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#richard dreyfuss
classichorrorblog · 11 months
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Jaws (1975)
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omercifulheaves · 2 months
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Jaws (1975)
Art by PhaseRunner
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coolthingsguyslike · 1 month
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nihillist-blog · 10 months
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American Graffiti (1973)
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cosmonautroger · 9 months
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Robert Shaw, Roy Scheider, Richard Dreyfuss, Jaws, Steven Spielberg, 1975
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everglow-ing · 2 years
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JAWS (1975) dir. Steven Spielberg
"You're gonna need a bigger boat."
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brandomonk · 2 years
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machetelanding · 1 year
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anxiouscowboy · 8 months
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a collection of homemade shark movie memes for your enjoyment
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lisamarie-vee · 6 months
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stuckasmain · 3 months
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Matt Hooper (1975 colorized)
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honeydewtreacle · 8 months
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this video lives completely rent free in my head
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coolthingsguyslike · 1 year
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brokehorrorfan · 6 months
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Gary Pullin has released three Jaws prints. The 18x24 giclee print above costs $50, while the 11x14 tattoo flash sheet prints below are $20 each.
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fangerine · 8 months
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"You know, I really love this little town. I'm gonna miss it."
AMERICAN GRAFFITI (1973) dir. George Lucas
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slithergaunt · 10 months
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Gimme your hands
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I’ve made this tweet, or some version of it, at least half a dozen times during conversation with others. If you aren’t familiar with the actual scene itself in a while, or haven’t seen Jaws (ARE YOU FUCKIN KIDDING ME? GO WATCH JAWS) you can find it on youtube as I did as the “gimme your hands” scene.
For those without time, Quint (played masterfully by Robert Shaw) is FINALLY being hired to go out and kill the shark that the mayor and town have been reluctant to actually acknowledge until now. However Hooper (played also wonderfully by Richard Dreyfuss) is a marine biologist or something and wants to come along too, and bring his fancy equipment.
Quint demands to feel Hooper’s hands, and the audience already knows Hooper not going to enjoy this. While squeezing squeezing the fuck out of Hooper’s hands to wound his masculinity, Quint claims Hooper’s fancy 2,000 nets and gadgets will be worth nothing against the shark they face. Then claiming his wealthy idle upbringing make him too weak to participate, leading to “You’ve got ‘city hands’ Mr. Hooper. Been countin’ money all your life..”
This is like mid-argument in the conversation, but the moment tells you EXACTLY the type of person Quint believes he is. Working man, man’s man, had to sweat and bleed in the mud for every dollar he’s made in his life. And Hooper is the soft little wimpy man from the city, the city man, bestowed with wealth, never done “an honest day’s work” in his life, weak and idle with all his fancy toys.
In the past century, we artists have been softer people. We’ve always been considered, and often felt, weaker in our trade. Not a “real job” kind of thing. Layabouts who don’t go out and actually “work”. For over the past century, we’ve been Hooper in this scene getting our hands crushed. I know I have.
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But then, these techbros came along, with their AI generated art. I almost refuse to call it AI art, because that’s not what it is. It’s Mass Non-Consensual Online Image Combination Generated Media. MNCOICGM, rolls right off the tongue doesn’t it. But let’s humor them. Here they come with their new toys, their new gadgets, that allow them to do art purely by typing on a keyboard.
I’m not even gonna post examples of what they spurt out. The equivalent of using the Doordash app to order from 20 different restaurants, having a robotic arm put the contents into a blender for you, baking it, and declaring yourself a chef. And I know what you’re thinking, techbro “there’s SO MUCH MORE to the process than that!” and you’re correct! That IS a gross over-simplification of how much work is done FOR YOU while all you did was type.... a prompt
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So now suddenly artists all over the world, even kindergartners with crayons have put in more work and effort than them. Suddenly we’re the one’s who’ve been putting in the hours, busting our backs, sweating in the mines, and have knowledge and skill sets (they could totally go learn too if you wanted btw) that make us seem like the grizzled workers who had to learn everything the hard way, over years of toil.
And someone has replaced us as Hooper. The rich boy with all his fancy toys and gadgets his dad bought him, who’s never worked a day in his life, and just sits around thinking he can use his new gadget to make things that look just as good as ours (by secretly feeding millions of our images into his gadget).
We never ever IMAGINED the day would come, but the artists of the world, of all mediums, finally have someone to say “Gimme your hands” to, and pettily emasculate by crushing their hands.
My main decree has always been: AI artists, it doesn’t matter how good the programs get, it doesn’t matter what results it produces, no matter how real or how “cool” you’re able to make it look. You typed a prompt, your machine used our shit to do it. I can now FINALLY embody the spirit of my coal-mining forefathers, and call you a pansy who’s never worked a day in his life, and I’ll keep doing it forever.
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