#re-presented

[russellmoreton]

Amorphous Photography : Star Trails/Washing Line by Russell Moreton Via Flickr: Prints from an Archive of Negatives Stand Development Rodinal 1:100

[bananonbinary]

also worth noting that "abusive" doesn't actually mean "irredeemable" either.

there's a lot of people that have done things in the past that were bad, because they weren't taught any better, or they were in an overall toxic situation where EVERYONE was shitty (like a cult), or they were just at an especially low point and hurt others for it.

you don't have to forgive them. you don't have to ever speak to them again. you can be angry with them until you die if you want.

but society cannot function if we don't allow them to move on. to change their behavior and fuck off somewhere else and build meaningful relationships without bothering you again. we need a path for people to change, or nothing ever will.

[kingofmyborrowedheart]

Having thoughts about Taylor writing “Imagining your future might always take you on a detour back to the past” in the prologue for Red (Taylor’s Version).

[s0fter-sin]

you ever think about how it’s been over a year since we last saw aizawa, mic and their dead high school boyfriend

[carnivalcarriondiscarded]

ayyyy ok here's some extra Laughingstock Sillies from the past week or so. it aint much but its honest work

(human!Barnaby's design is partycoffin's - from their pokemon au! he's beautiful....)

[modmad]

TPoH: Update!

Sorry for the LONG delay due to catching covid. I am still recovering from it, so I do not know if I will be updating weekly again yet but I will post the comic whenever I can. Thank you all so much for your support and kindness during this time!

Read TPoH from the start here.

Update here on the TPoH website!

Thank you all  for the kind and loving support! If you want to buy books of this comic YOU CAN! Volumes one and two AND THREE are now in stock and you can get even more books in the form of TPatJ and Unbecoming! Find them and more here in the TPoH Topatoco shop right here, or tell your friends about it!

If you like TPoH and my other work and want to help keep a soul and body together monetarily, please consider supporting me on Patreon, even just one or two dollars a month helps!

[royalarchivist]

Pac: I wish I had a really nice background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck! Fit: You've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do. [...] You've told me lots of stories about yourself and Mike's adventures. You've got a very interesting backstory. Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool. Fit: I mean– the cannibalism part, that sucks, but it is– It's cool! It's cool.

People keep wondering when Pac's going to tell Fit how he lost his leg, but during their date last week, Fit implied that their characters already had this discussion! Although this could've been an OOC part of their conversation, they've referenced this specific part of Pac's lore in past streams (this is just the most explicit example we've had so far).

[ Full Subtitle Transcript ↓ ]

–

Pac: I wish I had a really nice- um, background story - background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck!

Fit: [Chuckles] Well no- you've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do.

Pac: ...No, yeah, you're right.

Fit: You know, and you've been- you have- you've told me lots of stories about yourself and Mike's adventures, like– You've got a very interesting backstory.

Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool.

Fit: I mean, I mean– the cannibalism part, I mean, that sucks, yeah, but it is– It's cool! It's cool.

Pac: Yeah, right? Yeah- that's- that's not a good part, right? Yeah, I- ugh, yeah, it's a– [He takes a deep breath] Yeah. It's ok.

Fit: Y-yeah, yeah...

Pac: It's ok.

[biennatodd]

i cant stop thinking about what if pregnancy was really hard for YZY.

what if her labor was so difficult that her doctors encouraged her to not even try again (the impossible be damned) despite having a daughter for a firstborn.

what if she pushed (and JFM was amenable, as he often was then) for her daughter to be made heir, only for JYL to struggle with foundation building so much that they worried she'd never reach core formation.

unsuitable.

it goes from improbable to nigh impossible for yanli to be sect leader.

so YZY decides to try again, its been years since the first time. surely she's recovered more than enough. if she can not make her body do even this then. then.

she will do this.

imagine her suffering another dangerous child birth, only to have another daughter.

and never once does her love for her children waver but she could cry, honestly cry because why could nothing ever be easy for her.

and then she has a thought.

it would be so easy. she could force the midwives to take an oath of secrecy. she would have to be more hands on in the raising of her child than most others in her position, but it wouldn't hurt to be seen as doting...

no one would ever know.

That year, the jianghu celebrated the birth of Jiang Fengmian's son and heir, Jiang Cheng.

[gophergal]

You've always been a delicate disaster

[lovegrowsart]

tui & la, yin & yang, and zuko & katara (+aang)

okay. i'm not interested in shipping slapfights, but i came across a specific pro-k/a argument and my mind simply won't let me rest until i write these thoughts down, so here's some meta about zutara symbolism and how, even if it was bryke's intention or retcon or whatever tf, symbolism related to complementary and interconnected opposites and balance, simply doesn't work with k/a's canon relationship dynamic.

first of all, the argument i saw that tui and la in the show are somehow not meant to be taken as yin and yang (or at the very least a representation of it) is... a very interesting one, considering they're designed to look exactly like the yin yang symbol, and koh literally describes them as such. he isn't just bringing up yin & yang because tui and la are, like, similar to them? but because that's what they are.

koh says tui and la are push and pull (the literal translation of tui and la from chinese) to describe what they are, and then says they are good and evil, life and death, yin and yang, to furthur describe the inherent nature of their relationship. this is a kid's show. the symbolism is meant to be this easy to parse. who is watching the koi fish merge into the literal yin yang symbol, quite possibly one of the most recognisable symbols in the entire world, and thinking "oh, but they're not really meant to be yin & yang!"? some k/a shippers, apparently.

now, you might say, but yin & yang aren't good and evil? isn't that a simplification or misconception of the concept? and yes, actually, i would agree with you, good and evil isn't exactly how i would describe yin & yang to someone (though there are schools of thought that do assign a moral dimension to yin & yang!), but if i was writing, again, a kid's show and wanted to get my point across with simple yet evocative language about the relationship between these two spirits symbolised by an complex and abstract real life spiritual and philosophical concept, i can see how "good and evil" works to explain yin (la) as negative and yang (tui) as positive. the text and visual language of the show intentionally links the ideas inherent to yin & yang to tui and la. you can't just retroactively separate them because you want tui & la to represent k/a, but you know that doesn't work if they're yin & yang because canon k/a just doesn't fit with that kind of symbolism.

the k/a argument that tui & la represent katara and aang just fundamentally doesn't work with how both are presented in the show. tui (the moon) is the white koi fish - the light side, representing yang, which is active, masculine, postive, fire etc. la is the black koi fish (the ocean) - the dark side, representing passivity, feminine, negative, water etc.

katara as the moon and aang as the ocean just doesn't map onto the specific symbolism evoked by how tui & la are presented visually and thematically in the show. tui & la are specifically described to balance each other, which just... isn't how k/a's canon dynamic is written. "aang gets angry like the ocean spirit and katara as the moon spirit pulls him back and calms him down" isn't how i would write or describe a balanced relationship, it's what i would call katara being aang's emotional crutch for three seasons with little support in return to "balance" them. k/a's canon dynamic is notably imbalanced, so if even symbolism pertaining to balance was meant to represent their relationship, bryke and the writers did a pretty piss poor job of making that symbolism present in their actual relationship. it's also a complete mischaracterisation of the yin & yang symbolism that is, again, explicitly tied into tui & la per the text and visual language of the show. not only is "katara and aang balance each other and when they're apart, they act recklessly and have to pull each other back from the brink" a reading of their relationship not particularly supported by the text of the show, that's also just... not how tui & la/yin & yang are actually characterised in the show or in real life.

furthermore, the argument that "good and evil" as it relates to tui & la and yin & yang doesn't work for z/k because "zuko isn't evil in the end" or "katara isn't evil at all" completely misses the forest for the trees in how the symbolism ties into the show's overarching themes and z/k's relationship specifically. the storytelling here is much more metaphorical and psychological than it is literal.

the whole point of yin & yang is that they are interconnected opposites, simultaneous unity and duality - zuko is as capable of bad as he is of good, and in turn, so is katara. this is true of every other person and character, of course, but zuko and katara specifically have important story beats in their respective arcs where they are shown the "light side" (zuko learning from the dragons) and "dark side" (katara learning bloodbending) of their respective elements (and their elements only compound their yin & yang symbolism, since fire and water are regarded as physical/natural manifestions of the yin & yang cosmological cycle). one of the most notable story beats of katara's arc is when she explores her "dark side" by going after yon rha (ymmv on how "dark" that really is, but i'm going with how the show presents this part of katara's journey), which is something the other members of the gaang (besides zuko ofc) don't really go through in their arcs - aang, sokka, and toph aren't written to confront the duality of their nature, their worldview, their moral character, their bending, the way that zuko and katara are.

part of me is struggling to even explain this because it's just, idk, really obvious to me. zuko and katara are fire and water, "evil" and "good" (they literally face off in the b1 and b2 finales! either of their literal and actual morality isn't actually all that relevant to how the symbolism works), of course they're yin & yang? and since tui & la are how yin & yang in the atla universe is presented to the audience, then that means they are tui & la too (symbolically, obviously, not literally).

yin & yang fundamentally transform each other the way zuko and katara do. for every advance, there's a retreat; for every rise, there's a fall. book 1; zuko falls, katara rises. book 2; katara falls, zuko rises. book 3; zuko falls, katara rises. you rise with the moon, i rise with the sun. an eternal dance as the both of them learn and grow and confront their own false dichotimies, learning how a world of seemingly opposing and contrary forces is, in fact, interconnected and interdependent.

like. c'mon.

[whorejolras]

[tatakaeeren]

Long-haired Ginooooo!!! 💖

[chirpsythismorning]

S5 opener REAL

[kirby-the-gorb]

(No Obligation Whatsoever but if you *want* to give me a birthday present my kofi is in the pinned post or you could always draw a kirby :> after all I started drawing him every day in the first place just cuz I think low key simple kirby drawings are fun and there should be more of them!)

[sir-adamus]

in the last scene, everyone gets something to say except Tifa - the only sound she makes at all are these tearful sobs. she's devastated over losing Aerith

when Nanaki senses Aerith's presence, Tifa looks up for a second, then just... drops her head back onto her arms in the most defeated way

someone give this poor woman a hug, fucking hell

[black-and-yellow]

Thinking about him

Anyway read Inside.