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#question mark and the mysterians
boxwright · 2 years
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Question Mark & The Mysterians - Rudy Martinez
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singles-bar · 2 months
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redpanther23 · 9 months
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musicmags · 5 months
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kdo-three · 9 months
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? and The Mysterians - Do Something to Me (1967) Jimmy Calvert / Norman Marzano / Paul Naumann from: "Do Something to Me" / "Love Me Baby (Cherry July)" (Single) "Question Mark and the Mysterians: The Best of Cameo Parkway 1966-1967" (2005 Compilation)
Garage | Pop
JukeHostUK (left click = play) (320kbps)
Personnel: ? (AKA Rudy Martinez): Lead Vocals Bobby Balderrama: Guitar Frank Rodriguez: Keyboards (Vox Continental Organ) Frank Lugo: Bass Eddie Serrato: Drums
Arranged by Jimmy Wisner Produced by Bo Gentry / Ritchie Cordell
Recorded: @ The Allegro Sound Studios, in New York City and @ The Regent Sound Studios in New York City on July 13 and 14, 1967
Released in August of 1967
Cameo Parkway Records
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bowling-with-skulls · 2 years
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evil question mark and the mysterians i’ve had enough of you baby
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opulentconceptions · 6 months
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Question Mark & the Mysterians - 96 Tears (Cameo Parkway) 1966
Question Mark & the Mysterians – “96 Tears” / “Midnight Hour” (Cameo Parkway C428) September 1966 Synopsis: British radio DJ John Peel maintained a Record Box containing a small private collection of 143 singles. They were stored in a wooden box and represented some of his favourite 45s. This gave me an idea for a project of my own! So, today I bought a vintage psychedelic record case,…
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? And The Mysterians – 96 Tears (1966)
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lisamarie-vee · 20 days
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americanahighways · 8 months
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Music Reviews: ‘Pushin’ Too Hard: American Garage Punk 1964–1967,’ plus Rod Picott and Tinsley Ellis
Music Reviews: ‘Pushin’ Too Hard: American Garage Punk 1964–1967,’ plus Rod Picott and Tinsley Ellis @rodpicott @tinsley.ellis @pushintoohard @americanahighways #americanahighways #garagepunk #pushintoohard #rodpicott #tinsleyellis #newmusic2023
‘Pushin’ Too Hard: American Garage Punk 1964–1967,’ plus Rod Picott and Tinsley Ellis Pushin’ Too Hard: American Garage Punk 1964–1967, a new three-CD anthology, mines the same fertile territory as Lenny Kaye’s classic Nuggets  collection, which first appeared in 1972 as a two-LP set and was expanded in 1998 to a four-CD box. If you love this musical sub-genre, you probably already own that…
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renerox · 2 years
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More Action!!!
. Comeback studio album by the American garage rock band ? and the Mysterians released on May 25, 1999 on Cavestomp Records. Fans may lament that the owners of ? & the Mysterians’ original recordings are refusing to license a CD release of the band’s material, but the group knew how to capitalize on a bad situation. They reunited and released a series of albums of re-recordings of their oldies.…
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aboutoriginality · 2 months
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QUESTION MARK & THE MYSTERIANS (96 Tears) 2024 Remaster
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haveyouheardthisband · 6 months
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Question Mark & The Mysterians - 96 Tears
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ckret2 · 1 year
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bill doesnt really strike me as the type to be really into listening to music, but if he were, do you think there are any particular genres/artists he would enjoy/hate less?
You're in luck because I've put COPIOUS thought into this.
Here's all the canon and semi-canon info about Bill's musical tastes I can recall off the top of my head:
ONE. From the AMA, his favorite "song" is a rising Shepard tone.
*MY FAVORITE SONG: https://www.youtube.com/watch?v=5rzIiF7LpPU
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TWO. He is interested in the "good stuff" out of human pop culture, which includes the song "96 Tears" by Question Mark & The Mysterians.
Are you at all interested in human pop culture?
JUST THE GOOD STUFF! https://www.youtube.com/watch?v=R7uC5m-IRns
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THREE. He knows the song "Stacy's Mom". This says nothing about whether he likes the song, but he's knowledgeable enough about recent human pop culture that he can casually drop a reference to it in a joke. It's probably safe to assume he's familiar with a broad variety of popular human music.
Hey Bill. What's up with Wendy's mom?
WENDY'S MOM HAS GOT IT GOING ON. SHE'S ALL I WANT AND I'VE WAITED FOR SO LONG.
FOUR. When he gives himself a super cool car its radio is playing a rap song. I wasn't able to find any identification for the song, but it sounds to me like it could potentially be by Lil Bigg Dawggg, the same in-universe artist behind "Straight Blanchin'"—so, extremely popular mainstream rap. (Song heard at 2:50).
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FIVE. He's got some kind of generic-sounding electronic dance music playing during his Fearamid party.
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SIX. The "We'll Meet Again" scene. He can play the piano. I suppose you could choose to believe that Mr. All-Seeing All-Knowing Eye can play any instrument and he just happens to pick the piano for effect—he might not even actually be playing, since the song keeps playing itself when he turns away—but I choose to believe he's playing it and at some point he actually made the choice to learn piano for fun just because he wanted to. As someone who took piano lessons for over a decade, assuming that is indeed his own playing, I'd rate him as competent and skilled (that's a pretty impressive run at the start), but no virtuoso. He'd be a hit at the family holiday party but not in a concert hall. The choice of "We'll Meet Again" might mean he's got a soft spot for WW2-era popular music but might just be a "he knows human popular music and will freely reference it for a joke" thing.
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SEVEN. "No! Synthesized music! It hurts!" Considering the circumstances, this may or may not actually apply to his musical tastes. Maybe only this particular synthesized music hurt him because Mabel had specifically decided that Xyler and Craz's music would injure Bill, maybe only extremely 80s-sounding synthesizers hurt him, etc. Most damning to the theory that he's got some kind of synthesized music allergy is the fact that almost all the music he's shown to voluntarily listen to and presumably enjoy (rising Shepard tones, the rap song, the party music) makes use of synthesized sounds. Still, it's worth mentioning that this is something he said at one point. (At 2:06.)
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If anyone else recalls anything I missed about Bill's musical listening habits, toss it at me.
So, that's what we've got canonically. On that basis, here's what I headcanon about his tastes:
ONE: favorite music
His absolute favorite "music" is stuff that doesn't sound like music to humans at all. So sounds that are created to follow certain patterns (not quite as random as, say, pure white noise); and on top of that, sounds that, subjectively, sound extra creepy to humans or make humans anxious (think how folks claim Shepard tones can drive people "insane"). So think nuclear alarm sirens, unnerving tornado sirens, War of the World tripod horns, Saturn, foghorns, The Backwards Music Station. If you want some actual music that sounds as close to these kinds of sounds as possible, thus far I've collected Curious Noises & Distant Voices, 20210310, Happy Happy Happy—and if you want to start drifting into more "musical" sounding genres, Tira Me a Las Aranas or Ledge.
I feel like noise as a genre ought to have a lot of music that fits the sound I'm looking for, but in practice a lot of what I've crossed paths with is really harsh/loud—sounds like breaking machines and blasting microphones—rather than the more swoopy tones I'm looking for. I think of all the noise subgenres I've sampled, death industrial noise is the closest subgenre to what I want, but it's not quite there either. I've had some success looking at hauntology artists, but that's a pretty big umbrella stylistically speaking. Does anybody know a genre that sits somewhere halfway between noise & ambient?
TWO: favorite human music
So that's that for Bill's alien musical tastes. As far as his human musical tastes, he cites Question Mark & The Mysterians specifically as "the good stuff"—so I imagine that's probably his idea of the best kind of music humanity's produced. So: extremely sixties. Hammond organs out the wazoo. Bands with occult-sounding names and lead singers who claim to be Martians that lived with dinosaurs and will be alive in the year 10,000. I tend to tilt him toward bands/songs that fall under the "psychedelic" umbrella, considering that the aesthetic tends to be kinda, well... just go google "psychedelic art."
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Tell me this isn't what Earth would look like by Weirdmageddon day 30 when Bill starts to get bored. I mean come on. The only difference is Bill's version would have more fire and blood.
So start with some of your traditional psychedelic songs—Incense and Peppermints, White Rabbit, Breathe (In The Air), Time Of The Season, Purple Haze, Lucy In The Sky With Diamonds, etc.—and branch out from there. Slap on any decent psychedelic/hippie-themed playlist and you're good: try this hippie playlist, this psychedelic pop/rock playlist, or this dark psychedelic playlist.
Once you get past the more mainstream stuff, I go toward weird things that sound like they ought to be from a lost 1960s art house film that accidentally predicted the rise of UFO cults—things that vibe with Bill's occult + conspiracy theory + faux religious figure vibes. Think Bruce Haack, such as the album Electric Lucifer, particularly Electric to Me Turn, Cherubic Hymn, or War; Joe Meek's album I Hear a New World, particularly the title track or Orbit Around the Moon; or the particularly alien-sounding The Red Weed (Part 1) off Jeff Wayne's War of the Worlds.
And after all that, I poke at modern psychedelic rock songs that lean more heavily into witchy & occult imagery—such as Astral Sabbat or Come a Little Closer—but by this point we're really on the fringe of the sound I'm looking for. There isn't nearly enough Hammond organ.
THREE: favorite human party music
Now, compared to the last couple of sections, this section is gonna be something of a cop-out, because I've done less musical digging; but when it comes to what he'll slap on for a party—which I imagine makes up probably a good 75% of his casual music consumption—he's just gonna slap on any popular current music he thinks is good for a party.
Currently? That probably means a lot of hip hop and EDM. Okay. In the 80s he probably woulda put on disco. In the 21st century he'd put on Get Low, First of the Year, Shots, DotA, Intergalactic, and Dragostea Din Tei (hardstyle remix), in a row, without a second thought, and with no heed to the humans going "what the FUCK is this party mix." These are not the best examples of what he'd play; just the first, most cringe, and most discordant examples I could think of. The more easily a potential party song can be described as stylistically or lyrically "obnoxious," the more likely it is to make his playlist. Does it sound like it should be played extremely loud? Would it offend the neighbors? Does it have a bass line that sounds like it could crack concrete and break ribs? Would humans recognize it as part of a widely-known meme, but not know whether Bill (an alien) is oblivious or if Bill (a troll) added it for that reason? It's going on, he's hitting shuffle, and it's not coming off the party playlist until he gets bored of it and finds something newer and even more obnoxious to replace it with.
If anyone has any good recommendations for specific genres that would yield a reasonable pool of Party Songs That Would Get Noise Complaints Filed (And Also Don't Go Together At All), I'm willing to take them. My gut says crunk and dubstep, but my hip hop knowledge is lacking and my EDM knowledge is extremely eclectic.
(Anyway if you made it this far I'm rewarding you with a link to my Bill Cipher spotify playlist I listen to when writing fic. It's 50% songs that I think actually match the "music he'd like" categories, 50% songs that are about him but that he wouldn't necessarily like, 50% songs about his relationship issues, 10% songs that are NONE OF THE ABOVE but that need to be in there because I need them for fic-writing vibes, and one single solitary song that is not actually about Bill at all, but rather about Pacifica, but that i put on the playlist anyway because it's a REALLY GOOD Pacifica song and I don't have any other Gravity Falls themed playlists so here it is. "That adds up to 160%—" and what of it. The percentages aren't even accurate.)
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thislovintime · 1 year
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The group painting at RCA, during the recording of Headquarters, 1967.
“There were water pistol fights; I think the Jefferson Airplane and some of Question Mark & The Mysterians, some couple of bands were recording at RCA at the time we were recording ‘Headquarters.’ And there were some water pistol fights. We painted the control room window with little bits and pieces and things. I did a little Chinese thing, I was in my Zen at the time. Everybody had these paintings, the graffiti and drawings, sketches, and stuff.” - Peter Tork, The Monkees: A Manufactured Image (1987)
“I have been working at the Recording Studios just recently with the other boys, cutting our new single Pleasant Valley Sunday and Words. The sessions have been great, and so much so that on one day our Recording Engineer, Hank Cicalo gifted us all… they turned out to be very gassy looking water-pistols. Naturally, we immediately put them to use, and the sessions turned into cold, or should I say ‘wet’ warfare! Instrumentally, I can’t say it helped the record one iota, but we certainly added some extra vitality to the potted plants, and also gave the partition window between the studio and the engineer’s booth an added gleam… […] Please stay happy for me… Love and peace, Peter Tork” - Fabulous 208, July 15, 1967 (x)
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