#pyramid star pattern

[httpsoftbunni]

Overview of Sacred Geometry Across Ancient Cultures

Hopefully, by the end of this series, you will have a fair understanding of what Sacred Geometry is, how it was important to different cultures, and why it is considered a key to understanding the universe and the divine. We'll explore how geometry isn't just math, but can be a very powerful spiritual tool as well.

Imagine for a moment that the world is not just random but instead has an underlying order—almost like a blueprint. That blueprint, which has been used by ancient cultures all over the world, is made up of shapes, patterns, and numbers that seem to appear everywhere in nature. This is what we call Sacred Geometry.

Now, you might ask: “Why ‘sacred’? Isn’t geometry just math?” Well, ancient civilizations didn’t just see these patterns as math—they saw them as something deeper, something connected to the divine or the spiritual nature of life. Sacred Geometry is believed to represent the building blocks of the universe, showing how everything is connected. It’s like the hidden code of creation.

Sacred Geometry teaches that by understanding these shapes and forms, we can gain insight into the order of the universe, how things work, and even our own spiritual journeys. This is why it was so important in many ancient cultures—because it was considered a key to understanding not just the physical world, but also the spiritual realm.

Now, let's explore how different ancient cultures used Sacred Geometry. Each civilization applied it in its own way, but the underlying belief was the same: these shapes and patterns weren't just useful for building things, they held spiritual meaning and could connect us to something greater.

Ancient Egypt

Let's start with one of the most famous ancient civilizations. The Egyptians were masters of geometry, and we see this clearly in their architecture–especially in the pyramids.

The Pyramids of Giza are not just incredible monuments; their construction follows geometric principles that reflect cosmic harmony. For example, the dimensions of the Great Pyramid are believed to contain the Golden Ratio—a special number, about 1.618, which appears in nature all the time. It’s in the way flowers grow, the shape of seashells, even in the spirals of galaxies. The Egyptians believed that using this ratio in their buildings connected their structures to the universe’s natural order.

But geometry wasn't just about the physical buildings. It was also tied to their spiritual beliefs. The Egyptians believed that the pyramids aligned with the stars, especially the constellation Orion, which was associated with their god Osiris, the god of the afterlife. So, for them, these geometric shapes and alignments helped the pharaoh's ascend to the heavens.

Another example is the Eye of Horus, a symbol of protection and royal power. Interestingly, the segments of the Eye of Horus can be broken down into fractions, symbolizing parts of a whole. This wasn’t just math to the Egyptians—it was sacred, representing completeness and the all-seeing divine.

Ancient Greece

Now, moving on the the Greeks, who are well-known for their philosophy and mathematics, geometry had a special place in their understanding of the universe.

One of the most important contributions from ancient Greece to Sacred Geometry is the concept of the Platonic Solids. These are five geometric shapes that are incredibly special because all their faces, edges, and angles are identical. These shapes are the tetrahedron, cube, octahedron, dodecahedron, and icosahedron. The philosopher Plato associated these shapes with the classical elements—fire, earth, air, water, and ether (or spirit). For the Greeks, these solids were the building blocks of the material world.

Pythagoras, another key figure, saw geometry as the key to understanding the universe. He believed that numbers were sacred and that geometry showed the harmony in the world. One of his most famous ideas was the Tetractys, a triangular shape made up of ten points, arranged in four rows. Pythagoras saw this shape as a representation of cosmic order and perfection, showing how everything in the universe was interconnected.

To the Greeks, studying geometry wasn’t just an intellectual pursuit; it was a spiritual practice. By understanding the perfect forms in geometry, they believed they were uncovering the perfect forms of the divine, leading them to greater spiritual wisdom.

Hinduism and Buddhism

Here, we see the use of mandalas and yantras. Mandalas are intricate, geometric designs that are often circular, symbolizing the universe. If you’ve ever seen a mandala, you know that it’s full of repeating patterns that draw the eye toward the center. In both Hinduism and Buddhism, mandalas are used for meditation, guiding a person through a symbolic journey toward the center of the universe, which also represents their own spiritual center. The idea is that by contemplating these patterns, you’re also contemplating the structure of reality.

Yantras, on the other hand, are similar to mandalas but are often simpler and more specific. A famous example is the Sri Yantra, a complex pattern of triangles within a circle. This pattern represents the union of the divine masculine and feminine, and is believed to symbolize the creation of the universe itself. People meditate on the Sri Yantra to connect with higher consciousness and spiritual wisdom.

In both of these traditions, geometry isn’t just decoration—it’s a spiritual tool. By focusing on these sacred forms, a person can align their mind with the deeper truths of existence and experience spiritual growth.

The Mayan Civilization

Next, let’s take a look at the Mayans in Central America. The Mayans were incredible astronomers, and they used geometry to create their famous calendar systems.

The Mayan calendar was incredibly complex, and its structure was based on precise geometric patterns that reflected the cycles of the stars, the moon, and the sun. The Mayans believed that time moved in cycles, and that these cycles were part of the natural order of the universe. By using sacred geometry in their calendar, they could keep their activities in harmony with the cosmos.

Just like in Egypt, the Mayans also used geometry in their architecture. Their temples and pyramids, such as the ones at Chichen Itza, were carefully aligned with the movements of the sun and stars. For example, during the spring and autumn equinoxes, the light from the sun creates a shadow on the pyramid steps that looks like a serpent slithering down. This wasn’t just coincidence—it was a carefully designed connection between the earth and the heavens.

For the Mayans, geometry was a way to synchronize their lives with the divine order of the cosmos.

Islamic Culture

Finally, let’s talk about geometry in Islamic culture. In Islamic art and architecture, you’ll see some of the most intricate and beautiful examples of geometric patterns in the world.

One of the key principles in Islamic art is the use of repeating geometric patterns, often based on stars, circles, and interlocking shapes. These patterns are found everywhere in Islamic culture—in mosques, palaces, mosaics, and textiles. But they’re not just for decoration. These patterns are deeply symbolic.

In Islam, it’s believed that God is infinite and unknowable, and because of that, He cannot be represented in human or animal form in art. Instead, artists use geometry to symbolize the infinite nature of God. By creating these repeating patterns, they show the idea of infinity and the oneness of creation.

The circle, which is a key shape in Islamic geometry, represents the eternal nature of God. Everything in Islamic art often begins with a circle, and from that circle, more complex patterns are created. This symbolizes how everything comes from the divine, and how all creation is interconnected.

End

To wrap up, let’s reflect on what we’ve covered today. Sacred Geometry is a universal language that ancient cultures used to understand the divine and the cosmos. Whether it was the pyramids in Egypt, the mandalas in Hinduism, or the geometric patterns in Islamic art, all these cultures believed that geometry wasn’t just a tool for building things—it was a way to connect with something greater than ourselves.

So, why do you think so many cultures, in different parts of the world, came up with similar geometric symbols? What does this tell us about how humans understand the universe and their place in it? Think about how these shapes might connect to the deeper order of the world.

[pwlanier]

From the Pyramid, Arch & Pinwheel Series, this 1967 acrylic on canvas painting is by optical abstract artist Bernard Zawisa (1925-2000). Entranced by the color of the seasons and the versatility of the newly-developed acrylic paints, Bernard J. Zawisa spent half a century crafting vivid abstract forms with acrylic, ink, and mixed media. He began his art practice after serving in the US Air Corps during WWII, receiving his BA from Wesleyan University and his MFA from the University of Iowa. Following his studies of Art History and English, he joined Southern Connecticut State University as an art professor in 1958 and taught until his retirement in 1994. During his summers, Zawisa created art while traveling throughout North and Central America, Europe, and the Middle East. He placed great importance on the intuitive transition between color and form unique to acrylic paint, and avoided figurative content. His work is now represented in the permanent collection of the National Gallery of Art in Washington, DC. The Salon is proud to host several of his more raw and angular early work from the 60’s (Works of Texture, Bridge Series), his highly geometric and organized paintings from the Early-Mid 70’s (Quatrefoil Series, Circle Series, Grid Pattern), and a selection of his late works from the late 70’s to 90’s (Star Series, Galaxy Series).

1967

Acrylic on Canvas

51"x63" framed

Lost Art Salon

[wardrobe-sekai]

Tsukasa - Wonderlands x Showtime Unit Outfit (Brand New World)

Tsukasa wears a black, long-sleeved, button-up shirt with a white tie. Around the tie, he wears a decorative silver band with a yellow stone in the shape of an oval. Over his button-up, he wears an orange vest with yellow pinstripes and silver pyramid buttons. He wears a silver lapel chain with diamond shaped ends and a star charm. He wears a white coat with long sleeves and an open lapel. The inner lining is orange. The lapel lining, sleeve ends, and trim are dark blue, with grey and white accents. The front pannels are light grey with silver buttons. He has light grey epaulettes with white attachments. Secured by the epaulette on his right shoulder is a silver, braided cord looped on top of itself. At the ends of the cord are two spherical, yellow decorations. Attatched to his right shoulder is a frilled half cape. The outside of the fabric has a dark blue and purple galaxy pattern. The inside lining is orange. Across his chest, he wears a dark and light blue striped sash with two silver star pins near the end. He wears white pants and mid-calf boots. His boots are dark navy with blue, white and gold accents, grey soles, and gold buttons.

First Appearance: Brand New Style

Other Appearances:

Models:

Stamps:

1komas/4komas:

Promotional Images:

Collaboration Illustrations:

Commemoration Illustrations:

2DMV Illustrations:

Miscellaneous:

[artemis-unearthed]

@superboyandtheinvisiblegirls to LARA CROFT .

❝ this artwork…doesn’t it look like it’s telling some kind of story? ❞

"That's because it is ."

The torchlight illuminated the old , dusted murals that rested within the walls of the top of the pyramid . Lara's Mayan was a little rusty, but she could make out the inscriptions and symbols well enough to gather a rough understanding, and the artwork certainly helped. There's this sense of exhilaration that she always seemed to exude whenever she found something like this — even though her brows furrowed in concentration , her words were still full of composed energy.

"It's an old Mayan myth . It says the box will summon the god Kukulkan . There's more — it . . looks like a series of cataclysms . A tsunami , a storm , earthquakes . . volcanic eruptions . ."

She trails off after the last sentence , her gaze flicking back to Sam before studying the mural once more . Whatever was here couldn't fall into Trinity's hands , and if what Jonah was telling her via comms was worth anything , they didn't have a lot of time to find what they came here for before they managed to blow through the cave ceiling. The light moved over the rest of the paintings , and it fell in line with some of the stories she'd studied in the past .

". . In Mayan belief , Kukulkan is both the god of creation and destruction."

The stone wheel behind them was inset with several gemstones, and upon Lara's turn from the mural , she recognized the limited pattern . It was always such a wondrous experience investigating what was left behind , what hadn't been found since it had been abandoned . Calloused hands traced the edge of the stone , warm brown intently focused on what was before them both .

". . . This looks like the Hydra constellation — but the stars are out of alignment ."

[lilywily143]

ALL DANDY WORLD TOONS IM MY ART STYLE

I finally finished!!!! This took a while... And it's taking even longer so I can talk about the details I loved making. [I gave everyone tails, it's fun as fuck]

Commons

Toon Boxten: He's got cute striped pants with little buttons for the fun, and he has a crank tail [the twist handle of a jack in the box!]

Twisted Boxten: His tail kinda looks like a murder drones tail oops

Toon Poppy: Waterrrrr. She's got the bubbles that come from waterfalls hitting water on her new tail and hair.

Twisted Poppy: Not that much to say sadly

Toon Cosmo: BAKER HAT, he's got the friendship bracelet, churro tail with a sugar cookie end, his sweater ends are also just that fancy zigzag shape

Twisted Cosmo: Please believe me that I drew this before his cousin was revealed, I accidentally made them match AHAH [I forgot his tail oops]

Toon Tishu: She's a simple, pretty maid. But she does have a broom tail.

Twisted Tishu: VAMPIRE! SHE'S A VAMPIRE! SHE'S THE GOTHIC MAID OF A MANOR OF THE GHOSTLY GHOUL CONNIE /lh

Toon Shrimpo: Any future drawings will have him with attenta.

Twisted Shrimpo: You guys know the snapping shrimp with the extra big claw? Yeah same :]

Toon Looey: He balloon shaped head, makes a perfect snout with the best nose.

Twisted Looey: Nothing special, but I like him

Uncommons

Toon Brightney: Plug tail! She deserves the glasses. And I did my best to make her dress angular like in-game

Twisted Brightney: Nothing special or new sadly

Double Time!

Toon Finn: He keeps the fins, tail, and fishes sweater from his pal skin. But he has his vest and floaties over it. And he also wears jeans because it just always seems like the pants to wear as you walk in a forest with bushes as you head to the lake.

Toon Toodles: MAGIC 8-BALL!!!!!!! 80's pattern undersuit, she has the stick for playing Pool in her new ponytail. And he has a fake monocule on because of Rodger.

Twisted Finn: Fins are shattered off. The liquid has kinda leaked out at this point.

Twisted Toodles: So you know the inside of a magic 8-ball is the blue liquid and the pyramid with answers right? Yeah it's floating in her broken up head.

Connie: ....I love her but I had NOTHING

Toon Teagan: Feather boa tail, why not?

Twisted Teagan: The tail becomes a little creature, I haven't drawn this kinda tail in forEVER. It eats the tapes she steals [[[ALSO YEAH WHILE DRAWING HER, I LEARNED SHE STEALS TAPES IF SHE HURTS YOU, I DIDN'T KNOW THIS FOR MONTHS]]]

Toon Razzle@Dazzle: I gave him a cutepattern on his shirt, and he has two ribbon tails

Twisted Razzle and Dazzle: Nothing here sadly again

It's my boi!!

Toon Rodger: He has a fancy suit, with pants and little shoes. Cuffs on the sleeves. And he has a second eye based on this second glass some of these magnifying glasses have.

Twisted Rodger: Serpertine >:]

Rare

Toon Goob: Spring Arms :D Also super fluff :DD He also has a puffball tail. It's a literal cottenball.

Twisted Good: His arms are streched out, stuck being slack.

Toon Scraps: She's got a kitty nose, and her angular-ness was hard to draw

Twisted Scraps: I shaped her ears like devil horns.

Toon Flutter: More patterns on her wings. And she's got more sections on her body to get a tail

Twisted Flutter: Zombie devil combo. Devil tail and attenta shaped like horns, stitches on her head [because it used to be another broken heart, yes bloody]

Toon Gigi: Grabby hand tail, i'm fan of it. She has star charms in her head, and she has a backpack. Also her sweater is now kinda a crop top with leggings. Her backback also has pins of all the mains, and it's filled inside with merch of the other toons.

Twisted Gigi: I just had fun drawing her

Toon Glisten: He has many new flairs and sparkles. Also, ribbon tail comes once again.

Twisted Glisten: Just wish I could hug him

Main

Toon Pebble: He has floppy ears and a more detailed flower on the face.

Twisted Pebble: I really wish I committed to adding a geode design where his neck connects to the body. Like his head broke of the main body and exposed all the lovely purple insides?

Toon Shelly: Big old dino tail, heart buttons on her overalls, and a fun little hat for her fossiling adventures.

Twisted Shelly: Well she... has a thicker tail <:]

Toon Astro: Why did I go this hard for him, he looks like a wizard with the hat, I love him. He's got little star tails, his blanket is now a fun sweater. He has ankle bracelets backed on the frills of his star time skin. And the black side of his head is now sun/star shaped.

Twisted Astro: His star spikes are droopy

Toon Vee: TV Host Suit! She's the greatest

Twisted Vee: Did my best to have the segmented legs and neck

Toon Sprout: Snout headcanon is peak Sprout design. He now has winter overalls [like me] to just add to the cozy scarf look. He also has a tail shaped like the flower strawberries grow from.

Twisted Sprout: The ichor on his scarf is intended to look like a heart, it's not that noticable...

Dandy: DandyLION COME ON I HAVE TO. He's gets a tail and mane.

Christmas Times

Ginger: She has a blind peppermint cane, thought it would be nice.

Bobette: Cute little spiral hook [they are annoying to hang on trees though]

Rudie: Curly :]

Coal and the twisted will come later on

Here's Dandy in the sweater

[archangel-metatron]

🏔️ The New Jerusalem — God's Mountain, Eden Restored, and the City Coming Down From Heaven

> “Then I, John, saw the holy city, New Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband.”

— Revelation 21:2 (NKJV)

The New Jerusalem is not a symbol. It is a real city, currently in Heaven, prepared by Jesus Himself. It is God��s dwelling with man, the Bride of the Lamb, and the place where Eden, Mount Zion, and the House of God are fulfilled — permanently.

Let’s explore the overwhelming biblical evidence that the New Jerusalem is a literal, physical, pyramid-shaped city that will descend from Heaven to Earth, bringing God’s government and presence for a thousand years, and then forever.

📐 Dimensions: The Shape of the City

> “The city is laid out as a square... its length, breadth, and height are equal.”

— Revelation 21:16

This city is 12,000 stadia in every direction — about 1,500 miles wide, deep, and high. That’s not figurative. It is a massive, geometric structure — either a perfect cube, like the Holy of Holies (1 Kings 6:20), or more likely a pyramid, matching the image of a mountain:

Isaiah 2:2 — “The mountain of the Lord's house shall be established on the top of the mountains…”

Psalm 48:2 — “Mount Zion on the sides of the north, the city of the great King.”

✨ A City Prepared by Jesus

> “I go to prepare a place for you... and I will come again and receive you to Myself; that where I am, there you may be also.”

— John 14:2–3

Jesus did not say He would build us a metaphor. He said He would prepare an actual place. The New Jerusalem is that place — God’s building, not man’s:

2 Corinthians 5:1 — “A building from God, a house not made with hands, eternal in the heavens.”

Hebrews 11:10 — “Abraham waited for the city which has foundations, whose builder and maker is God.”

👑 Some Standing Here Will See the Kingdom

> “Assuredly, I say to you that there are some standing here who will not taste death till they see the kingdom of God present with power.”

— Mark 9:1

This verse is not allegorical. What follows is Jesus taking Peter, James, and John up a high mountain where they are shown His glorified state (Mark 9:2–8). This is often called the Transfiguration, but what they saw was a preview of the New Jerusalem:

Jesus’ face shone like the sun

His clothes were white as light

They saw Moses and Elijah, who appeared in glory (Luke 9:30–31)

A cloud overshadowed them, and the Father’s voice was heard — just like in Revelation 21, where God dwells with His people

💫 The Star of Bethlehem Was the New Jerusalem

> “...the star which they had seen in the East went before them, till it came and stood over where the young Child was.”

— Matthew 2:9

This was no normal star. Stars don’t travel in front of people and stop directly above small homes. The “star” was the New Jerusalem, visible from Earth, shining with the glory of God, like it will again when it descends (Revelation 21:11).

The angels descended from this “star” and announced His birth. This aligns with Revelation 21:2 and Luke 2:9–14.

🌑 The Eclipse at Jesus' Death — Shadow from the City?

> “From the sixth hour until the ninth hour there was darkness over all the land.”

— Matthew 27:45

This unexplained, unnatural darkness may have been more than a sign — it could have been the shadow cast by the New Jerusalem, descending from Heaven and aligning above Earth. Like in Exodus 40:34, where the glory cloud overshadowed the tabernacle, the presence of the city may have covered the Earth during this divine event.

🌊 Eden Restored: The River and the Tree of Life

> “And he showed me a pure river of water of life… On either side of the river was the tree of life…”

— Revelation 22:1–2

This is the restoration of Eden. In Genesis 2, Eden had a river flowing from it that split into four. The Tree of Life was there.

In Revelation, we see the same pattern, but eternal. The New Jerusalem is Eden, returned in glory, healing the nations.

🏞️ All the Names of the New Jerusalem in Scripture

Throughout the Bible, the New Jerusalem is referred to in many ways:

Name Verse

New Jerusalem Revelation 3:12, 21:2

The Bride Revelation 21:9

The Mountain of the Lord’s House Isaiah 2:2

Mount Zion Psalm 48:2, Isaiah 24:23

God’s Holy Mountain Isaiah 11:9, 65:25

Eden Ezekiel 28:13–14, Revelation 22:1–2

The Tabernacle of God Revelation 21:3

The House not made with hands 2 Corinthians 5:1

The City of the Living God Hebrews 12:22

Heavenly Jerusalem Galatians 4:26, Hebrews 12:22

⏳ It Will Stay for a Thousand Years

> “And they lived and reigned with Christ for a thousand years.”

— Revelation 20:4

When Jesus returns, the city will descend to Earth. The saints will reign with Him from this city during the Millennial Kingdom — a literal 1,000-year rule on Earth.

Zechariah 14:4–9 — The Lord will stand on the Mount of Olives; living waters will flow out

Isaiah 2:3 — “Out of Zion shall go forth the law, and the word of the Lord from Jerusalem.”

📹 Watch the Companion Videos

Watch this quick overview of the topic on YouTube:

📺 https://youtube.com/shorts/MFyhy9tkAsk?si=sZKd-IeZt0M0Tclh

And here are some more videos which are pertinent:

https://youtube.com/shorts/LjWri436tBQ?si=dECVkBfRTTDjV-Ek

https://youtube.com/shorts/b1LV3kayjBY?si=F2pzhMofTDS-wJ2J

https://youtube.com/shorts/gC23Fwc04E8?si=F2_qdXNY1hTHveiY

https://youtube.com/shorts/Jj--nGR8Ujg?si=_jwmlFC5gjwzGfxr

https://youtube.com/shorts/1Eeo6LJ2MVs?si=cAHnCAi8Tqr9qcvn

https://youtube.com/shorts/orM06LN25J4?si=aDQu9tVClHqvH9fO

[truevedicastrology]

Cosmic Architecture

🏛️🌠 How Ancient Civilizations Built the Stars into Their Structures 🔭🌍

Ever wondered why certain ancient structures seem to align perfectly with celestial events? It's not just coincidence - our ancestors were master sky-watchers who integrated astrology and astronomy into their architecture. Let's explore this fascinating fusion of earth and sky!

🔍 The Zodiac in Stone:

Great Pyramid of Giza 🔺

Aligned with cardinal directions

Air shafts point to important stars in Orion and Draco constellations

Possible connection to Orion's Belt (Osiris in Egyptian mythology)

Angkor Wat, Cambodia 🛕

Layout mimics the constellation Draco

Aligned with solar equinoxes

Possible representation of the Hindu cosmic ocean

Stonehenge, England 🗿

Aligns with summer solstice sunrise

Possible lunar calendar function

Theories suggest connections to eclipses and planetary cycles

Chichen Itza, Mexico 🐍

El Castillo pyramid aligns with Venus cycles

Equinox shadow resembles a serpent (Kukulkan)

Observatory (El Caracol) tracks Venus, equinoxes, and solstices

Newgrange, Ireland 🌄

Winter solstice sunrise illuminates inner chamber

Possible lunar alignments

Spiral carvings might represent celestial movements

🤯 Mind-Blowing Connections:

Sacred Geometry: Many structures use the Golden Ratio (1.618), mirroring patterns found in nature and the cosmos

Astronomical Precision: Some alignments are so accurate they still work thousands of years later!

Global Phenomenon: Cultures worldwide, often with no contact, developed similar astrological architecture

🔮 Astrological Implications:

Taurus ♉ - Earth Sign Connection: Many of these structures emphasize groundedness and permanence, reflecting Taurus energy

Leo ♌ - Solar Alignments: Solstice alignments might relate to Leo's ruling planet, the Sun

Sagittarius ♐ - Quest for Knowledge: The explorer spirit of Sagittarius reflects in the astronomical curiosity of these builders

Capricorn ♑ - Enduring Structures: The longevity and ambition of these projects resonate with Capricorn traits

Aquarius ♒ - Visionary Innovation: The forward-thinking, almost alien-like precision embodies Aquarian energy

🧠 Unique Perspectives:

Time Capsules of Ancient Astrology: These structures preserve astrological knowledge from millennia ago, offering insights into how our ancestors viewed cosmic cycles

Architectural Horoscopes: Could the placement and alignments of these structures be seen as a kind of "architectural horoscope" for entire civilizations?

Energetic Ley Lines: Some theorize these structures were built on Earth's "energy points," amplifying cosmic connections

Modern Astrological Architecture: How might we incorporate these principles into modern buildings for better cosmic harmony?

Personal Cosmic Spaces: Could aligning our living spaces with celestial events enhance our connection to astrological energies?

💭 Food for Thought:

How might our understanding of astrology change if we viewed it through the lens of ancient architecture?

Could there be undiscovered astrological alignments in other ancient (or even modern) structures?

How does knowing about these cosmic connections change your perspective on human history and capability?

Remember, every time you look at these ancient wonders, you're not just seeing stones and mortar - you're witnessing a cosmic map, a celestial clock, and an astrological textbook all rolled into one. Our ancestors left us a legacy written in the stars and etched in stone. What cosmic messages are we leaving for future generations? 🌠🏛️

[talonabraxas]

Sirius Blue Star Gateway Talon Abraxas Sirius has many meanings:

Transition Stage - Moving consciousness from one reality - frequency - to another

Spirit of Wisdom - Zoroastrian translation Brightly Radiating One - Graeco-Egyptian Name Isis - Osiris - Sirius was granted God/Goddess status amongst many early peoples, including the Egyptians and Sumerians.

The dogons have described perfectly the DNA pattern made by this elliptical orbit created by the two stars as they rotate make around each other. They believe Sirius to be the axis of the universe, and from it all matter and all souls are produced in a great spiral motion.

Sirius is linked to the color BLUE. It is a blue-white star. Beings from Sirius were supposedly BLUE tinged. There is a relationship to royalty called 'BLUEbloods' as they are supposedly descending from a BLUE alien race.

Electricity...which is still part of the EM spectrum...when isolated (not lightning) is BLUE in color. BLUE is the frequency upon which we will move out of this experience.

There are many references to the color BLUE in prophecies. Creational myths end with something blue-white in the sky - light. An ancient Hopi Indian prophecy states, "When the Blue Star Kachina makes its appearance in the heavens, the Fifth World will emerge". The Hopi name for the star Sirius is Blue Star Kachina. Hopi Blue Star Prophecy. Hopi Prophecy speaks of Twin Kachinas - white and blue. Twin - Merging of Self - Twin Pyramids - DNA.

If the Dogons are correct - The Nommo Gods are 'Aquatic': BLUE Water - Came from Creation - the Collective Flow - FISH - Pisces - Creation - Christ Consciousness - return of Jesus? - - - Why is Krishna colored blue? "One of the theories is that Vishnu [God] is blue because his association with water, is depicted blue; therefore all his incarnations including Krishna, are shown as such."

Sirius - three stars - three-legged ship. Sacred Geometry - 3 into 1 - triad - triangle - pyramids.

These gods had wings - ascension.

The watchers - the gray aliens - within their eyes we see a computer that watches and monitors the game.

Beings from Sirius - I have been told by some of the top psychics on this planet that I originally came here from Sirius to seed this planet. I was humanoid - very tall - and had wings.

[cryptofmalady]

Ash-Covered Wings of Bloody Constellations and Black Eyed Angels

I jumped in the river, what did I see? Black-eyed angels swam with me, a moon full of stars and astral cars. All my lovers were there with me. All my past and futures and we all went to heaven in a little row boat. There was nothing to fear and nothing to doubt. // Radiohead, Pyramid Song

Ruby, gemstone of the sun. Her laugh - bubbly and bright and a melody I’d follow for tomorrows would most certainly be filled with rain. Ruby, bringer of good fortune. Like her eyes wide and curious, so was the love and joy she brought into our lives. Young, newly married, and starry-eyed for the future, most of those early days Eilin and I spent lazy mornings bleeding into afternoons watching Ruby wiggle and stretch, tracing every ray of sun beaming from her face with our eyes of love and adoration.

Eilin was stable in the beginning. A sweet singing bird that brought me back and away from the mud. She was good like that. Strong. Especially when Ruby was born. We both stumbled as we went, but Eilin took everything with grace and stride without missing a beat, adapting to life as we knew it morphing into something we thought we’d never know. I, not so much. Ruby was the only good thing I brought into this world. Everything else stood bloody under a moonless, starless sky, stuck in the mud. I held her in arms that would and could never be worthy while the sin of being destined for damnation clung to my back like broken, ash-covered wings.

Three things I knew immediately.

First, it was them. Ruby by the sight of the studded earrings I gave her on her fifth birthday. Eilin by the freckles on her thigh that formed my favorite constellation, the very freckles I traced that first midnight in May. Everything about the sweet and beautiful life we were building had been decimated, swept and drowned in the undertow of a fatal tidal wave, swallowed by the monster.

The first frost brought with it the stale taste of late autumn giving way to winter’s pull. A season of death and decay becoming more palpable the darker and deeper night’s got. A picturesque backdrop for two funerals in one. I don’t remember how many layers I tried on that morning. An attempt to hide the impenetrable, unmelting ice that had formed around my heart. A mirage of senses leaving all logic and feeling behind. What I do remember are feet and shoes. I couldn’t look up because every time I did, black eyes from a fallen angel willed their way into the dead oceans of mine. So feet it was.

The pungent stench of flowers attempting to hide the scent of death distracted me from whispers and sobs. I was underwater, just beneath the surface - an echo chamber. Pressure settled in my lungs and water clogged my throat. Arms kept missing bodies as countless pulled me in for hugs I didn’t consent to. I was a ship off its course. The only arms I wanted around me had been cut, burnt, and torn.

Second, it was him. There was only one monster capable of producing this much destruction: Henry J. Edwards. I had spent a full year chasing his trail of bodies left up and down the coast. Bodies that turned to ghosts and rooted themselves in the mud on the shores of my mind. Ghosts whose deafening hauntings hushed into white noise the moment I met Eilin. I knew his pattern, his movements, even his thoughts … the ash covered wings that pulled me closer to Hell’s unhinged, unlatched jaw.

Caskets were closed for obvious reasons. The heinousness committed to the bodies were leaked by some rookie spilling details about the case to his girlfriend who then shared them with her friends and so on and so forth. A sensationalized case. Reporters not only wanted to know if Henry had returned but if anyone had caught a glimpse of the bodies. Like vultures, they wanted to pick at the already gaping wound, the raw and rotting flesh.

Third, I wish I hadn’t caught a glimpse.

[madamlaydebug]

{MerKaBa}

(sometimes spelled merkavah and, or merkabah) is a vehicle of Ascension. It was believed in ancient times, and even written about by the Hebrews, that the merkavah could be turned on by certain principles in meditation. This involves breathing changes, and mind, heart, and body changes that alter the way a person perceives the reality. A fully activated MerKaBa field enables you to turn your body into a ball of light and bring it with you as you travel from one dimensional world to another.

{Sacred Geometry and The MerKaBa}

The key to understanding how to use the MerKaBa begins with a basic understanding of sacred geometry, which in turn, will enable you to locate an electromagnetic field shaped in the form of a Star Tetrahedron. That field is around our bodies. A Star Tetrahedron is made up of two interlocking tetrahedrons in a manner that resembles the Star of David but three-dimensionally (Fig. 1). The two interlocking tetrahedrons represent male and female energy in perfect balance. The tetrahedron facing up is male, and the one facing down is female. There is a Star Tetrahedral field around everything, not just our bodies.

Figure 1: The Star Tetrahedral fields around our bodies

There is also a tube that runs through the body. It connects the apexes of this Star Tetrahedral field. Learning how to breathe through this tube, combined with rotating the fields, produces the merkaba, a vehicle of ascension. We have a physical body, a mental body, and an emotional body, and they all have Star Tetrahedral shapes. These are three identical fields superimposed over each other, the only difference among them being that the physical body alone is locked—it does not rotate. The merkaba is created by counter-rotating fields of energy. The mental Star Tetrahedral field is electrical in nature, male, and rotates to the left. The emotional Star Tetrahedral field is magnetic in nature, female, and rotates to the right. It is the linking together of the mind, heart, and physical body in a specific geometrical ratio and at a critical speed that produces the merkaba The word "Mer" denotes counter-rotating fields of light, "Ka" Spirit, and "Ba" body, or reality. So the Mer-Ka-Ba then, is a counter-rotating field of light that encompasses both Spirit and body and it's a vehicle----a time space vehicle. It's far more than just that, in fact there isn't anything that it isn't. It is the image through which all things were created, and that image is around your body in a geometrical set of patterns. That image begins at the base of your spine as small as the original eight cells from which our physical bodies first formed. It moves out from their first forming a Star Tetrahedron, then a cube out at your hands, then a sphere, then back to back pyramids( known as an octahedron) then an icosahedron, and then a dodecahedron. The field extends out a full fifty to sixty feet in diameter, depending on your height. It looks like a flying saucer (Fig. 2). That field is an immense science that is being studied everywhere throughout the cosmos. How well someone understands the MerKaBa, is usually in direct relationship to their consciousness level.

{The Heart Meditation}

In the AWAKENING THE ILLUMINATED HEART workshop, we will introduce you to ancient esoteric teachings that illustrate for the left brain how there is truly only One Consciousness, One Spirit, and that we are all part of that Oneness. After your mind understands this concept, we will then teach the proper prana flow, and along with its' companion, the Unity Breath Meditation (which will also be taught) will allow you to feel and experience this Unity of Being. As you become more adept in the practice of entering the sacred space of the heart, your life will change profoundly as your inner eye opens to the unlimited potential of the human spirit. The ascension process is accelerated through the remembrance of the MerKaBa, a crystalline energyfield in a specific geometric structure extending around the body for 55 feet.

[oldxport]

𝑎𝑐𝑡 𝑖. 𝑐ℎ𝑎𝑝𝑡𝑒𝑟 𝑖. (𝑑𝑖𝑠)𝑜𝑟𝑖𝑒𝑛𝑡𝑎𝑡𝑖𝑜𝑛.

[tw: references to religion, christianity]

Nothing  is  truly  archived  in  its  pristine,  maiden  state  —  photos  age,  digital  files  corrupt,  and  atom  links  corrode  one  by  one.  Painstakingly  crafted  monuments  oxidize,  the  Great  Pyramids  crumble  by  the  second,  and  the  stars  go  out. —  The  constant  of  life  is  the  beating  shore,  the  waves.  Movement,  change.  Erosion  chases    heels  like  a  mad  dog.

Even  the  mind  is  subjected.

Memory  is  the  basis  of  evolution.  How  can  one  prepare  for  a  future  if  one  does  not  remember  past  paths,  leading  to  pitfalls?  The  information  must  be  stored  to  be  retrieved  and  safely  kept  to  progress.  Hail,  progress.  The  human  brain  is  marvelous  for  processing  data  through  the  senses  and  parsing  time-space-now-then-will.

The  permanence  of  anamnesis  relies  on  factors  that  are  opposingly  conscious  yet  automatic.  Current  scientific  theories  propose  two  leading  families  of  individual  human  recollection:  the  declarative,  explicit  memory  and  the  non-declarative,  implicit  memory.  The  explicit  centers  on  the  “self,”  it  is  autobiographical,  semantic,  and  episodic,  the  epitome  of  what  humankind  thinks  memory  is.

They  merely  see  the  surface  and  guess  the  depths.

The  implicit  are  those  without  focused  consciousness,  background  tasks  in  procedural  memories,  and  subliminal  stimuli  in  priming.  The  human  mind  is  fascinatingly  efficient  and  set  on  learning.  Intake,  inhale,  install…  However,  reminiscence  is  not  a  science.  It  is  an  evocation  of  the  heart,  and  it  is  damn  awful  at  it.

To  light  the  synapse,  a  capricious  impact  has  to  stir  the  heart.  Humans  are  no  longer  concentrating  creatures  on  their  own  accord.  Intensity,  disbelief,  or  abnormality  of  circumstances  is  vital  to  categorize  memory  as  a  “notable  incident”  and  prevent  it  from  falling  through  the  cerebral  grates  and  being  discarded  as  peripheral  tedium.

The  other  way  to  preserve  time  is  to  conduct  it  as  a  ritual.  Opposite  of  the  singular  moment,  the  ritual  is  a  compilation.  By  diminishing  the  individual  days,  it  proposes  a  trade-off  to  stabilize  and  further  a  construct,  a  pattern  of  action  that  organizes  time  with  space.  It  is  mismatched  socks  worn  together  as  a  distinct  statement,  no  accident.  The  repetition  fights  off  modern  cynicism’s  iconoclastic  war  drum.

The  last  way  to  keep  recollection  is  through  auto-annihilation.  To  scar  the  inside  of  the  mind  so  thoroughly,  the  brain  cannot  overwrite  the  data.  Touch  upon  it  repeatedly;  the  echoing  sting  disembodied  of  the  time  of  the  strike.

Yet,  despite  all  of  the  methods  to  keep  vigilance  of  memory,  the  first  statement  holds.  The  lens  of  retrospection  is  smudged;  what  is  necessary  for  the  ability  to  remember  is  intrinsically  flawed  by  natural  design.  To  call  upon  memory  is  a  return  to  bear  witness  to  a  crime  scene,  and  in  its  autopsy,  the  testimony  is  never  black  and  white.  It  is  the  sentiment  branded  on  top,  warped  and  curling.

What  is  said  is  what  is  thought  to  have  been  said. REMEMBER THIS.

The  past  is  a  burn  that  lingers  but  weakens  as  the  mind  digs  through  its  kindling.  By  order  of  this  world,  memory  is  no  different  than  a  star  lightyears  away,  its  beam  dimming.  It  is  meant  to  fade.

It’s  more  than  alright  to  bask  in  the  glowing  embers  of  a  dying  planet.

Therefore,  there  is  no  reason  to  fear  un-memory.  It  is  part  of  the  forgetfulness  curve.  The  waves.  In  every  crest,  there  is  a  trough.  A  soar  ends  with  a  land.  Why  look  for  a  map  for  a  place  you  do  not  know  anymore?

A  day  lost  a  week  gone,  are  not  causes  for  alarm.  Recall  last  Tuesday  at  7:23  A.M.  Asleep,  maybe.   A  “normal”  day  is  liquid  glugging  into  the  drain.

A  man  closes  the  faucet  and  helps  himself  to  a  cup  of  water.  It  is  partly icy.  The  pipes  are  directly  pumped  from  a  frigid  spring  in  the  ███████  Mountains.  He  hopes  to  rediscover  it  again  tomorrow,  along  with  his  name.

It  is  OLD SPORT.

He  is  uncomplex  like  a  line,  that  one.  Point  A  to  B,  straight.  At  the  end  of  their  ride,  he  tells  Mr. Kato  that  he  had  no  idea  what  they  talked  about  but  wishes  the  befuddled  captain  a  good  day.  Arrives  on  the  premises,  books  a  photography  appointment  when  he’s  told  about  the  temporary  keycard  and  spreads  out  his  arms,  a  wingspan  similar  to  that  of  a  large  Pandion  or  a  smaller  Aquila,  when  security  pats  down  his  charcoal  blue  but  otherwise  nondescript  two-piece  suit.

He  enters  the  second  floor.  The  timing  couldn’t  be  more  appropriate  since  this  is  the  first  time  Old  Sport  is  not  the  first  operative  on  the  scene.  He  is  second,  the  numbering  graphically  explicit,  as  he  is  greeted  by  a  man’s  figure  at  the  end  of  the  hallway.  The  vow  Old  Sport  made  a  long  time  ago  somehow  pierces  through  the  fog’s  veil  and  shines  brighter  than  the  fluorescent  lights  overhead.  As  asked  by  the  Foundation,  he  will  devote  himself  to  it.  It’s  the  sense  of  duty,  an  ingrained  reflex  responding  to  the  new  task.

Or  is  it  the  man  behind  the  glass,  a  familiar  stranger,  who  sparked  the  guiding  beacon?  Summoned  that  lost  purpose?

If  it  was  indeed  lost.

With  or  without  amnestics,  the  mind  is  conditioned  to  adapt  to  the  unknown  or  press  on  while  in  denial.  Both  march  forward,  boots  thumping  untrodden  ground.  A  fool  smiles,  walking  into  a  place  he  does  not  know,  and  reaches  out.

Operative  —  correction:  Commander  Tiul-Xol’s  handshake  is  double-handed.  Old  Sport’s  hand  is  clasped  on  each  side, embraced.  The  Commander’s  hello  is  warm,  raining  years  of  comradery  on  the  former  agent.  Old  Sport  notices  the  disparity;  his  twenty  and  even  so  years  of  experience  is  not  up  to  par  with  this  man,  who  has  shared  bread  and  shed  blood  for  his  compatriots,  saving  the  world  from  ending  over  and  over. A fraternized secret pact to go into the dark together. How apropos that it  is  together  how  constellations  chart  the  night  sky.  Together,  together.  —  The  tender  first  fruit  who’d  break  his  own  heart  and  let  others  feast  on  its  fragments. OH, YOU ARE NOTHING.

… 

Even  a  ‘hi’  or  a  ‘good  morning’  would  do,  but  this  is  to  be  expected.

A  simple  salutation  struggles  to  form.  Like  a  dumb  little  newbie,  Old  Sport  opens  and  then  closes  his  lips.  There  is  overthinking  on  the  length  of  a  “hi,”  or  if  “hey”  is  too  casual  for  an  official  first-time  shared  assignment,  or  if  a  “Hello,  Sir,”  would  be  dismissively  professional  of  the  various  times  he  and  the  other  man  have  cursorily  orbited  one  another.  All  the  while,  the  Commander  blinks  at  him,  every  dark  batting  lash  sweeping  up  something  torrid  within  Old  Sport  than  the  tranquil  knowledge  that  the  Foundation  might  have  had  a  deliberate  hand  in  macerating  his  past.

He’s  buckling,  god,  the  crook  of  his  spine,  all  but  kowtowing.

That  is  what  happens  to  those  who  creep out  of  the  underground.  They  cannot  bear  the  light  head-on.  He’s  punched  his  ticket  into  the  Sublime,  and  the  clarity  of  his  ineptness  burns  him  up  under  its  magnifying  scope.

Thankfully,  the  Commander  laughs  and  claps  his  hands  around  Old  Sport’s.

“ It’s  good  to  see  you.  I’m  glad  the  Committee  took  my  recommendation  into  account. ”

“ Thank  you. ”

And  then  the  interaction  is  over.  Old  Sport  sits  down,  choosing  the  chair  close  to  the  door.  His  eyes,  which  have  never  strayed  from  his  clasped  hands  on  his  lap,  slowly  trace  the  curved  contour  of  the  table.  The  stare  stops  on  a  pair  of  worn  combat  boots,  no  polished  dress  shoes.

Their  owner’s  face  is  creased,  loose  with  tiredness,  and  open,  vulnerable  like  a  split  pomegranate.  Old  Sport  doesn’t  know  if  he’s  authorized  to  be  a  witness.  A  yawn  scrunches  the  center  of  the  Commander’s  face,  prominent  on  his  heavy  brows  and  strong-bridged  nose.  He  wipes  at  his  eyes,  and  as  Old  Sport  begins  to  rise  to  action,  the  Commander  waves  it  off.

But  no,  that  won’t  do.  Old  Sport  searches  the  inner  pocket  of  his  suit  jacket,  preparing  a  remedy  in  advance  as  always.  It’s  to  be  another  score  on  his  perfect  record;  he  digs  through  the  void  and  discovers  nothing  there.  He  has  forgotten  his  handkerchief.  The  chill  from  the  water,  now  swirling  inside  him,  permeates  throughout  his  system  at  this  small  but  surprisingly  heavy  failure.

Do  not  fear  un-memory.  Surf  on  the  forgetfulness  curve.  Shoot  the  tube.

Someone  else  enters  before  he  can  request  his  leave  to  fetch  the  Commander  a  tissue.  Therefore,  Old  Sport  stays  put  and  assembles  his  belongings  from  his  briefcase.  It  is  one  thing  to  watch  a  man  be  unguarded,  another  to  signal  others  to  look.  While  Old  Sport  cannot  help  the  man,  he  can  at  least  sanctify  the  Commander’s  authority.  The  room  fills  up.  Old  Sport’s  thoughts  wander  to  the  First  Disciple.

It  is  not  Peter.  It  is  Andrew.

Befitting.  Nobody  remembers  Andrew.

It  doesn’t  take  very  long  for  introductions  to  go  around  the  table.  Throughout  it  all,  Old  Sport  barely  stirs.  He  smiles  through  it,  raising  a  brow  at  Dying  Breed’s  self-appointed  break,  but  overall,  it  has  been  an  illuminating  experience.  The  Decommissioning  Department  and  MTF  Iota-10  have  never  held  formal  team  introductions.  A  matter  of  size,  schedule,  and  if  the  rumors  were  correct,  egos  made  this  an  impossible  undertaking  by  the  Fire  Suppression  Department.  This  is  Old  Sport’s  first  time,  and  finally,  his  chance  arrives.  Old  Sport  grins,  stands  up,  and  bows  as  the  focus  swings  to  him  at  the  end  of  the  table.

“ Hello  and  good  morning,  everyone.  Regardless  of  whether  or  not  this  is  the  first  time  we  are  meeting,  I  would  request  that  you  all  please  refer  to  me  by  the  appointed  codename-slash-callsign,  'Old  Sport,'  as  it  is  one  of  the  precepts  of  Chi-Zero-Zero. ”  He  says,  righting  himself  back  up.

“ As  everyone  else  has  shared  some  personal  information  and  or  humorous  anecdotes,  I  will  also  release  useful  background  facts  about  myself.  I  have  been  with  the  Foundation  for  twenty-four  years.  Previously,  I  was  a  member  of  the  Decommissioning  Department,  as  well  as  the  Mobile  Task  Force,  Iota-10,  known  as  the  ‘Damn  Feds,’  officially  and  unofficially. ”  Old  Sport  figures  disclosing  his  experience  would  be  helpful  to  the  junior  members  of  Themis.  Now,  the  mind  whirrs  for  the  next  move.

“ I  have  a  multitude  of  hobbies  and  like  various  things.  Additionally,  I  have  very  few  dislikes.  I  look  forward  to  working  with  everyone  until  the  very  end  of  this  assignment  or  until  reassignments.  Thank  you. ”

He  sits  down,  pleased  to  have  hit  all  the  notes  he  practiced  in  the  shower.  As  he  is  the  closing  act,  Old  Sport  decides  to  utilize  the  chaos  of  a  post-meeting  exit  rush  to  speak  with  the  Commander.  In  some  parts,  it  is  to  repent  the  previous,  unsubstantiated  “mission  failure.”  In  others…  esoterica,  meaningless  to  everyone.  Rather  than  calling  the  Commander  over,  Old  Sport  spots  his  window  of  opportunity,  gleaming  and  wiped  clean,  and  moves.  Forward,  forward.

Catching  Smooth  Operator’s  attention,  Old  Sport  slides  his  arm  frontward  to  initiate  a  handshake  —  snatching  the  other  man  with  a  two-handed  clap.  It  is  a  mirror  of  the  past,  a  reflection  of  Smooth  Operator’s  candid  warmth.

Imitation,  flattery.  Prayer.

Albeit  enveloping  the  Commander’s  hands  with  longer  digits,  Old  Sport  swings  their  hands  up  and  down,  body  saying  what  he  couldn’t  before.  Hello,  hello.  He  won’t  waste  his  time  now.  “ Commander,  it  has  been  nice  to  see  you  again.  It’s  been  two  years,  eight  months,  and  to  my  knowledge,  three  days, ”  Old  Sport  muses  and  tilts  his  head.  Pauses.  Tests  out  the  words  sans  shower.  “ It is an honor  to have been selected. I will be  dedicated  to  serving  you,  on  and  off  the  field. ”

Old Sport  leans  forward,  stamping a  grave  promise in the air  between  their  intertwined  limbs. Each word is pressed in like a personal cinnabarite seal.  “ Upholding  the  parameters  of  this  assignment  is  my  highest  priority.  Therefore... However,  whenever  you  need,  my  body  is  yours  to  command. ” 

He’s  felt  this  way  for  every  job  given  to  him  by  the  Foundation.  The  corporeal  is  nothing  without  purpose.  If  his  back  breaks,  it’ll  be  with  pride  at  fulfilling  something  grander  than  a  single  skeletal  remnant.

“ I  do  not  know  if  you  have  accessed  my  personnel  files  yet,  Commander,  but  I  will  strive  for  nothing  but  success  to  the  best  of  my  ability.  I  will  fill  any  position  you  require  of  me  without  complaint.  I  have  been  told  I  am  quote,  ‘accommodatingly  versatile,’  and,  ‘surprisingly  flexible,’  end  quote. ” 

As  he  is  saying  them,  no  boastful  flourish  curlicues  the  para-phrases.  Such  comments  never  particularly  mattered  to  Old  Sport.  However,  to  recompense  the  earlier  mistake,  he’ll  assure  Smooth  Operator  that  it  was  a  fluke; he has  verifiable testimonials.

Old  Sport  smiles  and  leans  in  again,  unaware  of  the  lack  of  privacy  in  a  crowded  conference  room.  He  closes  with,  “ I  fondly  anticipate  working  out  the  details  of  this  arrangement  after  introductions  and  the  facility  tour.  I’d  like  your  pager  number  to  find  a  suitable  time  and  place. ”  There  is  a  soft  squeeze  between  their  hands  after  one  last  downswing.

Finally,  the  lattice  breaks.  Old  Sport  concludes  with  a  nod  and  returns  to  his  spot.  He  picks  up  his  briefcase.  As  asked  by  the  Foundation,  he  will  devote  himself  to  it.  It’s  the  sense  of  duty,  an  ingrained  reflex  responding  to  the  new  task.  Support  the  MTF  Commander  at  all  costs.  Forget  your  record.  It  means  nothing.  You  are  nothing.  Support  the  MTF  Commander  at  all  costs.  Nod,  if  you  understand,  In-su. The scales ...

A Valuable Employee  does  not  think  of  themselves  as  individuals  but  as  a unit  member.  The  workplace  is  family.  The  company  is  covenant.

Nobody  remembers  Andrew.

Old  Sport  nods  and  wonders  where  he  left  his  handkerchief.

[silvertear1108]

STARSEEDS

children made of star dust.

Introduced by Brad Steiger in his 1976 book Gods of AQUARIUS, it argues that certain people originated as extraterrestrials and arrived on Earth through birth or as a walk-in to an existing human body.

🪼 Starseeds, simply, are the children of the stars, rising from stardust and divine light. They are beings that have lived previous lifetimes on Earth and have experienced life in other parts of the Universe, possibly even on other planets or in different galaxies.

🪼 SIGNS THAT YOU MIGHT BE A STARSEED 🪼

open mind to supernatural or generally occult related things, as well as mysticism and spirituality.

innate psychic abilities (ex. clairvoyance, clairaudience, claircognizance, energy healing or empathic tendencies.)

feeling of missing home, not belonging.

either hating tech or being really advanced and smart in such field, that you even innovate things.

physical traits of a starseeds (large & expressive eyes, high cheekbones and typically pointed noses, usually tall in height and might seem either hyper-aware or simply lost)

might dress out of time, behind or futuristic.

might not feel accepted in family or have some deep issues with them, maybe even leaving home at some point.

either bullied or they bully bullies and unite with outcasts.

deep love or yearning for life that never was or loving someone you do not even know, feeling like you loved or were loved and even if you get into a relationship it either breaks soon or it just never fulfills the void.

feeling the sense of big mission

volunteering spirit

starseed birthmark (geometric shaped like circles, parallel lines or dots arranged in a pattern) just generally weird birthmarks that you have since birth and in general weird patterns on bodies.

deep interest in universe, galaxies since childhood.

weird memories, dreams when younger.

you feel rather tired and unimpressed about life, people and all.

people often refer to you as an old soul.

P.S there are many theories dating back to Ancient Egyptian age about which is speculated that pyramids were made with help of starseeds. Generally throughout life as long as humans existed all kinds of people came and went, but many suspect that those "big shots" in history originated from different worlds due to enormous minds and innovative thoughts, where technology got invented, electricity etc.

If someone wants to discuss such things or anything spirituality related you can add me here and on Instagram;

IG: reina.priestess

On instagram I sometimes do free tarot and astrology reads, one question free.

[wairdbrein]

So, the multiverse thing of my post (I'm not patient enough to wait for the pole to finish, you guys get it now)

Alright, I'm gonna try my best to explain it in text. This is all my fantasy!

So, imagine you have a world. I'm just gonna say a dsmp without any conflict, where everyone gets along.

This world is in a universe. If this world will never reach space travel, then every other star has life, and each of these worlds is only slightly difference. Using this example, at the next world over someone is trans, or in another there was a small amount of conflict before everything.

If this world will reach space travel, there may be none or very few worlds with life. And these worlds are only slightly different.

Next, these universes are in a universe cluster, kind of like star clusters. Each arm is full of universes of the same fandom, and if a universe can touch be a part of multiple arms they are a part of all those fandoms. There is no central thing holding them like that, it's just magic. Then, there are infinite amounts of universes. They stretch, with many universe clusters.

Now, imagine going up a level in a pyramid shaped building. This is the next level of the multiverse. All the universe clusters of the last level were fantasy worlds of people in these worlds. There are still infinite universes, but a smaller infinity, if you know what I mean. You keep going up and up, and this pattern is repeated. Eventually, you reach our world, which is at the top of the pyramid ... or is it? ;)

Btw creatures from universes of a lower level can't go up a level, but people of higher levels can go down. Tell me if you want more info about this.

[arcanae]

𝐇𝐈𝐑𝐀𝐄𝐓𝐇 𝐓𝐀𝐒𝐊 𝟎𝟎𝟏. — lenianna levni

SPECIES: Half-Nymph

Since the beginning of time, humans have always felt an allure towards the amazingly beautiful nymphs of the wilderness. On occasion, the nymph reciprocates the attraction, and inevitably as a result, half-nymphs are created. The child of a nymph and a human brings together the dangerous combination of the nymph's appearance and body, and the human's versatility and mind. All half-nymph characters have nymph mothers, this of course being because there are no male nymphs. However, Half-nymphs are born as a male or female with an equal chance.

BACKGROUND: Haunted One

You are haunted by something so terrible that you dare not speak of it. You’ve tried to bury it and run away from it, to no avail. Whatever this thing is that haunts you can’t be slain with a sword or banished with a spell. It might come to you as a shadow on the wall, a bloodcurdling nightmare, a memory that refuses to die, or a demonic whisper in the dark. The burden has taken its toll, isolating you from most people and making you question your sanity. You must find a way to overcome it before it destroys you.

CLASS: Druid, Circle of Stars

The Circle of Stars allows druids to draw on the power of starlight. These druids have tracked heavenly patterns since time immemorial, discovering secrets hidden amid the constellations. By revealing and understanding these secrets, the Circle of the Stars seeks to harness the powers of the cosmos. Many druids of this circle keep records of the constellations and the stars' effects on the world. Some groups document these observations at megalithic sites, which serve as enigmatic libraries of lore. These repositories might take the form of stone circles, pyramids, petroglyphs, and underground temples; any construction durable enough to protect the circle's sacred knowledge even against a great cataclysm.

ABILITIES:

— strength: 7 —dexterity: 13 —constitution: 10 —intelligence: 16 —wisdom: 14 —charisma: 14 — weapon(s): sling — best skills: arcana, insight, persuasion — worst skills: sleight of hand, athletics, intimidation

[ciphercalamitiez]

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[ID: Three digital drawings, each with a background like graph paper, with a grid of light grey lines on a white background. The first drawing shows two characters, one an original character, the other Bill Cipher from the show Gravity Falls.

Bill Cipher is a yellow triangle with a brick pattern on his lower half, making him look like a pyramid. He has a single large eye, a tall tophat that floats above his point, black gloves, boots, and a black bowtie.

The original character is a yellow pentagon with bandages wrapped around their head, and yellow feathered wings, with black gloves and boots, one of which has what looks like a little plant with yellow, star-shaped flowers wrapped around it.

Bill is shouting happily, "I burned down the pentagon!!" while the original character, sweating nervously and imagining themselves on fire, shouting, "nope! nope! Nope!" says nervously, "…You what."

The second drawing is just of Bill, as he holds one hand on his hip while pointing up with the other with wavy blue lines over his hand, his eye closed in a happy or smug expression.

The third drawing is the original character, done in just blue lines, showing them as a more humanoid figure wearing a long turtleneck and long pants, with more detailed feathered wings, and their pentagon shape in place of a normal head. They have one hand raised, giving the peace sign, while looking up and to the side over their shoulder.

End ID.]

[manic-maniac-man]

HUgE May 2010

For the rebel

The clothes worn by countless delinquents always harbor a rebellious spirit that attracts men. A killer item for REBEL that projects a clumsy, rugged and straightforward way of life.

Features crossbones and cross arrows on the arms and western embroidery on the pockets. Reversible design with original border pattern on the reverse side. ¥49,875 (SASQUATCHfabrix. for stage FUJII DAIMARU)

PANAMAHAT

Summer hats for a rude boy summer look

Maison Martin Margiela

The hat series is now available for the first time for men. The unique design of the Panama hat brim is made of cotton. Hats off to the maison's unwavering and unique approach. ¥24,150 (Kokonoe)

Racal

This hat is made from genuine Panama from Ecuador, and has a short prim with piping for a rude look. The ribbon is subtly accented with a Last Lion pin. ¥18,900 (Ray's Store)

Yohji Yamamoto

This Panama hat is woven from campi grass and has a cool, light finish. The suede cord gives it a sophisticated, dandy look. ¥36,750 (Yohji Yamamoto Information Desk)

BORDER KNIT

Check out the grunge-inspired summer knitwear

ANN DEMEULEMEESTER

A linen knit with borders created using yarns of different thicknesses.

The delicate look is appealing, but the key to wearing it is to be bold.

Wear it so much that the threads come undone

One of the joys of it is giving it a grunge look yourself.

Other colors available are black and peach. ¥75,600 (Orizzonti)

Jam home made

This bracelet with skull beads on the accents is a limited edition model at the Umeda Hankyu store. The central belt is removable, making it a simpler bracelet. ¥36,750 (JAM HOME MADE Umeda Hankyu store)

Foot the coacher

The random arrangement of pyramid-shaped and elongated original studs is a distinctive feature. Cordovan and calfskin are glued together on one piece of leather, and a sophisticated finish is applied so that the border between the leather is not visible. ¥31,500 (GALLERY OF AUTHENTIC)

Bedwin

This bracelet is made of high-quality cowhide and is both rugged and sophisticated. It is also available in brown. ¥30,450 (Beauty & Youth United Arrows Shibuya Koen-dori Store)

Givenchy by Riccardo Tisci

A large star with studs scattered around it. These are the motifs that symbolize this season's collection. The pop design is not too hard and is just right. ¥44,100 (Third Culture)

TEARDROP GLASSES

A classic in wild eyewear

RAF Simons by Linda Farrow

The screws that hold the nose pads and temples are attached directly to the lenses, and the frame is stripped down to the bare minimum, creating a teardrop-shaped frame. This is the perfect example of Raf Simons' signature minimalist design. ¥39,900 (Reference price/Diptrics)

Yves Saint Laurent

Teardrop design with brand logo and silver stripes on temples. The rounded and elegant shape gives a chic impression. ¥36,750 (Gucci Group Japan Yves Saint Laurent Division)

TOM Ford

The two-bridge design is made of cell and metal, giving it a sharp look. The classic vintage shape expresses the masculinity that is characteristic of Tom Ford. ¥36,750 (Tom Ford Eyewear)

CROSSNECKLACE

A powerful collaboration that stirs the soul

CHROME HEARTS

This series is inspired by Robert Mapplethorpe, a photographer whose work and life were both REBEL.

The gorgeous design, with its cross motif lavishly set with diamonds, is nothing less than a homage to an artist whose brilliance continues to this day.

Head ¥2,310,000, Chain ¥73,500 (Chrome Hearts Tokyo)

EXTREME RIDER'S JACKET

A rider's jacket that pursues a more rugged look

Wolf's head × Blackflag

The collaboration between Wolf's Head and Blackflag is a one-of-a-kind remake of vintage items from the British brand MASCOT. The riders have been given a new life with studs hammered in by Mikita, giving them a one-of-a-kind presence. Price TBA (Blackflag)

Blackmeans × Labrat

The double name "Blackmeans" features a hard design with plenty of studs on the small-zip riders that were popular in the UK in the 1970s and 1980s. It is further treated with a used finish to give it a more complete look. ¥147,000 (LABORATORY/BERBERJIN®)