐，构造一个让大家都无比快乐的更好的家园。洛杉矶时报曾报道说：“曹勇现在是一个实现了加利福尼亚州、夏威夷和意大利海岸浪漫愿景的著名艺术家。他在三个国家重塑自己，通过卯足身体耐力、通过智慧以及典型的移民特有的的努力与适应力。”

The Cleantech Open is made possible by the generous support of our sponsors and partners, including GlobalPartner, Chevron; National Premier Sponsor, Wells Fargo; National Education Partner, University of Phoenix; National Category Sponsor, Arrow; and NationalSponsors, Clean Tech Advocates and Palo Alto Research Center (PARC).

Cleantech Open感谢慷慨支持我们的赞助商和合作伙伴，其中包括全球合作伙伴 Chevron 、国家首要赞助商 Wells Fargo 、国家教育合作伙伴 University ofPhoenix 、国家类别赞助商 Arrow 、国家赞助商 Clean Tech Advocates and Palo Alto Research Center （PARC）。

For more information contact:

欲了解更多信息，请联系：

https://www.eventbrite.com/e/cleantech-open-2014-global-forum-vip-tickets-13738589491?discount=CTO_DOME

English:

Denise O'Brien 德妮丝

Public Relations Director

American-Chinese CEO Society

美中企业家商会公共关系主任

Los Angeles, California, USA – 310.754.9321 PST, USA

CEO, DOME Consulting, LLC

Denise.DOMEConsulting@gmail.com

Mandarin:

Sen Dan – 626.716.1665

DOME Consulting, LLC Translator

SenDan33@gmail.com

____________________________________________________________________________________________________________________________

CORPORATE SPONSORSHIP PACKAGE FOR INTERNATIONALLY ACCLAIMED MASTER ARTIST CAO YONG FEATURED  @ 9 YEAR ANNIVERSARY CLEANTECH 2014

FOR IMMEDIATE RELEASE

CORPORATE SPONSORSHIP PACKAGE

ONLY 5 DAYS LEFT

DENISE O'BRIEN

DOME Consulting, LLC

P.O.Box 45392

LosAngeles, CA 90045

310.754.9321

Denise.DOMEConsulting@gmail.com

DEREK TADASHI TAKEUCHI

REPRESENTING GALLERY  - TAKEUCHI GALLERIES

(424)213-0996

SAMURAIWARRIORDT@YAHOO.COM

www.trueARTmovement.com

November13, 2014

CLEANTECH OPEN CAO YONG

CelebrityGreen Carpet Sponsorship Package

Introductionto Sponsorship Opportunities

November 13th CleantechOpen Celebrity Green Carpet featuring Master Artist Cao Yong

Dear Friend of Cao Yong,

Thank you for your interest in sponsoring the Cleantech Open Cao Yong Celebrity Green Carpet to take place on Thursdaynight, November 13, 2014 at the San Francisco Winery on Treasure Island in SanFrancisco, California.

The Cleantech Open finds, fundsand fosters the most promising cleantech startups on the planet, and internationally renowned artist Cao Yong embraces and supports their efforts increating a cleaner safer planet for all.

The Cleantech Open boasts a noteworthy 865+ alumni who have graduated from the Cleantech Open mentoring programs, having successfully raised over $950M in investments for their startup companies.

The global business community and the best new clean technology startups will be gathering in San Francisco November 12

th

and 13

th

for two days of competition, education and an expo, followed by an awards ceremony, the “Academy Awards of Cleantech,” hosted by actor and comedian, Hal Sparks. Sparks, an American actor, comedian, musician and TV personality isbest known for his contributions to VH1, hosting E!’s

Talk Soup

, and the role of Michael Novotny on the Showtime Network series

Queer as Folk

, and as Donald Davenport in Disney’s

Lab Rats

.

A Celebrity Green Carpet affair and a Gala Fundraising Dinner will include a silent auction, featuring over 20 pieces of Cao Yong’s award-winning artwork, as well as the debut of his newest art piece, “Peace,” which will make its world debut alongside the artist at the Cleantech Open Gala & Fundraising Dinner on Thursday, November 13

th

.

As a Corporate Sponsor, your company will be recognized as an organization that not only contributes to the community, but one that values the mission of both the Cleantech Open and CaoYong, to create a better world and a sustainable environment for all to live inpeace, and to make this world a better place for everyone on the planet.

Last year’s

Cleantech Open Global Forum

was attended by800+ professionals who witnessed  finalsjudging LIVE, spirited keynotes from Guy Kawasaki, Special Advisor to Google,Bill Ritter Jr. Former Governor of Colorado, and Alicia Barton, MassachusettsClean Energy Center – to mention a few, and an expo of over 120 cleantech startupsat the San Jose Convention Center in Silicon Valley, USA.

This year, over 800 professionals are expected to attend the Cleantech Open Global Forum, with keynote addresses given by Cathy Zui,Consulting Professor at Stanford University, Holmes Hummel, Founder of Clean Energy Works, Run Lusk, Founder of Lumetech Group, Steve Westly, Founder of TheWestly Group, and Walter Schindler, Founder of SAIL Capital Partners. Therewill also be a private investor connect event where investors will be able to preview the 40 finalist startups who have earned the right to compete afterbeing narrowed down from over 1,000 startup companies competing for the grandprize of $200,000 in prizes and awards.

Why Should You Sponsor Artist CaoYong?

Yong and his artwork have been honored and sponsored in some ofthe most prominent cities and associated with some of the prestigious events taking place in the world, including:

1. Eight "Freedom"Paintings displayed in eight US Embassies in Middle East

2. Recognized at the Internationa lLeadership Foundation, Washington D.C.

3. Recognized at the NASA Invitational Event, Johnson Space Center

4. Yong will be unveiling his latest artwork “Peace” at our Cleantech Open gala just weeks before he and his new “Peace” painting will be honored at the Great Hall of the People’s Republic of China in Beijing, theWhite House of China.

5. Yong’s Beijing International Art Gallery receives over 10,000visitors per day in China.

6. Yong’s artwork was featured three times in New York’s TimesSquare on the NASDAQ billboards.

7. The County of Los Angeles Fire Department, Remembering Sept 11th2001 Event featured a 30’ x 15’ rendition of his art piece, “Freedom”

8. Yong was introduced at the Federal Asian Pacific American Council – FAPAC

9. August 28, 2008 Yong’s “Voice of the East" was chosen by Beijing Olympic Committee to be on commemorative plates as VIP Gifts

10. A record-breaking 62 pieces of Yong’s art sold at “ArtBrilliant” at gallery in Beverly Hills, CA

11. June 4, 2009 - Cao Yong's artwork, "Love Without Border", was featured at the one year anniversary of the earthquake in Sichuan, China“In a land and a world increasingly given to dizzying change, Caosays, he wants to extol living simply, in balance with nature,” states the L.A.Times, which goes along perfectly with the theme of Cleantech Open, to find,fund and foster startup companies in clean technology that make the world abetter place in which all of us can live.

Why Should You Attend?

    Come tothe 2014 Global Forum where we will showcase the best new clean technology start-ups from 8 US regions and 6 other countries who            have just completed the Cleantech Open Accelerator program. The 2014 Global Forum offers you a chance to:

   Celebrate the announcement of the2014 Cleantech Open grand prize winner at the 9

th

Annual“Academy Awards of Cleantech.”

   Join us for an unforgettable experience in the heart of San Francisco!

http://events.cleantechopen.org/globalforum

    Entercode CTO_DOM when you register

    Please see the attached pages forthe various levels of Sponsorship opportunities.

    Soaring to the top with you,

   Denise O'Brien

   Public Relations Director

   CEO ~ DOME Consulting, LLC

   Denise O’Brien Movies

&

Entertainment

   Publicist~Author~Copy Editor~Funding Consultant

   Emcee~Red Carpet Host~Event Planner~Producer

   Direct to Los Angeles Executive Offices: 310.754.9321

Denise.DOMEConsulting@gmail.com

        RegisterNow for 2014 Global Forum, Nov 12 - 13 in San Francisco

http://events.cleantechopen.org/globalforum

    Use DOME Promotional Code:CTO_DOME

      Cleantech Open Global Forum

    9

th

Annual Celebrity Green Carpet, Gala Dinner & Fundraiser,

    Featuring Artwork by Master Artist Cao Yong

   Thursday, November 13

th

   San Francisco Winery on Treasure Island

   San Francisco, California

Sponsorship Opportunities

Green Carpet Title Sponsor   $20,000

   (available to one sponsor)

       Recognition as the Title Sponsor for the November CAO YONG

  Celebrity Green Carpet

       Prominent title recognition in all November Green Carpet pre-event promotions, including but not limited to: invitations,print and radio                    advertising, media releases, promotional brochure

•       4 general passes to Cleantech Open Global Forum

•       4 tickets to attend Gala & Fundraising Dinner

•       Event Bag stuffer – literature (one pageflyer)

•       2 VIP passes – includes access to Green Society Lounge

•       On-Camera Video Interview on the Cleantech Celebrity Green Carpet with comedian Hal Sparks and other media

•       Recognitionon the CAO YONG website

•       Full page ad in the CAO YONG auction program distributed the night of the event

•       Prominent title/logo recognition in all CAOYONG materials at the event, including but not limited to: front page of theCAO YONG green carpet          program booklet, step and repeat banners and signage,along with other event sponsors

•       Prominent title recognition in all post event materials including but not limited to: media releases, photo opportunity to beissued in a press              release to all major publications and highlight video ofgreen carpet event.

•       Thank you article included in an edition of CaoYong newsletter, distribution of 4,000

•      

       Opportunity to showcase your company with adisplay at the expo event on Wednesday, Nov 12th.

•       Verbal recognition by our on-camera host onour green carpet highlight video

•       Autographed and personally signed CAO YONG art collector’s catalog.

•       Meet, greet and photo-opportunity with world renownedartist CAO YONG.

Highlight Video Sponsor       $10,000

   (available to one sponsor)

•       Recognition as the Highlight Video Sponsorfor the November CAO YONG celebrity green carpet.

•       Recognition on website

•       4 general passes to Cleantech Open Global Forum

•       4 tickets to attend Gala &Fundraising Dinner

•       2 VIP passes – includes access to Green Society Lounge

•       1⁄2 page ad in the CAO YONG auction program booklet distributed

        the night of the event.

•       Prominent title recognition in all CAO YONGgreen carpet materials at the event, including but not limited to: program, banners and signage.

•       Prominent recognition in all CAO YONG green carpet advertising and media releases

        pre and post event

•       Thank you mention included in an edition ofour newsletter, distribution 4,000

•       Prominent title recognition in all post event materials including but not limited to:media releases, photo opportunity to be issued in a press              release to all major publications and highlight video of green carpet event.

Corporate Sponsor $5,000

 (available to multiple sponsors)      Recognitionas a Corporate Sponsor for the November Cao Yong

       Cleantech Green Carpet

•       Recognitionin all Cao Yong Cleantech Green Carpet promotional

        items at the event including banner andsignage

•       Recognitionon Cao Yong Cleantech Green Carpet event brochure

•       Recognitionon website

•       1⁄4 page ad in the Cao Yong Cleantech GreenCarpet auction

        program distributed the night of the event.

•       Verbal and Logo recognition on highlightvideo.

       Gala Dinner Tickets, and thechance to meet Cao Yong in person in San Francisco!

•       Individual            $500

•       Table of 10          $4,000

       When you register for Gala Dinner, please enter CTO_DOME as discountcode when you purchase your tickets.

       Sponsorship agreement is non-transferable, and any donations arenon-refundable. The Cleantech Open is a 501(c)(3) tax exempt                         nonprofitcorporation  |  Federal Tax ID: 26-3507343.

Register online with Eventbrite at the following link:

https://www.eventbrite.com/e/cleantech-open-2014-global-forum-vip-tickets-13738589491?discount=CTO_DOME

CAO YONG FEATURED IN SHINE ON HOLLYWOOD MAGAZINE FROM MAY, '2013" ISSUE. THIS COVER AND THREE OF CAO YONG'S ART WORKS WERE FEATURED ON THE 4 NASDAQ BUILDINGS IN TIMES SQUARE, IN NEY YORK CITY FOR AN THREE WEEKS IN 2013!

HERE IS THE LINK TO THE MAY 2013 ISSUE:

http://shineonhollywoodmagazine.com/shinemay2013/web/flipviewerxpress.html

WE HAVE ALSO CONFIRMED CHINA'S SUPER CHANNEL CC-TV IS DOING A FEATURE ON CAO YONG AND OUR CLEANTECH OPEN EVENT, WHICH HAS A VIEWERSHIP OF 1.3 BILLION

ALSO CHANNEL 18 IN LOS ANGELES IS DOING A FEATURE ON CAO YONG'S

OF COURSE WE HAVE TO HAVE THE GOOGLE POST INCLUDED IN OUR SUPER BLAST!

https://plus.google.com/110295186910471671252/posts/MyCJXMA2TYn

THE VIEWERSHIP AS A RESULT OF THIS COLLABORATION WILL DEFNITELY BE IN THE 10's OF MILLIONS (COUNTING PRE-EVENT AS WELL AS POST EVENT COVERAGE OF THIS LANDMARK EVENT!)

Contact for more information or to Sponsor:

In English: Denise O’Brien, 310.754.9321

In English: Derek Tadashi Takeuchi, 424.213.0996

In Mandarin: Qing Cao, 626.377.8848

### END ###

https://www.facebook.com/derek.takeuchi/posts/10204348407203037

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Derek Tadashi Takeuchi

https://www.facebook.com/photo.php?fbid=10204340217838308&set=a.1533974622054.2069374.1015467195&type=1&theater

Derek Tadashi Takeuchi

November 7, 2014

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SPECIAL EVENT IN SAN FRANCISCO

GLOBAL GREEN ENERGY EVENT

EXCLUSIVE ART SHOW

...

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November 7, 2014 at 7:14pm

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November 7, 2014 at 7:15pm

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November 7, 2014 at 7:16pm

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November 7, 2014 at 7:23pm

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Derek Tadashi Takeuchi

November 7, 2014 at 7:23pm

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Derek Tadashi Takeuchi

THIS VIDEO IS IN ENGLISH

https://www.facebook.com/video.php?v=10204337810178118&set=vb.1015467195&type=2&theater

Cao Yong's Journey08:21

239 Views

Derek Tadashi Takeuchi

is with

Gabe Pagtama

and

17 others

in

China

.

November 7, 2014

·

Cao Yong on CCTV

URGENT! ONLY 6 DAYS LEFT!

WANT GLOBAL EXPOSURE FOR YOU COMPANY? BE PART OF AN EVENT IN WHICH SOME OF THE WORLD'S LARGEST COMPANIES HAVE RECOGNI...

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November 7, 2014 at 10:32pm

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Derek Tadashi Takeuchi

THIS VIDEO IS ALSO IN ENGLISH -DECLARATION OF INDEPENDENCE

http://caoyong.us/ArtPrintHtml/WeThePeopleArtPrint.php

CAO Yong Masterpieces - Fine Art, Art Prints and Framed Art by CAO Yong.

With senses, emotions and spirits, it's everything that exists in this world…CAOYONG.US

November 7, 2014 at 10:33pm

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THIS VIDEO IS IN CHINESE -

http://caoyong.us/ArtPrintHtml/VoiceEast.php

CAO Yong Masterpieces - Fine Art, Art Prints and Framed Art by CAO Yong.

With senses, emotions and spirits, it's everything that exists in this world…CAOYONG.US

November 7, 2014 at 10:36pm

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THIS VIDEO IS IN ENGLISH FEATURING HIS PAINTING FREEDOM

http://caoyong.us/ArtPrintHtml/10MinShowEventsMArtPrint.php

CAO Yong Masterpieces - Fine Art, Art Prints and Framed Art by CAO Yong.

With senses, emotions and spirits, it's everything that exists in this world…CAOYONG.US

November 7, 2014 at 10:39pm

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THIS VIDEO IS IN ENGLISH

http://caoyong.us/ArtPrintHtml/ArtBrillantArtPrint.php

CAO Yong Masterpieces - Fine Art, Art Prints and Framed Art by CAO Yong.

With senses, emotions and spirits, it's everything that exists in this world that inspire me to paint because the biggest award I ever received is the connection with others my art has created - Master of Artists, CAO YONGCAOYONG.US

November 7, 2014 at 10:42pm

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THIS VIDEO IS IN CHINESE LA CH18

https://www.facebook.com/video.php?v=10204342598417821&set=vb.1015467195&type=2&theater&notif_t=video_processed

November 7, 2014 at 10:58pm

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http://www.cnbc.com/id/102157190

#.

Master Artist Cao Yong to Unveil Latest Work at 2014 Cleantech Open Global Forum & Gala Dinner

CNBC.COM

November 7, 2014 at 11:28pm

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SHINE ON HLLYWOOD MAGAZONE THE #1 HOLLYWOOD MAGAZINE IS FEATURING CAO YONG ON THE BACK COVER WITH OUR WEBSITE THAT DIRECTS ALL READERS DIRECTLY TO OUR PRESS RELEASE!

http://www.shineonhollywoodmagazine.com/issues.html

ISSUES

Shine On Hollywood Magazine — Try it for FREE! For a limited time, you can access a digital copy of Shine On Hollywood Magazine absolutely…SHINEONHOLLYWOODMAGAZINE.COM

November 7, 2014 at 11:49pm

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http://www.broadwayworld.com/.../Master-Artist-Cao-Yong...

Master Artist Cao Yong to Unveil Latest Work at 2014 Cleantech Open Global Forum & Gala Dinner

PALO ALTO, Calif., Nov. 5, 2014 /PRNewswire-iReach/ The Cleantech…

BROADWAYWORLD.COM

November 8, 2014 at 3:22am

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Tammie Starr WOW!! To be painted by him would be s dream come true Derek;) Keep shining friend. God is ppen opening the doors

November 8, 2014 at 12:55pm

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Derek Tadashi Takeuchi

Amen & Amen!!! Yes God is Good all the time!

November 8, 2014 at 9:35pm

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November 9, 2014 at 1:12am

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http://www.cnbc.com/id/102157190

November 9, 2014 at 1:54am

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Derek Tadashi Takeuchi

http://m.sohu.com/n/405898627/?_trans_=000115_3w...

曹勇将出席"清洁科技的奥斯卡颁奖典礼"及论坛【1】-新闻频道-手机搜狐

华裔著名艺术大师曹勇将作为特邀名流出席在硅谷举行的全球创业周的一…

M.SOHU.COM

November 9, 2014 at 2:22am

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AMERICA CONTINUES TO DOMINATE THE GLOBAL ART MARKET BY HUGE MARGINS OVER THE REST OF THE WORLD!

http://www.bloomberg.com/.../global-art-market-surged-to...

Art Market Nears Record With $66 Billion in Global Sales

Global art sales approached their pre-crisis high last year, led by record…BLOOMBERG.COM

November 9, 2014 at 5:29am

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ART SHOW ON RODEO DRIVE IN BEVERLY HILLS FOR ARTIST CAO YONG!

https://www.facebook.com/video.php?v=540971812665923&set=vb.335271476569292&type=2&theater

Art Show14:18

Artist - Cao Yong

December 6, 2013

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Beverly Hills

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Gallery Show on Rodeo Drive, Beverly Hills, California

November 9, 2014 at 5:32am

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Newest appoved posting from art on Google!

http://art-on-google.com/.../cleantech-9th-annual...

Cleantech 9th Annual Cleantech Open Global Forum

Renowned Master Artist Cao Yong to be featured at Academy Awards of Cleantech 9th Annual Cleantech Open Global Forum November 7, 2014…ART-ON-GOOGLE.COM

November 9, 2014 at 12:38pm

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www.trueARTmovement.com

Takeuchi Galleries - Fine Art America

Welcome to Takeuchi Galleries! Having been in business for almost three decades, we have found a constant need to re-adapt to the ever…FINEARTAMERICA.COM

November 9, 2014 at 1:58pm

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Derek Tadashi Takeuchi

http://www.artslant.com/.../363972-internationally...

ArtSlant - November 13th 6:00 PM - 8:00 PM, TAKEUCHI GALLERIES, Cao Yong

Contemporary art exhibit information including artists, venue, map and…ARTSLANT.COM

November 9, 2014 at 1:59pm

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Derek Tadashi Takeuchi

This is an older video but same sponsor, Chevron and same event. 9th Annual!

https://www.youtube.com/watch?v=ULMiCKHE4Qo

Chevron Nurtures Innovative Technology Startups at CleanTech Open

The Cleantech Open is an annual business competition for clean…YOUTUBE.COM

November 9, 2014 at 6:12pm

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Derek Tadashi Takeuchi

http://fashion.163.com/14/1109/23/AAL6RVD800264MK3.html

艺术家曹勇将出席“清洁科技的奥斯卡颁奖典礼”及论坛_网易艺术

艺术家曹勇将出席“清洁科技的奥斯卡颁奖典礼”及论坛,曹勇 艺术 艺术家FASHION.163.COM

November 9, 2014 at 10:58pm

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Derek Tadashi Takeuchi

http://m.sohu.com/n/405898627/

…

曹勇将出席"清洁科技的奥斯卡颁奖典礼"及论坛【1】-新闻频道-手机搜狐

华裔著名艺术大师曹勇将作为特邀名流出席在硅谷举行的全球创业周的一…

M.SOHU.COM

November 9, 2014 at 10:59pm

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Derek Tadashi Takeuchi

http://mt.huanqiu.com/.../fashion/2014-11-10/5196666.html

曹勇将出席“清洁科技的奥斯卡颁奖典礼”及论坛

…MT.HUANQIU.COM

November 9, 2014 at 11:02pm

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Derek Tadashi Takeuchi

Here is a video of the show we did in May on the 28th, 2014!

Shine On Hollywood Magazine

helped advertise the show and did multiple features after the show. Thank you

Arnold Garcia

, Founder of SOHM! ENJOY!

https://www.youtube.com/watch?v=pbT0oYVSf4s

PART 1 of 3 Takeuchi Galleries & Trunetworking CAO YONG ART SHOW HIGHLIGHT VIDEO

PART 1 of 3 Takeuchi Galleries & Trunetworking CAO YONG ART…YOUTUBE.COM

November 9, 2014 at 11:08pm

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Derek Tadashi Takeuchi

Here is part II

https://www.youtube.com/watch?v=ypg3jq-7PIM

PART 2 OF 3 -TAKEUCHI GALLERIES HONORS ASIAN AMERICAN & PACIFIC ISLANDER…

YOUTUBE.COM

November 9, 2014 at 11:09pm

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Derek Tadashi Takeuchi

Part III The Interview - PART 3 - AN INTERVIEW WITH WORLD RENOWNED Artist -

Cao Yong

AND SPECIAL GUESTS with host

Lacy Phillips

AKA "Uncle Earl" of course Cao Yong,

Arnold Garcia

from

Shine On Hollywood Magazine

,

Derek Tadashi Takeuchi

from ...

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Hollywood Stories Entertainment News | Free Digital Magazine | Celebrity news

Learn about the latest in Hollywood and entertainment news, Top…SHINEONHOLLYWOODMAGAZINE.COM

November 9, 2014 at 11:15pm

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Derek Tadashi Takeuchi

https://www.youtube.com/watch?v=8GVyMnBcHw0

INTERVIEW WITH WORLD RENOWNED ARTIST CAO YONG AND SPECIAL GUESTS

PART 3 - AN INTERVIEW WITH WORLD RENOWNED Artist - Cao…YOUTUBE.COM

November 9, 2014 at 11:15pm

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Derek Tadashi Takeuchi

http://m.baidu.com/

…/w=0_10_%E8%89%BA%E6%9…/t=iphone/l=3/tc…

百度一下,你就知道

M.BAIDU.COM

November 11, 2014 at 1:30am

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Derek Tadashi Takeuchi

http://collection.sina.cn/?sa=t954v4565d29425&from=wap&vt=4

曹勇将出席全球创业周活动- 手机新浪网

新浪网为全球用户24小时提供全面及时的中文资讯，内容覆盖国内外突发新闻事件、体坛赛事、娱乐时尚、产业资讯、实用信息等，设有新闻、体…COLLECTION.SINA.CN

November 11, 2014 at 1:30am

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Derek Tadashi Takeuchi

A few additional media posts however we cannot show all of the media because this event was published globally and there are far too many media outlets that featured this event. That was pre-event. We estimate anywhere from 10 x's but more accurately 1...

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ArtSlant - November 13th 6:00 PM - 8:00 PM, TAKEUCHI GALLERIES, Cao Yong

Contemporary art exhibit information including artists, venue, map and…ARTSLANT.COM

November 19, 2014 at 2:26pm

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Derek Tadashi Takeuchi

HERE IS 1 OF MANY CHINESE MEDIA. I BELIEVE THIS IS A POST EVENT ARTICLE

http://people.china.com.cn/2014-11/17/content_7359559.htm

艺术家曹勇将出席Cleantech Open系列活动_中国人物

中新网北京11月10日电…PEOPLE.CHINA.COM.CN

November 19, 2014 at 2:27pm

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Derek Tadashi Takeuchi

THIS WAS PRE-EVENT MEDIA THOUGH SINCE IT IS A CLEAN TECHNOLOGY / GREEN ENERGY PUBLICATION I FELT IT WAS IMPORTANT TO PUBLISH AS WELL!

http://www.greentechmedia.com/.../master-artist-cao-yong...

Master Artist Cao Yong to Unveil Latest Work at 2014 Cleantech Open Global Forum & Gala Dinner

Master Artist Cao Yong to Unveil Latest Work at 2014 Cleantech Open…

GREENTECHMEDIA.COM

November 19, 2014 at 2:39pm