#r: sabine wren

[constellation-skirmishes]

aliit ori'shya tal'din

[jedimandalorian]

The Path to Peridea.

Baylan Skoll says that Peridea is from a fairy tale known to Jedi younglings, a children’s story, but in reality Baylan says this to remind us that Star Wars is exactly just that, a fairy tale, a children’s story.

What does “Peridea” mean?

peri: (in Persian mythology) a mythical superhuman being, originally represented as evil but subsequently as a good or graceful genie or fairy.

ASTRONOMY

peri: denoting the point nearest to a specified celestial body.

from Greek peri ‘about, around’.

dea: Latin for “goddess”

The descent into the underworld is one stage of the hero’s and the heroine’s journey.

As @better-call-mau1 pointed out, the Path to Peridea sounds a lot like the “path to perdition.”

perdition: (in Christian theology) a state of eternal punishment and damnation into which a sinful and unpenitent person passes after death.

Perhaps this is where Thrawn is, in a kind of hell.

But as in the myth of Orpheus and Eurydice, a brave lover is willing to descend into Hades to rescue the beloved. This is Sabine Wren’s mission to find Ezra Bridger.

There’s another meaning to “Peridea” though.

It is a genus of moths from the family Notodontidae.

The moth in The Lord of the Rings films brought Gandalf the Grey hope when he was imprisoned in the Tower of Orthanc. When the moth appeared, it was a sign that Gandalf would soon be rescued by the giant eagles, which are used as symbols of divine intervention in Tolkien’s fiction.

Please note that the letters on the star-map to Peridea resemble the Viking runes Tolkien used in The Hobbit. Both The Hobbit and The Lord of the Rings are stories of a hero’s journey filled with danger and wonder. The brave protagonists have to go “there and back again” just as Sabine will in the Ahsoka series.

I think that Baylan Skoll reminding us that Star Wars is a children’s story is significant. Consider this quote from Harry Potter and the Deathly Hallows by J. K. Rowling.

“Of house-elves and children’s tales, of love, loyalty, and innocence, Voldemort knows and understands nothing. Nothing. That they all have a power beyond his own, a power beyond the reach of any magic, is a truth he has never grasped.”

In all the great fairy tales, the love and loyalty of the protagonist is the key to the triumph of good over evil.

Although she isn’t strong in the Force, Sabine Wren’s love for and loyalty to Ezra Bridger will strengthen her resolve on her road of trials along the Path to Peridea. With Ahsoka the Grey by her side, Sabine is ready to leave the comfort of Lothal (her Shire) and go to Peridea to save the man she loves.

Update, post Ahsoka Episode 6:

Here’s Huyang reminding us that this is indeed a fairy tale, a children’s story.

And here’s Thrawn, showing us how the villain “knows and understands nothing.”

“You wouldn't understand,” says Sabine.

“Perhaps not,” Thrawn responds.

What he doesn’t understand is love. The love and devotion that Sabine and Ezra have for each other is the power the dark lord knows not, and it will be his undoing.

I have spoken.

[vex-leth]

Okay listen Sabezra shippers r fine

I'm personally not into that, I hc Sabine as a lesbian and see them more as siblings, but if you wanna ship them go ahead 👍

I will say however it's annoying me slightly seeing sabezra shippers say it would make more sense for her to be in love with him bc it would be a better motivation for her actions in Ashoka

It seems to me they are implying familial and platonic relationships are lesser then romantic ones

Like I'm sorry, but if my brother or my bestfriend was trapped in another galaxy, I would act exactly how she did even if I had more family and friends that were around, I would still want to save them.

So yeah she doesn't have to be in love with him to want to find him that bad

She can care about him platoniclly to and it would still make sense, she could love him romantically and it would make sense

She loves him but one type of love isn't a more superior motivater

[peachyhoolagan]

I can’t even put it into words how much of a girls girl ezra is. Like he is ONE OF THE GIRLS

[covrdtracxks]

Star Wars but dogs doodle..???

Ezra bridger would totally be a Burmese mountain dog they have like 4 brain cells and they all control their tail wagging

[more-civilized-age]

im all for lesbian Sabine but hear me out. Sabine is one of the only female Star Wars characters Ever who has been allowed to just *be*, to have motivations and a plot that exist outside of her romantic interests. She has compelling relationships w/ the ghost crew etc., she has an interesting backstory, she has struggles, she has hobbies, and shes good at exploding things. they even let her use the darksaber that one time. what more could you want?

[spacedilflvr]

the most visceral scream was emitted when shin dropped her cloak.

[riivenant]

plz feel free to drop wolfwren art prompts in my ask box

[carcasstohounds]

actually the funniest part about rebels is that every like three episodes they do a halfhearted attempt at implying that ezra has a crush on sabine and then just don’t bring it up again for another three episodes

[kara-bast]

major ahsoka spoilers ik the ep just ended

am i missing. something. can sabine and ahsoka not just ride a purgill home. why are they staying there??? and at the very least- why is sabine staying?? what about this narrative indicated that she wanted anything like that??

like is it something about how those who aren’t quite jedi/sith cannot go back to the original universe bc the balance is sort of fucked? and if so wtf is cal kestis??

[mandojediblogger]

https://twitter.com/ahsokamty/status/1580299959483891715?s=21

@starbirdrising Filoni would probably love this. 😂

[myblacknightworld]

Going out on a leg and exposing myself here, but am I the only one who lowkey ships Sabine Wren and Din Djarin?

[jedimandalorian]

Ahsoka Episode 6 “Far, Far Away”: The Story, the Symbolism, and the Score

Episode 6 of Ahsoka begins with the sound of distant purrgil calls as Ahsoka and Huyang travel through hyperspace, crossing the void between galaxies. During their discussion of the tales Huyang used to tell the Jedi younglings there is no music.

I loved that Huyang said such an iconic line in this episode, reminding us that this is indeed a fairy tale, a children’s story.

The Title Card for Ahsoka appears, and then the episode title, “Far, far Away.”

We hear ominous music when Sabine is in the brig onboard the Eye of Sion. The window to her cell is shaped like an upside down triangle.

The sinister music continues during the scene with Baylan, Shin, and Morgan on the bridge. Morgan’s Theme (the Nightsister theme) is heard when the Eye of Sion exits hyperspace.

The line “Peridea is a graveyard” reminds us that this is indeed a “descent into the abyss” a stage of the hero’s journey which I have discussed on this blog before. Ominous music plays here.

The characters who are aligned with the dark side are on a quest for more power to dominate others. They have followed the Path to Peridea as a kind of path to perdition as I have mentioned in my previous metas. But Sabine, our heroine, is descending into the Underworld on a more noble quest. She hopes to find her beloved Ezra Bridger, echoing the story of Orpheus, the hero of Greek myth who descends into the Underworld to find his beloved Eurydice.

Morgan’s Theme continues when they board the shuttle and descend to the planet Peridea.

The landscape of J. R. R. Tolkien’s Middle-earth is suggested by the giant statues and the Nightsister fortress, which resembles an evil version of Minas Tirith.

The characters encounter three Nightsisters, analogous to the Three Fates of Greek mythology, the Moirai. (Note the similarities between this word and the name of Ahsoka’s owl, Morai, a creature I predict that we will be seeing again soon.)

The three Fates were the personification of destiny in Greek mythology. The three sisters were known as Clotho (the spinner), Lachesis (the alotter), and Atropos (the unturnable, a metaphor for death). The end credits for this episode name these three Nightsisters as Klothow, Lakesis, and Aktropaw, clearly indicating the intended symbolism of these three characters. As George Lucas said back in the late nineties, “Well, when I did Star Wars I consciously set about to recreate myths and the — and the classic mythological motifs. And I wanted to use those motifs to deal with issues that existed today.” (From billmoyers.com) Lucas’ apprentice, Dave Filoni, has learned this lesson from the master himself.

The music is quieter in this scene, with sounds of low vibrations being heard. Morgan’s Theme continues when Sabine is imprisoned by the Nightsisters’ three orbs, which held her bound within a triangle made of red cords of energy.

Outside of the fortress three wolf-like creatures howl as ominous music plays. Choral music suggesting the mysticism of the fallen Jedi Order is heard as Baylan speaks of Peridea being a realm of “dreams and madness” from old “children’s stories come to life.” Once again, the viewer is reminded that we are being told a fairy tale, a myth. The musical score subtly teases the listener with three notes from Ahsoka’s Ronin theme in this scene.

Sabine is imprisoned inside the Nightsister fortress as the Chimaera arrives with the sound of ominous metallic rumbling. Thrawn’s flagship Star Destroyer was named after the female fire-breathing monster in Greek mythology which was part lion, part goat, and part dragon.

I am no Freudian, but the Chimaera’s open docking bay hovering over the phallic tower of the Nightsister fortress seems to be the most overtly sexual symbolism I have seen in Star Wars in a long time. However, I’m not here to discuss that visual metaphor.

Organ music which anticipates but does not present Thrawn’s theme is heard as the Nighttroopers muster under Enoch’s command. These undead stormtroopers have cracked armor repaired with golden seams suggesting the Japanese art of kintsugi, as well as armor pieces bound with bands of red cloth. They are heard chanting “Thrawn! Thrawn!” as the Grand Admiral makes his dramatic entrance. For me this chant was reminiscent of how the orcs in Return of the King chanted “Grond! Grond!” when using their mighty battering ram against the walls of Minas Tirith. (You can do your own Freudian analysis of that scene. I’m not going there.) What was Grond?

“Grond, also known as the Wolf's Head, was a one hundred-foot long battering ram with a head in the shape of a ravening wolf, used in the arsenal of Sauron in the Third Age. Though named for Grond, Morgoth’s warhammer, it was created in the likeness of the Wolf of Angband, Carcharoth.”—from lotr.fandom.com

Creepy music accompanies the Nighttroopers as they transfer of cargo from the catacombs beneath the fortress. What is inside them? Dead Nightsisters, waiting to be revived by dark magic?

Thumps and low pitched sounds accompany Thrawn’s conversation with Baylan.

Thrawn speaks of Sabine’s desire to be reunited with her long-lost friend. (The word desire is a very intentional word choice, with the connotation that the connection between Sabine and Ezra has potential to be more than just friendship.)

Sabine: I’m sure he’s doing just fine.

Thrawn: You gambled the fate of your galaxy on that belief.

Sabine: You wouldn’t understand.

Thrawn: Perhaps not.

Evil does not understand love and loyalty. (See my previous post about the Path to Peridea.)

Enoch returns Sabine’s weapons to her, and she is provided with provisions and a wolf-like howler for a mount. He tells her to “die well” as she embarks on her “fool’s errand.”

The line about a “fool’s errand” calls to mind this scene from Tolkien’s novel, The Return of the King:

'Tell me,' he said, 'is there any hope? For Frodo, I mean; or at least mostly for Frodo.'

Gandalf put his hand on Pippin's head. 'There never was much hope,' he answered. 'Just a fool's hope, as I have been told…”

“A Fool’s Hope” was also the title of the penultimate episode of Star Wars Rebels final season.

Once again, Thrawn’s theme is only hinted at by the organ music at the end of the scene.

Sabine’s scanner is destroyed during her fight for her life with the red-armored bandits in the wastelands. Her life is saved by her Mandalorian armor and weapons, Ahsoka’s training, and Ezra’s lightsaber in this action sequence.

Baylan and Shin ride out on howlers. Nighttroopers load coffin-like cargo containers onto the Chimaera as uneasy music plays. Thrawn decides to dispatch only two squadrons of Nighttroopers. His disdain for Jedi, light or dark, is apparent: “It matters not whether Wren and Bridger are killed or stranded here. The same can be said for your two mercenaries.” Ominous music plays.

The scene with Sabine and the howler is accompanied by gentle music played upon wooden flutes. Sabine processes her abandonment issues and her complex feelings for Ezra in this scene by taking out her emotions on the howler. “You. You abandoned me. I should have known you are a coward.” She tries to make the howler stop following her, but the loyal animal comes back as soon as she walks away. “Okay. Fine,” she says. “I’ll give you another chance, but you better not bail on me this time.” The gentle flute music continues. A motif of ascending perfect fifths suggests Ezra’s Theme.

The howler stops to drink water and sniffs the air. The thing that Sabine and the audience assumes to be a rock is revealed to be a sentient little hermit-crab-like creature called a Noti. Gentle music plays when Sabine kneels, puts down her blaster, and extends her hand to the creature. The Noti recognizes the Rebel Alliance symbol (an evolution of her own Starbird design) on her pauldron. The creature has a medallion of his own, marked with a similar symbol.

“Do you know Ezra Bridger?” Sabine asks, touching her heart. “He’s my friend.”

Ominous music plays as Baylan and Shin discover the dead bandits. Once again choral music is heard when Baylan reminisces about the Jedi Order.

It is also revealed that the Nightsisters are fleeing from a power that is greater than their own.

Baylan and Shin see the red Bandits in the distance. “The enemy of our enemy is our friend,” says Baylan, “for now.”

Peaceful and noble sounding music is heard when Sabine sees the Noti encampment. She smiles at the mother Noti rocking her baby in a hammock.

With Sabine in the foreground, the camera pans to show a now adult, bearded Ezra Bridger wearing a red robe and leaning against the wall of his home. “I knew I could count on you,” he says as joyful music plays, music which features the piccolo, flute, and other woodwind instruments.

The closed captioning for this episode says that there is captivating music playing when Sabine and Ezra finally embrace. We hear a beautifully orchestrated rendition of Ezra’s Theme on the French horn with a new countermelody in the strings to heighten the emotional impact of this long-awaited scene.

Ezra’s Theme is heard again when he says “Sabine, thanks for coming. I can’t wait to go home.”

When we return to where the Chimaera is docked with the Nightsister fortress, a suggestion of Thrawn’s Theme is heard at a quick tempo suggesting the urgency of the situation that is about to unfold. Ahsoka Tano is coming. “The thread of destiny demands it” is a line that further emphasizes the three Nightsisters playing the role of the three fates. We finally hear Thrawn’s Theme presented in an obvious way as the episode ends.

I have blogged about the magnificent end credits music in previous blog posts, so this time I am going to discuss something different: the alchemical symbolism in Ahsoka.

The central focus of alchemy was to transmute base metals into gold and create the elixir of life, as any aficionado of the lore of the philosopher’s stone knows. The process is a metaphor for the purification and transformation of the human soul to a state of perfection.

Three colors symbolize this process, black, white, and red.

First there is the nigredo (blackening) stage of the alchemist’s work, representing the breaking of the human spirit. This is where both Sabine and Ahsoka are at the beginning of the series.

Second is the albedo (whitening) stage, which involves washing away impurities or vices, and being ready to grow and learn again. This is most clearly illustrated by Ahsoka the Grey’s “death” and transformation into Ahsoka the White.

Third is the rubedo (reddening) stage, which is where we are in the story right now. It represents the purified and awakened spirit reaching its highest and purest form.

“The symbols used in alchemical writing and art to represent this red stage can include blood, a phoenix , a rose, a crowned king, or a figure wearing red clothes.”—Wikipedia.

The color red, of course, is symbolic of Nightsisters and their magic in this series, as well as symbolizing the red thread of fate.

Baylan Skoll’s line about having to “destroy in order to create” is an example of the alchemical concept of “solve et coagula” meaning to separate then join together. Nothing new can be built without destroying the old. Perhaps this is really telling us about the destruction and rebuilding of the Jedi Order.

In the completion of the rubedo stage there must be a union of sulphur and mercury, also known as the wedding of the Red King (the sun) and the White Queen (the moon). Sulphur represents the masculine principle, the soul, and the fire of life. (Remember Ezra’s red robe?) Mercury represents the feminine principle and the mind, flexible and changing. (Sabine is a clever young woman who lives inside her head, sometimes too much. Lately she’s been distracted by her heart.) Mercury also represents a state that can transcend death.

Is the much-discussed Ezra and Sabine hug the union of Sulphur and Mercury? Or should we expect something more than that?

Much has been written about Baylan Skoll and Shin Hati as the mythological wolves who chase the sun and the moon. This episode ends with the pair in pursuit of Ezra (sulphur, the Red King, the sun) and Sabine (mercury, the White Queen, the moon). When Skoll and Hati catch the sun and the moon, Ragnarok begins.

Besides sulphur and mercury, there is another element present at the rubedo stage of alchemical transformation: salt.

Ahsoka the White is coming.

Please reblog and comment on what you think of my musical and literary analysis of this episode of Ahsoka. I am looking forward to reading your replies.

[engagemythrusters]

HANG ON OKAY WHAT is she WELDED in there?! sabine girly... how the FUCK are you fitting into that

[isorottatime]

slow day on the ghost :] (sketch)

[divinefem]

a    list    of    feminine    names    i’ve    adored    and    complied    over    years    .    please    note    the    names    are    from    a    variety    of    origins    and    it’s    best    to    research    ,    in    accordance    to    naming    your    character    appropriately    .

A       ⸻        alaia    .    aliya    .    adèle    .    adella    .    adely    .    adira    .    aellai    .    aera    .    aimée    .    alessia    .    alice    .    alisha    .    amal    .    amara    .    amina    .    amor    .    anais    .    angelique/angie    .    anita    .    antonia    .    anya    .    arden    .    arnela    .    arya    .    asia    .    aspen    .    audrey    .    aurelia    .    aurora    .    avery    .

B       ⸻        bella    .    bianca    .    blair    .    blanca    .    briar    .    brielle    .  �� brigitte    .    bristol    .    bruna    .

C       ⸻        calliope    .    calista    .    camille    .    carina    .    carmel    .    carmen    .    carmine    .    cassia    .    cataline    .    chantal    .    charlène    .    chelsea    .    cher    .    chérie    .    cheryl    .    cheyenne    .    chiara    .    chiasa    .    cindy    .    cecelia/celia    .    celina    .    céline    .    cipriana    .    clara    .    clare    .    claudia    .    cleo    .    clover    .    colette    .    cordelia    .    cornelia    .

D       ⸻        dahlia    .    daisy    .    danika    .    davina    .    delaney    .    denise    .    devon    .    diana    .    diane    .    dione    .    dominica    .    donata    .    donatella/donna    .    dulce    .

E       ⸻        eden    .    elara    .    eleonora    .    elle    .    elliana    .    éloise    .    emory    .    erica    .    esha    .    esmé    .    estela    .    ester    .    eve    .    evangeline    .

F       ⸻        faith    .    faiza    .    fallon    .    farrah    .    faye    .    fenna    .    florentina    .    francesca    .    francia    .

G       ⸻        gabriela    .    genevieve    .    giada/gia    .    giovanna    .    giselle    .    giulia    .    garcelle    .    grace    .    graziella    .    gwen    .

H       ⸻        hadiya    .    hafsa    .    halle    .    halima    .    harley    .    hazel    .    helen    .    hélène    .    hermosa    .    honey    .    hiba    .    hina    .

I       ⸻        iffat    .    iman    .    imani    .    imogen    .    inara    .    inaya    .    indiana/india    .    ines    .    irina    .    iris    .    isadora    .    isabel    .    isla    .    isra    .    italia    .    italina    .    ivory    .    ivonne    .    ivy    .

J       ⸻        jade    .    jamila    .    jasmine    .    joanna    .    jocelyn    .    joelle    .    jolie    .    jordana    .    jordan    .    josephine    .    jovi    .    juliet    .

K       ⸻        kajal    .    kalila    .    karina    .    katia    .    kennedy    .    kenya    .    kimberly    .

L       ⸻        labani    .    lacey    .    lavender    .    lavinia    .    leona    .    liberty    .    lisette    .    livia    .    london    .    lourdes    .    lilliana    .    lucia/luciana    .    luna    .    lydia    .

M       ⸻        mabel    .    madelaine    .    madeline    .    madina    .    maeve    .    mahima    .    malia    .    maisha    .    maiya    .    mariana    .    marisa    .    marisol    .    meghana/megan    .    melina    .    mercy    .    mia    .    milan    .    minka    .    monica    .    monique    .    montana    .    marjorie    .    michelle    .

N       ⸻        nadia    .    nadine    .    naisha    .    nannette    .    naomi    .    nara    .    naressa    .    natalya    .    natascha    .    naya    .    neelam    .    nisa    .    nikita    .    noelle    .    noemi    .    nyla    .    nicolette    .

O       ⸻        odette    .    onima    .    oparna    .    orion    .    olivia    .    olympia    .    ophelia    .    opal    .

P       ⸻        paloma    .    pandora    .    paola    .    pari    .    peony    .    pareesa    .    paris    .    paula    .    paulina    .    pearl/pearla    .    petra    .    peyton    .    piera    .    poppy    .    prairie    .    priscilla    .    priya/priyanka    .

R       ⸻        raquel    .    ravenna    .    rayne    .    regina    .    renata    .    renee    .    rhea    .    rima    .    rita    .    rochelle    .    romana    .    romina    .    romy    .    rosa/rosalia    .    rosella    .    rosie    .    rowan    .    ruby    .    river    .

S       ⸻        sabelia    .    sabine    .    safiya    .    sahar    .    santana    .    saorise    .    sasha    .    saskia    .    savia    .    saya    .    sayena    .    scarlet    .    selene    .    serena    .    serenity    .    shelby    .    sheridan    .    shannon    .    sienna    .    sita    .    sloane    .    sofia    .    soléa    .    soleil    .    sonia    .    soraya    .    sorcha    .    surina    .    sutton    .    svea    .    sylvia    .    summer    .    suzanne    .

T       ⸻        tahira    .    tamara/tamar    .    taryn    .    telese    .    trishna    .    thalia    .    thea    .

V       ⸻        valentina    .    valencia    .    vanessa    .    venice    .    venus    .    vera    .    verona    .    veronica    .    vienna    .    violet    .    vitöria    .    vivian/vivienne    .

W       ⸻        wahida    .    winona    .    whitney    .    wren    .

Y       ⸻        yadira    .    yael    .    yalina    .    yara    .    yasmina    .    yesenia    .    yuliana    .    yuri    .    yvette    .    yvonne    .

Z       ⸻        zahra    .    zaria    .    zhenya    .    zoya    .