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sentientcave · 1 year ago

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Retirement Party

Chapter 6 - The Butterfly Effect

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Contains: No Y/N (2nd POV but Reader is an OC), Kidnapping, Forcible relocation, Dubcon, Plus-sized Reader/OC, female Reader/OC, Everyone learns new things about each other, Manipulation, PTSD, Doll has a tragic backstory, Poorly translated Spanish, Lots of introspection

~4.2k - MDNI - Dark fic! Please mind the content warning above but honestly nothing particularly bad happens this chapter.

John gives you space for the next few days, letting you settle in around the edges of his own routine. You’ve always been an early riser, and so is he, but he starts every day with a run, and you prefer a slower pace. You’ve taken to coming downstairs after you hear the front door close, and stretch on the living room floor (you wouldn’t call it yoga, but you’ve spent the last few years keeping up with the Kinsey kids, and you know how important it is to maintain flexibility), and make coffee before you go back upstairs to get dressed and ready for the day. John always showers first thing after his run, but after the second day he starts taking off his shirt before he drinks a glass of water at the sink, watching you from the corner of his eye to see if you’re looking.

And maybe sometimes you are. It would be a useless endeavour, pretending that he’s not nice to look at. He’s big, barrel-chested, with thick, muscular arms, and he’s hairy in a way that’s unbelievably attractive, and he gleams with sweat after his runs. If he didn’t look so damn smug every time he catches you looking, you’d probably gladly spend a few long minutes studying him. Something about the man makes your fingers itch to pick up a pencil.

You just orbit around each other for those first few days. He’s working on some project outside, and you putter around the house a bit and look for new jobs online. You were surprised that he didn’t confiscate your laptop to keep you from calling for a rescue, but he made no effort to stop you from using your laptop or your phone. Perhaps he’d really listened when you’d tried to set boundaries. He’s certainly given you space to adjust.

On Wednesday, you video call your Lola— It’s been routine for ages, since you always had Sundays and Wednesdays off from work— and catch up. You start the call shortly after John leaves, to give yourself some time to talk privately. It’s nice to see her familiar, wrinkled brown face, even if she’s half the world away from you.

She clocks that you’re not at home right away, and gets that sly, knowing smile when you tell her you’re staying with a friend. “¿Estás viendo a alguien?” she asks. “¿Un joven tal vez?” Are you seeing someone? A young man perhaps?

“No nada de eso. Sólo quedarme con un amigo.” No, nothing like that. Just staying with a friend. Once again, lying to make it seem like you’re not in trouble. It’s not like your Lola would be able to do anything about your situation anyway. You would just worry her.

Of course, Lola is much too observant not to see that you're hiding something-- Even if all she sees of you is a video call once a week, you're her granddaughter and she knows you. "Dalisay," she says, her tone a mocking approximation of sternness. "Eres una mujer adulta. Me gustaría saber que eres feliz, que estás saliendo con alguien agradable. No tienes que mentirme. Mientele a tu otra abuela.” You are a grown woman. I would like to know you're happy, that you’re seeing someone kind. You don't have to lie to me. Lie to your other grandmother.

You laugh. "¡Es complicado Lola! Él es—" It's complicated Lola! He's—

The door opens, and John limps back in, early. "Rolled my ankle," he explains, taking your wide-eyed look as concern. "Just need some ice."

"Muéstramelo," Lola demands, laughing. "Tiene una voz hermosa.” Show him to me. He has a handsome voice.

John turns toward you, frowning. "I'm sorry, am I interrupting something?"

"I always call Lola on Wednesdays-- John, sit down, you need to ice your ankle, what are you doing?"

He's standing on one leg, in the middle of the kitchen, fishing a mug out of the cupboard rather than getting something cold and sitting right down. "I--"

You're not sure what possesses you, but you get up, and you make him sit, and you go to make him his coffee and wrap a bag of frozen peas in a tea towel. When you turn around, he's reached across the table to pull your laptop closer, smiling at the camera when Lola claps he hands together, beaming.

"Es guapo, Dalisay. Pero no joven, ¿eh?" She says, laughing. He's handsome, Dalisay. But not young, huh?

"No," he agrees, "soy demasiado viejo para ella. Todavía soy lo suficientemente egoísta como para intentarlo de todos modos.” I'm too old for her. I'm still selfish enough to try anyway. Lola laughs at his honesty, pleased with John already.

You set down the coffee and glare at him. But you gently set the ice pack on his raised ankle. He pulls you into his lap, sitting you on his other thigh. "John!" You protest.

"Oh, relájate, apo,” Lola chides, unhelpfully reading the situation just the way John wants her to. She seems impressed by John's accented Spanish, happy to not need to translate her words to English to speak with him. She speaks English perfectly well, but she prefers Spanish, calls English clunky and ungraceful. "Yo también fui joven una vez. Me preocupaba que ella nunca encontrara a alguien.” Oh lighten up, apo. I was young once too. I was worried she would never find someone.

"No es que ella no pudiera,” John says. "Ella es tan hermosa, pero mantiene la distancia." It's not that she couldn't. She's so beautiful, but she keeps her distance.

“John, stop that,” you say, and you do mean the way he’s talking, but you also mean the hand that’s firmly gripping your hip, kneading your soft flesh. It’s not hard enough to bruise, not even enough to hurt, but it’s distracting, and makes your heart flutter. The movement is also hitching your skirt up a little higher on your thighs.

The innocent, laughing look he gives you is no help. “Sorry, love.” He kisses your shoulder, his hand sliding up to your waist instead.

You glance over at the screen, wincing when you see two of your cousins crowded into the screen with Lola, all of them stifling laughter and one of them holding a chubby baby.

“He needs to buy you a ring, cuz,” Ligaya says, waving her baby’s chubby hand at you. “Say hello Berting, that’s your auntie Dalisay and her boyfriend.” She and her sister, Ceci dissolve into giggles. The baby laughs too, although he doesn’t have any idea what’s going on around him.

“He’s too old to be anyone’s boyfriend,” you grouse.

“He looks more like husband material to me,” Ceci crows. She points a threatening finger at the webcam. “You’d better be good to her! She’s our favourite cousin.”

“Y mi nieta favorita,” Lola says, And my favourite granddaughter, cupping her hand around her mouth as if that would keep Ligaya and Ceci from hearing her. They both laugh, unoffended, Ceci batting Lola’s shoulder lightly.

“I will,” John promises. “She makes it easy. She’s much too good for the likes of me.”

“And don’t you forget it, English!” Ligaya agrees. “Are you coming to see us for Christmas this year, Lisay? There’s at least four babies you haven’t met yet.”

“I’m not sure I can afford to this year. We’ll see if I can find work—”

“¿Qué pasó? ¿Perdiste tu trabajo?” Lola asks. What happened? Did you lose your job?

“You practically raised those niños!” Ligaya protests, as if that would change the facts of the matter. “They love you!”

You grimace, and haltingly explain that Mr. Kinsey had made a pass at you, and you’d been fired so that he and his wife could work out their marital issues. Apparently you’d been just too tempting to have around, despite the fact that you had less than zero interest in your former employer. By the end of your explanation, Lola looks ready to fight, and Ligaya and Ceci both look furious too. “It’s alright,” you say, trying to convince yourself as much as you are them. “I wouldn’t have been able to leave if they didn’t fire me. And I didn’t want to be raising someone else's’ kids forever.”

Ceci wiggles her eyebrows at you. “Yeah, Lisay, you want your own babies, eh?”

“You should start painting again,” Ligaya suggested, flicking Ceci with the hand not currently supporting her son. “You could sell prints online, portrait commissions. You’re as good as your mother, and she made it into that London Gallery.”

Lola notices the way your smile strains and shoos your cousins away. “El consejo es bueno aunque graznan,” she says. “Eres demasiado buena para dejar de pintar.” The advice is good, even if they quack. You’re too good to stop painting.

You change the subject, and Lola talks some about the children, about neighbourhood gossip, catching you up on everything before you end the call. You sigh, sinking into John unconsciously. He’s so big, and so solid, you wish you could do away with that undercurrent of fear ruining the little comfort his arms would provide you otherwise.

“Why’d you stop painting?” he asks.

“It’s not the same anymore.”

“Is anything ever the same?”

You twist to look at him. His eyes are too blue, piercing though you like he’s able to read the thoughts in your head. You have to remind yourself that he can’t, that he doesn’t know you well enough even to guess. You’re getting to know him pretty well though, and you recognize this earnestness, this plea to let him in, to let him help. John is a man who needs to do something all the time, that needs to focus on a task. You wonder what it is that nips at his heels so sharply— Is is inherent, genetic, something unavoidable, written in the core of his very deepest, truest self? Or is it just that he’s running from something, and must stay in motion, driving himself ever forward to keep it from catching up?

“Have you ever lost anyone, John?”

Surprise widens his eyes for a flickering second, before he hides it behind a tight smile. “Think we’re talking about you, Doll.”

“You don’t have to answer. I think it’s just easier to understand, when you have. Painting just reminds me of my mam. It’s like trying to swim with lead shoes on. It’s so hard to keep my head above the water that it’s easier just not to swim.”

“Maybe you could try takin’ off the lead shoes,” he suggested, his arms tightening around you. Levity and reassurance, like he knows exactly what you need. “Or maybe you just shouldn’t go swimmin’ alone.”

“A lifeguard,” you say, rolling the thought around in your head. Maybe that was the problem, the empty space was too apparent when there was no one around to fill it. You’d painted the flowers on the credenza with Ripley there, and that had even been nice. You’d thought it was just a fluke, but you hadn’t really thought about why it had been different. “That’s an interesting thought.”

“Did you have everything you’d need? We can look through the boxes for your supplies.”

You shake your head. “No. Yes. I have watercolours somewhere. Just no acrylics. But I could start with watercolours.”

“Yeah? We can look now, if you like.”

“Maybe in a bit. I’ll make breakfast first.”

“I can do it,” he offers quickly. “I want to take care of you.”

As much as you aren’t quite ready to admit it, he already is. “No, I think it’s my turn. Just give me a minute. I don’t want you to get the wrong idea, but this is kind of nice.”

He hums his agreement, picking up his coffee. You think he’s doing it so he can’t kiss you, and you’re so pleased that he’s starting to get it that you almost consider kissing him instead.

But you don’t. You just let yourself enjoy the moment.

Maybe that’s enough, for now.

You decide that having him sit and watch you painting would be awkward, so once you hunt down your watercolours and a sketchbook with heavy paper, you set up outside while he works. He’s constructing some kind of frame over a concrete pad, a covered porch, you think. You sit out of the way, facing the copse of trees that surround the house, and the overgrown, weedy garden. It looks like it had been set up early in the season with the best of intentions, but you suspect that it was too hard on his knees and back. He’d made the mistake of planting everything straight in the ground— You probably would have suggested planter boxes, if you’d been here in the spring. Then he could have sat on a stool— It would have helped keep the bunnies out too. The few tomatoes left on an abandoned vine have little bites nibbled out of them— Almost everything has little bites taken out of it.

It makes you smother a laugh. It’s easy to imagine John railing against nature— He’s so stubborn, there’s no way he gave up for a good long time— Cursing the rabbits and deer, leaning over the once-neat rows until his back ached. There’s a pair of rusting garden shears stuck out of the ground, evidence that he quit in a fit of pique some months ago.

He’s looking at you— He has a sense for when you let happiness slip through, like a hound picking up a rabbit’s trail in the woods. You can feel the burn of those bright blue eyes on you, the heavy weight of his attention. Does he make note of everything you smile at? You wonder how long the list is now. Puppies, the Stuart kids, Lola and your cousins, and now his poor attempts at gardening. You haven’t really let much else get past your careful, polite mask, knowing full well that stone-walling him is your best defence. He’s searching for an opening, and once he finds it, he’ll pop you open like a clam.

It seems inevitable. Still, he’ll have to work for it, if he wants you to let him in. He’s already set himself the first of his Herculean tasks, to get you painting again. It would be easier to face the Nemean lion. Your grief has sharp teeth, unblunted even after a decade, still dug deep into your heart.

“You aren’t painting,” John says in your ear. His hands settle on your shoulders, holding you in your seat when surprise would launch you a few centimetres into the air.

You turn your head to look at him, and he’s far too close. “You aren’t working.”

“Takin’ a break. You look like you’re thinkin’ hard about something. What’s on your mind, Doll?”

“Your garden. Must have been a storm of misfortunes to make you give up.”

“Few things get the better of me, but this was one of ‘em. Have to settle for buyin’ produce at the shops like everyone else.”

“It’s not really so hard.”

“You the expert in gardening?”

“No, I just used to help my gran with her garden. Picked up a thing or two about keeping green things alive.” You take a dry paintbrush and dust it over his fingertips idly.

“That the one we talked to today?” he asks.

“No, that’s Lola. Gran is the Scottish one.”

He hums, smooths out tension in your shoulders with his thumbs, catching the slightest touch of your skin at the collar of your sweater. "Didn't think you had family in the UK."

You tip your head back, looking up at him. He shifts, leaning his forearms on the back of the chair, hanging over you. "Just my Gran, she got remarried a bit before we moved to Manchester. She thought her husbands-- Well, I'll say kids, but they were full adults, older than my mam already-- She thought they were more respectable than my parents. Wouldn't categorize her as a real warm and fuzzy lady."

"You don't talk then?"

"No. Not since my parents died. We had a proper row at the funeral and she's never apologized, and I'm certainly not going to."

"Learnin' a lot about you today, Doll."

“That I’m stubborn and that I distance myself from the people that love me?” you ask, flicking the paintbrush at the tip of his nose. His whole face scrunches, and it’s kind of endearing. You’re already feeling soft about him from this morning, because Lola liked him, and because he didn’t ask if she spoke English, just launched right into Spanish that was a maybe a little rough around the edges, but good enough.

“That,” he agrees. “But I think it’s good that you hold your ground. You’re not stubborn for the sake of it, you say what needs to be said. I’d bet good money that you were in the right.”

“It doesn’t always matter who’s right and who’s wrong, John. Sometimes you have to set aside ego to make things right.”

“Tryin’ to teach an old dog new tricks?” he asks.

“If you know what’s good for you, you’ll teach yourself. Now go on, get. You’re distracting me.” You wrap your hands around one of his, and press a fleeting kiss to a spot between his thumb and his wrist before releasing him. “And be careful of your ankle. If you need to carry something heavy, let me help you.”

He laughs and withdraws, his shadow sliding over your page as he moves away. “Yes ma’am. You’re pretty cute when you’re bossy.”

“I’m always cute,” you say blithely.

You don’t look at him, so you miss the way he glances back over his shoulder, blue eyes burning. “You’re damn right about that.”

Ducking your head down to hide your smile, you pick your pencil up and look back to the garden. Something about the red-handled shears stuck in the soil speaks to you, so you lightly sketch it out on the page, humming to yourself quietly. The next things you need to hunt down are your headphones and the old mp3 player so you can listen to music while you paint.

There’s something soothing about hearing John work anyway. The whirr of his drill as he screwed framing lumber into place, or the buzz of his saw when he cuts pieces to size. He’s methodical, exacting— What makes him so good at building probably made him a poor gardener too. He can cut and fit pieces of wood together to make any shape he pleases, he can make a plan and nothing will fight back against it, beyond a warped bit of lumber here and there, but a garden grows as it will, and there’s no controlling the wind or the sun or the rain, let alone the creatures that might come looking for something tender and green.

That same struggle plays out between the two of you. He sees a map and a destination where you see a landscape. The journey, the exploration, is what matters to you, the light and shadow, the soft growing things and the hungry teeth that nip at the roots. In his mind he’s already built a house at the top of the hill, and he wants to pull you inside, lay you down, plant his seeds in a different garden, watch something new grow. It’s not simply impatience, but a need for control, for surety.

He exerts that control outwards, bending the world to the shape he likes. You’ve always turned it inwards, pulling in on yourself, turning your life into a safe little cocoon, turning deprivation and isolation into an art. Constructing masks to get you through, reliable scripts, being whomever you need to be to make things easier.

And perhaps it was easy, but it was lonely too.

Maybe they really had done you a favour. By pulling you out of your comfortable routine, they’ve forced you to face yourself, for the first time in ages, to ask yourself what it is that you want, to see who you are.

You feel like a butterfly, wings still damp and unfurling, perched in John’s hand. He could risk letting you fly away, or he could force you to stay by destroying some integral part of you. There’s no telling which path he intends to take, not yet.

You can just hope.

It might be insane— It certainly feels insane— but you really want him to be a good man. Not just out of self-preservation, although it probably weighs something in the equation, but because you want him. He’s right when he says there’s something here, something that’s been rolling around in the back of your mind since Ghost dumped you in his lap. It hasn’t even been a week, but it feels longer.

You keep half an eye on him while you put the first pale washes of colour onto paper. A few small versions first, to get a handle on light and shadow, colour values, just to remember how to mix colours the way you want to, and then start on the larger version, feeling a little more confident.

You’ve just blocked in the base colours when you notice that John’s limping again, and showing no sign of stopping his work. Sighing, you set your paintbrush down and stand. “John,” you say gently, putting yourself in the path between the saw set up and his lumber pile. “It’s time to take a break.”

“No, I’m fine, Doll. Get back to your painting.” He tries to move around you, but you side-step and block his path again. “It’s just a sprain,” he says, exasperated. “I’ve worked through worse.”

As if that was a good reason to ignore pain. “And you never considered that maybe you shouldn’t have had to?”

He frowns down at you. The difference in your heights has to be at least a foot, but he has a funny way of tucking in his chin and hanging his head when you’re standing close like this, and looking at you straight on anyway. A soft little hand settles on his stomach, unbidden— You’re not sure that you’ve instigated contact with him before, it’s always been him reaching out for you, his big hands achingly gentle. Is anyone ever gentle with him? Is he ever gentle with himself?

“The work will still be here tomorrow,” you remind him. “You have time to rest.”

A raindrop splashes on your outstretching arm. The two of you look up in tandem, at a heavy grey cloud that’s rolled over head— It hasn’t blocked out the sun yet, and neither of you had noticed it creeping up— and then at each other. “Guess the weather agrees with you,” John says.

You both scramble apart and into action. John covers the pile of lumber and the saw with tarps, weighed down with a few odd bricks so they won’t blow away, and you quickly pack up the water colours and your paintings. You don’t get there in time to stop a few splashes of rain from hitting the page, but you get everything inside before it’s completely soaked and set it on the kitchen table for the moment.

While you’re filling the kettle and looking outside, watching the rain splash against the window, John comes in too, and looks at your work. “The rain ruined it,” he says. “I should have been paying more attention to the weather.” There’s guilt in his voice, as if it’s his fault that the rain chose to fall where and when it did.

You set the kettle to boil, and join him, studying the paintings. Each of them unrefined— The smaller ones are just work-ups anyway, but the raindrops have warped the colours, creating voids with saturated edges. You wouldn’t say they’re ruined. There’s an artistry to incident, story preserved on paper in a way that your art wouldn’t do alone.

“No, I like it better this way,” you say decisively. “It underlines the theme of futility, don’t you think? How we’re at the mercy of the weather, whether we like it or not.”

“S’pose so,” he admits grudgingly.

His mouth is set so it almost disappears under his moustache. He really does hate the reminder that he has no control over some things. You dash upstairs and grab a couple of towels and tuck them under your arm, and take John’s hand, leading him out onto the front porch.

He follows you without resistance, although there’s a funny, curious look on his face. “What’re you doing?”

You let go, and put the towels down on the bench. “What does it look like I’m doing?” The rain is coming steadily now, the sky turned darker, sun all but blotted out, and it’s cold on your skin when you step out from the shelter and into the downpour. You throw your arms out and spin, laughing.

There are many things in this life that you can’t control. Things that are fixed, unchanged and immovable, laws of nature, the whims of weather, and Captain John Price. But you have choices too. You can try to move a mountain, but you’d be better climbing over it. You can choose to struggle against the current, or let it sweep you along. You can dance in the rain rather than wish it were sunny.

And you can hold out your hand, and invite John to dance with you.

Image Credits: Banner Dividers

#Cave Writing #Retirement Party #RP Chapter 6 - The Butterfly Effect #John Price x OC #OC: Doll #John Price x Reader #x reader #call of duty modern warfare fanfiction #It's funny to tag it that when it is like sooooo far removed from the source material #Thanks for your patience everyone! This chapter kicked my ass #transitions are hard #If the Spanish is bad please let me know it is google translated and only slightly peer reviewed

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winter-hoof · 6 months ago

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Simply not having a wonderful Christmas time. I was up all night last night because my dog got sick from a treat we gave her and was puking a bunch :(

#she seems to be doing fine today thank god. thought we were going to have to call the vet but she hasn't puked since 4:30am #and she's acting normal today & kept her food + water down. i 100% freak myself out & worry too much about everything #b/c i was like oh god what if she has a blockage i haven't seen her poop yet today even though my bf told me he saw her multiple times #so then i started googling about gi blockages in dogs & reading reddit posts of people whose dogs died or had surgery b/c of it #got myself WAY too worked up over it & was crying all night. then i went outside & watched her poop very normally at like 4am #so it's like ok clearly she's not blocked up & i'm just jumping to the worst case scenario like i tend to do about everything #DO NOT buy petsmart merry & bright treats. i'm so upset at myself for it. i was like oh haha treat shaped like a drumstick that's cute #but then reading reviews on their website so many of those treats have reviews from people saying they made their dogs sick #like oh cool i should have fucking read that before buying the treats i feel so stupid & bad like I KNOW BETTER wtf was i thinking #like i just would not be able to forgive myself if she had died from it or had to have a surgery to remove a blockage #but anyway thankfully she seems to be back to her normal self today although a little tired but not lethargic tired just regular tired #b/c we were up all night. she's back to herding the cats & barking at everything & all her usual goofy behaviors #actual thing i said last night: 'i lost my dad right before christmas i don't need to also lose my dog right before christmas'#p

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buildbrandbettter · 7 months ago

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curlicuecal · 8 months ago

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playing science telephone

Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."

Journey with me.

Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"

That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.

Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.

Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."

Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:

The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?

And on that website we find the factoid again:

Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.

And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!

Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]

And here, just by reading the abstract, we find the most important information of all.

This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.

So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)

But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.

There ARE two other numbers that pop up semi-frequently:

One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.

And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)

This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.

People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.

---

tl;dr, when someone gives you a number out of context, consider that the context is probably important

also, make an amateur fact checker's life easier and CITE YOUR SOURCES

#science #autism #fact check #misinformation

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buildbrandbetter · 1 year ago

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Comprehensive Analysis: The first step is to conduct a thorough analysis of your online presence to identify any negative content that may be impacting your reputation. This includes searching for negative articles, reviews, and other mentions across various platforms.

Strategic Approach: Once the negative content has been identified, our team develops a strategic plan to address each issue systematically. This may involve reaching out to website owners to request the removal of harmful content or implementing search engine optimization (SEO) techniques to push negative results down in the rankings.

Content Creation: In addition to removing negative content, we also focus on creating and promoting positive content that accurately reflects your personal brand. This may include professional profiles, blog posts, social media profiles, and press releases designed to showcase your expertise and accomplishments.

Monitoring and Maintenance: Our work doesn't stop once the negative content has been removed. We continue to monitor your online presence regularly to ensure that no new negative content surfaces. Additionally, we provide ongoing support and guidance to help you maintain a positive online reputation in the long run.

By leveraging personal branding services, you can reclaim control of your online narrative and present yourself in the best possible light. Whether you're a business professional, entrepreneur, or public figure, a positive online reputation is essential for building trust and credibility with your audience.

In conclusion, negative search results can have a significant impact on your personal brand and professional success. However, with the help of personal branding services, you can remove negative content and turn the tide in your favor. At Build Brand Better, we're dedicated to helping you build and maintain a positive online reputation that accurately reflects who you are and what you stand for. Contact us today to learn more about how we can help you achieve your branding goals.

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wheeboo · 4 months ago

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seventeen and their reaction to you after wisdom teeth surgery

PAIRING. seventeen (o13) x gn!reader GENRE. fluff, crack/humour, established relationship WARNINGS. mention of wisdom teeth removal, mention of surgery, mention of blood and gauze, mention of IV sedation WORD COUNT. 1.1k

notes: it would be day 1 post-op of my wisdom teeth surgery as of the posting of this. ik everyone's experience is different but i was given IV sedation for my procedure and it was literally like coming up from a nap istg HAHA. i've been quite literally devastated that i cant eat anything so i've decided to make this lol for funsies to cope i hope u all enjoy!!!

choi seungcheol

becomes your knight in shining armour literally. holds your hand while they stick the IV in your arm, insists to stay and watch over you but then the oral surgeon kicks him out of the room LMAO. when the surgery is done, he's literally picking you up bridal style all the way into the car and pampers and spoils you so hard for the rest of your recovery :(( he hates seeing his precious baby in so much pain. you'd wake him up in the middle of the night to take your medicine and he always makes sure to stay by your side

yoon jeonghan

ngl mfer would probably be laughing at you 💀 they'd wheel you up all the way to his car, still loopy from the anesthesia and numbing stuff. you end up saying something like "woww, the skies are sooo blue," and he'd just say "if you look closer, there's unicorns in the sky," and you're like "REALLY??????????" nonetheless he'd still be very very caring, just be aware of him talking about what food he should eat for dinner and you're glaring at him with your tiny cup of applesauce

joshua hong

just the SWEETEST, and maybe a bit of a tease as well (unsurprisingly), and def isn't secretly recording your cute moments to show you later on since you won't really remember. he'd be like "yeah, you told me you wanted to marry me on the ride back home." pushes back your hair and gives you the softest smile ever when you wake up from the anesthesia, and you couldn't help but mumble something about him looking like an angel who came down from heaven

wen junhui

he would be so amused by everything you're saying post-surgery. will be giggling alongside you at the most nonsensical things. due to the numbing you'd mumble something about how your tongue is gone, and he'd just gasp, "WHERE DID IT GO?" then immediately goes to reassure you, "wait, wait, it's still there, don't worry." will very much be doting on you the entire day, constantly promising to cook your favourite meals for you when you're finally able to

kwon soonyoung

man is a combination of hyping you and up and being in constant panic mode. he'd be cheering for you so happily after getting through the surgery, but by the time you're in the car and start mumbling nonsense, he'd be so so confused, trying to figure out what you're saying. you'd say like "i want jdsfklsjfd" with the bloody gauze and he's like "??????" is constantly reviewing over the oral surgeon's notes and googling stuff just to be extra safe. would try to make soup but somehow burns it?

jeon wonwoo

quietly yet determined. he always makes sure to take your pain meds on time, always helps spoon feed you and give water when you need it, always lets you hold onto him when you're uncomfortable. would be silently amused by your silly antics, to be honest. feels bad that you aren't able to eat but is constantly reassuring you with kisses to the head that you'll be better soon, running his hands through your hair until you doze off

lee jihoon

appears unfazed but honestly he might be freaking the freak out, constantly watching over you like a hawk. hates seeing you in pain and uncomfortable and wants to do everything he can just to make you not feel that way. pours all his love and care into creating soft meals that you're able to eat. you can tell him "jihoonie, it hurts :(" and he's absolutely melting. would definitely give you a little sigh and eye roll when you say something all groggily, but still loves it of course

xu minghao

is very patient and literally prepared everything beforehand. he has all the foods lined up for you to eat, all the meds scheduled at the right time you'd need to take them, your bed and pillows already adjusted to the right level. has all the herbal teas ready to help you relax. in the car, you'd ask him for a kiss and he's like "my love, the doctor said i can't give you one," and you give him a big old pout. he won't be able to help himself, and plants a kiss to your knuckles instead. overall, he's just very gentle eugh

kim mingyu

mother mode: activated. baby talks you the whole time, even when you're just loopily staring at him like "??????" carries you to the car if you're too weak to walk with your arms wrapped around his neck and legs wrapped around his torso, tucks you in with five blankets and five pillows propped to level your body, and brings you all the softest foods he can find. insists on feeding you even though you can do it yourself. honestly probably insists on doing almost everything for you: helping you eat, putting cold/warm compresses to your face, anything

lee seokmin

he's laughing. so much. but also giving you a cute little forehead kisse every few minutes. you wake up from the anesthesia and he's grinning so hard at you because you look so cutely dazed and confused, blinking up at him like he's some sort of a divine being (which he is, honestly). you probably say something like "wowwww you're soo handsome," and the dental assistants tell you that he's your boyfriend, causing you to be shocked, and he would just absolutely melt

boo seungkwan

oh my baby is loud but loving. he's wheeling you out of the office and going, "oh my god, my poor baby, you did so well!!" and immediately starts recording when you say something dumb. the moment you start whining, he's all over you omfg, fussing about your comfort, adjusting your pillows, and if you refuse to take your meds he'd be nagging your ass. if you start crying about not eating real food, he's crying with you honestly

vernon chwe

of course he's very chill but is very entertained and also kinda worried for you. probably records funny moments of you to send to the svt groupchat and keep in his memories to show you later on. always looks out for the little signs you might be in pain, and would fetch your meds and some water wordlessly. the first thing he'd get you after surgery would be a milkshake or smoothie, but insists to take the first sip to make sure "it's safe" (he just wanted an excuse to taste it)

lee chan

super caring but also the type to play along with anything you say. if you go "the ceiling is moving," he just gasps and goes, "no way! it is!" but of course he's really gentle with you, carefully buckling your seatbelt and rubbing your back when you get frustrated about not being able to eat solid food. might also carry you piggyback style if you're still out of it from the anesthesia. when you nap, he stays close by just in case you need anything

taglist (open) ʚɞ @haowrld @icyminghao @slytherinshua @jeonride @eternalgyu

@lockburn-castle @vrnism @weird-bookworm @ryuwonieebae @wonwooz1

@planetkiimchi @caramyisabitchforsvtandbts @aaniag @wootify @carlesscat-thinklogic23

@phenomenalgirl9 @mirxzii @bookyeom @parkjennykim @melodicrabbit

@bewoyewo @honglynights @bananabubble @treehouse-mouse @starshuas

@totomoshi @armycarat2612 @etherealyoungk @gigification @ahuiahoe

@svtficsarchive @lllucere @reiofsuns2001 @ppyopulii @smiileflower

@fujiswn

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erasenegativelink · 22 days ago

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Remove Negative Reviews from Google and Reclaim the Reputation of Your Business

You put your heart and soul into your business, but still, you may find a bad review. Maybe it was a misunderstanding. Maybe it was just someone having a bad day. Or, worse, a fake review from a competitor.

If you find yourself in such a situation, you’re not alone. There are hundreds of businesses struggling with this. But the good news is that there are ways to get over this predicament. And you're not stuck with that one-star slap in the face forever.

Let me walk you through how to remove negative reviews, remove bad Google reviews, and finally take back control of your brand image, with the help of trusted experts like EraseNegativeLinks.

Why Negative Reviews Hurt So Much

Before we jump into how to remove Google reviews from business listings, let’s talk about why it matters.

One bad Google review can seriously impact customer trust. Worse, it can mess with your search rankings, drive traffic to your competitors, and create doubts in the minds of potential clients.

And you know what stings? It’s usually the unhappy folks who rush to leave a review. That’s just how it goes.

You might have dozens, even hundreds, of happy customers who love what you do. They leave your store smiling, or they finish working with you feeling satisfied… but they move on with their day.

Then, out of nowhere, one person, someone who maybe had a small issue or just woke up on the wrong side of the bed, goes online and writes a scathing review. Maybe they misunderstood something. Maybe they didn’t even give you a chance to make it right.

But that one negative comment suddenly feels huge. Like it’s the only thing people will see. And no matter how great your service is, that single bad review starts messing with people’s perception of your business.

It’s frustrating. It’s unfair. And honestly, it hurts.

So, Can You Remove Negative Google Reviews?

You might wonder, "Is this even possible? Am I stuck with this forever?"

The truth is, Google does allow for certain reviews to be taken down, especially if they cross a line. If a review is fake, abusive, irrelevant, or just plain spam, you do have the right to challenge it.

But, and this is a big one, are you trying to do it on your own? That can feel like you’re yelling into a void. You flag the review, you wait, and… nothing happens.

That is when you feel the need to have a professional who understands exactly how to navigate Google’s systems and get results.

That’s where a negative review removal service comes in, and EraseNegativeLinks.com is one of the best in the business.

What Does a Negative Review Removal Service Do?

Think of it as having a clean-up crew for your digital footprint. These experts know exactly how to flag, report, and escalate inappropriate reviews in a way that works. Whether it’s a competitor’s dirty trick or an unfair customer rant, services like EraseNegativeLinks specialize in removing bad reviews that are hurting your credibility.

Their team dives deep into the review, evaluates its legitimacy, prepares a strong case, and works directly with platforms like Google to remove bad Google reviews and restore your online reputation.

They don’t just press buttons; they strategize. That’s the difference.

You Don’t Have to Tolerate Digital Sabotage

I’m not saying every negative review can be taken down (honest feedback, even if it stings, should stay). But if the review is unjust, fake, or malicious? You deserve the chance to fight back.

It’s not about hiding from criticism, it’s about being fairly represented. Your business deserves a digital image that reflects your real customer experience, not just the noisy outliers.

That’s why more and more businesses are turning to erasenegativelinks.com to remove negative Google reviews and remove bad reviews that are harming their growth.

Final Thoughts – Take Control of Your Reputation

Don’t let a few negative voices erase all your efforts. Whether you’re looking to remove Google reviews from business listings, clean up your online presence, or just need peace of mind, know that you have options.

And you don’t have to do it alone.

The team at erasenegativelinks.com has helped countless businesses like yours remove negative reviews, reclaim their reputation, and start growing again with confidence.

So if you're tired of letting bad reviews define your brand, maybe it's time to make your move. Get the expert support you need to rise above the noise.

Remove negative reviews. Remove bad Google reviews. Remove the stress.

It starts with a conversation, and it could change everything.

#Remove bad Google reviews #Remove negative reviews #Remove the stress.#remove Google reviews from business #negative review removal service

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whosblackcat · 8 months ago

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mini thread abt how to help riize & seunghan + info 🩷🫧

note & warning: please don’t engage with ANY content of riize, for example don’t comment in their tiktoks saying “riize is 7” even if your intention is good, it breaks the purpose of the boycott!!

sm will pull fake scandals to distract our attention from the matter, for example as they did with sungchan yesterday! don’t believe anything, exols warned us

tweet the trending tags on twitter!! big official fan accounts always share which ones we have to use

don't buy or watch anything related to riize & sm, we’re boycotting

don’t interact with any post of sm and riize even if it’s to use the tags or supporting the boys, we’re boycotting

all the info of what did one of the persons who sent the death wreaths

ot6 are complaining to the police & government abt the displays and flowers for seunghan in front of the sm building, and according to this person now it's not possible to put them in commercial facilities

sm is buying followers and likes due to the impact of the boycott

ot6 are monitoring every movement and project in every language and reporting them. @/RIIZEUSACENTRE kofi was reported because of them while raising trucks money

seunghan's leaked photo with his girlfriend was leaked by hybe

riize is seven movement schedule. day 1 october 28th

mass review 1 star to all sm facilities on google maps (note: they’re deleting the bad reviews but we have to keep going)

hybes’s ceo lee jae sang issues apology letter for the ‘music industry report’ document (a sorry is not enough after destroying hsh life & career)

seunghan town will be removed due to ot6 reports and company that they reported the project, causing making hard getting the needed permits

pineapple manager passed in front of the protest today, he def saw the protest

manager passed in front of the protest again, they know what’s going on

manager passed in front of the protest for the third time, and tomorrow is the meeting

riize is seven movement schedule november 6th

there’s a very popular lawyer who has won a case against sm before that right now is representing fans

riize doesn't have any schedule, comeback or tour for the first quarter of 2025. the boycott is working, keep going!

riize lost 400k monthly listeners on spotify

clarifications on rumors regarding hsh. the thread linked below explains it really well, so please read carefully and repost it on X!

sm announced that seunghan will debut as a solo artist in the second half of 2025… they even created him a profile on ig. sm is trying to calm us down. is their final act of desperation to tame the situation. this doesn’t protect him from toxic fans, pls keep boycotting, this doesn’t end here (we protested to have him back in riize where he belongs, not to debut as solo artist is this a joke what are they doing💀💀)

Jaehyeon Choe, a TikToker with over 174k followers (@/watchwithsamjaychoe), who has worked with different kpop groups, some of them being SM ones, knows things we don't know and is telling us to DON'T STOP THE BOYCOTT

MAMA's violations against fans, the mistreatment and disrespect experienced by the fans cannot be ignored. some fans were denied entry due to their clothing and some others had their stuff (which they paid for) thrown away even if it wasn’t against the rules they settled. dm @/RIIZEUSACENTRE on X if something like this happened to you

this is all the info i found and i wanted to spread it here too, so thanks and credits to all the ppl on twitter!! if i find more relevant info i’ll keep updating this post. please share it 🫶🏻 (note: english isn't my first language, sorry for any mistakes in my grammar)

little motivation and some twitter accounts that organize projects/give info below the cut! 🩷

— some good info twitter accs:

@/RIIZEUSACENTRE @/SEVENRIIZE @/RIIZE_EUROPE @/PROTECT_RIIZE @/Seunghan_USA

— little motivation:

kbriize are holding face to face protests and fanbases hired an attorney. boycott properly if you don't want all the effort to be wasted! remember, boycotting takes time

"The group nearly disbanded in September of 2001, after Park Joon-hyung was discovered to be in a relationship. Their management announced, without informing him or the members, that he was to leave the group and they'd continue as 4, but it was met with strong objection from fans, who repeatedly signed petitions and threatened to boycott concerts and the company. Danny, Kyesang, Hoyoung and Taewoo held their own press conference, without the knowledge of their management, to show their support for Joon. After two months of disagreements, their company eventually backed down and allowed Joon to be in the group." if joon returned to the group after two months of protests, complains and boycott, we can bring back seunghan!! the key is persistence. please don't give up and keep fighting for his rights and justice!!

#riize #riize is 7 #riize is seven #rii7e #rii7e or none #seunghan #hong seunghan #riize seunghan #kpop #kpop bg #kpop multifandom #sm entertainment #kpop multistan #kpop music

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darkficsyouneveraskedfor · 11 months ago

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Monster, Inc. 4

Warnings: this fic will include elements, some dark, such as age gap, noncon/dubcon, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: your boss is an asshole, you know this. But what happens when he turns his wrath upon you? (plus!reader)

Characters: Lloyd Hansen, this reader is known as Missie.

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself💜

💼Part of the Bad Bosses AU💼

After a quick Google and a few reviews, you decide on a brand. You pick a box off the shelf. It should do the job as long as you apply it properly. You’re not so worried about yourself.

Something drops along the edge of your vision and you peek over. A man walks away ignorant of the card left behind. You hurry to scoop it up.

“Excuse me, sir, you dropped--” You click to a stop in your heels as he faces you. You smile as he mirrors your expression. “Peter!?”

“Hey, Missie.” His brown eyes beam back at you. “What are the odds?”

“It’s been so long. Um...” you look down at the card then wiggle it at him. “You dropped this.”

“Oh, uh, thanks.”

He accepts the card with a dimple in his cheek. You look at it and realise it’s nothing special. Just a loyalty card from Roasters. It is a great shop.

“Haven’t heard from you since the paper. You said you’d keep in touch.” He shifts his stance so another customer can squeeze by.

“Yeah, uh, I meant to. I’ve been really cruddy at keeping up. Work is so busy and--”

“What’s that for?” He quickly redirects as he points at the box in your hands. “You dye your hair? Wouldn’t guess it.”

“Oh, no it’s for... my boss,” you giggle.

“Your boss. Right. I’m sorry, what exactly do you do now?”

“I’m a PA. My boss is just demanding. That’s all. But it’s good pay and it keeps me on my toes.”

“Ah, I left the paper too. Started my own photography business.” He explains.

“I saw that on Insta! I follow you. Your stuff is so good.”

“You follow me but you don’t message,” he crosses his arms.

“I’m sorry,” you pout. You rattle the box in your hands. You don’t want to be abrupt but you really can’t keep Mr. Hansen waiting too long and you still need to grab shampoo.

“We should catch up. How about dinner? What are you doing tonight?” Peter asks.

“Oh, er, nothing.”

“Great. How about Zak’s? That old sandwich shop near the paper. I remember your fave; the spicy italian with extra pickles.” He grins triumphantly.

“Sure, that sounds awesome. Just... send me a message, okay? I gotta get back to my boss.”

“Sure, don’t let her work you too hard,” he steps out of your way.

“He,” you correct him. “It’s not hard work, just a lot.”

You sweep down the aisle and grab a clarifying shampoo on your way to the checkout. Even just a few minutes is too long for Mr. Hansen and in his state, you don’t expect him to be any calmer. All you can hope for is that the remover works out.

Back at the office, you measure your dread. It won’t be that bad. You can fix this. Maybe. You grabbed some dye too, hoping maybe you might be able to even everything out after.

You drop your purse on your desk and flit over to Mr. Hansen’s office. You knock and hear him groaning from inside. As you enter, he’s bent over his lap, holding his head. He sits up so fast his chair teeters. He faces your chirpy greeting.

“Mr. Hansen,” you sing, “I got everything we need.”

“Why the fuck are you so cheery?”

As you look at him, like really look at him, you find it hard not to laugh. He really does look awful. He’s not exactly your type but he isn’t too bad most days. The black dye just washes him out. He looks like Dracula if he was in a 70s adult flick.

“So, we need to wash your hair. I figured we can use your sink. I even grabbed a towel.”

“You think of everything, don’t you?” He hisses.

“Sir, I think we can fix your hair.”

He scowls and stands. He shakes his head and slinks to the en suite bathroom. You follow with the bag of goodies. He looms with arms crossed as you put it on the counter and unpack.

“You can put the towel around your collar to keep the remover from dripping. Tuck it in to--”

Before you can finish, his shirt is half unbuttoned. You turn to unbox the remover and peel the seal of the bottle as you quiet. Whatever’s easier, you suppose. He hangs his shirt on the back of the door and comes back to you. You get a glimpse of his chest hair in the mirror.

“Alright, erm, bend over the sink and we need to wash your hair. How about you put the towel over your eyes--”

“I can handle it.” He snatches the towel and folders it over his forehead and eyes. He bends over the sink. His broad shoulders strain as his muscles tighten. “Don’t fuck up my hair.”

You want to tell him you don’t think it can get worse but you know better. You take one of the paper cups from the stack and crank on the faucet. You feel the temperature before you fill the cup and carefully pour it over his head. You wet all the strands and squirt shampoo onto his hair. You lather it up, scratching his scalp with your nails.

“Mmmph,” he purrs as your work away. You smile. He’s a bit like a cat. Cranky but manageable.

You rinse his hair methodically. You make sure not to get any near his face as you use your hand to redirect the water. When you finish, you help him cover his hair with the towel.

You roll in his chair from the office and have him sit. You rub the moisture of his hair with the towel and drape it around his shoulders. You pull the gloves on and mix up the remover in the bottle then take the comb out of the box. You go to Mr. Hansen as he sits, looking despondent.

“It fucking reeks,” he wrinkles his nose at the odour.

“I did warn you but once we rinse it out, you’ll be good as new.” You comb his hair back, then forward, and pull out a thin section. You slather it on precisely as you work through the strands.

As you pay close attention to your task, you feel the tension ease from him. When you get through the longer pieces on the top of his head, you push the back again. You use your gloved fingers to do his sides, rubbing in the remover on the buzzed stubble. As you do, he closes his eyes and leans into your touch.

Well, it’s better than him being angry. This might be the most relaxed you’ve ever seen Mr. Hansen.

#lloyd hansen #dark lloyd hansen #dark!lloyd hansen #lloyd hansen x reader #series #drabble #au #bad bosses #monster inc #the gray man

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thewadapan · 4 months ago

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School Days review

Yeah, School Days is actually pretty good after all.

When you google "School Days", on the first page of results there's a reddit thread asking "hey, why do people hate this show?" OP gives a succinct summary of the show's themes and praises it for its tight focus and psychological depth.

The comments in that thread are fucking crazy. The top-voted comment includes this absolute gem: "Sekai is an emotionally manipulative bitch". Some users gesture towards a faint understanding that School Days is a deconstruction of harem anime, but almost to a one they claim the character writing is unrealistic. Nobody seems able to look past the show's metatextual meaning to just look at it on a straightup subtextual level—that is to say, it's not just being different to other anime for the sake of contrarianism, it's making a serious point about misogyny and toxic masculinity. Describing Makoto as a "character" at all is almost missing the point; he's practically a force of nature, and the vast majority of the show is concerned with the psychological manoeuvring of the girls in his class trying to manage and shape his behaviour.

I only know about School Days because @weaselandfriends is constantly banging a drum about it being a secret masterpiece. Gee, I wonder who the OP of that thread was! Cannot imagine being on a "School Days slaps" grindset for eight fucking years now.

(CW: discussion of underage sex, full spoilers follow)

I'm going to take a cowardly centrist route and say that School Days does in fact slap on a conceptual level, but that the execution in many places leaves a bit to be desired. It often feels repetitive. I watched the thing on 1.5x speed because, as someone who reads fast, watching subbed anime is like watching paint dry. The dialogue often feels awkward (unintentionally so, as in), which I'm willing to partially chalk up to the translation; maybe some of the clunkier lines feel more natural in the original Japanese. The imagery is often kind of laughably blunt: in some cases it works, like Kotonoha's red yarn like she's pulling her own fucking arteries out of her body, and in other cases it feels derivative and hackneyed, like the whistling kettle in the final episode. Maybe that was more original in 2007, I don't know—I would've seen the same thing in Harry Potter and the Goblet of Fire two years prior.

School Days does set out to pull the wool over the eyes of its presumably-mostly-young-men audience, by putting them in Makoto's POV. The show is adapted from an eroge, where the player literally would have inhabited Makoto and made his choices for him, and the "objective" of the game would have been to unlock sex scenes with all the schoolgirls. The trick with the anime is that it removes the possibility of choice, creating an impactful dissonance as Makoto's actions become increasingly alien and harmful. Inversely, as Makoto's sexual exploits escalate, we see less and less of them; by the end, the whole thing is routine, not eroticised in the slightest, we see people putting clothes on afterwards, sneaking around darkened rooms.

At the start, though, it's all panty shots and boobs. And like, how do you depict the objectification of women, from an internal perspective, without just... objectifying women? This has basically always been the classic problem with satire. If there is a way of doing it, School Days hasn't figured it out, so it just rolls up its sleeves and gets on with it. Where School Days stumbles, in my opinion, is that the fanservice shots leak out of Makoto's POV and into the scenes where it's just the girls on their own. Nevertheless, I think that even pretty early on School Days is unmistakably saying, "this is a bad thing". There's a discordant note to everything, a threat of another shoe waiting to drop. At the start, it takes the form of these innocuous remarks as the characters try to interact in good faith: Sekai is constantly like, "There's nothing wrong with feeling attracted to a girl! But maybe she doesn't feel comfortable with it! Have you thought about how she might feel?"

That's the great tension of Sekai, and indeed of much of the show's conflict: there is a world where Makoto and Sekai are just friends, and where Makoto is faithful to Kotonoha, and everyone lives happily ever after. Maybe Sekai really is earnestly trying to cross this gulf between genders, and wants to just make Makoto understand, so everyone can be happy. But from the start, there's a question of Sekai's motives; embodied by Sekai's friend Setsuna, who trails after her constantly asking, "But do you like him really?"

Setsuna is an interesting character with her own motives. There's a reading where she has a crush on Sekai, but can't pursue it because of her family's impending emigration; she ends up hanging around Makoto and desperately attempting to protect him from the consequences of his actions to preserve his relationship with Sekai, expressly stating that she wants Makoto to be a proxy for her after she's gone (though leaving any romantic feelings unspoken, that's just my interpretation). This escalates to the point of her having sex with Makoto on the condition that he breaks off another engagement with Otome, which is such a self-defeatingly doomed gambit that it becomes tragically clear Setsuna has lost all control over the situation. I got the impression that Setsuna somewhat envied the other girls' entanglements with Makoto: the bit where she kisses him while he's asleep, in an attempt to create a personal memory before she leaves forever, is haunting. Like Sekai, Setsuna ends up manufacturing a romance between herself and Makoto as a way to be with him "by proxy", without earnestly confronting her own feelings.

Anyway, my point is that early on, everyone is treating Makoto like a person, which is sort of their mistake. They're like, oh, a boy with a crush, how cute! What's the worst that could come of this? He's a bit clumsy, but I'm sure he means well! And progressively, mercilessly, the show is like: no, he does not mean well. This dude has absolutely nothing in his life except sex. Girls only exist to him as people to have sex with. Guys practically don't exist, as he can't have sex with them. And for these teenagers who are discovering their sexuality, the very fact that Makoto soon starts having these rumours circulating around him is what gives him some allure: he's a sexual entity, he can be thought of in that way, there must be some reason all these girls are acting so crazy over him. Even a character like Hikari, who early on was crushing heavily on the anime's one (1) other male character, Taisuke, ends up taking her turn with Makoto; whatever feelings she had for Taisuke are forgotten, the anime doesn't even bother establishing how that romance works, because it doesn't need to, we've already seen Makoto use his exact same wiles on like three girls already.

School Days has aged well not just because the years since have yielded a better cultural understanding of its subject matter, but for its "production design": what would have been a timely present-day setting at the point of its release ends up turning the whole thing into an early-2000s period-piece. The fashion and environments are distinctly noughties. Perhaps the most consistent bit of visual symbolism in the whole thing is the flip-phone: whenever a character is holding their phone, you can think of them holding their heart in their hands. They're like the fucking soul gems from Madoka Magica. Sometimes, people leave their hearts in the other room, or block each others' hearts, or search their hearts for good memories. The "cell phone charm" from the first episode is brought up towards the very end, seeming bitterly quaint in retrospect. Right before she kills him, Sekai sends Makoto a text which just reads "sorry" copied and pasted hundreds of times. And of course, the ED shows a propped-open cellphone with a slideshow of photos of the girls.

I think in terms of its place in history, School Days speaks to this information age where young girls are being bombarded with cultural messaging that the best way to get ahead is to sexualise oneself while simultaneously slamming everyone else for their sexuality. Girls aren't just competing with one another for the attention of boys; now, they're competing with online pornography. Sekai works as a waitress at a maid cafe (?), and sometimes wears the outfit for Makoto when they have sex. During the School Festival, the girls theme their class as a maid cafe (drawing on Sekai's experience, I think?), and are shown using "absolute territory" as a last-ditch resort to steal people from the other classes. As part of the festival, they have a secluded area curtained off with a bed, encouraging couples to go there for sex acts—but later, it turns out some of the girls have set up a camcorder, and they use the footage to reveal how everyone is cheating on everyone else. While the exact events are obviously taken to an extreme, subtextually everything in School Days tracks 100% with my own experience growing up in a Bri'ish high school, and it feels like things have only gotten worse since social media really tightened its grip on our society.

The most common talking point I see regarding this show is that the characters are "stupid". And it's like, no, they're not stupid, what planet are you on, they're fucking children! (They're children, fucking!) Most of them have probably never been in a relationship before! Everyone in the show is pursuing their own interests; it's just that often, they're in denial about the reality of the situation, because to acknowledge the reality would run against those interests. It's funny, Makoto hardly changes his behaviour throughout the whole show—it just becomes more extreme—but the only thing that affects whether or not his behaviour with Sekai is good or not is whether or not Kotonoha is his girlfriend. The use of "girlfriend" as a role is weaponised by both Kotonoha and Sekai against the other constantly; like declaring "you're It!" At once point while cooking for the school festival, Makoto starts groping Sekai's ass, and she goes, "Geez, stop it! Stop it I said! What'll you do if someone sees us?", only for Makoto to reply, "Then it's okay if no-one sees us?"; this motif of a private sin recurs with Setsuna's character, particularly in the masked play that crops up a couple of times. In what context is an act of desire okay, or not okay?

Halfway through the show, I remembered Emily is Away, a short Western indie visual novel. Released in 2015, Emily is Away is very consciously an early-2000s period piece, wearing the whole time period as an affectation. The whole game is a series of text conversations on an IM client with a girl; after key choices, you are told "emily will remember that".

I fucking hated Emily is Away when I played it. It made me so, so cross. Because after I finished my first playthrough, and got a miserable, unsatisfying end, I naturally started the whole thing over and tried again. I picked different favourite bands. I acted completely differently. And yet, no matter what I picked, during the timeskips between sections, my viewpoint character would do the exact same shit and the relationship fell apart in exactly the same way. The second playthrough was a complete waste of time. It seemed like I, the player, was being railroaded, that the writer simply hadn't the imagination to conceive of a truly interactive narrative with a wildly diverging chain of events.

But of course, that's the whole point, obviously. Emily is Away plays a mean trick on the player, where it outright lies that "you" are making meaningful choices, when in fact "you" are merely spectating the actions of the viewpoint character, a specific guy who is, by nature, a certain way. It posits that all this shit on the computer just doesn't fucking matter, it has nothing to do with how we feel about each other, that it's only our actions in the real world that matter. The thesis of Emily is Away is that sometimes, for some immutable reason, shit just doesn't work out between two people, and there's nothing you could have done differently that would have changed that.

In the timeline where you go the party, you regret going to the party. In the timeline where you don't go, you regret not going. So, the game says, what's the point in regretting at all?

I totally understood this, after finishing the game. But, fuck, I was still pissed about it. The game lied to my face. It put me in the position of being a shitty person, and I didn't like that. It left a bad taste in my mouth. I'm still not sure if Emily is Away is actually any good; I think I like it conceptually, but maybe the writing sucks, I played it eight years ago. My point is that I think School Days is trying to pull the same trick as this one game, but in a much more mean-spirited way, to much more devastating effect, and I suppose I can't be too surprised that it pissed off a lot of people. If I hadn't known upfront what to expect- well, I wouldn't be watching ecchi anime in the first place, but you get the point, maybe I would've been pissed too.

If you break out of the "anime" mindset for even a second, and allow yourself to think that what you're watching is a frank portrayal of events, rather than some hyperreal cartoon, then Makoto is obviously just a little sexual predator. He's constantly pushing the girls past their limits, groping tits, going in for kisses, often against their express wishes. He initiates all the sex we see, and while in a certain sense it's all consensual, everyone involved is under the age of consent, and the show is making a very strong case for why underaged sex is a problem. When Sekai gets pregnant, Makoto wants nothing to do with her—"It's not my fault!"—but it's made clear he wasn't using any contraception, so, c'mon.

School Days is very deliberate in omitting adult characters entirely. Teachers mostly exist in the form of textbooks being read offscreen. I think we get a line of dialogue from Sekai's mom, if I remember right? It presents this world where Makoto basically has free reign to do whatever he wants to the girls, and everybody knows about it, but nobody is doing anything about it. When Sekai murders Makoto, there isn't a scene where anyone notices his absence, finds out. Kotonoha carries his severed head across town without anyone noticing, kills Sekai, and makes it onto the boat without getting caught. The show ends on a montage of idyllic school scenes, as if to say, "nobody noticed, everything just carried on". And again, to a certain kind of guy, I think this would stretch plausibility to the point of causing offence. For me, I think it's speaking to something very real.

Makoto's bedroom is barren except for his computer and magazines: porn, and porn. In the back half of the show, the void left by the absence of adults is filled by Makoto, Sekai, and Kotonoha, who are thrust into this horrible domestic drama, as everyone else in their class blocks Makoto. Makoto relays Kotonoha's recommendation for an abortion clinic to Sekai. He and Sekai sit diagonally across a table in a living room, and suddenly Makoto's school uniform looks like a salaryman's suit, a size too big for him, like he's walking around in his dad's clothes. Sekai tries to prepare a big meal for him, in a fucked-up parody of domesticity, but ends up destroying the whole thing after Makoto spits in her face yet again; later, she sees the remnants in the trash, an uneaten chicken leg poking out, and sees a little of herself in there, and that's basically when she decides to take the knife and kill Makoto. She stabs him in the belly, which is what Kotonoha will later do to her; both are imitating the original sin of the pregnancy.

Kotonoha explicitly chooses to kill Sekai this way because she believes Sekai is lying about the pregnancy—which we can pretty safely say isn't true, based on the scenes where Sekai is on her own. There's this horrible, horrible shot where the camera is looking out at Kotonoha from inside the gut wound, and she observes, "Just as I thought. There's no-one in there." And it's like, is she talking about this baby, still so early in the gestation that it's scarcely even an idea? Is she talking about Sekai, or Makoto, these two people who turned out not to care about her at all? Or is she peering straight through the screen at the viewer, complicit in this atrocity? The shot mirrors the bag containing Makoto's head earlier in the same scene; when Sekai unzips it, the inside is just a black void, and we aren't shown the contents. It's honestly more unsettling to infer it—that bag's not big enough for all of Makoto—and have it "made real" by that final shot of Kotonoha pressing the severed head into her chest on the boat. The memes were more right than they knew: "Nice boat."

Overall, I think School Days extends a lot of empathy towards its female characters. Or, if nothing else, it takes care to give them complex and distinctive internality, which is more than I can say for a lot of anime. Kotonoha initially represses her feelings for Makoto, and then when she feels pressured into reciprocating his intimacy, she soon gets turned into a social pariah for it. Early on, there's this eye-roll-inducing scene where Kotonoha is like "the other girls used to make fun of me because of my huge boobs", and from Makoto's perspective it's like "great, you've got huge boobs!", but then from Kotonoha's perspective, she spends the whole show getting slut-shamed, doesn't she? As a coping mechanism, she builds up elaborate delusions around Makoto—Makoto wouldn't let this happen to her, would he!?—which make it impossible for her to see how he's harming Sekai at the same time, culminating in the "I think you've made up your pregnancy for attention" beat. Their own internalised misogyny prevents the girls from identifying their common enemy.

If I'm being totally blunt, I feel like I can pretty safely put most of the comments regarding School Days I've seen online into a big bucket labelled "HAS NEVER HAD MORE THAN ONE GIRL INTERESTED IN HIM AT ONCE". Like, "I can't believe this Makoto guy! Why doesn't he just dump Kotonoha and date Sekai, who he's obviously more compatible with?" Bucket. "Makoto is so spineless and needs to stop letting these girls manipulate him!" Bucket. "There's no way the teachers would let him get away with this!" Bucket. "What do these girls see in Makoto anyway?" Bucket. "Sekai is such a bitch!" A new, bigger bucket labelled "NO BITCHES".

What I'm interested in is takes from School Days haters who aren't brainpoisoned anime fans, who might even nod along to all my analysis of the show's themes here, but who nevertheless think it's a bad show that deserves to be reviled. What part didn't you like? Is it the part in the OP where you see every female character naked one after the other? Yeah that part's pretty bad. Is it that windowpane-shattering digital transition that gets used once or twice? Is it the utter self-seriousness with which it tackles its ludicrous melodrama? I can see how, if you don't let yourself start to think "oh, those poor girls!", if you don't have that emotional buy-in, the whole thing might just feel comically edgy, sophomoric. I don't think there's any level on which School Days is fun to watch, and I'm not saying it's a secret masterpiece either, but I guess it more-or-less landed for me.

#school days #anime #anime review

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applepie2523 · 8 months ago

Text

" HOTD's Issues Writing Women Part 2: The Whitewashing of Rhaenyra

**This is part 2 of my analysis on the issues with the writing of the two main female characters. If you haven’t already please read my part 1 post where I analyze Alicent’s character assassination which you can find on my profile.** I think many fans on the Blacks and Greens and in between regarding HOTD have been concerned and disappointed with the way the two main female characters: Rhaenyra Targaryen and Alicent Hightower have been written in HOTD seasons 1-2. This is very understandable. Female characters in general in HOTD and I think a lot of Hollywood films nowadays are not being written as well as they used to be and could be. Go on Youtube or Google and you'll find many film reviews/tv show reviews that critique the Mary Sue and Girlbossification or just poorly written in general female characters that are taking up a chunk of characters in Hollywood. Rhaenyra and Alicent to me were such great characters in F&B. They were two different kinds of medieval women in a fantasy setting. One, the medieval queen who gains power/influence through her relationship with men and advocating for her son. Two, the medieval queen who sought power in her name and defied some norms that make her compelling but also immoral in their eyes. They are two deeply flawed and complex characters fighting on opposite sides of a dynastic civil war.

This post is here to address the main issues of whitewashing when it comes to writing Rhaenyra Targaryen.

***Some disclaimers: This is no issue with the actor themself. Emma D'Arcy while I may disagree with their opinions from time to time, they are a wonderful actor who is doing the best they can with the scripts they're given, so this is by no means a critique of them. I am going off of the show canon although the book will be mentioned.**

**So firstly... What is whitewashing?**

The modern definition of white washing is to cast in a show/movie or rewrite a character of a minority and make them white. For example, if someone decides to do a movie about Rosa Parks and they cast Emma Stone. However, white washing has another definition. It means to essentially remove or hide negative unpleasant facts or traits of a person or thing. I think Rhaenyra Targaryen suffers from this problem as many of her written negative traits or deeds so far are either not shown, projected onto another character close to her (Daemon Targaryen mostly), or severely downplayed. This results in a character that is almost too virtuous and bland for the setting she is in and a far cry from who she should be. A character whom doesn't seem to fit in the ruthless at times immoral world of Westeros. A character whom is almost a close to a Mary Sue. As I am very much on the belief that flaws versus virtues are what make a character compelling and human.

**I will say not every change made to Rhaenyra story arc and personality are necessarily all bad. Some are good ideas just poorly executed (ex - exploring more of Rhaenyra's hinted bisexuality, as there are hints in F&B that her close relationship with Laena may or may not have been more than platonic) and others are just good changes in general.**

*1. Victims vs. Villains - Biases in Writing Female Characters*

In the words of the iconic Grey's Anatomy actress Ellen Pompeo, “Women are one of two roles. You’re either the victim or the villain. But the victims are only victims because they don’t have what it takes to be the villain.” I think she states the major issue with writing female characters nowadays that HOTD has an issue with. Women must either be victims or villains. The character assassination of Alicent and white washing of Rhaenyra to me stems from this: Alicent is the villain in Rhaenyra's story to Rhaenyra's victimhood.

*2. Rhaenyra's Negative Traits: Arrogance, Hot Temper, Frivolity, and Bad Decisions to Peace-Loving and Plainness*

Rhaenyra had many great qualities in the book but it is only when coupled with major character flaws are we truly compelled. She was a loving mother, passionate, intelligent to a degree, etc. However, she was also very ambitious and power-hungry, arrogant at times, quick to anger, slow to forgive, and frivolous at times. **As a writer myself, I firmly believe that characters are truly humanized and compelling when they have major character flaws coupled with their virtues. Flaws they either have to overcome or use to their advantage. Flaws that make them who they are. Flaws create layers of complexity in a character. Or Flaws that help foster the characters downfall.**

I'm not saying the Rhaenyra in the show isn't flawed. She is! For example, I think what's great is that a flaw they gave Rhaenyra is something show Viserys also had: the ability to ignore or downplay potential conflicts or hard truths versus facing them head on. Viserys refused to see the potential conflicts in naming Rhaenyra heir or pretending her elder three children are trueborn. Rhaenyra in the show refused to listen to Jace whose concerns regarding his parentage as her successor and the dragonseeds were ignored or dismissed. The issue is thought, Rhaenyra is not given the flaws that she most certainly had, **flaws that helped lead to her downfall**. She's not flawed the way she's supposed to be.

Similar to many other Targaryens including her half-brother Aegon II, Rhaenyra was quick to anger and slow to forgive. We have some brief moments where we see Rhaenyra's temper and quick witt, but we don't see the major moments where her major character flaws are shown. Alicent provokes Rhaenyra for example in season 1, having her take Joffrey to her moments after he is born. We never see Rhaenyra provoke Alicent back. Any times where we should have seen Rhaenyra's sharp temper at the slightest of remarks are not shown.

Rhaenyra's actions herself were also very whitewashed with how they were portrayed. We either see their negative consequences downplayed, not shown, or the actions were projected onto another male character. In the books due to how similar Laenor and Rhaenyra were in looks (I mean they were both white) there was still a tad more ambiguity as to whether or not Jace, Luke, and Joffrey were bastards. Race changing the Velaryons made it even more obvious her elder three boys were bastards. I took issue with the writing of Rhaenyra's dialogue and that of the characters around her, not truly showcasing why having bastards, especially as a woman, is a truly egregious thing. The potential chaos Rhaenyra could cause was completely downplayed.

A few actions for example that were incredibly violent and evil were butchered. First example being the murder of Vaemond Velaryon. I was disappointed with this scene. Firstly, we only see Vaemond protest Luke inheriting Driftmark which sets it up as more so an ambitious second son seeking power versus a man who doesn't want his house to be run by someone not of his blood. We don't see other Velaryons protesting with him. After Vaemond made his little speech, Rhaenyra orders him dead and Daemon kills him on **her orders**. She then viciously has his corpse fed to her dragon Syrax. I think this scene was crucial as it foreshadows the danger Rhaenyra would be in the future to House Velaryon and sow more seeds of discontent that are crucial to the house's eventual turn to the Green side. Not only is Vaemond killed more viciously, Viserys orders the tongue removal of even more Velaryons who sided with Vaemond with Rhaenyra's consent! Instead, the show projects this entirely onto Daemon. Daemon goes Rogue (see what I did there) and kills Vaemond on his own accord. Rhaenyra stands there shocked and doesn't even order the body fed to her dragon. Rhaenyra is absolved from all blame to Vaemond's unjust execution without trial.

The thing about B&C is Rhaenyra was paralyzed with grief for her son, Luke. The moment her child died was the moment where her descent into madness and powerful wrath began to truly manifest and she would stop at nothing. I was very disappointed in the fact that she has one episode of grieving and then continues to be so level-headed. I couldn't feel her grief, rage, and resentment towards the Greens for her son's death that makes the war even worse. Daemon tells Rhaenyra that he would avenge her son. I loved the acting of Matt and Emma during their argument about the aftermath. However, I felt like Rhaenyra wasn't acting on character with the book. I don't think book Rhaenyra was 100% okay with a child dying as her vengeance, but I do feel with how angered and filled with grief and hatred Rhaenyra should be, Rhaenyra should be a bit more hardened. She should have not been so sorry about the child's death.

I also think that one of Rhaenyra's most controversial and evil decisions in the future are going to either not be included, blamed on someone else, or downplayed. It's very clear at the end of season 2 episode 8 that my favorite dragonseed Nettles is being cut and given to Rhaena who had her own plot and dragon hatchling. After Ulf the White and Hugh Hammer betray her, Rhaenyra's paranoia goes overload and declares that all the dragonseeds are traitors. Corlys advocates for Addam Velaryon and Nettles and Rhaenyra responds by having him arrested. He warns Addam, and is then bound, beaten, and thrown into the black cells. One of her most powerful allies is now thrown in the black cells. This causes the fleet of House Velaryon to turn against her. Later, she attempts to violate guest right, which is sacred in Westeros (which is why the Red Wedding was so horrific to Westeros even more so), by plotting to have Nettles murdered. As Nettles is being cut, I doubt they'd show this truly negative action as Rhaena can't have Nettles's complete plot. Rhaenyra's unjust arrest of Corlys and House Velaryon turning from her from what they're doing so far might just be blamed on someone else, have a different excuse that is not the one that the book gave, or not shown whatsoever.

I also think they might just be setting her up to be innocent of the torture of Tyland Lannister. After the Greens flee with most of the treasury leaving Rhaenyra in Kingslanding pretty broke, he refused to tell her where the gold was sent. Under Rhaenyra's orders he was tortured and castrated and blinded and disfigured to point of being disgusting. They might just have him be tortured by Mysaria or Daemon on their own accord without Rhaenyra's orders, leaving her innocent, or they will have him tortured by the Triarchy or something. Maybe after Mysaria and/or Daemon torture him, they'll frame it as vengeance for Jace and then Rhaenyra might let him go to appear merciful to an audience. As they cut Maelor whose murder was the breaking point that caused Helaena's suicide, we might not see how another child under the war was murdered by her faction. I worry that they won't show how how her cruelties that she did on her own accord caused her to be hated just as much if not more than her half brothers Aegon II and Aemond. They might not truly set the tone and show actions that lead to her being "Rhaenyra the Cruel" and "Maegor with Teats" they might not show the actions, or blame them on someone else or something else. They might not have her tax into oblivion the smallfolk or send her knight inquisitors to execute dozens upon dozens of supposed or proven Green traitors. I was also confused by the characterization of the smallfolk as these naive little lambs who will follow whatever. There is no famine or riot against the Greens at the point the show showed it. I was pleased with the fact that we saw the book-accurate support the smallfolk gave to Helaena after her son was murdered and how angered they were at Rhaenyra and the Blacks. However, days later they are singing her praises. It makes no sense to me that they would forget something so easily. Of course, I argue in another post on my profile why the riot and famine made no sense. So they might continue to get rid of her all of her negative actions.

**These evil actions make her even more compelling and even more realistic in a violent medieval world. It shows how both sides commit great evils as both Rhaenyra and Aegon II were not remembered fondly by their own descendants, smallfolk, and nobles alike.**

I also hate how they hardly showed just how feminine almost girly Rhaenyra was. Rhaenyra notably loved fashion and wearing beautiful intricate gowns that always showed off her beauty and figure. She dressed very richly as befitting her station, wearing gowns of purple with maroon velvet and Myrish lace. Her bodices often had pearls and diamonds. She always wore rings on her finger that she'd play with and turn when anxious. I honestly found these traits very endearing and relatable as someone who is a girly girl. Finally, a "strong female character" who is a leader who is also very feminine and girly. She doesn't need to be a tomboy and wield a sword to be a badass. But no... we don't see that. Yes the costumes Emma D'Arcy wore were nice I guess on the show but they didn't feel like something book Rhaenyra would wear. I get they had budgets but still... you couldn't have made something else? Like where is the purple and maroon? She's mostly wearing just red and black. No rings. No nothing!

*3. Unequal Screen Time and Too "Modernized": Rhaenyra is the Main Modern Girl*

I feel like HOTD has a problem with perspective. GOT had it perfectly done! The original ASOIAF were written from the perspective of multiple characters so we got a perfect ensemble cast with writing that highlighted the stories and perspectives of many different characters. Jon Snow's narrative didn't overtake Daenerys's screen time and vice versa which is just how it should be. However, I feel HOTD makes a mistake especially in season 1 with framing. Rhaenyra as the main with secondary-main perspectives of Alicent and Daemon. We get most of season 1 from Rhaenyra's perspective and to a lesser extent Daemon and Alicent when the show should have been formatted like GOT as multiple perspectives were given in F&B. We should have gotten an ensemble cast with equal development and perspective from multiple characters, especially an equal development of both Aegon II and Rhaenyra. We get both of Rhaenyra's weddings, two births, her raising her children, many scenes with her dragon, her perspective, and her interactions. Our first intro to her sets her up in a more heroic light as she's a beautiful princess riding her dragon. We don't get Aegon II's wedding or Alicent's. No birth scenes for Alicent or Helaena. We hardly get their perspectives compared to Rhaenyra. We should have seen more of Aegon II's childhood and perspective versus just him being a bully and later a rapist. While they improved perspective a bit more in season 2, it's not enough to take away from what was done in season 1. Rhaenyra is the protagonist and **THE main character versus A main character.**

What I think they should have done is showcase the real dynamic of Alicent and Rhaenyra more. They can start off with their friendship but then transition it to the dynamic that both women had at court: competition. Both women wanted to be First Lady of the Realm and first priority to King Viserys. The Queen vs the Princess and named heir.

Rhaenyra does at times come off as more modern than she should be. I think her and even her aunt Rhaenys. For example, in the book Rhaenyra is at times very homophobic by our standards to Laenor. When she discovers she's to marry Laenor Velaryon in the show, we see her initially not too excited about it, but not fully antagonistic. She in fact has a very decent and friendship like conversation where she uses the metaphor of preferring roast duck to insinuate she understands and accepts Laenor for being gay, deciding to do their duty and support one another, while pursuing their own pleasure with each other's consent with whomever that may be. They appear to be very supportive of one another times, at least on Rhaenyra's end. She compliments him deeply when he says he wishes he were different.

While I'm sure on some level Rhaenyra wishes Laenor was bisexual at the very least so they can have more than a friendship and have trueborn kids together, Rhaenyra is almost too accepting for her medieval context. In the medieval world, same sex relationships were a HUGE no-no. In fact being gay was considered a mental illness and sickness up until the 20th century! Rhaenyra appears too accepting of Laenor, appearing too modern in just how accepting she is. In reality, while I'm sure Book Rhaenyra cared for Laenor on some level and had some kind of respect for him and affection, it wasn't this deep and this accepting. Laenor did mean something to her on some level, after all he is still the man she married, and very important to her storyline---however Rhaenyra in the book as a much more medieval reaction and medieval view on his sexuality. She was notably very unhappy about her betrothal to him. It took serious threats from King Viserys to remove her from the line of succession in order to get her on board and she did so reluctantly. She notably even said that "My half brothers would be more to his taste." This is a very cutting and almost homophobic statement. I mean her half-brothers were still toddlers. However, we never get any true antagonism, frustration, or even subtle or outward homophobia on Rhaenyra's end. While this statement is mean and homophobic, that is a more medieval response. It's sad, but it's true. Rhaenyra is a medieval woman in a medieval setting. She is a product of what her society raised her to be, which is being gay isn't something one should accept.

The same issue occurs with Rhaenys having an almost too modern point of view or opinion that doesn't fit with her medieval setting. When she discovers her husband Corlys Velaryon has bastard children, Addam and Alyn of Hull, she is neither furious nor disappointed or horrified. In fact, Rhaenys advocates that they deserve to be "raised up and honored not hidden in the tides." This is an incredibly unrealistic and unfitting reaction on Rhaenys's end. In our modern day society, even, if a woman finds out her husband cheated on her and sired kids off his side chick, she'd be furious. Of course, I think a moral modern woman wouldn't take her anger out on the children, but still. Rhaenys's reaction is almost too modern and too gracious. Characters are products of their circumstances. Despite Westeros being a fantasy world, we feel how medieval the characters are through their beliefs and behaviors. Catelyn Stark or Cersei Lannister's reactions to their husband's bastards is far more realistic---specifically how Catelyn and Cersei hated what their husbands had done and felt it was an affront to them personally. Corlys in the books was terrified of Rhaenys finding out as it would dishonor him, her, and their dead children together which is why he tried to pass them off as Laenor's no matter how ridiculous is sounded. Rhaenys should have been more realistically horrified at Corlys and angry. She shouldn't be advocating for them to be anywhere near her house or imply they should have been raised amongst their own trueborn children.

I think this does two things: 1) Makes it though Rhaenys is fully on Rhaenyra's side when raising her bastard children of Harwin as if they are her trueborn grandsons and 2) Modernizes her too much. That is a main issue. The show attempts to modernize her and make her appeal to a more modern audience. However, there is a way to do that without modernizing her so much that she doesn't seem to fit with her medieval context.

was very disappointed when I heard that the directors told Olivia Cooke to portray Alicent as "woman for Trump" and Rhaenyra is this "punk-rock Hillary Clinton." Modern day politics and movements and ideologies have little to no place in the way Westeros should be written as its a **realistic medieval setting with realistic medieval characters in a fantasy world**. Rhaenyra is too modern in her interactions and beliefs that she doesn't seem to fit well in Westeros. Rhaenyra as well is also presented as this more feminist character.

*4. Two Things Can Be True At Once: Women Can Be Victims of Sexism AND Still Do Terrible Things, Be Self-Serving, and Wield Significant Amounts of Power*

**What I ultimately believe that Condal and the HOTD production seem to get wrong is that in a medieval setting like Westeros, women are ALWAYS overlooked and dismissed and cannot take so much significant power. I feel like they believe that women can't do terrible things in the patriarchal system of Westeros while being victims of sexism.**

Women in the real middle ages and Westeros in Martin's story are not feminists by our definition. At times we see women take advantage of and gain power from the sexist patriarchal society they live in. We see it with Cersei Lannister, Margaery Tyrell, Daenerys Targareyen, Catelyn Stark, Olenna Tyrell, Ellaria Sand, Lysa Arryn, Melisandre, Arya Stark, Sansa Stark, every woman in the original GOT series were victims of sexism and an oppressive patriarchal system of Westeros just like real women of the Middle Ages AND YET they still were able to wield some power and do terrible or morally gray things. We can view them as victims of a horrible system but still see how they take advantage of it, gain power and agency as they have no choice to use the system versus fight it, do horrible things, but still view them as victims.

Rhaenyra is one example! I will say that this is partly more so the interpretation of the modern casual audience versus a writing issue, but it is still a writing issue that there are people who believe her to be a feminist. She's not! Of course just because she isn't one doesn't mean you can't root for her, but don't root for her if you think she's a feminist. We might never see the moments where Rhaenyra herself is denying women rights of inheritance from Lady Stokeworth to Lady Rosby. We should have been emphasized that Rhaenyra is not the closest thing to a modern day feminist. She is not advocating for women's rights or to make the world better for women, but to be an exception to the rule. Like most medieval woman in power, she takes advantage of the patriarchal system and gets power from it. Laena Velaryon is older than Laenor. She takes advantage of patriachal rulings to install her (bastard) "son of Laenor" as future Lord of Driftmark versus advocating that the eldest child, Baela Targaryen, daughter of Laena Velaryon, the elder sibling, to inherit Driftmark.

Victims can be villainous too! Soft power. Rarely in the Medieval world do we see women wield a hard power in their own name. Of course we have outliers, but in the end most medieval women wielded a soft power---gaining influence and power through manipulating their relationships with men (their husbands, fathers, brothers, sons, etc.). Did real Medieval women know they were oppressed? Perhaps they did, and perhaps they accepted it. Did real Medieval women make efforts to change it? I wouldn't say so. Many women upheld the status quo of men being dominant.

For example, in keeping with British history that Martin is so inspired by, going off of blood-ties alone, Lady Margaret Beaufort had a stronger claim to the English throne via her Lancastrian blood than her own son Henry VII, and yet she advocated for her son not herself to be the next ruler of England. Queen Elizabeth Woodville had three daughters (Elizabeth, Cecily, and Mary) before she had her son Edward V. Like any medieval woman with three daughters alone there was growing pressure to secure her husband's line and her own position by producing a male heir. She never tried to name any of her elder daughters over her son once she had him nor did she ever try to advocate to her husband King Edward IV that he didn't need a male heir, he had his eldest daughter Elizabeth of York.

Rhaenyra Targaryen as well is presented almost like she's pursuing power to make Westeros better and that she has more altruistic and kind intentions behind her actions. I mean this weird "Aegon Prophecy" contributes to it. I think we should have seen a more realistic medieval and Westerosi character by having Rhaenyra, just like Alicent or Aegon II, pursue power because she can! Pursue power and queenship for the sake of having it and because she believes herself entitled to it versus these more "virtuous reasons." I mean in the book she never considered accepting the peace terms despite how generous they were because she refused to renounce her claim and back down! She wanted power because felt entitled to it and because every character in Westeros wants power to some degree. Ambition is a theme and characteristic that unites every character in Martin's world.

**My Takeaway? The Writers are Biased and Fail to Understand the Medieval Context of Westeros and Martin's Female Characters. Don't implement modern politics and biases into a medieval show**

I love that Martin tries to write his women the way he writes his men. He has explicitly stated that he writes his women the way he writes his men. He states that women are people too. They can be driven by the same things men are in Westeros and/or the real world: love, anger, hatred, a desire for power, vengeance, grief, guilt, bringing glory to their name and themselves, a desire to protect their family, etc.

Most of all: **Westeros is a realistic medieval world with realistic medieval characters in an unrealistic fantasy setting.** So you have to look at it from primarily a medieval lens in order to fully understand it and its character. While its okay to analyze using some modern concepts and lenses (ex - analyze how Daemon is a pedophile) you have to couple it with a lot of grace and understanding of their medieval context and morals that impacts the way the characters behave as we are products of our own historical context (ex - remembering that pedophilia and child grooming isn't much of a concept in the medieval world. The moment a girl has her first period, they are a consenting woman in his context).

So I find it disingenuous to write off all of Rhaenyra Targaryen's negative traits as just nothing but maester propaganda and due to sexism. I disliked how they downplayed her ambition, arrogance, rage, and cruelties to make her appear more modern and peaceful and the most virtuous character on the show. Yes, perhaps sexism could have had some tie into how Rhaenyra was viewed in Westeros. However, historians in the real world can't just dismiss reports about what a medieval woman was like simply because of the sexist world they were living in. By that standard, perhaps a woman like Queen Anne of Brittany wasn't all that bad or Margaret of Anjou. By that standard anything that was negative about the personalities of any medieval woman in power is all just rubbish and not true.

I felt we should have seen more of the kind of women that Martin writes. The kind of women that fit with his medieval-fantasy narrative that showcases how pursuing power at all costs leads to nothing but ruin. We should have seen layered women. We should have seen a more book-accurate Rhaenyra. We shouldn't have to settle for a lackluster story where Rhaenyra is nowhere close to her book counterpart.

**And most of all, the HOTD team shouldn't subtly or outwardly bash the original source material as nothing but sexist propaganda to excuse the lackluster writing of the female characters being nothing like their book counterparts or subtly or outwardly write off critics and fans like myself as toxic for pointing it out.**

**If you like this analysis, read on my profile my part 1 when I delve into the issues with HOTD’s Alicent.** "

#house of the dragon #hotd #anti hotd #hotd meta #team green #hotd critical #anti rhaenys targaryen #anti rhaenyra targaryen

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